1 00:00:00,629 --> 00:00:02,746 That is an incredible profile. 2 00:00:02,798 --> 00:00:05,032 Okay, what does that mean? 3 00:00:05,067 --> 00:00:06,900 That's cool, that's something I don't see all the time. 4 00:00:06,936 --> 00:00:08,852 Thank you very much. 5 00:00:08,888 --> 00:00:10,621 McKenzie: Previously on Face Off... 6 00:00:10,656 --> 00:00:13,023 Melissa's alien bounty hunter brought her to victory, 7 00:00:13,059 --> 00:00:15,242 but Greg fell short and was sent home. 8 00:00:16,996 --> 00:00:19,596 And tonight, the artists embark on a whimsical adventure. 9 00:00:19,648 --> 00:00:21,331 - That's awesome. - I cannot believe it. 10 00:00:21,367 --> 00:00:23,467 Go! 11 00:00:23,502 --> 00:00:24,952 You're over-thinking what the judges are going to say. 12 00:00:24,987 --> 00:00:26,503 I'm so frustrated. 13 00:00:26,839 --> 00:00:27,804 I don't know what we did wrong there. 14 00:00:27,856 --> 00:00:29,606 We are in big trouble. 15 00:00:29,641 --> 00:00:31,174 What the fuck? 16 00:00:31,210 --> 00:00:34,011 McKenzie: And a legend joins this week's panel onstage. 17 00:00:34,046 --> 00:00:35,278 It's Paul Rubens. 18 00:00:35,331 --> 00:00:37,647 I'm sorry I'm saying "nipple" so many times. 19 00:00:37,683 --> 00:00:39,082 [dramatic music] 20 00:00:39,118 --> 00:00:41,351 This is really successful makeup. 21 00:00:41,387 --> 00:00:42,736 It's creepy and weird. 22 00:00:42,771 --> 00:00:44,621 I like everything about this. 23 00:00:44,656 --> 00:00:47,357 McKenzie: In the end, only one will win a VIP trip 24 00:00:47,393 --> 00:00:48,692 from Kryolan Professional Make-Up 25 00:00:48,727 --> 00:00:51,895 to one of their 85 international locations, 26 00:00:51,930 --> 00:00:55,165 a brand-new 2016 Fiat 500, 27 00:00:55,200 --> 00:00:57,701 and $100,000. 28 00:00:57,736 --> 00:01:00,637 [dramatic music] 29 00:01:00,672 --> 00:01:09,613 ♪ ♪ 30 00:01:09,648 --> 00:01:12,161 This is Face Off! 31 00:01:12,933 --> 00:01:15,986 [exciting music] 32 00:01:40,392 --> 00:01:44,538 Sync and corrections by n17t01 www.addic7ed.com 33 00:01:48,587 --> 00:01:49,920 Culver Studios. 34 00:01:49,955 --> 00:01:51,888 Wow, that's so cool. 35 00:01:51,924 --> 00:01:54,057 We arrive at Culver Studios. 36 00:01:54,093 --> 00:01:58,595 I've never been on a studio lot before, and I'm so excited. 37 00:01:58,647 --> 00:02:02,682 This does really feel like-- like a studio. 38 00:02:02,718 --> 00:02:04,501 We walk into a soundstage... 39 00:02:04,536 --> 00:02:05,502 That's awesome. 40 00:02:05,537 --> 00:02:07,654 And I cannot believe it. 41 00:02:07,706 --> 00:02:11,441 [whimsical music] 42 00:02:11,477 --> 00:02:13,093 It's like Toys. 43 00:02:13,128 --> 00:02:16,113 I see these giant toys, 44 00:02:16,115 --> 00:02:19,149 and there's McKenzie and Ve standing at the end. 45 00:02:19,201 --> 00:02:21,184 And I want to impress Ve, 46 00:02:21,220 --> 00:02:23,553 so I'm feeling extremely nervous. 47 00:02:24,790 --> 00:02:26,523 - Hey, guys. - Hi, everybody. 48 00:02:26,575 --> 00:02:28,074 all: - Hi. - We're here today 49 00:02:28,127 --> 00:02:31,194 at the beautiful and historic Culver Studios lot, 50 00:02:31,230 --> 00:02:34,798 where countless projects have filmed for nearly a century, 51 00:02:34,833 --> 00:02:36,700 including Gone With The Wind, 52 00:02:36,735 --> 00:02:38,101 Citizen Kane, 53 00:02:38,137 --> 00:02:39,769 and E.T. 54 00:02:39,805 --> 00:02:41,138 All right, are you guys ready to find out about 55 00:02:41,140 --> 00:02:42,839 your next Spotlight Challenge? 56 00:02:42,841 --> 00:02:43,974 all: Yes! 57 00:02:43,976 --> 00:02:46,176 Good, cause this is a fun one. 58 00:02:46,211 --> 00:02:49,646 Now, whether you wish upon a star or wave your magic wand, 59 00:02:49,648 --> 00:02:50,981 Hollywood has a long history 60 00:02:51,033 --> 00:02:53,817 of breathing life into inanimate objects. 61 00:02:53,869 --> 00:02:58,121 Films and television shows like Pinocchio, Toy Story, 62 00:02:58,157 --> 00:02:59,689 and Pee-Wee's Playhouse 63 00:02:59,725 --> 00:03:03,660 showed audiences the magic in everyday objects. 64 00:03:03,695 --> 00:03:07,430 And today, it'll be up to you to provide that magic. 65 00:03:07,483 --> 00:03:10,000 - [laughter, chatter] - That's awesome. 66 00:03:10,002 --> 00:03:11,835 For this week's Spotlight Challenge, 67 00:03:11,870 --> 00:03:13,837 you will be working in teams 68 00:03:13,839 --> 00:03:17,090 to create a wacky, larger-than-life character 69 00:03:17,125 --> 00:03:20,544 inspired by one of these inanimate objects. 70 00:03:20,579 --> 00:03:22,779 - All right. - I'm really excited. 71 00:03:22,831 --> 00:03:24,731 I don't normally do whimsical makeups. 72 00:03:24,783 --> 00:03:26,616 It's something I've always wanted to do, 73 00:03:26,618 --> 00:03:28,652 so I can't wait to get started. 74 00:03:28,704 --> 00:03:29,986 Now, your teams have been randomly assigned, 75 00:03:30,038 --> 00:03:31,988 so when Ve calls out your name, 76 00:03:32,040 --> 00:03:33,890 go ahead and stand with your new teammate. 77 00:03:33,942 --> 00:03:38,195 Team number one is Walter and Ant. 78 00:03:38,230 --> 00:03:41,064 Njoroge and Jennifer. 79 00:03:41,099 --> 00:03:42,766 Anna and Mel. 80 00:03:42,768 --> 00:03:44,501 Yes. 81 00:03:44,536 --> 00:03:47,404 - Robert and Yvonne. - All right. 82 00:03:47,406 --> 00:03:49,472 Rob and Johnny. 83 00:03:49,525 --> 00:03:51,107 Katie and Kaleb. 84 00:03:51,143 --> 00:03:52,809 Hey. [giggles] 85 00:03:52,861 --> 00:03:55,946 Melissa, don't think we forgot about you. 86 00:03:55,981 --> 00:03:58,982 As the winner of last week's Spotlight Challenge, 87 00:03:58,984 --> 00:04:01,835 you get to choose which team you want to be on. 88 00:04:01,887 --> 00:04:04,888 Um, I think I'll be with Rob and Johnny. 89 00:04:04,890 --> 00:04:06,489 All right, go ahead and join your new team. 90 00:04:06,525 --> 00:04:07,924 Okay. 91 00:04:07,926 --> 00:04:09,476 Being on a team of three 92 00:04:09,511 --> 00:04:11,611 is supposed to be a reward for winning the last challenge. 93 00:04:11,663 --> 00:04:13,113 But it's very intimidating, 94 00:04:13,165 --> 00:04:14,915 'cause we know we're gonna have to really step it up, 95 00:04:14,950 --> 00:04:16,900 'cause we have three people working on everything. 96 00:04:16,902 --> 00:04:19,903 Now, Ve, you worked on a very whimsical show 97 00:04:19,955 --> 00:04:22,539 once upon a time-- Pee-Wee's Playhouse. 98 00:04:22,574 --> 00:04:24,774 - Yeah. - You even won an Emmy for it. 99 00:04:24,826 --> 00:04:26,876 All right, so what can you tell these guys to help them 100 00:04:26,878 --> 00:04:30,764 capture the colorful, wacky spirit of this challenge? 101 00:04:30,799 --> 00:04:32,766 I really want you guys to think out of the box. 102 00:04:32,801 --> 00:04:34,017 Just go crazy. 103 00:04:34,052 --> 00:04:35,218 Bring out your inner child. 104 00:04:35,270 --> 00:04:37,921 Make it colorful, psychedelic. 105 00:04:37,956 --> 00:04:40,924 And please, do not go to the dark place. 106 00:04:40,959 --> 00:04:42,826 [laughter] 107 00:04:42,861 --> 00:04:45,862 All right, guys, when Ve says "Go," you can all come over 108 00:04:45,864 --> 00:04:48,632 and choose the object you want to use for inspiration. 109 00:04:48,667 --> 00:04:49,866 And when you've got something, 110 00:04:49,868 --> 00:04:52,535 go ahead and start working on your designs. 111 00:04:52,588 --> 00:04:53,803 I'll swing by the lab later on with my dad 112 00:04:53,839 --> 00:04:55,705 to check in and see how you're doing. 113 00:04:55,741 --> 00:04:59,876 Okay, guys, get on your marks, get set, 114 00:04:59,911 --> 00:05:01,011 go! 115 00:05:02,931 --> 00:05:05,148 Clock! Clock! Clock! [laughing] 116 00:05:09,454 --> 00:05:10,687 Is there a color we're doing? 117 00:05:10,722 --> 00:05:12,055 What do you think about yellow? 118 00:05:12,107 --> 00:05:13,523 - Why do yellow? - 'Cause it's supposed to be, 119 00:05:13,558 --> 00:05:16,209 like, a happy-- a happy color, right? 