A NETFLIX ORIGINAL SERIES
♪ Between four walls I won't hang myself ♪
♪ Prison is tough Only one way out ♪
♪ The guard watches Pisses me off too ♪
♪ Tell me if he comes 'Cause I'm smokin' hash ♪
♪ This fills me with hate Like when they miss visitation ♪
♪ I'll do my time like a man ♪
♪ I'll go down to the yard Walk round in circles ♪
Moussa, we got a problem.
- What's up? - Only 12K today.
What do you mean 12? We usually take 20 a day.
Yeah, but three days ago, that piece of shit Steve shot up the hood.
And then yesterday, the cops stormed our turf.
And today we're making music videos in the hood.
We put pressure on the dealers and lookouts, they're working,
but we can't work miracles.
- It's rough. - You know what, guys?
Go head back to work. Give everyone a raise. Everybody gets one.
- You got me? - Yeah, sure.
And this shit, it'll be over soon. All right?
Huh? You got me?
- Get back to work. - You got it, man.
♪ They got rotten teeth ♪
♪ In the meantime Send me a hot chick ♪
♪ A bitch with a big ass I gotta chill ♪
♪ Like Ronaldo I gotta get laid ♪
♪ I got the goods Real fresh shit ♪
Hey!
Hey, Yacine. Whoa, whoa. Enough! Calm down.
- Come here. - Hey, Mouss, Mouss!
I'll waste them!
- Should I line you up, or what? - Hey! What are you doing?
- Huh? - What are you doing? Stop acting crazy.
You're on my turf now.
Don't forget you're on my turf. You wanna leave here in a box?
Where's your supplier?
We're gonna have a talk. Come on.
Come on. And stop yelling. You here to make money or a war?
What are they doing? Why are they here? Why'd you say come...
Hey! Hey! Moussa's always worked with me. You know that.
- Hey! - Get your hands off me.
Calm down. You need to show Moussa some respect.
If I let him, he'll tear your head off.
So what's up?
Wanna make money or not? Come on. We're going.
Listen, you made a bunch of enemies, and that's bad for business.
That's not how things are done.
It's not a sprint, man, okay? Over time, we're gonna see who's who.
I mean, you scared a few people, but nobody respects you.
No one's gonna want to work with you. Nobody trusts you.
Unless you work with a guy who's respected.
And the only person you know who's respected is me.
So I'm gonna make you an offer for the first and the last time.
I'll be your supplier.
Hey, did you hear that? He'll be my supplier!
I don't want to fuck around, so why don't you tell me what his name is?
Listen, dog...
I'll be your supplier. Take it or leave it.
You know what? To prove that I'm not full of shit,
see me tonight, I'll bring you 30 kilos of top quality hash.
Oh, yeah?
And two kilos of coke. That way, you can set up shop.
I want 40 kilos.
Pay it in cash.
- Hey! - You better have the money.
What's he doing here?
- No, Snow White. Make her leave. Go on. - What's he doing here, Tony?
- Go on, get her outta here. - What's he doing here?
- Hey, shut it. - He killed my son!
- Quiet! - What are you doing here?
- Out! - Come on!
Hey, hey, hey. You bring the cash tonight.
Tony, you fuck with me, I'll fuck with you.
Go on, sing, do your rap.
Get back on your bike and fuck off!
Ah! Let's go!
Get out of here!
Back to your places. Let's go from the top.
Who was that woman shouting at you?
That was Nasser's mom. My guy that Steve killed.
- Did you get some good shots? - For sure. Always.
We got some amazing stuff. Amazing.
I was saying to Thomas, I'm really happy.
I'm really happy. And then when those guys turned up,
Steve and the others with scooters and everything.
- Oh, you got that? - Yeah, we got it.
- Think the label will like it? - For sure. It's exactly what they wanted.
It's exactly right. Maybe even better than that. More.
- Why, are you stressed? - Oh, a little bit, you know.
No, honestly. You're good. Great.
- Your attitude... - Oh, yeah.
- Huh? - I'm having a party tonight.
- Okay. - You should come along.
Okay.
At a nightclub or something?
No, no, no, not a nightclub.
We'll do a barbecue here in the hood. Just something chill.
- Okay, good with me. - It'll be good.
And that way you can get more shots of us to put in.
- You want me to film it? - Yeah.
Great! We're missing a lot of the brighter stuff,
smiles and that kind of stuff.
- That's good. I like it. - Okay.
Okay. Let's do it.
