1
00:00:01,600 --> 00:00:16,600
<font color="#ffff00">www.1000fr.com Present</font>

2
00:01:13,200 --> 00:01:28,200
<font color="#ffff00">Capture:Aihua
Sync:FRM@ÂÒ²¨</font>

3
00:01:48,100 --> 00:01:51,100
HEY, WHAT ARE YOU DOING?
FUCKING HOMICIDAL PRICK!

4
00:01:51,500 --> 00:01:53,400
MARK LEWINSKI, DOCTOR.

5
00:01:53,900 --> 00:01:55,700
WE MET AT THE RONALD
McDONALD THING

6
00:01:55,700 --> 00:01:57,300
- FOR THE KIDS LAST YEAR.
- OH, YES.

7
00:01:59,100 --> 00:02:00,700
GOOD COPY
IN THE MORNING PAPER

8
00:02:00,700 --> 00:02:04,100
DOES NOT NECESSARILY
MEAN UNINTERRUPTED SLEEP

9
00:02:04,100 --> 00:02:06,600
FOR THE HOSPITAL'S
LIABILITY ATTORNEY.

10
00:02:07,900 --> 00:02:10,000
WOULD YOU LIKE ME TO 
PRESCRIBE SOME BARBITURATES?

11
00:02:12,800 --> 00:02:14,300
WHAT I WOULD
LIKE FROM YOU, SIR--

12
00:02:15,000 --> 00:02:17,400
WHAT THE HOSPITAL
VERY MUCH WOULD LIKE--

13
00:02:17,800 --> 00:02:20,300
IS SOME SORT OF ACCOUNTING
 AS TO HOW A PATIENT

14
00:02:20,500 --> 00:02:23,100
COULD BE ADMITTED
WITH A FLATLINE E.E.G.,

15
00:02:23,100 --> 00:02:26,000
BE OXYGEN-DEPRIVED
FOR 27 MINUTES,

16
00:02:26,300 --> 00:02:28,300
BE WORKED UP
FOR A C2 FRACTURE

17
00:02:28,400 --> 00:02:30,400
<i>THEN EXIT THE SIDE
DOOR OF OUR HOSPITAL</i>

18
00:02:30,400 --> 00:02:31,600
WITHIN TWO HOURS.

19
00:02:33,200 --> 00:02:34,900
I BELIEVE
HE LEFT PIGGYBACK.

20
00:02:37,700 --> 00:02:38,900
LEVITY, DOCTOR?

21
00:02:39,800 --> 00:02:41,600
THIS FAMILY IS
NOT GOING TO SUE.

22
00:02:44,700 --> 00:02:45,900
"MIRACLE BOY"

23
00:02:46,100 --> 00:02:48,500
DOES UNDERCUT
PAIN AND SUFFERING.

24
00:02:49,200 --> 00:02:51,200
THE HOSPITAL HAS
A PUBLIC RELATIONS PROBLEM,

25
00:02:51,200 --> 00:02:52,700
THIS SHOULD ALLEVIATE IT.

26
00:02:56,200 --> 00:02:57,400
"IN RESIGNING,

27
00:02:58,200 --> 00:03:00,800
I ACKNOWLEDGE MISREADING
THE YOST BOY'S TESTS,

28
00:03:01,600 --> 00:03:04,500
WHICH, ON RECOGNIZING
MY MISTAKE, I DESTROYED."

29
00:03:05,800 --> 00:03:07,800
WELL, THAT'S VERY FORTHCOMIN

30
00:03:08,900 --> 00:03:11,500
"INHUMAN HOURS,
INCESSANT OVERWORK"?

31
00:03:11,500 --> 00:03:12,900
PUT THAT IN A "P.S."

32
00:03:41,100 --> 00:03:43,200
SURFING-- SHAUNIE?

33
00:03:44,100 --> 00:03:45,700
YEAH, HE HAD
A SLOW DAY YESTERDAY.

34
00:04:01,400 --> 00:04:03,000
AH. I'M GOING TO GO LOOK
FOR THAT NUT, 

35
00:04:03,000 --> 00:04:04,700
THAT GUY-- FOR MY FRIEND JOHN.

36
00:04:09,400 --> 00:04:10,400
OVER THE BACK FENCE, 

37
00:04:10,600 --> 00:04:13,300
FUCKING REPORTERS ARE 
HAVING BREAKFAST OUTSIDE.

38
00:04:16,200 --> 00:04:17,700
<i>SOMETIMES TO SAVE
WHAT YOU LOVE,</i>

39
00:04:19,800 --> 00:04:21,200
IT'S LIKE SURFING.

40
00:04:21,300 --> 00:04:22,900
<i>IF YOU DO IT
FOR THE WRONG REASONS,</i>

41
00:04:22,900 --> 00:04:25,200
<i>FOR THE POINTS,
IT'S JUST A DEAD GAME.</i>

42
00:04:27,400 --> 00:04:29,500
MMM.
YOUR POOR LEG.

43
00:04:32,600 --> 00:04:34,400
LAST NIGHT IS AS BADAS IT'S GONNA GET.

44
00:04:35,900 --> 00:04:38,300
GET SOME HERBS, MAKE UP
A POULTICE AND PFFFT.

45
00:04:45,100 --> 00:04:46,100
YOU FEEL THAT?

46
00:04:46,300 --> 00:04:50,000
THE WAY THE HEAT FLOWS
JUST LIKE CHAKRA TO CHAKRA?

47
00:04:56,700 --> 00:04:57,900
YOU SEE THE COLORS?

48
00:05:13,500 --> 00:05:14,400
<i>JOHN?</i>

49
00:05:18,600 --> 00:05:19,800
ARE YOU DUMPING OUT?

50
00:05:33,000 --> 00:05:34,000
JOHN?

51
00:06:11,000 --> 00:06:12,000
<i>CASS, ARE YOU IN THERE?</i>

52
00:06:12,700 --> 00:06:14,400
NO, IT'S AMELIA EARHART.

53
00:06:15,400 --> 00:06:16,700
<i>- COULD YOU COME OUT HERE?
- WHAT?</i>

54
00:06:17,600 --> 00:06:19,000
<i>IT'S IMPORTANT.</i>

55
00:06:44,600 --> 00:06:46,600
"IS TWO DAYS OFF
A CRIME?

56
00:06:47,900 --> 00:06:50,300
DO I EVER GET
TO FUCKING RELAX?"

57
00:06:52,700 --> 00:06:54,900
THAT WAS YOU, BOSS, IN YOUR
 SLEEP DURING THE NIGHT.

58
00:06:56,100 --> 00:06:57,800
I DON'T TALK
IN MY SLEEP.

59
00:07:11,200 --> 00:07:11,900
PHYSICIAN.

60
00:07:17,700 --> 00:07:18,900
IT'S THAT PHYSICIAN.

61
00:07:30,500 --> 00:07:32,300
- HELLO?
- HELLO.

62
00:07:34,300 --> 00:07:35,100
UH...

63
00:07:36,000 --> 00:07:37,700
I'M LOOKING
FOR BUTCHIE YOST.

64
00:07:39,900 --> 00:07:42,200
THE GENTLEMAN ACROSS THE 
WAY POINTED OUT THE ROOM TO ME.

65
00:07:43,000 --> 00:07:44,500
I HOPE YOU DON'T MIND
I'VE COME IN.

66
00:07:44,700 --> 00:07:46,500
YOU DIDN'T READ
THE PAPER THIS MORNING?

67
00:07:47,300 --> 00:07:49,600
THAT FAMILY HAD
A MIRACLE LAST NIGHT.

68
00:07:49,800 --> 00:07:50,900
AT THE HOSPITAL.

69
00:07:52,100 --> 00:07:54,400
I WAS SHAUN YOST'S DOCTOR.

70
00:07:54,800 --> 00:07:58,200
OH, I'M SORRY.
ITCHY.

71
00:07:59,300 --> 00:08:00,400
I'M CAREFUL
WITH GERMS.

72
00:08:00,400 --> 00:08:02,900
I SMELLED SMOKE,
THOUGHT MAYBE IT WAS THE STOVE.

73
00:08:03,700 --> 00:08:05,200
YOU WANT TO STAY
OR SOMETHING?

74
00:08:05,200 --> 00:08:07,400
YOU COULD WAIT
FOR BUTCHIE.

75
00:08:07,700 --> 00:08:10,300
I'LL TAKE MY TOOLS
AND YOU CAN-- YEAH.

76
00:08:10,300 --> 00:08:11,900
OKAY, SURE.

77
00:08:14,300 --> 00:08:15,000
WAIT.

78
00:08:16,100 --> 00:08:17,500
<i>IN OTHER WORDS,
YOU WANT TO TALK</i>

79
00:08:17,500 --> 00:08:19,100
ABOUT ALL THIS STRANGE
SHIT THAT'S GOING ON?

80
00:08:19,200 --> 00:08:20,900
<i>YOU'RE AN EXPERT
IN THAT FIELD-- 

81
00:08:20,900 --> 00:08:22,600
THAT IS WHAT I
 BROUGHT YOU ON FOR?</i>

82
00:08:23,200 --> 00:08:25,400
OKAY, LINC, I GET IT.

83
00:08:25,600 --> 00:08:28,300
IF YOU GOT IT, YOU'D STILL
 BE IN THAT ROOM WITH HIM.

84
00:08:28,500 --> 00:08:30,600
HE WENT OUT TO GET
A POULTICE FOR HIS KNEE.

85
00:08:31,000 --> 00:08:33,300
YOU SHOULD BE EMBARRASSED 
TO HAVE TO TELL ME THAT.

86
00:08:34,600 --> 00:08:35,500
FUCK YOU.

87
00:08:37,200 --> 00:08:38,800
FUCK YOU.