120 00:05:16,244 --> 00:05:17,694 Njoroge and I select crayons, 121 00:05:17,729 --> 00:05:19,763 and our concept is a crayon man 122 00:05:19,798 --> 00:05:22,732 that came to life out of the crayon box. 123 00:05:22,784 --> 00:05:26,586 And then we're going to make crayon fingers for him. 124 00:05:26,638 --> 00:05:29,172 It's gonna be a-- a step out of what I usually do, 125 00:05:29,174 --> 00:05:32,175 because I'm mostly, like, sci-fi and creature stuff-- 126 00:05:32,227 --> 00:05:33,677 like, more realistic things. 127 00:05:33,729 --> 00:05:35,762 But this one, it's just gonna be so much fun. 128 00:05:39,084 --> 00:05:41,251 Katie and I chose the key, 129 00:05:41,286 --> 00:05:45,522 but we don't want to turn a person into an actual key. 130 00:05:45,557 --> 00:05:50,527 So our concept is a well-loved older porcelain ballerina doll 131 00:05:50,562 --> 00:05:54,431 that unlocks imagination and creativity and love. 132 00:05:54,466 --> 00:05:55,965 What about more champagnes 133 00:05:55,967 --> 00:05:57,384 - and silvers? - Yes. 134 00:05:57,436 --> 00:06:00,003 We want to go with the approach of a skeleton key. 135 00:06:00,005 --> 00:06:01,338 They have that beautiful design work, 136 00:06:01,340 --> 00:06:04,240 and we want to organically incorporate the key 137 00:06:04,292 --> 00:06:05,709 with our character. 138 00:06:05,744 --> 00:06:08,345 - I'm feeling good about this. - I feel pretty good too. 139 00:06:12,184 --> 00:06:13,883 This can be like a breastplate. 140 00:06:13,885 --> 00:06:15,435 Mm-hmm. 141 00:06:15,470 --> 00:06:18,104 For the numbers, I'm thinking all over his costume. 142 00:06:18,140 --> 00:06:20,557 Anna and I have the watch. 143 00:06:20,592 --> 00:06:22,859 We're having trouble convincing each other of our ideas, 144 00:06:22,861 --> 00:06:25,395 and we're having trouble nailing down a concept 145 00:06:25,447 --> 00:06:27,530 that isn't so on the nose. 146 00:06:27,582 --> 00:06:29,833 If you're not, like, into this, like, please, 147 00:06:29,868 --> 00:06:33,069 by all means-- are you liking where this is headed? 148 00:06:33,105 --> 00:06:35,638 I'm-- I'm feeling a little nervous right now. 149 00:06:35,674 --> 00:06:37,924 I'm hoping Anna and I can come to some sort of resolution 150 00:06:37,976 --> 00:06:39,509 before we get back to the lab. 151 00:06:45,450 --> 00:06:49,018 For our dice character, Robert and I think game board. 152 00:06:49,020 --> 00:06:50,437 Robert comes up with the idea 153 00:06:50,489 --> 00:06:52,522 for the playing piece for on top of the head, 154 00:06:52,557 --> 00:06:56,159 and that's where we start going with the design. 155 00:06:56,194 --> 00:07:01,998 - It's board-- Board Game Man. - Board Game Man, yeah. 156 00:07:02,033 --> 00:07:04,851 I will use red and white, 157 00:07:04,886 --> 00:07:06,803 and then maybe blue and yellow 158 00:07:06,805 --> 00:07:10,106 so I have it really colorful for the children. 159 00:07:10,108 --> 00:07:12,509 Hey, everybody, let's go back to the lab. 160 00:07:24,556 --> 00:07:26,172 Walter and I pick the race car. 161 00:07:26,208 --> 00:07:28,458 We want to create something that a child would look at 162 00:07:28,510 --> 00:07:30,960 and want to be or want to own. 163 00:07:30,962 --> 00:07:32,929 Walter's gonna start sculpting the chest piece, 164 00:07:32,964 --> 00:07:34,664 and I'm gonna start sculpting the cowl. 165 00:07:34,666 --> 00:07:37,100 We're gonna be creating this super-cool, 166 00:07:37,135 --> 00:07:39,436 fast car-human hybrid-- 167 00:07:39,471 --> 00:07:41,571 like a feminine, cool hot rod. 168 00:07:41,573 --> 00:07:43,239 We're taking a little bit of a risk, 169 00:07:43,291 --> 00:07:45,074 'cause we're not putting any prosthetics on the face, 170 00:07:45,127 --> 00:07:47,811 but I feel really confident in my beauty-makeup skills. 171 00:07:47,846 --> 00:07:50,063 And keeping our face human helps our concept, 172 00:07:50,098 --> 00:07:53,049 because it shows that it's a half human, half car. 173 00:07:57,906 --> 00:08:00,623 Our concept is, there's this child, 174 00:08:00,625 --> 00:08:03,293 and his father runs a candy store. 175 00:08:03,345 --> 00:08:05,462 And he realizes that he's going to have to 176 00:08:05,464 --> 00:08:06,863 take over his father's shop. 177 00:08:06,898 --> 00:08:09,766 So he dreams up this character, this Lollipop King, 178 00:08:09,801 --> 00:08:11,868 who's the leader of all the other candies 179 00:08:11,903 --> 00:08:13,670 who's going to help him run the store. 180 00:08:13,705 --> 00:08:15,538 Rob gets to work right away sculpting the cowl, 181 00:08:15,574 --> 00:08:16,906 Johnny takes the face, 182 00:08:16,942 --> 00:08:19,776 and I start to sketch a pattern for the vest. 183 00:08:22,481 --> 00:08:24,314 Yeah, yeah, or culty, or anything like that. 184 00:08:24,366 --> 00:08:25,815 Do you have any thoughts on that? 185 00:08:25,867 --> 00:08:27,484 I mean, that was everything I would've said. 186 00:08:27,486 --> 00:08:28,751 - Okay. - Yeah. 187 00:08:33,558 --> 00:08:35,492 Yvonne is making the face, 188 00:08:35,527 --> 00:08:36,926 and I'm doing the cowl. 189 00:08:36,962 --> 00:08:41,097 We start to grow a bit apart in the ideas. 190 00:08:41,132 --> 00:08:44,467 I want to show you the nose on this one. 191 00:08:44,469 --> 00:08:46,519 Oh, you want it, like, huge. 192 00:08:46,555 --> 00:08:47,971 I think that's way too big. 193 00:08:48,023 --> 00:08:50,757 I want to go all exaggerated 194 00:08:50,809 --> 00:08:53,927 and over the top, and she doesn't like it. 195 00:08:53,979 --> 00:08:56,513 She's my partner, so we have to be political. 196 00:08:56,565 --> 00:08:59,382 But I think, I go crazy on the hat. 197 00:08:59,417 --> 00:09:00,917 Maybe if she goes more normal on the face, 198 00:09:00,919 --> 00:09:02,168 maybe it kind of blends together 199 00:09:02,220 --> 00:09:03,736 so it's like a balance. 200 00:09:03,772 --> 00:09:05,822 Who knows? 201 00:09:05,857 --> 00:09:09,659 [exciting music] 202 00:09:09,661 --> 00:09:12,962 Jenn chooses to do the cowl, and I'm sculpting the face. 203 00:09:12,998 --> 00:09:16,065 And the face is fairly straightforward. 204 00:09:16,101 --> 00:09:18,668 It's got a little crayon-sharpener nose, 205 00:09:18,720 --> 00:09:21,604 and a big, giant, waxy brow piece. 206 00:09:21,656 --> 00:09:24,991 And I really want to try and get the face molded today. 207 00:09:27,946 --> 00:09:30,847 So how do you want to incorporate the numbers? 208 00:09:30,849 --> 00:09:32,649 I don't know if we necessarily have to. 209 00:09:32,684 --> 00:09:34,017 We need numbers, for sure. 210 00:09:34,069 --> 00:09:36,069 We were told to think outside the box, 211 00:09:36,121 --> 00:09:40,056 and we've decided to make a watch face the watch face. 212 00:09:40,091 --> 00:09:41,658 I'm feeling nervous 213 00:09:41,693 --> 00:09:44,127 that it's not original enough to please the judges. 214 00:09:44,162 --> 00:09:46,029 - What are your thoughts? - They're not just gonna look, 215 00:09:46,031 --> 00:09:47,764 like, stuck on him this way? 216 00:09:47,799 --> 00:09:49,015 I don't think it's gonna read a clock 217 00:09:49,050 --> 00:09:50,900 if we don't have numbers on it. 218 00:09:50,936 --> 00:09:53,586 So now Anna's upset, and I'm upset. 219 00:09:53,638 --> 00:09:55,505 The thing that's happening is you're over-thinking 220 00:09:55,507 --> 00:09:56,839 what the judges are gonna say to you. 221 00:09:56,875 --> 00:09:57,857 Is that correct? 222 00:09:57,909 --> 00:09:59,008 - Am I-- - Yes. 223 00:09:59,044 --> 00:10:00,827 We still have to figure out the concept, 224 00:10:00,862 --> 00:10:02,779 but right now, I'm just trying to 225 00:10:02,831 --> 00:10:05,281 get our hands on some clay and get moving. 226 00:10:05,283 --> 00:10:06,950 I'm so frustrated. 227 00:10:06,952 --> 00:10:08,868 If this is, like, a bottom look, 228 00:10:08,920 --> 00:10:11,821 it's gonna be more my cross to bear. 229 00:10:16,490 --> 00:10:17,739 The thing that's happening 230 00:10:17,741 --> 00:10:19,808 is you're over-thinking what the judges are gonna say to you. 231 00:10:19,810 --> 00:10:21,877 - Is that correct? Am I-- - Yes. 232 00:10:21,879 --> 00:10:23,528 I'm so frustrated. 