1
00:00:07,374 --> 00:00:08,398
AND NOW...

2
00:00:08,441 --> 00:00:09,669
IT'S...

3
00:00:14,314 --> 00:00:18,910
<i>MONTY PYTHON'S FLYING CIRCUSES.</i>

4
00:00:25,000 --> 00:00:29,000
<b><font color="#0E7521">Ripped & Corrected By mstoll</font></b>

5
00:00:43,043 --> 00:00:44,601
<i>GOOD EVENING</i>

6
00:00:44,644 --> 00:00:47,340
<i>AND WELCOME TO THE ARTHUR
LUDLOW MEMORIAL BATHS, NEWPORT</i>

7
00:00:47,380 --> 00:00:48,870
<i>FOR THIS YEAR'S FINALS</i>

8
00:00:48,915 --> 00:00:51,281
<i>OF THE ALL-ENGLAND
SUMMARIZE PROUST COMPETITION.</i>

9
00:00:51,317 --> 00:00:53,808
<i>AS YOU MA Y REMEMBER,
EACH CONTESTANT HAS TO GIVE</i>

10
00:00:53,853 --> 00:00:57,050
<i>A BRIEF SUMMARY OF PROUST'S</i>
A LA RECHERCHE DU TEMPS PERDU

11
00:00:57,090 --> 00:00:59,957
<i>ONCE IN A SWIMSUIT
AND ONCE IN EVENING DRESS.</i>

12
00:01:01,494 --> 00:01:03,291
<i>THE FIELD HAS NOW NARROWED
TO THREE FINALISTS</i>

13
00:01:03,329 --> 00:01:04,762
<i>AND YOURJUDGES TONIGHTARE</i>

14
00:01:04,798 --> 00:01:07,824
<i>ALEC AND ERIC BEDSER,
EX-SURREY CRICKETERS;</i>

15
00:01:07,867 --> 00:01:10,461
<i>STEWART SURRIDGE,
EX-CAPTAIN OF SURREY;</i>

16
00:01:10,503 --> 00:01:14,872
<i>OMAR SHARIF; LAURIE FISHLOCK,
EX-SURREY OPENING BATSMAN;</i>

17
00:01:14,908 --> 00:01:17,706
<i>PETER MAY, THE FORMER
SURREY AND ENGLAND CAPTAIN;</i>

18
00:01:17,744 --> 00:01:20,304
<i>AND YEHUDI MENUHIN,
THE WORLD-FAMOUS VIOLINIST</i>

19
00:01:20,346 --> 00:01:23,372
<i>AND THE PRESIDENT
OF THE SURREY CRICKET CLUB.</i>

20
00:01:23,416 --> 00:01:26,385
<i>AND RIGHT NOW IT'S TIME
TO MEET YOUR HOST FOR TONIGHT</i>

21
00:01:26,419 --> 00:01:27,443
<i>ARTHUR MEE!</i>

22
00:01:29,289 --> 00:01:30,984
GOOD EVENING AND WELCOME.

23
00:01:31,057 --> 00:01:33,992
WHEREAS PROUST WOULD SAY,
<i>"LE MALADE IMAGINAIRE</i>

24
00:01:34,027 --> 00:01:36,587
<i>"DE RECONDITION
ET DE TOUTE SURVEILLANCE</i>

25
00:01:36,629 --> 00:01:38,392
<i>EST BIENTOT LA MEME CHOSE. "</i>

26
00:01:38,431 --> 00:01:41,195
REMEMBER, EACH CONTESTANT
THIS EVENING

27
00:01:41,234 --> 00:01:44,499
HAS A MAXIMUM OF
15 SECONDS TO SUMMARIZE

28
00:01:44,537 --> 00:01:46,505
<i>A LA RECHERCHE DU TEMPS PERDU</i>

29
00:01:46,539 --> 00:01:48,598
AND ON THE PROUSTOMETER HERE

30
00:01:48,641 --> 00:01:51,508
YOU CAN SEE
EXACTLY HOW FAR HE GETS.

31
00:01:51,544 --> 00:01:54,741
SO LET'S CRACK STRAIGHT ON WITH
OUR FIRST CONTESTANT TONIGHT.

32
00:01:54,781 --> 00:01:59,013
HE'S LAST YEAR'S SEMIFINALIST,
FROM LUTON, MR. HARRY BAGOT.

33
00:02:00,787 --> 00:02:01,776
HELLO, HARRY.

34
00:02:01,821 --> 00:02:03,755
NOW, THERE'S
THE SUMMARIZING SPOT.

35
00:02:03,790 --> 00:02:05,985
YOU'RE ON THE
SUMMARIZING SPOT.

36
00:02:06,025 --> 00:02:08,585
15 SECONDS FROM... NOW!

37
00:02:08,628 --> 00:02:10,562
PROUST'S NOVEL OSTENSIBLY TELLS

38
00:02:10,597 --> 00:02:12,428
OF THE IRREVOCABILITY
OF TIME LOST

39
00:02:12,465 --> 00:02:15,025
THE FORFEITURE OF INNOCENCE
THROUGH EXPERIENCE

40
00:02:15,068 --> 00:02:18,196
THE REINSTALLMENT OF EXTRATEMPORAL
VALUES OF TIME REGAINED.

41
00:02:18,238 --> 00:02:20,206
ULTIMATELY THE NOVEL
IS BOTH OPTIMISTIC

42
00:02:20,240 --> 00:02:23,334
AND SET WITHIN THE CONTEXT OF
A HUMANE RELIGIOUS EXPERIENCE

43
00:02:23,376 --> 00:02:25,970
RESTATING AS IT DOES
THE CONCEPT OF INTEMPORALITY.

44
00:02:26,012 --> 00:02:28,810
IN THE FIRST VOLUME, SWANN,
THE FAMILY FRIEND, VISITS...

45
00:02:29,849 --> 00:02:30,975
WELL TRIED, HARRY.

46
00:02:31,017 --> 00:02:32,609
<i>A GOOD ATTEMPT THERE</i>

47
00:02:32,652 --> 00:02:35,052
<i>BUT UNFORTUNATELY HE CHOSE
A GENERAL APPRAISAL OF THE WORK</i>

48
00:02:35,121 --> 00:02:37,248
<i>BEFORE GETTING ON TO THE STORY,
AND AS YOU CAN SEE</i>

49
00:02:37,290 --> 00:02:38,655
<i>HE ONLY GOT AS FAR</i>
<i>AS PAGE ONE OF</i> SWANN'S WAY

50
00:02:38,691 --> 00:02:40,591
<i>THE FIRST OF THE SEVEN VOLUMES.</i>

51
00:02:40,627 --> 00:02:43,187
<i>A GOOD TRY, THOUGH,
AND VERY NICE POSTURE.</i>

52
00:02:43,229 --> 00:02:45,459
HARRY BAGOT,
YOU'RE FROM LUTON?

53
00:02:45,498 --> 00:02:46,624
YES, ARTHUR, YEAH.

54
00:02:46,666 --> 00:02:48,429
NOW, HARRY, WHAT MADE
YOU FIRST WANT TO TRY

55
00:02:48,468 --> 00:02:50,060
AND START
SUMMARIZING PROUST?

56
00:02:50,170 --> 00:02:51,262
WELL, I FIRST ENTERED

57
00:02:51,304 --> 00:02:53,272
A SEASIDE SUMMARIZING
PROUST COMPETITION

58
00:02:53,306 --> 00:02:55,001
WHEN I WAS ON HOLIDAY
IN BOURNEMOUTH

59
00:02:55,041 --> 00:02:57,236
AND MY DOCTOR
ENCOURAGED ME WITH IT.

60
00:02:57,277 --> 00:03:00,906
AND, HARRY, WHAT ARE YOUR
HOBBIES OUTSIDE SUMMARIZING?

61
00:03:00,947 --> 00:03:03,472
WELL, THERE'S GOLF,
AND STRANGLING ANIMALS.

62
00:03:04,384 --> 00:03:06,978
<i>WELL, THERE HE GOES...
HARRY BAGOT.</i>

63
00:03:07,020 --> 00:03:09,250
<i>HE MUST HAVE LET HIMSELF
DOWN A BIT ON THE HOBBIES.</i>

64
00:03:09,289 --> 00:03:11,086
<i>GOLF'S NOT VERY POPULAR
AROUND HERE.</i>

65
00:03:11,124 --> 00:03:13,558
<i>BUT NEVER MIND, A GOOD TRY.</i>

66
00:03:13,593 --> 00:03:16,994
LADIES AND GENTLEMEN,
MR. RUTHERFORD, FROM LEICESTER.

67
00:03:17,030 --> 00:03:18,224
ARE YOU READY, RONALD?

68
00:03:18,264 --> 00:03:19,060
YEAH, YEAH.

69
00:03:19,098 --> 00:03:20,395
RIGHT, AT YOUR
SUMMARIZING SPOT.

70
00:03:20,433 --> 00:03:23,630
YOU HAVE GOT
15 SECONDS FROM... NOW!

71
00:03:23,670 --> 00:03:25,763
ER... OOH!

72
00:03:25,805 --> 00:03:27,295
ER, OH, SWANN, SWANN!

73
00:03:27,340 --> 00:03:28,773
ER, SWANN.

74
00:03:28,808 --> 00:03:31,709
THERE'S THIS HOUSE...
THERE'S THIS HOUSE, ER, AND...

75
00:03:31,744 --> 00:03:32,870
IT'S IN THE MORNING,
IT'S IN THE MORNING.

76
00:03:32,912 --> 00:03:34,470
NO, NO, NO,
IT'S IN THE EVENING...

