1
00:00:30,634 --> 00:00:32,701
I DIDN'T WANT TO.
2
00:00:39,800 --> 00:00:43,301
||I'M NOT IN CONTROL||
3
00:00:43,334 --> 00:00:45,467
I KNOW.
4
00:00:47,034 --> 00:00:50,134
TELL ME YOU LOVE ME.
5
00:01:10,000 --> 00:01:12,000
||I LOVE YOU.
6
00:01:16,401 --> 00:01:20,401
♪ AND THE NEAREST BOAT
SLINKS BACK TO PALM BEACH ♪
7
00:01:20,434 --> 00:01:23,467
♪ JUMP IN AIR
OR DROPPING THE LINE ♪
8
00:01:23,501 --> 00:01:25,334
♪ BUT YOU LOOK BACK UP
9
00:01:25,367 --> 00:01:28,234
♪ THEY'RE OUTRIGHT
UP IN SMOKE ♪
10
00:01:28,267 --> 00:01:31,234
♪
11
00:01:31,267 --> 00:01:32,601
♪ WOO, ALL RIGHT
12
00:01:32,634 --> 00:01:35,800
♪ LET'S FALL APART...
13
00:01:35,833 --> 00:01:39,301
WE'RE OUT OF STOLI!
14
00:01:42,067 --> 00:01:45,234
||[elevator rising]
15
00:01:47,634 --> 00:01:50,734
||||[voices on TV]
16
00:02:16,768 --> 00:02:20,367
||[loud rock music]
17
00:02:20,401 --> 00:02:23,534
♪ WAA
18
00:02:23,567 --> 00:02:25,167
♪ HOO
19
00:02:25,200 --> 00:02:27,768
♪ YEAH, YEAH, YEAH...
20
00:02:28,100 --> 00:02:30,233
BECCA!
21
00:02:33,934 --> 00:02:35,734
WHAT?
22
00:02:35,767 --> 00:02:38,133
YOUR MUSIC'S TOO LOUD
23
00:02:39,634 --> 00:02:41,267
[music stops]
24
00:02:41,300 --> 00:02:42,300
WHAT NOW?
25
00:02:42,334 --> 00:02:43,434
WY IS THE DOOR LOCKED?
26
00:02:43,467 --> 00:02:45,601
WHAT WERE YOU DOING?
27
00:02:49,734 --> 00:02:51,667
WHERE IS IT?
28
00:02:51,701 --> 00:02:53,233
WHERE'S WHAT?
29
00:02:53,267 --> 00:02:54,634
YOU'RE NOT ALLOWED
TO BE NEAR A COMPUTER
30
00:02:54,667 --> 00:02:55,934
PLUGGED INTO
A PHONE LINE.
31
00:02:55,968 --> 00:02:57,500
OR DO I HAVE TO SHOW YOU
THE COURT ORDER?
32
00:02:57,534 --> 00:02:59,068
YEAH, WELL, WHY DON'T
YOU EMAIL IT TO ME?
33
00:02:59,100 --> 00:03:01,167
BECCA--
LOOK, GO AHEAD.
TEAR THE ROOM APART.
34
00:03:01,200 --> 00:03:02,767
DO YOU SEE
A COMPUTER IN HERE?
35
00:03:02,801 --> 00:03:04,601
NO, WHICH MEANS
THAT TH ONLY THING
36
00:03:04,634 --> 00:03:06,367
THAT'S IN HERE
THAT DOESN'T BELONG IS--
37
00:03:06,400 --> 00:03:08,100
DRUM ROLL PLEASE--YOU.
38
00:03:08,133 --> 00:03:11,400
||I'M DRIVING YOU
TO SCHOOL IN TEN MINUTES.
39
00:03:23,601 --> 00:03:25,834
||TOO EASY.
40
00:03:25,867 --> 00:03:27,801
♪ AND YOU'RE
A PRIMA BALLERINA ♪
41
00:03:27,834 --> 00:03:30,400
♪ ON A SPRING AFTERNOON
42
00:03:28,634 --> 00:03:31,101
[whistling]
43
00:03:31,134 --> 00:03:34,001
♪ CHANGE ON
INTO THE WOLFMAN ♪
44
00:03:35,834 --> 00:03:36,968
||* HOWLING AT THE MOON
45
00:03:37,001 --> 00:03:39,167
THAT'S NOT REAL FOOD.
46
00:03:39,200 --> 00:03:40,968
YOjSRE NOT A REAL MOM.
47
00:03:46,367 --> 00:03:48,601
WHAT'S YOUR PROBLEM?
48
00:03:48,634 --> 00:03:51,267
YOU KNOW, DAD DIDN'T TRY
TO CONTROL ME.
49
00:03:51,300 --> 00:03:52,934
DAD TRUSTED ME, OKAY?
50
00:03:52,968 --> 00:03:54,467
DAD DROPPED YOU OFF
ON MY DO||STEP.
51
00:03:54,500 --> 00:03:56,300
YOU VANT TO LIVE WITH DAD?
LIVE WITH DAD.
52
00:03:56,334 --> 00:03:57,867
IF YOU CAN FIND HIM.
53
00:03:57,901 --> 00:03:59,500
HERE'S WHAT TO DO.
54
00:03:59,534 --> 00:04:01,100
LOOK FOR A BIG
PROTEST RALLY,
55
00:04:01,133 --> 00:04:02,634
THEN FIND
THE NEAREST BAR.
56
00:04:02,667 --> 00:04:06,133
YOU THINK YOU REMEMBER,
BUT YOU DON'T.
57
00:04:08,034 --> 00:04:09,667
[car door slams shut]
58
00:04:18,601 --> 00:04:20,667
THE VICTIM OF A BAGHDAD
CAR BOMBING.
59
00:04:20,701 --> 00:04:25,567
NEEDED TRANSPLANTS
AND FACIAL RECONSTRUCTIONS.
60
00:04:25,601 --> 00:04:30,034
THIS TRIATHLETE WAS TOLD
HE'D NEVER COMPETE AGAIN.
61
00:04:30,068 --> 00:04:31,634
||tudents whistle
62
00:04:31,667 --> 00:04:34,667
FOR SOME WOMEN,
BIGGER IS BETTER.
63
00:04:34,701 --> 00:04:35,734
ter]au
64
00:04:35,767 --> 00:04:36,968
WHAT THESE PEOPLE
HAVE IN COMMON
65
00:04:37,001 --> 00:04:39,001
IS THAT THEY HAVE EACH
ON SOME LEVEL
66
00:04:39,034 --> 00:04:40,667
ALTERED THEMSELVES.
67
00:04:40,701 --> 00:04:44,034
||BUT WHERE'S
THE THRESHOLD?
68
00:04:44,068 --> 00:04:47,400
||
WHEN IS IT OKAY TO INTERVENE
IN GOD'S WORK?
69
00:04:47,434 --> 00:04:50,267
THIS QUESTION'S THE VERY
CORNERSTONE OF BIOETHICS,
70
00:04:50,300 --> 00:04:52,200
[bell rings]
AND WE'RE GONNA SPEND
THE REST OF THE SEMESTER
71
00:04:52,233 --> 00:04:54,701
DEALING WITH IT.
72
00:04:54,734 --> 00:04:56,801
COME ON, WILL,
I'M A BARTENDER AND A DROPOUT.
73
00:04:56,834 --> 00:04:58,801
||
YOU'RE A PROFESSOR.
AND A SURGEON.
74
00:04:58,834 --> 00:05:00,667
||
HOW CAN YOU TAKE ME
SERIOUSLY?
75
00:05:00,701 --> 00:05:02,400
WHAT MAKES YOU THINK
I TAKE YOU SERIOUSLY?
76
00:05:02,434 --> 00:05:04,133
||
DO YOU?
77
00:05:04,167 --> 00:05:05,367
WHY ARE YOU WITH ME?
78
00:05:05,400 --> 00:05:07,667
YOU'RE DIFFERENT.
79
00:05:07,701 --> 00:05:09,034
FROM WHAT?
80
00:05:09,068 --> 00:05:11,467
WHEN YOUR WHOLE LIFE'S
PLANNED OUT FOR YOU
81
00:05:11,500 --> 00:05:12,667
WHILE YOU'RE STILL
IN THE WOMB,
82
00:05:12,701 --> 00:05:14,233
IT KIND OF KILLS
THE MYSTERY.
