1 00:00:01,679 --> 00:00:03,318 Tonight on Hot Set... 2 00:00:03,630 --> 00:00:06,329 Quiet on the set... and roll tape! 3 00:00:06,524 --> 00:00:08,770 A secret agent's worst nightmare... 4 00:00:08,880 --> 00:00:09,623 It's dangerous stuff. 5 00:00:09,798 --> 00:00:11,675 ...caught in a diabolical trap. 6 00:00:11,763 --> 00:00:13,035 The cage is electrified. 7 00:00:13,145 --> 00:00:14,780 Make sure you know what you're doing... perfectly. 8 00:00:15,629 --> 00:00:18,188 Two production designers go head to head... 9 00:00:18,375 --> 00:00:19,760 It's the major piece... 10 00:00:19,904 --> 00:00:21,586 The cable just completely snapped! 11 00:00:21,717 --> 00:00:22,611 ...that has to work. 12 00:00:22,739 --> 00:00:24,755 ...to create a super villain's lair... 13 00:00:24,840 --> 00:00:26,035 ...in just 3 days. 14 00:00:26,103 --> 00:00:27,503 That's what I'm talkin' about. 15 00:00:27,571 --> 00:00:32,241 Only 1 team will walk away with $10,000. 16 00:00:32,309 --> 00:00:33,242 To come out on top, 17 00:00:33,310 --> 00:00:34,577 they'll have to impress 18 00:00:34,645 --> 00:00:36,212 our award-winning panel of judges. 19 00:00:36,280 --> 00:00:38,481 Curt Beech, whose credits include 20 00:00:38,549 --> 00:00:40,717 "The Social Network" and "Star Trek." 21 00:00:40,784 --> 00:00:43,519 Lilly Kilvert, 2-time Oscar nominee 22 00:00:43,587 --> 00:00:44,754 for "The Last Samurai" 23 00:00:44,822 --> 00:00:46,189 and "Legends Of The Fall." 24 00:00:46,256 --> 00:00:48,324 Barry Robison, production designer, 25 00:00:48,392 --> 00:00:50,693 "X-Men Origins" and "The Chronicles Of Narnia." 26 00:00:50,761 --> 00:00:52,495 The clock is ticking. 27 00:00:52,563 --> 00:00:54,130 Man: 3 hour warning, guys. 3 hours. 28 00:00:54,198 --> 00:00:55,932 And the pressures on. 29 00:00:56,000 --> 00:00:57,834 Oh, shit. 30 00:00:57,901 --> 00:00:59,802 Here on Hot Set. 31 00:01:00,727 --> 00:01:03,927 Sync and corrections by n17t01 www.addic7ed.com 32 00:01:18,055 --> 00:01:19,222 Man: My name is Tudor Boloni, 33 00:01:19,289 --> 00:01:21,257 and I've been lucky enough that I've worked 34 00:01:21,325 --> 00:01:23,826 in film and TV and videos. 35 00:01:23,894 --> 00:01:26,462 My favorite genre so far is actually music videos. 36 00:01:26,530 --> 00:01:28,765 They allow you to be really creative. 37 00:01:28,832 --> 00:01:30,266 I'm here today 38 00:01:30,334 --> 00:01:31,934 because I'm a person that loves competition, 39 00:01:32,002 --> 00:01:33,503 and this is right up my alley. 40 00:01:35,706 --> 00:01:37,106 My name is Carol Clements, 41 00:01:37,174 --> 00:01:38,841 and I am a production designer. 42 00:01:38,909 --> 00:01:40,843 I've mostly designed for commercials. 43 00:01:40,911 --> 00:01:41,844 Over the course of my career, 44 00:01:41,912 --> 00:01:43,646 I've worked with some great talent, 45 00:01:43,714 --> 00:01:45,715 including Aerosmith, Heidi Klum, 46 00:01:45,783 --> 00:01:47,417 and Michael Jackson. 47 00:01:47,484 --> 00:01:49,752 The opportunities that will come 48 00:01:49,820 --> 00:01:51,688 from this kind of exposure 49 00:01:51,755 --> 00:01:53,322 hopefully will open new doors. 50 00:01:58,562 --> 00:01:59,829 [Rolling door shuts] 51 00:02:01,799 --> 00:02:03,232 Production designers, 52 00:02:03,300 --> 00:02:04,567 welcome to Hot Set. 53 00:02:04,635 --> 00:02:06,469 I'm your host Ben Mankiewicz. 54 00:02:06,537 --> 00:02:09,439 Sound stages just like this one here in Los Angeles 55 00:02:09,506 --> 00:02:11,774 are where the magic of movies happens. 56 00:02:11,842 --> 00:02:15,011 Directors James Cameron, Martin Scorsese, 57 00:02:15,079 --> 00:02:16,079 and Guillermo del Toro 58 00:02:16,146 --> 00:02:20,216 have all shot scenes right here on this lot. 59 00:02:20,284 --> 00:02:21,951 Carol, Tudor, 60 00:02:22,019 --> 00:02:23,386 you and your teams are gonna have a chance 61 00:02:23,454 --> 00:02:25,788 to create your own movie magic. 62 00:02:25,856 --> 00:02:28,891 You'll have just 3 days and $15,000 63 00:02:28,959 --> 00:02:33,029 to turn these empty spaces 64 00:02:33,097 --> 00:02:35,631 into what the film industry calls "hot sets." 65 00:02:35,699 --> 00:02:38,134 That is, sets that are perfectly dressed, 66 00:02:38,202 --> 00:02:40,470 locked, and camera ready. 67 00:02:40,537 --> 00:02:43,439 You'll be given a scene and an inspiration item 68 00:02:43,507 --> 00:02:44,440 to get started. 69 00:02:44,508 --> 00:02:46,008 At the end of 3 days, 70 00:02:46,076 --> 00:02:47,977 you'll present your camera-ready sets 71 00:02:48,045 --> 00:02:49,879 to our panel of judges. 72 00:02:49,947 --> 00:02:52,381 - Curt Beech. - Hi, guys. 73 00:02:52,449 --> 00:02:54,717 - Lilly Kilvert. - Hi. 74 00:02:54,785 --> 00:02:56,919 - And Barry Robison. - Welcome. 75 00:02:56,987 --> 00:02:58,688 - Hello, hello. - Hello. 76 00:02:58,756 --> 00:03:02,091 Every great set starts with a solid script, 77 00:03:02,159 --> 00:03:04,193 and yours is no exception. 78 00:03:04,261 --> 00:03:05,528 Let's set the scene. 79 00:03:20,677 --> 00:03:23,179 Behind this curtain is a critical element 80 00:03:23,247 --> 00:03:26,482 that you'll have to incorporate into your final set. 81 00:03:26,550 --> 00:03:28,451 Carol, Tudor, 82 00:03:28,519 --> 00:03:30,920 here is your inspiration. 83 00:03:37,694 --> 00:03:39,996 Production designers, 84 00:03:40,063 --> 00:03:43,332 meet Agent Triple Oh Nine. 85 00:03:43,400 --> 00:03:45,735 He's been captured and left to die 86 00:03:45,803 --> 00:03:47,870 in Professor Death's headquarters. 87 00:03:47,938 --> 00:03:49,739 And what's a super villain lair 88 00:03:49,807 --> 00:03:52,008 without a super villain death machine. 89 00:03:52,075 --> 00:03:54,043 So, there is one more script line 90 00:03:54,111 --> 00:03:56,179 and an added challenge for you. 91 00:03:56,246 --> 00:04:00,016 Agent Triple Oh Nine struggles to free himself 92 00:04:00,083 --> 00:04:02,251 from Professor Death's fatal trap, 93 00:04:02,319 --> 00:04:05,288 releasing himself in the knick of time. 94 00:04:05,355 --> 00:04:07,757 You and your team will have to invent and build 95 00:04:07,825 --> 00:04:10,226 the diabolical death device 96 00:04:10,294 --> 00:04:13,029 that Agent Triple Oh Nine is trapped in, 97 00:04:13,096 --> 00:04:16,766 so, tap into your inner evil. 98 00:04:16,834 --> 00:04:19,202 Judges, please let Carol and Tudor know 99 00:04:19,269 --> 00:04:20,436 what you're going to be looking for 100 00:04:20,504 --> 00:04:22,505 in their final sets. Curt? 101 00:04:22,573 --> 00:04:24,774 I know you're on a limited budget, 102 00:04:24,842 --> 00:04:29,245 but your average evil super villain is not. 103 00:04:29,313 --> 00:04:31,681 So, I want to see a level of finish 104 00:04:31,748 --> 00:04:34,550 that reflects that idea. 105 00:04:34,618 --> 00:04:36,152 Lilly: You have two opportunities here. 106 00:04:36,220 --> 00:04:38,855 You can go Austin Powers or Jason Bourne. 107 00:04:38,922 --> 00:04:41,224 Make your choices clear and stick with it. 108 00:04:41,291 --> 00:04:42,291 Barry? 109 00:04:42,359 --> 00:04:43,459 This is a genre 110 00:04:43,527 --> 00:04:45,862 that goes way back into film history. 111 00:04:45,929 --> 00:04:48,664 This is a high bar to move up to, 112 00:04:48,732 --> 00:04:51,334 so, if you find yourself in time crunch, 113 00:04:51,401 --> 00:04:52,435 keep it simple. 114 00:04:52,502 --> 00:04:53,603 Are you ready? 115 00:04:53,670 --> 00:04:55,204 - Yes. - Yes, we're ready. 116 00:04:55,272 --> 00:04:56,239 Good luck. 117 00:04:56,306 --> 00:04:58,841 Because your challenge begins right now. 118 00:05:00,577 --> 00:05:03,346 My first thought is, "how is he going to escape?" 119 00:05:03,413 --> 00:05:05,181 I'm thinking he's bound somehow. 120 00:05:05,249 --> 00:05:06,249 Not traditionally with rope, 121 00:05:06,316 --> 00:05:08,718 but maybe encased in layers of mesh 122 00:05:08,785 --> 00:05:09,719 or something like that. 123 00:05:11,188 --> 00:05:14,023 I'm happy to see that the guy looks fit and in shape 124 00:05:14,091 --> 00:05:16,792 and can do something physical, if necessary, 125 00:05:16,860 --> 00:05:18,160 but I'm also thinking 126 00:05:18,228 --> 00:05:19,896 that it's a very ambitious request 127 00:05:19,963 --> 00:05:21,964 and could be very challenging. 128 00:05:22,032 --> 00:05:22,965 Ben: All right, guys. 129 00:05:23,033 --> 00:05:24,000 Your teams are waiting for you 130 00:05:24,067 --> 00:05:25,368 in the design studio. 131 00:05:25,435 --> 00:05:27,036 Thanks and good luck to both of you. 132 00:05:27,104 --> 00:05:28,037 Carol: Thanks. 