233 00:10:23,530 --> 00:10:26,815 I feel like it's not original enough of a concept. 234 00:10:26,817 --> 00:10:28,734 If this is, like, a bottom look, 235 00:10:28,736 --> 00:10:30,953 it's gonna be more my cross to bear. 236 00:10:30,955 --> 00:10:32,838 I feel like you're stressing out about something 237 00:10:32,840 --> 00:10:34,623 that is a non-issue. 238 00:10:34,625 --> 00:10:37,442 This is definitely my worst-case scenario. 239 00:10:37,444 --> 00:10:39,561 They're not gonna be like, 240 00:10:39,563 --> 00:10:41,196 "You didn't put the numbers 241 00:10:41,198 --> 00:10:42,898 where we wanted you to put them-- bottom." 242 00:10:42,900 --> 00:10:46,034 I have to figure out a way to make this work. 243 00:10:47,638 --> 00:10:50,689 [energetic music] 244 00:10:50,691 --> 00:10:55,777 ♪ ♪ 245 00:10:55,779 --> 00:10:58,280 Hey, guys, here to check in on you. 246 00:10:58,282 --> 00:11:01,483 all: - Hi. - How are ya? 247 00:11:01,485 --> 00:11:02,818 - All righty. - So what do you have? 248 00:11:02,820 --> 00:11:04,069 - You have the car-- - Tell us, what did you pick? 249 00:11:04,071 --> 00:11:06,521 Yes, we have the car, so we want to incorporate 250 00:11:06,523 --> 00:11:07,990 - in this helmet-- - The actual car. 251 00:11:07,992 --> 00:11:09,791 Yeah, real shiny, candy-apple red. 252 00:11:09,793 --> 00:11:11,410 We're gonna put the number right here. 253 00:11:11,412 --> 00:11:13,395 We plan to have exhaust pipes coming out here. 254 00:11:13,397 --> 00:11:14,846 - Nice cowl. - Thank you. 255 00:11:14,848 --> 00:11:16,048 - But it's a makeup challenge. - Yeah. 256 00:11:16,050 --> 00:11:18,100 So what are you doing with the face, then? 257 00:11:18,102 --> 00:11:19,768 I wanted to use a little bit of silver on her face. 258 00:11:19,770 --> 00:11:21,803 I was going to do, like, a really nice beauty makeup. 259 00:11:21,805 --> 00:11:23,255 It's something I have a background in-- 260 00:11:23,257 --> 00:11:26,274 If you got the ability to do a really great beauty makeup, 261 00:11:26,276 --> 00:11:27,609 I would let 'em see it. 262 00:11:27,611 --> 00:11:28,744 Okay. 263 00:11:28,746 --> 00:11:30,162 What do-- what do we have here? 264 00:11:30,164 --> 00:11:32,381 - Is this the top of the crayon? - Well, yes, top of the crayon. 265 00:11:32,383 --> 00:11:35,484 Right now, it almost looks like a person with a hat. 266 00:11:35,486 --> 00:11:36,718 Yeah, I think it should be more cylindrical. 267 00:11:36,720 --> 00:11:38,470 This ought to be a little thicker, 268 00:11:38,472 --> 00:11:39,521 - so that you can-- - Just straight down? 269 00:11:39,523 --> 00:11:40,872 - Mm-hmm. - Yeah, yeah. 270 00:11:40,874 --> 00:11:42,441 Just to take away that human look. 271 00:11:42,443 --> 00:11:43,959 - That human aspect, yeah. - Okay. 272 00:11:43,961 --> 00:11:46,795 So we went with the Watch Guard-- 273 00:11:46,797 --> 00:11:48,230 - Is our character. - Is our character. 274 00:11:48,232 --> 00:11:50,866 He dictates when the toys are allowed to be alive 275 00:11:50,868 --> 00:11:52,134 in the children's room. 276 00:11:52,136 --> 00:11:53,702 He's kind of like, "Our human is coming! 277 00:11:53,704 --> 00:11:55,070 - Everybody go to bed!" - Yeah. 278 00:11:55,072 --> 00:11:58,707 So we were gonna do more of, like, a human flesh tone. 279 00:11:58,709 --> 00:12:00,075 If you're going to go to a flesh, 280 00:12:00,077 --> 00:12:02,244 I would keep it on a light side 281 00:12:02,246 --> 00:12:04,029 so you don't start doing any shadowing, 282 00:12:04,031 --> 00:12:05,514 or it can get muddy and take it away. 283 00:12:05,516 --> 00:12:06,698 Okay. Thank you very much. 284 00:12:06,700 --> 00:12:08,216 - Thank you so much. - Good. Good luck. 285 00:12:08,218 --> 00:12:10,569 Mr. Westmore says that he likes the direction we're going, 286 00:12:10,571 --> 00:12:12,988 so I'm feeling so much better. 287 00:12:14,258 --> 00:12:17,809 So we're doing a fairly cartoonish human face, 288 00:12:17,811 --> 00:12:21,363 and then we're creating a scalloped lollipop headpiece. 289 00:12:21,365 --> 00:12:24,966 And we're also fabricating a vest as part of the costume. 290 00:12:24,968 --> 00:12:27,169 I'm concerned with maybe your upper eye there-- 291 00:12:27,171 --> 00:12:29,955 bring it back just a little bit so when he opens it, 292 00:12:29,957 --> 00:12:31,907 don't happen to come down below that crease. 293 00:12:31,909 --> 00:12:33,041 Okay. 294 00:12:33,043 --> 00:12:34,443 We went with dice. 295 00:12:34,445 --> 00:12:35,777 - Dice. - Okay. 296 00:12:35,779 --> 00:12:38,947 And we're incorporating the dice 297 00:12:38,949 --> 00:12:40,615 into the balls of his cheeks. 298 00:12:40,617 --> 00:12:42,217 So then there'll be, like, little freckles. 299 00:12:42,219 --> 00:12:44,886 The upper lip is so distinctively human, 300 00:12:44,888 --> 00:12:47,406 - you're losing the fantasy... - Right. 301 00:12:47,408 --> 00:12:48,824 ...of the character. 302 00:12:48,826 --> 00:12:51,727 This looks like a nose with an edge around it. 303 00:12:51,729 --> 00:12:53,228 - Have it go down... - Just like-- 304 00:12:53,230 --> 00:12:55,564 ...to disguise the lip also. 305 00:12:55,566 --> 00:12:56,832 Okay. 306 00:12:56,834 --> 00:13:01,103 We want to incorporate the shape of an old skeleton key 307 00:13:01,105 --> 00:13:02,771 into her body. 308 00:13:02,773 --> 00:13:06,608 So the top part of her face is shaped like the key, 309 00:13:06,610 --> 00:13:08,744 and then the chest. 310 00:13:08,746 --> 00:13:13,548 Knowing that you have the key, I don't see any of it at all. 311 00:13:13,550 --> 00:13:15,150 I like what you're doing, 312 00:13:15,152 --> 00:13:17,853 and it's not a matter of starting over or anything, 313 00:13:17,855 --> 00:13:21,089 but what are you going to do to make this into a key? 314 00:13:21,091 --> 00:13:23,558 - You could almost come around... - And connect it? 315 00:13:23,560 --> 00:13:26,094 ...the whole eye, and connect it into the top of the key. 316 00:13:26,096 --> 00:13:27,496 - Okay. - Okay. 317 00:13:27,498 --> 00:13:28,930 All right, guys, we're heading out. 318 00:13:28,932 --> 00:13:30,532 But it's looking really good. 319 00:13:30,534 --> 00:13:31,566 - Thank you guys. - Good luck! 320 00:13:31,568 --> 00:13:32,868 - Bye-bye. - Bye. 321 00:13:32,870 --> 00:13:34,186 Bye. 322 00:13:40,094 --> 00:13:42,978 The face is finished, so I'm ready to mold. 323 00:13:45,616 --> 00:13:46,982 This is a higher priority, 324 00:13:46,984 --> 00:13:49,651 because it is the central point of this makeup. 325 00:13:49,653 --> 00:13:51,036 So I'm gonna take my time on this, 326 00:13:51,038 --> 00:13:54,055 and make it as good as possible. 327 00:13:54,057 --> 00:13:55,791 35 minutes! 328 00:13:55,793 --> 00:13:58,760 [energetic music] 329 00:13:58,762 --> 00:14:05,584 ♪ ♪ 330 00:14:05,586 --> 00:14:07,302 That's time, everyone! 331 00:14:17,181 --> 00:14:18,597 Let's go, let's go, let's go, let's go. 332 00:14:18,599 --> 00:14:20,649 Hustle, hustle. 333 00:14:20,651 --> 00:14:23,852 Ant and I have to finish the sculptures. 334 00:14:23,854 --> 00:14:26,771 We have to mold both the cowl and the torso piece. 335 00:14:26,773 --> 00:14:28,657 It's gonna be a long day. 336 00:14:33,030 --> 00:14:34,896 It's a car. It has to be smooth. 337 00:14:34,898 --> 00:14:36,364 It has to be sleek. 338 00:14:36,366 --> 00:14:38,033 So we want to make everything perfect. 339 00:14:38,035 --> 00:14:39,351 It's gonna be a challenge. 340 00:14:39,353 --> 00:14:41,019 The neck looks a little bulkier on that side now. 341 00:14:41,021 --> 00:14:43,438 Yeah, maybe that's what it is-- just the neck. 342 00:14:49,062 --> 00:14:52,464 It is so much fun working on a whimsical character. 343 00:14:52,466 --> 00:14:54,916 Njoroge gets his face mold out, 344 00:14:54,918 --> 00:14:58,220 and I'm gonna continue working on the cowl. 345 00:14:58,222 --> 00:14:59,221 It looks whimsical to me. 346 00:14:59,223 --> 00:15:01,690 It's a nice, cute crayon. 347 00:15:01,692 --> 00:15:03,225 It's not perfect straight up and down. 348 00:15:03,227 --> 00:15:06,461 It has a little character to it, so I think it's gonna work good. 349 00:15:06,463 --> 00:15:07,846 That looks amazing. 