1
00:00:02,702 --> 00:00:05,500
IN THE MODERN BRITAIN,
UNITED UNDER A GREAT LEADER

2
00:00:05,538 --> 00:00:09,099
IT'S THE HOUSEWIVES OF BRITAIN
WHO ARE GETTING THINGS MOVING.

3
00:00:09,142 --> 00:00:11,474
HERE, A COACH LOAD OF
LOVELY LADIES ARE ON THEIR WAY

4
00:00:11,511 --> 00:00:13,240
TO SPEED UP PRODUCTION
IN A CAR FACTORY.

5
00:00:13,346 --> 00:00:15,712
AND HERE WE ARE, BOYS,
IT'S THE NO-HURRY BRIGADE

6
00:00:15,749 --> 00:00:17,148
HANGING AROUND
FOR ENDLESS OVERTIME.

7
00:00:17,183 --> 00:00:19,981
AND JUST WATCH THESE GALLANT
GIRLS GO INTO ACTION.

8
00:00:24,724 --> 00:00:26,157
NOT WORKING FAST ENOUGH?

9
00:00:26,192 --> 00:00:28,160
WELL, THERE'S
AN ANSWER FOR THAT.

10
00:00:29,696 --> 00:00:32,256
YES, THIS IS CERTAINLY
THE WAY TO SPEED UP PRODUCTION.

11
00:00:32,298 --> 00:00:34,823
THIS IS THE RECIPE FOR
INCREASED PRODUCTIVITY

12
00:00:34,868 --> 00:00:36,802
TO MEET THE THREAT
OF THOSE NASTY FOREIGNERS

13
00:00:36,836 --> 00:00:38,394
WHEN BRITAIN TAKES
HER NATURAL PLACE

14
00:00:38,438 --> 00:00:40,235
AT THE HEAD
OF THE BRITISH COMMON MARKET.

15
00:00:40,273 --> 00:00:44,642
AND HOW'S THIS FOR A WAY
TO BEAT STRIKERS?

16
00:00:47,547 --> 00:00:49,071
THOSE SPOTTY CONTINENTAL BOYS

17
00:00:49,115 --> 00:00:51,447
WILL SOON HAVE TO LOOK OUT
FOR MRS. BRITAIN.

18
00:00:51,484 --> 00:00:53,145
AND TALKING OF WINDMILLS

19
00:00:53,186 --> 00:00:57,282
THESE GIRLS AREN'T AFRAID TO
TILT AT THE PERMISSIVE SOCIETY.

20
00:00:57,390 --> 00:00:59,551
BUSINESS IS BOOMING
IN THE SO-CALLED ARTS

21
00:00:59,592 --> 00:01:01,560
BUT TWO CAN PLAY
AT THAT GAME, CHUM.

22
00:01:04,964 --> 00:01:07,626
AND IT'S NOT JUST THE MODERN
SO-CALLED PLASTIC ARTS

23
00:01:07,667 --> 00:01:09,294
THAT GET THE CLEAN-UP TREATMENT.

24
00:01:09,402 --> 00:01:10,426
DESDEMONA...

25
00:01:10,470 --> 00:01:11,596
COME ON, DEARS!

26
00:01:14,407 --> 00:01:17,137
AND THOSE CONTINENTALS
HAD BETTER WATCH OUT

27
00:01:17,177 --> 00:01:19,042
FOR THEIR DIRTY
FOREIGN LITERATURE.

28
00:01:19,079 --> 00:01:22,276
JEAN-PAUL SARTRE AND JEAN GENET
WON'T KNOW WHAT'S HIT THEM.

29
00:01:22,315 --> 00:01:24,613
NEVER MIND THE FOULNESS
OF THEIR LANGUAGE...

30
00:01:24,651 --> 00:01:27,211
COME '73, THEY'LL ALL
HAVE TO WRITE IN BRITISH.

31
00:01:29,022 --> 00:01:32,287
YOU CAN KEEP YOUR FASTIDIOUS
CONTINENTAL BIDETS, MRS. FOREIGNER...

32
00:01:32,325 --> 00:01:34,691
MRS. BRITAIN KNOWS
HOW TO KEEP HER FEET CLEAN.

33
00:01:34,727 --> 00:01:36,319
BUT SHE'LL BATTLE
LIKE BINGO, BOYS

34
00:01:36,429 --> 00:01:39,125
WHEN IT COMES TO KEEPING
THE TV SCREEN CLEAN.

35
00:01:39,165 --> 00:01:42,134
BETTER WATCH OUT FOR
THOSE NASTY CONTINENTAL SHOWS

36
00:01:42,168 --> 00:01:43,499
ON THE SNEAKY SECOND CHANNEL.

37
00:01:43,536 --> 00:01:44,935
BUT APART FROM ATTACKING

38
00:01:44,971 --> 00:01:47,132
THAT PRURIENT HOTBED
OF LEFT-WING CONTINENTALISM

39
00:01:47,173 --> 00:01:48,299
AT SHEPHERDS BUSH

40
00:01:48,341 --> 00:01:49,569
WHAT ELSE DO THESE
ORDINARY MUMS THINK?

41
00:01:49,609 --> 00:01:50,633
DO THEY ACCEPT HEGELIANISM?

42
00:01:50,677 --> 00:01:52,076
NO!

43
00:01:52,112 --> 00:01:54,239
DO THEY PREFER
LEIBNITZ TO WITTGENSTEIN?

44
00:01:54,280 --> 00:01:56,145
NO! NO!

45
00:01:56,182 --> 00:01:58,548
AND WHERE DO
THEY STAND ON YOUNG PEOPLE?

46
00:01:58,585 --> 00:02:00,644
JUST HERE, DEAR.

47
00:02:00,687 --> 00:02:02,678
THEIR POWER IS GROWING DAILY

48
00:02:02,722 --> 00:02:04,883
AND WHEN THESE GIRLS
ROLL THEIR SLEEVES UP

49
00:02:04,924 --> 00:02:06,016
IT'S ARMS ALL THE WAY.

50
00:02:06,059 --> 00:02:08,357
YES, THIS IS THE WAY TO FIGHT

51
00:02:08,394 --> 00:02:11,295
THE CONSTANT WAR
AGAINST PORNOGRAPHY.

52
00:02:24,310 --> 00:02:25,208
AND NOW...

53
00:02:25,245 --> 00:02:26,337
IT'S...

54
00:02:29,949 --> 00:02:34,886
<i>MONTY PYTHON'S FLYING CIRCUS.</i>

55
00:02:37,000 --> 00:02:41,000
<b><font color="#0E7521">Ripped & Corrected By mstoll</font></b>

56
00:03:18,798 --> 00:03:19,765
DOCTOR!

57
00:03:21,768 --> 00:03:23,292
DOCTOR!

58
00:03:24,470 --> 00:03:26,028
DOCTOR!

59
00:03:27,006 --> 00:03:28,871
DOCTOR!

60
00:03:31,377 --> 00:03:33,106
DOCTOR!

61
00:03:34,614 --> 00:03:36,104
DOCTOR!

62
00:03:37,517 --> 00:03:39,451
DOCTOR!

63
00:03:39,519 --> 00:03:42,113
DOCTOR!

64
00:03:42,155 --> 00:03:43,452
DOCTOR!

65
00:03:43,489 --> 00:03:45,616
WHERE IS THE DOCTOR?

66
00:03:52,098 --> 00:03:53,292
HELLO!

67
00:03:54,667 --> 00:03:58,194
ARE YOU THE BRAIN SPECIALIST?

68
00:04:04,544 --> 00:04:06,944
HELLO!

69
00:04:08,381 --> 00:04:12,215
ARE YOU THE BRAIN SPECIALIST?

