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PREVIOUSLY
ON GHOST WHISPERER...
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00:00:01,800 --> 00:00:04,700
THEY'RE WHAT'S LEFT OVER
OF OLD ROADS, ALLEYWAYS,
3
00:00:04,700 --> 00:00:07,700
THEY'RE WHAT'S LEFT OVER
OF ANOTHER TOWN-UNDERGROUND.
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00:00:07,700 --> 00:00:09,400
Dad! YOU'RE ALIVE.
5
00:00:09,400 --> 00:00:11,000
IT HAS TO DO
WITH PAUL EASTMAN.
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00:00:11,000 --> 00:00:13,200
YOU SENT HIM TO PRISON,
ONLY HE ESCAPED.
7
00:00:13,200 --> 00:00:15,100
I'VE PUT A LOT
OF PEOPLE IN JAIL,
8
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AND NONE OF THEM
HAVE COME AFTER ME.
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00:00:17,200 --> 00:00:19,900
WHAT IF HE'S HIDING
FROM SOMEONE, SOMEONE WHO
HE SENT TO PRISON?
10
00:00:19,900 --> 00:00:21,600
WHAT IF HE'S JUST
LYING TO PROTECT ME?
11
00:00:21,600 --> 00:00:23,200
Jim: THE MAN KILLED
A LITTLE BOY.
12
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HE ESCAPED DURING
A PRISON FIRE.
13
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FACIAL BURN VICTIMS WEAR A
CLEAR MASK DURING TREATMENT.
14
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PAUL EASTMAN IS DEAD.
HE POSSESSED MY DAD.
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HE'S JUST TRYING
TO GET HIS REVENGE.
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I HAVE TO WARN MY DAD.
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DAD?!
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OH, MY GOD!
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Jim: TOM GORDON!
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TOM, WE'RE COMING IN.
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IT'S A GUNSHOT VICTIM.
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Man: WHAT ARE HIS VITALS?
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TOM, CAN YOU
HEAR ME, TOM?
LACERATIONS TO THE HEAD.
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HE MAY BE GOING INTO
FULL ARREST.
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I HAD TO. I HAD TO PROTECT HER, I HAD TO.
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TRY TO BE QUIET.
IT'S ALL RIGHT.
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I HAD TO.
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YOUR FATHER'S IN
CRITICAL CONDITION, AND THE NEXT
24 HOURS ARE KEY.
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HOW COULD HE BE ALIVE?
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I SAW HIM,
I SAW HIS HEAD.
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COLD FEET.
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HE HAD THE GUN
RIGHT AGAINST HIS TEMPLE, BUT HE MOVED HIS HAND
JUST AS HE FIRED.
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MAYBE HE CHANGED HIS MIND
AT THE LAST SECOND.
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NOW THE BULLET HAD LODGED
UNDER THE SCALP, BUT IT DIDN'T
PENETRATE THE SKULL.
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SO HE MADE IT THROUGH
SURGERY QUICK AND EASY.
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NOW ALL WE HAVE TO DO
IS WATCH AND WAIT.
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YEAH.
IT'S ALL RIGHT.
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HEY, THANKS
A LOT, DOC.
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YOU GOT IT. JUST PAGE ME IF YOU NEED ME,
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'CAUSE YOU KNOW I NEVER
REALLY LEAVE THIS PLACE.
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HEY.
WHY WOULD HE DO THIS?
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I MEAN, HE MUST
HAVE BEEN POSSESSED.
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LOOK, BEFORE
WE BROUGHT HIM IN, HE SAID SOMETHING TO ME.
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00:02:04,100 --> 00:02:06,500
HE TOLD ME HE DID THIS
TO PROTECT YOU.
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PROTECT ME? FROM WHAT?
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OR WHO.
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PAUL EASTMAN? NO, HE'S
HAUNTING MY FATHER.
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WHY WOULD HE BE
A THREAT TO ME?
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MAYBE THAT'S A QUESTION
FOR DEAR OLD DAD.
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HEY.
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00:02:38,700 --> 00:02:40,700
I DON'T REALLY KNOW
IF YOU CAN HEAR ME,
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BUT THEY TOLD ME
MAYBE YOU COULD.
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LOOK, DAD,
I'M-I'M REALLY CONFUSED.
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I DON'T KNOW...
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I DON'T KNOW WHAT YOU'RE
SUPPOSED TO MEAN TO ME.
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I MEAN, YOU LEAVE US
WHEN I'M 9,
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AND THEN YOU JUST...
COME BACK.
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NO EXPLANATION, NOTHING.
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I DON'T REALLY KNOW
WHAT YOU THINK ABOUT ME.
60
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OR WHAT I REALLY
THINK ABOUT YOU.
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SO IT'S A REALLY BAD TIME
TO DIE, OK?
62
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BECAUSE THERE'S SO MUCH THAT WE
NEED TO KNOW ABOUT EACH OTHER.
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ABOUT EVERYTHING.
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SORRY.
65
00:04:04,800 --> 00:04:07,000
THERE WAS A LINE
OUT THE DOOR.
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00:04:09,000 --> 00:04:11,100
I HAVE BEEN DOING THINGS
LIKE THIS ALL DAY!
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HEY, HEY,
DON'T WORRY ABOUT IT.
68
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BUT JUST DON'T TRY
TO PICK IT UP.
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I'M GONNA GET A BROOM.
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ARE YOU OK?
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YEAH, YEAH, WHATEVER.
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HEY, HOW IS
YOUR DAD?
73
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UH, RESTING COMFORTABLY
OR SO THEY SAY,
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AND IF THAT'S TRUE,
HE'S THE ONLY ONE.
75
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WHAT THE HELL
IS GOING ON?
76
00:04:33,500 --> 00:04:35,500
IT'S A LONG STORY, BUT I
THINK MY DAD'S BEING HAUNTED
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BY THIS MAN HE SENT TO
PRISON, AN INNOCENT MAN.
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HAUNTED HOW?
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MMM, I THINK THIS GHOST
JUST FIGURED OUT A WAY TO POSSESS PEOPLE
FOR A FEW MINUTES,
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OR AT LEAST LONG ENOUGH TO GET
THEM TO DO THE THINGS HE WANTS DONE.
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LIKE YOUR DAD
KILLING HIMSELF?
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YEAH, THAT'S ONE THEORY. THIS
DOES NOT TASTE LIKE GREEN TEA.
83
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YEAH, BECAUSE
YOU TOOK MINE.
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OH. SORRY.