133 00:05:29,740 --> 00:05:31,340 [Door opens] 134 00:05:34,411 --> 00:05:35,344 So, you ready? 135 00:05:35,412 --> 00:05:36,512 Yeah. What are we doing? 136 00:05:36,580 --> 00:05:37,546 What are we doing for the next couple of days? 137 00:05:37,614 --> 00:05:38,881 The challenge is 138 00:05:38,949 --> 00:05:41,684 a double agent has a very short time to live 139 00:05:41,752 --> 00:05:45,087 unless he can figure out his escape mode. 140 00:05:45,155 --> 00:05:48,324 My team consists of a man named Bela Tenari. 141 00:05:48,392 --> 00:05:51,027 Bela is my assistant art director. 142 00:05:51,094 --> 00:05:55,631 He can literally operate any sort of major building machinery. 143 00:05:55,699 --> 00:05:57,099 I also have with me Bob Ratti. 144 00:05:57,167 --> 00:05:59,235 He has his own talents. 145 00:05:59,303 --> 00:06:00,269 He's an amazing builder. 146 00:06:00,337 --> 00:06:01,604 He built his own home, 147 00:06:01,672 --> 00:06:03,072 and does fine finished work. 148 00:06:05,242 --> 00:06:06,742 All right. Well, we're doing a lot of stuff. 149 00:06:06,810 --> 00:06:08,377 So, I walk into the design space 150 00:06:08,445 --> 00:06:11,165 and I, you know, I see the boys there. 151 00:06:11,341 --> 00:06:12,699 (Indistinct) 152 00:06:12,734 --> 00:06:14,317 We got super Steve Lind. 153 00:06:14,384 --> 00:06:16,118 He's going to be our set decorator. 154 00:06:16,186 --> 00:06:20,623 He's a completely airtight solid on set and set decorator. 155 00:06:20,691 --> 00:06:21,958 He's also got a great attitude 156 00:06:22,025 --> 00:06:23,225 and an amazing skill set. 157 00:06:23,293 --> 00:06:26,228 And we've also got Eligh "Boom Boom" Macias. 158 00:06:26,296 --> 00:06:28,965 He's got no inhibitions, no fear. 159 00:06:29,032 --> 00:06:30,599 Any task, any job, anything. 160 00:06:30,667 --> 00:06:33,736 He doesn't balk ever. He's a pro. 161 00:06:33,804 --> 00:06:35,805 So, Curt, 2 parts to this challenge. 162 00:06:35,872 --> 00:06:37,773 Both of them difficult, yes? 163 00:06:37,841 --> 00:06:38,874 Curt: Absolutely. 164 00:06:38,942 --> 00:06:42,178 These are often highly-designed spaces. 165 00:06:42,245 --> 00:06:43,179 Hugely. 166 00:06:43,246 --> 00:06:44,480 Very carefully considered 167 00:06:44,548 --> 00:06:48,284 by whoever the architect of the evil lair is. 168 00:06:48,352 --> 00:06:50,519 And it's usually a big idea, 169 00:06:50,587 --> 00:06:53,222 and it's-- it's very carefully thought out. 170 00:06:53,290 --> 00:06:55,591 The lair can be anywhere. 171 00:06:55,659 --> 00:06:57,226 It can be architectural. 172 00:06:57,294 --> 00:06:59,628 Or it could be an "odd cave." 173 00:06:59,696 --> 00:07:00,629 I hope not. 174 00:07:00,697 --> 00:07:03,799 It can be in a ruined structure. 175 00:07:03,867 --> 00:07:05,601 I mean, they've really got 176 00:07:05,669 --> 00:07:06,836 the whole world to play with. 177 00:07:06,903 --> 00:07:07,903 Lilly: I think the scariest thing 178 00:07:07,971 --> 00:07:09,772 is the death trap machinery. 179 00:07:09,840 --> 00:07:11,507 They've got to settle that right a-- right off the bat. 180 00:07:11,575 --> 00:07:13,209 How big it is and what it does. 181 00:07:13,276 --> 00:07:16,212 It's the major piece on a set, the piece that has to work, 182 00:07:16,279 --> 00:07:18,214 that the whole story revolves around. 183 00:07:18,281 --> 00:07:20,483 Well, guys, as with, uh, Agent Triple Oh Nine, 184 00:07:20,550 --> 00:07:22,818 the clock is ticking for our designers already. 185 00:07:22,886 --> 00:07:23,819 So, it will be interesting 186 00:07:23,887 --> 00:07:24,920 to see what they come up with. 187 00:07:24,988 --> 00:07:25,921 [Whispering] - Excellent. - Great. 188 00:07:25,989 --> 00:07:27,123 Thanks, guys. 189 00:07:29,426 --> 00:07:31,293 This man is an ex-architect. 190 00:07:31,361 --> 00:07:33,029 He's retired to his mountain home. 191 00:07:33,096 --> 00:07:35,398 As a child, he lived in this area with his parents, 192 00:07:35,465 --> 00:07:37,366 and he, um, went out into the world 193 00:07:37,434 --> 00:07:39,101 in the Russian Bauhaus era. 194 00:07:39,169 --> 00:07:41,203 Made a name for himself, but then was scorned by them 195 00:07:41,271 --> 00:07:43,472 because he actually was quite an artist. 196 00:07:43,540 --> 00:07:46,409 Carol doesn't view her sets as inanimate objects. 197 00:07:46,476 --> 00:07:50,112 It's a living, breathing thing that she's creating. 198 00:07:50,180 --> 00:07:54,116 And so she takes her sets very personal. 199 00:07:54,184 --> 00:07:57,153 This room is filled with industrial elements. 200 00:07:57,220 --> 00:08:01,490 Professor Death has basically embalmed his childhood room. 201 00:08:01,558 --> 00:08:04,860 He's turned this room into a chamber of death. 202 00:08:04,928 --> 00:08:07,096 He's got a gallows with a cage. 203 00:08:07,164 --> 00:08:09,965 The cage is electrified. And he basically embalms 204 00:08:10,033 --> 00:08:11,667 and mummifies people while they're living. 205 00:08:11,735 --> 00:08:14,737 It's beautifully macabre, though. It's going to be gorgeous. 206 00:08:14,805 --> 00:08:16,939 Imagine like, uh, if Stonehenge 207 00:08:17,007 --> 00:08:19,575 and a natural cave met. 208 00:08:19,643 --> 00:08:22,678 This is a very traditional, almost comic book approach 209 00:08:22,746 --> 00:08:25,314 to villain and super-agent. 210 00:08:25,382 --> 00:08:26,949 So the villain's going to live 211 00:08:27,017 --> 00:08:29,251 in a very traditional villain's lair 212 00:08:29,319 --> 00:08:31,987 which, to me, is a natural cave 213 00:08:32,055 --> 00:08:33,923 in some kind of mountaintop. 214 00:08:33,990 --> 00:08:36,959 He has a lot of crazy technology 215 00:08:37,027 --> 00:08:38,360 that you've never seen before, 216 00:08:38,428 --> 00:08:40,396 including a cryonic chamber 217 00:08:40,464 --> 00:08:43,065 that he is freezing to death our hero. 218 00:08:43,133 --> 00:08:45,134 He's gonna escape from our little cryogenic chamber 219 00:08:45,202 --> 00:08:46,769 that is gonna exist here. 220 00:08:46,837 --> 00:08:48,337 These are all-- two by twos? 221 00:08:48,405 --> 00:08:49,638 And then, like, one of them, this guy, 222 00:08:49,706 --> 00:08:51,373 will be our hero candy glass panel. 223 00:08:51,441 --> 00:08:54,977 Our actor will need to break through a piece of candy glass. 224 00:08:55,045 --> 00:08:56,946 Ok. 225 00:08:58,949 --> 00:09:00,683 I need to go meet my construction team now 226 00:09:00,750 --> 00:09:02,885 so that we can actually start rocking and rolling. 227 00:09:02,953 --> 00:09:05,921 So it's very gritty, very graphic, but very architectural. 228 00:09:05,989 --> 00:09:08,757 You come in through a small corridor that's filled with water. 229 00:09:08,825 --> 00:09:12,328 So Professor Death has made into a fine art 230 00:09:12,395 --> 00:09:14,363 the act of embalming people. 231 00:09:14,431 --> 00:09:16,265 He's actually, in his head, preserving. 232 00:09:16,333 --> 00:09:19,802 Our inspiration today was we saw a dude bound and gagged to a chair. 233 00:09:19,870 --> 00:09:23,072 So what happens is right here we're building, like, a plexi chamber 234 00:09:23,140 --> 00:09:27,176 two feet 8, uh, wide-- 8 feet tall, 5 panels. 235 00:09:27,244 --> 00:09:30,913 And then over here, one panel only will actually be candy glass, 236 00:09:30,981 --> 00:09:32,748 'cause I want him to get out just by pure heart. 237 00:09:32,816 --> 00:09:34,783 Like, not some big genius trick or anything, 238 00:09:34,851 --> 00:09:37,086 he just is like, fuck this. 239 00:09:37,154 --> 00:09:39,655 So that's what's gonna be along this rock wall. 240 00:09:39,723 --> 00:09:41,857 Then we have our case. I was hoping you guys could put that thing up 241 00:09:41,925 --> 00:09:43,058 and start building this case. 242 00:09:43,126 --> 00:09:44,326 We're gonna do rock walls 243 00:09:44,394 --> 00:09:46,195 which, I think, we'll be able to convey 244 00:09:46,263 --> 00:09:48,998 a really cool super villain's lair. 245 00:09:49,065 --> 00:09:51,300 But until I see what I can actually get, 246 00:09:51,368 --> 00:09:53,669 I don't want to lock in the exact dimensions. 247 00:09:53,737 --> 00:09:55,671 So I will go and shop. 248 00:10:00,277 --> 00:10:03,145 I'm going to Alley Cats. 249 00:10:03,213 --> 00:10:05,814 They have a great selection of industrial props and debris 250 00:10:05,882 --> 00:10:08,150 that will totally pull together my concept. 251 00:10:08,218 --> 00:10:09,285 How big are these? 10 by 10? 252 00:10:09,352 --> 00:10:10,452 - Mm-hmm. - I'll take 1. 253 00:10:10,520 --> 00:10:12,154 I'll take 3 of these. 