70
00:04:14,454 --> 00:04:16,354
NO!

71
00:04:16,389 --> 00:04:19,324
NO, I AM NOT
THE BRAIN SPECIALIST.

72
00:04:19,359 --> 00:04:21,725
NO, NO, I AM NOT!

73
00:04:21,761 --> 00:04:24,787
YES! YES, I AM!

74
00:04:24,831 --> 00:04:28,494
MY BRAIN HURTS!

75
00:04:30,169 --> 00:04:33,900
WELL, LET'S TAKE A LOOK
AT IT, MR. GUMBY.

76
00:04:35,008 --> 00:04:36,066
NO, NO, NO...

77
00:04:36,109 --> 00:04:37,804
MY BRAIN IN MY HEAD.

78
00:04:37,844 --> 00:04:39,209
OH!

79
00:04:43,916 --> 00:04:46,248
IT'LL HAVE TO COME OUT.

80
00:04:47,854 --> 00:04:50,322
OUT... OF MY HEAD?

81
00:04:50,356 --> 00:04:53,325
YES! ALL THE BITS OF IT.

82
00:04:53,359 --> 00:04:54,849
NURSE!

83
00:04:56,095 --> 00:04:57,756
NURSE!

84
00:04:59,299 --> 00:05:01,529
NURSE!

85
00:05:02,902 --> 00:05:05,462
NURSE!

86
00:05:08,708 --> 00:05:12,872
NURSE, TAKE MR. GUMBY
TO A... BRAIN SURGEON.

87
00:05:12,912 --> 00:05:14,846
YES, DOCTOR.

88
00:05:14,881 --> 00:05:16,109
WHERE'S THE <i>LANCET?</i>

89
00:05:16,149 --> 00:05:18,174
HE'S BRILLIANT, YOU KNOW.

90
00:05:18,217 --> 00:05:19,912
WHERE'S THE BLOODY <i>LANCET?</i>

91
00:05:22,255 --> 00:05:24,223
MY BRAIN HURTS, TOO.

92
00:05:33,099 --> 00:05:34,430
GLOVES...

93
00:05:35,435 --> 00:05:36,459
GLASSES...

94
00:05:39,772 --> 00:05:41,103
MOUSTACHE...

95
00:05:44,010 --> 00:05:45,136
HANDKERCHIEF...

96
00:05:48,715 --> 00:05:50,342
I'M GOING TO OPERATE!

97
00:05:50,383 --> 00:05:53,284
OPERATE, OPERATE...

98
00:05:53,319 --> 00:05:55,082
GET BITS
OF BRAIN!

99
00:05:55,121 --> 00:05:57,385
GET BITS OF BRAIN!

100
00:05:59,392 --> 00:06:01,292
HELLO!

101
00:06:01,327 --> 00:06:02,294
OH!

102
00:06:02,328 --> 00:06:03,295
OH!

103
00:06:03,329 --> 00:06:06,492
WE FORGOT
THE ANESTHETIC!

104
00:06:06,532 --> 00:06:08,022
ANESTHETIC!

105
00:06:08,067 --> 00:06:09,466
ANESTHETIC!

106
00:06:09,502 --> 00:06:12,960
ANESTHETIC!

107
00:06:13,005 --> 00:06:16,304
ANESTHETIC!

108
00:06:20,446 --> 00:06:24,644
I'VE COME TO
ANESTHETIZE YOU!

109
00:06:32,492 --> 00:06:34,050
GOOD EVENING.

110
00:06:34,093 --> 00:06:36,755
TONIGHT I'D LIKE TO TALK TO YOU
ABOUT... OH, UH...

111
00:06:36,796 --> 00:06:38,354
EXCUSE ME, THIS IS ALL WRONG.

112
00:06:38,398 --> 00:06:39,626
ONE MOMENT.

113
00:06:51,711 --> 00:06:52,769
HELLO, AGAIN.

114
00:06:53,813 --> 00:06:55,110
AS I WAS SAYING...

115
00:06:55,148 --> 00:06:57,275
AH, OH, WAIT, THIS IS
STILL NOT QUITE RIGHT.

116
00:06:57,316 --> 00:06:58,408
SORRY.

117
00:07:07,827 --> 00:07:10,421
NO, NO, SORRY, NO, NOT RIGHT.

118
00:07:26,312 --> 00:07:27,574
AH, THIS IS BETTER.

119
00:07:29,215 --> 00:07:31,979
NOW, TONIGHT I WANT TO LOOK
AT THE MEANING OF LIFE...

120
00:07:32,018 --> 00:07:34,213
OH! OW! OH! OH!

121
00:07:39,125 --> 00:07:40,683
NO, NO, NO...

122
00:07:44,530 --> 00:07:46,327
NO, NO, PLEASE!

123
00:08:06,919 --> 00:08:08,716
HMM, AH, WELL...

124
00:08:08,754 --> 00:08:10,722
THIS'LL DO NICELY.

125
00:08:10,823 --> 00:08:11,881
GOOD EVENING.

126
00:08:11,924 --> 00:08:13,289
TONIGHT I'D LIKE TO TALK TO YOU

127
00:08:13,326 --> 00:08:14,418
ABOUT THE MEANING OF LIFE

128
00:08:14,460 --> 00:08:15,484
IN THE CONTEXT OF...

129
00:08:17,096 --> 00:08:20,224
The 9:00 news,
which was to have followed

130
00:08:20,266 --> 00:08:22,291
has been canceled tonight

131
00:08:22,335 --> 00:08:24,326
so we can bring you
the quarterfinals

132
00:08:24,370 --> 00:08:26,497
of the All-Essex
Badminton Championship.

133
00:08:26,539 --> 00:08:29,531
Your commentator as usual
is Edna O'Brien.

134
00:08:29,575 --> 00:08:31,167
Hullo, fans.

135
00:08:31,210 --> 00:08:33,440
Begorra, an' to be sure
there's some fine badminton

136
00:08:33,479 --> 00:08:34,969
down there in Essex
this afternoon.

137
00:08:35,014 --> 00:08:36,106
We really...

138
00:08:49,962 --> 00:08:50,951
HMM.

139
00:08:50,997 --> 00:08:52,123
GEORGE?

140
00:08:52,164 --> 00:08:52,960
YES, GLADYS?

141
00:08:52,999 --> 00:08:54,591
THERE'S A MAN HERE
WITH A MOUSTACHE.

142
00:08:54,634 --> 00:08:56,192
I ALREADY GOT ONE.

143
00:08:56,235 --> 00:08:58,100
ALL RIGHT, ALL
RIGHT, ALL RIGHT

144
00:08:58,137 --> 00:08:59,627
WHAT'S HE WANT,
THEN?

145
00:08:59,672 --> 00:09:00,764
HE SAYS, DO WE WANT

146
00:09:00,873 --> 00:09:02,431
A DOCUMENTARY
ON MOLLUSKS?

147
00:09:02,475 --> 00:09:03,442
MOLLUSKS?!

148
00:09:03,476 --> 00:09:04,443
YES!

149
00:09:04,477 --> 00:09:05,876
WHAT'S HE MEAN,
"MOLLUSKS"?

150
00:09:05,912 --> 00:09:07,504
MOLLUSKS!

151
00:09:07,547 --> 00:09:10,072
GASTROPODS, LAMELLIBRANCHS,
CEPHALOPODS!

152
00:09:10,116 --> 00:09:11,208
OH, MOLLUSKS.

153
00:09:11,250 --> 00:09:12,581
I THOUGHT
YOU SAID "BACON."

154
00:09:12,618 --> 00:09:15,086
ALL RIGHT, ALL RIGHT,
ALL RIGHT, ALL RIGHT.

155
00:09:15,121 --> 00:09:16,418
WHAT'S HE
CHARGE, THEN?