77
00:03:34,514 --> 00:03:35,947
IN THE EVENING,
AND THEN THERE'S A GARDEN

78
00:03:35,982 --> 00:03:37,472
UH... AND, ER,
THIS BLOKE COMES IN...

79
00:03:37,517 --> 00:03:38,575
BLOKE COMES IN.

80
00:03:38,618 --> 00:03:39,778
WHAT'S HIS NAME?
WHAT'S HIS NAME?

81
00:03:39,819 --> 00:03:41,582
OH, GOD, JUST SAID IT,
JUST SAID IT.

82
00:03:41,621 --> 00:03:43,111
UH, BIG BLOKE... SWANN! SWANN!

83
00:03:44,457 --> 00:03:45,424
OH, OUT OF TIME.

84
00:03:45,458 --> 00:03:46,857
I'M SORRY,
WE'RE OUT OF TIME.

85
00:03:49,262 --> 00:03:51,127
AND NOW, LADIES AND GENTLEMEN,
I'D LIKE YOU TO WELCOME

86
00:03:51,231 --> 00:03:54,029
THE LAST OF OUR ALL-ENGLAND
FINALISTS THIS EVENING

87
00:03:54,067 --> 00:03:56,900
FROM BINGLEY,
THE BOLTON CHORAL SOCIETY

88
00:03:56,936 --> 00:03:59,336
AND THEIR LEADER,
SUPERINTENDENT McGOUGH.

89
00:03:59,372 --> 00:04:00,464
ALL RIGHT, BINGLEY.

90
00:04:00,506 --> 00:04:02,337
REMEMBER, YOU'VE
GOT 15 SECONDS

91
00:04:02,375 --> 00:04:04,434
TO SUMMARIZE PROUST
IN THEIR ENTIRETY

92
00:04:04,477 --> 00:04:06,775
STARTING FROM... NOW!

93
00:04:23,029 --> 00:04:24,519
<i>VERY AMBITIOUS TRY THERE</i>

94
00:04:24,564 --> 00:04:26,862
<i>BUT IN FACT THE LEAST
SUCCESSFUL OF THE EVENING.</i>

95
00:04:26,899 --> 00:04:29,163
<i>THEY DIDN'T EVEN GET
AS FAR AS THE FIRST VOLUME.</i>

96
00:04:29,235 --> 00:04:31,999
WELL, LADIES AND GENTLEMEN

97
00:04:32,038 --> 00:04:35,303
I DON'T THINK ANY OF OUR
CONTESTANTS THIS EVENING

98
00:04:35,341 --> 00:04:37,172
HAVE SUCCEEDED IN ENCAPSULATING

99
00:04:37,210 --> 00:04:39,940
THE INTRICACIES
OF PROUST'S MASTERWORK.

100
00:04:39,979 --> 00:04:43,039
SO I'M GOING TO AWARD
THE FIRST PRIZE THIS EVENING

101
00:04:43,082 --> 00:04:45,050
TO THE GIRL
WITH THE BIGGEST TITS.

102
00:05:22,488 --> 00:05:24,217
<i>MOUNT EVEREST...</i>

103
00:05:24,324 --> 00:05:27,521
<i>FORBIDDING, ALOOF, TERRIFYING.</i>

104
00:05:27,560 --> 00:05:30,051
<i>THE MOUNTAIN WITH
THE BIGGEST TITS IN THE WORLD.</i>

105
00:05:31,698 --> 00:05:33,529
START AGAIN!

106
00:05:37,603 --> 00:05:39,195
<i>MOUNT EVEREST...</i>

107
00:05:39,238 --> 00:05:42,730
<i>FORBIDDING, ALOOF, TERRIFYING.</i>

108
00:05:42,775 --> 00:05:44,834
<i>THIS YEAR, THIS REMOTE
HIMALAYAN MOUNTAIN</i>

109
00:05:44,877 --> 00:05:46,242
<i>THIS MYSTICAL TEMPLE</i>

110
00:05:46,346 --> 00:05:49,076
<i>SURROUNDED BY THE MOST
DIFFICULT TERRAIN IN THE WORLD</i>

111
00:05:49,115 --> 00:05:52,107
<i>REPULSED YET ANOTHER ATTEMPT
TO CONQUER IT</i>

112
00:05:52,151 --> 00:05:54,915
<i>THIS TIME BY THE INTERNATIONAL
HAIRDRESSERS' EXPEDITION.</i>

113
00:05:56,255 --> 00:05:57,654
<i>IN SUCH FREEZING
ADVERSE CONDITIONS</i>

114
00:05:57,690 --> 00:05:59,715
<i>MAN COMES VERY CLOSE
TO BREAKING POINT.</i>

115
00:05:59,759 --> 00:06:01,488
<i>WHAT WAS THE REAL CAUSE
OF THE DISHARMONY</i>

116
00:06:01,527 --> 00:06:03,688
<i>WHICH DESTROYED
THEIR CHANCES OF SUCCESS?</i>

117
00:06:03,730 --> 00:06:05,857
WELL, PEOPLE WOULD
KEEP TAKING YOUR HAIRDRYER

118
00:06:05,898 --> 00:06:07,195
AND NEVER RETURNING IT.

119
00:06:07,233 --> 00:06:09,599
THERE WAS A LOT OF BITCHING
IN THE TENTS.

120
00:06:09,635 --> 00:06:11,569
YOU COULDN'T GET
NEAR THE MIRROR.

121
00:06:12,839 --> 00:06:14,466
<i>THE LEADER OF
THE EXPEDITION WAS</i>

122
00:06:14,507 --> 00:06:16,407
<i>COLONEL SIR JOHN
"TEASY WEASY" BUTLER</i>

123
00:06:16,442 --> 00:06:20,071
<i>VETERAN OF K2,
ANNAPURNA AND VIDALS.</i>

124
00:06:20,113 --> 00:06:23,048
<i>HIS PLAN WAS TO IGNORE THE
USUAL ROUTE ROUND THE SOUTH COL</i>

125
00:06:23,082 --> 00:06:24,982
<i>AND TO MAKE
STRAIGHT FOR THE TOP.</i>

126
00:06:25,017 --> 00:06:28,214
WELL, WE ESTABLISHED
BASE SALON HERE

127
00:06:28,254 --> 00:06:31,883
AND CLIMBED QUITE STEADILY
UP TO MARIO'S, HERE.

128
00:06:31,924 --> 00:06:35,052
FROM HERE, USING CRAMPONS
AND CUTTING ICE STEPS AS WE WENT

129
00:06:35,094 --> 00:06:38,029
WE MOVED STEADILY UP THE LHOTSE
FACE TO THE NORTH RIDGE

130
00:06:38,064 --> 00:06:39,554
ESTABLISHING CAMP III

131
00:06:39,599 --> 00:06:42,693
WHERE WE COULD GET A HOT MEAL, A
MANICURE AND A SHAMPOO AND SET.

132
00:06:42,735 --> 00:06:44,828
<i>COULD IT WORK?</i>

133
00:06:44,871 --> 00:06:47,203
<i>COULD THIS 18-YEAR-OLD
HAIRDRESSER FROM BRIXTON</i>

134
00:06:47,240 --> 00:06:49,401
<i>SUCCEED WHERE
OTHERS HAD FAILED?</i>

135
00:06:49,442 --> 00:06:50,773
<i>THE SITUATION WAS COMPLICATED</i>

136
00:06:50,810 --> 00:06:53,574
<i>BY THE IMMINENT ARRIVAL
OF THE MONSOON STORMS.</i>

137
00:06:53,613 --> 00:06:55,103
<i>PATRICE TAKES UP THE STORY.</i>

138
00:06:55,148 --> 00:06:58,606
WELL, WE KNEW AS WELL AS ANYONE
THAT THE MONSOONS WERE DUE

139
00:06:58,651 --> 00:06:59,879
BUT THE THING WAS

140
00:06:59,919 --> 00:07:02,319
RICKY AND I HAD JUST HAD
A BLOW-DRY AND RINSE

141
00:07:02,388 --> 00:07:04,322
AND WE COULDN'T GO OUT
FOR A COUPLE OF DAYS.

142
00:07:04,424 --> 00:07:05,789
<i>AFTER A BLAZING ROW</i>

143
00:07:05,825 --> 00:07:08,089
<i>THE GERMANS AND THE ITALIANS
HAD TURNED BACK</i>

144
00:07:08,127 --> 00:07:09,788
<i>TAKING WITH THEM
THE LAST OF THE HAIRNETS.</i>

145
00:07:09,829 --> 00:07:12,559
<i>ON THE THIRD DA Y,
A BLIZZARD BLEW UP.</i>

146
00:07:12,598 --> 00:07:14,828
<i>TEMPERATURES FELL
TO MINUS 3O CENTIGRADE.</i>

147
00:07:14,867 --> 00:07:17,859
<i>INSIDE THE LITTLE TENT,
THINGS WERE GETTING DESPERATE.</i>

148
00:07:17,904 --> 00:07:19,337
WELL, THINGS HAVE
GOT SO BAD

149
00:07:19,372 --> 00:07:20,669
THAT WE'VE BEEN
FORCED TO USE

150
00:07:20,706 --> 00:07:22,469
THE LAST OF THE HEAVY
OXYGEN EQUIPMENT

151
00:07:22,508 --> 00:07:24,339
JUST TO KEEP
THE DRYERS GOING.

152
00:07:24,410 --> 00:07:25,342
CUP OF MILO, LOVE.

153
00:07:25,445 --> 00:07:28,278
OH, SHE'S A TREAS.