85
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WHAT I DON'T UNDERSTAND
IS WHY NOW?
86
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I MEAN, WHY WOULD
PAUL EASTMAN WAIT 30 YEARS
TO GET VENGEANCE?
87
00:05:01,800 --> 00:05:04,700
ARE YOU ASKING ME LIKE YOU
ACTUALLY EXPECT AN ANSWER?
88
00:05:04,700 --> 00:05:07,200
YEAH, WELL,
YOU KNOW WHAT, YOU WORK ON THAT
FOR A WHILE,
89
00:05:07,200 --> 00:05:08,900
AND I'M GONNA GO GET US
SOME NEW GLASSES.
90
00:05:09,500 --> 00:05:11,700
YOU KNOW WHAT,
YOU NEED A BREAK.
91
00:05:11,700 --> 00:05:13,500
WE REALLY SHOULD
GO NEXT WEEK
92
00:05:13,500 --> 00:05:16,000
AND SEE THE TALL SHIPS COME
INTO THE HARBOR AT PIERMONT, OK?
93
00:05:16,000 --> 00:05:17,300
YOU MEAN DO SOMETHING FUN?
94
00:05:18,700 --> 00:05:20,100
I HAVE NO TRAINING FOR THAT.
95
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IT'S SETTLED!
WE ARE GOING.
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PAUL?
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PAUL EASTMAN?
101
00:07:04,300 --> 00:07:07,100
YOU DON'T REALLY THINK
THIS STUFF SCARES ME, DO YOU?
102
00:07:07,100 --> 00:07:10,000
WELL, FEAR IS A RELATIVE
THING, I'VE ALWAYS FOUND.
103
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I KNOW THAT YOU'VE BEEN
POSSESSING MY FATHER.
104
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I KNOW THAT YOU WANT REVENGE.
105
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YOU BLAME HIM FOR
SENDING YOU TO PRISON.
106
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TIP OF THE ICEBERG.
107
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HE TRIED TO KILL HIMSELF
JUST TO GET RID OF YOU.
108
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HE THINKS YOU'RE TRYING
TO HURT ME.
109
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I KNOW THAT YOU'RE THE ONE THAT'S
BEEN HAUNTING ME IN MY DREAMS.
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WHY DON'T YOU JUST
LEAVE HIM ALONE?
111
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GIVE ME YOUR BEST SHOT.
112
00:07:29,700 --> 00:07:33,500
IT'S TOUCHING
THAT YOU BELIEVE YOUR FATHER
TO BE SO NOBLE.
113
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NO, NEVER SAID HE WAS NOBLE,
114
00:07:36,600 --> 00:07:39,400
BUT I DO BELIEVE THAT EVERYONE
DESERVES FORGIVENESS.
115
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HE DIDN'T SET OUT
TO HURT YOU.
116
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YOUR FATHER DIDN'T TRY TO
KILL HIMSELF TO SAVE YOU;
117
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HE DID IT
BECAUSE I MADE HIM.
118
00:07:47,900 --> 00:07:51,000
I PUT THAT GUN
TO HIS HEAD MYSELF.
119
00:07:52,400 --> 00:07:54,500
BUT HE'S STRONG,
I'LL GIVE HIM THAT.
120
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HE SAVED HIMSELF.
121
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YOU REALLY DO HATE HIM.
122
00:07:58,500 --> 00:08:02,400
THERE ARE FEW WHO DESERVE
HATRED MORE THAN THAT MAN.
123
00:08:02,400 --> 00:08:04,500
YOU HAVE NO IDEA.
124
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SO TELL ME.
125
00:08:06,900 --> 00:08:08,500
I DON'T THINK I WILL.
126
00:08:08,500 --> 00:08:10,400
AND I DON'T THINK
YOU'LL BELIEVE ME.
127
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TRY ME.
128
00:08:11,900 --> 00:08:15,000
EVERY JOURNEY BEGINS
WITH THE FIRST STEP.
129
00:10:43,200 --> 00:10:44,100
MOM.
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00:10:44,100 --> 00:10:46,800
WHAT ARE YOU DOING HERE?
131
00:10:46,800 --> 00:10:49,600
NICE TO SEE YOU, TOO. WHY HAVEN'T
YOU BEEN ANSWERING YOUR PHONE?
132
00:10:49,900 --> 00:10:52,200
'CAUSE THEN I'D HAVE TO TALK
TO WHOEVER'S CALLING.
133
00:10:52,200 --> 00:10:54,400
THAT'S CLEAR.
COLD, BUT CLEAR.
134
00:10:55,200 --> 00:10:56,400
HOW'S THE NEW SHOP?
135
00:10:57,200 --> 00:10:58,900
I LIKE WORKING WITH FLOWERS.
136
00:10:59,300 --> 00:11:01,800
THEY'RE BEAUTIFUL,
THEY SMELL NICE.
137
00:11:01,800 --> 00:11:04,400
AND WHEN THEY DIE, THEY DON'T
COME BACK WITH COMPLAINTS.
138
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OK THEN.
139
00:11:06,400 --> 00:11:08,400
I'M NOT DISCUSSING
YOUR FATHER.
140
00:11:08,400 --> 00:11:09,300
WHO SAYS THIS IS ABOUT HIM?
141
00:11:09,300 --> 00:11:10,800
MAYBE IT'S ABOUT
SOMETHING ELSE ALTOGETHER.
142
00:11:10,800 --> 00:11:12,400
IS IT?
NO, IT'S ABOUT DAD.
143
00:11:12,400 --> 00:11:14,500
I AM NOT DISCUSSING
YOUR FATHER.
144
00:11:14,500 --> 00:11:15,700
FINE, LET ME TALK THEN.
145
00:11:15,700 --> 00:11:18,900
I FOUND OUT THAT HE PROSECUTED
A MAN NAMED PAUL EASTMAN FOR MURDER,
146
00:11:19,300 --> 00:11:22,500
ONLY HE WAS INNOCENT, AND HIS GHOST IS BACK
TRYING TO GET REVENGE.
147
00:11:23,100 --> 00:11:26,000
THIS IS SOUNDING A LOT LIKE A
CONVERSATION ABOUT YOUR FATHER.
148
00:11:26,000 --> 00:11:27,900
DID YOU KNOW PAUL EASTMAN?
149
00:11:28,500 --> 00:11:30,600
I MEAN, DID DAD
EVER TALK ABOUT HIM?
150
00:11:30,700 --> 00:11:31,800
WHY DON'T YOU ASK HIM?