88
00:08:39,100 --> 00:08:40,800
THE CORRECT ANSWER
WOULD BE,

89
00:08:41,100 --> 00:08:43,600
<i>"WHILE YOU, LINC,
ARE SIGNING CISSY,</i>

90
00:08:44,200 --> 00:08:47,400
I'M GOING TO TRY TO SELL HIM ON
 MOVING OUT OF HIS HOUSE FOR GOOD."

91
00:09:01,300 --> 00:09:02,500
"SHARE AND SHARE ALIKE."

92
00:09:03,700 --> 00:09:05,600
<i>- RIGHT, CARNAL?
- RIGHT, CARNAL.</i>

93
00:09:06,300 --> 00:09:07,800
THAT'S HOW
WE DO IT IN I.B.

94
00:09:26,800 --> 00:09:29,300
SO, JOHN FROM CINCINNATI,
IT'S TIME TO CHIP IN.

95
00:09:29,700 --> 00:09:32,600
<i>WE'VE DONE OUR LAST BEER.
GAS TOO.</i>

96
00:09:32,900 --> 00:09:34,700
<i>HOW ABOUT
I FUCK YOU UP, JOTO?</i>

97
00:09:34,800 --> 00:09:36,300
HOW ABOUT I FUCKOU UP?

98
00:09:36,800 --> 00:09:37,700
YOU BEING FUNNY?

99
00:09:38,600 --> 00:09:40,300
<i>JUST GET HIS
PINCHE WALLET, MAN.</i>

100
00:09:41,900 --> 00:09:43,800
<i> YOU THINK THIS
IS A JOKE, CABRON?

101
00:09:43,800 --> 00:09:45,100
I THINK THIS IS A JOKE.</i>

102
00:09:45,500 --> 00:09:46,700
I'LL CUT
YOUR FUCKING HEART OUT.

103
00:09:46,700 --> 00:09:49,200
- CUT MY FUCKING HEART OUT.
- YOU DON'T THINK I'LL CUT YOU?

104
00:09:49,200 --> 00:09:50,700
I'LL SHOW YOU YOUR
HEART WHILE YOU DIE.

105
00:09:50,800 --> 00:09:51,700
 SHOW ME MY HEART.

106
00:09:51,700 --> 00:09:53,900
- YOU READY TO LOOK, YOU FUCK?
- I'M READY.

107
00:09:54,000 --> 00:09:55,200
FUCK YOU!

108
00:09:55,400 --> 00:09:57,400
FUCK YOU, FUCK!

109
00:09:59,000 --> 00:10:00,000
YOU STARE ME DOWN?

110
00:10:01,000 --> 00:10:02,400
YOU STARE ME DOWN?!

111
00:10:03,100 --> 00:10:04,800
<i>I AIN'T AFRAID
TO BE THE LAST YOU SEE.</i>

112
00:10:07,400 --> 00:10:08,400
<i>COLD SHOT, MANO.</i>

113
00:10:10,300 --> 00:10:12,000
<i>YOU DID WHAT YOU
HAD TO DO, CARNAL.</i>

114
00:10:12,100 --> 00:10:13,600
GET THIS FUCK
OUT OF MY RIDE.

115
00:10:15,600 --> 00:10:16,500
HEY, DOC.

116
00:10:16,800 --> 00:10:17,800
HOW ARE YOU?

117
00:10:18,800 --> 00:10:21,200
THAT GUY'S LOST--
I WAS WITH AT THE HOSPITAL.

118
00:10:21,500 --> 00:10:22,800
I THOUGHT HE'D BE HERE
WITH BUTCHIE.

119
00:10:23,400 --> 00:10:24,600
BUTCHIE'S NOT
HERE EITHER.

120
00:10:25,700 --> 00:10:26,800
THINGS SLOW
AT THE HOSPITAL?

121
00:10:28,500 --> 00:10:29,600
I'VE RESIGNED.

122
00:10:31,100 --> 00:10:32,000
WHOA.

123
00:10:34,500 --> 00:10:36,800
IF YOU SEE BUTCHIE WILL YOU
 TELL HIM I'M LOOKING FOR JOHN?

124
00:10:41,000 --> 00:10:43,000
I'M GOING TO CHECK
ON SHAUN IN JUST A BIT.

125
00:10:49,700 --> 00:10:50,900
GOOD IDEA, CISSY.

126
00:10:54,300 --> 00:10:55,400
SHAUNIE'S SURFING

127
00:10:56,000 --> 00:10:57,300
WITH JO-JO AND
HIS OTHEFRIENDS.

128
00:10:57,600 --> 00:11:00,400
OUT WITH THE GROMS LIKE 
YESTERDAY NEVER EVEN HAPPENED.

129
00:11:02,700 --> 00:11:04,800
YOU GOT SOMETHING YOU
NEED ME TO SIGN, LINC?

130
00:11:05,900 --> 00:11:07,600
TODAY ISN'T YESTERDAY, CISSY,

131
00:11:07,900 --> 00:11:09,800
AND I'M NOT CLEAR
ON WHAT THE NEW RULES ARE,

132
00:11:10,200 --> 00:11:12,200
BUT I KNOW THE OLD ONES
HAVE BEEN CANCELED.

133
00:11:12,200 --> 00:11:15,000
MMM, AND YOU FIND TIME
TO COME BY AND TELL ME?

134
00:11:16,600 --> 00:11:18,600
DO YOU KNOW EVERYTHING
THAT YOU NEED TO KNOW,

135
00:11:18,800 --> 00:11:20,000
<i>DRESSING UP LIKE
MICHAEL JACKSON 

136
00:11:20,000 --> 00:11:21,300
WHILE YOUR BOY'S 
IN THE WATER</i>

137
00:11:21,300 --> 00:11:23,500
WITH 50 ASSHOLES
POINTING A CAMERA AT HIM?

138
00:11:24,600 --> 00:11:25,700
WORKS FOR ME.

139
00:11:26,900 --> 00:11:29,300
OF COURSE, ALL THOSE OTHER 
KIDS IN THE WATER WITH SHAUN,

140
00:11:29,700 --> 00:11:31,300
I'VE SIGNED THEM ALREADY.

141
00:11:31,800 --> 00:11:34,100
AND I NEED YOU,
RIGHT, LINC?

142
00:11:34,700 --> 00:11:36,300
YOUR STEADYING HAND?

143
00:11:38,200 --> 00:11:39,300
WHERE'S MITCH?

144
00:11:41,300 --> 00:11:43,600
MY MONEY WOULD BE,
EVEN SEEING SHAUN LAST NIGHT

145
00:11:43,800 --> 00:11:45,700
DIDN'T CONVERT YOU
FROM THE KIND OF ASSHOLE

146
00:11:45,700 --> 00:11:47,400
<i>WHO ONLY ASKS QUESTIONS
HE KNOWS THE ANSWER TO.</i>

147
00:11:52,600 --> 00:11:53,800
YOWANT TO HELP?

148
00:11:54,300 --> 00:11:55,100
STAY...

149
00:11:56,800 --> 00:11:57,800
DO THE DISHES.

150
00:12:19,100 --> 00:12:19,900
RIGHT.

151
00:12:27,500 --> 00:12:29,100
<i>- SHIT.
- WHAT?</i>

152
00:12:29,500 --> 00:12:30,800
I THOUGHT JOHN
WOULD BE WITH YOU.

153
00:12:32,400 --> 00:12:33,800
WELL, GIVE ME
A FUCKING BREAK, KAI.

154
00:12:33,800 --> 00:12:37,000
WELL, HE MUST'VE WANDERED
 OFF WHEN I WAS SLEEPING.

155
00:12:37,200 --> 00:12:38,700
I LOOKED FOR HIM
AT YOUR MOTEL.

156
00:12:38,700 --> 00:12:40,300
I SPENT THE NIGHT
AT MY MOM'S HOUSE.

157
00:12:40,300 --> 00:12:42,300
HE COULD BE ANYWHERE
IN THE FUCKING WORLD BY NOW.

158
00:12:42,900 --> 00:12:43,900
DON'T STOP THERE.

159
00:12:44,700 --> 00:12:46,300
DID HE FREAK OUT
ABOUT BONING YOU?

160
00:12:47,300 --> 00:12:48,800
HE DOESN'T EVEN KNOW
WHAT "BONING" MEANS.

161
00:12:49,000 --> 00:12:50,200
MAYBE I'D HAVE
WOUND UP SHOWING HIM,

162
00:12:50,200 --> 00:12:51,600
EXCEPT MY PUSSY OVERHEATED

163
00:12:51,600 --> 00:12:53,400
LIKE IT WAS COOKING
ON A GEORGE FOREMAN GRILL.

164
00:12:53,500 --> 00:12:56,200
MY TITS TOO-- LIKE THEY 
WERE IN A BLAST FURNACE.

165
00:12:56,200 --> 00:12:57,800
YOU GOT HARDWARE
IN YOUR BOX.

166
00:12:58,000 --> 00:13:00,400
- SO?
- YOUR NIPPLE RINGS.

167
00:13:01,400 --> 00:13:03,300
MY IMPLANTS WERE
OVERHEATING TOO, KAI.

168
00:13:03,300 --> 00:13:05,900
THAT'S WHY MY HEAD WAS 
GOING UP IN SMOKE. FUCK!

169
00:13:06,400 --> 00:13:07,500
IT WAS.

170
00:13:09,100 --> 00:13:11,500
WE WERE IN MY TRAILER
FIGURING OUT HE WAS VIRGIN,

171
00:13:11,600 --> 00:13:14,700
AND JOHN SAYS,
"SEE GOD, KAI."

172
00:13:15,200 --> 00:13:16,100
JUST LIKE THAT.

173
00:13:16,300 --> 00:13:19,000
AND THEN I WENT INTO SOME
HALLUCINATORY STATE.

174
00:13:20,100 --> 00:13:21,900
AND THERE WAS SMOKE
COMING OUT OF YOUR HEAD.

175
00:13:23,300 --> 00:13:24,200
FUCK.

176
00:13:26,000 --> 00:13:27,200
DO YOU WANT TO GO
LOOKING FOR HIM WITH ME?

