(CHAINS RATTLING)
You killed my brother.
- I didn't, I didn't... - I see you move that body.
You thought it was Hassan, in the taxi, so you killed him.
I didn't.
I'm not going to hurt you, if I get a confession.
He said, "The police is different here, you can trust most of them."
- So, I'm doing it his way. - (MOBILE BEEPING)
Talk!
I didn't kill your brother.
Okay.
No!
(GRUNTING) No!
No! No!
(WHIMPERS)
I said I wouldn't hurt you, if I got a confession.
Talk!
I didn't kill anyone, I moved...
I moved a body...
I moved Grace's body.
- But I didn't kill anyone. - You liar!
You killed Hassan!
(ECHOING) You killed Hassan!
(THEME MUSIC PLAYING)
Ripped & Corrected By mstoll
(GASPS)
You're late.
Bad night.
Like I-want-to-talk-about-it bad?
Laura, I'm fine!
Okay.
Then, go and join Rav in the interview room.
- Yann? - Yes.
RAV: Carol Fincher.
(DOOR OPENING)
MARCELLA: Sorry.
RAV: Carol.
She was in your AA group.
Yeah.
Yeah, she was.
You had traces of alcohol in your blood when we brought you in.
Yeah, I, erm...
- I had a small relapse. - Why?
'Cause, I hate London.
All right, so you didn't drink to forget killing an innocent little girl.
Hey, I didn't do it!
(SIGHS)
I haven't done anything.
What can I say to make you believe that?
(SIGHS)
Walter Davies.
Who's he?
MARCELLA: He's the father of the man
you and Matthew rented an apartment from in Norwich.
You dropped a key card at his house, didn't you?
No?
Liz Harper, Benjamin Williams,
Grace Gibson, Beth Bachan,
May.
(SOBBING)
(SIREN WAILING)
I don't think it's him.
Well, we've got his DNA, there's evidence at his house
and he hasn't got any alibis.
Our man is a methodical, cold-blooded killer.
Yann doesn't fit that profile.
He could've faked the panic attack.
Mmm, he didn't.
Well, if you're good at faking it, it's very hard to tell the difference.
- Isn't it, Mark? - Sorry, what?
Nothing.
The DNA from his hair was in the hand of a murder victim.
I know.
Have you got the forensic report on that?
Er, yeah.
Thank you.
SYLVIE: You're saying Andrew Barnes was murdered?
TIM: It seems like it, yes.
That's, er, terrible.
But what's it got to do with us?
You did business with him, didn't you?
Yes, he was the head of the planning committee in Lambeth.
TIM: And he was about to shut down one of your projects, wasn't he?
- What are you insinuating, Officer? - Nothing.
I'm just saying that if you made a list of all the companies
that might benefit from Barnes' death,
DTG Construction would be number one, I'd say.
We had a new plan for Lambeth.
Henry and Jason had put together a proposal that would have saved it.
- Jason? - STEPHEN: Backland.
SYLVIE: Our Head of Legal.
He was fired, wasn't he?
If there isn't anything else...
Not for the moment, no.
And if there is, please go through our legal department next time.
Mmm.
What's this?
You tell me.
STUART: "Fifteen grand. I'll be in touch."
What? You think I sent you this?
You think I'm blackmailing you?
Why would I do that? I can't use it without incriminating myself.
Then, who sent it?
STUART: It doesn't matter,
it's just you giving me an envelope. What are they gonna do with that?
- So what do we do? - Nothing.
It's useless. Now, forget about it.
It's useless, unless somebody knows what you did.
Nobody knows.
BENDEK: What?
Nothing.
What's going on? What are you doing here?
Has something happened to Yann? Is he okay?
He's absolutely fine.
This is our home.
What are you doing here? Where is he?
Mr Neil.
Can we have a word with you down at the station, please?
RAV: So, Matthew, I just wanted to ask, have you...
Have you noticed anything strange about Yann lately?
- Like what? - Like anything.
I mean, has he been acting differently?
- No. - What are you holding him for?
How much does Yann know about your work?
He knows what I do.
And we talk like normal couples, why?
Well, does he know enough to get in to a computer?
Like Mrs Shaw's, for example.