254 00:10:12,222 --> 00:10:14,690 I'll take that. I like some of your ladders. 255 00:10:14,758 --> 00:10:16,258 This one right here. It's great. 256 00:10:16,326 --> 00:10:18,160 - That one right there. - Yeah. 257 00:10:18,228 --> 00:10:20,029 I want a fan in a wall. 258 00:10:20,096 --> 00:10:21,730 You were gonna show me fans. 259 00:10:21,798 --> 00:10:24,066 So I have to find the fan first so I know how it sits. 260 00:10:24,134 --> 00:10:25,968 And I want some skylights, so I have to find 261 00:10:26,036 --> 00:10:28,237 these existing period skylights. 262 00:10:28,305 --> 00:10:30,940 These are key set pieces that we have to have 263 00:10:31,007 --> 00:10:32,441 on the set as fast as possible 264 00:10:32,509 --> 00:10:35,411 so we can actually design around them. 265 00:10:35,478 --> 00:10:38,347 Tudor: I'm going to Jackson Shrub for our rock walls. 266 00:10:38,415 --> 00:10:41,784 But first, I want to just jam into LCW, 267 00:10:41,851 --> 00:10:45,087 which is a great prop house. 268 00:10:45,155 --> 00:10:47,156 The reason I go to lcw is I don't want it 269 00:10:47,224 --> 00:10:49,258 to look hokey and old. 270 00:10:49,326 --> 00:10:52,528 I really want it to look modern and clean. 271 00:10:52,596 --> 00:10:54,697 He's Professor Death, so I have to make sure 272 00:10:54,764 --> 00:10:57,866 that we add a little bit of technological props, 273 00:10:57,934 --> 00:11:00,736 things that look like computer parts and servers 274 00:11:00,804 --> 00:11:04,206 and big racks and wires and gauges 275 00:11:04,274 --> 00:11:07,443 and things of that nature. 276 00:11:07,510 --> 00:11:08,577 Tudor's plan for the set 277 00:11:08,645 --> 00:11:11,180 is these rock walls that come out. 278 00:11:11,248 --> 00:11:14,617 And so it's looking like a re-purposed cave. 279 00:11:14,684 --> 00:11:16,518 Like a crazy scientist kind of thing. 280 00:11:16,586 --> 00:11:19,355 But we're limited to the amount of what we can actually do 281 00:11:19,422 --> 00:11:21,023 until the rock walls arrive. 282 00:11:21,091 --> 00:11:23,959 - Yeah. - So we're just waiting on these rocks. 283 00:11:24,027 --> 00:11:25,661 I could spend 5 days in here. 284 00:11:25,729 --> 00:11:27,696 Let's put just one of these on there, too. You know? 285 00:11:27,764 --> 00:11:29,431 - Yeah. - Like one of these bad boys, ok? 286 00:11:29,499 --> 00:11:30,633 - I'd love to get a total. - Ok. 287 00:11:30,700 --> 00:11:32,401 Because I think I'm kind of already 288 00:11:32,469 --> 00:11:33,602 at my budget. 289 00:11:33,670 --> 00:11:35,004 That's rad. 290 00:11:35,071 --> 00:11:36,372 Put that blue one on hold. 291 00:11:36,439 --> 00:11:38,540 I found this really cool rocket pack 292 00:11:38,608 --> 00:11:40,843 that has these chrome thrusters. 293 00:11:40,910 --> 00:11:44,280 Agent 0009 takes a jet pack to escape. 294 00:11:44,347 --> 00:11:46,115 Yeah, let's put this on hold for sure. 295 00:11:46,182 --> 00:11:49,018 Let me give him a call really quick. 296 00:11:49,085 --> 00:11:51,020 [Cell phone ringing] 297 00:11:54,557 --> 00:11:55,557 Are you at Jackson yet? 298 00:11:55,625 --> 00:11:57,326 No. We're leaving in about one minute. 299 00:11:57,394 --> 00:11:59,728 We can't do anything 'till we get to Jackson. 300 00:11:59,796 --> 00:12:01,497 We just run through the house. 301 00:12:03,633 --> 00:12:06,869 Announcer: Coming up, super villain deathtraps get dangerous. 302 00:12:06,936 --> 00:12:09,772 - I'll take that. - Make sure you know what you're doing. 303 00:12:09,839 --> 00:12:11,006 [Crashing] 304 00:12:11,074 --> 00:12:12,341 [Glass breaking] It's leaking too much. 305 00:12:12,409 --> 00:12:13,509 It's melting the pieces. 306 00:12:13,576 --> 00:12:15,144 You're gonna end up breaking the fogger. 307 00:12:15,211 --> 00:12:17,146 It's not working. 308 00:12:29,530 --> 00:12:31,565 It's nerve-wracking to-to wait. 309 00:12:31,633 --> 00:12:34,067 We don't have our rock walls in yet. 310 00:12:34,135 --> 00:12:35,702 I'm finally going to Jackson shrub. 311 00:12:35,770 --> 00:12:37,604 I need a variety of rocks. 312 00:12:37,672 --> 00:12:38,872 I have just got to go look at them 313 00:12:38,940 --> 00:12:40,140 and see if they'll make sense 314 00:12:40,208 --> 00:12:41,141 because it's like putting together 315 00:12:41,209 --> 00:12:42,743 a big Jigsaw puzzle. 316 00:12:42,810 --> 00:12:44,077 Look at this darn thing. 317 00:12:44,145 --> 00:12:45,712 It's freaking amazing. 318 00:12:45,780 --> 00:12:48,915 402 is a wiener. 319 00:12:48,983 --> 00:12:50,250 I like 707. 320 00:12:50,318 --> 00:12:51,618 [Cell phone ringing] 321 00:12:51,686 --> 00:12:53,020 Hey, man. I feel bad 'cause we're, like, 322 00:12:53,087 --> 00:12:54,054 hanging out doing nothing. 323 00:12:57,125 --> 00:12:59,726 Ok. All right. We're gonna get this thing going. 324 00:12:59,794 --> 00:13:01,395 While we're waiting for Tudor to come back, 325 00:13:01,462 --> 00:13:02,996 we're gonna get the construction crew 326 00:13:03,064 --> 00:13:04,998 started building this cryonic chamber. 327 00:13:08,302 --> 00:13:12,639 Um, we got a pretty good pull from Alley Cats. 328 00:13:12,707 --> 00:13:14,441 - Yeah. - I've got our corrugated, 329 00:13:14,509 --> 00:13:17,310 I've got our plans, I've got all sorts of, like, 330 00:13:17,378 --> 00:13:19,713 netting and things like that. 331 00:13:19,781 --> 00:13:20,981 I want to put a skylight. 332 00:13:21,049 --> 00:13:22,616 Well, let's-let's see how it goes, 'cause-- 333 00:13:22,684 --> 00:13:24,284 Because I do think-- I think they'll see it. 334 00:13:24,352 --> 00:13:25,786 Because we're gonna do some upshots 335 00:13:25,853 --> 00:13:27,154 of this guy getting out. 336 00:13:27,221 --> 00:13:29,189 She's got beautiful taste. 337 00:13:29,257 --> 00:13:30,724 Her sets are creative. 338 00:13:30,792 --> 00:13:32,659 But at the end of the day, we've got to get 339 00:13:32,727 --> 00:13:34,294 the main design done. 340 00:13:34,362 --> 00:13:36,863 What I found was this really cool antenna 341 00:13:36,931 --> 00:13:39,433 that I thought would be affixed to the top of the gallows, 342 00:13:39,500 --> 00:13:40,901 so that it was like a lightning rod 343 00:13:40,968 --> 00:13:42,636 going down into the metal cage. 344 00:13:42,704 --> 00:13:44,905 - Ok. - It's almost like an electrocution thing. 345 00:13:44,972 --> 00:13:47,541 And I think it could-- that's why I wanted that skylight. 346 00:13:47,608 --> 00:13:48,775 It is a constant battle 347 00:13:48,843 --> 00:13:53,280 with Carol wanting to prop things heavily. 348 00:13:53,347 --> 00:13:55,782 All right, you no-good sons of bitches, 349 00:13:55,850 --> 00:13:58,285 let's see what you done. So I'm back from shopping, 350 00:13:58,352 --> 00:14:00,387 and I wasn't expecting much to have happened. 351 00:14:00,455 --> 00:14:02,155 And, uh, in fact, 352 00:14:02,223 --> 00:14:05,258 there was no real great progress at all. 353 00:14:05,326 --> 00:14:07,294 Which sucks. I'm upset 354 00:14:07,361 --> 00:14:09,730 because I want people to get things done. 355 00:14:09,797 --> 00:14:10,964 We were limited to the amount 356 00:14:11,032 --> 00:14:12,332 of what we could actually do 357 00:14:12,400 --> 00:14:13,934 until the rest of our pieces arrived. 358 00:14:14,001 --> 00:14:15,335 When is that order coming? 359 00:14:15,403 --> 00:14:19,106 Tomorrow, like, first thing. The truck's bringing it in. 360 00:14:19,173 --> 00:14:21,408 We won't have the rocks until tomorrow, 361 00:14:21,476 --> 00:14:23,944 so that is a bit of a concern. I'm a little bit stressed 362 00:14:24,011 --> 00:14:25,579 about the competition's set 363 00:14:25,646 --> 00:14:27,614 because they are further ahead than me. 364 00:14:27,682 --> 00:14:29,816 We are going to have our work cut out for us. 365 00:14:37,391 --> 00:14:38,725 That's not gonna go anywhere. 366 00:14:38,793 --> 00:14:41,928 No. It looks great, great, great. 367 00:14:41,996 --> 00:14:43,997 All right, it's starting to happen. 368 00:14:44,065 --> 00:14:46,133 The cryo square, with the little 369 00:14:46,200 --> 00:14:48,668 24 x 24 squares of plex 370 00:14:48,736 --> 00:14:50,537 that we're essentially building it with, 371 00:14:50,605 --> 00:14:51,671 are going to give it a bit more 372 00:14:51,739 --> 00:14:53,907 of a stylized kind of look. 373 00:14:53,975 --> 00:14:56,543 These guys are rad. You guys are rad. 374 00:14:56,611 --> 00:14:58,278 It looks beautiful. 375 00:14:58,346 --> 00:15:01,948 We need to come up with all of the elements that create the plumbing 376 00:15:02,016 --> 00:15:05,318 that gives us the look that this is an embalming situation. 