151
00:11:31,800 --> 00:11:32,900
WELL, HE'S GOT
HIS HANDS FULL RIGHT NOW.
152
00:11:32,900 --> 00:11:34,700
YOU KNOW, BULLET IN
THE HEAD AND ALL THAT?
153
00:11:35,400 --> 00:11:36,300
NOT THAT YOU'D CARE.
154
00:11:36,300 --> 00:11:38,300
IT WASN'T
LIFE-THREATENING.
155
00:11:38,700 --> 00:11:40,400
IT DIDN'T EVEN
GET PAST THE SCALP.
156
00:11:40,500 --> 00:11:41,800
SO YOU CHECKED ON HIM?
157
00:11:42,600 --> 00:11:43,900
ONE PHONE CALL.
158
00:11:44,900 --> 00:11:45,900
LOOK, MELINDA,
159
00:11:46,000 --> 00:11:48,800
I DON'T MEAN TO SOUND
HARD-HEARTED ABOUT THIS,
160
00:11:48,800 --> 00:11:51,300
BUT YOUR FATHER
IS NOT A GOOD PERSON.
161
00:11:51,400 --> 00:11:53,100
HE'S NOT MISUNDERSTOOD.
162
00:11:53,400 --> 00:11:55,900
HE'S JUST PLAIN BAD.
163
00:11:56,000 --> 00:11:57,600
YOU NEED TO ACCEPT THAT.
164
00:11:57,600 --> 00:11:59,800
HE DOESN'T DESERVE
YOUR GOOD INTENTIONS.
165
00:11:59,800 --> 00:12:00,700
HE DOESN'T EVEN...
166
00:12:04,300 --> 00:12:05,800
I LEFT THE DOOR
UNLOCKED.
167
00:12:05,800 --> 00:12:07,000
I HAVE TO GET BACK.
168
00:12:07,000 --> 00:12:09,700
I'M SORRY...
I CANNOT HELP YOU.
169
00:12:17,300 --> 00:12:18,800
Rick: YOU HAVE TO LOOK
AT THE BIG PICTURE HERE.
170
00:12:18,800 --> 00:12:21,800
YOU CAN'T JUST GET CAUGHT UP
IN WHERE YOU ARE RIGHT NOW,
171
00:12:21,800 --> 00:12:24,900
ALTHOUGH THAT IS THE TRAP THAT
WE ALL SEEM TO GET CAUGHT UP IN.
172
00:12:24,900 --> 00:12:28,000
YOU KNOW, IT'S WHERE
AM I, WHERE AM I GOING,
173
00:12:28,000 --> 00:12:31,400
WHAT'S GOING TO HAPPEN.
THESE ARE-HELLO?!
174
00:12:31,500 --> 00:12:34,100
YOU KNOW,
YOU SHOULD REALLY BE TAKING NOTES ON THIS,
MY LITTLE FRIEND.
175
00:12:34,100 --> 00:12:36,100
I KNOW YOU ARE NOT TALKING
TO THAT GERBIL.
176
00:12:36,100 --> 00:12:37,800
HIS NAME IS BOB,
BY THE WAY,
177
00:12:37,800 --> 00:12:40,000
AND, YOU KNOW,
I DON'T EVEN KNOW WHY I BOTHER WITH THIS GUY.
178
00:12:40,000 --> 00:12:41,800
IT'S IN ONE LITTLE EAR,
OUT THE OTHER WITH HIM.
179
00:12:41,800 --> 00:12:42,800
HOW'S YOUR DAD?
180
00:12:42,800 --> 00:12:44,700
STABLE, WHICH IS MORE
THAN I CAN SAY FOR ME.
181
00:12:44,700 --> 00:12:46,300
WELL, STABILITY'S OVERRATED.
182
00:12:46,300 --> 00:12:48,700
I WOULDN'T KNOW. ANYWAY, DO YOU REMEMBER
PAUL EASTMAN,
183
00:12:48,700 --> 00:12:50,100
THE GUY WHO WAS
HAUNTING MY FATHER?
184
00:12:50,100 --> 00:12:51,800
NO, BUT IF YOU HUM
A FEW BARS.
185
00:12:51,800 --> 00:12:53,900
HE'S NOT ONLY HAUNTING HIM,
HE'S POSSESSING HIM.
186
00:12:53,900 --> 00:12:55,800
YOU KNOW, LIKE MAKING HIM
DO ALL KINDS OF THINGS,
187
00:12:55,800 --> 00:12:57,200
I DON'T KNOW,
TRYING TO KILL HIMSELF.
188
00:12:57,200 --> 00:12:58,800
WELL, THE DEAD ARE REALLY
GETTING THE HANG OF THIS.
189
00:12:58,800 --> 00:13:00,100
THAT CAN'T BE GOOD NEWS
FOR THE LIVING.
190
00:13:00,100 --> 00:13:01,500
YEAH, AND I'VE ALREADY
TALKED TO EASTMAN,
191
00:13:01,500 --> 00:13:02,900
AND HE HATES MY FATHER
WITH A PASSION,
192
00:13:02,900 --> 00:13:05,200
SO I DON'T EVEN KNOW IF I'M GOING
TO BE ABLE TO TURN THIS GUY AROUND.
193
00:13:05,200 --> 00:13:08,400
AND BY THE WAY,
I FOUND EASTMAN'S BONES BURIED IN THE BASEMENT
OF A HOUSE
194
00:13:08,400 --> 00:13:09,500
THAT HIS GHOST LED ME TO.
195
00:13:09,500 --> 00:13:11,300
THAT'S QUITE A "BY THE
WAY" YOU JUST LAID ON ME.
196
00:13:11,300 --> 00:13:13,600
DID ANYTHING ORDINARY HAPPEN
TO YOU IN THE PAST FEW DAYS?
197
00:13:13,600 --> 00:13:15,000
UM, NO.
I DIDN'T THINK SO.
198
00:13:15,000 --> 00:13:16,200
ANY IDEAS?
199
00:13:16,200 --> 00:13:18,700
WELL, NO ONE'S BONES ARE FOUND BURIED
IN SOMEONE'S BASEMENT
200
00:13:18,700 --> 00:13:20,600
IF THEY DIED A NICE,
HAPPY, PEACEFUL DEATH.
201
00:13:20,600 --> 00:13:22,400
I THINK HE WAS MURDERED AND
HE WANTS YOU TO SOLVE IT.
202
00:13:22,400 --> 00:13:23,300
NO, THAT'S TOO SIMPLE.