(SCOFFING)
That was for a murder investigation. Is that why you're asking me about it?
Have you seen any of these before?
Installation tape. Cable ties.
Er, okay, erm... (CLEARS THROAT)
Is he here? I have to see him.
Do you have no idea how these got into your home?
MATTHEW: No, I don't.
Well, do the names Liz Harper, Benjamin Williams, Grace Gibson,
and Beth Bachan mean anything to you?
No.
Grace obviously does. She was my best friend's sister.
Sure, but none of the others?
And you've never heard Yann talking about them?
Can I see him?
I'm afraid you can't, but you can help us with our investigation.
If you can let us know your whereabouts on those dates there.
(TELEPHONE RINGING)
- Mark? - Yeah.
Can you do me a favour?
Sure, anything.
- Ow, what... - Hang on.
- What are you doing? - Thanks.
You said "anything."
(MOBILE RINGING)
- Hi, darling. - Hi, Mum. Where do you and dad want to sit?
MARCELLA: Sit when, honey?
- Tonight. The talent show. - Erm...
EDWARD: Don't say you forgot.
No, of course I didn't. Erm, it's 8:00, right?
7:00. Where do you want to sit?
I don't mind, sit us wherever you want to, darling.
EDWARD: Okay.
I love you, I can't wait.
- Bye. - Bye-bye.
TIM: I'm investigating the death of Andrew Barnes.
Sylvie Gibson says you were involved in saving something called the, er...
The Lambeth Project. Is that right?
The committee felt that we broke our agreement.
Henry Gibson and I came up with a solution.
Will it be approved this time? Without Barnes?
I don't know.
Because if it is approved, then one could say that...
You really benefit from Andrew Barnes's death.
One could say that, yes, but...
Wasn't he depressed and killed himself?
Weren't you fired from DTG?
Who told you that?
Marcella.
This is all about her, isn't it?
What is?
DTG have over 800 employees.
Are you going to talk to each and every one of them like this?
No.
- (KNOCKING ON DOOR) - SYLVIE: Good, you're here.
We've decided to send your new proposal for Lambeth to the planning committee.
Will you arrange that?
Absolutely.
I'm glad you've finally realised it's the best way forward.
It's not, but we're forced to use it.
Andrew Barnes was murdered.
He was against the original plan.
Murdered?
If it went through now, it might raise unnecessary questions with the public.
Sure, yeah. No, I'll send in the new plans along.
SYLVIE: Good.
- How did Jason react to the news? - Henry, just do it.
You don't think he had anything to do with it, do you?
With what?
The murder?
(SCOFFING) Don't be silly.
HENRY: He was desperate to get his job back.
He said working with me was Plan B, perhaps this was his Plan A.
God, you really don't want him here, do you?
Forget it. (CHUCKLING)
(SCOFFS)
Jason's a climber.
You said yourself, he'd do anything for this company.
(PHONE DIALLING)
- STUART: Yes? - They know he was killed.
- Who knows? - The police.
This is a murder investigation now.
All right, just calm down.
- I think I should pay. - No, don't panic.
Look, I need this to go away.
If that's what you want, but let me handle it.
- Can we meet? - Yes.
Tonight?
Okay.
(DOOR OPENS)
Bendek!
- We need to talk business. - Sure.
If it's gonna take more than a minute, it's gonna have to wait.
I've got a case involving DTG Construction, I think we should share information.
- What kind of case? - A fake suicide.
- Should your case be mine? - I don't think they're connected in that way.
They just involve the same family.
The Gibsons.
And, possibly, Jason Backland.
I guess the Superintendent will have to wait.
(KEYBOARD CLACKING)
(SIGHS) Well?
Yes, considerably more.
- Right, I need pictures of all of them. - Absolutely.
MARCELLA: Thanks, Mark.
Okay, so this is the hair that we found in Beth's hand.
And this is the hair that I pulled from Mark's head earlier on today.
She did. It hurt.
MARCELLA: And, as you can see,
there's only two roots from the hair in Beth's hand
and yet almost every single hair I pulled from Mark's head has a root.
Erm, and this is hair from my hair brush.
Are you seeing the similarities?
I don't think that the hair that we found in Beth's hand
was pulled from the killer's head.
Well, she could have grabbed hold of his hoodie or something.