350 00:15:13,470 --> 00:15:14,836 Seeing it today, I'm like, "This is good." 351 00:15:14,838 --> 00:15:16,504 Like, what were we freaking out about? 352 00:15:16,506 --> 00:15:19,841 Mel and I need to finish both of our sculptures 353 00:15:19,843 --> 00:15:22,177 and mold them and get them ready for foam. 354 00:15:22,179 --> 00:15:25,747 I was mostly freaking out about the time that we lost. 355 00:15:25,749 --> 00:15:27,115 But it's over. It's a new day. 356 00:15:27,117 --> 00:15:29,985 We fell behind yesterday, so I get to work right away, 357 00:15:29,987 --> 00:15:31,653 and I'm super focused. 358 00:15:31,655 --> 00:15:34,739 The watchband cowl is coming together really well, 359 00:15:34,741 --> 00:15:38,159 and I'm feeling leaps and bounds better than yesterday. 360 00:15:44,685 --> 00:15:46,151 I start adding texture to the face. 361 00:15:46,153 --> 00:15:48,103 I start blending out the edges. 362 00:15:48,105 --> 00:15:49,771 I'm taking Mr. Westmore's advice. 363 00:15:49,773 --> 00:15:52,157 He said to exaggerate the nose some more. 364 00:15:52,159 --> 00:15:54,776 It does look a little goofy, but I'm okay with that. 365 00:15:54,778 --> 00:15:56,995 His facial expression's now good. 366 00:15:56,997 --> 00:15:58,480 I think it does look better. 367 00:15:58,482 --> 00:16:00,115 To me, he looks fun. 368 00:16:03,954 --> 00:16:05,620 Oh, man, shit. 369 00:16:05,622 --> 00:16:06,755 We open our two molds, 370 00:16:06,757 --> 00:16:10,292 and I notice there are a ton of holes. 371 00:16:10,294 --> 00:16:11,893 I don't know what we're gonna do. 372 00:16:11,895 --> 00:16:13,111 How's it coming out over there? 373 00:16:13,113 --> 00:16:14,646 - I got a bunch of cracks. - Cracks? 374 00:16:14,648 --> 00:16:16,648 Yeah, there's holes. 375 00:16:16,650 --> 00:16:18,366 Our molds look like Swiss cheese, 376 00:16:18,368 --> 00:16:19,684 which is a huge problem, 377 00:16:19,686 --> 00:16:21,036 because we don't have the time to patch them. 378 00:16:21,038 --> 00:16:22,837 Patching's not even the word for it. 379 00:16:22,839 --> 00:16:24,205 It's reconstruction. 380 00:16:24,207 --> 00:16:25,740 This cowl is supposed to be 381 00:16:25,742 --> 00:16:27,792 super smooth and super straight, 382 00:16:27,794 --> 00:16:30,912 so if we don't plug these holes, our foam is gonna look horrible. 383 00:16:30,914 --> 00:16:32,414 I don't know what we did wrong there. 384 00:16:32,416 --> 00:16:34,749 We are in big trouble. 385 00:16:39,698 --> 00:16:41,397 I don't know what we did wrong there. 386 00:16:41,399 --> 00:16:43,283 We are in big trouble. 387 00:16:43,285 --> 00:16:46,069 I don't know what the fuck was wrong with it. 388 00:16:46,071 --> 00:16:47,187 We open our two molds, 389 00:16:47,189 --> 00:16:49,956 and I notice there are a ton of holes. 390 00:16:49,958 --> 00:16:52,542 Time is ticking, and if we don't patch up these holes 391 00:16:52,544 --> 00:16:53,993 in our molds, there's no way we're gonna have 392 00:16:53,995 --> 00:16:55,411 anything decent for Application Day. 393 00:16:55,413 --> 00:16:58,164 So we're in a really bad spot right now. 394 00:17:03,271 --> 00:17:04,804 I start working on the vest. 395 00:17:04,806 --> 00:17:06,940 Once I get all of the insulation pipe 396 00:17:06,942 --> 00:17:08,875 and surgical tubing laid down, 397 00:17:08,877 --> 00:17:12,045 I realize that this is gonna be a very big, 398 00:17:12,047 --> 00:17:14,013 very heavy, brittle mold. 399 00:17:14,015 --> 00:17:16,499 So it might be better to just not mold it 400 00:17:16,501 --> 00:17:17,984 and make it a fabricated piece. 401 00:17:17,986 --> 00:17:22,255 So I put several very thick layers of spray adhesive 402 00:17:22,257 --> 00:17:25,191 to hold it all together. And then after that, 403 00:17:25,193 --> 00:17:27,877 I brush a couple layers of latex on top. 404 00:17:27,879 --> 00:17:31,731 This will make it smooth and ready for Melissa to paint. 405 00:17:33,618 --> 00:17:36,502 [intense rock music] 406 00:17:36,504 --> 00:17:39,073 ♪ ♪ 407 00:17:39,675 --> 00:17:43,576 I'm working on designs for a front-of-the-body key face. 408 00:17:43,578 --> 00:17:45,445 Mr. Westmore said that our sculpts 409 00:17:45,447 --> 00:17:47,247 don't have the key feel to them, 410 00:17:47,249 --> 00:17:49,499 so we've decided that we're taking our face prosthetic, 411 00:17:49,501 --> 00:17:50,817 our neck prosthetic, 412 00:17:50,819 --> 00:17:52,319 and carrying it down onto the front 413 00:17:52,321 --> 00:17:53,820 of the costume to travel down the belly. 414 00:17:53,822 --> 00:17:55,472 So when she stands up straight, 415 00:17:55,474 --> 00:17:57,123 she looks like one big key column. 416 00:17:57,125 --> 00:18:00,543 And we're going to do a mixture of hot glue and epoxy 417 00:18:00,545 --> 00:18:01,928 to make it 3-D and bubbled. 418 00:18:01,930 --> 00:18:04,664 This will make it a little more obvious 419 00:18:04,666 --> 00:18:07,884 without directly putting keys into the makeup. 420 00:18:07,886 --> 00:18:09,502 It's gonna come out so cool. 421 00:18:14,242 --> 00:18:18,011 Njoroge and I are having a crayon wrapper for his hair, 422 00:18:18,013 --> 00:18:21,781 so I'm marking off those designs on the paper, 423 00:18:21,783 --> 00:18:24,651 and then I'm taking scissors to the hair to get it to curl. 424 00:18:24,653 --> 00:18:27,671 It adds that whimsical element to our character. 425 00:18:27,673 --> 00:18:31,424 And when he moves, I hope it'll move with him. 426 00:18:31,426 --> 00:18:33,526 15 minutes, everybody! 427 00:18:33,528 --> 00:18:36,629 [exciting music] 428 00:18:36,631 --> 00:18:41,434 ♪ ♪ 429 00:18:41,436 --> 00:18:42,769 That's time! 430 00:18:45,640 --> 00:18:48,174 Jennifer and I are in a good spot, 431 00:18:48,176 --> 00:18:51,277 but application does make me a little bit nervous. 432 00:18:51,279 --> 00:18:53,446 It only takes a bad edge or bad color choice, 433 00:18:53,448 --> 00:18:54,948 and I could be in the bottom looks. 434 00:18:58,353 --> 00:19:00,236 Yeah. 435 00:19:00,238 --> 00:19:01,488 We'll see what happens. 436 00:19:11,933 --> 00:19:14,634 - Yeah! - Yeah. 437 00:19:17,472 --> 00:19:18,671 Ant and I check out our pieces 438 00:19:18,673 --> 00:19:21,374 and find large sections sticking out. 439 00:19:21,376 --> 00:19:24,010 And our seam is 1/8-inch thick. 440 00:19:24,012 --> 00:19:25,895 Today is gonna be difficult. 441 00:19:29,818 --> 00:19:32,919 I've got a lot of holes that I'm gonna need to fill. 442 00:19:32,921 --> 00:19:34,521 I'm worried. I'm wondering if 443 00:19:34,523 --> 00:19:35,722 we're gonna be able to pull this one off. 444 00:19:35,724 --> 00:19:37,857 I really don't want to go home. 445 00:19:42,664 --> 00:19:43,863 How you doing, Christoph? 446 00:19:43,865 --> 00:19:45,465 - Hi, I'm Yvonne. - Hi, Yvonne. 447 00:19:45,467 --> 00:19:46,950 It's great to meet you. I'm Kaleb. 448 00:19:46,952 --> 00:19:50,837 You're going to be the Watch Guard, okay? 449 00:19:50,839 --> 00:19:52,672 We are going to paint 450 00:19:52,674 --> 00:19:55,975 our Watch Guard's face more human-like. 451 00:19:55,977 --> 00:19:58,611 He's gonna have some more fleshier tones 452 00:19:58,613 --> 00:20:00,029 than a toy. 453 00:20:00,031 --> 00:20:03,616 So we're gonna spatter in some reds and some blues 454 00:20:03,618 --> 00:20:05,452 to bring life to him. 455 00:20:05,454 --> 00:20:08,888 We're also gonna make his nose and his cheeks a little rosier 456 00:20:08,890 --> 00:20:12,509 to give him more of that childlike, playful look. 457 00:20:12,511 --> 00:20:14,627 - He can be a little rosy? - Yeah. 458 00:20:14,628 --> 00:20:16,518 The hat fits pretty good! 459 00:20:19,835 --> 00:20:21,734 Kaleb and I are applying at the same time. 460 00:20:21,736 --> 00:20:23,403 He starts applying the chest piece 461 00:20:23,405 --> 00:20:25,321 while I start applying the face piece, 462 00:20:25,323 --> 00:20:26,739 and we're both working slow, 463 00:20:26,741 --> 00:20:28,842 because we want to have the best edges out there. 