154
00:07:28,314 --> 00:07:31,306
<i>BUT A NEW FACTOR
HAD ENTERED THE RACE.</i>

155
00:07:31,350 --> 00:07:32,783
<i>A TEAM OF FRENCH CHIROPODISTS</i>

156
00:07:32,819 --> 00:07:34,184
<i>WORKING WITH
BRAND-NEW CORN PLASTERS</i>

157
00:07:34,220 --> 00:07:35,812
<i>AND DR. SCHOLL'S
MOUNTAINEERING SANDALS</i>

158
00:07:35,855 --> 00:07:37,322
<i>WERE COVERING GROUND FAST.</i>

159
00:07:37,356 --> 00:07:39,984
<i>THE GLASGOW ORPHEUS
MALE VOICE CHOIR WERE TACKLING</i>

160
00:07:40,026 --> 00:07:41,459
<i>THE DIFFICULT NORTH COL.</i>

161
00:07:41,494 --> 00:07:45,123
<i>ALTOGETHER 14 EXPEDITIONS
WERE AT HIS HEELS.</i>

162
00:07:45,164 --> 00:07:46,153
<i>THIS WAS IT.</i>

163
00:07:46,199 --> 00:07:48,190
<i>RICK HAD TO MAKE A DECISION.</i>

164
00:07:48,234 --> 00:07:50,998
WELL, HE DECIDED
TO OPEN A SALON.

165
00:07:51,037 --> 00:07:53,267
<i>IT WAS A TREMENDOUS SUCCESS.</i>

166
00:07:54,507 --> 00:07:56,236
CHALLENGING EVEREST?

167
00:07:56,275 --> 00:07:58,368
WHY NOT DROP IN
AT RICKY PULE'S...

168
00:07:58,444 --> 00:08:01,379
ONLY 24,000 FEET
FROM THIS CINEMA.

169
00:08:01,481 --> 00:08:04,006
RICKY AND MAURICE OFFER
A VARIETY OF STYLES

170
00:08:04,050 --> 00:08:06,018
FOR THE WELL-GROOMED CLIMBER.

171
00:08:07,353 --> 00:08:09,981
LIKE SHERPA TENZING
AND SIR EDMUND HILLARY

172
00:08:10,022 --> 00:08:12,991
BE NUMBER ONE ON TOP
WHEN YOU'RE NUMBER ONE ON TOP.

173
00:08:16,762 --> 00:08:19,959
<i>THIS CINEMA IS PROUD TO PRESENT</i>

174
00:08:19,999 --> 00:08:22,490
<i>20th-CENTURY FROG'S PRODUCTION:</i>

175
00:08:30,176 --> 00:08:33,612
OH, JAMES!

176
00:08:33,646 --> 00:08:37,673
OH, BEATRICE!

177
00:08:37,717 --> 00:08:41,209
OH... JAMES!

178
00:08:41,254 --> 00:08:45,418
OH... OH, BEATRICE!

179
00:08:45,458 --> 00:08:47,688
OH... OH, JAMES

180
00:08:47,727 --> 00:08:51,163
I COULD MAKE SUCH A FOOL
OF MYSELF OVER YOU.

181
00:08:51,197 --> 00:08:54,928
OH, BEATRICE, DO... DO!

182
00:08:54,967 --> 00:08:58,130
OH, YES, JAMES, YES!

183
00:09:04,610 --> 00:09:06,840
OH, JAMES!

184
00:09:09,348 --> 00:09:10,372
BEATRICE!

185
00:09:12,051 --> 00:09:15,418
OH... JAMES!

186
00:09:16,856 --> 00:09:19,552
BEATRICE!

187
00:09:19,592 --> 00:09:25,758
OH... JAMES, I COULD MAKE SUCH
A FOOL OF MYSELF OVER YOU.

188
00:09:25,798 --> 00:09:29,097
OH, BEATRICE, DO... DO!

189
00:09:30,169 --> 00:09:32,933
OH, YES, JAMES, YES!

190
00:09:41,614 --> 00:09:45,345
OH... JAMES!

191
00:09:45,384 --> 00:09:48,148
OH... BEATRICE!

192
00:09:49,822 --> 00:09:53,451
OH... JAMES!

193
00:09:55,661 --> 00:09:57,629
OH... BEATRICE!

194
00:09:57,663 --> 00:09:58,630
OH, JAMES...

195
00:09:58,664 --> 00:09:59,790
OH, SHUT UP!

196
00:09:59,832 --> 00:10:01,857
HELLO, IS THAT THE FIRE BRIGADE?

197
00:10:01,901 --> 00:10:04,392
NO, SORRY, WRONG NUMBER.

198
00:10:04,437 --> 00:10:07,929
THAT PHONE'S NOT STOPPED
RINGING ALL DAY.

199
00:10:07,974 --> 00:10:09,635
WHAT HAPPENS WHEN
YOU'VE MIXED THE BATTER?

200
00:10:09,675 --> 00:10:11,267
DO YOU DICE THE HAM
WITH THE CORIANDER?

201
00:10:11,310 --> 00:10:12,641
NO, NO, YOU PUT THEM
IN SEPARATELY

202
00:10:12,678 --> 00:10:13,940
WHEN THE VINE LEAVES
ARE READY.

203
00:10:15,247 --> 00:10:16,236
OH, NO, NOT AGAIN.

204
00:10:16,282 --> 00:10:17,647
TAKE IT OFF
THE HOOK.

205
00:10:21,153 --> 00:10:23,519
I CAN'T GET
THE FIRE BRIGADE, MERVYN.

206
00:10:23,589 --> 00:10:26,217
HERE, LET ME TRY, DEAR.

207
00:10:26,258 --> 00:10:27,816
YOU GO AND
PLAY THE CELLO.

208
00:10:27,860 --> 00:10:29,487
OH, IT DOESN'T DO
ANY GOOD, DEAR.

209
00:10:29,528 --> 00:10:32,656
LOOK, DO YOU WANT THAT LITTLE
HAMSTER TO LIVE OR NOT?

210
00:10:32,698 --> 00:10:33,790
YES, I DO, MERVYN.

211
00:10:33,833 --> 00:10:36,495
WELL, GO AND PLAY
THE CELLO!

212
00:10:38,804 --> 00:10:40,396
HELLO?

213
00:10:40,439 --> 00:10:42,373
HELLO, OPERATOR?

214
00:10:42,408 --> 00:10:46,538
YES, WE'RE TRYING
TO GET THE FIRE BRIGADE.

215
00:10:46,612 --> 00:10:49,979
NO, THE FIRE <i>BRIGADE.</i>

216
00:10:50,016 --> 00:10:51,847
YES... YES...

217
00:10:51,884 --> 00:10:55,718
YES... YES... YES...

218
00:10:55,755 --> 00:10:59,555
YES... YES... YES...

219
00:10:59,592 --> 00:11:02,686
YES... YES... WHAT?

220
00:11:10,302 --> 00:11:11,428
SIZE EIGHT.

221
00:11:12,471 --> 00:11:16,202
YES... YES... YES...

222
00:11:16,242 --> 00:11:20,235
YES... YES... YES...

223
00:11:20,279 --> 00:11:21,974
NO, OF COURSE NOT.

224
00:11:22,014 --> 00:11:23,140
YES...

225
00:11:23,182 --> 00:11:25,514
HE'S GONE, DEAR.

226
00:11:25,551 --> 00:11:26,518
WHAT?

227
00:11:26,552 --> 00:11:29,715
HE'S SLIPPED AWAY.

228
00:11:29,755 --> 00:11:30,813
<i>WHAT?</i>

229
00:11:30,856 --> 00:11:32,687
THE SODDING
HAMSTER'S DEAD!

230
00:11:32,725 --> 00:11:35,285
OH, NO!

231
00:11:35,327 --> 00:11:36,589
WHAT WERE YOU PLAYING?

232
00:11:36,662 --> 00:11:39,062
SOME MOZART
CONCERTOS, DEAR.

233
00:11:39,098 --> 00:11:40,725
WHAT? HOW DID HE?

234
00:11:40,766 --> 00:11:42,563
HIS EYES JUST CLOSED

235
00:11:42,601 --> 00:11:44,831
AND HE FELL INTO
THE WASTEPAPER BASKET.

236
00:11:45,871 --> 00:11:47,304
I'VE COVERED HIM

237
00:11:47,339 --> 00:11:49,398
WITH A COPY OF THE <i>CHARLIE
GEORGE FOOTBALL BOOK.</i>

238
00:11:49,442 --> 00:11:51,103
RIGHT, YOU HANG ON.

239
00:11:51,143 --> 00:11:52,474
I MUST GO AND SEE HIM.

240
00:11:52,511 --> 00:11:54,604
THERE WAS NOTHING
WE COULD DO, MERVYN.

241
00:11:54,647 --> 00:11:57,013
IF WE'D HAVE HAD THE WHOLE
PHILHARMONIC ORCHESTRA IN THERE

242
00:11:57,049 --> 00:11:59,074
HE'D STILL HAVE GONE.

243
00:11:59,118 --> 00:12:00,312
I'M GOING UPSTAIRS.

244
00:12:00,352 --> 00:12:02,081
I CAN'T BEAR IT.

245
00:12:02,121 --> 00:12:03,247
THERE ISN'T
AN UPSTAIRS, DEAR.

246
00:12:03,289 --> 00:12:04,620
IT'S A BUNGALOW.

247
00:12:06,025 --> 00:12:07,424
DAMN!

248
00:12:07,460 --> 00:12:08,722
HELLO?

249
00:12:08,761 --> 00:12:09,921
OH, I'M SORRY
TO KEEP YOU WAITING.

