(Thunder)
(Six) Where am I?
(Two) In the village.
(Six) What do you want?
(Two) Information.
(Six) Whose side are you on?
(Two) That would be telling.
(Two) We want information...
(Two) Information...
(Two) Information.
(Six) You won't get it.
(Two) By hook or by crook... . . .we will.
(Six) Who are you?
(Two) The new Number Two.
(Six) Who is Number One?
(Two) You are Number Six.
(Six) I am not a number. I am a free man!
(Number Two laughs)
(Bell)
(Number Two) Why did you slash your wrists, 73?
Aren't you happy here?
You're not being very cooperative, my dear.
There's nothing I can tell you.
Come now. You must know where your husband is.
He's still there.
- Where? - Oh, somewhere there.
He had some work to finish.
Was he devoted to you?
- He is devoted to me. - Oh.
So you don't mind about him and the woman, Mariah?
That's a lie!
Stop protecting your husband's memories, 73.
He went to her hotel several times, you know.
And then there was the villa, of course.
Let me show you just how loyal your dear husband is to you.
They look quite at home together.
Would you like to know the date, the place?
Look.
I've wasted enough time.
(Woman screams)
(Screaming)
(Screams)
You shouldn't have interfered, Number Six.
- You'll pay for this. - No...
You will.
(Telephone bleeps)
This is Number Two. I want you at my house immediately.
We've got nothing to talk about.
You defied my instructions to come here.
We have things to discuss.
About the girl you murdered?
Oh, never mind the girl. I want to talk about you.
You're wasting your time.
- Many have tried. - Amateurs.
You're a professional. A professional sadist?
Light blue.
Fearless. Or are you?
Each man has his breaking point, you know.
And you are no exception.
Ah, you react!
Are you afraid of me?
What is going on up there?
Disgust.
You think you're strong.
We'll see.
Du musst Amboss oder Hammer sein.
"You must be anvil or hammer."
I see you know your Goethe.
And you see me as the anvil?
Precisely. I am going to hammer you.
(Bleeping)
Number Two.
Yes sir. Yes, sir, everything's under control.
No sir, no problems.
Assistance? Oh no sir, I can manage.
No sir, of course. Be seeing you.
Oh you were saying? Something about a hammer?
Get out.
Thank you very much.
I'll break you, Number Six.
Yes.
Get me the supervisor.
Supervisor? Number Two. Alert all posts.
Special surveillance on Number Six.
Report any unusual activity to me personally.
Good morning, sir.
Good morning.
Tally Ho? That will be two units, sir.
Thank you so much.
Thank you, sir.
These, um, these new records...
I'd like to hear "L'Arlesienne".
Ah yes, sir. The Davier recording. Beautiful.
There's no one to touch him on Bizet. It takes a Frenchman.
- I'd like to hear them all. - I beg your pardon, sir?
- How many copies of it have you got? - Six.
May I have them?
If you insists, sir. But they're all the same.
- I doubt it. - Yes, sir.
Good.
Thank you very much.
- And the others... - Yes.
- All of them. - Yes, sir.
Thank you. Thank you very much.
(Music starts)
- Well, sir? - I'm afraid not.
Not a very satisfactory recording.
Really sir? I thought it was first-class.
It's a matter of taste. Nevertheless, thank you very much.
- Be seeing you. - Be seeing you, sir.
Give me Number Two. Urgent.
I don't understand. They sound identical.
Yes, sir.
And you say that he was timing them?
Yes, sir. I'm positive.
There was one in particular.
- I don't suppose you know which one? - Oh, I've no idea, sir.
He kept looking at his watch,
and then he wrote something down on a piece of paper.
Did he now?
The sleeves are all the same.
No variation in tempo.
What was Number Six listening for?
What makes one of these records different?
I've no idea, sir.
- Oh, and that's not all, sir. - Hmm?
He left his "Tally Ho" behind.
- And? - Well, look at the front page, sir.
- Right, you can go. - Yes, sir.
- Take these with you. - Yes, sir.
Ah, leave the paper.
(Door opens)
(Door closes)
What's he up to?
That's all, 14.
(Door opens and closes)
Number Six,
a plant?
Come on, we'll follow him.
- Follow him. - Yes, sir.
Where is he now?
He's going down towards the beach, sir.
Keep on his tail, I'll follow you down.
Which way is he heading?
He's going on the sea wall towards the swimming pool.