177
00:13:28,400 --> 00:13:29,400
YEAH, I'LL GO WITH YOU.

178
00:13:29,800 --> 00:13:31,200
ALL RIGHT,
LET'S CHECK OUT HE PIER.

179
00:13:31,700 --> 00:13:33,100
FOR NOT KNOWING
WHAT THE WORD MEANT,

180
00:13:33,100 --> 00:13:35,400
I WONDER HOW JOHN GOT
THE IDEA TO BONE ME?

181
00:13:36,700 --> 00:13:40,200
I WAS TRYING TO TELL HIM THAT 
HE PICKED A NICE PERSON TO LIKE.

182
00:13:44,200 --> 00:13:45,300
LOOK AT THIS, ZIP.

183
00:13:48,100 --> 00:13:49,800
THIS FILLS ME
WITH MISGIVINGS--

184
00:13:50,900 --> 00:13:54,500
BANDYING WORDS LIKE "MIRACLE"
IN THE NEWSPAPER HEADLINE.

185
00:13:56,000 --> 00:13:59,300
THIS CAN ONLY ATTRACT NEW TYPES
 OF SHITHEEL INTO THAT BOY'S LIFE,

186
00:13:59,700 --> 00:14:01,700
WHICH WASN'T SHORT
OF SHITHEELS BEFORE.

187
00:14:07,800 --> 00:14:09,200
WE'RE GOING TO KEEP
OUR DISTANCE,

188
00:14:09,200 --> 00:14:10,900
I'M INFORMING YOU
OF THAT RIT NOW.

189
00:14:11,900 --> 00:14:13,900
WE'RE NOT GOING
TO JOCKEY FOR ATTENTION

190
00:14:13,900 --> 00:14:15,500
<i>OR BE LOOKED AT
AS A NUISANCE,</i>

191
00:14:15,600 --> 00:14:18,100
LIKE I SAW LAST NIGHT IN 
SHAUN'S GRANDMOTHER'S EYES

192
00:14:18,100 --> 00:14:19,300
WHEN I WAS OVER
AT THAT HOUSE.

193
00:14:22,300 --> 00:14:23,500
OR STAND IN THE STREET

194
00:14:23,900 --> 00:14:25,200
AMONGST MOPES,

195
00:14:25,900 --> 00:14:29,100
LIKE THAT HAWAIIAN
AND HIS BELT-HIGH SIDEKICK

196
00:14:29,400 --> 00:14:31,700
OR THE SOUP BRIGADE
FROM THAT MOTEL.

197
00:14:33,100 --> 00:14:36,300
I HAVE PLENTY OF TASKS 
AND CHORES WITHIN THIS HOUSE

198
00:14:36,300 --> 00:14:38,000
THAT I'VE BEEN
RELICT ATTENDING TO

199
00:14:38,200 --> 00:14:39,900
THAT WILL MORE THAN
OCCUPY OUR TIME.

200
00:14:45,300 --> 00:14:46,800
THERE IT IS.
THAT'S IT.

201
00:14:47,800 --> 00:14:49,700
THAT'S THE DOOMSDAY
SCENARIO.

202
00:14:53,300 --> 00:14:56,800
MAY THIS PAIN COME TO CLINTON 
FOR DISGRACING THE OVAL OFFICE.

203
00:14:57,500 --> 00:14:59,800
OOH! JESUS CHRIST,
JESUS CHRIST.

204
00:15:09,300 --> 00:15:10,500
THAT WILL
NEVER HAPPEN AGAIN--

205
00:15:12,700 --> 00:15:14,600
A SEQUENCE OF EVENTS
SO COMPLICATED

206
00:15:16,300 --> 00:15:18,300
THAT BUTCHIE YOST
AT THE AGE OF 10

207
00:15:19,300 --> 00:15:21,300
COULD HELP THE ONLY
WOMAN IN THE WORLD

208
00:15:22,200 --> 00:15:23,800
THAT WHEN I PASS A REMARK

209
00:15:24,600 --> 00:15:27,400
ABOUT SOME AIRHEAD PISSPOT
THAT I COLLAR,

210
00:15:28,200 --> 00:15:29,800
SHE HAS THE 
SWEETNS TO RECALL, 

211
00:15:29,800 --> 00:15:31,700
"I WONDER IF
IT'S THAT YOST BOY

212
00:15:32,000 --> 00:15:33,900
THAT USED TO HELP ME
WITH MY GROCERIES."

213
00:15:34,100 --> 00:15:36,700
I THROW HIM A BREAK
BECAUSE OF MY DARLING LOIS,

214
00:15:37,100 --> 00:15:38,600
KEEP ONE EYE OUT AFTER,

215
00:15:38,600 --> 00:15:40,400
SINCE I UNLOOSED
HIM IN SOCIETY.

216
00:15:40,600 --> 00:15:42,600
THAT THAT--
LOOKING OUT FOR BUTCHIE--

217
00:15:43,300 --> 00:15:45,300
WOULD LATER
CROSS MY PATH WITH SHAUN

218
00:15:45,300 --> 00:15:48,200
WHEN BUTCHIE BECAME
A JUNKIE DUMPSTER TENANT,

219
00:15:49,200 --> 00:15:51,300
<i>NOW WHO IN HIS RIGHT MIND</i>

220
00:15:52,200 --> 00:15:56,200
<i>WOULD BELIEVE THAT THAT SEQUENCE 
OF EVENTS COULD BE REPEATED?</i>

221
00:16:00,700 --> 00:16:01,800
THAT BOY IS
GONE FROM US.

222
00:16:07,700 --> 00:16:09,400
AND I DON'T REGRET
ONE THING.

223
00:16:11,400 --> 00:16:12,500
CHILDREN OR NOT...

224
00:16:16,000 --> 00:16:17,300
THE TIME I SPENT
WITH YOU...

225
00:16:20,100 --> 00:16:21,200
WAS THE JOY
OF MY LIFE.

226
00:16:23,600 --> 00:16:24,700
<i>I'VE GOT A FAVOR, GUYS.</i>

227
00:16:24,700 --> 00:16:27,500
I'M LOOKING FOR A BUDDY 
OF MINE. WE LOST OUR FRIEND.

228
00:16:27,900 --> 00:16:30,400
HE'S ABOUT YEA TALL,
COLLAR UP LIKE THIS,

229
00:16:30,400 --> 00:16:31,800
WALKS AROUND, 
"WHAT DO YOU WANT,

230
00:16:31,800 --> 00:16:33,100
 BUTCHIE YOST?"

231
00:16:33,400 --> 00:16:36,200
HAVE YOU SEEN A GUY THAT LOOKS
 LIKE THAT AROUND HERE? NO?

232
00:16:36,900 --> 00:16:38,100
<i>WELL, IF YOU DO,</i>

233
00:16:38,500 --> 00:16:41,200
I WANT YOU TO TELL
 THIS LADY RIGHT HERE.

234
00:16:41,600 --> 00:16:42,500
CAN YOU DO THAT?

235
00:16:42,900 --> 00:16:45,000
<i>NICE. ALL RIGHT,
GIVE ME A POUND.</i>

236
00:16:45,500 --> 00:16:47,800
BOOM BOOM BOOM.

237
00:16:48,200 --> 00:16:50,600
MARIO BROTHERS--
I GOT THE HIGH SCORE ON THAT.

238
00:16:54,000 --> 00:16:56,400
THE FIRST PLACE HE ASKED
 ME WHAT I WANTED, RIGHT THERE.

239
00:16:58,200 --> 00:16:59,900
"WHAT DO YOU WANT,
BUTCHIE YOST?"

240
00:17:01,300 --> 00:17:02,400
SHOULD WE
PUT UP A PLAQUE?

241
00:17:24,400 --> 00:17:25,400
HELLO.

242
00:17:29,800 --> 00:17:30,800
SHAUN'S SURFING.

243
00:17:31,600 --> 00:17:33,100
MRS. YOST'S AT WORK.

244
00:17:34,600 --> 00:17:36,300
AND YOU'RE PITCHING IN,
CLEANING HOUSE.

245
00:17:36,900 --> 00:17:38,400
WHAT, IS THIS
A RESTRICTED AREA?

246
00:17:39,000 --> 00:17:40,700
THAT WOULDN'T BE
FOR ME TO SAY.

247
00:17:44,400 --> 00:17:45,400
MICHAEL SMITH.

248
00:17:48,200 --> 00:17:49,400
LINC STARK.

249
00:17:49,700 --> 00:17:52,900
WE, UH, DIDN'T INTRODUCE
OURSELVES AT THE HOSPITAL

250
00:17:52,900 --> 00:17:55,100
WHEN YOU WERE
THROWING ME OFF THE FLOOR.

251
00:17:55,200 --> 00:17:56,600
WELL, THAT WAS
FOR ME TO SAY.

252
00:18:01,400 --> 00:18:02,900
PEOPLE NEED ROOM
TO DO THEIR JOBS.

253
00:18:03,800 --> 00:18:05,800
OF COURSE, YOUR JOB'S
OVER NOW THOUGH.

254
00:18:06,100 --> 00:18:07,900
AM I RIGHT?
UNLESS YOU GET SUED?

255
00:18:08,500 --> 00:18:11,600
NEGLIGENT OVERSIGHT,
INCOMPETENT EVALUATION,

256
00:18:11,700 --> 00:18:13,400
EMOTIONALLY DAMAGING
FOR THE FAMILY.

257
00:18:13,400 --> 00:18:14,900
I'M NOT HERE
TO PROTECT MY ASS.

258
00:18:16,400 --> 00:18:18,800
THAT'S A PLUS
FOR THE YOSTS.

259
00:18:19,000 --> 00:18:20,600
NOW THAT SHAUNIE'S OUT
OF THE WOODS,

260
00:18:20,800 --> 00:18:22,200
THEY'VE GOT
NEW HILLS TO CLIMB.

