1
00:00:31,434 --> 00:00:33,501
I DIDN'T WANT TO.
2
00:00:40,600 --> 00:00:44,101
||I'M NOT IN CONTROL||
3
00:00:44,134 --> 00:00:46,267
I KNOW.
4
00:00:47,834 --> 00:00:50,934
TELL ME YOU LOVE ME.
5
00:01:10,800 --> 00:01:12,800
||I LOVE YOU.
6
00:01:17,201 --> 00:01:21,201
♪ AND THE NEAREST BOAT
SLINKS BACK TO PALM BEACH ♪
7
00:01:21,234 --> 00:01:24,267
♪ JUMP IN AIR
OR DROPPING THE LINE ♪
8
00:01:24,301 --> 00:01:26,134
♪ BUT YOU LOOK BACK UP
9
00:01:26,167 --> 00:01:29,034
♪ THEY'RE OUTRIGHT
UP IN SMOKE ♪
10
00:01:29,067 --> 00:01:32,034
♪
11
00:01:32,067 --> 00:01:33,401
♪ WOO, ALL RIGHT
12
00:01:33,434 --> 00:01:36,600
♪ LET'S FALL APART...
13
00:01:36,633 --> 00:01:40,101
WE'RE OUT OF STOLI!
14
00:01:42,867 --> 00:01:46,034
||[elevator rising]
15
00:01:48,434 --> 00:01:51,534
||||[voices on TV]
16
00:02:17,568 --> 00:02:21,167
||[loud rock music]
17
00:02:21,201 --> 00:02:24,334
♪ WAA
18
00:02:24,367 --> 00:02:25,967
♪ HOO
19
00:02:26,000 --> 00:02:28,568
♪ YEAH, YEAH, YEAH...
20
00:02:28,600 --> 00:02:30,733
BECCA!
21
00:02:34,434 --> 00:02:36,234
WHAT?
22
00:02:36,267 --> 00:02:38,633
YOUR MUSIC'S TOO LOUD
23
00:02:40,134 --> 00:02:41,767
[music stops]
24
00:02:41,800 --> 00:02:42,800
WHAT NOW?
25
00:02:42,834 --> 00:02:43,934
WY IS THE DOOR LOCKED?
26
00:02:43,967 --> 00:02:46,101
WHAT WERE YOU DOING?
27
00:02:50,234 --> 00:02:52,167
WHERE IS IT?
28
00:02:52,201 --> 00:02:53,733
WHERE'S WHAT?
29
00:02:53,767 --> 00:02:55,134
YOU'RE NOT ALLOWED
TO BE NEAR A COMPUTER
30
00:02:55,167 --> 00:02:56,434
PLUGGED INTO
A PHONE LINE.
31
00:02:56,468 --> 00:02:58,000
OR DO I HAVE TO SHOW YOU
THE COURT ORDER?
32
00:02:58,034 --> 00:02:59,568
YEAH, WELL, WHY DON'T
YOU EMAIL IT TO ME?
33
00:02:59,600 --> 00:03:01,667
BECCA--
LOOK, GO AHEAD.
TEAR THE ROOM APART.
34
00:03:01,700 --> 00:03:03,267
DO YOU SEE
A COMPUTER IN HERE?
35
00:03:03,301 --> 00:03:05,101
NO, WHICH MEANS
THAT TH ONLY THING
36
00:03:05,134 --> 00:03:06,867
THAT'S IN HERE
THAT DOESN'T BELONG IS--
37
00:03:06,900 --> 00:03:08,600
DRUM ROLL PLEASE--YOU.
38
00:03:08,633 --> 00:03:11,900
||I'M DRIVING YOU
TO SCHOOL IN TEN MINUTES.
39
00:03:24,101 --> 00:03:26,334
||TOO EASY.
40
00:03:26,367 --> 00:03:28,301
♪ AND YOU'RE
A PRIMA BALLERINA ♪
41
00:03:28,334 --> 00:03:30,900
♪ ON A SPRING AFTERNOON
42
00:04:31,447 --> 00:04:33,458
For some women,
bigger is better.
43
00:04:34,846 --> 00:04:38,210
What these people have in common
is that they have each on some level,
44
00:03:36,334 --> 00:03:37,468
||* HOWLING AT THE MOON
45
00:03:37,501 --> 00:03:39,667
THAT'S NOT REAL FOOD.
46
00:03:39,700 --> 00:03:41,468
YOjSRE NOT A REAL MOM.
47
00:03:46,867 --> 00:03:49,101
WHAT'S YOUR PROBLEM?
48
00:03:49,134 --> 00:03:51,767
YOU KNOW, DAD DIDN'T TRY
TO CONTROL ME.
49
00:03:51,800 --> 00:03:53,434
DAD TRUSTED ME, OKAY?
50
00:03:53,468 --> 00:03:54,967
DAD DROPPED YOU OFF
ON MY DO||STEP.
51
00:03:55,000 --> 00:03:56,800
YOU VANT TO LIVE WITH DAD?
LIVE WITH DAD.
52
00:03:56,834 --> 00:03:58,367
IF YOU CAN FIND HIM.
53
00:03:58,401 --> 00:04:00,000
HERE'S WHAT TO DO.
54
00:04:00,034 --> 00:04:01,600
LOOK FOR A BIG
PROTEST RALLY,
55
00:04:01,633 --> 00:04:03,134
THEN FIND
THE NEAREST BAR.
56
00:04:03,167 --> 00:04:06,633
YOU THINK YOU REMEMBER,
BUT YOU DON'T.
57
00:04:08,534 --> 00:04:10,167
[car door slams shut]
58
00:04:19,101 --> 00:04:21,167
THE VICTIM OF A BAGHDAD
CAR BOMBING.
59
00:04:21,201 --> 00:04:26,067
NEEDED TRANSPLANTS
AND FACIAL RECONSTRUCTIONS.
60
00:04:26,101 --> 00:04:30,534
THIS TRIATHLETE WAS TOLD
HE'D NEVER COMPETE AGAIN.
61
00:04:30,568 --> 00:04:32,134
||tudents whistle
62
00:04:32,167 --> 00:04:35,167
FOR SOME WOMEN,
BIGGER IS BETTER.
63
00:04:35,201 --> 00:04:36,234
ter]au
64
00:04:36,267 --> 00:04:37,468
WHAT THESE PEOPLE
HAVE IN COMMON
65
00:04:37,501 --> 00:04:39,501
IS THAT THEY HAVE EACH
ON SOME LEVEL
66
00:04:39,534 --> 00:04:41,167
ALTERED THEMSELVES.
67
00:04:41,201 --> 00:04:44,534
||BUT WHERE'S
THE THRESHOLD?
68
00:04:44,568 --> 00:04:47,900
||
WHEN IS IT OKAY TO INTERVENE
IN GOD'S WORK?
69
00:04:47,934 --> 00:04:50,767
THIS QUESTION'S THE VERY
CORNERSTONE OF BIOETHICS,
70
00:04:50,800 --> 00:04:52,700
[bell rings]
AND WE'RE GONNA SPEND
THE REST OF THE SEMESTER
71
00:04:52,733 --> 00:04:55,201
DEALING WITH IT.
72
00:04:55,234 --> 00:04:57,301
COME ON, WILL,
I'M A BARTENDER AND A DROPOUT.
73
00:04:57,334 --> 00:04:59,301
||
YOU'RE A PROFESSOR.
AND A SURGEON.
74
00:04:59,334 --> 00:05:01,167
||
HOW CAN YOU TAKE ME
SERIOUSLY?
75
00:05:01,201 --> 00:05:02,900
WHAT MAKES YOU THINK
I TAKE YOU SERIOUSLY?
76
00:05:02,934 --> 00:05:04,633
||
DO YOU?
77
00:05:04,667 --> 00:05:05,867
WHY ARE YOU WITH ME?
78
00:05:05,900 --> 00:05:08,167
YOU'RE DIFFERENT.
79
00:05:08,201 --> 00:05:09,534
FROM WHAT?
80
00:05:09,568 --> 00:05:11,967
WHEN YOUR WHOLE LIFE'S
PLANNED OUT FOR YOU
81
00:05:12,000 --> 00:05:13,167
WHILE YOU'RE STILL
IN THE WOMB,
82
00:05:13,201 --> 00:05:14,733
IT KIND OF KILLS
THE MYSTERY.