83
00:05:14,267 --> 00:05:16,934
AND THEN YOU CAME ALONG
AND YOU WERE...
84
00:05:16,968 --> 00:05:18,601
UNEXPECTED.
85
00:05:18,634 --> 00:05:20,133
UNEXPECTED?
86
00:05:20,167 --> 00:05:22,601
THE ONE CHOICE MY FATHER
DIDN'T MAKE FOR ME.
87
00:05:25,133 --> 00:05:27,300
[pag|| beeping]
88
00:05:27,334 --> 00:05:29,167
I GOTTA RUN.
WE STILL ON FOR DINNER?
89
00:05:29,200 --> 00:05:31,001
8:00?
MAKE IT 8:30.
90
00:05:31,034 --> 00:05:34,233
I HAVE TO GO TO THE LAB
FOR A FEW HOURS.
91
00:05:34,267 --> 00:05:37,167
WHILE WE'RE ON THE SABJECT,
WHY ARE YOU WITH ME?
92
00:05:37,200 --> 00:05:39,867
YOU'RE NOT
ENTIRELY UNCHARMING.
93
00:05:46,300 --> 00:05:48,167
0||||
IT' INSULTING.
94
00:05:48,200 --> 00:05:50,434
LAST TIME I LEFT YOU ALONE
YOU STARTED A FIRE.
95
00:05:50,467 --> 00:05:51,667
E MICROWAVE WAS BROKEN.
[door buzzer]
96
00:05:51,701 --> 00:05:53,267
WE DIDN'T HAVE
A MICROWAVE.
97
00:05:53,300 --> 00:05:54,567
||
(Becca)
LOOK, THEY'RE WEIRD.
98
00:05:54,601 --> 00:05:55,601
THEY'RE MY FRIENDS.
99
00:05:55,634 --> 00:05:57,001
||
YEAH, THEY'RE
YOUR WEIRD FRIENDS.
100
00:05:57,034 --> 00:05:58,634
PLEASE?
FOR ME?
101
00:05:58,667 --> 00:06:01,567
[exhales]
LOOK, TOMORROW NIGHT.
102
00:06:01,601 --> 00:06:02,734
DOUBLE FEATURE?
103
00:06:02,767 --> 00:06:04,901
DE||.
104
00:06:04,934 --> 00:06:08,001
WOW.
YOU LOOK ROCKING.
105
00:06:08,034 --> 00:06:09,534
I BROUGHT PHEROMONES.
106
00:06:09,567 --> 00:06:11,300
I GOTTA GO.
I'M GONNA BE LATE.
107
00:06:11,334 --> 00:06:12,667
BE GOOD!
108
00:06:12,701 --> 00:06:15,267
HAVE FUN.
109
00:06:15,300 --> 00:06:19,200
[soft piano music
in background]
110
00:06:19,233 --> 00:06:20,701
(Will)
I THINK THERE'S
A PRETTY GOOD CHANCE
111
00:06:20,701 --> 00:06:23,034
THE GRANT WILL
COME THROUGH.
112
00:06:23,068 --> 00:06:25,167
THE INSTITUTE'S INDICATING
IT'S A DONE DEAL.
113
00:06:25,200 --> 00:06:28,901
AND I HEAR PARIS IS GREAT
IN THE SPRING, AND--
114
00:06:28,934 --> 00:06:30,667
YOU'RE NOT HAPPY.
115
00:06:30,667 --> 00:06:32,701
||
OF COURSE I'M HAPPY.||
116
00:06:32,734 --> 00:06:35,233
BECAUSE I THINK
YOU SHOULD COME WITH||E.
117
00:06:35,267 --> 00:06:37,400
I CAN'T.
WHY NOT?
118
00:06:37,434 --> 00:06:39,567
I HAVE A JOB.
JAIME.
119
00:06:39,601 --> 00:06:41,133
AND A LIFE.
WE'RE TALKING PARIS.
120
00:06:41,167 --> 00:06:44,001
AND I HAVE RESPONSIBILITIES.
DID I MENTION IT'S PARIS?
121
00:06:44,034 --> 00:06:46,667
I'M PREGNANT.
122
00:06:46,701 --> 00:06:50,734
||
YEAH( THAT'S WHAT I SAID.
123
00:06:50,767 --> 00:06:54,200
||
I DON'T WANT YOU TO--
I ST--
124
00:06:55,801 --> 00:06:57,133
YOU JUST SPRING
ON SOMEONE.
125
00:06:57,167 --> 00:06:58,567
EXCEPT FOR THE PART
WHERE THAT'S EXACTLY
126
00:06:58,601 --> 00:06:59,801
WHAT I'M DOING TO YOU
RIGHT NOW.
127
00:06:59,834 --> 00:07:01,267
AND I KNOW
YOU'RE IN A PLACE
128
00:07:01,300 --> 00:07:02,434
WHERE YOU CAN'T EVEN
THINK ABOUT IT.
129
00:07:02,467 --> 00:07:04,567
AND, GOD, I'M ONLY 24.
IT'S NOT--
130
00:07:04,601 --> 00:07:05,634
I MEAN, I SAID TO MYIDLF
131
00:07:05,634 --> 00:07:06,867
THERE'S ONLY ONE THING
TO DO, BUT--||
132
00:07:06,901 --> 00:07:10,767
FIVE MONTHS, 14 DAYS.
133
00:07:10,801 --> 00:07:14,367
THAT'S HOW LONG
WE'VE BE
134
00:07:14,400 --> 00:07:16,334
JAIME, IF SOMEBODY
HAD ASKE4ME
135
00:07:16,367 --> 00:07:18,634
FIVE MONTHS
AND 15 DAYS AGO
136
00:07:18,667 --> 00:07:20,034
IF I BELIEVED
IN LOVE AT FIRST SIG||,
137
00:07:20,068 --> 00:07:24,068
I WOULD'VE SAID||I ABS
138
00:07:24,100 --> 00:07:26,500
AND THE VERY NEXT DAY
I WOULD'VE BEEN PROVED WRONG.
139
00:07:26,534 --> 00:07:30,734
WILL--
MARRY ME.
140
00:07:30,767 --> 00:07:33,133
SO I'M THINKING COLTRANE
IF IT'S A BOY.
141
00:07:33,167 --> 00:07:34,500
BILLIE IF IT'S A GIRL.
142
00:07:34,534 --> 00:07:36,534
||
YOU DON'T HAVE
TO DO THIS, YOU KNOW.
143
00:07:38,801 --> 00:07:41,100
||||
ACTUALLY, I'M PRETTY SI MEAN
YOU HAVEYOU DON' THEM.||||
144
00:07:41,133 --> 00:07:43,300
I
145
00:07:43,334 --> 00:07:45,500
SO WHAT DOES THAT TELL YOU?
146
00:07:55,334 --> 00:07:56,767
||||
JAIME.
147
00:07:58,667 --> 00:07:59,901
JAIME!
148
00:08:17,867 --> 00:08:20,201
(female medic)
LOOKS LIKE MASSIVE
IN||RNAL BLEEDING.
149
00:08:20,234 --> 00:08:22,834
(male medic)
EXTENSIVE CRUSH INJURIES
TO RIGHT ARM AND BOTH LEGS.
150
00:08:22,867 --> 00:08:24,867
||
SHE'S COMING UP!
I NEED FIVE MILLIGRAMSOF MIDAZOLAM!
151
00:08:24,901 --> 00:08:27,400
WILL.
(Will)
YOU'RE GONNA BE
OKAY, BABY.
152
00:08:27,433 --> 00:08:29,167
WE'RE GONNA PUT YOU
BACK TO SLEEP.
153
00:08:29,201 --> 00:08:31,201
IT'S GONNA BE ALL RIGHT.
I PROMISE.
154
00:08:31,234 --> 00:08:32,700
IT'S GONNA BE OKAY.
155
00:08:32,734 --> 00:08:35,201
[electrical whining]
156
00:08:58,634 --> 00:09:02,367
♪(female medic)
BP 95 TELL.
PULSE OX IS 90-20.