464 00:20:28,844 --> 00:20:32,328 And as I go, I'm dissolving and blending the edges down 465 00:20:32,330 --> 00:20:33,830 with a bit of spirit gum. 466 00:20:33,832 --> 00:20:36,149 I think this is gonna look awesome when it's done. 467 00:20:36,151 --> 00:20:37,617 Can you just keep it closed for a few minutes, 468 00:20:37,619 --> 00:20:39,886 - to let it dry real good? - Okay. 469 00:20:43,008 --> 00:20:46,459 Njoroge and I get crayons that we can melt down, 470 00:20:46,461 --> 00:20:49,796 so we have working crayon fingertips. 471 00:20:49,798 --> 00:20:52,382 As he's doing that, I apply the cowl to our model. 472 00:20:52,384 --> 00:20:53,383 Do you think that feels all right? 473 00:20:53,385 --> 00:20:54,567 Yeah. 474 00:20:54,569 --> 00:20:57,020 There's one edge that looks troublesome, 475 00:20:57,022 --> 00:20:59,639 and it's taking up a little but more time than I'd have liked. 476 00:20:59,641 --> 00:21:02,025 But I need to get it done as fast as possible 477 00:21:02,027 --> 00:21:04,177 so we can get this out in time. 478 00:21:10,902 --> 00:21:12,452 We finally get our pieces trimmed up, 479 00:21:12,454 --> 00:21:14,354 so it's time to paint the cowl. 480 00:21:14,356 --> 00:21:16,523 Rob starts by basing it out in white, 481 00:21:16,525 --> 00:21:18,925 so that the colors will pop even stronger. 482 00:21:18,927 --> 00:21:21,027 Then Johnny and I start going in with the airbrush 483 00:21:21,029 --> 00:21:24,264 and alcohol colors that'll make the lollipop sing. 484 00:21:24,266 --> 00:21:25,598 Over the top, right? 485 00:21:25,600 --> 00:21:27,350 To a land of whimsy. 486 00:21:27,352 --> 00:21:29,352 The paint's adding dimensionality, 487 00:21:29,354 --> 00:21:31,437 and it looks really beautiful. 488 00:21:36,862 --> 00:21:38,645 I start painting around the face, 489 00:21:38,647 --> 00:21:40,613 but I notice that Robert's 490 00:21:40,615 --> 00:21:42,448 spending a lot of time on the cowl. 491 00:21:42,450 --> 00:21:44,984 And I need to blend them together, 492 00:21:44,986 --> 00:21:47,487 so I'm giving more direction. 493 00:21:47,489 --> 00:21:49,639 Is this all dry or no? 494 00:21:49,641 --> 00:21:51,391 Some not. 495 00:21:51,393 --> 00:21:54,527 Finally, I just grab it and put it on the model 496 00:21:54,529 --> 00:21:56,779 and start gluing down the cowl. 497 00:21:56,781 --> 00:21:58,815 How's that fitting so far? 498 00:21:58,817 --> 00:22:00,333 I'm scared to be in bottom looks, 499 00:22:00,335 --> 00:22:03,303 so I'm going as quickly as possible. 500 00:22:03,305 --> 00:22:04,604 Don't pull too hard. 501 00:22:04,606 --> 00:22:06,573 15 minutes, everyone! 502 00:22:15,083 --> 00:22:16,916 That's time! 503 00:22:18,203 --> 00:22:20,286 Blending the cowl edge took a lot of time, 504 00:22:20,288 --> 00:22:23,723 so I don't feel like our paint is where it needs to be. 505 00:22:23,725 --> 00:22:26,643 It's streaky, and it's not looking 506 00:22:26,645 --> 00:22:28,828 like we'd hoped it would look right now. 507 00:22:28,830 --> 00:22:30,813 So we're gonna need to do something in Last Looks 508 00:22:30,815 --> 00:22:33,066 to fix this. 509 00:22:41,264 --> 00:22:42,413 Let me plug this blow dryer in. 510 00:22:42,415 --> 00:22:44,198 So we have one hour left, 511 00:22:44,200 --> 00:22:45,867 and we have a face to apply, 512 00:22:45,869 --> 00:22:48,603 which is immediately what we start doing. 513 00:22:49,956 --> 00:22:52,407 Then when we do start painting our yellow, 514 00:22:52,409 --> 00:22:54,409 it's got translucency, 515 00:22:54,411 --> 00:22:57,512 which is allowing the actor's skin to bleed through. 516 00:22:57,514 --> 00:22:58,830 I don't think there's anything 517 00:22:58,832 --> 00:23:00,415 we can do to help this paint job. 518 00:23:00,417 --> 00:23:03,084 It's not looking like either of us wanted, 519 00:23:03,086 --> 00:23:04,585 so we're just going with it, 520 00:23:04,587 --> 00:23:06,637 and hopefully we can get it out. 521 00:23:08,808 --> 00:23:11,759 There was a lot of pressure on me to do a great beauty makeup, 522 00:23:11,761 --> 00:23:14,562 because the face is the focal point of any makeup. 523 00:23:14,564 --> 00:23:17,432 I grab Kryolan Supracolor grease colors. 524 00:23:17,434 --> 00:23:20,451 It's exactly what I wanted. Everything looks perfect. 525 00:23:21,871 --> 00:23:25,339 We have to finish painting around the eyes, apply the cowl, 526 00:23:25,341 --> 00:23:26,657 and get our model dressed. 527 00:23:26,659 --> 00:23:28,075 Okay, bring the back lower. 528 00:23:28,077 --> 00:23:29,544 Three artists and one model-- 529 00:23:29,546 --> 00:23:30,962 it's very crowded, 530 00:23:30,964 --> 00:23:33,014 but somehow we manage to not get in one another's way. 531 00:23:33,016 --> 00:23:34,649 We're working as a perfect team, 532 00:23:34,651 --> 00:23:36,851 and it's pretty incredible to see it come together. 533 00:23:36,853 --> 00:23:38,152 Yeah. 534 00:23:40,707 --> 00:23:42,907 I'm sealing the eyes and she's sealing the mouth, 535 00:23:42,909 --> 00:23:44,408 and it's coming together. 536 00:23:44,410 --> 00:23:45,860 I'm definitely feeling the adrenalin again. 537 00:23:45,862 --> 00:23:47,061 I'm feeling nervous. 538 00:23:47,063 --> 00:23:49,263 But this time, I'm feeling more confident. 539 00:23:49,265 --> 00:23:50,698 15 minutes! 540 00:23:50,700 --> 00:23:53,751 [exciting music] 541 00:23:53,753 --> 00:24:00,174 ♪ ♪ 542 00:24:00,176 --> 00:24:01,392 That's time! 543 00:24:01,394 --> 00:24:02,410 We did it. 544 00:24:02,412 --> 00:24:03,744 We could be in trouble. 545 00:24:03,746 --> 00:24:04,912 - I think we are in trouble. - It's okay. 546 00:24:04,914 --> 00:24:06,314 We're in lots of trouble. 547 00:24:06,316 --> 00:24:08,065 It's hard to look at. 548 00:24:08,067 --> 00:24:11,886 It's not in the same league as the other makeups. 549 00:24:11,888 --> 00:24:14,338 We're gonna be talking to the judges, 550 00:24:14,340 --> 00:24:15,790 and not on the good side. 551 00:24:24,767 --> 00:24:28,069 We walk out, and it's Paul Reubens-- 552 00:24:28,071 --> 00:24:30,338 my childhood, sitting right there. 553 00:24:30,340 --> 00:24:31,639 What? 554 00:24:31,641 --> 00:24:33,174 Everybody grew up watching his movies, 555 00:24:33,176 --> 00:24:35,543 so getting to show my work to Paul Reubens 556 00:24:35,545 --> 00:24:38,679 is super unexpected and-- and unbelievably cool. 557 00:24:38,681 --> 00:24:41,449 - Good evening, everyone. - Good evening. 558 00:24:41,451 --> 00:24:43,935 Welcome to the Face Off Reveal Stage. 559 00:24:43,937 --> 00:24:46,838 Let me introduce you to our incredible judges. 560 00:24:46,840 --> 00:24:48,956 Owner of Alchemy Studio, Glenn Hetrick. 561 00:24:48,958 --> 00:24:51,058 - Good evening. all: - Hi, Glenn. 562 00:24:51,060 --> 00:24:53,794 Oscar and Emmy award-winning makeup artist, Ve Neill. 563 00:24:53,796 --> 00:24:55,046 Hi, everybody. 564 00:24:55,048 --> 00:24:56,614 all: Hi, Ve. 565 00:24:56,616 --> 00:24:59,000 Creature and concept designer Neville Page. 566 00:24:59,002 --> 00:25:01,402 - Hi, guys. all: - Hi, Neville. 567 00:25:01,404 --> 00:25:04,622 And finally, we are joined tonight by an actor, writer, 568 00:25:04,624 --> 00:25:07,808 and producer who not only created the iconic 569 00:25:07,810 --> 00:25:09,076 Pee-Wee Herman character, 570 00:25:09,078 --> 00:25:10,945 but also recently co-wrote, 571 00:25:10,947 --> 00:25:14,582 produced, and starred in Pee-Wee's Big Holiday. 572 00:25:14,584 --> 00:25:16,450 Who better to judge this challenge 573 00:25:16,452 --> 00:25:19,237 than the amazing Paul Reubens? 574 00:25:19,239 --> 00:25:21,639 Oh! Thank you. 575 00:25:25,778 --> 00:25:27,194 Welcome, Paul. 576 00:25:27,196 --> 00:25:28,629 We're so thrilled to have you here with us tonight. 577 00:25:28,631 --> 00:25:30,031 Great to be here. 578 00:25:30,033 --> 00:25:32,533 So you and Ve have worked on a ton of things together. 579 00:25:32,535 --> 00:25:34,185 How is it to work together again? 580 00:25:34,187 --> 00:25:36,904 It's amazing. We were just together shooting my movie 581 00:25:36,906 --> 00:25:38,656 that Ve did the makeup on. 582 00:25:38,658 --> 00:25:40,942 And we've had a break, so it's great to be back here. 583 00:25:40,944 --> 00:25:43,210 - You ready to see some makeups? - Absolutely. 