203
00:13:23,300 --> 00:13:25,400
I MEAN, HE WOULD HAVE LAID ALL
THAT OUT FOR ME FIRST THING.
204
00:13:25,400 --> 00:13:26,800
WHATEVER IT IS,
HE KNOWS THE ANSWER,
205
00:13:26,800 --> 00:13:28,800
AND HE WANTS ME TO FIGURE
OUT THE MYSTERY FOR MYSELF.
206
00:13:28,800 --> 00:13:32,500
WHY?
BECAUSE HE SAID THAT
I WOULDN'T BELIEVE HIM IF HE TRIED TO TELL ME-
207
00:13:33,100 --> 00:13:34,500
IF THAT'S FOR ME,
I ALREADY LEFT.
208
00:13:35,700 --> 00:13:36,300
HELLO?
209
00:13:36,300 --> 00:13:38,000
Jim: HEY, I FOUND SOMETHING
IN THE ARCHIVES.
210
00:13:38,000 --> 00:13:40,500
THAT HOUSE YOU WERE IN,
WHERE YOU FOUND THE BONES...
211
00:13:41,500 --> 00:13:42,800
YOU KNOW THAT HOUSE.
212
00:13:43,100 --> 00:13:45,000
NO, I DON'T.
YEAH, YOU DO.
213
00:13:45,000 --> 00:13:47,600
THEY MIGHT HAVE CHANGED THE NAME
ON THE STREET, BUT YOU KNOW IT.
214
00:13:48,400 --> 00:13:49,200
HOW?
215
00:13:50,000 --> 00:13:52,100
THE NAME
ON THE ORIGINAL DEED
216
00:13:52,500 --> 00:13:54,500
IS THOMAS
AND BETH GORDON.
217
00:13:55,600 --> 00:13:57,100
IT WAS YOUR PARENTS'
FIRST HOME.
218
00:13:58,700 --> 00:13:59,400
WHAT?!
219
00:13:59,900 --> 00:14:01,400
HONEY, IT'S THE HOUSE
YOU WERE BORN IN.
220
00:14:05,700 --> 00:14:06,700
BONES?
221
00:14:07,200 --> 00:14:11,000
AS IN A SKELETON
IN THE BASEMENT OF THE HOUSE
YOU AND DAD OWNED.
222
00:14:11,000 --> 00:14:14,300
THAT COULD HAVE BEEN THERE FOR A
HUNDRED YEARS, FOR ALL YOU KNOW.
223
00:14:14,300 --> 00:14:15,600
NICE TRY.
224
00:14:15,600 --> 00:14:18,400
OK, THE BONES BELONG TO THAT
MAN THAT DAD SENT TO PRISON,
225
00:14:18,400 --> 00:14:20,300
PAUL EASTMAN. HE WAS THE
ONE THAT LED ME THERE,
226
00:14:20,300 --> 00:14:22,600
AND YOU'RE GONNA ACT LIKE YOU
DON'T KNOW WHAT I'M TALKING ABOUT?
227
00:14:23,200 --> 00:14:25,600
WHAT DIFFERENCE DOES IT MAKE?
YOU NEVER BELIEVE ME ANYWAY.
228
00:14:25,600 --> 00:14:27,800
WHY SHOULD I?
YOU NEVER TELL ME THE TRUTH.
229
00:14:28,300 --> 00:14:29,800
THEN DON'T ASK.
230
00:14:30,200 --> 00:14:32,100
JUST LEAVE ME
IN PEACE.
231
00:14:32,100 --> 00:14:34,000
PEACE IS NOT AN OPTION
RIGHT NOW.
232
00:14:34,000 --> 00:14:36,200
ALL RIGHT? SOONER OR LATER, THE
POLICE ARE GOING TO GET INVOLVED.
233
00:14:36,200 --> 00:14:38,000
IT HAPPENED AT YOUR HOUSE,
THEY'RE COMING TO YOU.
234
00:14:38,000 --> 00:14:40,000
YOU BE MAY BE IMPLICATED
IN A MURDER!
235
00:14:40,900 --> 00:14:44,400
MELINDA, I KNOW YOU DON'T HAVE
MUCH RESPECT FOR WHAT I SAY,
236
00:14:44,400 --> 00:14:46,700
BUT I AM ASKING YOU
THIS ONE TIME
237
00:14:46,700 --> 00:14:49,800
TO LISTEN TO ME-
LEAVE THIS ALONE.
238
00:14:49,900 --> 00:14:52,700
THERE IS NO GOOD
FOR ANYBODY AT THE END OF THIS ROAD.
239
00:14:52,700 --> 00:14:54,600
YEAH, THAT'S THE DIFFERENCE
BETWEEN YOU AND ME.
240
00:14:55,000 --> 00:14:56,500
I CAN'T LIVE WITH A LIE.
241
00:14:57,400 --> 00:15:00,400
YOU WOULD BE SURPRISED AT WHAT
YOU CAN LEARN TO LIVE WITH.
242
00:15:10,600 --> 00:15:12,300
I DIDN'T RECOGNIZE
ANYTHING IN THE BASMENT.
243
00:15:12,300 --> 00:15:13,500
IT'S REALLY CHANGED.
244
00:15:13,500 --> 00:15:14,900
???
245
00:15:16,100 --> 00:15:18,500
YOU WANT TO GO INSIDE?
NO.
246
00:15:18,500 --> 00:15:20,000
TOO MANY BAD MEMORIES?
247
00:15:20,700 --> 00:15:22,400
TOO MANY MEMORIES, PERIOD.
248
00:15:23,100 --> 00:15:25,400
NOW I'VE SEARCHED
EVERY ONLINE NEWS SITE.
249
00:15:25,400 --> 00:15:28,100
PAUL EASTMAN
ESCAPED FROM PRISON AND WAS NEVER
HEARD FROM AGAIN.
250
00:15:28,100 --> 00:15:30,300
RIGHT. UNTIL HE SHOWS UP
AS A SKELETON
251
00:15:30,300 --> 00:15:32,700
IN THE HOUSE WHERE YOU AND
YOUR PARENTS USED TO LIVE.
252
00:15:33,200 --> 00:15:34,300
IT'S CRAZY.
253
00:15:35,900 --> 00:15:37,500
WHAT IS IT?
I DON'T KNOW.
254
00:15:37,500 --> 00:15:40,400
I- I JUST DON'T KNOW WHAT
I'M SUPPOSED TO DO NEXT.