377 00:15:05,386 --> 00:15:07,687 Professor Death has turned his childhood bedroom 378 00:15:07,755 --> 00:15:09,356 into a torture chamber 379 00:15:09,423 --> 00:15:12,125 by which he embalms his victims alive. 380 00:15:12,193 --> 00:15:15,762 His device is designed to deliver embalming fluid to his victims 381 00:15:15,830 --> 00:15:19,032 via an electric keypad and timer. 382 00:15:19,100 --> 00:15:20,267 This is where I can capitalize 383 00:15:20,334 --> 00:15:22,068 on Bela's engineering background. 384 00:15:22,136 --> 00:15:24,571 This doesn't matter. This one does in the 30 seconds 385 00:15:24,639 --> 00:15:26,206 as it's coming up to level status. 386 00:15:26,274 --> 00:15:27,607 Stop before it hits that. 387 00:15:27,675 --> 00:15:29,509 I know that this is an ambitious design 388 00:15:29,577 --> 00:15:31,111 with all the mechanics. But to me, 389 00:15:31,179 --> 00:15:33,547 a set is a living, breathing thing. 390 00:15:33,614 --> 00:15:35,549 And if you don't pay attention to every detail, 391 00:15:35,616 --> 00:15:37,551 it does fall apart. 392 00:15:48,329 --> 00:15:51,164 Time's up! 393 00:15:51,232 --> 00:15:53,834 Um-- so, uh, thank you, everyone. 394 00:15:53,901 --> 00:15:57,370 Really great job. Like, shockingly good. 395 00:15:57,438 --> 00:15:58,939 I know tomorrow this will come together 396 00:15:59,006 --> 00:16:01,741 because we've basically erected the whole set. 397 00:16:01,809 --> 00:16:02,976 It's gonna be great. 398 00:16:03,044 --> 00:16:04,377 I'm happy with how things are going 399 00:16:04,445 --> 00:16:06,346 and where we are on set. 400 00:16:06,414 --> 00:16:08,348 Pleasantly surprised. 401 00:16:24,165 --> 00:16:25,799 I've got the old list. 402 00:16:25,867 --> 00:16:27,534 Today I came up with a list for everyone. 403 00:16:27,602 --> 00:16:28,768 I'm gonna set everyone to their tasks. 404 00:16:28,836 --> 00:16:30,136 It's gonna be a super busy day. 405 00:16:30,204 --> 00:16:32,772 I have ordered a fogger. Smoke machine. 406 00:16:32,840 --> 00:16:34,507 Do we know when Jackson's getting here? 407 00:16:34,575 --> 00:16:36,710 Any minute. 408 00:16:36,777 --> 00:16:38,478 I think it's-- I think it's coming along 409 00:16:38,546 --> 00:16:39,846 really quickly at this point. 410 00:16:39,914 --> 00:16:42,048 Walking to the set today, I was feeling pretty good 411 00:16:42,116 --> 00:16:44,818 because we did accomplish a lot construction-wise yesterday. 412 00:16:44,886 --> 00:16:46,653 But today, we have tiling to do, 413 00:16:46,721 --> 00:16:48,688 more walls to go up. We have to paint 414 00:16:48,756 --> 00:16:51,391 and we also have to start our water feature. 415 00:16:51,459 --> 00:16:53,393 Ok. See you, boys. 416 00:16:56,697 --> 00:16:59,266 This morning, I'm sending Bela to Dapper Cadaver. 417 00:17:01,102 --> 00:17:03,737 This prop house has all the main props that we need, 418 00:17:03,804 --> 00:17:05,972 including the gallows and cages 419 00:17:06,040 --> 00:17:07,240 as well as smaller elements 420 00:17:07,308 --> 00:17:09,042 that will help put together our story. 421 00:17:09,110 --> 00:17:11,878 This is our double gallow. About 12 feet tall. 422 00:17:11,946 --> 00:17:13,980 The gibbet cage is made out of aluminum. 423 00:17:14,048 --> 00:17:15,548 - Ok. - This cage over here, 424 00:17:15,616 --> 00:17:17,984 that's designed for a person to actually climb in. 425 00:17:18,052 --> 00:17:19,319 - Let's go with that. - It's not built to hang. 426 00:17:19,387 --> 00:17:22,856 Ok. That's fine. We'll rig it. 427 00:17:22,924 --> 00:17:24,724 Make sure you know what you're doing. 428 00:17:24,792 --> 00:17:27,127 Luckily I'm finding everything that we need. 429 00:17:27,194 --> 00:17:29,329 And I think everything will work beautifully 430 00:17:29,397 --> 00:17:31,298 once everything is put together on the set. 431 00:17:32,767 --> 00:17:34,267 The rocks are here! 432 00:17:34,335 --> 00:17:36,436 Finally the rocks showed up. 433 00:17:36,504 --> 00:17:38,371 I can't wait to start pulling everything out. 434 00:17:38,439 --> 00:17:41,174 We need to start pushing it all around 435 00:17:41,242 --> 00:17:43,176 and see how it looks, and make it look right. 436 00:17:46,247 --> 00:17:48,515 I'd like to start bringing them up onto the pad. Is that cool? 437 00:17:51,652 --> 00:17:53,820 I need this little guy right here 438 00:17:53,888 --> 00:17:56,389 to make sweet love to this guy right here. 439 00:18:04,966 --> 00:18:06,599 We should hold. Everything ok? 440 00:18:06,667 --> 00:18:09,235 The vibe on set right now is just a little bit of chaos 441 00:18:09,303 --> 00:18:12,372 because there's a lot to do. Everyone's scrambling. 442 00:18:14,742 --> 00:18:17,143 Yay. Ok, I love these. These are great. 443 00:18:21,215 --> 00:18:22,482 Ok, this is gonna work. Great. 444 00:18:22,550 --> 00:18:23,950 - It's gonna work. - Totally. 445 00:18:29,991 --> 00:18:32,392 Ben: Carol? Tudor? 446 00:18:32,460 --> 00:18:35,395 All of a sudden, Ben and Lilly come into my set 447 00:18:35,463 --> 00:18:37,297 and want to get an overview. 448 00:18:37,365 --> 00:18:39,899 And I'm nervous about talking about my set. 449 00:18:39,967 --> 00:18:43,036 My concept is that this Professor Death 450 00:18:43,104 --> 00:18:44,938 I see him as an architect. 451 00:18:45,006 --> 00:18:47,240 He basically built a bunker 452 00:18:47,308 --> 00:18:49,242 to house his former house. 453 00:18:49,310 --> 00:18:51,745 And what he's protecting is his childhood. 454 00:18:51,812 --> 00:18:54,381 And then you come into this room, which has got-- 455 00:18:54,448 --> 00:18:56,583 it's like a flooded-out interior of a bunker. 456 00:18:56,650 --> 00:18:58,985 As you come into the set, you can shoot through here. 457 00:18:59,053 --> 00:19:01,488 This will not be obscured glass, it'll be clear. 458 00:19:01,555 --> 00:19:02,756 You'll have a gallows. 459 00:19:02,823 --> 00:19:05,425 On this gallows are two sets of cages. 460 00:19:05,493 --> 00:19:08,161 One is called a gibbon, and its an old vertical cage 461 00:19:08,229 --> 00:19:10,030 that they used to hang people in until they died. 462 00:19:10,097 --> 00:19:13,566 - Right. - In the second cage, we have 0009. 463 00:19:13,634 --> 00:19:17,070 He's got to get out of this cage before he's embalmed. 464 00:19:17,138 --> 00:19:19,706 There's a touch of old cabinetry here, 465 00:19:19,774 --> 00:19:21,541 'cause he basically has enshrined his bedroom. 466 00:19:21,609 --> 00:19:23,176 I may have a touch of his old bed. 467 00:19:23,244 --> 00:19:25,311 And then we have extra cages over here 468 00:19:25,379 --> 00:19:26,546 that have-- people have died in. 469 00:19:26,614 --> 00:19:28,114 Ok, so my major concern is 470 00:19:28,182 --> 00:19:29,549 this feels like a very small space 471 00:19:29,617 --> 00:19:32,685 for all of this stuff to go-- be going on. 472 00:19:32,753 --> 00:19:34,254 I just want to be sure that you don't add 473 00:19:34,321 --> 00:19:35,755 so many different superficial surfaces-- 474 00:19:35,823 --> 00:19:38,258 And I don't really want to-- yeah. 475 00:19:38,325 --> 00:19:39,826 - It becomes cluttered. - Right. 476 00:19:39,894 --> 00:19:41,227 Don't make it too complicated. 477 00:19:41,295 --> 00:19:43,496 - Good luck. - Ok. Thank you. 478 00:19:43,564 --> 00:19:44,531 Tudor. 479 00:19:44,598 --> 00:19:45,899 - You remember Lilly? - Of course. 480 00:19:45,966 --> 00:19:47,801 Pleasure to meet you. The idea is 481 00:19:47,868 --> 00:19:49,936 it's Professor Death's 482 00:19:50,004 --> 00:19:53,206 kind of like science lab for evil. 483 00:19:53,274 --> 00:19:55,475 Ok. Couple of things I want to tell you about rock. 484 00:19:55,543 --> 00:19:57,477 Organic rock like this 485 00:19:57,545 --> 00:19:59,179 has to have an organic quality. 486 00:19:59,246 --> 00:20:00,680 It either has to have some water, 487 00:20:00,748 --> 00:20:02,515 something a little bit growing on it-- 488 00:20:02,583 --> 00:20:04,951 What's the danger if the rock isn't treated? 489 00:20:05,019 --> 00:20:06,753 It just looks dead and flat, 490 00:20:06,821 --> 00:20:09,189 and it's just another crappy rock wall. 491 00:20:09,256 --> 00:20:10,857 On the top, we've got something very interesting 492 00:20:10,925 --> 00:20:13,593 happening that, again, little bit of a risk. I've never done it before 493 00:20:13,661 --> 00:20:14,928 or had anyone do it for me. But-- 494 00:20:14,995 --> 00:20:16,763 spray foam onto the screen. 495 00:20:16,831 --> 00:20:17,831 All that, you know, kind of thing-- 496 00:20:17,898 --> 00:20:19,232 Yeah, it's dangerous stuff, that. 497 00:20:19,300 --> 00:20:21,868 It can look really crappy. 