157
00:09:02,400 --> 00:09:05,200
MULTIPLE COMPOUND
RADIAL AND ULNAR FRACTURES
158
00:09:05,233 --> 00:09:06,233
OF THE RIGHT ARM.
159
00:09:06,233 --> 00:09:07,334
SEVERED BRACHIAL ARTERY.||
160
00:09:07,367 --> 00:09:08,767
RIGHT ARM IS A S||EDDER.
161
00:09:08,801 --> 00:09:10,267
WE'RE LOOKING AT COMPLETE
AK AMPUTATION ON BOTH LEGS.
162
00:09:10,300 --> 00:09:12,500
NEUROVASCULAR DAMAGE
IS CATASTROPHIC.
163
00:09:12,534 --> 00:09:13,634
LOST THE FETAL HEARTBEAT.
164
00:09:13,667 --> 00:09:16,367
DR. ANTHROS,
BP's FALLING, 80 SYSTOLIC.
165
00:09:16,400 --> 00:09:18,634
||PREP HER.
166
00:09:18,667 --> 00:09:20,100
DR. ANTHROS, WE CAN'T--
DO IT!
167
00:09:20,133 --> 00:09:23,400
WHY DIDN'T SOMEBODY
STOP HIM?
168
00:09:23,434 --> 00:09:24,601
HE HAS FUL@ CLEARANCE.
169
00:09:24,634 --> 00:09:27,667
WE DIDN'T HAVE
THE AUTHORITY TO STOP HIM.
170
00:09:27,701 --> 00:09:30,667
[bell ringing]
171
00:09:33,434 --> 00:09:34,601
THIS IS THE PRICE YOU PAY
172
00:09:34,634 --> 00:09:38,133
FOR WORKING
WITH A SO-CALLED GENIUS.
173
00:09:38,167 --> 00:09:40,734
||
GUESS HE MUST'VE LEFT
HIS IQ IN THE CAR.
174
00:09:40,767 --> 00:09:43,500
DEEP READING THE ULNAR NERVE.
175
00:09:43,534 --> 00:09:45,734
SIGNIFICANT DAMAGE.
176
00:09:45,767 --> 00:09:48,400
[monitors beeping]
177
00:09:50,334 --> 00:09:51,801
SHOULD I INTERVENE?
178
00:09:51,834 --> 00:09:54,300
||
(Jonas)
NO.
179
00:09:54,334 --> 00:09:57,167
||
THIS OPERATION, THIS PATIENT,
DOESN'T OFFICIALLY EXIST.
180
00:09:57,200 --> 00:09:59,001
WE HAVE DENIABILITY.
IT'S A FREEBIE.
181
00:09:59,034 --> 00:10:01,334
WE CAN ALWAYS TERMINATE LATER,
NEED BE.
182
00:10:03,200 --> 00:10:05,634
MEANWHIL GET JAE.
183
00:10:08,267 --> 00:10:12,968
||
IT WILL HAVE TO BE RESECTED
TO ITS BRANCH POINT.
184
00:10:13,001 --> 00:10:15,534
RADIAL NERVE APPEARS
TO BE INTACT.
185
00:10:20,167 --> 00:10:22,767
||
I NEED
SOME PRESSURE HERE.
186
00:10:28,867 --> 00:10:33,400
||
[harsh rock music]
187
00:10:53,701 --> 00:10:56,767
||
FORGIVE ME, FATHER,
FOR I HAVE SINNED.
188
00:10:56,801 --> 00:10:58,968
THE DOCTOR.
DID YOU KILL HIM?
189
00:10:59,001 --> 00:11:01,701
||
IT WAS LIKE A RIDE
AT DISNEYLAND.
190
00:11:04,100 --> 00:11:06,200
||
WHICH ONE?
191
00:11:06,233 --> 00:11:07,867
I'VE NEVER BEEN.
192
00:11:07,901 --> 00:11:12,001
I'LL TAKE YOU.
YOU'LL LOVE IT.
193
00:11:12,034 --> 00:11:14,334
||
IT'S ALL FAT PEOPLE
194
00:11:14,367 --> 00:11:16,767
WITH FAT CHILDREN
WALKING AROUND AIMLESSLY,
195
00:11:16,801 --> 00:11:18,634
TOO STUPID TO KNOW
THE DIFFERENCE.
196
00:11:18,667 --> 00:11:21,934
DO YOU MISS IT?
THE WAY THINGS WERE?
197
00:11:21,968 --> 00:11:24,267
||
IF I COULD REMEMBER,
I'M SURE I WOULD.
198
00:11:31,068 --> 00:11:33,634
||
DO I REMIND YOU OF HER?
199
00:11:36,867 --> 00:11:40,300
YOUR SKIN.
200
00:11:40,334 --> 00:11:43,167
TE
201
00:11:57,034 --> 00:11:59,167
[monitors beeping]||
202
00:12:06,801 --> 00:12:10,200
||
JAIME?
WHAT HAPPENED?
203
00:12:10,233 --> 00:12:12,334
THERE WAS AN ACCIDENT.
204
00:12:12,367 --> 00:12:14,500
YOU'RE OKAY.
205
00:12:17,534 --> 00:12:20,534
THE BABY.
206
00:12:20,567 --> 00:12:23,367
WHAT ABOUT THE BABY?
207
00:12:23,400 --> 00:12:24,701
[sobbing]
OH, GOD.
208
00:12:24,734 --> 00:12:27,767
THERE WAS
NO PERMANENT DAMAGE.
209
00:12:27,801 --> 00:12:29,867
YOU'LL BE ABLE
TO GET PREGNANT AGAIN.
210
00:12:35,334 --> 00:12:37,567
WHY CAN'T I FEEL MY LEGS?
211
00:12:39,734 --> 00:12:42,034
OKAY, JAIME, I NEED
TO TELL YOU SOMETHING.
212
00:12:42,068 --> 00:12:43,034
WHAT'S HAPPENING TO ME?
213
00:12:43,068 --> 00:12:44,500
I NEED TO TELL YOU
ABOUT WHAT I DO.
214
00:12:44,534 --> 00:12:46,500
AND YOU NEED
TO LISTEN TO ME.
I CAN'T FEEL MY ARM.
215
00:12:46,534 --> 00:12:48,701
LISTEN TO ME, JAIME.
216
00:12:48,734 --> 00:12:52,001
BOTH YOUR LEGS
AND YOUR ARM
217
00:12:52,034 --> 00:12:53,534
HAD TO BE REPLACED.
218
00:12:53,567 --> 00:12:57,200
ALSO YOUR RIGHT EAR
AND RIGHT EYE.
219
00:12:57,233 --> 00:13:00,701
MOLECULAR MACHINES--
ANTHROCYTES--
220
00:13:00,734 --> 00:13:05,233
HAVE BEE||SUBSTITUTED
FOR 1/8 OF YOUR BLOOD CELLS.
221
00:13:08,834 --> 00:13:10,601
NOW YOU SHOULD HAVE
LACERATIONS
222
00:13:10,634 --> 00:13:12,434
BONE-DEEP ALL OVER
YOUR FACE,
223
00:13:12,467 --> 00:13:16,200
E ANTHROCYTES
ARE HEALING YOU
224
00:13:16,233 --> 00:13:19,734
||
AT AN EXPONENTIAL RATE,
ALL OF YOU.
225
00:13:19,767 --> 00:13:21,968
THEY'RE MAKING YOU BETTER.
226
00:13:22,001 --> 00:13:26,767
[screaming]
227
00:13:26,801 --> 00:13:28,834
IT'LL BE OKAY,
IT'S GONNA BE--
228
00:13:30,467 --> 00:13:33,267
[continues screaming]
229
00:14:02,467 --> 00:14:04,901
||||||
IT WAS A DREAM.
230
00:14:06,367 --> 00:14:08,267
[door keypad beeps]
231
00:14:16,334 --> 00:14:20,801
||
THE BIONICS ENHANCE
BASELINE HUMAN STRENGTH.
232
00:14:20,834 --> 00:14:22,834
AND THEN SOME.
233
00:14:22,867 --> 00:14:25,300
WHAT HAVE YOU DONE TO ME?
234
00:14:25,334 --> 00:14:27,901
JAIME--
WHY DID YOU DO THIS TO ME?