250
00:12:09,962 --> 00:12:11,589
IT'S JUST THAT...

251
00:12:13,833 --> 00:12:16,563
SIZE THREE, YES.

252
00:12:16,602 --> 00:12:21,096
IT'S JUST, WE'VE LOST
A DEAR ONE, AND MY SON WAS...

253
00:12:21,140 --> 00:12:24,166
YES, THAT'S RIGHT,
SIZE EIGHT, YES, AND...

254
00:12:24,210 --> 00:12:25,837
OH, I SEE.

255
00:12:25,878 --> 00:12:28,813
YES... YES... YES...

256
00:12:28,848 --> 00:12:30,145
YES, YES...

257
00:12:30,182 --> 00:12:33,242
YES... YES, I SEE, UH...

258
00:12:33,285 --> 00:12:34,912
YES.

259
00:12:34,954 --> 00:12:36,945
YES, I... I...

260
00:12:36,989 --> 00:12:38,149
YES.

261
00:12:38,190 --> 00:12:39,748
OH, YES... NO!

262
00:12:39,792 --> 00:12:42,659
NO... YES... I SEE.

263
00:12:42,728 --> 00:12:45,094
THEY CAN'T GET
THE FIRE BRIGADE, MERVYN.

264
00:12:45,131 --> 00:12:46,928
WILL THE BOYS' BRIGADE DO?

265
00:12:46,966 --> 00:12:48,866
NO!
THEY'D BE USELESS!

266
00:12:48,901 --> 00:12:52,667
NO, HE DOESN'T WANT ANYONE
AT THE MOMENT, THANK YOU.

267
00:12:52,705 --> 00:12:55,401
NO... YES.

268
00:12:55,441 --> 00:12:57,500
YES... NO, THANK YOU FOR TRYING.

269
00:12:57,543 --> 00:12:59,238
YES.

270
00:12:59,278 --> 00:13:00,245
YES...

271
00:13:00,279 --> 00:13:01,678
NO, SAXONES.

272
00:13:01,747 --> 00:13:03,237
YES.

273
00:13:03,282 --> 00:13:04,840
YES, THANK YOU, BYE-BYE.

274
00:13:06,385 --> 00:13:07,409
MUMMY!

275
00:13:07,453 --> 00:13:09,819
OH, EAMONN!

276
00:13:09,855 --> 00:13:12,085
MERVYN, LOOK,
IT'S OUR EAMONN!

277
00:13:12,124 --> 00:13:14,558
OH, LET ME LOOK AT YOU.

278
00:13:14,593 --> 00:13:15,821
HOW WELL YOU'RE LOOKING.

279
00:13:15,861 --> 00:13:18,352
TELL ME, HOW IS IT
IN DUBLIN?

280
00:13:18,397 --> 00:13:20,888
WELL, THINGS IS PRETTY
BAD THERE AT THE MOMENT

281
00:13:20,933 --> 00:13:22,298
BUT THERE DOES
SEEM SOME HOPE

282
00:13:22,334 --> 00:13:23,824
OF A CONSTITUTIONAL
SETTLEMENT.

283
00:13:23,869 --> 00:13:25,336
OH, DON'T TALK.

284
00:13:25,371 --> 00:13:26,861
LET ME JUST LOOK AT YOU.

285
00:13:26,906 --> 00:13:28,203
GREAT TO BE HOME, MUMMY.

286
00:13:28,240 --> 00:13:29,229
HOW ARE YOU?

287
00:13:29,275 --> 00:13:30,503
OH, I'M FINE.

288
00:13:30,543 --> 00:13:32,534
I MUST JUST GO UPSTAIRS
AND GET YOUR ROOM READY.

289
00:13:32,578 --> 00:13:34,136
IT'S A BUNGALOW, MUMMY.

290
00:13:34,180 --> 00:13:35,647
OH, DAMN, YES.

291
00:13:35,681 --> 00:13:37,706
MERVYN, MERVYN,
LOOK WHO'S HERE!

292
00:13:37,817 --> 00:13:39,250
IT'S OUR EAMONN

293
00:13:39,285 --> 00:13:41,276
COME BACK TO SEE US.

294
00:13:41,320 --> 00:13:42,287
HELLO, EAMONN.

295
00:13:42,321 --> 00:13:43,549
HELLO, MERV.

296
00:13:43,589 --> 00:13:44,681
HOW WAS DUBLIN?

297
00:13:44,723 --> 00:13:46,020
WELL, AS I WAS
TELLING MUMMY HERE

298
00:13:46,058 --> 00:13:47,650
THINGS IS PRETTY BAD
THERE AT THE MOMENT

299
00:13:47,693 --> 00:13:48,853
BUT THERE DOES SEEM

300
00:13:48,894 --> 00:13:51,590
SOME HOPE OF A
CONSTITUTIONAL SETTLEMENT.

301
00:13:55,935 --> 00:13:57,835
HELLO?

302
00:13:57,870 --> 00:13:59,838
YES?

303
00:13:59,872 --> 00:14:01,499
YES.

304
00:14:01,540 --> 00:14:03,508
YES.

305
00:14:03,542 --> 00:14:06,409
YES.

306
00:14:06,445 --> 00:14:07,537
YES.

307
00:14:07,580 --> 00:14:08,877
WHAT?

308
00:14:08,914 --> 00:14:10,814
WHAT?

309
00:14:12,952 --> 00:14:14,078
SIZE SEVEN.

310
00:14:15,120 --> 00:14:16,678
YES.

311
00:14:16,722 --> 00:14:17,950
YES.

312
00:14:17,990 --> 00:14:19,548
YES, YES!

313
00:14:19,592 --> 00:14:21,116
YES.

314
00:14:21,160 --> 00:14:22,127
IT'S THE
FIRE BRIGADE.

315
00:14:22,161 --> 00:14:23,287
THEY WANT TO KNOW

316
00:14:23,329 --> 00:14:24,523
IF THEY CAN COME ROUND
THURSDAY EVENING.

317
00:14:24,563 --> 00:14:26,030
OH, NO.

318
00:14:26,065 --> 00:14:29,364
THURSDAY'S THE INDUSTRIAL
RELATIONS BILL DINNER DANCE.

319
00:14:29,401 --> 00:14:30,868
CAN'T THEY MAKE IT
ANOTHER DAY?

320
00:14:30,903 --> 00:14:32,370
UH, HELLO?

321
00:14:32,404 --> 00:14:33,701
NO, THURSDAY'S...

322
00:14:33,739 --> 00:14:36,264
RIGHT OUT!

323
00:14:37,309 --> 00:14:39,243
YES.

324
00:14:39,278 --> 00:14:41,405
YES.

325
00:14:41,447 --> 00:14:43,642
YES.

326
00:14:43,682 --> 00:14:44,774
YES...

327
00:14:44,817 --> 00:14:46,307
AND SO IT WAS

328
00:14:46,352 --> 00:14:49,617
THAT THE FIRE BRIGADE EVENTUALLY
CAME ROUND ON FRIDAY NIGHT.

329
00:15:02,534 --> 00:15:04,126
I'M SO GLAD
YOU COULD COME.

330
00:15:04,169 --> 00:15:05,932
WHAT WOULD YOU
LIKE TO DRINK?

331
00:15:05,971 --> 00:15:07,370
GIN AND TONIC?
SHERRY?

332
00:15:07,406 --> 00:15:10,432
A DROP OF
SHERRY WOULD BE LOVELY.

333
00:15:10,476 --> 00:15:13,775
WE DO LIKE BEING CALLED OUT
TO THESE LITTLE PARTIES.

334
00:15:13,812 --> 00:15:15,803
THEY'RE MUCH BETTER THAN FIRES.

335
00:15:19,585 --> 00:15:21,177
YES?

336
00:15:21,220 --> 00:15:22,187
YES?

337
00:15:22,221 --> 00:15:23,518
YES.

338
00:15:23,555 --> 00:15:25,819
WELL, HOW WAS DUBLIN, EAMONN?

339
00:15:25,858 --> 00:15:28,326
WELL, AS I WAS TELLING
MUMMY AND MERVYN EARLIER

340
00:15:28,360 --> 00:15:30,453
THINGS IS PRETTY BAD
THERE AT THE MOMENT

341
00:15:30,496 --> 00:15:31,485
BUT THERE DOES SEEM

342
00:15:31,530 --> 00:15:33,191
SOME HOPE OF
A CONSTITUTIONAL...

343
00:15:33,232 --> 00:15:35,393
OH, LOOK AT THEM
EN JOYING THEMSELVES.

344
00:15:38,037 --> 00:15:40,505
YOU KNOW, I USED
TO DREAD PARTIES

345
00:15:40,539 --> 00:15:43,702
UNTIL I WATCHED <i>PARTY
HINTS BY VERONICA.</i>

346
00:15:43,742 --> 00:15:45,369
I THINK
IT'S ON NOW.

347
00:16:09,601 --> 00:16:10,966
HELLO.

348
00:16:11,003 --> 00:16:13,164
LAST WEEK ON <i>PARTY HINTS</i>
I SHOWED YOU

349
00:16:13,205 --> 00:16:16,504
HOW TO MAKE A SMALL PLATE
OF GOULASH GO ROUND 26 PEOPLE

350
00:16:16,542 --> 00:16:18,976
HOW TO GET THE BEST
OUT OF YOUR CANAPES

351
00:16:19,011 --> 00:16:20,808
AND HOW TO UNBLOCK YOUR LOO.