156
00:09:16,455 --> 00:09:17,717
IT'S FREE.

157
00:09:17,757 --> 00:09:19,657
OH! WHERE DOES HE
WANT US TO SIT?

158
00:09:19,692 --> 00:09:20,784
HE SAYS YES!

159
00:09:31,203 --> 00:09:32,261
GOOD EVENING.

160
00:09:32,305 --> 00:09:34,000
TONIGHT, MOLLUSKS.

161
00:09:34,040 --> 00:09:37,942
THE MOLLUSK IS A SOFT-BODIED,
UNSEGMENTED INVERTEBRATE ANIMAL

162
00:09:37,977 --> 00:09:40,207
USUALLY PROTECTED
BY A LARGE SHELL.

163
00:09:40,246 --> 00:09:44,012
ONE OF THE MOST NUMEROUS
GROUPS OF INVERTEBRATES

164
00:09:44,050 --> 00:09:46,746
IT IS EXCEEDED
IN NUMBER OF SPECIES

165
00:09:46,786 --> 00:09:49,277
ONLY BY THE ARTHROPODS, VIZ...

166
00:09:49,322 --> 00:09:51,483
NOT VERY
INTERESTING, IS IT?

167
00:09:51,524 --> 00:09:52,718
WHAT?

168
00:09:52,758 --> 00:09:54,225
I WAS TALKING TO HIM.

169
00:09:54,260 --> 00:09:55,557
OH.

170
00:09:55,595 --> 00:09:58,587
ANYWAY, THE TYPICAL MOLLUSK,
VIZ A SNAIL...

171
00:09:58,631 --> 00:10:01,464
CONSISTS OF A PROMINENT
MUSCULAR PORTION...

172
00:10:01,500 --> 00:10:04,435
THE HEAD-FOOT...
A VISCERAL MASS AND A SHELL

173
00:10:04,470 --> 00:10:07,837
WHICH IS SECRETED BY
THE FREE EDGE OF THE MANTLE.

174
00:10:07,873 --> 00:10:08,999
DREADFUL, ISN'T IT?

175
00:10:09,041 --> 00:10:10,167
WHAT?

176
00:10:10,209 --> 00:10:11,836
I WAS TALKING TO HIM!

177
00:10:11,877 --> 00:10:14,402
OH... WELL, ANYWAY...

178
00:10:14,447 --> 00:10:16,847
IN SOME MOLLUSKS, HOWEVER,
VIZ, SLUGS

179
00:10:16,916 --> 00:10:19,077
THE SHELL IS ABSENT
OR RUDIMENTARY.

180
00:10:19,118 --> 00:10:20,517
SWITCH HIM OFF.

181
00:10:20,553 --> 00:10:22,544
WHEREAS IN OTHERS,
VIZ CEPHALOPODS

182
00:10:22,588 --> 00:10:24,522
THE HEAD-FOOT
IS GREATLY MODIFIED

183
00:10:24,557 --> 00:10:26,650
AND FORMS TENTACLES,
VIZ THE SQUID.

184
00:10:26,692 --> 00:10:27,659
WHAT ARE
YOU DOING?

185
00:10:27,693 --> 00:10:28,660
SWITCHING YOU OFF.

186
00:10:28,694 --> 00:10:29,661
DON'T YOU
LIKE IT?

187
00:10:29,695 --> 00:10:30,662
OH, IT'S DREADFUL.

188
00:10:30,696 --> 00:10:31,663
EMBARRASSING.

189
00:10:31,697 --> 00:10:32,664
IS IT?

190
00:10:32,698 --> 00:10:33,824
YES, IT'S PERFECTLY AWFUL.

191
00:10:33,866 --> 00:10:35,026
DISGRACEFUL!

192
00:10:35,067 --> 00:10:37,001
I DON'T KNOW HOW THEY GOT
THE NERVE TO PUT IT ON.

193
00:10:37,036 --> 00:10:38,333
IT'S SO BORING.

194
00:10:38,371 --> 00:10:40,396
WELL, IT'S NOT MUCH
OF A SUBJECT, IS IT?

195
00:10:40,439 --> 00:10:41,497
BE FAIR.

196
00:10:41,540 --> 00:10:42,871
WHAT DO YOU THINK,
GEORGE?

197
00:10:42,942 --> 00:10:45,137
GIVE HIM ANOTHER 20 SECONDS.

198
00:10:45,177 --> 00:10:46,201
ALL RIGHT.

199
00:10:46,245 --> 00:10:47,837
ANYWAY, THE MAJORITY OF MOLLUSKS

200
00:10:47,880 --> 00:10:49,438
ARE INCLUDED
IN THREE LARGE GROUPS:

201
00:10:49,482 --> 00:10:50,972
THE GASTROPODS,
THE LAMELLIBRANCHS

202
00:10:51,017 --> 00:10:52,143
AND THE CEPHALOPODS.

203
00:10:52,184 --> 00:10:53,276
WE KNOW THAT!

204
00:10:53,319 --> 00:10:55,048
HOWEVER, WHAT IS
MORE INTERESTING

205
00:10:55,087 --> 00:10:56,679
IS THE, UH...
MOLLUSK'S, UH...

206
00:10:56,722 --> 00:10:57,689
SEX LIFE.

207
00:10:57,723 --> 00:10:58,985
OH!

208
00:11:00,693 --> 00:11:02,888
YES, THE MOLLUSK IS A
RANDY LITTLE FELLOW

209
00:11:02,962 --> 00:11:04,896
WHOSE PRIMITIVE BRAIN
SCARCELY STRAYS

210
00:11:04,997 --> 00:11:07,090
FROM THE SUBJECT
OF YOU-KNOW-WHAT.

211
00:11:07,133 --> 00:11:08,100
DISGUSTING!

212
00:11:08,134 --> 00:11:09,192
OUGHT NOT
TO BE ALLOWED.

213
00:11:09,235 --> 00:11:11,032
THE RANDIEST OF THE GASTROPODS

214
00:11:11,070 --> 00:11:12,401
IS THE LIMPET.

215
00:11:12,438 --> 00:11:14,201
THIS HOT-BLOODED LITTLE BEAST

216
00:11:14,240 --> 00:11:17,004
WITH ITS TENTLIKE SHELL
IS ALWAYS ON THE JOB.

217
00:11:17,043 --> 00:11:18,635
ITS EXTRAMARITAL
ACTIVITIES

218
00:11:18,678 --> 00:11:20,077
ARE SOMETHING STARTLING.

219
00:11:20,112 --> 00:11:22,205
FRANKLY, I DON'T KNOW
HOW THE FEMALE LIMPET

220
00:11:22,248 --> 00:11:24,307
FINDS THE TIME
TO ADHERE TO THE ROCK FACE.

221
00:11:24,350 --> 00:11:25,510
HOW AM I DOING?

222
00:11:25,551 --> 00:11:26,643
DISGUSTING.

223
00:11:26,686 --> 00:11:27,710
BUT MORE INTERESTING.

224
00:11:27,753 --> 00:11:29,118
OH, YES.

225
00:11:29,155 --> 00:11:32,056
ANOTHER LOOSE-LIVING GASTROPOD
IS THE PERIWINKLE.

226
00:11:32,091 --> 00:11:33,922
THIS SHAMELESS LITTLE LIBERTINE

227
00:11:33,993 --> 00:11:36,655
WITH ITS CHARACTERISTIC
VENTRAL LOCOMOTION...

228
00:11:36,696 --> 00:11:38,254
IS NOT THE MARRYING KIND...

229
00:11:38,297 --> 00:11:39,924
"ANYWHERE, ANYTIME"
IS ITS MOTTO.

230
00:11:39,965 --> 00:11:41,762
UP WITH THE SHELL
AND THEY'RE AT IT.