235
00:15:05,034 --> 00:15:07,534
♪SIR.
236
00:15:07,567 --> 00:15:10,200
BORN JAIME WELLS SOMMERS,
VAN HORNE, IOWA.
237
00:15:10,234 --> 00:15:13,167
FEBRUARY 23, 1983.
238
00:15:13,200 --> 00:15:15,234
MOTHER DECEASED, CANCER.
239
00:15:15,234 --> 00:15:17,467
SHE'S CLEAN EXCEPT
FOR A SEALED COURT RECORD
240
00:15:17,501 --> 00:15:18,900
FROM 1998.
241
00:15:18,933 --> 00:15:20,000
WHAT'S IN IT?
242
00:15:20,034 --> 00:15:21,401
IT'S SEALED.
UNSEAL IT.
243
00:15:21,434 --> 00:15:23,267
I'M WORKING ON IT.
244
00:15:23,301 --> 00:15:26,267
I THINK
SHE'S A GOOD CANDIDATE.
245
00:15:26,301 --> 00:15:29,734
WELL, LET'S PRETEND
I'M SOLICITING OPINIONS--WHY?
246
00:15:29,768 --> 00:15:31,434
SHE'S STABLE.
247
00:15:31,467 --> 00:15:32,701
I PULLED UP AN OLD
248
00:15:32,734 --> 00:15:35,467
MINNESOTA MULTIPHASIC
PERSONALITY INVENTORY.
249
00:15:35,501 --> 00:15:36,967
I LIKED WHAT I SAW.
250
00:15:37,000 --> 00:15:40,134
PLUS THE SITUATION
WITH HER SISTER SHOWS LOYALTY.
251
00:15:40,167 --> 00:15:43,100
AND SHE'S SMART.
I FOUND AN OLD IQ TEST.
252
00:15:43,134 --> 00:15:44,900
HOW'D SHE DO?
253
00:15:44,933 --> 00:15:48,200
||
A LITTLE BETTER
THAN YOU...SIR.
254
00:15:48,234 --> 00:15:49,367
JAE, CAN YOU TRAIN HER?
255
00:15:51,134 --> 00:15:53,601
WELL, THE LAST ONE
WE SCREENED AND TESTED.
256
00:15:53,634 --> 00:15:56,467
THERE WERE PSYCH EVALUATIONS,
AND SHE WAS A SOLDIER.
257
00:15:56,501 --> 00:15:57,634
||
LOOK WHERE THAT GOT US.
258
00:15:57,668 --> 00:16:00,467
WE ALWAYS TALKED ABOUT
NON-MILITARY APPLICATIONS.
259
00:16:00,501 --> 00:16:01,634
HERE'S OUR CHANCE.
260
00:16:01,668 --> 00:16:02,734
YOUR OPINION IS INVALID HERE.
261
00:16:02,768 --> 00:16:04,000
YOU'RE TOO CLOSE
TO THE SUBJECT.
262
00:16:04,034 --> 00:16:06,301
THIS FBOM THE GUY WHO PLAYED
HOUSE WITH THE LAST ONE.
263
00:16:06,334 --> 00:16:08,800
LET'S GET FRESH DATA.
I WANT YOU TO SIT HER DOWN.
264
00:16:08,833 --> 00:16:11,867
ALL RIGHT.
265
00:16:14,967 --> 00:16:17,034
||||
(Jae)
YOU KNOW, I ONCE HAD A WOLF.
266
00:16:18,867 --> 00:16:21,267
AND A WOLF ONLY MAKES
A GOOD PET
267
00:16:21,301 --> 00:16:23,534
IF HE THINKS
HE'S A DOG.
268
00:16:23,567 --> 00:16:25,034
NOW YOUR GIRLFRIEND,
269
00:16:25,067 --> 00:16:27,234
WE'RE KEEPING HER HERE
AGAINST HER WILL.
270
00:16:27,267 --> 00:16:29,234
HOW LONG UNTIL
SHE REALIZES
271
00:16:29,267 --> 00:16:31,900
THAT NO ONE CAN MAKE HER DO
ANYTHING AGAINST HER WILL?
272
00:16:31,933 --> 00:16:34,200
YOU'RE TALKING
ABOUT KILLING A HUMAN.
273
00:16:34,234 --> 00:16:36,267
I'M TALKING
ABOUT KILLING A WOLF.
274
00:16:38,434 --> 00:16:41,034
YOU KNOW WHAT SCARES ME
ABOUT YOU?
275
00:16:41,067 --> 00:16:45,800
YOUR FATHER.
HE SEEMED NORMAL TOO.
276
00:16:45,833 --> 00:16:47,401
||
IF I'M ANYTHING
LIKE MY FATHER,
277
00:16:47,434 --> 00:16:49,634
YOU JUST MADE
A BIG MISTAKE.
278
00:16:53,301 --> 00:16:55,000
ALL RIGHT, WE HAVE
TO GET YOU TO REHAB.
279
00:16:55,034 --> 00:16:56,301
WHAT FOR?
280
00:16:56,334 --> 00:16:57,567
REHABILITATION.
281
00:16:57,601 --> 00:16:59,234
I'M NOT THE ONE PERFORMING
HUMAN EXPERIMENTS
282
00:16:59,267 --> 00:17:00,800
AND KEEPING PEOPLE
PRISONER.
283
00:17:00,833 --> 00:17:04,567
YOU REHABILITATE
YOURSELF.
284
00:17:48,100 --> 00:17:50,501
I'M RUTH.
I'M PISSED.
285
00:17:50,534 --> 00:17:51,933
||
GOOD.
286
00:17:51,967 --> 00:17:53,267
WE'RE HERE TO TALK
ABOUT OUR FEELINGS.
287
00:17:53,301 --> 00:17:54,334
HOW DO YOU FEEL ABOUT ME
288
00:17:54,367 --> 00:17:55,100
BEING KEPT HERE
AGAINST MY WILL?
289
00:17:55,133 --> 00:17:57,133
♪I WAS SPEAKING
EDITORIALLY.
290
00:17:57,167 --> 00:17:59,367
ACTUALLY, WE'RE HERE
TO TALK ABOUT YOUR FEELINGS.
291
00:17:59,400 --> 00:18:01,701
SOMETHING NO ONE SEEMS
TO HAVE ANY REGARD FOR.
292
00:18:01,734 --> 00:18:04,133
CURVE BALLS'LL DO THAT.
293
00:18:04,167 --> 00:18:05,567
||
YOU CAN HAVE ALL
294
00:18:05,601 --> 00:18:06,734
THE CONTINGENCY PLANS
YOU LIKE,
295
00:18:06,767 --> 00:18:07,868
AND THEN SOMEONE
GOES AND DOES
296
00:18:07,901 --> 00:18:09,067
SOMETHING LIKE THIS,
297
00:18:09,100 --> 00:18:10,300
AND THEN WE ALL HAVE
TO STAY AFTER SCHOOL--
298
00:18:10,334 --> 00:18:11,501
AND TALK ABOUT OUR FEELINGS.
299
00:18:11,534 --> 00:18:13,467
YOUR FEELINGS.
300
00:18:13,501 --> 00:18:14,834
RIGHT.
301
00:18:14,868 --> 00:18:17,000
AFTER ALL, FEELINGS ARE
WHAT GOT US HERE
302
00:18:17,033 --> 00:18:20,234
||
IN THE FIRST PLACE.
303
00:18:20,267 --> 00:18:23,667
YOU LIKE TO DRAW.
304
00:18:28,067 --> 00:18:30,501
TRUE OR FALSE--
I HAVE A SISTER.
305
00:18:30,534 --> 00:18:32,367
SHE'S STAYING
WITH YOUR LANDLADY.
306
00:18:32,400 --> 00:18:34,901
SHE THINKS
YOU'RE SKIING IN VAIL.
307
00:18:34,934 --> 00:18:37,968
||IS IS WHERE YOU STAYED.
IT LOOKS NICE.
308
00:18:38,000 --> 00:18:39,200
YOU HAD FUN.
309
00:18:39,234 --> 00:18:41,767
EXCEPT FOR THE PART
WHERE WILL INJURED HIS ARM
310
00:18:41,801 --> 00:18:43,000
SKIING INTO A TREE.