- Got hold of it that way... - I think it was planted.
You know, Marcella,
when we find DNA at a crime scene, it usually means that person's been there.
What if it was planted? What if...
I mean, who's got access to Yann's hair?
- His barber. - ALEX: Matthew Neil.
(STUTTERING) Yes, hers is better...
But why would he try and frame his own boyfriend?
I don't know, but I don't think it's Yann.
- Because? - Rav, what don't you get about this?
I get everything about this, Marcella. This is my investigation.
Right, well I think we should bring him in.
We can, and we probably will.
But we've already spoken to him today.
And you let him go?
He's not a suspect.
(BUZZING)
(DOORBELL RINGING)
Hi.
The police have Yann.
What? Why? What for?
They think he's got something to do with the murders.
Grace?
But they're wrong.
(INDISTINCT CONVERSATIONS)
Mum!
Hey.
Hello, gorgeous. Mmm.
Let me look at you.
Wow!
Are you nervous?
Not really, just for the rings trick.
Hey.
- Are you not doing anything? - Are you kidding?
Are you sure about this?
Yes, I'm sure.
I can't have that picture down with the police.
I do this and it's over, right?
I'll make sure it is.
TEACHER: Good evening.
If everybody would like to take their seats, please.
- Welcome. - Where's Dad?
You got me into this situation.
And I'll get you out of it.
STUART: There it is.
I've already taken my half, as arranged.
It's all there, don't you trust me?
It ends here, Bendek. Do you hear me?
No more blackmail.
- He paid, didn't he? - I mean it.
The next time he wants help, he might not come to me.
Hey, what happened? Why are you not here?
What? Where's "here"?
The talent show.
Oh, shit!
I completely forgot.
I'll explain to Edward later.
Quick! I've to go back in. What do you want?
Listen, erm...
Did you tell Tim that I was fired?
Erm, I don't know, might have.
Why?
JASON: Do you speak to him a lot?
Is that seriously why you called me?
Well, do you? He was at our house.
I didn't know you two were so close.
(SCOFFING) Bye-bye, Jason.
No, Marc...
(APPLAUSE)
That was so good. I'm so proud of you.
EDWARD: You missed the start.
And why didn't Dad come?
You'll have to ask him about that.
Why can't we ask you?
He loves us, so I guess, he didn't want to be here with you.
- No, that's not why. - Tell us why.
Why aren't you together any more?
- What did you do? - I didn't do anything.
Except ruin everything.
Emma, why do you always think that everything is my fault?
EMMA: Because, you've always acted so weird.
Well... (EXHALES)
Do you really want to know why your father's not here?
Shall I tell you why your father is not here?
Yes.
Your Dad's not here because he was having an affair,
for three years, with another woman.
And then, he left me.
All right?
Well, yeah, because I was depressed because I'd lost my baby.
It was not a choice.
I'm sorry.
(SNIFFLING)
I'm sorry, I...
- I'm sorry. - Mum...
(SOBBING)
Oh, God.
Hey.
Listen, sorry I missed it.
Yeah, Edward was really disappointed. What are you doing here?
I was in my car, on my way home,
and I still...
I still think of this as home.
And what do you want?
JASON: I don't know.
I just know I need something good in my life.
We had something good, you threw it away.
- Look, three nights ago, you came to me... - Old habit, it won't happen again.
I told the kids about Grace.
(SIGHS) What did you do that for?
Because I was sick of them blaming me for everything, that's why.
So now, you're gonna turn the kids against me?
No, I would never do that. They think the world of you.
When we're with the kids, we'll be a family, and when it's just us...
We're nothing.
(SCOFFS)
I want you to give me the key.
- No, I still own this house. - Just give me the key.
What, so you can give it to Tim?
Just give me the fucking key!
(KEYS JANGLING)
(JASON SIGHS)
(DOOR CLOSING)
LAWYER: It's rather late.
Don't you worry. This is not gonna take long at all.
Can you explain why you stole a key card from a Premier Lodge reception?
No, no, I can't.
I can't explain the...
The DNA, the stuff you found in my flat.
Anything, all right?
Can I just go back to my cell, please?
- I'm really tired. - All right, Yann.
Have a look at this.