231
00:11:41,801 --> 00:11:43,666
WHAT ABOUT THE LAMELLIBRANCHS?

232
00:11:43,703 --> 00:11:44,897
I'M COMING TO THEM.

233
00:11:44,937 --> 00:11:46,234
THE GREAT SCALLOP...

234
00:11:47,873 --> 00:11:49,932
THIS TATTY, SCROFULOUS
OLD RAPIST

235
00:11:50,009 --> 00:11:53,740
IS SECOND IN DEPRAVITY
ONLY TO THE COMMON CLAM.

236
00:11:53,779 --> 00:11:55,770
THIS LATTER IS A RIGHT WHORE!

237
00:11:55,815 --> 00:11:57,248
A HARLOT,
A TROLLOP

238
00:11:57,283 --> 00:12:00,684
A CYNICAL, BED-HOPPING,
FIRM-BREASTED

239
00:12:00,720 --> 00:12:02,915
RABELAISIAN
BIT OF SEAFOOD

240
00:12:02,955 --> 00:12:05,856
THAT MAKES FANNY HILL
LOOK LIKE A DEAD POPE.

241
00:12:05,891 --> 00:12:08,792
AND FINALLY AMONG THE
LAMELLIBRANCH BIVALVES

242
00:12:08,828 --> 00:12:12,423
THAT MOST DEPRAVED OF THE WHOLE
SUBSPECIES, THE WHELK.

243
00:12:13,866 --> 00:12:18,428
THE WHELK IS NOTHING BUT
A HOMOSEXUAL OF THE WORST KIND.

244
00:12:18,471 --> 00:12:21,406
THIS GAY BOY
OF THE GASTROPODS

245
00:12:21,440 --> 00:12:24,603
THIS QUEER CRUSTACEAN,
THIS MINCING MOLLUSK

246
00:12:24,643 --> 00:12:28,841
THIS SCREAMING, PRANCING,
LIMP-WRISTED QUEEN OF THE DEEP

247
00:12:28,881 --> 00:12:30,542
MAKES ME SICK.

248
00:12:30,583 --> 00:12:32,380
HAVE YOU GOT ONE?

249
00:12:32,418 --> 00:12:33,407
HERE!

250
00:12:33,452 --> 00:12:34,441
LET'S KILL IT.

251
00:12:36,155 --> 00:12:37,383
DISGUSTING!

252
00:12:37,423 --> 00:12:39,983
THERE,
THAT'LL TEACH IT.

253
00:12:40,092 --> 00:12:42,720
WELL, THANK YOU FOR
A VERY INTERESTING PROGRAM.

254
00:12:42,762 --> 00:12:44,127
OH, NOT AT ALL,
THANK YOU.

255
00:12:44,163 --> 00:12:45,425
YES, THAT WAS
VERY NICE.

256
00:12:45,464 --> 00:12:46,590
THANK YOU.

257
00:12:46,632 --> 00:12:47,599
OH, THANK YOU.

258
00:12:47,633 --> 00:12:48,793
AND GOOD NIGHT.

259
00:12:48,834 --> 00:12:50,301
AND NOW A WORD
FROM THE MAN IN THE...

260
00:12:50,336 --> 00:12:51,462
STREET.

261
00:12:52,138 --> 00:12:52,900
ANYWAY...

262
00:12:52,938 --> 00:12:54,633
OOO...

263
00:12:54,673 --> 00:12:57,107
COOCHY, COOCHY, COOCHY...

264
00:12:59,278 --> 00:13:01,007
...DEAR LITTLE FELLOW.

265
00:13:01,113 --> 00:13:03,673
LOOK AT THE TWINKLE IN HIS EYE.

266
00:13:08,888 --> 00:13:11,220
OH, HE'S A LITTLE DEAR,
ISN'T HE?

267
00:13:11,257 --> 00:13:14,454
YOU SHOULDN'T LET HIM
SUCK ON A DUMMY, MY DEAR.

268
00:13:14,493 --> 00:13:15,653
OH, MY GOD... NO!

269
00:13:15,694 --> 00:13:17,127
DON'T TOUCH IT!

270
00:13:45,357 --> 00:13:47,450
THE MINISTER FOR NOT
LISTENING TO PEOPLE

271
00:13:47,493 --> 00:13:49,927
TOURED BATLEY TODAY
TO INVESTIGATE ALLEGATIONS

272
00:13:49,962 --> 00:13:52,522
OF VICTIMIZATION IN HOME-LOAN
IMPROVEMENT GRANTS

273
00:13:52,565 --> 00:13:54,499
MADE LAST WEEK
BY THE SHADOW-MINISTER

274
00:13:54,533 --> 00:13:56,262
FOR JUDGING PEOPLE
AT FIRST SIGHT

275
00:13:56,302 --> 00:13:58,770
TO BE MARGINALLY WORSE
THAN THEY ACTUALLY ARE.

276
00:13:58,804 --> 00:14:01,398
AT THE HOME OFFICE, THE MINISTER
FOR INSERTING HIMSELF

277
00:14:01,440 --> 00:14:03,465
IN BETWEEN CHAIRS AND WALLS
IN MEN'S CLUBS

278
00:14:03,509 --> 00:14:05,306
WAS AT HIS DESK
AFTER A SHORT ILLNESS.

279
00:14:05,344 --> 00:14:07,904
HE SPENT THE MORNING
DEALING WITH THE IRISH SITUATION

280
00:14:07,947 --> 00:14:09,915
AND LATER IN THE DAY
HAD LONG DISCUSSIONS

281
00:14:09,949 --> 00:14:12,474
WITH THE MINISTER FOR RUNNING
UPSTAIRS TWO AT A TIME

282
00:14:12,518 --> 00:14:13,985
FLINGING THE DOOR OPEN

283
00:14:14,019 --> 00:14:16,044
AND SAYING, "HA, HA,
CAUGHT YOU, MILDRED."

284
00:14:16,088 --> 00:14:18,852
IN THE COMMONS THERE WAS
ANOTHER DAY OF HEATED DEBATE

285
00:14:18,891 --> 00:14:21,451
ON THE THIRD READING
OF THE TRADE PRACTICES BILL.

286
00:14:21,493 --> 00:14:23,051
MR. ROLAND PENROSE

287
00:14:23,095 --> 00:14:25,757
THE UNDERSECRETARY FOR
MAKING DEEP GROWLING NOISES...

288
00:14:26,899 --> 00:14:28,560
LAUNCHED A BITTER
PERSONAL ATTACK

289
00:14:28,601 --> 00:14:31,593
ON THE EX-MINISTER FOR DELVING
DEEP INTO A BLACK SATIN BAG

290
00:14:31,637 --> 00:14:33,901
AND PRODUCING A TUBE
OF EUTHYMOL TOOTHPASTE.

291
00:14:33,939 --> 00:14:35,304
LATER IN THE DEBATE

292
00:14:35,341 --> 00:14:37,366
THE JUNIOR MINISTER
FOR BEING FRIGHTENED

293
00:14:37,409 --> 00:14:38,899
BY ANY KIND OF FARM MACHINERY

294
00:14:38,944 --> 00:14:40,969
CHALLENGED
THE UNDERSECRETARY OF STATE

295
00:14:41,013 --> 00:14:42,674
FOR HIDING FROM TERENCE RATTIGAN

296
00:14:42,715 --> 00:14:45,013
TO PRODUCE THE CURRENT YEAR'S
TRADING FIGURES

297
00:14:45,050 --> 00:14:47,917
AS SUPPLIED BY THE DEPARTMENT
OF STEALING PACKETS OF BANDAGES

298
00:14:47,953 --> 00:14:50,114
FROM THE SELF-SERVICE COUNTER
AT TIMOTHY WHITES

299
00:14:50,222 --> 00:14:52,486
AND SELLING THEM AGAIN
AT A CONSIDERABLE PROFIT.