498 00:20:21,936 --> 00:20:25,672 - Thank you for telling me that. - Thank you very much. 499 00:20:25,739 --> 00:20:27,540 Ok. Do you have a better sense 500 00:20:27,608 --> 00:20:29,008 of where Carol is headed? 501 00:20:29,076 --> 00:20:30,643 She's got a lot of story going on. 502 00:20:30,711 --> 00:20:34,080 To see a set that tells a story is really exciting. 503 00:20:34,148 --> 00:20:35,715 And I don't know if all of that story 504 00:20:35,783 --> 00:20:38,818 will be revealed in such a small space. 505 00:20:38,886 --> 00:20:40,186 - Very ambitious. - It's a whole movie. 506 00:20:40,254 --> 00:20:41,988 She's worked out the whole story. 507 00:20:42,056 --> 00:20:45,558 Whether we'll understand any of it, I'm not sure. 508 00:20:45,626 --> 00:20:46,693 Regarding Tudor. 509 00:20:46,760 --> 00:20:48,728 If you have an organic wall, 510 00:20:48,796 --> 00:20:50,830 it has to have some life. Some water, 511 00:20:50,898 --> 00:20:52,332 some cake, some thumping. 512 00:20:52,399 --> 00:20:55,602 Because you very rarely see rock that has nothing in it. 513 00:20:55,669 --> 00:20:57,470 Especially when it's plaster rock. 514 00:20:57,538 --> 00:20:59,472 - All right, Lilly. We'll find out tomorrow. - Yeah. 515 00:21:00,774 --> 00:21:01,841 As Lilly came into the room, 516 00:21:01,909 --> 00:21:03,743 she was immediately focusing on the fact 517 00:21:03,811 --> 00:21:05,211 that it was very claustrophobic. 518 00:21:05,279 --> 00:21:06,312 Really de-clutter it. 519 00:21:06,380 --> 00:21:08,181 So we tone it down a little bit? 520 00:21:08,249 --> 00:21:10,450 Not have so many-- just maybe one cage? 521 00:21:10,518 --> 00:21:12,352 - Is that the deal? - One cage, one gibbet. 522 00:21:12,419 --> 00:21:15,355 I'm gonna simplify my set using big, broad strokes. 523 00:21:15,422 --> 00:21:17,357 So we've got our kind of hero gag 524 00:21:17,424 --> 00:21:20,426 where our actor will need to break through 525 00:21:20,494 --> 00:21:21,928 a piece of candy glass 526 00:21:21,996 --> 00:21:23,897 and get the flock out of there. 527 00:21:23,964 --> 00:21:26,332 That's the trouble with [Indistinct]. 528 00:21:26,400 --> 00:21:28,735 Alfonso's-- oh, shit. 529 00:21:28,802 --> 00:21:31,137 I didn't pick up the candy glass. 530 00:21:31,205 --> 00:21:34,507 Holy shit. Holy shit. 531 00:21:34,575 --> 00:21:36,576 Eligh, quick. Just come with me. 532 00:21:36,644 --> 00:21:39,078 No one did the Alfonso's glass pick up. 533 00:21:43,222 --> 00:21:45,423 Holy shit. Holy shit. 534 00:21:45,491 --> 00:21:47,692 I didn't pick up the candy glass, 535 00:21:47,759 --> 00:21:49,694 and this is going to be a huge problem. 536 00:21:49,761 --> 00:21:51,496 Eligh. Quick, just come with me. 537 00:21:51,563 --> 00:21:53,231 No one did the Alfonso's glass pick-up, dude. 538 00:21:53,298 --> 00:21:54,799 I'm going to get [Indistinct]. 539 00:21:54,867 --> 00:21:57,168 You get me the address and phone number for Alfonso's glass, asap. 540 00:21:57,236 --> 00:21:58,936 Mo, hello, it's Tudor. I fucked up big time. 541 00:21:59,004 --> 00:22:01,572 I totally spaced on the Alfonso's Glass pick-up. 542 00:22:01,640 --> 00:22:03,474 - Alfonso's Glass-- - Where's that at? 543 00:22:03,542 --> 00:22:05,076 You're going straight to Alfonso's Glass. 544 00:22:05,143 --> 00:22:06,477 Where is it? Give me the address. 545 00:22:06,545 --> 00:22:08,212 - Sun Valley. - Sun Valley. 546 00:22:08,280 --> 00:22:09,780 Don't worry about the line you'll see. They're open tomorrow. 547 00:22:09,848 --> 00:22:11,816 That's my homie. Go get that shit tomorrow. 548 00:22:11,884 --> 00:22:14,151 Get over to Alfonso's, ASAP. Drive. 549 00:22:16,955 --> 00:22:19,957 I want to cancel some stuff before we pick it up. 550 00:22:20,025 --> 00:22:22,994 Lilly had a suggestion to add a bit more excess, 551 00:22:23,061 --> 00:22:26,297 and in doing so, already, I felt lighter 552 00:22:26,365 --> 00:22:27,798 and more clear about my set. 553 00:22:27,866 --> 00:22:29,233 It's already been picked up. 554 00:22:29,301 --> 00:22:30,902 It's already been picked up. 555 00:22:30,969 --> 00:22:33,504 I want to return some stuff so I'm not charged. 556 00:22:33,572 --> 00:22:35,039 Will you do this for me? 557 00:22:35,107 --> 00:22:36,574 Man: Oh, ok. 558 00:22:36,642 --> 00:22:38,509 Well, thanks. [Indistinct] 559 00:22:38,577 --> 00:22:39,744 We're going to make it look amazing 560 00:22:39,811 --> 00:22:41,746 with this more precise vision, 561 00:22:41,813 --> 00:22:44,282 which Lilly helped me see. 562 00:22:47,986 --> 00:22:50,288 Lilly, she's telling me that it looks like 563 00:22:50,355 --> 00:22:52,390 a big, fake rock room. 564 00:22:52,457 --> 00:22:53,958 We're going to make the rocks come alive. 565 00:22:54,026 --> 00:22:55,860 - We're going to amp it up. - That'll work. 566 00:22:55,928 --> 00:22:57,562 You know how natural rocks sweat 567 00:22:57,629 --> 00:22:59,797 because there's springs and water and stuff releasing through them? 568 00:22:59,865 --> 00:23:01,632 Here, maybe just a little black drip 569 00:23:01,700 --> 00:23:03,534 and a little black green drip. 570 00:23:03,602 --> 00:23:05,236 But it'd cool naturally where it pools. 571 00:23:05,304 --> 00:23:07,705 I think we should use this other side. 572 00:23:07,773 --> 00:23:09,941 Yeah, I figured that little crevice. 573 00:23:10,008 --> 00:23:12,376 This is like-- this is what it's all about, a little sweet crevice. 574 00:23:12,444 --> 00:23:13,911 - All right, you're spinning. - Yeah. 575 00:23:13,979 --> 00:23:15,713 [Grunts] 576 00:23:15,781 --> 00:23:17,682 Lilly doesn't seem to really be feeling 577 00:23:17,749 --> 00:23:19,483 what I was planning to use 578 00:23:19,551 --> 00:23:21,185 as my crown material. 579 00:23:21,253 --> 00:23:23,054 So you know what, let's sell Lilly 580 00:23:23,121 --> 00:23:24,322 on this technology again. 581 00:23:24,389 --> 00:23:26,123 Maybe she's just had a bad experience-- 582 00:23:26,191 --> 00:23:27,291 Just didn't have the right guys. 583 00:23:27,359 --> 00:23:29,594 Yeah, like, you know what, it can look great. 584 00:23:29,661 --> 00:23:31,228 We're forming our own rock walls. 585 00:23:31,296 --> 00:23:33,097 Spray foam, essentially. As it hardens, 586 00:23:33,165 --> 00:23:35,199 it becomes a solid shape. 587 00:23:35,267 --> 00:23:37,602 And it's a really nice effect. 588 00:23:37,669 --> 00:23:40,037 That's what I'm talkin' about! 589 00:23:40,105 --> 00:23:43,274 The cave! Hit it. 590 00:23:47,279 --> 00:23:49,814 This is Friday, it's almost 5:00, 591 00:23:49,881 --> 00:23:51,248 and we only have 30 minutes to go 592 00:23:51,316 --> 00:23:52,984 before the end of day two. 593 00:23:53,051 --> 00:23:54,785 Yes, do you guys have any clear vinyl? 594 00:23:54,853 --> 00:23:56,354 - Heavy clear vinyl? Man: - Oh, ok. 595 00:23:56,421 --> 00:23:58,122 Do you know what I'm talking about? 596 00:23:58,190 --> 00:23:59,790 That's basically what I'm looking for, that material. 597 00:23:59,858 --> 00:24:02,093 One of the key things in my shot 598 00:24:02,160 --> 00:24:04,195 was a vinyl, industrial curtain. 599 00:24:04,262 --> 00:24:06,764 It is the entry way into this lair. 600 00:24:06,832 --> 00:24:09,967 You know the plastic curtains that you have in your shop? 601 00:24:10,035 --> 00:24:12,870 We know a vendor that had this specialty item. 602 00:24:12,938 --> 00:24:15,940 Once you have the cash in your hand, will you kick us out 603 00:24:16,008 --> 00:24:18,809 or will you let us load if we're there before 5:00 with the cash? 604 00:24:18,877 --> 00:24:21,012 Man: It's got to be before a quarter to five. 605 00:24:23,148 --> 00:24:24,715 You're going to punish a production designer who's been loyal to you-- 606 00:24:24,783 --> 00:24:28,319 I'm not punishing anybody. I'm just following the policy. 607 00:24:28,387 --> 00:24:30,855 - Who are you? - I'm the general manager. 608 00:24:30,922 --> 00:24:33,090 Basically I couldn't pull it off with him in time. 609 00:24:33,158 --> 00:24:35,259 It's not going to happen. 610 00:24:35,327 --> 00:24:36,761 [Truck beeping] 611 00:24:38,497 --> 00:24:40,297 That's the candy glass. 612 00:24:40,365 --> 00:24:41,732 You guys rock. 613 00:24:41,800 --> 00:24:45,569 Breathing sigh of relief, because this is the lynchpin 614 00:24:45,637 --> 00:24:47,838 for this hero gag to work. 615 00:24:47,906 --> 00:24:49,840 Need to be careful with that. 616 00:24:49,908 --> 00:24:52,443 Tomorrow morning or tonight. Tomorrow morning. 