584 00:25:43,212 --> 00:25:45,179 All right, let's get to it. 585 00:26:09,305 --> 00:26:10,721 I am nervous. 586 00:26:10,723 --> 00:26:12,406 I'm wondering if the face thing is gonna bite us. 587 00:26:12,408 --> 00:26:13,874 I hope we're a top look, 588 00:26:13,876 --> 00:26:15,743 but I would be happy if we're just safe. 589 00:26:35,365 --> 00:26:36,931 I'm still feeling like a bottom look 590 00:26:36,933 --> 00:26:38,332 just because of the terrible paint 591 00:26:38,334 --> 00:26:40,234 and the one edge on the cowl. 592 00:26:40,236 --> 00:26:41,719 I know they're not gonna be happy with it. 593 00:27:05,328 --> 00:27:06,761 It's a beautiful makeup, 594 00:27:06,763 --> 00:27:09,964 but everybody else's looks wacky and crazy, 595 00:27:09,966 --> 00:27:11,983 and I'm worried that ours doesn't fit. 596 00:27:30,787 --> 00:27:33,454 It's definitely not one of my best makeups, 597 00:27:33,456 --> 00:27:35,856 so I'm worried Robert and I may be a bottom look. 598 00:27:39,696 --> 00:27:41,162 [twirr] 599 00:27:56,846 --> 00:27:58,679 I feel really proud of this makeup. 600 00:27:58,681 --> 00:28:00,981 I feel like it's better than I thought it would be, 601 00:28:00,983 --> 00:28:02,983 and we feel great. 602 00:28:24,941 --> 00:28:27,374 I'm definitely happy with how it all turned out. 603 00:28:27,376 --> 00:28:29,543 The whole aesthetic of it is very whimsical. 604 00:28:29,545 --> 00:28:31,078 I think we could win this one. 605 00:28:36,002 --> 00:28:38,052 All right, judges, go ahead and take a closer look 606 00:28:38,054 --> 00:28:40,671 at these crazy, colorful characters. 607 00:28:48,347 --> 00:28:49,764 I don't know why they thought it would be all right 608 00:28:49,766 --> 00:28:51,565 to just paint the face silver. 609 00:28:51,567 --> 00:28:54,034 It feels like this is mostly costume work. 610 00:28:54,036 --> 00:28:56,704 Can you turn around for us, please? 611 00:28:56,706 --> 00:28:59,073 - That's cute. - One side of it's matte, 612 00:28:59,075 --> 00:29:02,309 and the other side's shiny. I like that. 613 00:29:02,311 --> 00:29:03,978 This is coming right up. 614 00:29:03,980 --> 00:29:05,446 Oh, I split that there. 615 00:29:05,448 --> 00:29:08,849 With something this big and cumbersome, 616 00:29:08,851 --> 00:29:10,351 why not just fill in that neck? 617 00:29:10,353 --> 00:29:12,353 We do we even see an edge there? 618 00:29:12,355 --> 00:29:14,555 Even though it's supposed to be a crayon, it's a makeup. 619 00:29:14,557 --> 00:29:17,408 It should've had some dimension painted on it as well. 620 00:29:17,410 --> 00:29:18,876 I love the eyebrows. 621 00:29:18,878 --> 00:29:21,228 I'm not gonna marry 'em, but I do like them a lot. 622 00:29:21,230 --> 00:29:23,798 So grungy. 623 00:29:23,800 --> 00:29:27,067 It's gone so grey on them. There's so many colors layered. 624 00:29:27,069 --> 00:29:30,004 It almost does feel like a corpse. 625 00:29:30,006 --> 00:29:32,923 I think that this is an incredibly artistic, 626 00:29:32,925 --> 00:29:35,843 great idea that leaves something to be desired 627 00:29:35,845 --> 00:29:38,612 in terms of the execution of it. 628 00:29:38,614 --> 00:29:40,381 I think this was a really bad idea 629 00:29:40,383 --> 00:29:42,016 to put this thing on his nose. 630 00:29:42,018 --> 00:29:44,385 It looks like a baby-bottle nipple. 631 00:29:44,387 --> 00:29:47,354 Ooh, some serious edge problems here. 632 00:29:47,356 --> 00:29:49,373 I see the judges pointing out those edges, 633 00:29:49,375 --> 00:29:50,925 and I know they're really bad. 634 00:29:50,927 --> 00:29:52,510 That's really rough. 635 00:29:52,512 --> 00:29:55,062 So I'm extremely worried. 636 00:29:57,767 --> 00:29:59,216 All right, guys, it's time to get on Twitter 637 00:29:59,218 --> 00:30:00,885 and tell us who made your favorite 638 00:30:00,887 --> 00:30:05,105 colorful character tonight, using #FaceOff 639 00:30:08,096 --> 00:30:10,029 Ooh, some serious edge problems here. 640 00:30:10,064 --> 00:30:12,515 I think they're pointing out those edges, and that's scary. 641 00:30:12,550 --> 00:30:13,599 There's a pretty good chance 642 00:30:13,635 --> 00:30:15,067 we're gonna end up at bottom looks. 643 00:30:15,103 --> 00:30:17,320 - It's scary too. - Yes, I agree. 644 00:30:17,355 --> 00:30:19,639 I don't know if that's intentional, but it is really-- 645 00:30:19,674 --> 00:30:21,741 - It's the clown thing. - Yeah. 646 00:30:23,161 --> 00:30:25,661 It has several different colors stippled over it, 647 00:30:25,697 --> 00:30:27,797 just to bring it some depth and complexity. 648 00:30:27,832 --> 00:30:30,049 - I'm really liking that. - I am too. 649 00:30:30,084 --> 00:30:31,317 I think it's beautiful. 650 00:30:32,720 --> 00:30:35,688 I wanted to see it be a happier lollipop. 651 00:30:35,740 --> 00:30:38,207 He looks like a sad lollipop. 652 00:30:38,243 --> 00:30:39,725 He's candy. 653 00:30:39,761 --> 00:30:42,628 All the ancillary ideas are well expressed and developed. 654 00:30:42,664 --> 00:30:45,398 And the palette is really unique 655 00:30:45,433 --> 00:30:47,633 and still very childlike and playful. 656 00:30:47,669 --> 00:30:50,561 - Thank you. - Thanks. - Thank you. 657 00:30:53,541 --> 00:30:55,508 All right, the judges have scored your creations, 658 00:30:55,510 --> 00:30:57,710 so let's find out what they thought. 659 00:30:57,745 --> 00:31:00,813 Walter and Ant, 660 00:31:00,848 --> 00:31:02,748 Katie and Kaleb, 661 00:31:02,784 --> 00:31:05,184 congratulations, because you are all safe 662 00:31:05,186 --> 00:31:08,237 and can head back to the makeup room. 663 00:31:08,273 --> 00:31:09,755 Good job, Kaleb. 664 00:31:13,561 --> 00:31:16,162 So the rest of you were the best and the worst this week, 665 00:31:16,197 --> 00:31:18,447 and the judges would like to find out more about your work. 666 00:31:18,483 --> 00:31:21,400 Johnny, Melissa, and Rob, you're up first. 667 00:31:30,561 --> 00:31:32,511 Let's start by having you explain 668 00:31:32,547 --> 00:31:35,781 how your lollipop inspired this creation. 669 00:31:35,783 --> 00:31:37,516 He's the imaginary friend of a little boy. 670 00:31:37,552 --> 00:31:39,602 And his father runs a candy store, 671 00:31:39,654 --> 00:31:41,270 which isn't doing so well. 672 00:31:41,322 --> 00:31:44,340 So this little boy conjures up this lollipop man 673 00:31:44,392 --> 00:31:45,925 who will help him run the candy store, 674 00:31:45,927 --> 00:31:48,728 because he's the king of the other candies. 675 00:31:48,763 --> 00:31:51,897 I think this is a highly successful character. 676 00:31:51,933 --> 00:31:53,299 Who did what? 677 00:31:53,334 --> 00:31:55,985 I sculpted about 80% of the cowl. 678 00:31:56,037 --> 00:31:57,737 Melissa and Johnny tackled the face. 679 00:31:57,739 --> 00:31:59,538 Melissa and Johnny tackled the vest. 680 00:31:59,540 --> 00:32:02,341 I created the cane topper, 681 00:32:02,377 --> 00:32:04,143 and we all painted everything. 682 00:32:04,178 --> 00:32:06,345 Well, you've got a lot of colors going on here, 683 00:32:06,381 --> 00:32:08,681 and they're all working in concert, they're harmonious. 684 00:32:08,716 --> 00:32:11,550 And for this challenge, I think it's very appropriate. 685 00:32:11,586 --> 00:32:13,152 Thank you. 686 00:32:13,187 --> 00:32:15,287 The headpiece is really beautiful. 687 00:32:15,289 --> 00:32:17,823 It's very childlike-- just what I asked for. 688 00:32:17,859 --> 00:32:19,959 And I'm very happy with this makeup. 689 00:32:19,994 --> 00:32:21,193 You guys did a great job. 690 00:32:21,245 --> 00:32:22,495 Thank you. 691 00:32:22,497 --> 00:32:25,514 It's been making me crave sugar. 692 00:32:25,566 --> 00:32:27,867 I love the color palette. I think it's beautiful. 693 00:32:27,869 --> 00:32:30,486 The headpiece is beautiful. I love everything about it. 694 00:32:30,538 --> 00:32:32,938 I just wanted it to be happier. 