352
00:16:20,846 --> 00:16:23,007
THIS WEEK I'M GOING
TO TELL YOU WHAT TO DO

353
00:16:23,048 --> 00:16:25,016
IF THERE'S AN ARMED
COMMUNIST UPRISING

354
00:16:25,050 --> 00:16:27,245
NEAR YOUR HOME
WHEN YOU'RE HAVING A PARTY.

355
00:16:27,286 --> 00:16:30,483
WELL, OBVIOUSLY IT'LL DEPEND HOW
FAR YOU'VE GOT WITH YOUR PARTY

356
00:16:30,522 --> 00:16:32,581
WHEN THE SIGNAL
FOR RED REVOLT IS RAISED.

357
00:16:32,624 --> 00:16:34,888
IF YOU'RE JUST HAVING
PRELIMINARY APERITIFS...

358
00:16:34,927 --> 00:16:37,361
A DUBONNET, A SHERRY,
OR A SPARKLING WHITE WINE...

359
00:16:37,396 --> 00:16:40,388
THEN YOUR GUESTS WILL OBVIOUSLY
BE IN A FAIRLY FORMAL MOOD

360
00:16:40,432 --> 00:16:41,990
AND IT'LL BE DIFFICULT TO TELL

361
00:16:42,034 --> 00:16:43,763
WHICH ARE
THE COMMUNIST AGITATORS.

362
00:16:43,802 --> 00:16:45,861
SO THE THING TO DO IS
TO GET SOME CLOTH

363
00:16:45,904 --> 00:16:47,269
AND SOME BITS OF OLD PAPER

364
00:16:47,306 --> 00:16:50,275
PUT IT DOWN ON THE FLOOR
AND SHOOT EVERYBODY.

365
00:16:50,309 --> 00:16:53,335
THIS WILL DEAL WITH THE RED
MENACE ON YOUR OWN DOORSTEP.

366
00:16:53,379 --> 00:16:56,143
IF YOU'RE HAVING CANAPES,
AS I SHOWED YOU LAST WEEK

367
00:16:56,181 --> 00:16:57,375
OR AN OUTDOOR BARBECUE

368
00:16:57,416 --> 00:16:59,316
THEN THE THING TO DO IS
TO SET FIRE

369
00:16:59,351 --> 00:17:01,114
TO ALL THE HOUSES IN THE STREET.

370
00:17:01,153 --> 00:17:03,178
THIS WILL STIR UP
ANTICOMMUNIST HATRED

371
00:17:03,222 --> 00:17:05,452
AND YOUR NEIGHBORS
WILL BE RIGHT WITH YOU

372
00:17:05,491 --> 00:17:07,925
AS YOU ORGANIZE
COUNTERREVOLUTIONARY TERROR.

373
00:17:07,960 --> 00:17:09,928
SO YOU SEE, IF YOU ACT
PROMPTLY ENOUGH

374
00:17:09,995 --> 00:17:12,122
ANY LEFT-WING UPRISING
CAN BE DEALT WITH

375
00:17:12,164 --> 00:17:13,461
BY THE END OF THE PARTY.

376
00:17:13,499 --> 00:17:14,591
BYE.

377
00:17:14,633 --> 00:17:17,830
AH, SHE'S FINALLY GONE AWAY.

378
00:17:17,870 --> 00:17:21,067
ALL RIGHT, COMRADES,
TIME TO GO TO WORK.

379
00:17:31,617 --> 00:17:34,745
HELLO, WE ARE SELLING
COMMUNIST REVOLUTIONS.

380
00:17:34,787 --> 00:17:37,483
WOULD YOU BY ANY
CHANCE BE INTERESTED?

381
00:17:37,523 --> 00:17:39,855
OH, YES, I'LL TAKE
A DOZEN, PLEASE.

382
00:17:39,892 --> 00:17:40,859
RIGHT.

383
00:17:53,105 --> 00:17:55,938
ONE DOZEN COMMUNIST
REVOLUTIONS COMING UP.

384
00:18:02,848 --> 00:18:04,713
I GET IT!

385
00:18:04,750 --> 00:18:06,115
COMMUNIST REVOLUTION!

386
00:18:06,151 --> 00:18:07,641
THAT'S A GOOD ONE.

387
00:18:07,686 --> 00:18:10,951
YOU DISGUSTING
LITTLE PIECE OF FILTH.

388
00:18:10,989 --> 00:18:12,456
GOD, I HATE YOU!

389
00:18:12,491 --> 00:18:15,824
YOU MAKE ME WANT
TO PUKE MY GUTS OUT!

390
00:18:18,464 --> 00:18:20,193
WASN'T THAT CUTE?

391
00:18:20,232 --> 00:18:21,722
REMEMBER, YOU TOO

392
00:18:21,767 --> 00:18:23,667
CAN GET YOUR OWN
PUTRID PETER DOLL

393
00:18:23,702 --> 00:18:25,567
IN TIME TO PACIFY
YOUR NEXT PARTY.

394
00:18:25,604 --> 00:18:26,696
BUT WHY STOP THERE?

395
00:18:26,738 --> 00:18:28,706
WHY NOT GET A BARRY
BIGOT DOLL, TOO?

396
00:18:28,740 --> 00:18:29,729
JUST WATCH THIS.

397
00:18:36,548 --> 00:18:39,642
BLACK PEOPLE, BLACK PEOPLE.

398
00:18:39,685 --> 00:18:40,652
RRRRHODESIAN.

399
00:18:40,686 --> 00:18:42,313
KILL THE BLACKS.
KILL THE BLACKS.

400
00:18:42,354 --> 00:18:43,616
RRRRHODESIAN.

401
00:18:43,655 --> 00:18:45,316
SMITH, SMITH.

402
00:18:45,357 --> 00:18:47,325
KILL THE BLACKS WITHIN
THE FIVE PRINCIPLES.

403
00:18:47,359 --> 00:18:49,259
I'M AFRAID I
CANNOT COMMENT ON THAT

404
00:18:49,294 --> 00:18:51,194
UNTIL IT HAS BEEN
OFFICIALLY HUSHED UP.

405
00:18:51,230 --> 00:18:52,754
THIS IS OUR
POLITICIANS' BOOTH.

406
00:18:52,798 --> 00:18:55,164
WHILE THERE'S NO
UNDUE CAUSE FOR CONCERN

407
00:18:55,200 --> 00:18:57,725
THERE IS CERTAINLY
NO ROOM FOR COMPLACENCY.

408
00:18:57,769 --> 00:18:59,168
HA, HA, HA, HE, HE, HE.

409
00:18:59,204 --> 00:19:01,229
I'LL GO TO THE FOOT
OF OUR STAIRS.

410
00:19:01,273 --> 00:19:02,763
EE ECKY THUMP.

411
00:19:02,808 --> 00:19:04,298
PUT WOOD
IN 'OLE, MUTHER.

412
00:19:04,343 --> 00:19:05,935
YES, SORRY?

413
00:19:05,978 --> 00:19:07,036
<i>EE</i> ECKY THUMP.

414
00:19:07,112 --> 00:19:08,443
<i>EE</i> ECKY THUMP.

415
00:19:08,480 --> 00:19:10,038
<i>EE</i> ECKY THUMP!

416
00:19:10,149 --> 00:19:11,138
<i>EE</i> ECKY THUMP!

417
00:19:11,183 --> 00:19:12,241
EXCELLENT!

418
00:19:12,284 --> 00:19:14,343
IT'S A VERY QUICK
METHOD OF LEARNING.

419
00:19:14,386 --> 00:19:16,149
CAN YOU SMELL GAS,
OR IS IT ME?

420
00:19:16,188 --> 00:19:17,155
LOOKS
JOLLY GOOD.

421
00:19:17,189 --> 00:19:18,247
HELLO, BIG BOY.

422
00:19:18,290 --> 00:19:19,587
OO, VARDA THE OME.

423
00:19:19,625 --> 00:19:21,320
DO YOU WANT
A NICE TIME?

424
00:19:21,360 --> 00:19:23,055
VERY GOOD.

425
00:19:23,128 --> 00:19:25,028
THANK YOU
VERY MUCH, SIR.

426
00:19:28,800 --> 00:19:30,358
AND WE CONTROL
EVERYTHING FROM HERE.

427
00:19:30,402 --> 00:19:31,369
SUPERB.

428
00:19:31,403 --> 00:19:32,370
WELL, WHAT
SORT OF THING

429
00:19:32,404 --> 00:19:33,371
WERE YOU
LOOKING FOR?

430
00:19:33,405 --> 00:19:34,667
WELL, REALLY
SOMETHING

431
00:19:34,706 --> 00:19:37,266
TO MAKE ME A LITTLE
LESS INSIGNIFICANT.

432
00:19:37,309 --> 00:19:39,470
OH, I SEE,
SORT OF...

433
00:19:39,511 --> 00:19:41,274
"NOW, LOOK HERE,
YOU MAY BE CHAIRMAN

434
00:19:41,313 --> 00:19:43,440
"BUT YOUR BLOODY
PUSILLANIMOUS BEHAVIOR

435
00:19:43,482 --> 00:19:44,449
MAKES ME VOMIT!"

436
00:19:44,483 --> 00:19:45,541
THAT SORT
OF THING?

437
00:19:45,584 --> 00:19:47,051
NO, NO, NO,
NOT REALLY, NO.

438
00:19:47,085 --> 00:19:48,347
OH, I SEE,
WELL, PERHAPS

439
00:19:48,387 --> 00:19:49,445
SOMETHING
A BIT MORE

440
00:19:49,488 --> 00:19:50,819
SORT OF
CLIVE JENKINS-ISH?