261
00:18:22,700 --> 00:18:24,500
THEY DON'T HAVE TIME
FOR HANGERS-ON

262
00:18:24,500 --> 00:18:26,500
AND LOSERS MAKING
THE TRIP ANY TOUGHER.

263
00:18:27,700 --> 00:18:29,200
ARE YOU RELATED
TO THE YOSTS?

264
00:18:29,800 --> 00:18:30,900
NOT BY BLOOD.

265
00:18:31,700 --> 00:18:33,900
MAYBE YOU JUST
SMELL IT IN THE WATER.

266
00:18:35,100 --> 00:18:36,300
WOULD THAT
MAKE ME DANGEROUS?

267
00:18:36,800 --> 00:18:38,500
TO WHATEVER
GOT SHAUN WELL?

268
00:18:39,300 --> 00:18:40,700
I WOULDN'T THINK SO, NO.

269
00:18:44,100 --> 00:18:45,800
WHICH DOES IT
MAKE ME, LINC,

270
00:18:46,400 --> 00:18:49,400
A LOSER
OR A HANGER-ON,

271
00:18:49,800 --> 00:18:51,700
IF I BELIEVE A MIRACLE
MIGHT'VE GOT HIM WELL?

272
00:18:53,700 --> 00:18:55,200
IT MAKES YOU A FANATIC.

273
00:18:57,100 --> 00:18:57,800
OH.

274
00:18:59,400 --> 00:19:01,500
TELL MRS. YOST
AND SHAUN I STOPPED BY.

275
00:19:02,000 --> 00:19:03,200
ABSOLUTELY.

276
00:19:06,500 --> 00:19:07,700
WHAT ARE YOU
LOOKING FOR?

277
00:19:08,100 --> 00:19:09,300
I'M LOOKING
FOR A WETSUIT.

278
00:19:10,300 --> 00:19:12,800
FULL SUITS, SHORTIES,
TWO-MIL, THREE-TWOS.

279
00:19:13,200 --> 00:19:13,800
THANKS.

280
00:19:16,000 --> 00:19:17,200
SICK.

281
00:19:17,300 --> 00:19:20,500
YOST TOTALLY SURFS
FASTER THAN FANNING.

282
00:19:20,500 --> 00:19:22,900
DUDE, MY GRANDMOER
SURFS FASTER THAN FANNING,

283
00:19:22,900 --> 00:19:24,300
<i>AND SHE DIED
LAST YEAR.</i>

284
00:19:24,600 --> 00:19:26,800
SO WHAT?
YOST DIED YESTERDAY.

285
00:19:36,900 --> 00:19:38,400
WHO'S THAT
WETSUIT FOR?

286
00:19:39,000 --> 00:19:40,000
IT'S FOR ME.

287
00:19:40,100 --> 00:19:41,800
HMM. SURFING IN DRAG

288
00:19:41,800 --> 00:19:43,400
IS A LITTLE ROUGH
ON YOUR NUTS.

289
00:19:43,700 --> 00:19:46,400
NO, SHE ASKED ME TO LOOK
FOR ONE FOR HER TOO--

290
00:19:46,400 --> 00:19:47,400
MY GIRLFRIEND.

291
00:19:47,400 --> 00:19:49,900
IS THAT WHAT YOU CALL 
OUR HAND-- OUR GIRLFRIEND?

292
00:19:50,800 --> 00:19:53,600
I GUESS IT'S A SLOW DAY
FOR TRAIN WRECKS, RIGHT?

293
00:19:53,600 --> 00:19:55,000
YOU PIEC OF SHIT.

294
00:19:55,100 --> 00:19:58,100
- YOU FUCKING EWSPAPER ASSHOLES.
- IT'S MY CAMERA, LADY.

295
00:19:58,100 --> 00:20:00,900
I'LL GIVE YOU YOUR CAMERA
AND YOU TAKE IT OUTSIDE!

296
00:20:01,500 --> 00:20:03,900
HOW ARE YOU FEELING, SHAUN?
HOW'S YOUR NECK?

297
00:20:03,900 --> 00:20:05,500
GET OUT OF HERE,
YOU PIECE OF SHIT.

298
00:20:06,300 --> 00:20:08,800
FUCK OUT!
GET THE FUCK OUT!

299
00:20:09,300 --> 00:20:11,400
OOH, MIRACLE BOY
SAID "SHIT."

300
00:20:12,300 --> 00:20:13,700
YOU GET THE HELL
OUT OF HERE TOO.

301
00:20:13,700 --> 00:20:14,900
<i>LOOK AT THE MESS
YOU MADE.</i>

302
00:20:14,900 --> 00:20:16,000
WHAT'D I DO?

303
00:20:22,300 --> 00:20:23,500
STUPID FUCKERS.

304
00:20:26,600 --> 00:20:27,400
HEY.

305
00:20:38,100 --> 00:20:39,300
<i>FUCK ME.</i>

306
00:20:42,400 --> 00:20:43,700
JESUS, WHAT HAPPENED?

307
00:20:50,200 --> 00:20:53,700
IT'S NOT THAT BAD.
I'M GOING TO GET YOU SOME HELP.

308
00:20:53,700 --> 00:20:55,400
I'M GOING TO MY TRUCK.
IT'S JUST UP HERE--

309
00:20:55,600 --> 00:20:58,300
IT'S NOT JUST UP HERE, BUT 
I'LL BE BACK IN JUST A MINUTE.

310
00:20:58,600 --> 00:21:00,200
I PROMISE
I'LL BE BACK FOR YOU.

311
00:21:06,200 --> 00:21:07,500
<i>HEY, I'M IN MY UNDERWEAR,</i>

312
00:21:07,500 --> 00:21:08,900
AND I DON'T WANT
ANY MAGAZINES.

313
00:21:09,300 --> 00:21:10,400
<i>IT'S ME, BILL.</i>

314
00:21:11,100 --> 00:21:12,000
THAT'S BUTCH.

315
00:21:13,000 --> 00:21:14,800
- ARE YOU IN TROUBLE?
- NO.

316
00:21:15,100 --> 00:21:17,100
WELL, MY TESTICLES ARE ON
 DISPLAY TO THE NEIGHBORHOOD.

317
00:21:17,100 --> 00:21:18,000
GET IN HERE.

318
00:21:20,100 --> 00:21:23,100
THAT GUY JOHN IS MISSING,
MY SURF STUDENT FROM CINCINNATI.

319
00:21:23,100 --> 00:21:25,500
- WHERE'S YOUR SON?
- HE WAS SURFING WITH SAMMY AND THEM, 

320
00:21:25,500 --> 00:21:26,500
MY MOM SAID.

321
00:21:26,500 --> 00:21:28,200
IN RELATION TO THAT GUY
GOING MISSING,

322
00:21:28,200 --> 00:21:29,800
WHEN IS THE LAST TIME
YOU SAW SHAUN?

323
00:21:31,400 --> 00:21:33,500
<i>- LAST NIGHT.
- IT'S KAI, CISSY.</i>

324
00:21:33,500 --> 00:21:35,400
IF YOU HAVEN'T NOTICED,
I'M LATE FOR WORK.

325
00:21:37,200 --> 00:21:38,600
I HEAR SHAUNIE
GOT WET THIS MORNING,

326
00:21:38,600 --> 00:21:39,500
<i>HE GET ANY
GOOD ONES?</i>

327
00:21:39,500 --> 00:21:40,500
SHE'S GOT A COUPLE 
OF BRAINS--

328
00:21:40,500 --> 00:21:41,500
 WHAT'S SHE
DOING WITH YOU?

329
00:21:43,900 --> 00:21:45,500
<i>ANYWAYS,
I'M HELPING BUTCHIE</i>

330
00:21:45,500 --> 00:21:46,600
LOOK FOR HIS LOOPY FRIEND.

331
00:21:47,700 --> 00:21:48,900
AT THE SHOP-- SHAUNIE?

332
00:21:49,400 --> 00:21:51,200
NOT ABDUCTED;
THAT WAS MY CONCERN.

333
00:21:51,900 --> 00:21:53,500
<i>NOW THIS JOHN
WHO IS MISSING</i>

334
00:21:54,300 --> 00:21:57,000
<i>AND NOT A PERVERT--
WHAT DO YOU KNOW ABOUT HIM?</i>

335
00:21:57,600 --> 00:21:59,800
HE'S GOT A CREDIT CARD
WITH HIS NAME ON IT.

336
00:22:00,000 --> 00:22:01,300
YEAH, "JOHN MONAD."

337
00:22:02,900 --> 00:22:04,200
<i>YOU FOUND
NO OCCASION</i>

338
00:22:04,200 --> 00:22:06,500
<i>TO GARNER FURTHER
INFORMATION FROM OTHER I.D.?</i>

339
00:22:08,200 --> 00:22:09,900
WELL, I ASKED HIM
STRAIGHT OUT, BILL,

340
00:22:09,900 --> 00:22:11,900
AND HE SAYS, "I DON'T KNOW,
BUTCHIE, INSTEAD."

341
00:22:14,300 --> 00:22:16,500
WELL, THAT WOULD RAISE THE 
QUESTION OF MENTAL HEALTH.

342
00:22:19,400 --> 00:22:21,100
SHOULD WE NOTIFY
THE COPS HE'S LOST?

343
00:22:21,400 --> 00:22:23,200
HUH?
YOU GOT A PHOTOGRAPH?

344
00:22:23,900 --> 00:22:25,500
UH, NO.

345
00:22:27,800 --> 00:22:29,800
ANYWAYS, THEY WON'T
LIST HIM FOR 24 HOURS.

346
00:22:30,000 --> 00:22:31,600
I'LL GIVE THEM
AN INFORMAL HEADS-UPPING,

347
00:22:32,300 --> 00:22:34,100
NOT THAT THEY PAY
ATTENTION TO ME ANYWAY.

348
00:22:35,300 --> 00:22:37,100
OKAY.
THANKS, BILL.