This is a photograph from said Premier Lodge.
And this here is an item of clothing taken from your home.
Now, if you look at this stitching here.
This repair, yeah?
(YANN SNIFFING)
(SNIFFING CONTINUES)
This is not...
This is not mine.
This is...
(SIGHS) This is not me.
This is Matthew's.
You're looking for Matthew.
- That's Matthew Neil. - ALEX: Yeah.
It was his hoodie on the CCTV at Premier Lodge.
We can't get hold of him.
MARK: His phone's switched off. No match on his car with ANPR.
RAV: Okay, thanks a lot.
And the unit we sent to his house says he's not there.
LAURA: Work?
MARK: He has his own company, but he works part time at DTG Construction.
I asked them to call us, if he shows up.
He was involved in the 2005 investigation as well.
- What? - You're fucking kidding me!
MARCELLA: No, look.
He was wasn't a suspect. He lived next door to one of the victims.
So, how was he involved?
He was helping the police see if the victim had anything missing.
So he knows about the trophies.
Sorry, I'm failing to understand this.
Why didn't you tell us this earlier? We've been talking about him for days.
Er, because I recognised the face, Rav, I didn't recognise the name.
- He's in the case file for anyone to find. - We need to talk to him.
The job he's got at DTG, his best friend got him it,
Henry Gibson.
Yeah, they spent a lot of time together. Yann sounded kind of jealous.
He might know where to find Matthew.
Do we know where Gibson is?
No?
Okay, let's find out, please.
(THUDDING)
Looking for me?
- The door was open. - Right.
That doesn't mean you can just walk in though, does it?
(KEYS JANGLING)
So, when was the last time you saw Matthew?
Matthew? He was here yesterday.
What did he want?
Well, he was very upset. You just arrested his partner.
You really think Yann had something to do with it all?
Yeah, we can't talk about that.
No, of course not.
MARCELLA: Is this you and Matthew? HENRY: Yeah.
Football camp when we were nine.
We grew up together, he's basically my brother.
- So you see a lot of each other? - Yeah.
Yeah, well, especially now he's back in London.
- I helped him set up his business here. - When was that?
About four months ago.
If he's not at work and he's not at home, where might he be?
Sorry, what's going on?
Did he say where he was going, when he left here?
Well, he wasn't allowed to see Yann and didn't want to go home, so...
- He said he was going away for a bit. - "Away"?
(CAR DOOR CLOSING)
HENRY: Yeah, just on his own.
Just to try and process all of this, I think.
If he contacts you, you call me immediately, brother or no brother, yeah?
HENRY: Well, of course.
Look, whatever it is you think he's done, you're wrong.
Thank you.
Yeah, vehicle found. Alpha 4-7-6, Golf, Golf, Whisky.
WOMAN: (ON RADIO) Status of vehicle?
Abandoned.
(HEAVY METAL MUSIC PLAYING)
Stuart?
Hey.
How was class?
Muy bien, gracias. ｿ Quieres t・
- Do you want some tea? - Oh, er, s・
Pleas-o.
(CHUCKLES)
How can you listen to that?
- Can you ask him to turn it down? - Yeah.
(SIGHS)
Bendek!
Come on.
(MUSIC CONTINUES PLAYING)
Shit!
Shit! Come on!
(MUSIC CONTINUES PLAYING)
Linda!
- Oh, my God! - Turn that shit off.
- (MUSIC STOPS) - (PANTING)
- Call an ambulance. - Yeah.
(LINDA GASPING)
LINDA: Erm, ambulance service, please?
I wouldn't bother, he's dead.
Oh, yeah, yeah, sorry, erm...
Our lodger, erm...
Yeah.
Could you send an ambulance, please?
Right, we found Matthew Neil's car, it's in Dover.
We've informed Europol and the French are investigating if he arrived in Calais.
- And when will we know if he did? - Don't know.
So, we carry on as if he's still in the country.
His car's being towed to London for a proper forensic analysis,
but the locals found this in the glove compartment.
- Beth's? - Mmm-hmm.
May must have made it for her.
MARK: I've found two new connections between our victims and Matthew Neil.
Beth was a client of his.
RAV: He said he'd never heard of her, remember?
Yeah.