83
00:05:14,767 --> 00:05:17,434
AND THEN YOU CAME ALONG
AND YOU WERE...
84
00:05:17,468 --> 00:05:19,101
UNEXPECTED.
85
00:05:19,134 --> 00:05:20,633
UNEXPECTED?
86
00:05:20,667 --> 00:05:23,101
THE ONE CHOICE MY FATHER
DIDN'T MAKE FOR ME.
87
00:05:25,633 --> 00:05:27,800
[pag|| beeping]
88
00:05:27,834 --> 00:05:29,667
I GOTTA RUN.
WE STILL ON FOR DINNER?
89
00:05:29,700 --> 00:05:31,501
8:00?
MAKE IT 8:30.
90
00:05:31,534 --> 00:05:34,733
I HAVE TO GO TO THE LAB
FOR A FEW HOURS.
91
00:05:34,767 --> 00:05:37,667
WHILE WE'RE ON THE SABJECT,
WHY ARE YOU WITH ME?
92
00:05:37,700 --> 00:05:40,367
YOU'RE NOT
ENTIRELY UNCHARMING.
93
00:05:46,800 --> 00:05:48,667
0||||
IT' INSULTING.
94
00:05:48,700 --> 00:05:50,934
LAST TIME I LEFT YOU ALONE
YOU STARTED A FIRE.
95
00:05:50,967 --> 00:05:52,167
E MICROWAVE WAS BROKEN.
[door buzzer]
96
00:05:52,201 --> 00:05:53,767
WE DIDN'T HAVE
A MICROWAVE.
97
00:05:53,800 --> 00:05:55,067
||
(Becca)
LOOK, THEY'RE WEIRD.
98
00:05:55,101 --> 00:05:56,101
THEY'RE MY FRIENDS.
99
00:05:56,134 --> 00:05:57,501
||
YEAH, THEY'RE
YOUR WEIRD FRIENDS.
100
00:05:57,534 --> 00:05:59,134
PLEASE?
FOR ME?
101
00:05:59,167 --> 00:06:02,067
[exhales]
LOOK, TOMORROW NIGHT.
102
00:06:02,101 --> 00:06:03,234
DOUBLE FEATURE?
103
00:06:03,267 --> 00:06:05,401
DE||.
104
00:06:05,434 --> 00:06:08,501
WOW.
YOU LOOK ROCKING.
105
00:06:08,534 --> 00:06:10,034
I BROUGHT PHEROMONES.
106
00:06:10,067 --> 00:06:11,800
I GOTTA GO.
I'M GONNA BE LATE.
107
00:06:11,834 --> 00:06:13,167
BE GOOD!
108
00:06:13,201 --> 00:06:15,767
HAVE FUN.
109
00:06:15,800 --> 00:06:19,700
[soft piano music
in background]
110
00:06:19,733 --> 00:06:21,201
(Will)
I THINK THERE'S
A PRETTY GOOD CHANCE
111
00:06:21,201 --> 00:06:23,534
THE GRANT WILL
COME THROUGH.
112
00:06:23,568 --> 00:06:25,667
THE INSTITUTE'S INDICATING
IT'S A DONE DEAL.
113
00:06:25,700 --> 00:06:29,401
AND I HEAR PARIS IS GREAT
IN THE SPRING, AND--
114
00:06:29,434 --> 00:06:31,167
YOU'RE NOT HAPPY.
115
00:06:31,167 --> 00:06:33,201
||
OF COURSE I'M HAPPY.||
116
00:06:33,234 --> 00:06:35,733
BECAUSE I THINK
YOU SHOULD COME WITH||E.
117
00:06:35,767 --> 00:06:37,900
I CAN'T.
WHY NOT?
118
00:06:37,934 --> 00:06:40,067
I HAVE A JOB.
JAIME.
119
00:06:40,101 --> 00:06:41,633
AND A LIFE.
WE'RE TALKING PARIS.
120
00:06:41,667 --> 00:06:44,501
AND I HAVE RESPONSIBILITIES.
DID I MENTION IT'S PARIS?
121
00:06:44,534 --> 00:06:47,167
I'M PREGNANT.
122
00:06:47,201 --> 00:06:51,234
||
YEAH( THAT'S WHAT I SAID.
123
00:06:51,267 --> 00:06:54,700
||
I DON'T WANT YOU TO--
I ST--
124
00:06:56,301 --> 00:06:57,633
YOU JUST SPRING
ON SOMEONE.
125
00:06:57,667 --> 00:06:59,067
EXCEPT FOR THE PART
WHERE THAT'S EXACTLY
126
00:06:59,101 --> 00:07:00,301
WHAT I'M DOING TO YOU
RIGHT NOW.
127
00:07:00,334 --> 00:07:01,767
AND I KNOW
YOU'RE IN A PLACE
128
00:07:01,800 --> 00:07:02,934
WHERE YOU CAN'T EVEN
THINK ABOUT IT.
129
00:07:02,967 --> 00:07:05,067
AND, GOD, I'M ONLY 24.
IT'S NOT--
130
00:07:05,101 --> 00:07:06,134
I MEAN, I SAID TO MYIDLF
131
00:07:06,134 --> 00:07:07,367
THERE'S ONLY ONE THING
TO DO, BUT--||
132
00:07:07,401 --> 00:07:11,267
FIVE MONTHS, 14 DAYS.
133
00:07:11,301 --> 00:07:14,867
THAT'S HOW LONG
WE'VE BE
134
00:07:14,900 --> 00:07:16,834
JAIME, IF SOMEBODY
HAD ASKE4ME
135
00:07:16,867 --> 00:07:19,134
FIVE MONTHS
AND 15 DAYS AGO
136
00:07:19,167 --> 00:07:20,534
IF I BELIEVED
IN LOVE AT FIRST SIG||,
137
00:07:20,568 --> 00:07:24,568
I WOULD'VE SAID||I ABS
138
00:07:24,600 --> 00:07:27,000
AND THE VERY NEXT DAY
I WOULD'VE BEEN PROVED WRONG.
139
00:07:27,034 --> 00:07:31,234
WILL--
MARRY ME.
140
00:07:31,267 --> 00:07:33,633
SO I'M THINKING COLTRANE
IF IT'S A BOY.
141
00:07:33,667 --> 00:07:35,000
BILLIE IF IT'S A GIRL.
142
00:07:35,034 --> 00:07:37,034
||
YOU DON'T HAVE
TO DO THIS, YOU KNOW.
143
00:07:39,301 --> 00:07:41,600
||||
ACTUALLY, I'M PRETTY SI MEAN
YOU HAVEYOU DON' THEM.||||
144
00:07:41,633 --> 00:07:43,800
I
145
00:07:43,834 --> 00:07:46,000
SO WHAT DOES THAT TELL YOU?
146
00:07:55,834 --> 00:07:57,267
||||
JAIME.
147
00:07:59,167 --> 00:08:00,401
JAIME!
148
00:08:18,367 --> 00:08:20,701
(female medic)
LOOKS LIKE MASSIVE
IN||RNAL BLEEDING.
149
00:08:20,734 --> 00:08:23,334
(male medic)
EXTENSIVE CRUSH INJURIES
TO RIGHT ARM AND BOTH LEGS.
150
00:08:23,367 --> 00:08:25,367
||
SHE'S COMING UP!
I NEED FIVE MILLIGRAMSOF MIDAZOLAM!
151
00:08:25,401 --> 00:08:27,900
WILL.
(Will)
YOU'RE GONNA BE
OKAY, BABY.
152
00:08:27,933 --> 00:08:29,667
WE'RE GONNA PUT YOU
BACK TO SLEEP.
153
00:08:29,701 --> 00:08:31,701
IT'S GONNA BE ALL RIGHT.
I PROMISE.
154
00:08:31,734 --> 00:08:33,200
IT'S GONNA BE OKAY.
155
00:08:33,234 --> 00:08:35,701
[electrical whining]
156
00:08:58,034 --> 00:09:01,767
♪(female medic)
BP 95 TELL.
PULSE OX IS 90-20.