617 00:24:52,511 --> 00:24:54,011 Fabric place has it. 618 00:24:54,079 --> 00:24:56,747 I know they have clear vinyl. I know they do. 619 00:24:56,815 --> 00:24:58,716 - In their walls? - Yeah. 620 00:24:58,784 --> 00:25:00,451 Finally after several phone calls, 621 00:25:00,519 --> 00:25:03,587 we did find a place that was open and does have what we need 622 00:25:03,655 --> 00:25:04,889 and will sell it to us. 623 00:25:04,956 --> 00:25:06,457 I can get this thing tomorrow morning, 624 00:25:06,525 --> 00:25:08,059 so I'm saved. 625 00:25:08,126 --> 00:25:09,593 But it just takes days off your life. 626 00:25:22,207 --> 00:25:23,541 All right. 627 00:25:23,608 --> 00:25:25,276 Come on in, guys. That is the day today. 628 00:25:25,343 --> 00:25:27,978 Excellent day. You're lookin' good. 629 00:25:28,046 --> 00:25:29,980 All we've succeeded in getting done up till now 630 00:25:30,048 --> 00:25:33,617 are the big pieces. It's now time for all the small pieces. 631 00:25:33,685 --> 00:25:34,752 We're done, people, let's get the hell out of here. 632 00:25:34,820 --> 00:25:36,420 Thank you for a rad day. 633 00:25:36,488 --> 00:25:38,989 That's it for tonight. We still have quite a bit more to accomplish, 634 00:25:39,057 --> 00:25:40,725 but we've got to walk away. 635 00:25:40,792 --> 00:25:43,027 As we're leaving, I'm looking around the set 636 00:25:43,095 --> 00:25:44,528 and it's looking really good to me. 637 00:25:44,596 --> 00:25:47,798 But we have still so much to do. 638 00:25:58,610 --> 00:26:00,411 [Indistinct chatter] 639 00:26:00,479 --> 00:26:02,680 We have some very specific things we need to do. 640 00:26:02,748 --> 00:26:05,049 We've got to finish up that corridor, 641 00:26:05,117 --> 00:26:07,485 our exit corridor. There's a ceiling to put in, 642 00:26:07,552 --> 00:26:10,054 there's some [Indistinct], not a ton. 643 00:26:10,122 --> 00:26:13,657 Bela's got a master plan with this gag happening. 644 00:26:13,725 --> 00:26:15,960 We won't have triple zero nine in this cage. 645 00:26:16,027 --> 00:26:17,862 The cage is basically electrified. 646 00:26:17,929 --> 00:26:19,830 - I want my bunker wall. - No problem. 647 00:26:19,898 --> 00:26:20,831 - Ok. - I'll get on that first thing. 648 00:26:20,899 --> 00:26:21,899 Ok. 649 00:26:21,967 --> 00:26:23,868 Whoa! 650 00:26:23,935 --> 00:26:25,770 It's today. We have 4 hours. 651 00:26:25,837 --> 00:26:28,339 Let's, uh, let's get-- we have kind of-- not an easy day, 652 00:26:28,406 --> 00:26:29,907 by any stretch of the imagination. 653 00:26:29,975 --> 00:26:32,042 But I think it's an absolutely doable day. 654 00:26:32,110 --> 00:26:34,545 All we have right now is literally a blank piece of paper. 655 00:26:34,613 --> 00:26:36,514 Now we put in our world. 656 00:26:36,581 --> 00:26:38,516 We want glistens of silver and stainless 657 00:26:38,583 --> 00:26:41,719 and lights to pop. It's green, blue, red, 658 00:26:41,787 --> 00:26:44,288 LEDs. We have to figure out how to make that smoker 659 00:26:44,356 --> 00:26:46,524 do that little gag. Let's get going. All right. 660 00:26:52,664 --> 00:26:55,432 The cages are a key element, because it establishes 661 00:26:55,500 --> 00:26:57,968 that our villain has a past history of killing. 662 00:26:58,036 --> 00:27:00,471 In fact, next to triple zero nine 663 00:27:00,539 --> 00:27:04,341 is a mummified body, proof of past victims. 664 00:27:06,945 --> 00:27:08,479 My amazing Bela, 665 00:27:08,547 --> 00:27:11,615 he has been up and down in a scissor lift 666 00:27:11,683 --> 00:27:15,085 rigging the two cages with airline cable 667 00:27:15,153 --> 00:27:17,021 that can hold the weight of a 220 pound man 668 00:27:17,088 --> 00:27:18,689 who's struggling to get free. 669 00:27:18,757 --> 00:27:20,324 We have to add a secondary cable 670 00:27:20,392 --> 00:27:23,694 that can take the weight of the agent and the cage. 671 00:27:23,762 --> 00:27:26,096 It's a security, which is key in this. 672 00:27:26,164 --> 00:27:29,200 We got 3 hour warning, guys, 3 hours. 673 00:27:29,267 --> 00:27:31,902 I'm very worried that we're not going to make it on time. 674 00:27:35,807 --> 00:27:38,375 How would you design a hot set for tonight's challenge? 675 00:27:38,443 --> 00:27:41,969 Tell us on Twitter using #HotSet. 676 00:27:47,100 --> 00:27:49,234 Clear. Go. 677 00:27:49,302 --> 00:27:51,103 The biggest thing for right now 678 00:27:51,171 --> 00:27:53,272 is the technical aspect of rigging the cage. 679 00:27:53,339 --> 00:27:55,974 Basically we've got to stop this coming in here. 680 00:27:56,042 --> 00:27:57,609 Time is of the essence 681 00:27:57,677 --> 00:27:59,511 and we've got a lot to do today. 682 00:27:59,579 --> 00:28:01,013 Lock the cage to that 683 00:28:01,081 --> 00:28:03,082 and then we can even have the taglines off the back. 684 00:28:03,149 --> 00:28:05,551 It's leaking too much. You've got to get pressure. 685 00:28:05,618 --> 00:28:09,254 The way that our hero is going to actually escape the cryo chamber 686 00:28:09,322 --> 00:28:11,757 is that he's going to rip the pipe off the wall, 687 00:28:11,825 --> 00:28:13,592 break through a piece of glass. 688 00:28:13,660 --> 00:28:16,128 But we're having a difficult time getting the fog to go 689 00:28:16,196 --> 00:28:17,930 where we want it, which is into a hose. 690 00:28:17,997 --> 00:28:20,599 - Can you switch the funnel? - Yeah, this is melting. 691 00:28:20,667 --> 00:28:22,901 We've tried some plastic funnels, plastic tubing, 692 00:28:22,969 --> 00:28:25,003 and the problem we're running into is everything is melting. 693 00:28:25,071 --> 00:28:26,638 Hey, Tudor, it's melting the pieces. 694 00:28:26,706 --> 00:28:29,408 You're going to end up breaking the fogger. It's not working. 695 00:28:29,476 --> 00:28:32,911 We need something that can take the heat and deliver the product. 696 00:28:32,979 --> 00:28:36,381 How about that guy? This is like a 3 second gag. 697 00:28:36,449 --> 00:28:39,685 This will work for me. 698 00:28:39,752 --> 00:28:41,053 I got to get this done. 699 00:28:41,121 --> 00:28:43,455 We need to install the industrial vinyl curtain 700 00:28:43,523 --> 00:28:46,458 that thankfully we were able to find yesterday. 701 00:28:46,526 --> 00:28:50,295 This was center to my design. 702 00:28:50,363 --> 00:28:51,630 You want to overlap it, right? 703 00:28:51,698 --> 00:28:52,931 Yeah. Ok. 704 00:28:52,999 --> 00:28:54,933 We have a lot to do, but the set has a personality 705 00:28:55,001 --> 00:28:57,069 that's actually growing, 706 00:28:57,137 --> 00:28:59,404 and I have a feeling it's going to be really quite beautiful. 707 00:28:59,472 --> 00:29:02,040 We have one hour. We've got to get much faster on that. 708 00:29:02,108 --> 00:29:03,542 I'm sorry to rush you like a bastard. 709 00:29:03,610 --> 00:29:04,710 All right, by myself, dude. 710 00:29:04,777 --> 00:29:06,178 I know, I know. 711 00:29:06,246 --> 00:29:07,980 The cryo chamber, 712 00:29:08,047 --> 00:29:09,548 it's kind of the money shot on many levels. 713 00:29:09,616 --> 00:29:11,550 We need to install every piece of candy glass. 714 00:29:11,618 --> 00:29:13,485 We're trying to get it done. 715 00:29:13,553 --> 00:29:15,187 It's kind of a mad dash scramble. 716 00:29:15,255 --> 00:29:17,956 - The candy glass is in. - Ok. 717 00:29:18,024 --> 00:29:19,791 We're looking good. 718 00:29:19,859 --> 00:29:22,661 We only have one more hour before the shoot. 719 00:29:22,729 --> 00:29:24,263 We still have so much to do. 720 00:29:26,633 --> 00:29:28,333 Fill that thing with water right now. 721 00:29:28,401 --> 00:29:29,535 I'm getting worried at this point that 722 00:29:29,602 --> 00:29:31,336 we're starting to run out of time, 723 00:29:31,404 --> 00:29:34,606 and I still have to rig the high voltage lines, 724 00:29:34,674 --> 00:29:37,609 the keypad and the countdown timer. 725 00:29:37,677 --> 00:29:39,344 Do-- the timer. Get the timer on. 726 00:29:39,412 --> 00:29:42,080 We're just going like mad men trying to get it done. 727 00:29:42,148 --> 00:29:43,715 We've got about five minutes. 728 00:29:43,783 --> 00:29:46,485 I need a team to get on dirt world. 729 00:29:46,553 --> 00:29:47,819 The table has to get dressed. 730 00:29:47,887 --> 00:29:49,521 Well, look at this. [Indistinct] 731 00:29:49,589 --> 00:29:51,023 I really would like to do a lot more, 732 00:29:51,090 --> 00:29:52,824 but I know we're not going to have time for it. 733 00:29:52,892 --> 00:29:54,393 Trying to like look at it through the lens a little bit 734 00:29:54,460 --> 00:29:56,762 in my brain. I think it's going to be really beautiful. 