255
00:15:40,400 --> 00:15:43,600
YOU KNOW, I... I JUST HAVE
THIS REALLY BAD FEELING.
256
00:15:44,000 --> 00:15:46,700
LIKE WHEN I WAS
A LITTLE GIRL WAITING ON MY DAD
TO DO THE RIGHT THING.
257
00:15:46,700 --> 00:15:49,200
YOU KNOW, OR TRYING TO FIGURE
OUT HOW TO UNDERSTAND HIM.
258
00:15:50,700 --> 00:15:53,800
AND I JUST KEEP
GETTING HURT, AND THEN HE WALKS AWAY.
259
00:15:54,100 --> 00:15:56,200
YOU KNOW, I HATE TO SAY THIS,
BUT MAYBE YOUR MOTHER'S RIGHT.
260
00:15:56,200 --> 00:15:58,300
MAYBE IT'S TIME FOR YOU TO
CUT HIM OUT OF YOUR LIFE,
261
00:15:58,300 --> 00:15:59,900
THE WAY HE CUT YOU
OUT OF HIS.
262
00:15:59,900 --> 00:16:01,100
I WISH I COULD.
263
00:16:01,900 --> 00:16:02,900
BUT I'M NOT HIM.
264
00:16:06,700 --> 00:16:08,700
I GOTTA GET BACK TO THE STORE,
I'LL SEE YOU LATER.
265
00:16:08,700 --> 00:16:09,400
OK.
266
00:16:16,100 --> 00:16:16,700
YEAH?
267
00:16:16,700 --> 00:16:18,600
HEY, JIM, DR. FARRINGTON,
JUST GIVING YOU A HEAD'S UP
268
00:16:18,600 --> 00:16:20,300
IN CASE THE HOSPITAL
HASN'T CALLED.
269
00:16:20,400 --> 00:16:23,700
TELL MELINDA THAT HER DAD
IS CONSCIOUS AND TALKING.
270
00:16:27,200 --> 00:16:27,800
YEAH.
271
00:16:29,600 --> 00:16:30,600
I'LL DO THAT.
272
00:16:40,400 --> 00:16:41,500
SORRY, I'M JUST
A LITTLE DIZZY.
273
00:16:49,300 --> 00:16:51,600
HEY, BOSS, DO YOU MIND,
UH, THIS IS MY FATHER-IN-LAW.
274
00:16:51,600 --> 00:16:54,000
DO YOU MIND IF WE, UH, TAKE A WALK TO MY
- THANKS A LOT.
275
00:16:56,100 --> 00:16:57,100
JIM CLANCY.
276
00:16:58,800 --> 00:17:00,100
I HEARD SO MUCH
ABOUT YOU.
277
00:17:00,100 --> 00:17:01,600
IT'S IF I KNEW YOU.
278
00:17:03,000 --> 00:17:04,600
YOU DON'T KNOW ME, TOM.
279
00:17:04,600 --> 00:17:06,600
YOU KNOW NOTHING ABOUT ME.
COME ON.
280
00:17:08,000 --> 00:17:10,300
YOU KNOW, UNLIKE MELINDA,
I GOT NOTHING INVESTED IN YOU,
281
00:17:10,300 --> 00:17:13,600
ZERO. YOU'RE JUST THE GUY WHO'S
PUT MY WIFE THROUGH A WORLD OF PAIN.
282
00:17:14,700 --> 00:17:16,800
SHE'D BE MUCH BETTER OFF IF
YOU NEVER TOOK ANOTHER BREATH.
283
00:17:18,500 --> 00:17:20,000
I ALMOST OBLIGED,
DIDN'T I?
284
00:17:20,600 --> 00:17:22,000
YEAH, BUT YOU MISSED.
285
00:17:22,900 --> 00:17:24,600
AND THEN YOU TELL ME
YOU DID IT TO PROTECT HER?
286
00:17:25,500 --> 00:17:27,000
I'M HAVING TROUBLE
BELIEVING THAT.
287
00:17:27,600 --> 00:17:28,700
I MISSPOKE.
288
00:17:29,600 --> 00:17:31,200
DO NOT MESS
WITH MELINDA'S HEAD.
289
00:17:31,700 --> 00:17:33,000
I WON'T HAVE THAT.
290
00:17:33,000 --> 00:17:34,600
I'VE ALWAYS HAD
TO STAND BY,
291
00:17:34,600 --> 00:17:37,000
WATCH HER TOSSED AROUND AND HURT
BY THINGS I DON'T UNDERSTAND,
292
00:17:37,000 --> 00:17:39,600
BUT YOU...
YOU I UNDERSTAND.
293
00:17:40,400 --> 00:17:41,200
I DON'T THINK YOU DO.
294
00:17:41,200 --> 00:17:42,200
OH, I THINK SO.
295
00:17:42,700 --> 00:17:44,600
AND I THINK YOU'RE GONNA
START TELLING ME THE TRUTH,
296
00:17:45,300 --> 00:17:48,700
OR I'M GONNA COME BACK HERE WHEN
YOU ARE SOUND ASLEEP IN YOUR ROOM,
297
00:17:48,800 --> 00:17:53,300
AND I'M GONNA CUT
SOME VERY IMPORTANT TUBES AND WATCH YOU DIE
FOR REAL, TOM.
298
00:17:54,700 --> 00:17:55,900
BUT JIM...
299
00:17:56,400 --> 00:17:58,700
YOU'RE SWORN
TO SAVE LIVES.
300
00:17:58,700 --> 00:18:01,400
COMES OUT A ROARING SECOND
COMPARED TO SAVING MY WIFE.
301
00:18:08,900 --> 00:18:11,000
IT ALL GOES BACK
TO PAUL EASTMAN.
302
00:18:12,000 --> 00:18:14,900
HE SPENT 9 YEARS IN
PRISON, THEN HE ESCAPED.
303
00:18:15,700 --> 00:18:16,900
Tom: CAME TO FIND ME,
304
00:18:16,900 --> 00:18:19,700
ACTUALLY BETH AND ME
AND MELINDA.
305
00:18:20,900 --> 00:18:24,000
THE THING IS, PRISON
DIDN'T AGREE WITH HIM.
306
00:18:24,000 --> 00:18:26,500
HE WAS DEMENTED,
AND HE WANTED REVENGE.
307
00:18:29,400 --> 00:18:31,200
HE WAS GOING TO KILL
MY WIFE AND DAUGHTER.
308
00:18:32,400 --> 00:18:33,500
AND ME, TOO.