157
00:09:01,800 --> 00:09:04,600
MULTIPLE COMPOUND
RADIAL AND ULNAR FRACTURES
158
00:09:04,633 --> 00:09:05,633
OF THE RIGHT ARM.
159
00:09:05,633 --> 00:09:06,734
SEVERED BRACHIAL ARTERY.||
160
00:09:06,767 --> 00:09:08,167
RIGHT ARM IS A S||EDDER.
161
00:09:08,201 --> 00:09:09,667
WE'RE LOOKING AT COMPLETE
AK AMPUTATION ON BOTH LEGS.
162
00:09:09,700 --> 00:09:11,900
NEUROVASCULAR DAMAGE
IS CATASTROPHIC.
163
00:09:11,934 --> 00:09:13,034
LOST THE FETAL HEARTBEAT.
164
00:09:13,067 --> 00:09:15,767
DR. ANTHROS,
BP's FALLING, 80 SYSTOLIC.
165
00:09:15,800 --> 00:09:18,034
||PREP HER.
166
00:09:18,067 --> 00:09:19,500
DR. ANTHROS, WE CAN'T--
DO IT!
167
00:09:19,533 --> 00:09:22,800
WHY DIDN'T SOMEBODY
STOP HIM?
168
00:09:22,834 --> 00:09:24,001
HE HAS FUL@ CLEARANCE.
169
00:09:24,034 --> 00:09:27,067
WE DIDN'T HAVE
THE AUTHORITY TO STOP HIM.
170
00:09:27,101 --> 00:09:30,067
[bell ringing]
171
00:09:32,834 --> 00:09:34,001
THIS IS THE PRICE YOU PAY
172
00:09:34,034 --> 00:09:37,533
FOR WORKING
WITH A SO-CALLED GENIUS.
173
00:09:37,567 --> 00:09:40,134
||
GUESS HE MUST'VE LEFT
HIS IQ IN THE CAR.
174
00:09:40,167 --> 00:09:42,900
DEEP READING THE ULNAR NERVE.
175
00:09:42,934 --> 00:09:45,134
SIGNIFICANT DAMAGE.
176
00:09:45,167 --> 00:09:47,800
[monitors beeping]
177
00:09:49,734 --> 00:09:51,201
SHOULD I INTERVENE?
178
00:09:51,234 --> 00:09:53,700
||
(Jonas)
NO.
179
00:09:53,734 --> 00:09:56,567
||
THIS OPERATION, THIS PATIENT,
DOESN'T OFFICIALLY EXIST.
180
00:09:56,600 --> 00:09:58,401
WE HAVE DENIABILITY.
IT'S A FREEBIE.
181
00:09:58,434 --> 00:10:00,734
WE CAN ALWAYS TERMINATE LATER,
NEED BE.
182
00:10:02,600 --> 00:10:05,034
MEANWHIL GET JAE.
183
00:10:07,667 --> 00:10:12,368
||
IT WILL HAVE TO BE RESECTED
TO ITS BRANCH POINT.
184
00:10:12,401 --> 00:10:14,934
RADIAL NERVE APPEARS
TO BE INTACT.
185
00:10:19,567 --> 00:10:22,167
||
I NEED
SOME PRESSURE HERE.
186
00:10:28,267 --> 00:10:32,800
||
[harsh rock music]
187
00:10:53,101 --> 00:10:56,167
||
FORGIVE ME, FATHER,
FOR I HAVE SINNED.
188
00:10:56,201 --> 00:10:58,368
THE DOCTOR.
DID YOU KILL HIM?
189
00:10:58,401 --> 00:11:01,101
||
IT WAS LIKE A RIDE
AT DISNEYLAND.
190
00:11:03,500 --> 00:11:05,600
||
WHICH ONE?
191
00:11:05,633 --> 00:11:07,267
I'VE NEVER BEEN.
192
00:11:07,301 --> 00:11:11,401
I'LL TAKE YOU.
YOU'LL LOVE IT.
193
00:11:11,434 --> 00:11:13,734
||
IT'S ALL FAT PEOPLE
194
00:11:13,767 --> 00:11:16,167
WITH FAT CHILDREN
WALKING AROUND AIMLESSLY,
195
00:11:16,201 --> 00:11:18,034
TOO STUPID TO KNOW
THE DIFFERENCE.
196
00:11:18,067 --> 00:11:21,334
DO YOU MISS IT?
THE WAY THINGS WERE?
197
00:11:21,368 --> 00:11:23,667
||
IF I COULD REMEMBER,
I'M SURE I WOULD.
198
00:11:30,468 --> 00:11:33,034
||
DO I REMIND YOU OF HER?
199
00:11:36,267 --> 00:11:39,700
YOUR SKIN.
200
00:11:39,734 --> 00:11:42,567
TE
201
00:11:56,434 --> 00:11:58,567
[monitors beeping]||
202
00:12:06,201 --> 00:12:09,600
||
JAIME?
WHAT HAPPENED?
203
00:12:09,633 --> 00:12:11,734
THERE WAS AN ACCIDENT.
204
00:12:11,767 --> 00:12:13,900
YOU'RE OKAY.
205
00:12:16,934 --> 00:12:19,934
THE BABY.
206
00:12:19,967 --> 00:12:22,767
WHAT ABOUT THE BABY?
207
00:12:22,800 --> 00:12:24,101
[sobbing]
OH, GOD.
208
00:12:24,134 --> 00:12:27,167
THERE WAS
NO PERMANENT DAMAGE.
209
00:12:27,201 --> 00:12:29,267
YOU'LL BE ABLE
TO GET PREGNANT AGAIN.
210
00:12:34,734 --> 00:12:36,967
WHY CAN'T I FEEL MY LEGS?
211
00:12:39,134 --> 00:12:41,434
OKAY, JAIME, I NEED
TO TELL YOU SOMETHING.
212
00:12:41,468 --> 00:12:42,434
WHAT'S HAPPENING TO ME?
213
00:12:42,468 --> 00:12:43,900
I NEED TO TELL YOU
ABOUT WHAT I DO.
214
00:12:43,934 --> 00:12:45,900
AND YOU NEED
TO LISTEN TO ME.
I CAN'T FEEL MY ARM.
215
00:12:45,934 --> 00:12:48,101
LISTEN TO ME, JAIME.
216
00:12:48,134 --> 00:12:51,401
BOTH YOUR LEGS
AND YOUR ARM
217
00:12:51,434 --> 00:12:52,934
HAD TO BE REPLACED.
218
00:12:52,967 --> 00:12:56,600
ALSO YOUR RIGHT EAR
AND RIGHT EYE.
219
00:12:56,633 --> 00:13:00,101
MOLECULAR MACHINES--
ANTHROCYTES--
220
00:13:00,134 --> 00:13:04,633
HAVE BEE||SUBSTITUTED
FOR 1/8 OF YOUR BLOOD CELLS.
221
00:13:08,234 --> 00:13:10,001
NOW YOU SHOULD HAVE
LACERATIONS
222
00:13:10,034 --> 00:13:11,834
BONE-DEEP ALL OVER
YOUR FACE,
223
00:13:11,867 --> 00:13:15,600
E ANTHROCYTES
ARE HEALING YOU
224
00:13:15,633 --> 00:13:19,134
||
AT AN EXPONENTIAL RATE,
ALL OF YOU.
225
00:13:19,167 --> 00:13:21,368
THEY'RE MAKING YOU BETTER.
226
00:13:21,401 --> 00:13:26,167
[screaming]
227
00:13:26,201 --> 00:13:28,234
IT'LL BE OKAY,
IT'S GONNA BE--
228
00:13:29,867 --> 00:13:32,667
[continues screaming]
229
00:14:01,867 --> 00:14:04,301
||||||
IT WAS A DREAM.
230
00:14:05,767 --> 00:14:07,667
[door keypad beeps]
231
00:14:15,734 --> 00:14:20,201
||
THE BIONICS ENHANCE
BASELINE HUMAN STRENGTH.
232
00:14:20,234 --> 00:14:22,234
AND THEN SOME.
233
00:14:22,267 --> 00:14:24,700
WHAT HAVE YOU DONE TO ME?
234
00:14:24,734 --> 00:14:27,301
JAIME--
WHY DID YOU DO THIS TO ME?