441
00:19:50,856 --> 00:19:51,880
PERHAPS, SORT OF:

442
00:19:51,924 --> 00:19:53,915
"MR. SMARMY SO-
CALLED HAROLD WILSON

443
00:19:53,959 --> 00:19:55,426
"CAN CALL HIMSELF
PRAGMATIC

444
00:19:55,460 --> 00:19:57,189
UNTIL HE'S BLUE
IN THE BREAST!"

445
00:19:57,229 --> 00:19:58,924
NO, NOT REALLY.

446
00:19:58,964 --> 00:19:59,988
I REALLY WANT
SOMETHING

447
00:20:00,032 --> 00:20:00,999
THAT WILL
MAKE PEOPLE

448
00:20:01,033 --> 00:20:02,557
BE ATTRACTED TO ME
LIKE A MAGNET.

449
00:20:02,601 --> 00:20:03,932
OH, I SEE, WELL,
YOU WANT OUR

450
00:20:03,969 --> 00:20:06,233
"LIFE AND SOUL OF THE
PARTY" TAPE THEN, I THINK.

451
00:20:06,271 --> 00:20:07,238
WHAT'S THAT?

452
00:20:07,272 --> 00:20:08,261
WELL,
IT'S SORT OF:

453
00:20:08,307 --> 00:20:09,365
HELLO, SQUIRE!

454
00:20:09,408 --> 00:20:10,602
HAVEN'T SEEN YOU
FOR A BIT!

455
00:20:10,642 --> 00:20:12,507
HAVEN'T SEEN YOU
FOR A BIT EITHER, BERYL.

456
00:20:12,544 --> 00:20:14,068
TWO PINTS OF
WALLOP, PLEASE, LOVE.

457
00:20:14,112 --> 00:20:15,477
STILL DRIVING
THE JENSEN, THEN?

458
00:20:15,514 --> 00:20:17,106
CHEER UP, JACK,
IT MAY NEVER HAPPEN.

459
00:20:17,182 --> 00:20:18,274
WHAT'S YOUR
POISON, THEN?

460
00:20:18,317 --> 00:20:19,284
FANTASTIC, YES.

461
00:20:19,318 --> 00:20:20,376
RIGHT,
I'LL JUST SEE

462
00:20:20,419 --> 00:20:21,681
IF WE'VE
GOT THE TAPE.

463
00:20:39,938 --> 00:20:42,099
START AGAIN.

464
00:20:45,477 --> 00:20:49,971
MOUNT EVEREST...
FORBIDDING, ALOOF, TERRIFYING.

465
00:20:50,015 --> 00:20:51,505
THE HIGHEST PLACE ON EARTH.

466
00:20:51,550 --> 00:20:53,347
NO, I'M SORRY,
WE DON'T GO THERE.

467
00:20:54,386 --> 00:20:56,047
GOOD MORNING.

468
00:20:56,088 --> 00:20:58,488
OH, GOOD MORNING.

469
00:20:58,523 --> 00:21:00,115
DO YOU WANT
TO GO UPSTAIRS?

470
00:21:00,158 --> 00:21:01,386
WHAT?

471
00:21:01,426 --> 00:21:03,291
DO YOU WANT TO GO UPSTAIRS?

472
00:21:03,328 --> 00:21:04,522
OR HAVE YOU COME

473
00:21:04,563 --> 00:21:05,894
TO ARRANGE A HOLIDAY?

474
00:21:05,931 --> 00:21:07,398
UH, TO ARRANGE A HOLIDAY.

475
00:21:07,432 --> 00:21:09,024
OH, SORRY.

476
00:21:10,235 --> 00:21:12,066
WHAT'S ALL THIS
ABOUT GOING UPSTAIRS?

477
00:21:12,104 --> 00:21:13,366
OH, NOTHING, NOTHING.

478
00:21:13,405 --> 00:21:15,032
NOW, WHERE WERE YOU
THINKING OF GOING?

479
00:21:15,073 --> 00:21:15,971
INDIA.

480
00:21:16,008 --> 00:21:17,805
AH, ONE OF OUR
ADVENTURE HOLIDAYS.

481
00:21:17,843 --> 00:21:18,810
YES.

482
00:21:18,844 --> 00:21:19,811
WELL, YOU'D
BETTER SPEAK

483
00:21:19,845 --> 00:21:20,937
TO MR. BOUNDER
ABOUT THAT.

484
00:21:20,979 --> 00:21:22,105
MR. BOUNDER,
THIS GENTLEMAN

485
00:21:22,147 --> 00:21:23,671
IS INTERESTED IN
THE INDIA OVERLAND.

486
00:21:23,715 --> 00:21:24,841
AH, GOOD MORNING.

487
00:21:24,883 --> 00:21:26,441
I'M BOUNDER
OF ADVENTURE.

488
00:21:26,485 --> 00:21:28,180
MORNING,
MY NAME IS

489
00:21:28,220 --> 00:21:29,187
SMOKE-TOO-MUCH.

490
00:21:29,221 --> 00:21:30,848
WHAT?

491
00:21:30,889 --> 00:21:33,915
MY NAME IS SMOKE-TOO-MUCH,
MR. SMOKE-TOO-MUCH.

492
00:21:33,959 --> 00:21:35,187
WELL, YOU'D BETTER
CUT DOWN A BIT, THEN.

493
00:21:35,294 --> 00:21:37,489
WHAT?

494
00:21:37,529 --> 00:21:39,622
YOU'D BETTER CUT
DOWN A BIT, THEN.

495
00:21:39,665 --> 00:21:41,462
OH, I SEE.

496
00:21:41,500 --> 00:21:42,558
CUT DOWN A BIT

497
00:21:42,601 --> 00:21:43,625
FOR SMOKE-TOO-MUCH.

498
00:21:43,669 --> 00:21:44,636
YES.

499
00:21:44,670 --> 00:21:45,637
I EXPECT YOU GET PEOPLE

500
00:21:45,671 --> 00:21:47,161
MAKING JOKES ABOUT YOUR NAME
ALL THE TIME, EH?

501
00:21:47,205 --> 00:21:49,537
NO, NO.

502
00:21:50,776 --> 00:21:53,643
ACTUALLY, IT NEVER
STRUCK ME BEFORE.

503
00:21:53,679 --> 00:21:57,376
SMOKE... TOO... MUCH!

504
00:21:57,416 --> 00:22:00,078
ANYWAY, YOU'RE INTERESTED IN ONE
OF OUR ADVENTURE HOLIDAYS, EH?

505
00:22:00,118 --> 00:22:02,916
YES, YES, I SAW YOUR ADVERT
IN THE BOLOR SUPPLEMENT.

506
00:22:02,954 --> 00:22:04,148
THE WHAT?

507
00:22:04,189 --> 00:22:05,679
THE BOLOR SUPPLEMENT.

508
00:22:05,724 --> 00:22:06,691
THE COLOR
SUPPLEMENT?

509
00:22:06,725 --> 00:22:07,783
YES, I'M SORRY

510
00:22:07,826 --> 00:22:09,054
I CAN'T SAY
THE LETTER "B."

511
00:22:09,094 --> 00:22:10,356
"C."

512
00:22:10,395 --> 00:22:11,589
YES, THAT'S RIGHT.

513
00:22:11,630 --> 00:22:13,723
IT'S ALL DUE TO
A TRAUMA I SUFFERED

514
00:22:13,765 --> 00:22:15,130
WHEN I WAS A SPOOLBOY.

515
00:22:15,167 --> 00:22:17,067
I WAS ATTACKED BY A BAT.

516
00:22:17,102 --> 00:22:18,000
A CAT?

517
00:22:18,036 --> 00:22:19,526
NO, A BAT.

518
00:22:19,571 --> 00:22:22,039
CAN YOU SAY THE LETTER "K"?

519
00:22:22,074 --> 00:22:26,204
OH, YES, KHAKI, KING, KETTLE,
KUWAIT, KEBLE BOLLEGE OXFORD.

520
00:22:26,244 --> 00:22:29,680
WHY DON'T YOU SAY THE LETTER "K"
INSTEAD OF THE LETTER "C"?

521
00:22:29,715 --> 00:22:32,377
WHAT DO YOU MEAN,
SPELL "BOLOR" WITH A "K"?

522
00:22:32,417 --> 00:22:32,906
YES.

523
00:22:32,951 --> 00:22:33,918
KOLOR.

524
00:22:33,952 --> 00:22:35,214
YES.

525
00:22:35,253 --> 00:22:37,619
OH, THAT'S VERY GOOD,
I NEVER THOUGHT OF THAT.

526
00:22:39,191 --> 00:22:40,818
WELL, I SAW YOUR ADVERT
IN THE PAPER

527
00:22:40,859 --> 00:22:43,259
AND I'VE BEEN ON PACKAGE TOURS
SEVERAL TIMES, YOU SEE

528
00:22:43,328 --> 00:22:44,989
AND I DECIDED
THAT THIS WAS FOR ME.

529
00:22:45,030 --> 00:22:46,054
OH, GOOD.

530
00:22:46,098 --> 00:22:47,429
YES, I QUITE
AGREE WITH YOU.

531
00:22:47,466 --> 00:22:48,433
I MEAN,
WHAT'S THE POINT

532
00:22:48,467 --> 00:22:49,661
OF BEING TREATED
LIKE A SHEEP?

533
00:22:49,701 --> 00:22:51,134
I MEAN, I'M FED UP
OF GOING ABROAD

534
00:22:51,169 --> 00:22:52,466
AND BEING TREATED
LIKE SHEEP.