309
00:18:42,600 --> 00:18:44,500
Tom: COULD HAVE DONE
A LOT OF THINGS. I COULD HAVE
CALLED THE COPS.
310
00:18:44,500 --> 00:18:48,200
COULD HAVE DROVE HIS BODY
TO THE MOUNTAINS AND DUMPED IT.
311
00:18:48,800 --> 00:18:52,000
I WANTED TO KEEP HIM
RIGHT THERE.
312
00:18:52,000 --> 00:18:53,300
I WANTED TO ALWAYS
KNOW WHERE HE WAS.
313
00:18:55,000 --> 00:18:56,700
WANTED TO KEEP THIS
IN THE FAMILY.
314
00:18:57,800 --> 00:18:59,900
YOU WERE THE ASSISTANT
DISTRICT ATTORNEY.
315
00:19:00,300 --> 00:19:01,500
WHY DIDN'T YOU
CALL THE POLICE?
316
00:19:01,500 --> 00:19:03,900
IT SEEMS LIKE A PRETTY
CLEAR CASE OF SELF DEFENSE.
317
00:19:05,400 --> 00:19:06,300
MAYBE.
318
00:19:08,000 --> 00:19:10,200
BUT IT WOULD HAVE BEEN
A BIG MEDIA STORY.
319
00:19:11,300 --> 00:19:13,700
AND HOW WOULD MELINDA
HAVE PROCESSED ALL THIS?
320
00:19:13,700 --> 00:19:14,700
SHE WAS 9.
321
00:19:14,700 --> 00:19:17,100
WHAT IF SHE GOT HARASSED
ABOUT IT AT SCHOOL,
322
00:19:17,100 --> 00:19:19,400
OR HAD REPORTERS
FOLLOWING HER?
323
00:19:19,700 --> 00:19:22,700
SO YOU SEE, JUST LIKE YOU, MY FRIEND,
324
00:19:23,000 --> 00:19:24,400
BURYING A BODY
325
00:19:24,500 --> 00:19:27,300
CAME IN A ROARING SECOND
TO PROTECTING MY FAMILY.
326
00:19:28,400 --> 00:19:29,100
OH, YEAH.
327
00:19:29,800 --> 00:19:31,700
IS THAT WHY YOU LEFT THEM
RIGHT AFTER THAT?
328
00:19:33,300 --> 00:19:35,700
THERE'S NEVER ONLY ONE
REASON FOR THESE THINGS.
329
00:19:38,000 --> 00:19:42,000
THE IMPORTANT THING BOTH OF
US HAVE TO REMEMBER IS THIS-
330
00:19:42,000 --> 00:19:44,200
PAUL EASTMAN STILL
WANTS TO KILL ME...
331
00:19:45,000 --> 00:19:46,200
FROM THE GRAVE.
332
00:19:46,200 --> 00:19:48,000
THE PROBLEM WITH THAT IS?
333
00:19:49,800 --> 00:19:52,200
I DON'T EXPECT ANYBODY
TO CRY ANY TEARS OVER ME,
334
00:19:52,200 --> 00:19:54,100
BUT HE STILL WANTS
TO KILL BETH,
335
00:19:54,500 --> 00:19:56,300
AND HE STILL WANTS
TO KILL MELINDA.
336
00:19:56,900 --> 00:19:58,700
AND I DON'T KNOW
HOW TO STOP HIM.
337
00:19:59,800 --> 00:20:00,600
DO YOU?
338
00:20:04,400 --> 00:20:06,600
MY FATHER ADMITTED TO
YOU THAT HE'S A KILLER?
339
00:20:06,600 --> 00:20:08,000
YEAH. I KNOW. I KNOW
THIS SEEMS LIKE AN EPISODE
340
00:20:08,000 --> 00:20:09,500
OF FATHER KNOWS BEST
GONE HORRIBLY WRONG,
341
00:20:09,500 --> 00:20:11,300
AND I AM THE LAST GUY
TO DEFEND YOUR DAD,
342
00:20:11,300 --> 00:20:13,600
BUT IT DOES LOOK LIKE
A CASE OF SELF DEFENSE.
343
00:20:13,600 --> 00:20:16,300
SO I GUESS WE KNOW WHY
PAUL EASTMAN WAS HAUNTING HIM.
344
00:20:16,300 --> 00:20:18,300
HEY, CORRECTION-
HAUNTING YOU, MEL.
345
00:20:18,300 --> 00:20:20,200
YOUR DAD TOLD ME THIS
GUY WANTS TO HURT YOU,
346
00:20:20,200 --> 00:20:22,600
YOUR MOM, AND HIM,
AND BY HURT,
347
00:20:22,600 --> 00:20:24,100
I DON'T MEAN JUST
PUSH AND SHOVE, OK?
348
00:20:24,100 --> 00:20:25,500
YEAH, I KNOW.
I CONVINCED MY DAD
349
00:20:25,500 --> 00:20:27,400
TO PUT A GUN TO HIS HEAD
AND PULL THE TRIGGER.
350
00:20:27,700 --> 00:20:29,300
YOU KNOW, THAT'S WHAT
I DON'T UNDERSTAND.
351
00:20:29,900 --> 00:20:31,900
PAUL EASTMAN, HE'S A
POWERFUL GHOST, RIGHT?
352
00:20:32,400 --> 00:20:34,700
SO WHY HASN'T HE
POSSESSED YOU?
353
00:20:35,500 --> 00:20:36,800
WHY HASN'T HE REALLY
COME AFTER YOU?
354
00:20:36,800 --> 00:20:40,000
FOR ONE, HE OBVIOUSLY HAS THINGS
HE WANTS ME TO FIND OUT FIRST.
355
00:20:40,400 --> 00:20:41,600
YEAH, LIKE WHAT?
356
00:20:42,000 --> 00:20:43,900
SINCE I'M STILL ALIVE,
I DON'T KNOW YET.
357
00:20:43,900 --> 00:20:47,200
NOT A BIG FAN OF
THE GALLOWS HUMOR WHEN IT CONCERNS
YOUR SAFETY.
358
00:20:53,100 --> 00:20:55,400
THAT WOULD HAVE BEEN
PRETTY IMPRESSIVE IF IT HAD BEEN BOURBON.
359
00:20:55,900 --> 00:20:58,800
PINOT GRIGIO
HAS A PRETTY BIG KICK.
360
00:20:59,600 --> 00:21:00,700
WHAT ARE YOU
GOING TO DO?