235
00:15:04,434 --> 00:15:06,934
♪SIR.
236
00:15:06,967 --> 00:15:09,600
BORN JAIME WELLS SOMMERS,
VAN HORNE, IOWA.
237
00:15:09,634 --> 00:15:12,567
FEBRUARY 23, 1983.
238
00:15:12,600 --> 00:15:14,634
MOTHER DECEASED, CANCER.
239
00:15:14,634 --> 00:15:16,867
SHE'S CLEAN EXCEPT
FOR A SEALED COURT RECORD
240
00:15:16,901 --> 00:15:18,300
FROM 1998.
241
00:15:18,333 --> 00:15:19,400
WHAT'S IN IT?
242
00:15:19,434 --> 00:15:20,801
IT'S SEALED.
UNSEAL IT.
243
00:15:20,834 --> 00:15:22,667
I'M WORKING ON IT.
244
00:15:22,701 --> 00:15:25,667
I THINK
SHE'S A GOOD CANDIDATE.
245
00:15:25,701 --> 00:15:29,134
WELL, LET'S PRETEND
I'M SOLICITING OPINIONS--WHY?
246
00:15:29,168 --> 00:15:30,834
SHE'S STABLE.
247
00:15:30,867 --> 00:15:32,101
I PULLED UP AN OLD
248
00:15:32,134 --> 00:15:34,867
MINNESOTA MULTIPHASIC
PERSONALITY INVENTORY.
249
00:15:34,901 --> 00:15:36,367
I LIKED WHAT I SAW.
250
00:15:36,400 --> 00:15:39,534
PLUS THE SITUATION
WITH HER SISTER SHOWS LOYALTY.
251
00:15:39,567 --> 00:15:42,500
AND SHE'S SMART.
I FOUND AN OLD IQ TEST.
252
00:15:42,534 --> 00:15:44,300
HOW'D SHE DO?
253
00:15:44,333 --> 00:15:47,600
||
A LITTLE BETTER
THAN YOU...SIR.
254
00:15:47,634 --> 00:15:48,767
JAE, CAN YOU TRAIN HER?
255
00:15:50,534 --> 00:15:53,001
WELL, THE LAST ONE
WE SCREENED AND TESTED.
256
00:15:53,034 --> 00:15:55,867
THERE WERE PSYCH EVALUATIONS,
AND SHE WAS A SOLDIER.
257
00:15:55,901 --> 00:15:57,034
||
LOOK WHERE THAT GOT US.
258
00:15:57,068 --> 00:15:59,867
WE ALWAYS TALKED ABOUT
NON-MILITARY APPLICATIONS.
259
00:15:59,901 --> 00:16:01,034
HERE'S OUR CHANCE.
260
00:16:01,068 --> 00:16:02,134
YOUR OPINION IS INVALID HERE.
261
00:16:02,168 --> 00:16:03,400
YOU'RE TOO CLOSE
TO THE SUBJECT.
262
00:16:03,434 --> 00:16:05,701
THIS FBOM THE GUY WHO PLAYED
HOUSE WITH THE LAST ONE.
263
00:16:05,734 --> 00:16:08,200
LET'S GET FRESH DATA.
I WANT YOU TO SIT HER DOWN.
264
00:16:08,233 --> 00:16:11,267
ALL RIGHT.
265
00:16:14,367 --> 00:16:16,434
||||
(Jae)
YOU KNOW, I ONCE HAD A WOLF.
266
00:16:18,267 --> 00:16:20,667
AND A WOLF ONLY MAKES
A GOOD PET
267
00:16:20,701 --> 00:16:22,934
IF HE THINKS
HE'S A DOG.
268
00:16:22,967 --> 00:16:24,434
NOW YOUR GIRLFRIEND,
269
00:16:24,467 --> 00:16:26,634
WE'RE KEEPING HER HERE
AGAINST HER WILL.
270
00:16:26,667 --> 00:16:28,634
HOW LONG UNTIL
SHE REALIZES
271
00:16:28,667 --> 00:16:31,300
THAT NO ONE CAN MAKE HER DO
ANYTHING AGAINST HER WILL?
272
00:16:31,333 --> 00:16:33,600
YOU'RE TALKING
ABOUT KILLING A HUMAN.
273
00:16:33,634 --> 00:16:35,667
I'M TALKING
ABOUT KILLING A WOLF.
274
00:16:37,834 --> 00:16:40,434
YOU KNOW WHAT SCARES ME
ABOUT YOU?
275
00:16:40,467 --> 00:16:45,200
YOUR FATHER.
HE SEEMED NORMAL TOO.
276
00:16:45,233 --> 00:16:46,801
||
IF I'M ANYTHING
LIKE MY FATHER,
277
00:16:46,834 --> 00:16:49,034
YOU JUST MADE
A BIG MISTAKE.
278
00:16:52,701 --> 00:16:54,400
ALL RIGHT, WE HAVE
TO GET YOU TO REHAB.
279
00:16:54,434 --> 00:16:55,701
WHAT FOR?
280
00:16:55,734 --> 00:16:56,967
REHABILITATION.
281
00:16:57,001 --> 00:16:58,634
I'M NOT THE ONE PERFORMING
HUMAN EXPERIMENTS
282
00:16:58,667 --> 00:17:00,200
AND KEEPING PEOPLE
PRISONER.
283
00:17:00,233 --> 00:17:03,967
YOU REHABILITATE
YOURSELF.
284
00:17:47,500 --> 00:17:49,901
I'M RUTH.
I'M PISSED.
285
00:17:49,934 --> 00:17:51,333
||
GOOD.
286
00:17:51,367 --> 00:17:52,667
WE'RE HERE TO TALK
ABOUT OUR FEELINGS.
287
00:17:52,701 --> 00:17:53,734
HOW DO YOU FEEL ABOUT ME
288
00:17:53,767 --> 00:17:54,500
BEING KEPT HERE
AGAINST MY WILL?
289
00:17:54,533 --> 00:17:56,533
♪I WAS SPEAKING
EDITORIALLY.
290
00:17:56,567 --> 00:17:58,767
ACTUALLY, WE'RE HERE
TO TALK ABOUT YOUR FEELINGS.
291
00:17:58,800 --> 00:18:01,101
SOMETHING NO ONE SEEMS
TO HAVE ANY REGARD FOR.
292
00:18:01,134 --> 00:18:03,533
CURVE BALLS'LL DO THAT.
293
00:18:03,567 --> 00:18:04,967
||
YOU CAN HAVE ALL
294
00:18:05,001 --> 00:18:06,134
THE CONTINGENCY PLANS
YOU LIKE,
295
00:18:06,167 --> 00:18:07,268
AND THEN SOMEONE
GOES AND DOES
296
00:18:07,301 --> 00:18:08,467
SOMETHING LIKE THIS,
297
00:18:08,500 --> 00:18:09,700
AND THEN WE ALL HAVE
TO STAY AFTER SCHOOL--
298
00:18:09,734 --> 00:18:10,901
AND TALK ABOUT OUR FEELINGS.
299
00:18:10,934 --> 00:18:12,867
YOUR FEELINGS.
300
00:18:12,901 --> 00:18:14,234
RIGHT.
301
00:18:14,268 --> 00:18:16,400
AFTER ALL, FEELINGS ARE
WHAT GOT US HERE
302
00:18:16,433 --> 00:18:19,634
||
IN THE FIRST PLACE.
303
00:18:19,667 --> 00:18:23,067
YOU LIKE TO DRAW.
304
00:18:27,467 --> 00:18:29,901
TRUE OR FALSE--
I HAVE A SISTER.
305
00:18:29,934 --> 00:18:31,767
SHE'S STAYING
WITH YOUR LANDLADY.
306
00:18:31,800 --> 00:18:34,301
SHE THINKS
YOU'RE SKIING IN VAIL.
307
00:18:34,334 --> 00:18:37,368
||IS IS WHERE YOU STAYED.
IT LOOKS NICE.
308
00:18:37,400 --> 00:18:38,600
YOU HAD FUN.
309
00:18:38,634 --> 00:18:41,167
EXCEPT FOR THE PART
WHERE WILL INJURED HIS ARM
310
00:18:41,201 --> 00:18:42,400
SKIING INTO A TREE.