695 00:32:34,242 --> 00:32:35,608 My favorite part about the character 696 00:32:35,660 --> 00:32:40,646 is its appropriation of the elements of candy 697 00:32:40,682 --> 00:32:42,214 in a unique way. 698 00:32:42,216 --> 00:32:45,751 You've managed to keep it childlike, yet sophisticated. 699 00:32:45,787 --> 00:32:48,404 Johnny, Melissa, and Rob, please step back. 700 00:32:54,862 --> 00:32:56,929 Njoroge and Jennifer. 701 00:33:04,572 --> 00:33:06,172 Tell us about your character. 702 00:33:06,207 --> 00:33:08,074 He's one of the crayons that lives in the box. 703 00:33:08,109 --> 00:33:10,359 He has put together his assembly of crayons 704 00:33:10,395 --> 00:33:11,727 to communicate, with his pad, 705 00:33:11,779 --> 00:33:14,213 and has jumped out of the box to find the other toys. 706 00:33:14,248 --> 00:33:19,518 It's not quite as cool as it could've been. 707 00:33:19,554 --> 00:33:21,887 You have some problems with your neckpiece. 708 00:33:21,923 --> 00:33:24,190 And the fact that you didn't do any highlighting and shadowing 709 00:33:24,225 --> 00:33:28,127 to give it more life-- that was a missed opportunity. 710 00:33:28,179 --> 00:33:29,562 The thing that bothered me-- 711 00:33:29,564 --> 00:33:32,164 and I would say almost tortures me-- 712 00:33:32,200 --> 00:33:34,433 is, he's a yellow crayon. 713 00:33:34,469 --> 00:33:35,851 If he's gonna write on himself, 714 00:33:35,887 --> 00:33:37,236 it has to be yellow. 715 00:33:37,271 --> 00:33:38,871 Even though you have all those colors, 716 00:33:38,923 --> 00:33:41,807 I wanted to see yellow. 717 00:33:41,859 --> 00:33:45,528 Head to toe, it just feels a little uninteresting, visually. 718 00:33:45,580 --> 00:33:47,196 And it feels incomplete. 719 00:33:47,248 --> 00:33:51,450 You end up with just this yellow stick. 720 00:33:51,486 --> 00:33:52,718 Explain to me how you broke down 721 00:33:52,754 --> 00:33:54,653 the responsibilities on this makeup. 722 00:33:54,689 --> 00:33:57,857 I sculpted the cowl and Njoroge did the face. 723 00:33:57,859 --> 00:33:59,291 We both painted. 724 00:33:59,293 --> 00:34:01,127 You haven't done a whole lot prosthetically, 725 00:34:01,162 --> 00:34:03,863 and you've kneecapped yourselves by making it all one color. 726 00:34:03,898 --> 00:34:05,664 Right. 727 00:34:05,666 --> 00:34:08,017 Njoroge and Jennifer, would you please step down? 728 00:34:14,509 --> 00:34:16,442 Anna and Mel, please step forward. 729 00:34:22,767 --> 00:34:26,185 Would you please explain what's behind the concept? 730 00:34:26,187 --> 00:34:28,237 When the toys are alive and playing, 731 00:34:28,272 --> 00:34:30,656 his role is to warn them 732 00:34:30,691 --> 00:34:32,141 when the children are coming back to the room, 733 00:34:32,193 --> 00:34:34,260 so all the toys can go to sleep. 734 00:34:34,295 --> 00:34:36,629 But he's a little kooky, because he never sleeps. 735 00:34:36,664 --> 00:34:38,297 He's always watching. 736 00:34:38,332 --> 00:34:39,765 - Pun intended? - Yes. 737 00:34:39,817 --> 00:34:43,803 - [laughter] - I like everything about this. 738 00:34:43,838 --> 00:34:46,372 The band on his neck 739 00:34:46,374 --> 00:34:49,809 and how you've configured it on the side and on the top 740 00:34:49,844 --> 00:34:52,545 and how that fits I think is really extraordinary. 741 00:34:52,580 --> 00:34:53,746 - Thank you so much. - Thank you so much. 742 00:34:53,781 --> 00:34:56,682 You've managed to use four different colors 743 00:34:56,717 --> 00:34:58,584 of stipple on the face, 744 00:34:58,619 --> 00:35:02,188 so this creates an illusion of humanity, 745 00:35:02,223 --> 00:35:05,324 because you treated the face of the clock like skin. 746 00:35:05,359 --> 00:35:07,109 That was very well thought out. 747 00:35:07,161 --> 00:35:08,344 - Thank you. - Thank you. 748 00:35:08,396 --> 00:35:10,112 Who did what on this character? 749 00:35:10,148 --> 00:35:15,217 I was responsible for the face and the neck and the paint job, 750 00:35:15,269 --> 00:35:17,403 and Anna sculpted the cowl. 751 00:35:17,438 --> 00:35:19,538 This is a really successful makeup. 752 00:35:19,574 --> 00:35:21,307 Your paint job is gorgeous. 753 00:35:21,342 --> 00:35:23,108 You really took your time with this, 754 00:35:23,144 --> 00:35:25,394 and did an exquisite makeup job. 755 00:35:25,429 --> 00:35:27,246 - Thank you so much. - Thank you. Thank you. 756 00:35:27,298 --> 00:35:29,248 Anna and Mel, you can head back. 757 00:35:29,283 --> 00:35:30,449 Thank you. 758 00:35:30,484 --> 00:35:32,334 [both giggling] 759 00:35:34,455 --> 00:35:36,572 Yay. 760 00:35:36,624 --> 00:35:38,357 Robert and Yvonne. 761 00:35:45,650 --> 00:35:47,399 Tell us about your concept. 762 00:35:47,401 --> 00:35:51,570 Well, we got the dice, and they represent board games. 763 00:35:51,606 --> 00:35:54,390 So we thought we'd incorporate a character 764 00:35:54,425 --> 00:35:55,808 with board game items, 765 00:35:55,843 --> 00:35:58,360 and we turned it into Board Game Man. 766 00:35:58,396 --> 00:36:01,397 It's clear that he's Board Game Guy, 767 00:36:01,449 --> 00:36:04,400 which is a great name for a character. 768 00:36:04,435 --> 00:36:06,986 Thank you. It's Board Game Man. 769 00:36:06,988 --> 00:36:09,872 Board Game Man, excuse me-- even better. 770 00:36:09,924 --> 00:36:13,542 Do you see the way he's looking at us? 771 00:36:13,578 --> 00:36:15,127 It's creepy and weird, 772 00:36:15,162 --> 00:36:19,498 and that's the part that bothers me a bit about this. 773 00:36:19,533 --> 00:36:22,268 The sculptural forms on the face 774 00:36:22,303 --> 00:36:24,536 and the lack of proportion change 775 00:36:24,572 --> 00:36:29,491 make it feel horror, versus playful. 776 00:36:29,543 --> 00:36:33,212 Can you tell me how you split up the workload here? 777 00:36:33,247 --> 00:36:35,231 I sculpted the cowl, the headpiece, 778 00:36:35,283 --> 00:36:36,815 and she did the face. 779 00:36:36,867 --> 00:36:41,537 It feels underdeveloped in how you translated your concept 780 00:36:41,589 --> 00:36:43,222 into a makeup. 781 00:36:43,257 --> 00:36:44,390 He's just so spooky, 782 00:36:44,425 --> 00:36:46,258 with his human eyes showing through this-- 783 00:36:46,294 --> 00:36:49,178 this otherwise playful makeup. 784 00:36:49,213 --> 00:36:52,298 I got to agree with everybody. He's scary. 785 00:36:52,350 --> 00:36:56,418 You cannot take a baby-bottle nipple 786 00:36:56,470 --> 00:36:58,671 and put it over someone's nipple. 787 00:36:58,723 --> 00:37:00,773 If you have a nipple shape, it can't go on a nipple, 788 00:37:00,808 --> 00:37:02,574 unless you're really going for a nipple there. 789 00:37:02,610 --> 00:37:05,778 I'm sorry I'm saying "nipple" so many times. 790 00:37:05,813 --> 00:37:10,182 It's okay. We-- we tried to keep it away from two of them, 791 00:37:10,184 --> 00:37:11,634 'cause we noticed that. So don't worry. 792 00:37:11,686 --> 00:37:15,754 Yeah, um, I understand what you were going for, 793 00:37:15,790 --> 00:37:18,190 but I-- I think it's a mistake. 794 00:37:18,192 --> 00:37:20,459 Robert and Yvonne, you can head back. 795 00:37:28,152 --> 00:37:29,568 All right, thank you guys. If you'd please head back 796 00:37:29,570 --> 00:37:31,971 to the makeup room while the judges deliberate. 797 00:37:41,215 --> 00:37:42,881 Hi, judges. So, just as a reminder, 798 00:37:42,917 --> 00:37:45,517 you do have that one-time special immunity 799 00:37:45,553 --> 00:37:47,252 that you may use, if you wish. 800 00:37:47,288 --> 00:37:48,921 So, with that, let's start with the looks 801 00:37:48,956 --> 00:37:50,289 you liked the most this week. 802 00:37:50,341 --> 00:37:53,392 Why don't we begin with Rob, Johnny, and Melissa? 803 00:37:53,427 --> 00:37:54,893 I really thought it was a very cohesive, 804 00:37:54,929 --> 00:37:56,862 complete design-- 805 00:37:56,897 --> 00:37:59,898 beautiful colors, beautiful palette, really exceptional. 806 00:37:59,934 --> 00:38:04,320 It was fantastic, right down to the jacket that I loved. 807 00:38:04,372 --> 00:38:06,138 It was so beautiful, the colors. 