After him. Careful now.
What's he doing?
He's going towards the stone boat.
Keep out of sight, go on reporting.
He's going aboard. He's going into the cabin.
Now he's come out. He's heading back.
Let him go. I'll join you at the stone boat.
You're sure he didn't have it with him when he left?
Yes, quite sure, sir.
I shan't need you any more, 14. You can go.
- Well, I thought... - Don't!
Just obey orders.
Yes, sir.
Laboratory.
Yes, sir?
I understand, sir. Yes sir.
I'll be over right away, sir.
- I want these tested immediately. - Yes, sir.
For what, sir?
Anything. Words, figures, whatever's written on them.
- There isn't... - Don't argue with me!
I'm telling you there is.
A message of some kind.
Try everything. X-ray, infra...
- What are you staring at? - Nothing...
Then get on with it!
- Well? - This one's negative too.
Of course. I didn't expect anything else.
Shall we put them through again?
What's the point? We've tried everything.
He isn't going to like this.
Well?
I'm sorry, sir, but there's nothing.
What? Nothing at all?
No, sir, they're just blank sheets of paper.
They can't be!
Why should he hide blank sheets of paper in the stone boat?
Or are you hiding something?
What do you mean, sir?
I mean, was there a message here and you are not telling me?
- Why should I do that, sir? - Perhaps you're in with him?
- In with whom? - Six! Number Six!
You don't know what I'm talking about. Get out.
- Yes, good morning. - Good morning sir, can I help you?
Yes. I'd like to insert a...
private advert in the personal column of the next issue, please.
- Certainly, sir. What is it? - I have it written down.
There you are.
- Hay mas mal... - Hay mas mal en el aldea que se suena.
Nine words. That'll be three units, please sir.
Good.
- Spanish, isn't it? - That's right. Cervantes' "Don Quixote".
Oh, yes.
A sort of personal joke between myself and a certain friend.
I see... That word "aldea", doesn't it mean "village"?
Yes.
Hospital.
Hospital? Psychiatrics, head of the department.
- Director of Psychiatrics. - Ah yes, Doctor.
Er, what's the verdict on our "friend"?
Friend? What friend?
- Who is this? - Your report on Number Two, Doctor.
Number Two? What are you talking about?
Who, who is this speaking?
I understand. You'd rather not talk on the telephone. Probably very wise.
Never mind. I'll be seeing you later on, um-hm?
I understand. You'd rather not talk on the telephone. Probably very wise.
Never mind. I'll be seeing you later on, um-hm?
- Perhaps you'd explain? - I can't.
I'm as much in the dark as you are.
Are you?
You don't know who it was, who telephoned you?
- No. - It was Number Six.
And the oscilloscope will prove it.
Voices are like fingerprints.
No two are the same.
Even if the voice is disguised, the pattern doesn't change.
I'll now show you the voice pattern of your caller.
I understand.
You'd rather not talk on the telephone. Probably very wise.
Never mind. I'll be seeing you later on, um-hm?'
Now you'll see the pattern of the single word "you"
taken during a routine interview with Number Six.
I will run the tape again. Compare.
If the word "you" on the tape is identical to the one up there,
the patterns will lock.
(Six) ...can't talk on the telephone.
Probably very wise. Never mind. I'll be seeing you.
As I thought, they match.
It was Number Six who telephoned.
Do you still plead innocent?
I tell you, I haven't the faintest idea.
You aren't preparing a report on my...
- ...mental health? - Of course not.
- And Number Six didn't see you later? - No.
- Then why did he ring you? - Well I've told you, I don't know.
You're a psychiatrist, aren't you?
Would you say that Number Six was mad?
Not according to our records.
Then he had a reason for telephoning you, didn't he?
What was it?
Why don't you ask him?
- WOULD YOU LIKE TO SIT IN THIS CHAIR? - I was merely suggesting...
DON'T TELL ME WHAT TO DO!
- You can go. - Thank you.
(Martial music ends)
(Smattering of applause)
(Music)
A request, you say?
Yes, sir, that's all.
He asked me to play the "Farandole" from the "L'Arlesienne Suite".
What else?
I don't understand, sir.
What else did he say?
Nothing, sir.
Nothing.
Number Six just asked you to play a tune
and then walked away?
Did he, sir? I didn't notice.
Does that make sense to you?
No, sir.
No, it doesn't, does it?
I'll ask you again.