349
00:22:37,300 --> 00:22:38,500
IT'S HIS ATTITUDE ANYWAYS--

350
00:22:38,500 --> 00:22:40,900
HE'S GOING TO END UP ON THE
WRONG END OF A NIGHTSTICK.

351
00:22:41,000 --> 00:22:42,500
"I GOT MY EYE ON YOU."

352
00:22:43,200 --> 00:22:44,000
SEE YOU, BILL.

353
00:22:44,300 --> 00:22:45,900
  WHOA, WHAT'S 
YOUR GODDAMN HURRY?

354
00:22:46,500 --> 00:22:47,900
WE GOTTA GO LOOK FOR JOHN.

355
00:22:47,900 --> 00:22:50,800
WHAT DO I LOOK LIKE,AN  FORMATION 
OOTH BOTED TO THE FLOOR?

356
00:22:50,800 --> 00:22:53,500
- AM I A RECENT AMPUTEE?
- DO YOU WANT TO GO LOOK WITH US?

357
00:22:53,500 --> 00:22:55,500
HOW IS THAT GOING TO
AUGMENT THE EFFECTIVENESS?

358
00:22:56,000 --> 00:22:58,100
WE DIVIDE THE COMMUNITY
INTO QUADRANTS.

359
00:22:59,600 --> 00:23:03,200
GOOD. GREAT.
THAT WAY BILL CAN'T HIT US.

360
00:23:03,200 --> 00:23:06,200
SARCASTIC--
THAT'S HOW HE GOT SO SUCCESSFUL.

361
00:23:06,900 --> 00:23:09,200
OKAY, GOING OUT
TO HELP THESE TWO.

362
00:23:10,200 --> 00:23:11,500
SOMETHING NEW
EVERY DAY.

363
00:23:20,000 --> 00:23:21,200
CLOSED.

364
00:23:21,600 --> 00:23:24,000
THE ALTERNATIVE
"APOCATHARY"?

365
00:23:25,700 --> 00:23:27,200
APOTHECARY,

366
00:23:27,800 --> 00:23:30,500
AND THEY'RE PRETTY CASUAL
ABOUT THEIR BUSINESS HOURS.

367
00:23:32,600 --> 00:23:34,100
WHAT DO YOU
THINK ABOUT

368
00:23:34,900 --> 00:23:36,100
MY LEVITATION?

369
00:23:39,100 --> 00:23:40,600
I DON'T KNOW
WHAT TO THINK...

370
00:23:41,900 --> 00:23:42,800
LIKE ALWAYS.

371
00:23:43,900 --> 00:23:46,400
YOU KNOW,
YOU FEEL OVER THE YEARS--

372
00:23:46,400 --> 00:23:50,400
<i>I DON'T KNOW-- THAT MAYBE 
SOMETHING ABOUT YOU IS SPECIAL.</i>

373
00:23:51,100 --> 00:23:53,200
<i>AND YOU ASSUME,
I GUESS,</i>

374
00:23:53,200 --> 00:23:55,900
THAT THE THING THAT'S 
SPECIAL HAS TO DO WITH...

375
00:23:57,500 --> 00:23:58,800
WHAT YOU'RE GOOD AT.

376
00:23:59,300 --> 00:24:00,100
SURFING.

377
00:24:01,600 --> 00:24:02,700
AND NOW

378
00:24:04,900 --> 00:24:07,700
MAYBE IT TURNS OUT
I GO UP IN THE AIR,

379
00:24:07,900 --> 00:24:09,700
<i>SHAUN HEALS,
AND MAYBE</i>

380
00:24:10,700 --> 00:24:11,800
ALL ALONG

381
00:24:11,800 --> 00:24:14,800
THIS FEELING
OF BEING SPECIAL

382
00:24:14,800 --> 00:24:16,400
WASN'T ABOUT ATHLETICS

383
00:24:16,400 --> 00:24:18,200
OR YEARS OF
SPIRITUAL DISCIPLINE.

384
00:24:19,300 --> 00:24:21,300
MAYBE IT'S ABOUT FAMILY.

385
00:24:23,800 --> 00:24:25,300
DO YOU WANT
TO STAY HERE, MITCH?

386
00:24:28,200 --> 00:24:29,700
YOU SEE WHAT
I'M SAYING THOUGH?

387
00:24:29,700 --> 00:24:31,200
- YEAH, I DO.
- NO, RIGHT. I MEAN,

388
00:24:31,200 --> 00:24:33,900
- I GO UP IN THE AIR.
- SHAUNIE HEALS, YEAH, I KNOW.

389
00:24:33,900 --> 00:24:35,600
AND THE JOKER
IN THE DECK IS THIS...

390
00:24:37,200 --> 00:24:37,900
JOHN.

391
00:24:37,900 --> 00:24:39,100
BUTCHIE'S FRIEND.

392
00:24:39,100 --> 00:24:40,800
 WHAT'S HIS CONNECTION TO THE FAMILY?

393
00:24:45,400 --> 00:24:46,500
'CAUSE WHENEVER
I SEE HIM

394
00:24:46,600 --> 00:24:49,400
HE LOOKS AT ME LIKE HE 
KNOWS SOMETHING ABOUT ME

395
00:24:49,400 --> 00:24:51,600
THAT I HAVEN'T
EVEN KNOWN MYSELF.

396
00:24:53,600 --> 00:24:55,300
HE SURE IS
AN AMAZING SURFER.

397
00:24:58,700 --> 00:24:59,800
HOW WOULD YOU
KNOW THAT?

398
00:25:01,200 --> 00:25:03,100
DON'T GET A RESTRAINING
ORDER OR ANYTHING,

399
00:25:03,100 --> 00:25:05,400
BUT I HAVE BEEN WATCHING YOU.

400
00:25:05,500 --> 00:25:06,700
A COUPLE OF DAYS AGO?

401
00:25:06,900 --> 00:25:08,700
OH, YEAH, WHEN YOU
WERE WATCHING ME.

402
00:25:12,100 --> 00:25:14,300
MAYBE IT IS
ABOUT HOW I SURF

403
00:25:14,300 --> 00:25:16,200
AND SHAUN
BEING MY GRANDSON.

404
00:25:20,800 --> 00:25:22,800
I'D LIKE
TO STAY HERE, I THINK.

405
00:25:22,800 --> 00:25:23,800
I MEAN...

406
00:25:24,700 --> 00:25:26,400
  JUST TILL WE GET
THIS ALL KIND OF...

407
00:25:29,300 --> 00:25:30,300
FIGURED OUT.

408
00:25:30,700 --> 00:25:33,300
I DON'T MEAN
EVERY SINGLE NIGHT.

409
00:25:34,700 --> 00:25:37,300
I WONDER IF
THE STORE'S OPEN YET--

410
00:25:38,700 --> 00:25:40,000
WHERE YOU GET
YOUR POULTICE?

411
00:26:09,300 --> 00:26:10,700
<i>I'M SORRY ABOUT
THE BUMPS.</i>

412
00:26:11,600 --> 00:26:13,300
<i>I'M SORRY
I CAN'T HELP.</i>

413
00:26:21,900 --> 00:26:23,000
<i>PULL OVER, JOE.</i>

414
00:26:24,100 --> 00:26:25,300
<i>JOE, PULL OVER.</i>

415
00:27:56,000 --> 00:27:57,100
GOOD AFTERNOON.

416
00:27:58,700 --> 00:28:01,100
UH... HELLO.

417
00:28:04,600 --> 00:28:06,800
<i>THOSE ARE
BEAUTIFUL ROSES.</i>

418
00:28:07,400 --> 00:28:08,900
YOU WANT A CATALOG?

419
00:28:10,600 --> 00:28:12,200
- A CADILLAC?
- YES.

420
00:28:14,800 --> 00:28:16,600
SOMETIMES I'VE--

421
00:28:17,800 --> 00:28:19,500
- OH, A "CATALOG."
- YES.

422
00:28:20,700 --> 00:28:22,700
YES, OF COURSE,
I WOULD--

423
00:28:23,300 --> 00:28:24,300
THANK YOU.

424
00:28:41,800 --> 00:28:42,400
EH...

425
00:28:43,300 --> 00:28:45,700
IS THIS THE WAY
TO THE SNUG HARBOR MOTEL?

426
00:28:45,700 --> 00:28:46,600
YES.

427
00:28:48,300 --> 00:28:49,300
THAT'S WHERE I'M GOING.

428
00:28:51,700 --> 00:28:53,400
GONNA LOOK IN
ON BUTCHIE YOST.

429
00:28:54,200 --> 00:28:55,100
I'M A PHYSICIAN.

430
00:28:55,100 --> 00:28:58,400
HE HAVE SOME...
FESTERING IMPLANTS.

431
00:29:00,100 --> 00:29:03,300
THANK YOU FOR THIS.
I'LL FILL THIS OUT.

432
00:29:04,300 --> 00:29:06,300
I'M SURE THERE'S SOME 
WONDERFUL PRODUCTS IN HERE.

433
00:29:07,200 --> 00:29:09,400
- THOSE ARE BEAUTIFUL ROSES.
- THANK YOU.

434
00:29:26,200 --> 00:29:27,600
I GUESS I'LL WAIT HERE.

435
00:29:28,200 --> 00:29:30,600
IF HE CALLS BY THE SURF SHOP,
I'LL CALL YOU RIGHT AWAY.

436
00:29:30,600 --> 00:29:33,800
- YOU'RE GONNA GO OVER THERE?
- ONLY SIX HOURS LATE TO WORK.

437
00:29:33,900 --> 00:29:37,900
WELL, NO, GOOD.
YOU KNOW, IN CASE HE SHOWS UP.

438
00:29:40,300 --> 00:29:42,400
YOU KNOW,
I'LL CATCH YOU LATER.

439
00:29:43,200 --> 00:29:44,600
THANKS FOR
WALKING WITH ME.