311
00:18:42,433 --> 00:18:44,767
DOES THIS MEAN I'LL BE
GOING HOME AT SOME POINT?
312
00:18:44,800 --> 00:18:47,001
||
IT MEANS THAT WE HAVE
A CONTINGENCY PLAN
313
00:18:47,034 --> 00:18:48,967
SHOULD YOU BE GOING HOME
AT SOME POINT.
314
00:18:49,001 --> 00:18:52,800
WE ALSO HAVE A PLAN
SHOULD YOU NOT.
315
00:18:52,834 --> 00:18:54,500
||
TRUE OR FALSE.
316
00:18:54,533 --> 00:18:58,001
||
YOU CAN'T TEACH
AN OLD DOG NEW TRICKS.
317
00:19:15,834 --> 00:19:18,734
||
YOU WOULD'VE DONE
THE SAME THING.
318
00:19:20,667 --> 00:19:22,734
YOQ NEVER MET MY WIFE,
DID YOU?
319
00:19:24,067 --> 00:19:26,634
FOR TWO YEARS I WATCHED
HER IN A HOSPITAL
320
00:19:26,667 --> 00:19:28,934
WHILE THEY
DISASSEMBLED HER.
321
00:19:28,967 --> 00:19:31,167
AND THE WHOLE TIME I KNEW
ALL I HAD TO DO TO SAVE HER
322
00:19:31,201 --> 00:19:32,867
WASBRING HER HERE,
BUT SAVING MY WIFE
323
00:19:32,901 --> 00:19:35,034
WAS NOT THE MISSION.
324
00:19:35,067 --> 00:19:38,634
RUTH SAYS SHE'S STABLE.
325
00:19:38,667 --> 00:19:40,533
HOW LONG UNTIL SHE'S
COMBAT READY?
326
00:19:40,567 --> 00:19:42,634
SHE'S A CIVILIAN.
327
00:19:42,667 --> 00:19:44,067
EVERYONE HAS TO SING
FOR THEIR SUPPER
328
00:19:44,101 --> 00:19:45,268
AROUND HERE, WILL,
329
00:19:45,301 --> 00:19:47,433
OR HAVEN'T YOU FIGURED
THAT OUT YET?
330
00:19:50,433 --> 00:19:53,700
HOW LONG UNTIL THE REST
OF HER IMPLANTS COME ONLINE?
331
00:20:05,934 --> 00:20:07,467
||
SHE LIKES TO DRAW.
332
00:20:07,500 --> 00:20:08,634
I DON'T CARE.
333
00:20:08,667 --> 00:20:10,867
I THINK YOU'LL CARE
ABOUT THIS.
334
00:20:23,934 --> 00:20:26,433
||
I MEAN, DID YOU EVER
SEE THE BODY?
335
00:20:26,467 --> 00:20:28,301
YOU SHOW THIS
TO ANYBODY ELSE?
336
00:20:28,334 --> 00:20:30,034
ST YOU.
KEEP IT THAT WAY.
337
00:20:30,067 --> 00:20:31,800
[gears lock]
338
00:20:31,834 --> 00:20:33,867
[alarm]
339
00:20:33,901 --> 00:20:36,201
[voices shouting]
340
00:20:40,368 --> 00:20:43,500
||
(woman on PA)
SECURITY BREACH.
SECURITY BREACH.
341
00:20:48,667 --> 00:20:50,700
I CAN'T PROTECT YOU
IN HERE,
342
00:20:50,734 --> 00:20:52,101
BUT ONCE YOU'R||
ON THE OUTSIDE--
343
00:20:52,134 --> 00:20:54,867
WHY SHOULD I TRUST YOU?
344
00:20:54,901 --> 00:20:57,467
BECAUSE I'M THE ||LY ONE
YOU CAN TRUST.
345
00:20:57,467 --> 00:20:59,467
GO BACK TO YOUR LIFE LIKE
NONE OF THIS EVER HAPPENED.
346
00:20:59,500 --> 00:21:01,867
I'LL WORK IT OUR
WITH THEM.
WHAT ABOUT YOU?
347
00:21:01,901 --> 00:21:03,901
||
GO NOW
348
00:21:09,400 --> 00:21:11,867
[helicopter approaching]
349
00:21:23,433 --> 00:21:26,567
||||
[heartbeat]
350
00:21:36,600 --> 00:21:40,567
||||
[bionics @ulsing]
351
00:21:48,600 --> 00:21:50,034
ALL RIGHT, SO I'LL HAVE
THOSE FAXED OVER TO YOU
352
00:21:50,067 --> 00:21:51,301
BY FRIDAY AFTERNOON.
353
00:21:51,334 --> 00:21:54,234
AND WE'RE STILL ON
FOR THAT MEETING TOMORROW?
354
00:21:54,268 --> 00:21:56,867
OKAY, GOOD.
355
00:21:56,901 --> 00:21:58,934
||
YEAH.
356
00:21:58,967 --> 00:22:01,467
MM-HMM.
357
00:22:01,500 --> 00:22:04,334
MOMMY...
358
00:22:04,368 --> 00:22:06,067
THERE'S A LADY OUT THERE
RUNNING REALLY FAST.
359
00:22:06,101 --> 00:22:08,067
LIKE AS FAST AS A CAR.
360
00:22:08,101 --> 00:22:11,101
SWEETIE, WHAT DID I TELL YOU
ABOUT MAKING THINGS UP?
361
00:22:11,134 --> 00:22:13,567
I JUST THOUGHT IT WAS COOL
THAT A GIRL COULD DO THAT.
362
00:22:13,600 --> 00:22:15,034
THAT'S ALL.
363
00:22:18,667 --> 00:22:21,301
||||
LET HER GO.
364
00:22:21,334 --> 00:22:22,533
WHAT THE HELL
DID YOU DO?
365
00:22:22,567 --> 00:22:24,800
YOU WANT HER, RIGHT?
FOR THE PROGRAM.
366
00:22:24,834 --> 00:22:27,467
I'LL MAKE HER UNDERSTAND
WHAT'S AT STAKE.
367
00:22:27,500 --> 00:22:31,201
JUST LET ME HAVE TIME--
TIME TO WHAT?
368
00:22:31,234 --> 00:22:33,967
||
LETTING HER GO
IS NOT A BAD IDEA.
369
00:22:34,001 --> 00:22:36,268
||
IF YOU WANT HER LOYALTY,
GIVE HER FREEDOM.
370
00:22:36,301 --> 00:22:38,301
OR THE ILLUSION
OF FREEDOM.
371
00:22:39,967 --> 00:22:41,567
||||
ALL RIGHT.
372
00:22:41,600 --> 00:22:44,067
EVERYBODY STAND DOWN.
373
00:22:45,734 --> 00:22:47,800
(male soldier)
MOVE OUT.
374
00:22:50,301 --> 00:22:51,400
YOU'RE MAKING A MISTAKE.
375
00:22:51,433 --> 00:22:54,067
LISTEN TO ME.
376
00:22:54,101 --> 00:22:55,600
THE ACCIDENT WASN'T
AN ACCIDENT.
377
00:22:55,634 --> 00:22:58,001
ACCORDING TO THE AUTOPSY,
THE DRIVER'S NECK WAS BROKEN
378
00:22:58,034 --> 00:22:59,767
AN HOUR BEFORE THE CRASH,
379
00:22:59,800 --> 00:23:02,001
||
WHICH MEANS SOMEONE ELSE
WAS DRIVING THAT TRUCK.
380
00:23:02,034 --> 00:23:04,567
WE NEED TO FIND OUT WHO.
381
00:23:27,601 --> 00:23:29,601
♪(Will on answering machine)
JAIME, IT'S WILL.
382
00:23:29,634 --> 00:23:31,667
JAIME, IF YOU'RE THERE,
PICK UP THE PHONE.
383
00:23:31,701 --> 00:23:33,834
I NEED TO TALK TO YOU.
384
00:23:33,868 --> 00:23:37,501
JAIME, PLEASE.
385
00:23:37,534 --> 00:23:40,967
THERE ARE THINGS I NEED
TO TELL YOU ABOUT...
386
00:23:41,000 --> 00:23:44,100
BEFORE THEY HAPPEN.