311
00:18:43,033 --> 00:18:45,367
DOES THIS MEAN I'LL BE
GOING HOME AT SOME POINT?
312
00:18:45,400 --> 00:18:47,601
||
IT MEANS THAT WE HAVE
A CONTINGENCY PLAN
313
00:18:47,634 --> 00:18:49,567
SHOULD YOU BE GOING HOME
AT SOME POINT.
314
00:18:49,601 --> 00:18:53,400
WE ALSO HAVE A PLAN
SHOULD YOU NOT.
315
00:18:53,434 --> 00:18:55,100
||
TRUE OR FALSE.
316
00:18:55,133 --> 00:18:58,601
||
YOU CAN'T TEACH
AN OLD DOG NEW TRICKS.
317
00:19:16,434 --> 00:19:19,334
||
YOU WOULD'VE DONE
THE SAME THING.
318
00:19:21,267 --> 00:19:23,334
YOQ NEVER MET MY WIFE,
DID YOU?
319
00:19:24,667 --> 00:19:27,234
FOR TWO YEARS I WATCHED
HER IN A HOSPITAL
320
00:19:27,267 --> 00:19:29,534
WHILE THEY
DISASSEMBLED HER.
321
00:19:29,567 --> 00:19:31,767
AND THE WHOLE TIME I KNEW
ALL I HAD TO DO TO SAVE HER
322
00:19:31,801 --> 00:19:33,467
WASBRING HER HERE,
BUT SAVING MY WIFE
323
00:19:33,501 --> 00:19:35,634
WAS NOT THE MISSION.
324
00:19:35,667 --> 00:19:39,234
RUTH SAYS SHE'S STABLE.
325
00:19:39,267 --> 00:19:41,133
HOW LONG UNTIL SHE'S
COMBAT READY?
326
00:19:41,167 --> 00:19:43,234
SHE'S A CIVILIAN.
327
00:19:43,267 --> 00:19:44,667
EVERYONE HAS TO SING
FOR THEIR SUPPER
328
00:19:44,701 --> 00:19:45,868
AROUND HERE, WILL,
329
00:19:45,901 --> 00:19:48,033
OR HAVEN'T YOU FIGURED
THAT OUT YET?
330
00:19:51,033 --> 00:19:54,300
HOW LONG UNTIL THE REST
OF HER IMPLANTS COME ONLINE?
331
00:20:06,534 --> 00:20:08,067
||
SHE LIKES TO DRAW.
332
00:20:08,100 --> 00:20:09,234
I DON'T CARE.
333
00:20:09,267 --> 00:20:11,467
I THINK YOU'LL CARE
ABOUT THIS.
334
00:20:24,534 --> 00:20:27,033
||
I MEAN, DID YOU EVER
SEE THE BODY?
335
00:20:27,067 --> 00:20:28,901
YOU SHOW THIS
TO ANYBODY ELSE?
336
00:20:28,934 --> 00:20:30,634
ST YOU.
KEEP IT THAT WAY.
337
00:20:30,667 --> 00:20:32,400
[gears lock]
338
00:20:32,434 --> 00:20:34,467
[alarm]
339
00:20:34,501 --> 00:20:36,801
[voices shouting]
340
00:20:40,968 --> 00:20:44,100
||
(woman on PA)
SECURITY BREACH.
SECURITY BREACH.
341
00:20:49,267 --> 00:20:51,300
I CAN'T PROTECT YOU
IN HERE,
342
00:20:51,334 --> 00:20:52,701
BUT ONCE YOU'R||
ON THE OUTSIDE--
343
00:20:52,734 --> 00:20:55,467
WHY SHOULD I TRUST YOU?
344
00:20:55,501 --> 00:20:58,067
BECAUSE I'M THE ||LY ONE
YOU CAN TRUST.
345
00:20:58,067 --> 00:21:00,067
GO BACK TO YOUR LIFE LIKE
NONE OF THIS EVER HAPPENED.
346
00:21:00,100 --> 00:21:02,467
I'LL WORK IT OUR
WITH THEM.
WHAT ABOUT YOU?
347
00:21:02,501 --> 00:21:04,501
||
GO NOW
348
00:21:10,000 --> 00:21:12,467
[helicopter approaching]
349
00:21:24,033 --> 00:21:27,167
||||
[heartbeat]
350
00:21:37,200 --> 00:21:41,167
||||
[bionics @ulsing]
351
00:21:49,200 --> 00:21:50,634
ALL RIGHT, SO I'LL HAVE
THOSE FAXED OVER TO YOU
352
00:21:50,667 --> 00:21:51,901
BY FRIDAY AFTERNOON.
353
00:21:51,934 --> 00:21:54,834
AND WE'RE STILL ON
FOR THAT MEETING TOMORROW?
354
00:21:54,868 --> 00:21:57,467
OKAY, GOOD.
355
00:21:57,501 --> 00:21:59,534
||
YEAH.
356
00:21:59,567 --> 00:22:02,067
MM-HMM.
357
00:22:02,100 --> 00:22:04,934
MOMMY...
358
00:22:04,968 --> 00:22:06,667
THERE'S A LADY OUT THERE
RUNNING REALLY FAST.
359
00:22:06,701 --> 00:22:08,667
LIKE AS FAST AS A CAR.
360
00:22:08,701 --> 00:22:11,701
SWEETIE, WHAT DID I TELL YOU
ABOUT MAKING THINGS UP?
361
00:22:11,734 --> 00:22:14,167
I JUST THOUGHT IT WAS COOL
THAT A GIRL COULD DO THAT.
362
00:22:14,200 --> 00:22:15,634
THAT'S ALL.
363
00:22:19,267 --> 00:22:21,901
||||
LET HER GO.
364
00:22:21,934 --> 00:22:23,133
WHAT THE HELL
DID YOU DO?
365
00:22:23,167 --> 00:22:25,400
YOU WANT HER, RIGHT?
FOR THE PROGRAM.
366
00:22:25,434 --> 00:22:28,067
I'LL MAKE HER UNDERSTAND
WHAT'S AT STAKE.
367
00:22:28,100 --> 00:22:31,801
JUST LET ME HAVE TIME--
TIME TO WHAT?
368
00:22:31,834 --> 00:22:34,567
||
LETTING HER GO
IS NOT A BAD IDEA.
369
00:22:34,601 --> 00:22:36,868
||
IF YOU WANT HER LOYALTY,
GIVE HER FREEDOM.
370
00:22:36,901 --> 00:22:38,901
OR THE ILLUSION
OF FREEDOM.
371
00:22:40,567 --> 00:22:42,167
||||
ALL RIGHT.
372
00:22:42,200 --> 00:22:44,667
EVERYBODY STAND DOWN.
373
00:22:46,334 --> 00:22:48,400
(male soldier)
MOVE OUT.
374
00:22:50,901 --> 00:22:52,000
YOU'RE MAKING A MISTAKE.
375
00:22:52,033 --> 00:22:54,667
LISTEN TO ME.
376
00:22:54,701 --> 00:22:56,200
THE ACCIDENT WASN'T
AN ACCIDENT.
377
00:22:56,234 --> 00:22:58,601
ACCORDING TO THE AUTOPSY,
THE DRIVER'S NECK WAS BROKEN
378
00:22:58,634 --> 00:23:00,367
AN HOUR BEFORE THE CRASH,
379
00:23:00,400 --> 00:23:02,601
||
WHICH MEANS SOMEONE ELSE
WAS DRIVING THAT TRUCK.
380
00:23:02,634 --> 00:23:05,167
WE NEED TO FIND OUT WHO.
381
00:23:31,001 --> 00:23:33,001
♪(Will on answering machine)
JAIME, IT'S WILL.
382
00:23:33,034 --> 00:23:35,067
JAIME, IF YOU'RE THERE,
PICK UP THE PHONE.
383
00:23:35,101 --> 00:23:37,234
I NEED TO TALK TO YOU.
384
00:23:37,268 --> 00:23:40,901
JAIME, PLEASE.
385
00:23:40,934 --> 00:23:44,367
THERE ARE THINGS I NEED
TO TELL YOU ABOUT...