440
00:29:50,800 --> 00:29:53,200
WELL, THANKS FOR THE PECK.

441
00:29:53,200 --> 00:29:55,100
I KNOW, RIGHT?
WHAT THE FUCK WAS THAT ABOUT?

442
00:30:07,400 --> 00:30:08,800
<i>ABOGADO DICKSTEIN.</i>

443
00:30:10,900 --> 00:30:12,300
HOW ARE THINGS, RAMON?

444
00:30:13,100 --> 00:30:14,500
WHAT'S GOING ON
IN THE WORLD?

445
00:30:14,500 --> 00:30:16,400
BUTCHIE'S IN HIS PLACE
WITH THAT BLOND.

446
00:30:16,700 --> 00:30:18,900
PREVIOUSLY THEY WERE LOOKING
FOR HIS SURF STUDENT.

447
00:30:18,900 --> 00:30:21,400
THEN THE HAWAIIANS VER
THERE ARE WORKING N THEIR TAN.

448
00:30:27,500 --> 00:30:28,700
SOME DAY YESTERDAY.

449
00:30:29,600 --> 00:30:30,600
AND HOW.

450
00:30:31,800 --> 00:30:35,100
YESTERDAY WAS
A THREE-RING CIRCUS.

451
00:30:43,900 --> 00:30:45,000
<i>HERE'S THAT PHYSICIAN.</i>

452
00:30:45,200 --> 00:30:46,200
THE YSICIAN.

453
00:30:54,500 --> 00:30:55,600
FORGET SOMETHING, DOC?

454
00:30:56,300 --> 00:30:57,700
I LEFT MY DIGNITY.

455
00:30:59,500 --> 00:31:01,200
I WAS WONDERING
IF BUTCHIE HAD COME BACK.

456
00:31:02,600 --> 00:31:04,900
HE GOT COMPANY NOW--
A YOUNG LADY.

457
00:31:05,300 --> 00:31:06,300
AHH.

458
00:31:09,700 --> 00:31:10,500
'SCUSE ME.

459
00:31:20,200 --> 00:31:21,300
<i>EL JEFE.</i>

460
00:31:23,000 --> 00:31:23,800
GOOD DAY.

461
00:31:24,500 --> 00:31:25,800
<i>MR. CUNNINGHAM--</i>

462
00:31:25,900 --> 00:31:27,600
THE NEW OWNER
OF THE MOTEL.

463
00:31:27,600 --> 00:31:28,500
AH.

464
00:31:29,900 --> 00:31:31,200
AS I RISK REPEATING.

465
00:31:37,000 --> 00:31:38,000
<i>DOC, HOW ARE YOU?</i>

466
00:31:39,300 --> 00:31:41,100
GOOD AFTERNOON.
GOOD AFTERNOON.

467
00:31:41,300 --> 00:31:43,000
<i>I'D LIKE FOR US ALL
TO WORK TOGETHER,</i>

468
00:31:43,500 --> 00:31:47,300
AND I'VE BLURTED IT OUT,
AND I'M GLAD.

469
00:31:49,800 --> 00:31:51,300
THE NAME'S PALAKA, DOC.

470
00:31:51,300 --> 00:31:53,500
NO REASON
THAT YOU'D REALIZE,

471
00:31:53,500 --> 00:31:55,700
BUT LAST NIGHT YOU
WERE TALKING TO BUTCHIE;

472
00:31:55,700 --> 00:31:57,200
I WAS UNDER THAT HALF-PIPE.

473
00:31:59,100 --> 00:32:00,700
YOU WANT ME
TO EXAMINE YOUR WRIST?

474
00:32:00,800 --> 00:32:04,100
OH, DO YOU DO
INFORMAL DIAGNOSISES?

475
00:32:09,600 --> 00:32:11,400
I THOUGHT YOU
ALREADY EMPLOYED US.

476
00:32:11,700 --> 00:32:15,000
LET'S CONSIDER WE'RE 
PERMANENTLY ASSOCIATED.

477
00:32:15,600 --> 00:32:16,900
OH, IS THAT TOO
OVERTLY GAY?

478
00:32:18,300 --> 00:32:20,400
WHAT ASSOCIATION
DO YOU ENVISION?

479
00:32:20,700 --> 00:32:23,300
OH, A WORKING
BUSINESS PARTNERSHIP.

480
00:32:23,400 --> 00:32:25,700
I'M REFERRING TO THE 
PHRASING OF THE OFFER.

481
00:32:47,100 --> 00:32:48,100
BUTCHIE YOST?

482
00:32:48,900 --> 00:32:49,800
IN HIS ROOM.

483
00:32:50,000 --> 00:32:52,100
APPRISING HIM ON
THE RESULTS OF A SEARCH.

484
00:32:53,700 --> 00:32:54,600
NO CELL PHONE.

485
00:32:55,000 --> 00:32:57,100
I SUPPOSE YOU GOT
TO EXPLAIN THAT, THESE DAYS.

486
00:32:57,500 --> 00:32:58,900
I COULD GIVE
LESS OF A SHIT.

487
00:33:01,900 --> 00:33:04,200
HE'S WITH THAT
STRANGE-HAIRED GIRL.

488
00:33:06,100 --> 00:33:07,100
DOING WHAT?

489
00:33:08,300 --> 00:33:09,800
HOW THE FUCK
WOULD I KNOW?

490
00:33:13,400 --> 00:33:16,400
- EARACHE... RINGING.
- GETTING BACK TO THE WRIST,

491
00:33:16,900 --> 00:33:18,800
YOU REALLY SHOULD HAVE
THIS X-RAYED AND SET.

492
00:33:19,000 --> 00:33:22,300
WELL, I SHOULD FILE
TAX RETURNS TOO, DOC.

493
00:33:22,300 --> 00:33:24,700
<i> THE GOVERNMENT,
ALL THESE YEARS--</i>

494
00:33:28,500 --> 00:33:30,000
WHAT IS THIS NONSENSE NOW?

495
00:33:32,200 --> 00:33:33,400
EXCUSE ME.

496
00:33:37,700 --> 00:33:39,800
I FUCKING TOUCHED HIM
AND HE FUCKING HEALED.

497
00:33:40,400 --> 00:33:42,300
I'M A PHYSICIAN.
WHAT'S THE PROBLEM?

498
00:33:42,400 --> 00:33:43,600
NO PROBLEM, MEDIC. 

499
00:33:43,600 --> 00:33:44,700
LET HIM MAKE A FOOL
OUT OF YOU.

500
00:33:44,700 --> 00:33:46,400
<i>DON'T MOVE HIM.
PUT HIM DOWN.</i>

501
00:33:46,400 --> 00:33:48,100
HE AIN'T FUCKING HURT.

502
00:33:48,600 --> 00:33:49,700
<i>YOU HELPED ME, JOE.</i>

503
00:33:50,100 --> 00:33:52,100
NOW YOU KEEP MOUTHING OFF
LIKE THAT, FRAT BOY,

504
00:33:52,100 --> 00:33:54,400
AND I'M LIABLE
TO KNOCK YOU OUT.

505
00:33:54,700 --> 00:33:57,300
<i>- DO YOU FEEL ANY PAIN?
- I DON'T FEEL ANY PAIN.</i>

506
00:33:58,900 --> 00:34:00,300
IT'S BULLSHIT, RIGHT?

507
00:34:01,600 --> 00:34:03,400
IT'S A HEALED WOUND
WITH FRESH BLOOD.

508
00:34:05,300 --> 00:34:06,500
I DON'T KNOW WHAT IT IS.

509
00:34:08,500 --> 00:34:09,800
PHONIED-UP GAG.

510
00:34:10,800 --> 00:34:12,900
IT'S A BUNCH
OF GODDAMN NONSENSE.

511
00:34:14,500 --> 00:34:16,600
WELL, WHATEVER'S
HAPPENED,

512
00:34:17,700 --> 00:34:19,100
YOU SEEM TO BE
ALL RIGHT NOW.

513
00:34:20,800 --> 00:34:22,800
WELL, I GUESS
IT'S TIME TO IDENTIFY

514
00:34:22,800 --> 00:34:25,600
WHICH WARPED
REAR-ECHELON ASSHOLE

515
00:34:25,600 --> 00:34:27,900
AT THE V.F.W. BAR
WHERE I DRINK

516
00:34:27,900 --> 00:34:30,700
THOUGHT SOMETHING I CONFIDED
 ABOUT EVENTS IN-COUNTRY

517
00:34:30,900 --> 00:34:33,700
WAS WORTH ABUSE FOR THE 
SAKE OF A FUCKING CHUCKLE!

518
00:34:35,300 --> 00:34:37,100
YOU DIDN'T
LEAVE ME BEHIND, JOE.

519
00:34:42,700 --> 00:34:44,200
NOW YOU LISTEN
TO ME, FRAT BOY.

520
00:34:45,600 --> 00:34:47,200
YOU'RE GONNA
TELL ME WHO IT WAS,

521
00:34:47,900 --> 00:34:49,800
AND THEN I AM
JUMPING IN THAT VAN

522
00:34:50,200 --> 00:34:51,900
AND DRIVING
TO THAT GIN MILL

523
00:34:52,200 --> 00:34:54,100
AND I AM GONNA
DO SOME DAMAGE.

524
00:34:57,300 --> 00:34:58,700
TOMORROW IS ANOTHER DAY.

525
00:35:07,800 --> 00:35:10,600
I'M UNDERTAKING
INQUIRIES TOMORROW.

526
00:35:11,500 --> 00:35:13,600
<i>YOU CAN GUARANTEE
THAT GODDAMN MUCH.</i>

527
00:35:29,900 --> 00:35:32,100
- OH 
- GOD, I'M SORRY, KAI,

528
00:35:32,600 --> 00:35:34,000
BUT I HAVEN'T BEEN HIGH
IN THREE DAYS.

529
00:35:34,000 --> 00:35:35,300
I'LL GET HARD
OVER MUD.