387
00:23:44,134 --> 00:23:47,401
♪ I AM SMALL
388
00:23:47,434 --> 00:23:55,667
♪
389
00:24:18,567 --> 00:24:22,801
||||
* I'M REALLY ME *
390
00:24:29,000 --> 00:24:31,134
UNH!
391
00:24:39,501 --> 00:24:42,667
[breathing heavily]
392
00:24:47,067 --> 00:24:49,300
[door closes]
393
00:24:49,334 --> 00:24:50,567
NICE OF YOU TO SHOW UP.
394
00:24:52,367 --> 00:24:55,601
I'M SORRY.
395
00:24:55,634 --> 00:24:57,900
YEAH, WHAT FOR?
396
00:24:57,933 --> 00:25:00,267
FOR LEAVING
AND NOT TELLING YOU FIRST.
397
00:25:03,100 --> 00:25:05,467
HOW WAS SKIING?
398
00:25:05,501 --> 00:25:07,367
IT WAS FINE.
399
00:25:10,033 --> 00:25:11,900
DAD USED TO ALWAYS SAY
DON'T BELIEVE ANYTHING
400
00:25:11,933 --> 00:25:13,701
UNTIL IT'S BEEN DENIED.
BECCA--
401
00:25:13,734 --> 00:25:15,501
LOOK, DON'T LIE
TO ME, OKAY?
402
00:25:15,534 --> 00:25:17,967
WE BOTH KNOW
YOU DON'T SKI.
403
00:25:20,734 --> 00:25:22,267
SO WHERE WERE YOU?
404
00:25:22,300 --> 00:25:27,134
I--I CAN'T TELL YOU.
405
00:25:35,067 --> 00:25:37,200
[door slams]
406
00:25:41,234 --> 00:25:44,334
||
[car alarm in distance]
407
00:26:03,100 --> 00:26:04,601
||
COFFEE.
408
00:26:04,634 --> 00:26:06,234
SURE.
409
00:26:11,067 --> 00:26:15,467
THERE'S NO SMOKING.
410
00:26:15,501 --> 00:26:19,567
WHAT ARE YOU?
A FOREST RANGER?
411
00:26:19,601 --> 00:26:22,434
SOMETHING LIKE THAT.
412
00:26:25,834 --> 00:26:27,900
MUST BE SCARY.
413
00:26:27,933 --> 00:26:31,467
ALONE IN THE FOREST,
JUST YOU AND THE ELVES.
414
00:26:31,501 --> 00:26:33,100
NOT IF THEY KNOW
WHO'S IN CHARGE.
415
00:26:39,401 --> 00:26:41,434
||
HEY, WAIT UP!
416
00:26:41,467 --> 00:26:42,601
GUARD.
417
00:26:45,567 --> 00:26:48,834
WE BOTH KNOW YOU WORK
IN A SUPER-MAX PRISON
418
00:26:48,868 --> 00:26:51,000
1,000 FEET
BELOW FLORENCE.
419
00:26:51,033 --> 00:26:53,134
||
WE BOTH KOW
THIS IS THE ||ACE
420
00:26:53,167 --> 00:26:54,267
WHERE THEY STICK PEOPLE
421
00:26:54,300 --> 00:26:55,534
WHEN THEY OUTLIVE
THEIR USEFULNESS.
422
00:26:55,567 --> 00:26:56,701
I DON'T KNOW
WHO YOU ARE--
423
00:26:56,734 --> 00:26:57,967
IF YOU DON'T DO
EXACTLY WHAT YOU SAY,
424
00:26:58,000 --> 00:27:00,267
MY MAN IS GONNA CARVE
YOUR WIFE BARBARA UP
425
00:27:00,300 --> 00:27:01,501
LIKE VENUS DE MILO.
426
00:27:06,434 --> 00:27:10,367
(woman, sobbing)
OH, GOD, BOBBY, HELP ME.
427
00:27:10,401 --> 00:27:13,134
||[door buzzer]
428
00:27:20,067 --> 00:27:22,300
||||
HOW'D YOU DO IT?
429
00:27:24,267 --> 00:27:25,634
DO YOU KNOW WHAT
THEY CALL CREATURES
430
00:27:25,667 --> 00:27:27,567
THAT CAN LIVE COMFORTABLY
IN ENVIRONMENTS
431
00:27:27,601 --> 00:27:30,534
CONSIDERED LETHAL,
SAY FOR INSTANCE
432
00:27:30,567 --> 00:27:32,334
1,000 FEET BELOW
THE EARTH'S SURFACE--
433
00:27:32,367 --> 00:27:33,501
HOW DID YOU DO IT?
434
00:27:33,534 --> 00:27:35,501
EXTREMOPHILES.
435
00:27:35,534 --> 00:27:37,200
I'LL DO AN IMPRESSION
OF ONE FOR YOU.
436
00:27:37,234 --> 00:27:38,467
READY?
437
00:27:39,601 --> 00:27:42,634
||
HOW DID YOU--
WHAT?
438
00:27:42,667 --> 00:27:45,200
HOW DID I DO WHAT?
439
00:27:45,234 --> 00:27:47,300
SARAH CORVUS IS
STILL ALIVE.
440
00:27:47,334 --> 00:27:49,601
AND YOU CAME ALL THE WAY HERE
TO TELL ME THAT.
441
00:27:51,167 --> 00:27:53,167
LET ME DO
ANOTHER IMPRESSION FOR YOU.
442
00:27:53,200 --> 00:27:56,000
IMPRESSION OF MAN WHO'S
BEEN STABBED IN THE BACK,
443
00:27:56,033 --> 00:27:57,967
||
STRIPPED OF HIS RIGHTS,
AND THROWN IN A HOLE
444
00:27:58,000 --> 00:27:59,534
LIKE A DOG.
445
00:27:59,567 --> 00:28:01,033
SARAH CORVUS
IS A TIME BOMB.
446
00:28:01,067 --> 00:28:02,134
WE BOTH KNOW IT.
447
00:28:02,167 --> 00:28:04,967
WELL, TIME BOMBS
ONLY MATTER TO THOSE
448
00:28:05,000 --> 00:28:07,634
WHO HAVE TIME.
449
00:28:07,667 --> 00:28:08,701
GOOD-BYE, JAE.
450
00:28:08,734 --> 00:28:11,434
PLEASE GIVE MY REGARDS
TO WILL.
451
00:28:11,467 --> 00:28:14,401
||||
TELL HIM DADDY
SAYS HELLO.
452
00:28:14,434 --> 00:28:15,501
GUARDS!
453
00:28:15,534 --> 00:28:17,967
[door unlocks]
454
00:28:19,200 --> 00:28:21,868
♪ I PULL THESE REINS,
WALKING STARS ♪
455
00:28:21,900 --> 00:28:23,667
♪ ONCE BEFORE
456
00:28:23,701 --> 00:28:25,234
||
* AND AT FIRST
I COULDN'T PLACE IT *
457
00:28:25,267 --> 00:28:26,967
♪ BUT NOW I'M SURE...
458
00:28:27,000 --> 00:28:29,234
(Sarah)
IF I MAY MAKE AN OBSERVATION.
459
00:28:29,267 --> 00:28:31,167
YOU SEEM WAY TOO
INNOCENT AND SWEET
460
00:28:31,200 --> 00:28:32,667
TO BE RUNNING A BAR.
461
00:28:32,701 --> 00:28:35,401
YOU SHOULD BE OUT THERE
WITH THE REST OF THEM.
462
00:28:35,434 --> 00:28:36,467
FINALLY, I'M NOT
THE ONLY PERSON
463
00:28:36,501 --> 00:28:37,667
THAT FEELS THAT WAY.
464
00:28:37,701 --> 00:28:40,067
WHAT CAN I GET YOU?
BEER.
465
00:28:41,467 --> 00:28:42,634
ON THE HOUSE.
466
00:28:42,667 --> 00:28:45,334
THANK YOU.
467
00:28:46,967 --> 00:28:48,634
DON'T I KNOW YOU?
468
00:28:48,667 --> 00:28:51,067
WE MET VERY BRIEFLY.
469
00:28:51,100 --> 00:28:53,134
WE DIDN'T EVEN
ACTUALLY MEET.