300
00:14:52,524 --> 00:14:53,991
PARLIAMENT ROSE AT 11:30

301
00:14:54,026 --> 00:14:56,893
AND, CRAWLING ALONG A DARK
PASSAGEWAY INTO THE OLD RECTORY

302
00:14:56,929 --> 00:14:58,829
BROKE DOWN THE DOOR
TO THE SERVING HATCH

303
00:14:58,864 --> 00:15:00,331
PAINTED THE SPARE ROOM

304
00:15:00,366 --> 00:15:02,300
AND NEXT WEEKEND
I THINK THEY'LL BE ABLE

305
00:15:02,334 --> 00:15:04,063
TO MAKE A START
ON THE BOYS' BEDROOM.

306
00:15:04,103 --> 00:15:07,004
WHILE AMY AND ROGER...
UP IN LONDON FOR TWO DAYS...

307
00:15:07,039 --> 00:15:09,371
GO TO SEE
THE MYSTERIOUS MR. GRENVILLE.

308
00:15:09,408 --> 00:15:11,467
HE IN TURN
HAS BEEN REVEALED BY D'ARCY

309
00:15:11,510 --> 00:15:13,569
AS SOMETHING LESS
THAN AN HONEST MAN.

310
00:15:13,612 --> 00:15:14,704
SYBIL FEELS ONCE AGAIN

311
00:15:14,747 --> 00:15:16,374
A RESURGENCE
OF HER OLD AFFECTION

312
00:15:16,415 --> 00:15:17,814
AND SHE AND BALREAU RETURN

313
00:15:17,850 --> 00:15:20,045
TO HER LITTLE HOUSE
IN CLERMONT-FERRAND...

314
00:15:20,085 --> 00:15:21,882
THE KIND OF TWO-UP,
TWO-DOWN HOUSE

315
00:15:21,921 --> 00:15:24,754
THAT MOST FRENCH WORKERS...
AND, INDEED, MOST WORKERS

316
00:15:24,790 --> 00:15:27,156
THROUGHOUT THE EUROPEAN
COMMUNITY... ARE LIVING IN TODAY.

317
00:15:27,259 --> 00:15:28,658
THE EASE OF CONSTRUCTION

318
00:15:28,694 --> 00:15:30,992
USING ON-SITE PREFABRICATION
FACILITIES

319
00:15:31,030 --> 00:15:32,827
MAKES CHEAP HOUSING A REALITY.

320
00:15:32,865 --> 00:15:34,696
THE WALLS OF THESE HOUSES
ARE LINED

321
00:15:34,733 --> 00:15:38,260
WITH PRESTRESSED ASBESTOS, WHICH
KEEPS THE HOUSE WARM AND SNUGGLY

322
00:15:38,304 --> 00:15:41,569
AND EVER SO SAFE
FROM THE BIG BAD RABBIT

323
00:15:41,607 --> 00:15:43,939
WHO CAN SCRATCH AND SCRATCH
FOR ALL HE'S WORTH

324
00:15:43,976 --> 00:15:46,069
BUT HE JUST CAN'T GET
INTO PORKY'S HOUSE.

325
00:15:47,112 --> 00:15:48,374
WHERE IS PORKY?

326
00:15:48,414 --> 00:15:49,381
HERE HE IS.

327
00:15:49,415 --> 00:15:51,406
WHAT A FUNNY LITTLE CHAP.

328
00:15:52,551 --> 00:15:54,576
BUT PORKY IS ONE
OF THE LUCKY ONES.

329
00:15:54,620 --> 00:15:57,919
HE SURVIVED THE URBAN UPHEAVAL
OF THE '30s AND '40s.

330
00:15:57,957 --> 00:16:00,425
FOR HIM, JARROW IS STILL
JUST A MEMORY.

331
00:16:00,459 --> 00:16:02,950
THE HUNGER MARCHES,
THE EAST END RIOTS

332
00:16:02,995 --> 00:16:04,758
THE COLLAPSE OF
THE LABOR GOVERNMENT IN 1931

333
00:16:04,797 --> 00:16:06,958
ARE DIM REMINDERS OF THE DAYS

334
00:16:06,999 --> 00:16:09,433
BEFORE A NEWFOUND AFFLUENCE
SWEPT THE LAND

335
00:16:09,468 --> 00:16:10,901
MAKING IT CLEAN AND TIDY

336
00:16:10,936 --> 00:16:13,769
AND MAKING ALL THE SHOPS
FULL OF NICE THINGS:

337
00:16:13,806 --> 00:16:16,104
LOVELY CHOO-CHOO TRAINS AND TOYS

338
00:16:16,141 --> 00:16:18,507
AND SHINY CARS THAT GO
"BRRM, BRRM, BRRM"

339
00:16:18,544 --> 00:16:21,479
AND EVERYBODY WAS HAPPY
AND SINGING ALL THE DAY LONG

340
00:16:21,513 --> 00:16:24,073
AND NOBODY SAW
THE BIG BAD RABBIT EVER AGAIN.

341
00:16:24,116 --> 00:16:25,913
BUT, OF COURSE,
IT'S ALL VERY EASY

342
00:16:25,951 --> 00:16:27,316
TO BLAME THE BIG BAD RABBIT

343
00:16:27,353 --> 00:16:29,753
WHEN BY-ELECTIONS ARE GOING
AGAINST THE GOVERNMENT.

344
00:16:29,788 --> 00:16:32,086
UT HOW OFTEN DO YOU THINK

345
00:16:32,124 --> 00:16:33,557
WE SHOULD REALLY
BE BLAMING OURSELVES?

346
00:16:33,592 --> 00:16:36,060
BECAUSE, YOU KNOW, THAT'S WHERE
WE OUGHT TO START LOOKING.

347
00:18:16,295 --> 00:18:19,423
HELLO... ALL THE ACTIVITY
YOU CAN SEE HERE IN PROGRESS

348
00:18:19,465 --> 00:18:21,126
IS PART OF THE INTRICATE...

349
00:18:22,701 --> 00:18:28,105
PREPARATIONS FOR THE BRITISH
NAVAL EXPEDITION TO LAKE PAHOE.

350
00:18:28,140 --> 00:18:30,438
THE LEADER OF THE EXPEDITION IS

351
00:18:30,476 --> 00:18:31,465
SIR JANE RUSSELL.

352
00:18:32,811 --> 00:18:35,336
SIR JANE, WHAT IS THE
PURPOSE OF YOUR EXPEDITION?

353
00:18:35,380 --> 00:18:36,972
WELL, THIS IS A COMPLETELY
UNCHARTED LAKE

354
00:18:37,015 --> 00:18:38,846
WITH, LIKE, HITHERTO
UNCLASSIFIED MARINE LIFE, MAN

355
00:18:38,884 --> 00:18:41,648
SO THE WHOLE SCENE'S WIDE OPEN
FOR A SCIENTIFIC EXPLORATION.

356
00:18:41,687 --> 00:18:44,053
ONE CAN SEE THE IMMENSE
AMOUNT OF PREPARATION INVOLVED.

357
00:18:44,089 --> 00:18:45,522
HAVE THERE BEEN
MANY DIFFICULTIES

358
00:18:45,557 --> 00:18:46,854
IN SETTING UP THIS VENTURE?

359
00:18:46,892 --> 00:18:48,951
WELL, THE REAL HANG-UP
WAS WITH THE BREAD, MAN

360
00:18:48,994 --> 00:18:50,894
BUT WHEN THE TOP-BRASS PIGS
CAME THROUGH

361
00:18:50,929 --> 00:18:52,829
WE GOT IT TOGETHER
IN A COUPLE OF MOONS.