Did Number Six say anything else?
About me, for example?
About you, sir?
Well, did he?
No, sir.
Perhaps you've forgotten.
Try and remember.
- He didn't, sir. - You're lying, aren't you?!
There's something going on.
I don't know what you mean, sir.
"I don't know what you mean." "I as much in the dark as you are".
You're lying! It's a plot. Going behind my back.
Who do they think they're dealing with?
Pygmies!
Get out, get out!
And here is a personal message for Number Six, it is from 113.
I'll call you later.
And it reads "Warmest greetings on your birthday."
May the sun shine on you today and every day.
That concludes the personal messages. We continue with music.
(Automatic door opens)
What's going on here?
Going on, Number Two?
That personal message for Number Six.
What about it?
Do you all think I'm stupid?
- I don't understand. - Don't you?
Birthday greetings for Number Six from Number 113.
That's right.
It's not right at all, wrong and you knew it!
It is not Number Six's birthday today.
- Oh. - Yes.
- And Number 113 doesn't exist. - Doesn't exist?
An old woman. She died a month ago.
Well?
I swear Number Two, I...
Of course, you're innocent. You know nothing.
Nothing at all.
And that message.
"May the sun shine on you today and every day."
You don't know what does it means?
It means what it says.
It isn't a coded message from Number Six?
I've no idea.
You're finished.
Finished?
I'm relieving you of your post as supervisor.
- You, take over. - Yes, Number Two.
And steer clear of Number Six
or you'll lose more than your job, you understand?
- Yes, Number Two. - And that includes all of you.
I'LL BREAK THIS CONSPIRACY!
You say Number Six put this personal ad in?
Yes, I checked as soon as I saw it.
Hay mas mal en el aldea que se suena.
There's more harm in The Village than is dreamt of.
Something ought to be done about Number Six.
I can take care of him.
It's got to be done soon.
Every day he's a bigger threat to you personally.
Let me deal with him.
He's undermining your authority.
Give me the word.
He doesn't hide it.
He's out to poison the whole Village.
He's a plant.
If anything happens to him, our masters will know who's responsible.
Leave it to me. They'll never connect you with it.
An accident.
It's the only way, sir.
What do you want?
I don't want anything. You sent for me.
I did?
You telephoned. You said you wanted to see me urgently.
- I didn't phone you. - It was your voice.
He said he was Number Two.
Someone in this Village is impersonating him.
I have some calls to make.
I shan't need you.
Right, sir.
You're a troublemaker, Number Six.
Do you know what I'd like? Really like?
To dust you down. I'd enjoy that.
Nothing's stopping you. Kosho?
- I challenge you. - I accept.
(Cooing)
(Cuckoo clock strikes)
- Hello. - Good day, sir.
I'd like a small notebook.
Certainly, sir.
There's a nice little selection there, sir.
That one's nice, well I'll have that.
- Will that be all, sir? - No. I think I'd like, er,
...one of these. - Ah, yes, sir...
Yes, sir. Very good value. Special import.
Er...
What about this type, sir?
No, I'll have this one.
As you please, sir.
Well sir, that will be 42 units in all, sir.
- A what? - A cuckoo clock, sir.
And that's not all.
I think he was looking for a special one, sir.
He didn't want the one I picked.
He seemed to be searching for a specific box.
All right, thank you.
What's he up to with that clock?
It's a bomb.
That's it. It must be a bomb!
(Siren)
(Cuckoo noise)
(Tweeting)
- Supervisor. - Yes?
Number Six approaching restricted area.
Let's have him on the screen.
Get me Number Two quickly.
What is it? What's the matter?
Number Six approaching restricted area.
What's he up to?
He's in the mangrove walk.
He could be making for the shores or the hills.
Don't lose him, I'm coming over.
Track that bird.
Tracking, sir.
Beam.
Beam on, sir...
Yellow.
Tracking... Orange.
He's out of sight.
Get me a fix. Radar.
- We've got a fix, sir. - Prepare to fire.
What do you think you're doing?!
Sir, that pigeon. Number Six is sending a message.
Don't destroy it. I want that message.
Beam minimum strength.
(Supervisor) Minimum strength, sir.
(Two) Fire!
- I want this deciphered right away. - Yes, sir.
20, 60,
40, 47,
67, 81,
91,
80.
"Vital message tomorrow, 0600 hrs, by visual signal."
Visual signal?
Stand by, observers.