535
00:22:52,504 --> 00:22:54,267
WHAT'S THE POINT OF BEING
CARTED AROUND IN BUSES

536
00:22:54,373 --> 00:22:55,772
SURROUNDED BY SWEATY,
MINDLESS OAFS

537
00:22:55,807 --> 00:22:56,967
FROM KETTERING
AND BOVENTRY?

538
00:22:57,008 --> 00:22:58,942
THEIR CLOTH CAPS
AND THEIR CARDIGANS

539
00:22:58,977 --> 00:23:00,444
AND THEIR
TRANSISTOR RADIOS

540
00:23:00,479 --> 00:23:01,810
AND THEIR
<i>SUNDA Y MIRRORS</i>

541
00:23:01,847 --> 00:23:03,280
BOMPLAINING
ABOUT THE TEA...

542
00:23:03,348 --> 00:23:04,906
"OH, THEY DON'T MAKE IT
PROPERLY HERE, DO THEY?

543
00:23:04,950 --> 00:23:06,281
NOT LIKE AT HOME."

544
00:23:06,385 --> 00:23:09,513
STOPPING AT MAJORCAN BODEGAS
SELLING FISH AND CHIPS

545
00:23:09,554 --> 00:23:11,021
AND WATNEY'S RED BARREL

546
00:23:11,056 --> 00:23:12,284
AND CALAMARES
AND TWO VEG

547
00:23:12,324 --> 00:23:13,951
AND SITTING IN
COTTON SUN FROCKS

548
00:23:13,992 --> 00:23:15,755
SQUIRTING TIMOTHY
WHITE'S SUN CREAM

549
00:23:15,794 --> 00:23:18,388
ALL OVER THEIR PUFFY, RAW,
SWOLLEN, PURULENT FLESH

550
00:23:18,430 --> 00:23:19,488
BECAUSE THEY
OVERDID IT

551
00:23:19,531 --> 00:23:20,498
ON THE
FIRST DAY!

552
00:23:20,532 --> 00:23:22,124
YES, ABSOLUTELY,
I QUITE AGREE.

553
00:23:22,167 --> 00:23:25,500
AND BEING HERDED
INTO ENDLESS HOTEL MIRAMARS

554
00:23:25,537 --> 00:23:27,937
AND BELLVUESES AND BONTINENTALS

555
00:23:27,973 --> 00:23:28,940
WITH THEIR
INTERNATIONAL

556
00:23:28,974 --> 00:23:29,941
LUXURY MODERN
ROOMETTES

557
00:23:29,975 --> 00:23:30,942
AND THEIR
WATNEY'S RED BARREL

558
00:23:30,976 --> 00:23:31,943
AND THEIR
SWIMMING POOLS

559
00:23:31,977 --> 00:23:33,069
FULL OF FAT
GERMAN BUSINESSMEN

560
00:23:33,111 --> 00:23:34,078
PRETENDING
TO BE ACROBATS

561
00:23:34,112 --> 00:23:36,637
AND FORMING PYRAMIDS

562
00:23:36,681 --> 00:23:37,705
AND FRIGHTENING
THE CHILDREN

563
00:23:37,749 --> 00:23:39,011
BARGING INTO
THE QUEUES

564
00:23:39,050 --> 00:23:40,312
AND IF YOU'RE NOT AT
YOUR TABLE SPOT ON SEVEN

565
00:23:40,419 --> 00:23:41,511
YOU MISS YOUR BOWL

566
00:23:41,553 --> 00:23:42,986
OF CAMPBELL'S
CREAM OF MUSHROOM SOUP

567
00:23:43,021 --> 00:23:45,683
THE FIRST ITEM ON THE MENU
OF INTERNATIONAL CUISINE.

568
00:23:45,724 --> 00:23:46,952
AND EVERY THURSDAY NIGHT

569
00:23:46,992 --> 00:23:48,584
THERE'S BLOODY
CABARET IN THE BAR

570
00:23:48,627 --> 00:23:50,288
FEATURING SOME
TINY, EMACIATED DAGO

571
00:23:50,328 --> 00:23:51,295
WITH NINE-INCH HIPS

572
00:23:51,329 --> 00:23:52,796
AND SOME BIG,
FAT, BLOATED TART

573
00:23:52,831 --> 00:23:54,958
WITH HER HAIR BRYLCREEMED
DOWN AND A BIG ARSE

574
00:23:55,000 --> 00:23:56,695
PRESENTING FLAMENCO
FOR FOREIGNERS.

575
00:23:56,735 --> 00:23:57,702
YES, YES, QUITE...

576
00:23:57,736 --> 00:23:58,998
AND THEN SURROUNDED

577
00:23:59,037 --> 00:24:01,005
BY ADENOIDAL TYPISTS
FROM BIRMINGHAM

578
00:24:01,039 --> 00:24:02,973
WITH DIARRHEA
AND FLABBY WHITE LEGS

579
00:24:03,008 --> 00:24:05,476
AND HAIRY, BANDY-LEGGED
WOP WAITERS CALLED MANUEL

580
00:24:05,510 --> 00:24:06,670
AND THEN ONCE A WEEK

581
00:24:06,711 --> 00:24:09,043
THERE'S AN EXCURSION
TO THE LOCAL ROMAN RUINS

582
00:24:09,080 --> 00:24:11,605
WHERE YOU CAN BUY CHERRYADE
AND MELTED ICE CREAM

583
00:24:11,650 --> 00:24:13,277
AND BLEEDIN'
WATNEY'S RED BARREL

584
00:24:13,318 --> 00:24:14,307
AND THEN ONE NIGHT

585
00:24:14,352 --> 00:24:16,149
THEY TAKE YOU TO
A LOCAL RESTAURANT

586
00:24:16,188 --> 00:24:18,281
WITH LOCAL COLOR AND COLORING
AND THEY SHOW YOU THERE

587
00:24:18,323 --> 00:24:20,188
AND YOU SIT NEXT TO
A PARTY OF PEOPLE FROM RHYL

588
00:24:24,796 --> 00:24:26,058
AND COMPLAINING
ABOUT THE FOOD.

589
00:24:26,097 --> 00:24:27,359
"OH, IT'S SO
GREASY, ISN'T IT?"

590
00:24:27,432 --> 00:24:28,956
AND THEN YOU GET CORNERED

591
00:24:29,000 --> 00:24:32,060
BY SOME DRUNKEN GREENGROCER
FROM LUTON WITH AN INSTAMATIC

592
00:24:32,103 --> 00:24:34,901
AND DR. SCHOLL SANDALS
AND TUESDAY'S <i>DAILY EXPRESS</i>

593
00:24:34,940 --> 00:24:36,669
AND HE DRONES ON AND ON AND ON

594
00:24:36,708 --> 00:24:39,575
ABOUT HOW MR. SMITH SHOULD BE
RUNNING THIS COUNTRY.

595
00:24:39,611 --> 00:24:41,135
QUIET, PLEASE.

596
00:24:41,179 --> 00:24:42,373
AND THEN
HE THROWS UP

597
00:24:42,447 --> 00:24:43,937
ALL OVER
THE CUBA LIBRES.

598
00:24:43,982 --> 00:24:45,142
WILL YOU BE
QUIET, PLEASE?

599
00:24:45,183 --> 00:24:46,343
...POSTCARDS
OF PLACES

600
00:24:46,384 --> 00:24:48,079
THEY DON'T KNOW THEY
HAVEN'T EVEN VISITED

601
00:24:48,119 --> 00:24:49,814
"TO ALL AT NUMBER 22,
WEATHER WONDERFUL.

602
00:24:49,855 --> 00:24:51,152
OUR ROOM MARKED
WITH AN 'X'..."

603
00:24:51,189 --> 00:24:52,247
SHUT UP!

604
00:24:52,290 --> 00:24:53,257
"FOOD VERY GREASY

605
00:24:53,291 --> 00:24:54,485
"BUT WE HAVE
MANAGED TO FIND

606
00:24:54,526 --> 00:24:56,391
THIS MARVELOUS LITTLE
PLACE HIDDEN AWAY..."

607
00:24:56,495 --> 00:24:57,792
SHUT UP!

608
00:24:57,829 --> 00:24:59,888
"...WATNEY'S RED BARREL
AND CHEESE AND ONION."

609
00:24:59,931 --> 00:25:00,761
SHUT UP!

610
00:25:00,799 --> 00:25:02,096
AND THE ACCORDIONIST PLAYS...

611
00:25:02,133 --> 00:25:04,795
SHUT YOUR BLOODY GOB!

612
00:25:04,836 --> 00:25:06,201
OH, I'VE HAD
ENOUGH OF THIS.

613
00:25:06,238 --> 00:25:07,671
I'M GOING TO RING
THE POLICE.

614
00:25:07,706 --> 00:25:08,673
...NOTHING TO EAT

615
00:25:08,707 --> 00:25:09,799
BUT DRIED
WATNEY'S SANDWICHES.

616
00:25:11,343 --> 00:25:13,106
OH, TAKE IT
OFF THE HOOK.

617
00:25:15,514 --> 00:25:17,072
...AND THERE'S
NOWHERE TO SLEEP...

618
00:25:17,115 --> 00:25:18,412
HELLO, OPERATOR? OPERATOR?

619
00:25:18,450 --> 00:25:21,851
YES, OPERATOR, I'M TRYING
TO GET THE POLICE.

620
00:25:21,887 --> 00:25:24,082
YES, YES... THE POLICE!

621
00:25:24,122 --> 00:25:26,556
YES, WHAT?

622
00:25:29,461 --> 00:25:32,658
NINE AND A HALF...
NINE AND A HALF!