386
00:23:44,400 --> 00:23:47,500
BEFORE THEY HAPPEN.
387
00:23:47,534 --> 00:23:50,801
♪ I AM SMALL
388
00:23:50,834 --> 00:23:59,067
♪
389
00:24:21,967 --> 00:24:26,201
||||
* I'M REALLY ME *
390
00:24:32,400 --> 00:24:34,534
UNH!
391
00:24:42,901 --> 00:24:46,067
[breathing heavily]
392
00:24:50,467 --> 00:24:52,700
[door closes]
393
00:24:52,734 --> 00:24:53,967
NICE OF YOU TO SHOW UP.
394
00:24:55,767 --> 00:24:59,001
I'M SORRY.
395
00:24:59,034 --> 00:25:01,300
YEAH, WHAT FOR?
396
00:25:01,333 --> 00:25:03,667
FOR LEAVING
AND NOT TELLING YOU FIRST.
397
00:25:06,500 --> 00:25:08,867
HOW WAS SKIING?
398
00:25:08,901 --> 00:25:10,767
IT WAS FINE.
399
00:25:13,433 --> 00:25:15,300
DAD USED TO ALWAYS SAY
DON'T BELIEVE ANYTHING
400
00:25:15,333 --> 00:25:17,101
UNTIL IT'S BEEN DENIED.
BECCA--
401
00:25:17,134 --> 00:25:18,901
LOOK, DON'T LIE
TO ME, OKAY?
402
00:25:18,934 --> 00:25:21,367
WE BOTH KNOW
YOU DON'T SKI.
403
00:25:24,134 --> 00:25:25,667
SO WHERE WERE YOU?
404
00:25:25,700 --> 00:25:30,534
I--I CAN'T TELL YOU.
405
00:25:38,467 --> 00:25:40,600
[door slams]
406
00:25:44,634 --> 00:25:47,734
||
[car alarm in distance]
407
00:26:06,500 --> 00:26:08,001
||
COFFEE.
408
00:26:08,034 --> 00:26:09,634
SURE.
409
00:26:14,467 --> 00:26:18,867
THERE'S NO SMOKING.
410
00:26:18,901 --> 00:26:22,967
WHAT ARE YOU?
A FOREST RANGER?
411
00:26:23,001 --> 00:26:25,834
SOMETHING LIKE THAT.
412
00:26:29,234 --> 00:26:31,300
MUST BE SCARY.
413
00:26:31,333 --> 00:26:34,867
ALONE IN THE FOREST,
JUST YOU AND THE ELVES.
414
00:26:34,901 --> 00:26:36,500
NOT IF THEY KNOW
WHO'S IN CHARGE.
415
00:26:42,801 --> 00:26:44,834
||
HEY, WAIT UP!
416
00:26:44,867 --> 00:26:46,001
GUARD.
417
00:26:48,967 --> 00:26:52,234
WE BOTH KNOW YOU WORK
IN A SUPER-MAX PRISON
418
00:26:52,268 --> 00:26:54,400
1,000 FEET
BELOW FLORENCE.
419
00:26:54,433 --> 00:26:56,534
||
WE BOTH KOW
THIS IS THE ||ACE
420
00:26:56,567 --> 00:26:57,667
WHERE THEY STICK PEOPLE
421
00:26:57,700 --> 00:26:58,934
WHEN THEY OUTLIVE
THEIR USEFULNESS.
422
00:26:58,967 --> 00:27:00,101
I DON'T KNOW
WHO YOU ARE--
423
00:27:00,134 --> 00:27:01,367
IF YOU DON'T DO
EXACTLY WHAT YOU SAY,
424
00:27:01,400 --> 00:27:03,667
MY MAN IS GONNA CARVE
YOUR WIFE BARBARA UP
425
00:27:03,700 --> 00:27:04,901
LIKE VENUS DE MILO.
426
00:27:09,834 --> 00:27:13,767
(woman, sobbing)
OH, GOD, BOBBY, HELP ME.
427
00:27:13,801 --> 00:27:16,534
||[door buzzer]
428
00:27:23,467 --> 00:27:25,700
||||
HOW'D YOU DO IT?
429
00:27:27,667 --> 00:27:29,034
DO YOU KNOW WHAT
THEY CALL CREATURES
430
00:27:29,067 --> 00:27:30,967
THAT CAN LIVE COMFORTABLY
IN ENVIRONMENTS
431
00:27:31,001 --> 00:27:33,934
CONSIDERED LETHAL,
SAY FOR INSTANCE
432
00:27:33,967 --> 00:27:35,734
1,000 FEET BELOW
THE EARTH'S SURFACE--
433
00:27:35,767 --> 00:27:36,901
HOW DID YOU DO IT?
434
00:27:36,934 --> 00:27:38,901
EXTREMOPHILES.
435
00:27:38,934 --> 00:27:40,600
I'LL DO AN IMPRESSION
OF ONE FOR YOU.
436
00:27:40,634 --> 00:27:41,867
READY?
437
00:27:43,001 --> 00:27:46,034
||
HOW DID YOU--
WHAT?
438
00:27:46,067 --> 00:27:48,600
HOW DID I DO WHAT?
439
00:27:48,634 --> 00:27:50,700
SARAH CORVUS IS
STILL ALIVE.
440
00:27:50,734 --> 00:27:53,001
AND YOU CAME ALL THE WAY HERE
TO TELL ME THAT.
441
00:27:54,567 --> 00:27:56,567
LET ME DO
ANOTHER IMPRESSION FOR YOU.
442
00:27:56,600 --> 00:27:59,400
IMPRESSION OF MAN WHO'S
BEEN STABBED IN THE BACK,
443
00:27:59,433 --> 00:28:01,367
||
STRIPPED OF HIS RIGHTS,
AND THROWN IN A HOLE
444
00:28:01,400 --> 00:28:02,934
LIKE A DOG.
445
00:28:02,967 --> 00:28:04,433
SARAH CORVUS
IS A TIME BOMB.
446
00:28:04,467 --> 00:28:05,534
WE BOTH KNOW IT.
447
00:28:05,567 --> 00:28:08,367
WELL, TIME BOMBS
ONLY MATTER TO THOSE
448
00:28:08,400 --> 00:28:11,034
WHO HAVE TIME.
449
00:28:11,067 --> 00:28:12,101
GOOD-BYE, JAE.
450
00:28:12,134 --> 00:28:14,834
PLEASE GIVE MY REGARDS
TO WILL.
451
00:28:14,867 --> 00:28:17,801
||||
TELL HIM DADDY
SAYS HELLO.
452
00:28:17,834 --> 00:28:18,901
GUARDS!
453
00:28:18,934 --> 00:28:21,367
[door unlocks]
454
00:28:22,600 --> 00:28:25,268
♪ I PULL THESE REINS,
WALKING STARS ♪
455
00:28:25,300 --> 00:28:27,067
♪ ONCE BEFORE
456
00:28:27,101 --> 00:28:28,634
||
* AND AT FIRST
I COULDN'T PLACE IT *
457
00:28:28,667 --> 00:28:30,367
♪ BUT NOW I'M SURE...
458
00:28:30,400 --> 00:28:32,634
(Sarah)
IF I MAY MAKE AN OBSERVATION.
459
00:28:32,667 --> 00:28:34,567
YOU SEEM WAY TOO
INNOCENT AND SWEET
460
00:28:34,600 --> 00:28:36,067
TO BE RUNNING A BAR.
461
00:28:36,101 --> 00:28:38,801
YOU SHOULD BE OUT THERE
WITH THE REST OF THEM.
462
00:28:38,834 --> 00:28:39,867
FINALLY, I'M NOT
THE ONLY PERSON
463
00:28:39,901 --> 00:28:41,067
THAT FEELS THAT WAY.
464
00:28:41,101 --> 00:28:43,467
WHAT CAN I GET YOU?
BEER.
465
00:28:44,867 --> 00:28:46,034
ON THE HOUSE.
466
00:28:46,067 --> 00:28:48,734
THANK YOU.
467
00:28:50,367 --> 00:28:52,034
DON'T I KNOW YOU?
468
00:28:52,067 --> 00:28:54,467
WE MET VERY BRIEFLY.
469
00:28:54,500 --> 00:28:56,534
WE DIDN'T EVEN
ACTUALLY MEET.