362
00:18:52,865 --> 00:18:55,197
COMMODORE BETTY GRABLE,
WHO'S A REAL SUB-AQUA HEAD

363
00:18:55,234 --> 00:18:56,565
HAS GOT IT TOGETHER DIVING-WISE

364
00:18:56,602 --> 00:18:58,729
AND, LIKE, THE WHOLE GIG'S
BEEN A REAL GAS, MAN.

365
00:18:58,770 --> 00:18:59,702
THANK YOU.

366
00:19:01,940 --> 00:19:04,101
LIEUTENANT COMMANDER
DOROTHY LAMOUR.

367
00:19:04,143 --> 00:19:05,508
PIECES OF EIGHT.

368
00:19:06,845 --> 00:19:09,370
DOROTHY, YOU'RE IN CHARGE
OF THE SECURITY AND LIAISON

369
00:19:09,481 --> 00:19:10,539
FOR THIS OPERATION.

370
00:19:10,582 --> 00:19:12,140
RIGHT ON.

371
00:19:12,184 --> 00:19:15,381
YOU'VE KEPT THIS ALL
VERY HUSH-HUSH SO FAR, SHIPMATE.

372
00:19:15,487 --> 00:19:17,250
YEAH, IT'S BEEN
REALLY HEAVY, MAN

373
00:19:17,289 --> 00:19:19,723
WITH ALL THESE FREAKS
FROM THE FASCIST PRESS

374
00:19:19,758 --> 00:19:21,521
TRYING TO BLOW
THE WHOLE SCENE.

375
00:19:21,560 --> 00:19:23,084
THERE'S NO DOUBT
ABOUT IT

376
00:19:23,128 --> 00:19:24,561
THIS EXPEDITION
DOES HAVE

377
00:19:24,596 --> 00:19:26,757
SOME RATHER UNUSUAL
ASPECTS, JIM LAD.

378
00:19:26,798 --> 00:19:30,256
FOR A START, WHY DO THE SENIOR
PERSONNEL ALL BEAR THE NAMES

379
00:19:30,302 --> 00:19:32,361
OF HOLLYWOOD FILM STARS
OF THE '40s

380
00:19:32,404 --> 00:19:33,837
AND FEMALE ONES AT THAT?

381
00:19:33,872 --> 00:19:36,136
SHIVER ME TIMBERS,
'TIS THE BLACK SPOT

382
00:19:36,175 --> 00:19:39,576
AND SECONDLY, I BE NOT AFRAID
OF THEE, BLIND PEW!

383
00:19:39,611 --> 00:19:42,603
WHY DO THEY TALK THIS
RATHER STRANGE, STILTED

384
00:19:42,648 --> 00:19:44,206
UNDERGROUND JARGON?

385
00:19:44,249 --> 00:19:47,912
BELAY THE MAIN BRACE, SQUIRE
TRELAWNEY, THIS BE MY SHIP NOW!

386
00:19:47,953 --> 00:19:50,421
AH! A TRANQUILIZING
DART FIRED

387
00:19:50,489 --> 00:19:53,981
BY THE COWARDLY BBC
HEALTH DEPARTMENT DOGS.

388
00:19:54,026 --> 00:19:58,258
THEY'VE DONE FILLED ME FULL
OF CHLORPROMAZINE! DAMN!

389
00:20:00,566 --> 00:20:03,865
I'M SORRY ABOUT MY COLLEAGUE'S
RATHER UNCONVENTIONAL BEHAVIOR.

390
00:20:03,902 --> 00:20:04,926
THE NAVY'S
OUT OF SIGHT!

391
00:20:04,970 --> 00:20:06,198
COME TOGETHER
WITH THE R.N.

392
00:20:06,238 --> 00:20:08,035
IT REALLY IS SOMETHING
OTHER THAN ELSE.

393
00:20:27,593 --> 00:20:29,254
CAN YOU DIG IT, MAN?

394
00:20:30,429 --> 00:20:32,397
HELLO... I'M SORRY
ABOUT MY COLLEAGUE'S

395
00:20:32,431 --> 00:20:34,456
RATHER UNCONVENTIONAL
BEHAVIOR JUST NOW

396
00:20:34,566 --> 00:20:37,091
BUT THINGS HAVEN'T BEEN
TOO EASY FOR HIM RECENTLY...

397
00:20:37,135 --> 00:20:38,466
TROUBLE AT HOME...

398
00:20:38,537 --> 00:20:41,472
RATHER CONFIDENTIAL, SO I CAN'T
GIVE YOU ALL THE DETAILS

399
00:20:41,540 --> 00:20:43,269
INTERESTING THOUGH THEY ARE.

400
00:20:43,308 --> 00:20:46,004
THREE BOTTLES OF RUM WITH
HIS WEETABIX, AND SO FORTH.

401
00:20:46,044 --> 00:20:48,376
ANYWAY... APPARENTLY,
THE GIRL WASN'T EVEN...

402
00:20:48,413 --> 00:20:51,246
ANYWAY, THE ACTIVITY
YOU SEE BEHIND ME...

403
00:20:51,283 --> 00:20:53,615
IT'S THE MOTHER
I FEEL SORRY FOR.

404
00:20:53,652 --> 00:20:55,244
I'LL START AGAIN.

405
00:20:55,287 --> 00:20:57,983
THE ACTIVITY YOU SEE BEHIND ME
IS PART OF THE PREPARATIONS

406
00:20:58,023 --> 00:21:00,014
FOR THE NEW NAVAL EXPEDITION
TO LAKE PAHOE.

407
00:21:00,058 --> 00:21:01,923
THE MAN IN CHARGE
OF THIS EXPEDITION IS

408
00:21:01,960 --> 00:21:03,484
VICE ADMIRAL
SIR JOHN CUNNINGHAM.

409
00:21:03,562 --> 00:21:05,154
SIR JOHN,
HELLO, THERE.

410
00:21:05,197 --> 00:21:06,357
HELLO... WELL,
FIRST OF ALL

411
00:21:06,398 --> 00:21:07,387
I'D LIKE
TO APOLOGIZE

412
00:21:07,432 --> 00:21:09,491
FOR THE BEHAVIOR OF
CERTAIN OF MY COLLEAGUES

413
00:21:09,568 --> 00:21:10,762
YOU MAY HAVE
SEEN EARLIER

414
00:21:10,802 --> 00:21:12,895
BUT THEY ARE
FROM BROKEN HOMES

415
00:21:12,938 --> 00:21:14,667
CIRCUS FAMILIES
AND SO ON

416
00:21:14,706 --> 00:21:16,731
AND THEY ARE IN NO
WAY REPRESENTATIVE

417
00:21:16,775 --> 00:21:19,107
OF THE NEW, MODERN,
IMPROVED BRITISH NAVY.

418
00:21:19,144 --> 00:21:22,113
THEY ARE A SMALL,
VOCIFEROUS MINORITY.

419
00:21:22,147 --> 00:21:23,944
AND MAY I TAKE
THIS OPPORTUNITY

420
00:21:23,982 --> 00:21:26,507
OF EMPHASIZING THAT
THERE IS NO CANNIBALISM

421
00:21:26,585 --> 00:21:27,813
IN THE BRITISH NAVY...

422
00:21:27,853 --> 00:21:28,911
ABSOLUTELY NONE.

423
00:21:28,954 --> 00:21:30,216
AND WHEN I SAY NONE

424
00:21:30,255 --> 00:21:32,348
I MEAN THERE IS
A CERTAIN AMOUNT...

425
00:21:32,391 --> 00:21:34,655
MORE THAN WE ARE
PREPARED TO ADMIT...