530
00:35:35,800 --> 00:35:37,500
- BUTCHIE?
- WHAT?

531
00:35:38,500 --> 00:35:39,900
LET'S GO TO MY PLACE.

532
00:35:44,300 --> 00:35:46,200
ANYTHING COULD BE 
GROWING IN THOSE SHEETS.

533
00:35:49,400 --> 00:35:50,400
<i>BILL JACKS!</i>

534
00:35:51,400 --> 00:35:52,500
COMING, BILL.

535
00:35:52,800 --> 00:35:54,600
WE JUST COMPLETED
OUR QUADRANTS.

536
00:36:00,500 --> 00:36:03,000
 SAFE--
I-GOT-MY-EYE-ON-YOU.

537
00:36:03,200 --> 00:36:05,500
- GREAT.
- WHERE WAS HE?

538
00:36:06,300 --> 00:36:07,600
MY GOD,
YOU HAVE AN ERECTION.

539
00:36:09,300 --> 00:36:12,000
HE'S RIGHT OUTSIDE.
JESUS CHRIST.

540
00:36:17,000 --> 00:36:19,500
I WANT TO BRING DOWN THE HAMMER
BACK AT YOUR PLACE.

541
00:36:20,300 --> 00:36:21,500
WHAT IF IT'S
NOW OR NEVER?

542
00:36:23,100 --> 00:36:24,100
WE'LL GO SEE
HOW HE'S DOING.

543
00:36:24,500 --> 00:36:26,400
YEAH, MAYBE HE'S HAVING FUN
WITH WHOEVER HE'S WITH.

544
00:36:29,600 --> 00:36:33,100
LET ME JUST...
FIX THIS UNSIGHTLY BULGE.

545
00:36:42,200 --> 00:36:44,600
SO EVERY COLLAR YOU
TOOK IN HAWAII THERE,

546
00:36:44,600 --> 00:36:46,200
THAT SMART MOUTH
BUY YOU A BEATING?

547
00:36:46,900 --> 00:36:49,800
NUH-UH, YOU BOYS
WERE TOO EAGER TO EARN.

548
00:36:50,600 --> 00:36:52,400
BILL'S NOT
FREDDY'S FIRST "BILL."

549
00:36:54,300 --> 00:36:55,800
SEE, I WAS
NEVER THAT TYPE.

550
00:36:57,000 --> 00:36:58,600
THAT'S HOW YOU
GOT YOUR ROLLS ROYCE.

551
00:36:59,700 --> 00:37:02,000
STAY WITH THE TRUCK, I'M FREE
 TO BEAT HUMPS LIKE YOU.

552
00:37:03,700 --> 00:37:05,600
FREDDY'S NOT BILL'S
FIRST "FREDDY."

553
00:37:18,700 --> 00:37:20,200
<i>YOU'RE IN THE
RIGHT PLACE, DOC.</i>

554
00:37:20,600 --> 00:37:21,800
SO YOU SAY.

555
00:37:23,300 --> 00:37:24,800
TOMORROW IS ANOTHER DAY.

556
00:37:29,200 --> 00:37:31,900
I SUPPOSE I COULD TAKE TONIGHT 
TO FILL OUT THIS CATALOG.

557
00:37:32,500 --> 00:37:33,800
PUT THAT IN A "P.S."

558
00:37:34,700 --> 00:37:36,500
WHAT THE HELL
HAPPENED TO YOU, MONAD?

559
00:37:37,100 --> 00:37:38,000
 HE'S ALL RIGHT.

560
00:37:38,400 --> 00:37:40,100
 WELL, HIS CLOTHES
ARE SURE FUCKED UP.

561
00:37:40,800 --> 00:37:42,500
"THAT'S HOW WE
DO IT IN I.B."

562
00:37:45,100 --> 00:37:46,800
I GOT MY EYE
ON YOU, BILL.

563
00:37:52,100 --> 00:37:53,900
WE'VE GOT ALL THREE
RINGS WORKING NOW.

564
00:37:54,600 --> 00:37:56,000
<i>CHECK OUT THE PORSCHE.</i>

565
00:37:56,500 --> 00:37:57,800
THAT CHICK
WORKS FOR LINC.

566
00:37:58,500 --> 00:38:00,500
SHE WAS LOOKING
TO SLAP IT ON YOUR DAD.

567
00:38:04,000 --> 00:38:05,400
CASS NEEDS
A PLACE TO WORK.

568
00:38:10,200 --> 00:38:12,200
WHAT THE FUCK?

569
00:38:12,400 --> 00:38:14,100
<i>IS SHE SLAPPING IT
ON HIM TOO?</i>

570
00:38:15,600 --> 00:38:17,900
LOOK AT MY MAN JOHN.

571
00:38:17,900 --> 00:38:20,100
<i>STYLING
AND PROFILING, BABY.</i>

572
00:38:22,200 --> 00:38:25,100
I GUESS I'LL SAY GOODBYE.
OKAY, DOC.

573
00:38:25,600 --> 00:38:26,800
HOW'S THE IMPLANTS?

574
00:38:27,200 --> 00:38:30,000
YEAH, GOOD. NO HEAT
 OR SMOKE ALL DAY.

575
00:38:31,200 --> 00:38:33,300
WE GOT A POSITION
FOR A HOUSE PHYSICIAN?

576
00:38:35,500 --> 00:38:36,600
VROOM-VROOM.

577
00:38:40,000 --> 00:38:41,600
I'LL STOP BY AND
SEE YOU TOMORROW.

578
00:38:42,100 --> 00:38:43,800
YEAH, I'LL SPEND
THE NIGHT HOPING SOMEBODY

579
00:38:43,800 --> 00:38:44,900
DON'T CUT IN FRONT OF ME.

580
00:38:46,900 --> 00:38:48,600
BUTCHIE WANTS
TO BRING DOWN THE HAMMER.

581
00:38:53,500 --> 00:38:54,400
DO YOU MIND, JOHN?

582
00:38:55,500 --> 00:38:58,200
- I DO MIND.
- NAH, HE DOESN'T MEAN IT.

583
00:38:58,600 --> 00:39:00,300
GET RID OF
THE UNSIGHTLY BULGE.

584
00:39:04,500 --> 00:39:06,500
THE YOST SURFING SCHOOL:

585
00:39:06,500 --> 00:39:10,500
24 HOURS I WILL HAVE YOU 
IN THE WATER OR IN SOME PUSSY.

586
00:39:20,000 --> 00:39:23,000
THE ALTERNATIVE APOTHECARY
HAS THIS LENDING LIBRARY.

587
00:39:24,900 --> 00:39:27,600
<i>- LIGHT READING.
- SWEET.</i>

588
00:39:28,000 --> 00:39:30,200
"LEVITATION
FOR THE ILLUMINATED."

589
00:39:32,000 --> 00:39:32,800
BUT...

590
00:39:34,700 --> 00:39:36,600
<i>YOU KNOW, I DON'T THINK
YOU SHOULD STAY HERE.</i>

591
00:39:43,900 --> 00:39:44,600
SURE.

592
00:39:52,100 --> 00:39:53,000
WHY?

593
00:40:02,900 --> 00:40:04,200
HE NEEDS
A PLACE TO STAY.

594
00:40:06,700 --> 00:40:07,700
HE'S ALL RIGHT.

595
00:40:08,500 --> 00:40:09,500
YEAH, HE LOOKS GREAT.

596
00:40:11,300 --> 00:40:12,400
I'LL BE RIGHT BACK.

597
00:40:18,600 --> 00:40:20,000
THE JOKER IN THE DECK.

598
00:40:20,500 --> 00:40:22,200
I'D BETTER HAVE
A GOOD HEALTH PLAN.

599
00:40:26,000 --> 00:40:29,100
DO YOU NEED TO STAND 
ASIDE FOR ME TO PASS, OR ARE YOU--

600
00:40:31,000 --> 00:40:33,000
YOU JUST GOING TO PART
LIKE THE RED SEA?

601
00:40:55,100 --> 00:40:56,600
I'LL SPARE YOU
THE CANDLES,

602
00:40:57,500 --> 00:40:59,300
BUT YOU CAN'T SAY
THE MUSIC BLOWS.

603
00:41:00,200 --> 00:41:00,900
DEAL.

604
00:41:06,100 --> 00:41:07,600
AND NO FUCKING
LAUGHING, BUTCHIE.

605
00:41:08,700 --> 00:41:10,000
COME ON, KAI.

606
00:41:26,400 --> 00:41:28,600
WAS THIS PLAYING THE FIRST
TIME I THREW UP ON YOU?

607
00:41:29,600 --> 00:41:31,200
<i>IT WAS PLAYING
AT OUR JUNIOR PROM.</i>

608
00:41:32,000 --> 00:41:33,400
I MISSED
OUR JUNIOR PROM.

609
00:41:33,900 --> 00:41:34,600
YEAH.

610
00:41:41,900 --> 00:41:43,800
AND NO FREAKING OUT
ABOUT MY PIERCINGS.

611
00:41:45,000 --> 00:41:46,100
YOU'RE KIDDING, RIGHT?

612
00:41:47,400 --> 00:41:48,700
<i>KNOWING ABOUT THEM
IS ONE THING,</i>

613
00:41:49,500 --> 00:41:52,500
SEEING THEM IS DIFFERENT.
NO FREAKING OUT.

614
00:42:08,900 --> 00:42:11,300
ALL MY LADIES SET OFF THE 
AIRPORT METAL DETECTORS

615
00:42:11,300 --> 00:42:13,000
OR THEY'RE NOT
MY LADIES LONG.

616
00:42:17,900 --> 00:42:19,300
AND LET ME SAY THIS:

617
00:42:19,800 --> 00:42:22,500
WITH THE COMPACT METAL DETECTOR
 RIGHT HERE IN MY TONGUE,

618
00:42:22,500 --> 00:42:25,300
I WILL FIND EVERYWHERE
YOUR METAL MAY BE HIDDEN.