Plus, that means tonight you can chill, you can breathe.
He's the one that freaked out.
Yeah, that's true, he was scared. He was scared.
But that's okay. It's all good.
- He still survived! - Yeah!
See you tonight! Meet you in the parking lot, I'll bring your things.
Yeah!
Let's not stay late tonight. I want to go home.
Sure, get a couple of shots and we'll hit the road.
Hello?
- Hey, Franck. - How's it going?
Good, uh... listen.
- We took a look at the footage. - Wild stuff.
- Tony's happy and so are we. - Yeah, yeah...
No, no, it's good, but, well...
Well, I got a problem. I don't have enough street shots.
Not enough? Are you joking? It's all we've filmed for three days!
We're not making a touching family film. I don't care about his brother or sister.
What I'm selling and asked you to film was Tony the gangster.
Okay, but Tony the gangster is a really interesting character.
Some things... He's a really complex guy.
- We don't care. - We filmed his internal struggle.
- We risked our lives for this content - We don't care about internal struggle.
That won't get people interested. We asked you for shocking footage.
- You know what a rap video is? - So there aren't enough guns for you?
What do you want me to do?
I'll tell him to shoot people to make you happy?
I'll stop you right there. We're not doing an indie film.
You think you're Jacques Audiard?
No. Hold on. You told me to portray his whole life.
- We asked you to film his everyday life. - You said film the artist in his entirety.
And we're right in it. Right at the heart of what he's going through.
- That's what I think is interesting. - No, no, no, it's not what we want.
Are you giving it your all, Franck?
Well yeah, I've given my all. Yeah, with what we got.
- And I-I risked... We risked our lives. - Yeah, yeah, okay, I heard you.
Hey, listen, isn't there a trade tonight or something?
You'll still be there, right?
Yeah, we'll be there.
Well, listen, you decide. I hear what you're saying.
At the end of the day it's up to you,
but it'd be great to have some footage of the trade.
You know...
Yeah, okay.
See ya.
Unbelievable! Are you fucking kidding me? Fuck!
What'd they say?
They want more shocking footage, so they want us to shoot the trade.
So what? Let's get outta here.
Fuck me.
They're not interested in the whole...
I don't believe it. I don't. They've gotta be kidding. What the hell?
Liberta! Liberta! Liberta!
- Here you go, man. - Thanks, Tony.
- Moussa wanted to keep them. - Really?
- Thanks. - See you later.
Hey, Tony, I-I was wondering maybe if we could...
Thomas and I were talking about it. It'd be great to film the transaction.
What transaction?
The trade with Steve and all. It'd be really great to have.
Hell no, man. Forget it.
Really? Trust me, I swear it could be amazing. If we had...
What don't you get about this? I said no.
You want Moussa to put a bullet in your head or what?
- What if you talk to Moussa? - Don't ask me to take more risks.
- If you talk to Moussa... - You need to drop it. Don't push it.
Okay.
- See you later. - See you.
Fuck, what do we do?
Here, Tom, your ID.
- Spielberg! - What's up, Kylian?
You come to say bye, or are you still pissed that I beat you 3-0?
- What's up? - What's up?
I heard what you were saying with my brother.
- What do you mean? - About the deal.
Your brother's been telling you to stop getting involved in adult stuff.
- Can I borrow a camera? - For what?
To film things in the street. You know.
Film stuff? What do you want to film?
- I can film the trade tonight. - No way.
Want me to get in trouble with your brother?
Don't worry, I'll be far away.
How do you know where the deal is happening?
I heard my brother talking on the phone.
So, tell me where. I'll do it myself.
Someone will see you, you'd get caught.
You're a smart kid.
Hang on.
Tom, do we still have any GoPros in...
- For what? - Don't worry, I'll get it.
Here, Kylian.
Thanks.
But you be careful, okay?
- I won't let you down. - No, no, no.
It's not about letting me down. You have to stay out of danger.
Shoot from far away and bring back the camera, okay?
- Okay, thanks. - Go on.
- Bye. - See ya.
Got all that? Let's go.
You fucked up, man.
- What do you mean? - What you did was dumb.
It's fine. They want powerful footage, watch me get them some powerful footage.
I can film what I want. Now I'm the boss.
Those are my brother's men.
- Hey, Ramzi. What's up? - Why are you here?
To see my friend.
Yeah, well, you shouldn't be here. Beat it. Go home.
I don't care what they say, I'll be there to film the trade.
You can count on me.