361
00:21:01,700 --> 00:21:03,600
THERE'S ONLY ONE WAY
TO GET HIM TO CROSS OVER.
362
00:21:10,200 --> 00:21:12,100
Tom: OK, I THINK
I CAN MAKE IT FROM HERE.
363
00:21:12,200 --> 00:21:13,700
GOOD ENOUGH, THANKS.
364
00:21:17,200 --> 00:21:18,900
I DIDN'T EXPECT YOU
TO GET OUT SO SOON.
365
00:21:20,100 --> 00:21:21,500
SIGNED MYSELF OUT.
366
00:21:21,500 --> 00:21:23,900
THERE'S TOO MANY SICK
PEOPLE IN THAT HOSPITAL.
367
00:21:24,000 --> 00:21:26,300
I NEED YOU TO LET ME
TAKE YOU TO PAUL EASTMAN.
368
00:21:26,800 --> 00:21:27,800
SERVES NO PURPOSE.
369
00:21:27,800 --> 00:21:28,700
IS IT TRUE?
370
00:21:28,700 --> 00:21:30,700
WAS HE REALLY GOING
TO KILL MOM AND ME?
371
00:21:32,500 --> 00:21:33,400
JUST A SECOND.
372
00:21:36,500 --> 00:21:37,700
MELINDA, IT'S
A LITTLE LATE...
373
00:21:39,600 --> 00:21:42,100
FOR ME TO BE A HERO
IN YOUR EYES.
374
00:21:42,500 --> 00:21:44,500
I DID WHAT I HAD
TO DO, THAT'S ALL.
375
00:21:45,500 --> 00:21:47,500
I SAVED MYSELF
AS WELL.
376
00:21:49,600 --> 00:21:50,700
I HEARD WHAT
YOU SAID IN THERE.
377
00:21:51,300 --> 00:21:51,900
WHEN?
378
00:21:51,900 --> 00:21:53,800
WHEN YOU CAME
TO MY HOSPITAL ROOM.
379
00:21:55,300 --> 00:21:56,400
A MOMENT OF WEAKNESS.
380
00:21:57,100 --> 00:21:58,100
UNDERSTOOD.
381
00:22:00,300 --> 00:22:01,600
AM I EVER GOING TO FIND OUT?
382
00:22:02,300 --> 00:22:03,300
FIND OUT WHAT?
383
00:22:04,000 --> 00:22:05,000
WHO YOU ARE?
384
00:22:06,600 --> 00:22:08,000
IF YOU EVER LOVED ME.
385
00:22:09,800 --> 00:22:11,300
IF YOU EVER LOVED MOM.
386
00:22:12,400 --> 00:22:13,500
IF YOU LOVE ME NOW.
387
00:22:15,100 --> 00:22:17,000
MELINDA,
IT'S SO COMPLICATED-
388
00:22:17,000 --> 00:22:18,100
NO, IT REALLY ISN'T.
389
00:22:18,600 --> 00:22:20,300
EVERYBODY ALWAYS
SAYS THAT, BUT...
390
00:22:20,600 --> 00:22:22,700
AT THE END OF THE DAY,
IT'S PRETTY DAMN SIMPLE.
391
00:22:24,600 --> 00:22:26,000
EITHER LOVE
IS THERE OR ISN'T.
392
00:22:27,000 --> 00:22:29,200
NO EXCUSE, NO QUALIFICATIONS,
393
00:22:29,200 --> 00:22:30,500
NO COMPLICATIONS.
394
00:22:32,600 --> 00:22:34,300
WHY DO YOU WANT ME
TO TALK TO PAUL EASTMAN?
395
00:22:34,300 --> 00:22:36,200
I WANT YOU
TO APOLOGIZE TO HIM.
396
00:22:36,600 --> 00:22:38,900
I WANT YOU TO TELL HIM
WHY YOU DID WHAT YOU DID.
397
00:22:40,800 --> 00:22:42,300
I WANT YOU TO HAVE CLOSURE...
398
00:22:44,300 --> 00:22:45,900
WITH AT LEAST ONE PERSON.
399
00:22:47,500 --> 00:22:48,600
AND MAYBE
HE'LL LEAVE US ALONE.
400
00:22:48,600 --> 00:22:50,400
THAT'S THE ONLY WAY
ANY OF THIS IS GOING TO END.
401
00:22:54,000 --> 00:22:54,900
ALL RIGHT.
402
00:22:54,900 --> 00:22:56,900
I DON'T THINK
IT'S GOING TO HELP, BUT IF YOU DO,
I WILL.
403
00:22:57,500 --> 00:22:59,100
I'LL COME TO
YOUR SHOP TONIGHT,
404
00:22:59,400 --> 00:23:01,900
AND AFTER IT'S OVER,
WE'LL TALK.
405
00:23:02,300 --> 00:23:04,800
AND I'LL TELL YOU EVERYTHING
THAT YOU WANT TO KNOW ABOUT ME,
406
00:23:05,400 --> 00:23:06,600
ABOUT US.
407
00:23:09,200 --> 00:23:11,300
NO MORE
COMPLICATIONS.
408
00:24:06,000 --> 00:24:06,600
DAD?
409
00:24:07,500 --> 00:24:11,000
HEY. I WAS JUST
WALKING BY, I SAW THE LIGHTS ON.
EVERYTHING OK?
410
00:24:12,100 --> 00:24:12,900
YEAH.
411
00:24:12,900 --> 00:24:15,600
SORRY, I THOUGHT YOU
WERE SOMEONE ELSE. WHO?
412
00:24:15,600 --> 00:24:17,200
NO ONE WORTH
TALKING ABOUT.
413
00:24:29,700 --> 00:24:30,300
Man: THANKS.
414
00:24:34,000 --> 00:24:35,400
HE'S GONNA HURT HER,
YOU KNOW.
415
00:24:40,200 --> 00:24:41,000
WHAT?
416
00:24:41,000 --> 00:24:42,300
SHE HAS TO KNOW.
417
00:24:43,000 --> 00:24:44,600
IT'S THE ONLY WAY
YOU CAN SAVE HER.
418
00:24:47,200 --> 00:24:48,900
AND SHE HAS
TO HEAR IT FROM YOU.
419
00:24:49,900 --> 00:24:51,800
DON'T LET HER
FIND OUT FROM TOM.
420
00:24:51,800 --> 00:24:54,600
YOU KNOW WHAT HE'S CAPABLE OF.
421
00:24:55,200 --> 00:24:57,100
SHE'S SAFER
NOT KNOWING.