426
00:21:34,693 --> 00:21:36,661
BUT ALL NEW RATINGS
ARE WARNED

427
00:21:36,695 --> 00:21:39,027
THAT IF THEY WAKE UP
IN THE MORNING

428
00:21:39,064 --> 00:21:40,463
AND FIND ANY
TOOTH MARKS AT ALL

429
00:21:40,499 --> 00:21:42,057
ANYWHERE ON
THEIR BODIES

430
00:21:42,100 --> 00:21:44,091
THEY'RE TO TELL
ME IMMEDIATELY

431
00:21:44,136 --> 00:21:47,003
SO THAT I CAN IMMEDIATELY
TAKE EVERY MEASURE

432
00:21:47,039 --> 00:21:48,836
TO HUSH THE
WHOLE THING UP.

433
00:21:48,874 --> 00:21:53,743
AND FINALLY, NECROPHILIA
IS RIGHT OUT.

434
00:21:53,779 --> 00:21:56,373
NOW, THIS EXPEDITION
IS PRIMARILY

435
00:21:56,415 --> 00:22:01,079
TO INVESTIGATE REPORTS OF
CANNIBALISM AND NECROPHILIA IN...

436
00:22:01,119 --> 00:22:03,087
THIS EXPEDITION
IS PRIMARILY

437
00:22:03,121 --> 00:22:06,318
TO INVESTIGATE REPORTS
OF UNUSUAL MARINE LIFE

438
00:22:06,358 --> 00:22:08,883
IN THE AS-YET
UNCHARTED LAKE PAHOE.

439
00:22:08,927 --> 00:22:11,259
AND WHERE EXACTLY
IS THE LAKE?

440
00:22:11,296 --> 00:22:13,662
UH... 22A,
RUNCORN AVENUE.

441
00:22:13,699 --> 00:22:15,929
YES, THAT'S RIGHT, 22A.

442
00:22:15,967 --> 00:22:17,400
RUNCORN AVENUE?

443
00:22:17,436 --> 00:22:19,028
YES, IT'S JUST
BY BLENHEIM CRESCENT.

444
00:22:19,071 --> 00:22:20,163
DO YOU KNOW IT?

445
00:22:20,205 --> 00:22:22,105
UH, YOU MEAN IT'S
IN AN ORDINARY STREET?

446
00:22:22,140 --> 00:22:23,732
IT IS NOT AN
ORDINARY STREET...

447
00:22:23,775 --> 00:22:24,969
IT'S GOT
A LAKE IN IT!

448
00:22:25,010 --> 00:22:25,999
YES, BUT I...

449
00:22:26,044 --> 00:22:27,341
LOOK, HOW MANY
STREETS DO YOU KNOW

450
00:22:27,379 --> 00:22:28,437
THAT HAVE GOT
LAKES IN THEM?

451
00:22:28,480 --> 00:22:30,573
I MEAN, IS IT VERY LARGE?

452
00:22:30,682 --> 00:22:32,115
OF COURSE
IT'S NOT LARGE.

453
00:22:32,150 --> 00:22:34,914
YOU COULDN'T GET A LARGE
LAKE IN RUNCORN AVENUE!

454
00:22:34,953 --> 00:22:37,444
YOU'D HAVE TO KNOCK
DOWN THE TOBACCONIST'S!

455
00:22:37,489 --> 00:22:39,081
JENKINS...

456
00:22:39,124 --> 00:22:40,421
NO!

457
00:22:48,767 --> 00:22:50,962
I'M NOW STANDING
IN RUNCORN AVENUE.

458
00:22:51,002 --> 00:22:53,266
SIR JOHN, WHERE
EXACTLY IS THE LAKE?

459
00:22:53,305 --> 00:22:56,103
UH, WELL LET'S SEE,
THAT'S 18...

460
00:22:56,141 --> 00:22:59,008
THAT'S 20,
SO THIS MUST BE THE ONE.

461
00:22:59,044 --> 00:23:00,375
UM, EXCUSE ME, UM...

462
00:23:00,412 --> 00:23:01,902
YES, THIS IS
THE ONE, ALL RIGHT.

463
00:23:01,947 --> 00:23:02,936
BUT IT'S
AN ORDINARY HOUSE.

464
00:23:02,981 --> 00:23:04,278
LOOK, I'M GETTING
PRETTY IRRITATED

465
00:23:04,316 --> 00:23:06,011
WITH THIS LINE
OF QUESTIONING.

466
00:23:06,051 --> 00:23:07,382
BUT IT DOESN'T EVEN
LOOK LIKE A LAKE.

467
00:23:07,419 --> 00:23:09,216
LOOK, YOUR WHOLE APPROACH
SINCE THIS INTERVIEW STARTED

468
00:23:09,254 --> 00:23:10,312
HAS BEEN
TO MOCK THE NAVY.

469
00:23:10,355 --> 00:23:12,585
WHEN I THINK THAT
FOR THE LIKES OF YOU

470
00:23:12,624 --> 00:23:14,785
I HAD BOTH MY LEGS
BLOWN OFF...

471
00:23:14,826 --> 00:23:16,521
BUT YOU HAVEN'T HAD BOTH
YOUR LEGS BLOWN OFF!

472
00:23:16,561 --> 00:23:18,791
I WAS TALKING
METAPHORICALLY, YOU FOOL.

473
00:23:18,830 --> 00:23:20,024
JENKINS...

474
00:23:20,065 --> 00:23:22,260
PUT THAT DOWN.

475
00:23:22,300 --> 00:23:23,858
RIGHT, IS
THE EQUIPMENT READY?

476
00:23:23,902 --> 00:23:25,836
DIVING EQUIPMENT
ALL READY, MAN.

477
00:23:27,172 --> 00:23:28,503
RIGHT... NOW,
QUITE SIMPLY

478
00:23:28,540 --> 00:23:30,633
THE APPROACH TO LAKE
PAHOE IS UP THE STEPS

479
00:23:30,742 --> 00:23:33,006
AND THEN WE COME TO
THE SHORES OF THE LAKE.

480
00:23:33,044 --> 00:23:34,636
NOW, I'M GOING
TO PRESS THE BELL

481
00:23:34,746 --> 00:23:36,475
JUST TO SEE IF
THERE'S ANYONE IN.

482
00:23:39,217 --> 00:23:40,377
HELLO?

483
00:23:40,419 --> 00:23:43,115
GOOD MORNING, I'M LOOKING
FOR A LAKE PAHOE.

484
00:23:44,656 --> 00:23:46,123
THERE'S A MR. PADGETT.

485
00:23:46,158 --> 00:23:47,648
NO, NO, A LAKE.

486
00:23:47,692 --> 00:23:49,057
THERE'S NO LAKE HERE, MATE.

487
00:23:49,094 --> 00:23:50,425
THIS IS RUNCORN AVENUE.

488
00:23:50,462 --> 00:23:51,793
WHAT'S THAT CAMERA DOING?

489
00:23:51,830 --> 00:23:53,821
CAMERA? WHAT'S HE WANT?

490
00:23:53,865 --> 00:23:55,833
OOH, ARE WE ON THE TELLY?

491
00:23:55,867 --> 00:23:57,164
HE'S LOOKING
FOR A LAKE.

492
00:23:57,202 --> 00:23:58,601
LAKE PAHOE.

493
00:23:58,637 --> 00:24:01,902
OH, YOU WANT DOWNSTAIRS,
22A, THE BASEMENT.

494
00:24:01,940 --> 00:24:03,874
AH! THANK YOU VERY MUCH,
GOOD MORNING.

495
00:24:03,909 --> 00:24:05,171
COME ON, MEN, DOWNSTAIRS.

496
00:24:05,210 --> 00:24:06,905
UH, WERE YOU SUCCESSFUL,
SIR JOHN?