470
00:28:53,167 --> 00:28:55,768
WHERE?
GUESS.
471
00:28:55,801 --> 00:28:57,501
AAH!
472
00:28:57,534 --> 00:28:59,534
ARE YOU ALL RIGHT?
YEAH.
473
00:28:59,567 --> 00:29:00,967
LET ME TAKE
A LOOK AT IT.
474
00:29:01,000 --> 00:29:03,434
NO, THAT'S OKAY.
475
00:29:03,467 --> 00:29:06,067
[pulsing sounds
overlapping]
476
00:29:14,834 --> 00:29:17,667
[static,
distorted voices]
477
00:29:21,334 --> 00:29:23,100
[ice rattling]
478
00:29:26,734 --> 00:29:29,134
[flame whipping,
lighter clicking]
479
00:29:29,167 --> 00:29:30,768
||
[distorted]
ARE YOU OKAY?
480
00:29:30,801 --> 00:29:33,601
(man)
COME ON, YOUR BOYFRIEND
WILL NEVER KNOW.
481
00:29:33,634 --> 00:29:36,200
||
COME ON, LISA.
482
00:29:40,033 --> 00:29:42,234
[heartbeat]
483
00:29:42,267 --> 00:29:44,100
ARE YOU ALL RIGHT?
484
00:29:52,234 --> 00:29:54,967
@
[VOMITING]
485
00:30:00,734 --> 00:30:02,868
(Sarah)
LET ME HELP YOU.
486
00:30:06,234 --> 00:30:08,000
||
JUST BREATH.
487
00:30:11,134 --> 00:30:12,768
IT'S LIKE THAT
488
00:30:12,801 --> 00:30:15,734
THE FIRST TIME THE EAR
AND EYE INPUTS COME ONLINE.
489
00:30:15,768 --> 00:30:18,667
IT'S TOO MUCH INFORMATION.
490
00:30:18,701 --> 00:30:20,467
YOU HAVE TO LEARN
HOW TO FOCUS IT
491
00:30:20,501 --> 00:30:22,367
AND TURN IT OFF
AND ON AT WILL.
492
00:30:28,100 --> 00:30:31,834
||
YOU'RE A FAST HEALER.
493
00:30:31,868 --> 00:30:34,167
||
THE ANTHROCYTES
ARE DOING THEIR JOB.
494
00:30:34,200 --> 00:30:37,067
WHO ARE YOU?
495
00:30:37,100 --> 00:30:38,467
WHO ARE YOU?
496
00:30:48,067 --> 00:30:50,933
[loud rock music]
497
00:30:50,967 --> 00:30:55,933
♪
498
00:30:55,967 --> 00:30:57,534
(Sarah)
JAIME.
499
00:31:05,367 --> 00:31:07,401
JAIME.
500
00:31:07,434 --> 00:31:09,601
TELL EVERYONE
SARAH CORVUS SAYS HELLO.
501
00:31:31,701 --> 00:31:34,000
||
[footsteps approaching]
502
00:31:40,234 --> 00:31:42,600
♪(man)
YO!
503
00:31:42,634 --> 00:31:45,101
||
YOU LOOKING FOR SOMETHIHG?
504
00:31:45,134 --> 00:31:47,433
YOU NEED SOMETHING?
505
00:31:48,834 --> 00:31:50,867
HERE, BABY.
506
00:31:50,967 --> 00:31:52,367
I GOT WHAAH!OU NEED.
507
00:32:02,101 --> 00:32:03,967
PLEASE!
508
00:32:04,001 --> 00:32:07,934
PLEASE DON'T--
509
00:32:26,101 --> 00:32:27,568
ARE YOU OKAY?
510
00:32:27,600 --> 00:32:29,201
TELL ME WHAT
YOU PUT IN MY HEAD.
511
00:32:29,234 --> 00:32:30,534
JAIME--
I ALMOST KILLED A MAN.
512
00:32:30,568 --> 00:32:31,733
I DIDN'T EVEN KNOW
WHAT I WAS DOING.
513
00:32:31,767 --> 00:32:34,301
WHAT DID YOU PU
IN MY HEAD?
514
00:32:34,334 --> 00:32:36,568
MICROSCOPIC CHIPS
HAVE BEEN IMPLANTED
515
00:32:36,600 --> 00:32:39,867
IN YOUR CEREBRAL CORTEX.
516
00:32:39,900 --> 00:32:43,733
MY FATHER DEVELOPED
THE TECHNOLOGY FOR THE MILITARY.
517
00:32:43,767 --> 00:32:45,967
THE PROGRAM WAS MEANT TO HELP
AMPUTEES IN THE GULF.
518
00:32:46,000 --> 00:32:48,834
OF COURSE HE SAW THE COMBAT
APPLICATIONS IMMEDIATELY.
519
00:32:48,867 --> 00:32:51,034
YOU MADE ME
INTO A SOLDIER.
520
00:32:51,067 --> 00:32:53,501
YOU'RE HARDWIRED FOR HIGHLY
SPECIALIZED WARFARE, YES.
521
00:32:53,534 --> 00:32:55,101
I WAS GONNA KILL HIM.
I WOULD HAVE.
522
00:32:55,134 --> 00:32:56,301
BUT YOU DIDN'T.
YOU'RE STILL IN CONTROL.
523
00:32:56,334 --> 00:32:58,034
AND WITH THE PROPER
TRAINING--
TRAINING?
524
00:32:58,067 --> 00:33:01,101
JAIME, WE'RE THE ONLY ONES
THAT CAN PROTECT YOU.
525
00:33:01,134 --> 00:33:02,367
LET ME PROTECT YOU.
526
00:33:02,401 --> 00:33:05,401
HOW CAN YOU PROTECT ME
IF YOU'RE SCARED OF ME?
527
00:33:05,434 --> 00:33:07,967
I NEVER MEANT FOR ANY
OF THIS TO TOUCH YOU.
528
00:33:08,000 --> 00:33:10,667
I DIDN'T, I JUST--
529
00:33:10,700 --> 00:33:12,867
I COULDN'T BEAR
TO LOSE YOU.
530
00:33:23,301 --> 00:33:26,167
||
[soft jazz music]
531
00:33:26,201 --> 00:33:34,434
♪
532
00:33:40,900 --> 00:33:45,600
THAT ISN'T EVEN ME.
533
00:33:45,633 --> 00:33:48,468
YES, IT IS.
534
00:34:03,568 --> 00:34:07,967
||||
[raining]
535
00:34:08,000 --> 00:34:09,733
(Will)
HEY.
536
00:34:09,767 --> 00:34:11,234
HEY.
537
00:34:11,267 --> 00:34:12,367
I HAVE TO GET BACK
TO BECCA.
538
00:34:12,401 --> 00:34:13,967
I CAN'T KEEP
LEAVING HER LIKE THIS.
539
00:34:14,000 --> 00:34:16,501
JAIME--
WHAT DO YOU PEOPLE DO,
ANYWAY?
540
00:34:18,534 --> 00:34:19,900
||
IT'S COMPLICATED.
541
00:34:19,934 --> 00:34:21,234
TRY ME.
542
00:34:22,834 --> 00:34:26,700
THE WORL
543
00:34:26,733 --> 00:34:29,334
TECHNOLOGY IS AT THE POINT
544
00:34:29,367 --> 00:34:31,834
WHERE SCIENCE FICTION
ISN'T FICTION ANYMORE.
545
00:34:31,867 --> 00:34:33,468
WE KEEP THAT TECHNOLOGY
546
00:34:33,501 --> 00:34:35,234
FROM GETTING
INTO THE WRONG HANDS.
547
00:34:35,267 --> 00:34:36,867
WHO GETS TO DECIDE
RIGHT ||OM WRONG?
548
00:34:41,534 --> 00:34:42,867
||
WHAT ABOUT SARAH CORVUS?
549
00:34:42,900 --> 00:34:44,401
WHERE DOES SHE FIGURE
IN ALL OF THIS?
550
00:34:44,434 --> 00:34:47,267
WHERE DID YOU HEAR
THAT NAME?
551
00:34:49,101 --> 00:34:51,667
WHERE DID YOU HEAR
THAT NAME, JAIME?