And Benjamin Williams was his physiotherapist.
Right, why was he seeing a physio?
I've got his medical records here. He had herniated discs.
NURSE: Lumbar disc herniation...
There's one, there's another.
A man with these problems could barely lift anything,
without extreme discomfort.
And what if he does lift something heavy? Like a body?
Out of the question, I'd say.
RAV: But what happens if he does?
Extreme pain, bedridden,
or to say the least, severe difficulties moving.
(INHALES)
- Thanks. - (DOOR CLOSING)
(SIGHS)
(LIFT BELL DINGING)
So, that rules Matthew Neil out as well. I am just so fucking tired of this case!
It doesn't mean that he didn't kill Grace Gibson.
And what? Someone else came and moved the body?
Maybe.
He's connected to the victims.
- The car, the bracelet... - Oh, yeah.
He had the opportunity.
You can't rule him out because he's got a bad back.
MARCELLA: (ECHOING) I didn't kill anyone, I moved...
I moved...
MO: No, you killed Hassan!
MARCELLA: I moved a body, I didn't...
I didn't kill him, I didn't...
(INAUDIBLE THOUGHTS)
(BREATHING HEAVILY)
(LINDA SIGHS)
What happened in there?
You know, just a sex act gone wrong.
No.
I mean, with you.
Stuart?
Is anything wrong?
You have to tell me.
I've got MS.
It's early stages, but, you know...
I can't provide for us any more.
Why didn't you tell me?
Because I'm supposed to take care of you.
We're supposed to take care of each other.
Now, I put some money aside, right, but it's nowhere near enough.
You don't have to worry about money. I'll manage.
And I've done some pretty bad things to get it.
LINDA: What bad things?
I'm sorry, Linda.
But I do love you.
(SOBBING)
(SIGHS)
Where is it, where is it, where is it?
Shit!
Night!
Hey, Laura!
Sorry. Do you remember, Bendek Krol?
- Sure. - He's dead.
Autoerotic asphyxiation.
He tied a leather belt to a door handle, or something.
Is it really that much better without air?
Anyway, because he figured in our investigation, we got his stuff.
- Anything interesting? - Yes, very much so.
This is his phone.
They found seven and a half grand, but it looks like he's blackmailed someone.
Here.
If you look at that picture there,
those two guys were both at Grace Gibson's funeral.
Do you want me to look into it?
No, I'll take it.
Thanks.
- Found him yet? - (GASPS)
MARCELLA: Sorry?
- Mo? - Erm, no.
Have you heard about Matthew Neil?
That he couldn't have moved Grace's body, yes.
I still think it could be him.
I know, Rav said.
I want to stay on him.
Okay.
Well, I just wanted to say goodnight.
Goodnight.
Hi, Tim.
Hey, you're still here.
I've got something for you.
Bendek's Krol's mobile.
(DOOR CLOSING)
Found the place, all right?
- Yes. - Yep.
It's a beautiful house.
Thank you.
Yes, it's your, er... Your first time here, isn't it?
Yes, it is.
Well, hopefully not the last.
Thank you.
Cheers.
I'm very glad you could come.
Well, you said, you had something to show us.
Yes, I do.
Are you aware of Battersea?
What about it?
Well, there's a very special plot of land that the council are hoping to develop.
You know what?
I'll just show you.
(BOTTLES CLINKING)
- You're working late. - Mmm.
New suspect.
Oh, yeah?
Why are you talking to Jason?
DTG came up in an investigation.
He's Head of Legal...
Again.
Nothing about Grace?
Mmm, no.
You have any idea why he got his job back?
Mmm, they probably realised they couldn't do without him.
And you?
I've realised I can.
HENRY: Obviously, it's sustainable.
But more importantly, it's a tribute to Grace.
It's bold, elegant, forward thinking.
And it looks onto the river, just like Dad always liked.
I think it's beautiful.
Sylvie?
- I love it. - Really?
Come here.
Thank you.
Well, this is cause for celebration.
(STAMMERING) I have, erm,
some nice champagne downstairs, let me, er...
I'll be right back.
(MUFFLED SCREAMING)
(SCREAMING CONTINUES)
Ripped & Corrected By mstoll
(THEME MUSIC PLAYING)