470
00:28:56,567 --> 00:28:59,168
WHERE?
GUESS.
471
00:28:59,201 --> 00:29:00,901
AAH!
472
00:29:00,934 --> 00:29:02,934
ARE YOU ALL RIGHT?
YEAH.
473
00:29:02,967 --> 00:29:04,367
LET ME TAKE
A LOOK AT IT.
474
00:29:04,400 --> 00:29:06,834
NO, THAT'S OKAY.
475
00:29:06,867 --> 00:29:09,467
[pulsing sounds
overlapping]
476
00:29:18,234 --> 00:29:21,067
[static,
distorted voices]
477
00:29:24,734 --> 00:29:26,500
[ice rattling]
478
00:29:30,134 --> 00:29:32,534
[flame whipping,
lighter clicking]
479
00:29:32,567 --> 00:29:34,168
||
[distorted]
ARE YOU OKAY?
480
00:29:34,201 --> 00:29:37,001
(man)
COME ON, YOUR BOYFRIEND
WILL NEVER KNOW.
481
00:29:37,034 --> 00:29:39,600
||
COME ON, LISA.
482
00:29:43,433 --> 00:29:45,634
[heartbeat]
483
00:29:45,667 --> 00:29:47,500
ARE YOU ALL RIGHT?
484
00:29:55,634 --> 00:29:58,367
@
[VOMITING]
485
00:30:04,134 --> 00:30:06,268
(Sarah)
LET ME HELP YOU.
486
00:30:09,634 --> 00:30:11,400
||
JUST BREATH.
487
00:30:14,534 --> 00:30:16,168
IT'S LIKE THAT
488
00:30:16,201 --> 00:30:19,134
THE FIRST TIME THE EAR
AND EYE INPUTS COME ONLINE.
489
00:30:19,168 --> 00:30:22,067
IT'S TOO MUCH INFORMATION.
490
00:30:22,101 --> 00:30:23,867
YOU HAVE TO LEARN
HOW TO FOCUS IT
491
00:30:23,901 --> 00:30:25,767
AND TURN IT OFF
AND ON AT WILL.
492
00:30:31,500 --> 00:30:35,234
||
YOU'RE A FAST HEALER.
493
00:30:35,268 --> 00:30:37,567
||
THE ANTHROCYTES
ARE DOING THEIR JOB.
494
00:30:37,600 --> 00:30:40,467
WHO ARE YOU?
495
00:30:40,500 --> 00:30:41,867
WHO ARE YOU?
496
00:30:51,467 --> 00:30:54,333
[loud rock music]
497
00:30:54,367 --> 00:30:59,333
♪
498
00:30:59,367 --> 00:31:00,934
(Sarah)
JAIME.
499
00:31:08,767 --> 00:31:10,801
JAIME.
500
00:31:10,834 --> 00:31:13,001
TELL EVERYONE
SARAH CORVUS SAYS HELLO.
501
00:31:35,101 --> 00:31:37,400
||
[footsteps approaching]
502
00:31:41,634 --> 00:31:44,000
♪(man)
YO!
503
00:31:44,034 --> 00:31:46,501
||
YOU LOOKING FOR SOMETHIHG?
504
00:31:46,534 --> 00:31:48,833
YOU NEED SOMETHING?
505
00:31:50,234 --> 00:31:52,267
HERE, BABY.
506
00:31:52,367 --> 00:31:53,767
I GOT WHAAH!OU NEED.
507
00:32:03,501 --> 00:32:05,367
PLEASE!
508
00:32:05,401 --> 00:32:09,334
PLEASE DON'T--
509
00:32:31,001 --> 00:32:32,468
ARE YOU OKAY?
510
00:32:32,500 --> 00:32:34,101
TELL ME WHAT
YOU PUT IN MY HEAD.
511
00:32:34,134 --> 00:32:35,434
JAIME--
I ALMOST KILLED A MAN.
512
00:32:35,468 --> 00:32:36,633
I DIDN'T EVEN KNOW
WHAT I WAS DOING.
513
00:32:36,667 --> 00:32:39,201
WHAT DID YOU PU
IN MY HEAD?
514
00:32:39,234 --> 00:32:41,468
MICROSCOPIC CHIPS
HAVE BEEN IMPLANTED
515
00:32:41,500 --> 00:32:44,767
IN YOUR CEREBRAL CORTEX.
516
00:32:44,800 --> 00:32:48,633
MY FATHER DEVELOPED
THE TECHNOLOGY FOR THE MILITARY.
517
00:32:48,667 --> 00:32:50,867
THE PROGRAM WAS MEANT TO HELP
AMPUTEES IN THE GULF.
518
00:32:50,900 --> 00:32:53,734
OF COURSE HE SAW THE COMBAT
APPLICATIONS IMMEDIATELY.
519
00:32:53,767 --> 00:32:55,934
YOU MADE ME
INTO A SOLDIER.
520
00:32:55,967 --> 00:32:58,401
YOU'RE HARDWIRED FOR HIGHLY
SPECIALIZED WARFARE, YES.
521
00:32:58,434 --> 00:33:00,001
I WAS GONNA KILL HIM.
I WOULD HAVE.
522
00:33:00,034 --> 00:33:01,201
BUT YOU DIDN'T.
YOU'RE STILL IN CONTROL.
523
00:33:01,234 --> 00:33:02,934
AND WITH THE PROPER
TRAINING--
TRAINING?
524
00:33:02,967 --> 00:33:06,001
JAIME, WE'RE THE ONLY ONES
THAT CAN PROTECT YOU.
525
00:33:06,034 --> 00:33:07,267
LET ME PROTECT YOU.
526
00:33:07,301 --> 00:33:10,301
HOW CAN YOU PROTECT ME
IF YOU'RE SCARED OF ME?
527
00:33:10,334 --> 00:33:12,867
I NEVER MEANT FOR ANY
OF THIS TO TOUCH YOU.
528
00:33:12,900 --> 00:33:15,567
I DIDN'T, I JUST--
529
00:33:15,600 --> 00:33:17,767
I COULDN'T BEAR
TO LOSE YOU.
530
00:33:28,201 --> 00:33:31,067
||
[soft jazz music]
531
00:33:31,101 --> 00:33:39,334
♪
532
00:33:45,800 --> 00:33:50,500
THAT ISN'T EVEN ME.
533
00:33:50,533 --> 00:33:53,368
YES, IT IS.
534
00:34:08,468 --> 00:34:12,867
||||
[raining]
535
00:34:12,900 --> 00:34:14,633
(Will)
HEY.
536
00:34:14,667 --> 00:34:16,134
HEY.
537
00:34:16,167 --> 00:34:17,267
I HAVE TO GET BACK
TO BECCA.
538
00:34:17,301 --> 00:34:18,867
I CAN'T KEEP
LEAVING HER LIKE THIS.
539
00:34:18,900 --> 00:34:21,401
JAIME--
WHAT DO YOU PEOPLE DO,
ANYWAY?
540
00:34:23,434 --> 00:34:24,800
||
IT'S COMPLICATED.
541
00:34:24,834 --> 00:34:26,134
TRY ME.
542
00:34:27,734 --> 00:34:31,600
THE WORL
543
00:34:31,633 --> 00:34:34,234
TECHNOLOGY IS AT THE POINT
544
00:34:34,267 --> 00:34:36,734
WHERE SCIENCE FICTION
ISN'T FICTION ANYMORE.
545
00:34:36,767 --> 00:34:38,368
WE KEEP THAT TECHNOLOGY
546
00:34:38,401 --> 00:34:40,134
FROM GETTING
INTO THE WRONG HANDS.
547
00:34:40,167 --> 00:34:41,767
WHO GETS TO DECIDE
RIGHT ||OM WRONG?
548
00:34:46,434 --> 00:34:47,767
||
WHAT ABOUT SARAH CORVUS?
549
00:34:47,800 --> 00:34:49,301
WHERE DOES SHE FIGURE
IN ALL OF THIS?
550
00:34:49,334 --> 00:34:52,167
WHERE DID YOU HEAR
THAT NAME?
551
00:34:54,001 --> 00:34:56,567
WHERE DID YOU HEAR
THAT NAME, JAIME?