619
00:42:27,500 --> 00:42:29,300
BARRY WHITE
IS IN THE HOUSE.

620
00:42:44,000 --> 00:42:45,300
I THREW MITCH OUT.

621
00:42:46,700 --> 00:42:47,800
GOOD THINKING.

622
00:42:54,200 --> 00:42:56,400
YOU KNOW YOU'RE
FUCKING FIRED, RIGHT?

623
00:42:58,100 --> 00:43:00,000
I MEAN, YOU'RE NOT
THAT BONE-FUCKING-STUPID

624
00:43:00,000 --> 00:43:01,900
TO THINK I WOULD
KEEP YOU ON THE PAYROLL.

625
00:43:03,500 --> 00:43:04,600
<i>WHAT GUTS.</i>

626
00:43:04,900 --> 00:43:07,400
WHAT HONESTY,
WHAT INTELLIGENCE,

627
00:43:07,900 --> 00:43:10,800
<i>WITHOUT THE VAGUEST IDEA
OF WHAT IS HAPPENING.</i>

628
00:43:10,800 --> 00:43:13,400
BEING SURE, IT MEANS
YOU NEED TO BE BROKE.

629
00:43:15,800 --> 00:43:17,800
<i>A COUPLE OF STRANGE THINGS
HAPPEN, YOU DECIDE</i>

630
00:43:17,800 --> 00:43:19,300
GOD'S TAKING OVER FOR SANTA, 

631
00:43:19,300 --> 00:43:21,000
DECIDING WHO'S
NAUGHTY AND NICE.

632
00:43:22,200 --> 00:43:25,100
HE'S FIRING UP THAT COAL LOG
 TO BURN THE NAUGHTY IN HELL.

633
00:44:12,500 --> 00:44:13,600
SHALL WE TRY IT AGAIN?

634
00:44:21,600 --> 00:44:22,500
THROUGH THE DOOR?

635
00:44:35,800 --> 00:44:37,300
I'LL WORK
OVER HERE, JOHN.

636
00:44:37,900 --> 00:44:40,200
AND THEN YOU'LL
SLEEP OVER HERE

637
00:44:40,600 --> 00:44:42,000
<i>WHILE I SLEEP
ON THE BED.</i>

638
00:44:42,600 --> 00:44:44,300
WILL YOU MIND SLEEPING
ON THE FLOOR HERE?

639
00:44:45,000 --> 00:44:46,200
SEE GOD, KAI.

640
00:44:47,700 --> 00:44:48,800
"CASS."

641
00:44:49,700 --> 00:44:51,400
SEE GOD, CASS.

642
00:44:56,100 --> 00:44:57,300
WHAT DO YOU MEAN?

643
00:45:02,200 --> 00:45:03,300
WORK OVER THERE.

644
00:45:23,600 --> 00:45:24,800
SWEET ENOUGH LOOK TO HIS MUG,

645
00:45:24,800 --> 00:45:25,900
I-GOT-MY-EYE-ON-YOU,

646
00:45:27,100 --> 00:45:29,300
WHEN HE RESTRAINS HIMSELF
FROM RUNNING HIS MOUTH.

647
00:45:35,300 --> 00:45:36,700
FAR AS HIM
BEING STABBED,

648
00:45:37,900 --> 00:45:39,500
I'M NOT DOUBTING
IT COULD'VE BEEN A HOAX.

649
00:45:40,100 --> 00:45:41,900
I DON'T SUBSCRIBE
IT DEFINITELY WAS...

650
00:45:42,900 --> 00:45:45,300
...BEING I AND A BIRD
OF MY ACQUAINTANCE

651
00:45:47,500 --> 00:45:49,700
KNOW A BOY WHO
SURVIVED FATAL INJURY,

652
00:45:50,000 --> 00:45:51,700
FOLLOWING THE BIRD'S
OWN RESURRECTION.

653
00:45:56,800 --> 00:45:59,500
SOLE CHANGE FROM WHAT
I SAID TO YOU PREVIOUS, ZIP:

654
00:46:01,200 --> 00:46:03,400
LAST OVERLAP
BETWEEN ME AND THE YOSTS,

655
00:46:03,400 --> 00:46:05,400
BUTCHIE ASKING MY HELP
WITH THAT SEARCH.

656
00:46:07,200 --> 00:46:09,000
A "P.S.,"
MY ASSISTANCE--

657
00:46:10,000 --> 00:46:12,700
AN END
TO THE CONCLUDING CHAPTER,

658
00:46:12,700 --> 00:46:14,900
THE FINAL COMPLETION
AND FINISH.

659
00:46:25,300 --> 00:46:27,100
THAT IS SENSELESS
AND OFFENSIVE.

660
00:46:28,000 --> 00:46:31,500
I DEAL WITH THAT SHITBIRD
ONLY TO PUT HIM IN BRACELETS,

661
00:46:31,500 --> 00:46:33,800
AND I'M SURPRISED
YOU'D NEED ME TO SAY SO.

662
00:46:42,100 --> 00:46:45,700
IS WHAT YOU ENVISION
RELATIVE TO THOSE PEOPLE...

663
00:46:46,700 --> 00:46:50,700
I BALANCE THE HAWAIIAN'S
BAD INFLUENCE?

664
00:46:54,600 --> 00:46:58,000
WELL, THAT, ZIP, WOULD OUTSTRIP 
BY A FULL TRIPLE-SOMERSAULT

665
00:46:58,000 --> 00:47:01,200
EVERY PREVIOUS UNLIKELY
SET OF CIRCUMSTANCES.

666
00:47:21,700 --> 00:47:22,600
<i>YEAH.</i>

667
00:47:22,900 --> 00:47:25,100
OTHERWISE I'D HAVE
A MOMENT'S PEACE TO MYSELF.

668
00:47:25,900 --> 00:47:26,900
CUP OF JOE...

669
00:47:29,300 --> 00:47:30,700
WINCHELL'S
ASSORTED DOZEN.

670
00:47:39,500 --> 00:47:41,300
WHERE'S THE DWARF
WITH THE DANGLING ARM?

671
00:47:42,800 --> 00:47:44,500
HE'S IN OUR
SHARED BATHROOM.

672
00:47:46,700 --> 00:47:48,300
I'M HERE ON ORDERS
FROM MY BIRD.

673
00:47:55,900 --> 00:47:57,400
IF YOU'RE WAITING 
FOR ME TO ASK YOU

674
00:47:57,400 --> 00:47:58,600
 WHAT YOU'RE TALKING ABOUT,

675
00:47:58,600 --> 00:48:00,800
PLAN ON FALLING OVER DEAD
BEFORE I DO.

676
00:48:02,900 --> 00:48:05,000
MY BIRD ZIPPY
CONVEYED TO ME,

677
00:48:06,100 --> 00:48:08,600
DESPITE THE OBVIOUS 
DISSIMILARITIES BETWEEN US,

678
00:48:09,400 --> 00:48:10,500
WE BECOME FRIENDS.

679
00:48:13,600 --> 00:48:15,300
HE USED THE WORD
"DISSIMILARITIES"?

680
00:48:15,300 --> 00:48:17,500
HE CONVEYED.
HE CONVEYED--

681
00:48:17,500 --> 00:48:20,000
- I NEVER SAID HE SPOKE.
- OH.

682
00:48:20,400 --> 00:48:21,600
NOT THAT WHAT ELSE HE CAN DO, 

683
00:48:21,600 --> 00:48:23,200
HE COULDN'T
SPEAK IF HE WANTED TO,

684
00:48:23,500 --> 00:48:25,600
AND DO KNITTING
TO KEEP HIMSELF BUSY.

685
00:48:25,700 --> 00:48:27,400
MAYBE HE CONVEYED
TO MAKE FRIENDS

686
00:48:27,400 --> 00:48:29,900
WITH A DIFFERENT FREDDY,
YOUR TELEPATHIC BIRD.

687
00:48:30,100 --> 00:48:32,100
YOU'D THINK THAT,
YOU DEGENERATE NITWIT.

688
00:48:32,100 --> 00:48:34,200
WHAT, IS THERE A ROOM OF 
FREDDYS SOMEWHERES AROUND HERE?

689
00:48:36,200 --> 00:48:37,500
<i>WHAT IS THAT,
A MUSTANG PULLED IN HERE?</i>

690
00:48:37,600 --> 00:48:38,300
<i>YEAH.</i>

691
00:48:38,300 --> 00:48:40,500
THE MAKE OF THE CAR IS WHAT
I'M PAYING ATTENTION TO.

692
00:48:49,300 --> 00:48:50,800
I'M LOOKING
FOR BUTCHIE YOST.

693
00:48:51,600 --> 00:48:52,400
I'M HIM...

694
00:48:53,500 --> 00:48:54,800
IF HE DON'T OWE YOU MONEY.

695
00:48:55,000 --> 00:48:57,900
HE'S NOT HIM.
BUTCHIE'S NOT HERE.

696
00:49:00,400 --> 00:49:03,000
YOU... CARE
TO LEAVE A MESSAGE?

697
00:49:13,800 --> 00:49:17,000
ON MY FACE?
WITH YOUR ASS?

698
00:49:17,000 --> 00:49:19,200
<i>JESUS CHRIST,
JESUS CHRIST!</i>

699
00:49:19,700 --> 00:49:22,300
WHAT MY BIRD WAS THINKING
TO DISPATCH ME TO YOU,

700
00:49:22,500 --> 00:49:24,600
I HAVEN'T THE VAGUEST
GODDAMN IDEA.

701
00:49:40,000 --> 00:49:42,600
I GOT A LIZARD BACK HOME,
CHANGES SHAPES.

702
00:49:43,700 --> 00:49:45,300
CHAMELEONS,
THEY CALL THEM.

703
00:49:45,900 --> 00:49:56,900
<font color="#ffff00">Welcome to www.1000fr.com</font>