552
00:34:51,700 --> 00:34:54,501
[gunshot]
553
00:34:54,534 --> 00:34:55,600
WILL!
554
00:34:55,633 --> 00:34:57,167
[rifle cocks
in distance]
555
00:35:17,401 --> 00:35:18,367
WILL.
556
00:35:18,401 --> 00:35:20,034
I'M SORRY.
557
00:35:20,067 --> 00:35:21,301
JUST HOLD ON, OKAY?
558
00:35:37,867 --> 00:35:40,000
||||
WHERE IS SHE?
559
00:35:43,700 --> 00:35:45,900
[cell phone beeps]
560
00:35:45,900 --> 00:35:48,334
I NEED EVERYONE.||
561
00:36:19,134 --> 00:36:21,800
||||
[heartbeat]
562
00:36:41,134 --> 00:36:43,501
||
UNH! AHH!
563
00:36:54,600 --> 00:36:56,468
TIME-OUT.
564
00:37:04,234 --> 00:37:06,834
THE ANTHROCYTES
IN OUR BLOOD CAN FILTER OUT
565
00:37:06,867 --> 00:37:10,301
||
ANY IMPURITIES
IN OUR LUNGS.
566
00:37:10,334 --> 00:37:12,600
FRINGE BENEFIT
OF BEING A FREAK.
567
00:37:12,633 --> 00:37:14,234
WHAT DO YOU WANT FROM ME?
568
00:37:14,267 --> 00:37:17,167
HONESTLY, I'M NOT SURE.
569
00:37:17,201 --> 00:37:18,700
JOGGING PARTNER?
570
00:37:18,733 --> 00:37:20,501
WHO ARE YOU?
571
00:37:20,534 --> 00:37:23,101
WITHOUT BEING TOO MELODRAMATIC
ABOUT THE WHOLE THING,
572
00:37:23,134 --> 00:37:25,334
I'M SARAH CORVUS...
573
00:37:25,367 --> 00:37:28,334
THE FIRST BIONIC WOMAN.
574
00:37:28,367 --> 00:37:29,834
TAH-DAH.
575
00:37:31,934 --> 00:37:34,633
SO WHAT DID THEY REPLACE?
576
00:37:34,667 --> 00:37:38,034
I FIGURED THE EYES
AND THE EARS.
577
00:37:38,067 --> 00:37:39,234
||
WHAT ELSE?
578
00:37:39,267 --> 00:37:42,900
ME, THEY DID BOTH ARMS,
BOTH LEGS.
579
00:37:42,934 --> 00:37:45,401
ONLY ONE EYE.
580
00:37:45,434 --> 00:37:49,434
ANTHROS WASN'T SURE
ABOUT THE OPTICAL INTERFACE.
581
00:37:49,468 --> 00:37:52,800
SO I DID
THE OTHER ONE MYSELF.
582
00:37:52,834 --> 00:37:58,201
PART OF MY CHEST TOO.
583
00:37:58,234 --> 00:37:59,867
I'M CUTTING AWAY
584
00:37:59,900 --> 00:38:01,700
ALL THE PARTS OF ME
THAT ARE WEAK.
585
00:38:06,301 --> 00:38:08,167
TIME IN.
586
00:38:20,167 --> 00:38:23,534
[choking]
587
00:38:23,568 --> 00:38:25,501
YOU ONLY HAVE
ONE BIONIC ARM.
588
00:38:27,733 --> 00:38:31,167
||
YOU SHOULD REALLY DO
SOMETHING ABOUT THAT.
589
00:38:36,334 --> 00:38:39,134
||
[bones breaking]
AAH!
590
00:38:53,800 --> 00:38:56,967
YOU'RE GONNA HAVE TO DO
A LITTLE BETTER THAN THAT.
591
00:39:06,468 --> 00:39:08,867
UNH! AAH!
592
00:39:37,667 --> 00:39:39,301
||
HOW AM I DOING NOW?
593
00:39:39,334 --> 00:39:41,667
NOT BAD.
594
00:39:41,700 --> 00:39:44,034
NOT BAD AT ALL.
595
00:40:11,534 --> 00:40:14,067
(medic)
WE HAVE 39-YEAR-OLD
MALE CAUCASIAN,
596
00:40:14,101 --> 00:40:15,633
GUNSHOT VICTIM
TO THE LEFT SHOULDER.
597
00:40:15,667 --> 00:40:17,501
REQUEST ASSISTANCE
FROM MERCY GENERAL.
598
00:40:17,534 --> 00:40:19,234
(dispatcher)
10-4, NOTIFYING
MERCY GENERAL.
599
00:40:19,267 --> 00:40:20,900
TRANSPORT WHEN READY.
600
00:40:20,934 --> 00:40:23,301
WILL GONNA MAKE IT?
601
00:40:36,834 --> 00:40:39,134
||
[ambulance door closes]
602
00:40:44,434 --> 00:40:46,201
[s||en]
603
00:40:46,234 --> 00:40:49,468
MS. SOMMERS.
604
00:40:49,501 --> 00:40:51,934
JUST WANTED TO GET
A LOOK AT YOU.
605
00:40:51,967 --> 00:40:54,501
WHO ARE YOU?
606
00:40:54,534 --> 00:40:55,934
YOU HAVE $50 MILLION WORTH
607
00:40:55,967 --> 00:40:57,267
OF MY PROPERTY INSIDE YOU,
608
00:40:57,301 --> 00:40:59,201
SO I GUESS YOU COULD SAY
I'M YOUR LANDLORD.
609
00:40:59,234 --> 00:41:01,534
WHAT DO YOU WANT FROM ME?
610
00:41:01,568 --> 00:41:03,633
I DON'T KNOW.
611
00:41:03,667 --> 00:41:04,767
MAYBE YOU DIED
THREE DAYS AGO
612
00:41:04,800 --> 00:41:06,201
AND YOU JUST HAVEN'T
REALIZED IT YET.
613
00:41:06,234 --> 00:41:07,468
IS THAT A THREAT?
614
00:41:07,501 --> 00:41:09,767
THERE ARE NO FREE AGENTS
HERE, MS. SOMMERS.
615
00:41:09,800 --> 00:41:11,401
SOONER OR LATER YOU'RE
GONNA HAVE TO MAKE A CHOICE.
616
00:41:11,434 --> 00:41:12,633
||
IT GOES SOMETHING
LIKE THIS.
617
00:41:12,667 --> 00:41:14,867
HEADS, YOU LOSE.
TAILS, YOU DIE.
618
00:41:17,434 --> 00:41:19,568
||
WELCOME TO THE GAME.
619
00:41:21,301 --> 00:41:23,267
HEY!
620
00:41:27,633 --> 00:41:30,167
IF WE || THIS,
621
00:41:30,201 --> 00:41:32,334
WHATEVER THIS IS,
622
00:41:32,367 --> 00:41:34,301
WE DO IT ON MY TERMS.
623
00:41:36,101 --> 00:41:38,167
IF THAT'S
NOT OKAY WITH YOU,
624
00:41:38,201 --> 00:41:42,067
I KNOW WHAT
I'M CAPABLE OF NOW.
625
00:41:42,101 --> 00:41:44,501
SO YOU SEND WHOEVER
YOU SEND,
626
00:41:44,534 --> 00:41:48,034
AND I'LL BURY ONE GUY
AFTER THE NEXT.
627
00:41:48,067 --> 00:41:51,034
YOU UNDERSTAND ME?
628
00:41:54,700 --> 00:41:56,401
BY THE WAY...
629
00:41:56,434 --> 00:41:58,967
SARAH CORVUS SAYS HELLO.
630
00:42:05,334 --> 00:42:08,201
TELL JAE WE HAVE
A CANDIDATE.
631
00:42:39,334 --> 00:42:41,401
||||
WHAT ARE YOU DOING?
632
00:42:41,434 --> 00:42:44,967
I HAVEN'T SEEN THE MOON
IN 1,023 DAYS.
633
00:42:45,000 --> 00:42:47,468
||
IT HASN'T CHANGED.
LET'S GO.
634
00:42:47,501 --> 00:42:50,201
||
WE HAVE WORK TO DO.
635
00:43:04,134 --> 00:43:07,301
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