552
00:34:56,600 --> 00:34:59,401
[gunshot]
553
00:34:59,434 --> 00:35:00,500
WILL!
554
00:35:00,533 --> 00:35:02,067
[rifle cocks
in distance]
555
00:35:22,301 --> 00:35:23,267
WILL.
556
00:35:23,301 --> 00:35:24,934
I'M SORRY.
557
00:35:24,967 --> 00:35:26,201
JUST HOLD ON, OKAY?
558
00:35:42,767 --> 00:35:44,900
||||
WHERE IS SHE?
559
00:35:48,600 --> 00:35:50,800
[cell phone beeps]
560
00:35:50,800 --> 00:35:53,234
I NEED EVERYONE.||
561
00:36:24,034 --> 00:36:26,700
||||
[heartbeat]
562
00:36:46,034 --> 00:36:48,401
||
UNH! AHH!
563
00:36:59,500 --> 00:37:01,368
TIME-OUT.
564
00:37:09,134 --> 00:37:11,734
THE ANTHROCYTES
IN OUR BLOOD CAN FILTER OUT
565
00:37:11,767 --> 00:37:15,201
||
ANY IMPURITIES
IN OUR LUNGS.
566
00:37:15,234 --> 00:37:17,500
FRINGE BENEFIT
OF BEING A FREAK.
567
00:37:17,533 --> 00:37:19,134
WHAT DO YOU WANT FROM ME?
568
00:37:19,167 --> 00:37:22,067
HONESTLY, I'M NOT SURE.
569
00:37:22,101 --> 00:37:23,600
JOGGING PARTNER?
570
00:37:23,633 --> 00:37:25,401
WHO ARE YOU?
571
00:37:25,434 --> 00:37:28,001
WITHOUT BEING TOO MELODRAMATIC
ABOUT THE WHOLE THING,
572
00:37:28,034 --> 00:37:30,234
I'M SARAH CORVUS...
573
00:37:30,267 --> 00:37:33,234
THE FIRST BIONIC WOMAN.
574
00:37:33,267 --> 00:37:34,734
TAH-DAH.
575
00:37:36,834 --> 00:37:39,533
SO WHAT DID THEY REPLACE?
576
00:37:39,567 --> 00:37:42,934
I FIGURED THE EYES
AND THE EARS.
577
00:37:42,967 --> 00:37:44,134
||
WHAT ELSE?
578
00:37:44,167 --> 00:37:47,800
ME, THEY DID BOTH ARMS,
BOTH LEGS.
579
00:37:47,834 --> 00:37:50,301
ONLY ONE EYE.
580
00:37:50,334 --> 00:37:54,334
ANTHROS WASN'T SURE
ABOUT THE OPTICAL INTERFACE.
581
00:37:54,368 --> 00:37:57,700
SO I DID
THE OTHER ONE MYSELF.
582
00:37:57,734 --> 00:38:03,101
PART OF MY CHEST TOO.
583
00:38:03,134 --> 00:38:04,767
I'M CUTTING AWAY
584
00:38:04,800 --> 00:38:06,600
ALL THE PARTS OF ME
THAT ARE WEAK.
585
00:38:11,201 --> 00:38:13,067
TIME IN.
586
00:38:25,067 --> 00:38:28,434
[choking]
587
00:38:28,468 --> 00:38:30,401
YOU ONLY HAVE
ONE BIONIC ARM.
588
00:38:32,633 --> 00:38:36,067
||
YOU SHOULD REALLY DO
SOMETHING ABOUT THAT.
589
00:38:41,234 --> 00:38:44,034
||
[bones breaking]
AAH!
590
00:38:58,700 --> 00:39:01,867
YOU'RE GONNA HAVE TO DO
A LITTLE BETTER THAN THAT.
591
00:39:11,368 --> 00:39:13,767
UNH! AAH!
592
00:39:42,567 --> 00:39:44,201
||
HOW AM I DOING NOW?
593
00:39:44,234 --> 00:39:46,567
NOT BAD.
594
00:39:46,600 --> 00:39:48,934
NOT BAD AT ALL.
595
00:40:16,434 --> 00:40:18,967
(medic)
WE HAVE 39-YEAR-OLD
MALE CAUCASIAN,
596
00:40:19,001 --> 00:40:20,533
GUNSHOT VICTIM
TO THE LEFT SHOULDER.
597
00:40:20,567 --> 00:40:22,401
REQUEST ASSISTANCE
FROM MERCY GENERAL.
598
00:40:22,434 --> 00:40:24,134
(dispatcher)
10-4, NOTIFYING
MERCY GENERAL.
599
00:40:24,167 --> 00:40:25,800
TRANSPORT WHEN READY.
600
00:40:25,834 --> 00:40:28,201
WILL GONNA MAKE IT?
601
00:40:41,734 --> 00:40:44,034
||
[ambulance door closes]
602
00:40:49,334 --> 00:40:51,101
[s||en]
603
00:40:51,134 --> 00:40:54,368
MS. SOMMERS.
604
00:40:54,401 --> 00:40:56,834
JUST WANTED TO GET
A LOOK AT YOU.
605
00:40:56,867 --> 00:40:59,401
WHO ARE YOU?
606
00:40:59,434 --> 00:41:00,834
YOU HAVE $50 MILLION WORTH
607
00:41:00,867 --> 00:41:02,167
OF MY PROPERTY INSIDE YOU,
608
00:41:02,201 --> 00:41:04,101
SO I GUESS YOU COULD SAY
I'M YOUR LANDLORD.
609
00:41:04,134 --> 00:41:06,434
WHAT DO YOU WANT FROM ME?
610
00:41:06,468 --> 00:41:08,533
I DON'T KNOW.
611
00:41:08,567 --> 00:41:09,667
MAYBE YOU DIED
THREE DAYS AGO
612
00:41:09,700 --> 00:41:11,101
AND YOU JUST HAVEN'T
REALIZED IT YET.
613
00:41:11,134 --> 00:41:12,368
IS THAT A THREAT?
614
00:41:12,401 --> 00:41:14,667
THERE ARE NO FREE AGENTS
HERE, MS. SOMMERS.
615
00:41:14,700 --> 00:41:16,301
SOONER OR LATER YOU'RE
GONNA HAVE TO MAKE A CHOICE.
616
00:41:16,334 --> 00:41:17,533
||
IT GOES SOMETHING
LIKE THIS.
617
00:41:17,567 --> 00:41:19,767
HEADS, YOU LOSE.
TAILS, YOU DIE.
618
00:41:22,334 --> 00:41:24,468
||
WELCOME TO THE GAME.
619
00:41:26,201 --> 00:41:28,167
HEY!
620
00:41:32,533 --> 00:41:35,067
IF WE || THIS,
621
00:41:35,101 --> 00:41:37,234
WHATEVER THIS IS,
622
00:41:37,267 --> 00:41:39,201
WE DO IT ON MY TERMS.
623
00:41:41,001 --> 00:41:43,067
IF THAT'S
NOT OKAY WITH YOU,
624
00:41:43,101 --> 00:41:46,967
I KNOW WHAT
I'M CAPABLE OF NOW.
625
00:41:47,001 --> 00:41:49,401
SO YOU SEND WHOEVER
YOU SEND,
626
00:41:49,434 --> 00:41:52,934
AND I'LL BURY ONE GUY
AFTER THE NEXT.
627
00:41:52,967 --> 00:41:55,934
YOU UNDERSTAND ME?
628
00:41:59,600 --> 00:42:01,301
BY THE WAY...
629
00:42:01,334 --> 00:42:03,867
SARAH CORVUS SAYS HELLO.
630
00:42:10,234 --> 00:42:13,101
TELL JAE WE HAVE
A CANDIDATE.
631
00:42:44,234 --> 00:42:46,301
||||
WHAT ARE YOU DOING?
632
00:42:46,334 --> 00:42:49,867
I HAVEN'T SEEN THE MOON
IN 1,023 DAYS.
633
00:42:49,900 --> 00:42:52,368
||
IT HASN'T CHANGED.
LET'S GO.
634
00:42:52,401 --> 00:42:55,101
||
WE HAVE WORK TO DO.
635
00:43:09,034 --> 00:43:12,201
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