808 00:38:06,190 --> 00:38:09,258 And up close-- it was so much better up close even. 809 00:38:09,310 --> 00:38:11,543 Let's move on to Anna and Mel. 810 00:38:11,579 --> 00:38:13,412 I think they did a fantastic job. 811 00:38:13,447 --> 00:38:15,731 Everything was just beautifully painted. 812 00:38:15,766 --> 00:38:17,149 They had all those beautiful levels, 813 00:38:17,184 --> 00:38:18,484 that slight blush cheek. 814 00:38:18,519 --> 00:38:19,852 They gave it great direction. 815 00:38:19,887 --> 00:38:23,355 Sculpturally, there was a lot of form 816 00:38:23,357 --> 00:38:25,374 pulled away from the actor's face, 817 00:38:25,409 --> 00:38:29,178 but they retained his ability to really perform through it. 818 00:38:29,230 --> 00:38:30,729 I thought, more than anyone else, 819 00:38:30,765 --> 00:38:32,664 the model really helped it. 820 00:38:32,700 --> 00:38:33,966 He just sold that. 821 00:38:34,001 --> 00:38:35,467 So let's talk about the looks 822 00:38:35,503 --> 00:38:37,536 that weren't so successful tonight. 823 00:38:37,588 --> 00:38:39,338 Let's start with Jennifer and Njoroge. 824 00:38:39,373 --> 00:38:40,873 They really missed the opportunity 825 00:38:40,925 --> 00:38:42,658 to do a really cool paint job on it. 826 00:38:42,710 --> 00:38:44,309 They just left it flat. 827 00:38:44,345 --> 00:38:46,779 The idea of making it a single crayon 828 00:38:46,814 --> 00:38:48,247 and painting it a single color-- 829 00:38:48,282 --> 00:38:49,915 it's just a poor idea. 830 00:38:49,950 --> 00:38:53,502 It was devoid of any cosmetic interest whatsoever. 831 00:38:53,537 --> 00:38:55,721 All right, and lastly, Robert and Yvonne. 832 00:38:55,756 --> 00:38:57,556 Because of the scale issue of the head 833 00:38:57,591 --> 00:38:58,857 and some of the sculptural choices 834 00:38:58,909 --> 00:39:00,409 with this blank, white face, 835 00:39:00,444 --> 00:39:02,411 it pushed it into a horror category. 836 00:39:02,446 --> 00:39:04,663 It was just confusing, the whole head. 837 00:39:04,698 --> 00:39:06,548 Getting rid of his ears 838 00:39:06,584 --> 00:39:09,134 and just seeing the corners of the dice like bookends 839 00:39:09,186 --> 00:39:11,236 on the side of his head made his head look really tiny. 840 00:39:11,272 --> 00:39:12,771 - And it did-- - It did, didn't it? 841 00:39:12,807 --> 00:39:14,173 It looked weird compared to the rest of the body, 842 00:39:14,208 --> 00:39:16,475 And the way that they translated this concept-- 843 00:39:16,510 --> 00:39:19,711 interpreted it as a makeup-- was a failure. 844 00:39:19,747 --> 00:39:22,214 All right, judges, have you made up your minds? 845 00:39:22,216 --> 00:39:24,283 - We have. - Let's bring 'em back out. 846 00:39:26,670 --> 00:39:27,870 Welcome back, guys. 847 00:39:27,922 --> 00:39:30,022 All right, Glenn, tell us about the top teams. 848 00:39:30,057 --> 00:39:31,890 Rob, Johnny, and Melissa, 849 00:39:31,926 --> 00:39:34,526 your artistic flair was on full display with this character, 850 00:39:34,562 --> 00:39:36,862 and the colors were exceptionally well-tailored 851 00:39:36,897 --> 00:39:38,630 to this challenge. 852 00:39:38,666 --> 00:39:41,533 Anna and Mel, your character is sweet and fun, 853 00:39:41,569 --> 00:39:43,335 which is just what it should've been. 854 00:39:43,370 --> 00:39:45,737 And the paint on the face was quite exquisite. 855 00:39:45,773 --> 00:39:47,239 Okay, which team came out on top? 856 00:39:47,274 --> 00:39:48,907 The top team tonight is... 857 00:39:55,108 --> 00:39:56,841 Okay which team came out on top? 858 00:39:56,843 --> 00:39:58,310 The top team tonight is... 859 00:40:02,132 --> 00:40:03,598 Anna and Mel. 860 00:40:05,953 --> 00:40:07,619 You did a phenomenal job 861 00:40:07,621 --> 00:40:10,789 translating your object into a convincing character. 862 00:40:10,791 --> 00:40:14,526 And that is no easy task when the object is a watch. 863 00:40:14,528 --> 00:40:15,694 - Great job. - Thank you. 864 00:40:15,696 --> 00:40:18,380 - Thank you. - Anna and Mel, congratulations. 865 00:40:18,382 --> 00:40:19,864 But, as you know, 866 00:40:19,866 --> 00:40:23,201 we can only have one winner. Glenn? 867 00:40:23,203 --> 00:40:26,204 The winner of tonight's challenge is... 868 00:40:26,206 --> 00:40:27,772 Mel. 869 00:40:27,774 --> 00:40:30,942 - Yay. - Thank you. 870 00:40:30,944 --> 00:40:32,577 You did a beautiful paint job on the face, 871 00:40:32,579 --> 00:40:35,113 and the sculpture really allowed your character to shine. 872 00:40:35,115 --> 00:40:37,082 - Well done. - I feel so, 873 00:40:37,084 --> 00:40:39,200 so honored to be the winner. 874 00:40:39,202 --> 00:40:42,253 Winning this challenge is gonna help me, moving forward, 875 00:40:42,255 --> 00:40:45,790 and I feel like I can create great things because of this. 876 00:40:45,792 --> 00:40:47,892 - Mel, congratulations. - Thank you. 877 00:40:47,894 --> 00:40:50,812 You, Anna, Rob, Johnny, and Melissa 878 00:40:50,814 --> 00:40:52,998 are all safe and can head back to the makeup room. 879 00:40:53,000 --> 00:40:54,950 - Thank you. - Thank you guys. 880 00:40:54,951 --> 00:40:56,942 - Good job. - Good job. 881 00:40:59,856 --> 00:41:01,356 All right, guys, that means the rest of you 882 00:41:01,358 --> 00:41:02,557 are on the bottom, 883 00:41:02,559 --> 00:41:05,076 and one of you will be going home tonight. 884 00:41:05,078 --> 00:41:06,711 Please step forward. 885 00:41:14,838 --> 00:41:17,322 All right, Glenn, tell us about the bottom teams. 886 00:41:17,324 --> 00:41:20,692 Jennifer and Njoroge, you had a few good ideas, 887 00:41:20,694 --> 00:41:23,595 but you shot yourselves in the foot choosing yellow 888 00:41:23,597 --> 00:41:26,898 and not adding any shading or graphic to break it up. 889 00:41:26,900 --> 00:41:28,633 Robert and Yvonne, 890 00:41:28,635 --> 00:41:31,803 the board game concept was a good one for your dice, 891 00:41:31,805 --> 00:41:34,506 but ultimately, it felt underdeveloped 892 00:41:34,508 --> 00:41:37,709 in terms of your ability to execute the makeup. 893 00:41:37,711 --> 00:41:39,544 So who's going home tonight? 894 00:41:39,546 --> 00:41:41,162 The person going home tonight is... 895 00:41:45,786 --> 00:41:48,703 Jennifer. 896 00:41:48,705 --> 00:41:51,506 While we did have several issues with the makeup, 897 00:41:51,508 --> 00:41:55,643 one of our least favorite pieces was the disproportionate cowl. 898 00:41:55,645 --> 00:41:57,178 Okay. 899 00:41:57,180 --> 00:42:00,582 Jennifer, I'm so sorry, but you have been eliminated. 900 00:42:00,584 --> 00:42:03,835 That means Njoroge, Robert, and Yvonne, 901 00:42:03,837 --> 00:42:06,237 you're safe this week and can head back to the makeup room. 902 00:42:12,679 --> 00:42:15,346 Jennifer, because it's so early in the competition, 903 00:42:15,348 --> 00:42:16,881 we really haven't gotten to see everything 904 00:42:16,883 --> 00:42:18,550 that you're capable of doing. 905 00:42:18,552 --> 00:42:20,618 But I hope you had a good time while you were here, honey. 906 00:42:20,620 --> 00:42:22,337 Sure, I did. You guys are awesome. 907 00:42:22,339 --> 00:42:24,923 Jennifer, it's been so great having you here with us. 908 00:42:24,925 --> 00:42:27,258 But if you'd please head back to the makeup room 909 00:42:27,260 --> 00:42:28,460 and pack up your kit. 910 00:42:28,462 --> 00:42:29,644 - Thank you guys. - Thank you. 911 00:42:29,646 --> 00:42:31,229 - Good luck. - Good night. Bye, honey. 912 00:42:31,231 --> 00:42:33,765 - Good luck. - I know I could've done better, 913 00:42:33,767 --> 00:42:37,786 but I know my family's gonna be proud of me. 914 00:42:37,788 --> 00:42:39,671 It's me. 915 00:42:39,673 --> 00:42:40,905 What? 916 00:42:40,907 --> 00:42:42,640 I love to do makeup, 917 00:42:42,642 --> 00:42:45,443 and being on Face Off has given me a lot of confidence 918 00:42:45,445 --> 00:42:47,479 that I could do this professionally. 919 00:42:47,481 --> 00:42:52,217 I learned a lot, and I'm only gonna get better. 920 00:42:52,219 --> 00:42:56,743 I'm excited to put my skills into something amazing. 921 00:42:57,279 --> 00:42:59,780 Sync and corrections by n17t01 www.addic7ed.com