735 00:29:56,829 --> 00:29:57,930 I think it's going to totally work. 736 00:29:57,997 --> 00:29:59,831 [Indistinct] 737 00:30:02,202 --> 00:30:03,335 - That's enough. - Yeah. 738 00:30:03,403 --> 00:30:05,904 No, just nail it into the top, go up underneath. 739 00:30:05,972 --> 00:30:07,739 Just give me a fucking screw. 740 00:30:07,807 --> 00:30:09,408 The set is about to become hot. 741 00:30:09,475 --> 00:30:11,610 Go up. It looks so good. 742 00:30:11,678 --> 00:30:13,111 I knew that it would be great, but I didn't think 743 00:30:13,179 --> 00:30:16,014 it would come together quite as beautifully as it is. 744 00:30:19,619 --> 00:30:20,919 Nice. 745 00:30:23,423 --> 00:30:25,424 - Is this tested? - All right. 746 00:30:25,491 --> 00:30:26,792 [Whistling] 747 00:30:26,859 --> 00:30:27,926 It's done. Walk away. 748 00:30:27,994 --> 00:30:29,261 Ok, cool, thank you. 749 00:30:29,329 --> 00:30:31,363 All right, teams. That's it. 750 00:30:31,431 --> 00:30:33,565 Your time is up. The sets you have built 751 00:30:33,633 --> 00:30:34,866 are now completed, 752 00:30:34,934 --> 00:30:36,902 and they are camera-ready. 753 00:30:36,970 --> 00:30:41,406 Each of you will have 30 minutes to shoot a scene on your set 754 00:30:41,474 --> 00:30:43,342 before you present it to the judges. 755 00:30:43,409 --> 00:30:44,876 Good luck to both of you. 756 00:30:44,944 --> 00:30:46,144 Good luck, dude. 757 00:30:46,212 --> 00:30:47,579 Bye, you guys, thank you so much. 758 00:30:47,647 --> 00:30:50,015 [Indistinct chatter] 759 00:30:51,551 --> 00:30:54,286 Art, grip, electric, techno. 760 00:30:54,354 --> 00:30:56,221 And 3, 2, 1, in! 761 00:30:56,289 --> 00:30:58,290 Make sure this clock is like straightened out. 762 00:30:58,358 --> 00:31:01,593 - Let's add the water. - Here we go. 763 00:31:01,661 --> 00:31:04,196 He needs to convey sheer terror, 764 00:31:04,264 --> 00:31:06,632 and the fact that he has no option 765 00:31:06,699 --> 00:31:08,533 other than his wits to get out of the situation. 766 00:31:08,601 --> 00:31:10,369 Push! Camera moves. 767 00:31:10,436 --> 00:31:13,105 Maybe we want to push it closer to the set. 768 00:31:13,172 --> 00:31:14,806 We have power failure. 769 00:31:14,874 --> 00:31:15,907 It needs batteries. It's dead. 770 00:31:15,975 --> 00:31:17,776 There are a lot of components 771 00:31:17,844 --> 00:31:20,445 to my set, and we keep having issues with some of the props, 772 00:31:20,513 --> 00:31:22,681 which is eating in for the shooting time. 773 00:31:22,749 --> 00:31:24,316 This is the last one, so stand by. Here we go. 774 00:31:24,384 --> 00:31:25,717 [Gasps] 775 00:31:25,785 --> 00:31:27,619 The cable just completely snapped. 776 00:31:27,687 --> 00:31:30,355 That's a cut. I think that's your time. 777 00:31:30,423 --> 00:31:32,024 The cable falling doesn't bother me. 778 00:31:32,091 --> 00:31:34,226 Even thought the cable snapping wasn't planned, 779 00:31:34,294 --> 00:31:37,162 I think it's going to add great excitement to the film. 780 00:31:37,230 --> 00:31:38,897 You know, you could even do something like-- 781 00:31:38,965 --> 00:31:41,700 - take the blue one and run out. - Ok. 782 00:31:41,768 --> 00:31:43,902 Stand by, and go green. Go. 783 00:31:43,970 --> 00:31:47,272 And then stand by on lasers. 784 00:31:47,340 --> 00:31:50,075 I'm going personally for a James Bond kind of thing. 785 00:31:50,143 --> 00:31:51,543 There it goes. 786 00:31:53,813 --> 00:31:55,547 - What's going on? - Stop the smoke. 787 00:31:55,615 --> 00:31:57,849 Forget it. 788 00:31:57,917 --> 00:31:59,985 Come on, pop it on, you've got to get it on. 789 00:32:00,053 --> 00:32:01,253 The strap for the jet pack broke. 790 00:32:01,321 --> 00:32:02,621 Zip tie, zip tie, 791 00:32:02,689 --> 00:32:03,922 zip tie. Very important. 792 00:32:03,990 --> 00:32:06,692 Let's put a little snow on his head. 793 00:32:06,759 --> 00:32:08,794 I hope the judges like the way it looks on camera. 794 00:32:08,861 --> 00:32:11,363 [Glass breaking] Yeah! 795 00:32:11,431 --> 00:32:13,532 - I love what I'm seeing. - Got to cut. 796 00:32:13,599 --> 00:32:14,900 There you go. Thank you, everyone. 797 00:32:14,967 --> 00:32:16,335 Thanks for helping out, you guys made it look great. 798 00:32:16,402 --> 00:32:17,502 Thank you, thank you, thank you. 799 00:32:37,757 --> 00:32:39,191 Production designers. 800 00:32:39,258 --> 00:32:42,027 Welcome to the hot set presentation. 801 00:32:42,095 --> 00:32:44,329 Tonight, one of you will leave here 802 00:32:44,397 --> 00:32:47,499 with $10,000. 803 00:32:47,567 --> 00:32:49,368 The other will leave with nothing. 804 00:32:49,435 --> 00:32:51,203 You remember our judges-- 805 00:32:51,270 --> 00:32:52,571 - Curt Beech. - Hi there. 806 00:32:52,638 --> 00:32:54,306 - Lilly Kilbert. - Good evening. 807 00:32:54,374 --> 00:32:56,875 - And Barry Robison. - Welcome back. 808 00:32:56,943 --> 00:32:58,677 Your challenge this week was to design 809 00:32:58,745 --> 00:33:00,812 a super villain's lair 810 00:33:00,880 --> 00:33:04,416 with the added requirement of creating a death trap 811 00:33:04,484 --> 00:33:07,352 for our potentially doomed secret agent. 812 00:33:07,420 --> 00:33:09,087 You were given very specific stage directions 813 00:33:09,155 --> 00:33:11,123 that your set had to accomplish. 814 00:33:11,190 --> 00:33:13,859 Interior, Professor's headquarters, 815 00:33:13,926 --> 00:33:15,527 day. 816 00:33:15,595 --> 00:33:19,564 Agent Triple Oh Nine is having a very bad day. 817 00:33:19,632 --> 00:33:22,667 In fact, this might be his last day. 818 00:33:22,735 --> 00:33:24,569 He struggles to free himself 819 00:33:24,637 --> 00:33:26,438 from Professor Death's fatal trap; 820 00:33:26,506 --> 00:33:29,074 releasing himself in the knick of time. 821 00:33:29,142 --> 00:33:30,609 Carol, we'll start with you. 822 00:33:30,676 --> 00:33:31,676 Tell us about your set. 823 00:33:31,744 --> 00:33:33,078 The set I've designed 824 00:33:33,146 --> 00:33:35,981 revolves around a Russian Professor of architecture 825 00:33:36,048 --> 00:33:39,017 who's captured an international agent. 826 00:33:39,085 --> 00:33:40,919 He's given this agent 827 00:33:40,987 --> 00:33:45,090 two choices-- either give him a password that he desires 828 00:33:45,158 --> 00:33:47,559 or be put to death by electrocution. 829 00:33:47,627 --> 00:33:50,228 I've used reflective surfaces, water, 830 00:33:50,296 --> 00:33:52,030 and ambient pennants of light 831 00:33:52,098 --> 00:33:53,965 to create a general mood. 832 00:33:54,033 --> 00:33:55,967 And here is my hot set. 833 00:34:02,322 --> 00:34:05,157 Carol, you told us about your set. 834 00:34:05,225 --> 00:34:06,425 Let's see how you did. 835 00:34:06,493 --> 00:34:07,927 Here's my hot set. 836 00:34:28,849 --> 00:34:31,150 Carol, now that you've presented your set, 837 00:34:31,218 --> 00:34:34,053 it's time to see how it plays on the big screen. 838 00:34:47,134 --> 00:34:49,402 [Beeping slowly] 839 00:34:53,307 --> 00:34:55,574 [Beeping rapidly] 840 00:35:01,381 --> 00:35:03,983 [Buzzer] 841 00:35:05,819 --> 00:35:08,120 [Grunting] 842 00:35:08,188 --> 00:35:10,356 [Gasping] 843 00:35:25,357 --> 00:35:27,089 Awesome. Really nice. 844 00:35:27,574 --> 00:35:29,442 Carol, thank you, nice work. 845 00:35:29,509 --> 00:35:31,210 Thank you so much. 846 00:35:31,278 --> 00:35:32,978 Tudor, tell us about your set. 847 00:35:33,046 --> 00:35:36,115 Agent Triple Oh Nine finds himself in a cryogenic chamber. 848 00:35:36,183 --> 00:35:38,484 Dangerously close to death, he breaks out of there, 849 00:35:38,552 --> 00:35:40,386 winds up stealing the jet pack from Professor Death, 850 00:35:40,454 --> 00:35:43,789 and actually escaping. 851 00:35:43,857 --> 00:35:45,891 Here's my hot set. 852 00:36:05,445 --> 00:36:07,847 Ultimately in production design, it's all about 853 00:36:07,914 --> 00:36:09,815 how your craft looks on the big screen. 854 00:36:09,883 --> 00:36:12,284 Let's see how you did. 855 00:36:27,901 --> 00:36:29,802 [Gasping] 856 00:36:36,943 --> 00:36:39,145 [Grunting] 857 00:36:46,119 --> 00:36:48,053 [Groaning] 858 00:37:13,947 --> 00:37:15,481 Tudor, nice job, nice work. 859 00:37:15,549 --> 00:37:17,249 - Thank you, thank you. - Judges, I'd like 860 00:37:17,317 --> 00:37:19,018 to invite you on set for a closer look. 861 00:37:26,493 --> 00:37:28,260 I'm not sure about this at all. 862 00:37:28,328 --> 00:37:29,495 - Never quite sure about that. - The water's great. 863 00:37:29,563 --> 00:37:31,764 The water's great, the water's great. 