497
00:24:06,945 --> 00:24:08,037
IT'S IN THE BASEMENT.

498
00:24:08,079 --> 00:24:09,637
IN THE BASEMENT?

499
00:24:09,681 --> 00:24:10,648
PIECES OF EIGHT!

500
00:24:10,682 --> 00:24:12,081
UGH!

501
00:24:15,887 --> 00:24:16,979
HELLO?

502
00:24:18,490 --> 00:24:21,084
OH, I THINK IT'S
SOMEONE ABOUT THE DAMP.

503
00:24:21,126 --> 00:24:22,093
HELLO.

504
00:24:22,127 --> 00:24:23,094
TELL THEM

505
00:24:23,128 --> 00:24:24,652
ABOUT THE
BLEEDING RATS, TOO.

506
00:24:24,696 --> 00:24:26,823
I'LL GO.

507
00:24:26,865 --> 00:24:28,093
YES?

508
00:24:28,133 --> 00:24:31,967
GOOD MORNING,
IS THIS LAKE PAHOE?

509
00:24:32,003 --> 00:24:35,837
WELL, I DON'T KNOW ABOUT THAT,
BUT IT'S BLEEDING DAMP.

510
00:24:35,874 --> 00:24:37,603
ARE YOU FROM THE COUNCIL?

511
00:24:37,642 --> 00:24:42,670
NO, WE ARE THE OFFICIAL BRITISH
NAVAL EXPEDITION TO THIS LAKE.

512
00:24:42,714 --> 00:24:43,976
MAY WE COME IN?

513
00:24:44,015 --> 00:24:45,642
HANG ON.

514
00:24:55,827 --> 00:24:57,260
BLOODY SHARKS.

515
00:24:57,295 --> 00:24:58,626
GET BACK IN...

516
00:24:58,663 --> 00:24:59,630
GET IN.

517
00:24:59,664 --> 00:25:00,688
GET IN.

518
00:25:09,007 --> 00:25:12,670
WELL, THAT WOULD APPEAR
TO BE THE END OF THE EXPEDITION.

519
00:25:14,312 --> 00:25:15,540
THE MAGNA CARTA...

520
00:25:15,580 --> 00:25:17,844
WAS IT A DOCUMENT SIGNED
AT RUNNYMEDE

521
00:25:17,883 --> 00:25:19,111
IN 1215 BY KING JOHN

522
00:25:19,150 --> 00:25:21,744
PLEDGING INDEPENDENCE
TO THE ENGLISH BARONS

523
00:25:21,853 --> 00:25:25,186
OR WAS IT A PIECE OF CHEWING GUM
ON A BEDSPREAD IN DORSET?

524
00:25:25,223 --> 00:25:27,851
THE LATTER IDEA IS
THE BRAINCHILD OF A MAN

525
00:25:27,893 --> 00:25:30,453
NEW TO THE FIELD
OF HISTORICAL RESEARCH.

526
00:25:30,495 --> 00:25:34,261
MR. BADGER, WHY... WHY
ARE YOU ON THIS PROGRAM?

527
00:25:34,299 --> 00:25:37,700
WELL, I
THINK I CAN ANSWER THIS QUESTION

528
00:25:37,736 --> 00:25:39,203
MOST SUCCESSFULLY IN MIME.

529
00:25:51,449 --> 00:25:53,007
BUT WHY DORSET?

530
00:25:54,452 --> 00:25:56,943
WELL, I HAVE FOR A LONG TIME
BEEN SUFFERING

531
00:25:56,988 --> 00:25:58,785
FROM A SPECIES OF BRAIN IN JURY

532
00:25:58,823 --> 00:26:01,656
WHICH I INCURRED
DURING THE RIGORS OF CHILDBIRTH

533
00:26:01,693 --> 00:26:05,094
AND I'D LIKE TO CONCLUDE
BY PUTTING MY FINGER UP MY NOSE.

534
00:26:05,130 --> 00:26:07,758
MR. BADGER, I THINK
YOU'RE THE SILLIEST PERSON

535
00:26:07,799 --> 00:26:09,562
WE'VE EVER HAD ON THIS PROGRAM

536
00:26:09,601 --> 00:26:10,727
AND SO I'M GOING
TO ASK YOU

537
00:26:10,769 --> 00:26:11,758
TO HAVE DINNER
WITH ME.

538
00:26:13,338 --> 00:26:16,603
MY WIFE MAUREEN RAN OFF
WITH A BOTTLE OF BELL'S WHISKEY

539
00:26:16,641 --> 00:26:19,337
DURING THE ABERDEEN
VERSUS RAITH ROVERS MATCH

540
00:26:19,377 --> 00:26:21,174
WHICH ENDED
IN A GOAL-LESS DRAW.

541
00:26:21,212 --> 00:26:24,010
ROBSON, PARTICULARLY, IN GOAL,
HAD A MAGNIFICENT FIRST HALF

542
00:26:24,049 --> 00:26:26,381
HIS FINE POSITIONAL SENSE
PREVENTING THE BUILD-UP

543
00:26:26,418 --> 00:26:29,080
OF ANY SEVERE PRESSURE
ON THE SUSPECT ABERDEEN DEFENSE.

544
00:26:29,120 --> 00:26:30,815
McLOUGHLAN MISSED
AN EASY CHANCE

545
00:26:30,889 --> 00:26:33,084
TO CLINCH THE GAME TOWARDS
THE FINAL WHISTLE

546
00:26:33,124 --> 00:26:34,751
BUT RAITH MUST BE
WELL SATISFIED

547
00:26:34,793 --> 00:26:35,760
WITH THEIR POINT.

548
00:26:35,794 --> 00:26:37,318
DO PLEASE GO ON.

549
00:26:37,362 --> 00:26:39,523
THIS IS THE LEAST FASCINATING
CONVERSATION I'VE EVER HAD.

550
00:26:39,564 --> 00:26:40,997
WOULD YOU LIKE TO ORDER, SIR?

551
00:26:41,032 --> 00:26:43,523
YES, MR. BADGER, WHAT WOULD
YOU LIKE TO START WITH?

552
00:26:43,568 --> 00:26:46,696
UH, I'LL HAVE A WHISKEY
TO START WITH.

553
00:26:46,738 --> 00:26:47,830
FOR FIRST COURSE, SIR?

554
00:26:47,906 --> 00:26:49,635
AYE.

555
00:26:49,674 --> 00:26:51,403
AND FOR MAIN COURSE, SIR?

556
00:26:51,443 --> 00:26:53,707
UH, I'LL HAVE A WHISKEY
FOR MAIN COURSE

557
00:26:53,745 --> 00:26:56,771
AND I'LL FOLLOW THAT WITH
A WHISKEY FOR PUDDING.

558
00:26:56,815 --> 00:27:00,307
YES, SIR, AND WHAT WOULD YOU
LIKE WITH IT, SIR? A WHISKEY?

559
00:27:00,352 --> 00:27:01,614
NO, A BOTTLE OF WINE.

560
00:27:02,954 --> 00:27:05,616
"FINE, SIR," HE SAID
BETWEEN CLENCHED TEETH

561
00:27:05,657 --> 00:27:08,683
KNOWING FULL WELL IT WAS
A MOST UNREWARDING PART.

562
00:27:08,727 --> 00:27:12,288
THIS IS THE SILLIEST SKETCH
I'VE EVER BEEN IN.

563
00:27:12,330 --> 00:27:14,230
SHALL WE STOP IT?

564
00:27:16,067 --> 00:27:18,035
YEAH, ALL RIGHT.

565
00:27:30,000 --> 00:27:34,000
<b><font color="#0E7521">Ripped & Corrected By mstoll</font></b>