623
00:25:32,697 --> 00:25:34,426
...WHEN YOU GET
TO MALAGA AIRPORT

624
00:25:34,499 --> 00:25:35,898
EVERYBODY'S
SWALLOWING...

625
00:25:35,934 --> 00:25:38,732
WHAT?

626
00:25:38,770 --> 00:25:40,704
SORRY TO KEEP YOU WAITING.

627
00:25:40,739 --> 00:25:43,071
WILL YOU COME THIS WAY, PLEASE?

628
00:25:53,351 --> 00:25:54,682
HERE THEY ARE.

629
00:25:54,719 --> 00:25:55,686
RIGHT.

630
00:25:55,720 --> 00:25:57,813
JUST HERE WILL DO FINE.

631
00:25:57,856 --> 00:25:58,948
BYE-BYE.

632
00:26:00,892 --> 00:26:02,018
GOOD EVENING.

633
00:26:13,271 --> 00:26:15,171
I HAVE WITH ME TONIGHT

634
00:26:15,206 --> 00:26:17,174
ANNE ELK,
MRS. ANNE ELK.

635
00:26:17,208 --> 00:26:19,608
<i>MISS.</i>

636
00:26:19,644 --> 00:26:22,306
YOU HAVE A NEW THEORY
ABOUT THE BRONTOSAURUS.

637
00:26:22,347 --> 00:26:24,975
CAN I JUST SAY HERE, CHRIS,
FOR ONE MOMENT

638
00:26:25,016 --> 00:26:28,076
THAT I HAVE A NEW THEORY
ABOUT THE BRONTOSAURUS?

639
00:26:30,589 --> 00:26:32,580
EXACTLY.

640
00:26:40,665 --> 00:26:41,893
WHAT IS IT?

641
00:26:43,702 --> 00:26:45,226
WHERE?

642
00:26:46,338 --> 00:26:48,829
I MEAN YOUR
NEW THEORY.

643
00:26:48,873 --> 00:26:50,397
OH, WHAT IS
MY THEORY?

644
00:26:50,442 --> 00:26:52,876
OH, WHAT IS MY
THEORY, THAT IT IS.

645
00:26:52,911 --> 00:26:55,505
WELL, CHRIS, YOU
MAY WELL ASK ME

646
00:26:55,580 --> 00:26:57,104
WHAT IS
MY THEORY.

647
00:26:59,184 --> 00:27:00,151
I AM ASKING.

648
00:27:00,185 --> 00:27:01,277
GOOD FOR YOU.

649
00:27:01,319 --> 00:27:02,786
MY WORD, YES.

650
00:27:02,821 --> 00:27:04,721
WELL, CHRIS, WHAT
IS IT THAT IT IS

651
00:27:04,756 --> 00:27:05,882
THIS THEORY OF MINE?

652
00:27:05,924 --> 00:27:07,687
WELL, THIS IS
WHAT IT IS.

653
00:27:07,726 --> 00:27:09,193
MY THEORY
THAT I HAVE

654
00:27:09,227 --> 00:27:11,286
THAT IS TO SAY,
WHICH IS MINE

655
00:27:11,329 --> 00:27:12,819
IS MINE.

656
00:27:12,864 --> 00:27:15,526
YES, I KNOW
IT'S YOURS.

657
00:27:15,567 --> 00:27:16,932
WHAT IS IT?

658
00:27:18,203 --> 00:27:20,694
WHERE?

659
00:27:20,739 --> 00:27:22,001
YOUR THEORY.

660
00:27:22,040 --> 00:27:23,974
OH, WHAT IS MY...

661
00:27:24,009 --> 00:27:24,737
THIS IS IT.

662
00:27:40,425 --> 00:27:43,360
MY THEORY THAT
BELONGS TO ME

663
00:27:43,395 --> 00:27:44,987
IS AS FOLLOWS.

664
00:27:51,169 --> 00:27:52,636
THIS IS
HOW IT GOES.

665
00:27:58,009 --> 00:27:59,772
THE NEXT THING
I'M GOING TO SAY

666
00:27:59,811 --> 00:28:00,778
IS MY THEORY.

667
00:28:00,812 --> 00:28:03,007
READY?

668
00:28:03,048 --> 00:28:04,140
MY THEORY,
BY A. ELK...

669
00:28:04,182 --> 00:28:05,547
BRACKETS, MISS,
BRACKETS...

670
00:28:05,583 --> 00:28:08,780
THIS THEORY GOES AS
FOLLOWS AND BEGINS NOW:

671
00:28:08,820 --> 00:28:11,050
ALL BRONTOSAURUSES
ARE THIN AT ONE END

672
00:28:11,089 --> 00:28:13,216
MUCH, MUCH THICKER
IN THE MIDDLE

673
00:28:13,258 --> 00:28:15,590
AND THEN THIN AGAIN
AT THE FAR END.

674
00:28:16,928 --> 00:28:18,395
THAT IS MY THEORY.

675
00:28:18,430 --> 00:28:20,591
IT IS MINE
AND BELONGS TO ME

676
00:28:20,699 --> 00:28:23,361
AND I OWN IT
AND WHAT IT IS, TOO.

677
00:28:23,401 --> 00:28:25,232
THAT'S IT, IS IT?

678
00:28:25,270 --> 00:28:28,296
SPOT ON, CHRIS.

679
00:28:28,339 --> 00:28:29,601
WELL, THIS THEORY OF YOURS

680
00:28:29,674 --> 00:28:31,733
APPEARS TO HAVE HIT
THE NAIL ON THE HEAD.

681
00:28:31,776 --> 00:28:33,903
AND IT'S MINE.

682
00:28:33,945 --> 00:28:36,607
YES, THANK YOU VERY MUCH
FOR COMING ALONG TO THE STUDIO.

683
00:28:36,681 --> 00:28:38,273
MY PLEASURE, CHRIS.

684
00:28:38,316 --> 00:28:39,442
NEXT WEEK,
BRITAIN'S...

685
00:28:39,484 --> 00:28:40,610
IT'S BEEN
A LOT OF FUN.

686
00:28:40,652 --> 00:28:41,710
YES, THANK YOU
VERY MUCH.

687
00:28:41,753 --> 00:28:42,879
SAYING WHAT
MY THEORY IS.

688
00:28:42,921 --> 00:28:43,888
YES, THANK YOU.

689
00:28:43,922 --> 00:28:44,889
AND WHOSE IT IS.

690
00:28:44,923 --> 00:28:46,720
YES, THANK YOU,
THAT'S ALL.

691
00:28:46,758 --> 00:28:48,589
I HAVE
ANOTHER THEORY...

692
00:28:48,626 --> 00:28:49,593
YES...

693
00:28:49,627 --> 00:28:50,616
CALLED MY
SECOND THEORY

694
00:28:50,729 --> 00:28:51,787
OR MY THEORY
NUMBER TWO

695
00:28:51,830 --> 00:28:53,525
WHICH I COULD EXPOUND
WITHOUT DOUBT.

696
00:28:54,566 --> 00:28:55,533
THIS
SECOND THEORY...

697
00:28:55,567 --> 00:28:56,625
YES?

698
00:28:56,668 --> 00:28:58,329
WHICH WITH THE ONE
THAT I HAVE SAID...

699
00:28:58,369 --> 00:28:59,529
I'M TRYING...

700
00:28:59,571 --> 00:29:00,629
WHICH ARE MINE

701
00:29:00,705 --> 00:29:01,637
AND WHICH
BELONG TO ME...

702
00:29:02,974 --> 00:29:04,999
NINE AND HALF,
WIDE FITTING.

703
00:29:05,043 --> 00:29:06,203
GOES LIKE THIS.

704
00:29:06,244 --> 00:29:08,007
BALLEYS OF
BOND STREET.

705
00:29:08,046 --> 00:29:09,343
WHAT?

706
00:29:11,816 --> 00:29:13,909
NO, SORT OF BROGUE.

707
00:29:13,952 --> 00:29:16,420
THIS IS WHAT IT IS.

708
00:29:18,556 --> 00:29:21,855
EIGHT AND A HALF.

709
00:29:26,264 --> 00:29:27,526
THIS IS IT.

710
00:29:27,565 --> 00:29:29,658
MY SECOND THEORY...

711
00:29:37,776 --> 00:29:39,801
EXCUSE ME!

712
00:29:42,147 --> 00:29:43,671
HELLO,
YES, YES?

713
00:29:43,748 --> 00:29:46,216
...PROMISES YOU THAT THE
RAGING CHOLERA EPIDEMIC...

714
00:29:46,251 --> 00:29:48,481
THE FIRE BRIGADE
ARE HERE!

715
00:29:48,520 --> 00:29:49,851
THEY'RE COMING!

716
00:29:49,888 --> 00:29:50,877
HELLO?

717
00:29:50,922 --> 00:29:52,287
NO, NO, I THINK
THEY'RE ALL

718
00:29:52,323 --> 00:29:54,416
PART OF THE BRITISH
SHOE CORPORATION NOW.

719
00:29:54,459 --> 00:29:58,293
CHRIS, THIS OTHER
THEORY OF MINE...

720
00:30:00,632 --> 00:30:02,395
THE SECOND
THEORY...

721
00:30:04,502 --> 00:30:06,299
MY SECOND
THEORY STATES

722
00:30:06,337 --> 00:30:08,202
THAT FIRE
BRIGADE CHOIRS

723
00:30:08,239 --> 00:30:11,299
SELDOM SING SONGS
ABOUT MARCEL PROUST.

724
00:30:14,746 --> 00:30:17,044
START AGAIN.

725
00:30:19,000 --> 00:30:23,000
<b><font color="#0E7521">Ripped & Corrected By mstoll</font></b>