864 00:37:31,832 --> 00:37:33,833 Interesting things here. 865 00:37:33,900 --> 00:37:36,202 Good details. It feels foreign. 866 00:37:36,269 --> 00:37:38,904 It happens without you even knowing. 867 00:37:38,972 --> 00:37:41,774 - Exactly. - And that's huge. 868 00:37:41,842 --> 00:37:42,775 The escape is really terrific. 869 00:37:42,843 --> 00:37:44,777 I love the escape. 870 00:37:44,845 --> 00:37:47,613 - Let's go over to the other set. - Yeah. 871 00:37:49,649 --> 00:37:51,550 Good placement of the chamber in the corner. 872 00:37:51,618 --> 00:37:54,687 - I agree. - The action on the panels is good. 873 00:37:54,754 --> 00:37:57,823 I thought all of that was really wonderful. 874 00:37:57,891 --> 00:38:00,092 The quality of the rock. 875 00:38:00,160 --> 00:38:02,595 It's a shame, because I warned him of that. 876 00:38:02,662 --> 00:38:05,464 I said, this is stuff you've got to really be careful with. 877 00:38:05,532 --> 00:38:07,266 This is really good. 878 00:38:07,334 --> 00:38:08,667 It was very successful. 879 00:38:08,735 --> 00:38:11,003 It felt like a super, super villain lair. 880 00:38:12,672 --> 00:38:13,806 - Thank you. - Thank you. 881 00:38:13,874 --> 00:38:15,441 Thank you. 882 00:38:19,479 --> 00:38:22,114 Judges, of course you have many questions for these guys. 883 00:38:22,182 --> 00:38:23,582 We'll start with Carol. 884 00:38:23,650 --> 00:38:26,652 First of all, I don't understand 885 00:38:26,720 --> 00:38:29,555 the concept at all. 886 00:38:29,623 --> 00:38:31,991 But it's such a great set 887 00:38:32,058 --> 00:38:34,426 that I don't care one bit. 888 00:38:34,494 --> 00:38:36,061 Your finishes are great, 889 00:38:36,129 --> 00:38:37,596 the layers are great, 890 00:38:37,664 --> 00:38:39,532 the flow of the set is great. 891 00:38:39,599 --> 00:38:41,300 It's extremely impressive. 892 00:38:41,368 --> 00:38:43,769 - Thank you so much. - About that wall over there, 893 00:38:43,837 --> 00:38:45,771 what are you trying to tell us with that wall? 894 00:38:45,839 --> 00:38:47,239 This portrays the exterior of this place 895 00:38:47,307 --> 00:38:49,775 and is actually part of this bunker. 896 00:38:49,843 --> 00:38:52,878 It is about actual light that he's allowing in. 897 00:38:52,946 --> 00:38:54,446 The stunt was amazing. 898 00:38:54,514 --> 00:38:56,649 It looked so great on film. Good work. 899 00:38:56,716 --> 00:38:59,251 - Thank you so much. - As good a set as this is, 900 00:38:59,319 --> 00:39:01,353 my one thought is, 901 00:39:01,421 --> 00:39:05,024 is this a super villain set? 902 00:39:05,091 --> 00:39:08,027 There is a certain operatic scale. 903 00:39:08,094 --> 00:39:09,895 - I missed that. - Tudor? 904 00:39:09,963 --> 00:39:12,898 These guys, I know, have questions for you, as well. 905 00:39:12,966 --> 00:39:15,401 The chamber is off the charts. 906 00:39:15,468 --> 00:39:17,937 Breaking glass, love it. 907 00:39:18,004 --> 00:39:21,006 And if I'm Triple Oh Nine, I am stealing that jet pack. 908 00:39:21,074 --> 00:39:23,576 Let's talk about the rocks. 909 00:39:23,643 --> 00:39:25,978 - They're not successful. - They're not? 910 00:39:26,046 --> 00:39:27,479 Not even this much. 911 00:39:27,547 --> 00:39:30,649 So you've got a top part of your set that's not very good. 912 00:39:30,717 --> 00:39:32,384 I completely agree with you. 913 00:39:32,452 --> 00:39:34,019 It's one of these things where I took a little risk. 914 00:39:34,087 --> 00:39:35,721 If we had had more time kind of thing, 915 00:39:35,789 --> 00:39:38,023 we'd put more coats and it would take more of that bumpiness away. 916 00:39:38,091 --> 00:39:40,159 Super villain set, absolutely, 917 00:39:40,226 --> 00:39:42,895 I know there's a very bad guy in charge of this set. 918 00:39:42,963 --> 00:39:44,496 I think it's a smashing looking set 919 00:39:44,564 --> 00:39:46,932 and really very good work. 920 00:39:47,000 --> 00:39:48,534 - Thank you. - Thank you both. 921 00:39:48,602 --> 00:39:50,669 Judges will now take a moment to review what they've seen. 922 00:39:50,737 --> 00:39:53,272 Please rejoin your teammates 923 00:39:53,340 --> 00:39:54,607 while the judges make their decision. 924 00:39:54,674 --> 00:39:57,209 - Thank you so much. - Thank you. 925 00:39:57,277 --> 00:39:58,811 All right, judges, 926 00:39:58,878 --> 00:40:01,013 two very different approaches. 927 00:40:01,081 --> 00:40:02,047 What did you think of Carol's work? 928 00:40:02,115 --> 00:40:03,482 Technique-wise, 929 00:40:03,550 --> 00:40:05,050 some of the best stuff we've seen. 930 00:40:05,118 --> 00:40:06,952 She thought about how the set moves, 931 00:40:07,020 --> 00:40:08,854 you know, how the character moves through the set. 932 00:40:08,922 --> 00:40:10,489 It's quite successful, 933 00:40:10,557 --> 00:40:12,625 and I do love her details. 934 00:40:12,692 --> 00:40:15,060 You know, I cannot say enough how much I hate that other wall. 935 00:40:15,128 --> 00:40:16,495 It's obviously not a real wall. 936 00:40:16,563 --> 00:40:18,397 It's nearly perfect. 937 00:40:18,465 --> 00:40:21,567 I did love the water because it added a kind of reality. 938 00:40:21,635 --> 00:40:23,168 We go by our criteria, 939 00:40:23,236 --> 00:40:27,439 the one bit of this challenge that I think she sloughed it off, 940 00:40:27,507 --> 00:40:30,042 the super villain, there is a scale to that. 941 00:40:30,110 --> 00:40:32,678 It doesn't quite make it to super villain. 942 00:40:32,746 --> 00:40:34,813 Yeah, he's not a super villain. 943 00:40:34,881 --> 00:40:36,615 But on screen, 944 00:40:36,683 --> 00:40:38,951 it was great. 945 00:40:39,019 --> 00:40:40,386 I quite agree. 946 00:40:40,453 --> 00:40:41,887 And Tudor's set. 947 00:40:41,955 --> 00:40:45,124 He understands the super villain. 948 00:40:45,191 --> 00:40:47,559 - Yes. - I mean, he really nailed it. 949 00:40:47,627 --> 00:40:49,094 He narrowly gets it right. 950 00:40:49,162 --> 00:40:52,531 I wish that the stone wall had been treated differently. 951 00:40:52,599 --> 00:40:55,401 It would have helped a great deal if there was a sense that 952 00:40:55,468 --> 00:40:57,436 everything was built into this wall 953 00:40:57,504 --> 00:41:00,806 and there was not a sense of things being placed in there. 954 00:41:00,874 --> 00:41:02,941 Yeah, it's a cave with stuff in it, 955 00:41:03,009 --> 00:41:06,812 and it's not a highly designed lair. 956 00:41:06,880 --> 00:41:09,882 There's another layer of finish on things 957 00:41:09,949 --> 00:41:11,650 that I crave when I look at this. 958 00:41:11,718 --> 00:41:14,553 But I like a lot of his details 959 00:41:14,621 --> 00:41:17,756 and I think his chamber and escape sequence 960 00:41:17,824 --> 00:41:20,192 is fantastic, off the charts. 961 00:41:20,260 --> 00:41:21,694 All right, well, given all that information, 962 00:41:21,761 --> 00:41:23,462 - have you reached a decision? - I think so. 963 00:41:23,530 --> 00:41:24,563 Yeah, I think we have. 964 00:41:32,272 --> 00:41:33,605 So, judges. 965 00:41:33,673 --> 00:41:36,909 Who has the hot set and leaves here tonight 966 00:41:36,976 --> 00:41:38,610 with $10,000? 967 00:41:46,199 --> 00:41:49,100 Judges... who has the hot set 968 00:41:49,168 --> 00:41:52,871 and leaves here tonight with $10,000? 969 00:41:55,608 --> 00:41:57,609 Tudor, super villain, 970 00:41:57,677 --> 00:42:00,712 yes. We really felt the peril of our hero. 971 00:42:00,780 --> 00:42:04,783 But your set needed another layer. 972 00:42:04,850 --> 00:42:07,586 Carol, you did suggest a world 973 00:42:07,653 --> 00:42:09,854 very clearly and very completely. 974 00:42:09,922 --> 00:42:13,425 But that wall, I fear you undercut yourself. 975 00:42:15,895 --> 00:42:19,197 This is the best work we've seen so far on this show. 976 00:42:19,265 --> 00:42:22,000 However, there can only be one winner. 977 00:42:22,068 --> 00:42:24,970 And the designer with this week's hot set is... 978 00:42:31,544 --> 00:42:32,978 Carol. 979 00:42:35,748 --> 00:42:39,618 Carol, you gave us the beautiful movie set. 980 00:42:39,685 --> 00:42:42,020 Really well done. 981 00:42:42,088 --> 00:42:43,588 Thank you. 982 00:42:43,656 --> 00:42:46,024 I was pretty sure that we were going to take it, 983 00:42:46,092 --> 00:42:48,059 but it was awesome, I loved it. 984 00:42:48,127 --> 00:42:50,562 I really did have a great time. 985 00:42:50,630 --> 00:42:51,930 It's still sinking in right now. 986 00:42:51,998 --> 00:42:53,765 But it's like an accolade 987 00:42:53,833 --> 00:42:56,301 from an amazing world that I love so much. 988 00:42:57,159 --> 00:42:59,000 Sync and corrections by n17t01 www.addic7ed.com