(Man) Standing by, sir.
- Camera 8. - Camera 8 on, sir.
Switch to Camera 5.
Camera 5 on, sir.
- Camera 13. - (Woman) Camera 13 on, sir.
- Get that Morse down! Get it down! - Yes, sir.
Get in closer.
Get him as close as you can. Who could he be signalling to?
We'll find out. Radar!
- Anything? - No, sir. Not at sea.
- There must be. - (Man) No sir, there's no ship, sir.
There must be an aircraft, helicopter, something.
(Woman) There's nothing, sir.
Under the sea. Submarine. Try the sonar.
No, sir, there's nothing coming through.
He must be signalling to someone.
- The Morse, did you get it? - Yes, sir.
What does it say?
Well?!
Pat a cake, pat a cake, baker's man.
Bake me a cake as fast as you can.
It must be a special code.
Here's your answer, sir.
Pat a cake, pat a cake...
- This is what you put in. - And that's what came out, sir.
If it is a new code,
...and the computer's not programmed for it!
Morning. Did you sleep well?
I had another terrible night.
Insomnia. Couldn't sleep. So restless.
And there's no point in lying in bed when you're awake, is there?
- What are you talking about? - So I got up, went out,
had a long walk on the beach. It's marvellous at that time of the day.
- Invigorating. The air is brisk, clear... - You must be out of your mind.
The rain on your face, the wind on your cheek.
Don't look now, the waiter's watching you.
Yes. It's the only way.
I'm so glad you agree with me.
Get me Number Two. Thank you.
You expect me to believe that?!
Well, that's what happened. He came over and...
- Asked if you'd slept well? - Yes, sir.
- The waiter said you were whispering. - I wasn't, but he was.
- What about? - Well he said that...
- Yes. - Well, he talked a lot of rubbish.
Then he said the waiter was watching us.
Why? Why did Number Six say that?!
- I don't know, sir. - Don't you?
- You're working with Number Six! - Me, sir?
And I thought you were the one that I could trust.
But you can. I'm loyal.
Traitor!
Traitor! Traitor!
You've lost! You and your friends!
I'll break the lot of you!
You too. You're in this plot aren't you? Oh, yes!
Get out! Get out of this house!
(Soothing classical music)
Turn that thing off!
- I beg your pardon? - Turn it off, I said!
I'm listening. Music makes for a quiet mind.
I'd rather you didn't.
What's your problem?
- You put the poison in. - Did I?
With Number Two. I'm finished!
- Sorry to hear that. - I'll kill you!
(Automatic door opens)
What are you doing here?
I've come to keep you company.
I hear all your friends have deserted you.
You can't trust anyone any more. It's a pity.
Odd, isn't it?
All this power at your disposal and yet you're alone.
You do feel alone, don't you?
- What do you want? - To talk, to listen.
- I have got nothing to say. - That's not like the old Number Two.
Where is the strong man, the hammer?
You have to be hammer or anvil, remember?
I know... who you are.
- I'm Number Six. - No, "D" Six!
- D Six? - Yes.
Sent here by our masters to spy on me!
Sorry, I'm not quite with you.
Oh yes! You can stop acting now.
I've been onto you from the beginning!
- I knew what you were doing! - Tell me.
All those messages you sent, all the people you're recruiting.
I knew you were a plant.
YOU DIDN'T FOOL ME!
Maybe you fooled yourself?
- What does that mean? - Let us suppose for argument sake
that what you say is true, that I was planted here...
By XO4.
- XO4? - Mmm.
Very well.
By XO4 to check on Village security, to check on you...
- YOU WERE! - What would've been your first duty?
Not to interfere, but you did interfere.
You have admitted it youself.
There is a name for that. SABOTAGE!
No!
- Who are you working for, Number Two? - For us, FOR US!
That is not the way it is going to sound to XO4.
I swear to you!
You could be working for the enemy
or you could be a blunderer who's lost his head.
Either way, you've failed!
And they do not like failure here.
You've...
...destroyed me.
No...
You've destroyed yourself.
A character flaw. You're afraid of your masters.
A weak link in the chain of command, waiting to be broken.
Don't tell them. Don't report me.
I don't intend to.
You are going to report yourself.
I have to report a breakdown in control.
Number Two needs to be replaced.
Yes, this is Number Two reporting.
Video & subs brought to you by Sekhmet Mail: sekhmetouserapis_at_gmail.com