422
00:25:00,500 --> 00:25:01,900
NOT ANYMORE.
423
00:25:19,200 --> 00:25:21,700
OH, I HOPE YOU HAVE
SOME BOURBON AND A STRAW.
424
00:25:22,200 --> 00:25:24,000
YOU WON'T BELIEVE
THE DAY I HAD.
425
00:25:26,500 --> 00:25:28,200
I HAVEN'T TOLD YOU
THE TRUTH.
426
00:25:29,500 --> 00:25:30,500
NO KIDDING.
427
00:25:31,300 --> 00:25:32,300
ABOUT WHAT?
428
00:25:32,800 --> 00:25:34,200
ABOUT A LOT OF THINGS.
429
00:25:36,300 --> 00:25:38,900
I LIED ABOUT NOT KNOWING
PAUL EASTMAN.
430
00:25:41,300 --> 00:25:42,800
I WAS IN LOVE WITH HIM.
431
00:25:43,500 --> 00:25:45,200
WE WERE ENGAGED.
432
00:25:45,900 --> 00:25:48,500
I WAS LIVING WITH HIM
WHEN HE WAS ARRESTED.
433
00:25:53,600 --> 00:25:56,300
PAUL AND I HAD BEEN LIVING TOGETHER
FOR ABOUT A YEAR.
434
00:25:59,000 --> 00:26:01,100
I KNEW HE WASN'T GUILTY
OF THAT MURDER.
435
00:26:01,100 --> 00:26:04,500
I KNEW THAT A GHOST HAD
LED HIM TO THAT BOY'S BODY.
436
00:26:05,300 --> 00:26:07,100
BUT WHO WAS GOING
TO BELIEVE THAT?
437
00:26:07,100 --> 00:26:09,600
SO YOU WENT
TO THE PROSECUTOR...
438
00:26:12,900 --> 00:26:14,400
THAT'S HOW YOU MET DAD.
439
00:26:14,700 --> 00:26:15,500
YES.
440
00:26:16,200 --> 00:26:17,800
AFTER HE WAS
CONVICTED.
441
00:26:18,700 --> 00:26:20,600
I NEVER EXPECTED HIM
TO BELIEVE ME.
442
00:26:20,600 --> 00:26:24,000
I HAD TO SHOW HIM
THE GHOST IN HIS OWN OFFICE
BEFORE HE DID.
443
00:26:24,000 --> 00:26:25,400
WHERE IS HE?
RIGHT THERE, IN THE CORNER.
444
00:26:26,300 --> 00:26:27,500
WHAT'S HE WEARING?
445
00:26:27,600 --> 00:26:29,800
HE'S WEARING A BROWN SUIT,
446
00:26:29,800 --> 00:26:32,100
UH, PROBABLY FROM
THE LATE 1800s.
447
00:26:32,100 --> 00:26:35,700
HE'S GOT A GRAY BEARD,
WHITE HAIR, UH, LONG,
448
00:26:35,700 --> 00:26:37,100
AND GLASSES.
449
00:26:38,500 --> 00:26:40,600
YOU JUST DESCRIBED
MR. McLAUGHLIN.
450
00:26:40,900 --> 00:26:42,600
THIS WAS HIS OFFICE
LIKE A HUNDRED YEARS AGO.
451
00:26:42,600 --> 00:26:44,700
Beth: OF COURSE,
THEN HE DID BELIEVE ME,
452
00:26:45,300 --> 00:26:48,400
AND HE REALIZED
IT WAS POSSIBLE THAT PAUL WAS INNOCENT.
453
00:26:49,100 --> 00:26:51,400
I TOLD PAUL
THAT THERE WAS HOPE;
454
00:26:51,800 --> 00:26:56,000
THAT TOM WAS DOING
EVERYTHING HE COULD TO FIND EVIDENCE
TO EXONERATE HIM.
455
00:26:56,600 --> 00:26:58,400
PAUL WAS THE LOVE
OF MY LIFE.
456
00:26:59,000 --> 00:27:00,800
WHEN HE WENT TO PRISON,
IT WAS LIKE...
457
00:27:01,400 --> 00:27:02,800
I DIED INSIDE.
458
00:27:04,000 --> 00:27:06,400
I DIDN'T WANT TO.
I TRIED TO FIGHT IT,
459
00:27:06,400 --> 00:27:09,000
BUT I STARTED
HAVING FEELINGS FOR TOM.
460
00:27:10,800 --> 00:27:12,500
I THOUGHT HE WAS SUCH
A GOOD MAN.
461
00:27:14,000 --> 00:27:16,400
PAUL WAS GOING MORE
AND MORE INSIDE HIMSELF,AND...
462
00:27:17,700 --> 00:27:19,200
AND THERE WAS
TOM GORDON.
463
00:27:19,700 --> 00:27:22,200
???NTERED,
VERY SURE OF HIMSELF.
464
00:27:22,500 --> 00:27:23,800
AND HE CARED,
465
00:27:23,800 --> 00:27:27,700
OR AT LEAST HE DID THE BEST
IMITATION OF SOMEONE WHO CARED THAT I'D EVER SEEN.
466
00:27:29,400 --> 00:27:30,800
HOW DID YOU TELL PAUL?
467
00:27:32,800 --> 00:27:34,000
I DIDN'T.
468
00:27:35,600 --> 00:27:37,400
HOW COULD YOU NOT
TELL HIM?
469
00:27:38,100 --> 00:27:39,700
I WAS CONFUSED.
470
00:27:40,000 --> 00:27:41,300
I FELT GUILTY.
471
00:27:41,300 --> 00:27:45,100
HIS LETTERS WERE GETTING
SO ANGRY AND BITTER.
472
00:27:45,800 --> 00:27:48,400
I WAS TRYING
TO FIGURE OUT HOW TO TELL HIM.
473
00:27:50,600 --> 00:27:52,500
AND THEN HE KILLED
A MAN IN PRISON.
474
00:28:00,400 --> 00:28:02,100
HE WAS NEVER
GONNA GET OUT THEN.
475
00:28:03,500 --> 00:28:05,000
IT WAS OVER FOR HIM.
476
00:28:05,500 --> 00:28:06,800
AND YOU MARRIED DAD.
477
00:28:12,100 --> 00:28:14,500
I'M NOT PROUD
OF ANY OF THIS, MELINDA.
478
00:28:14,500 --> 00:28:17,600
I'M NOT JUDGING YOU,
MOM, REALLY. I'M NOT.
479
00:28:17,600 --> 00:28:20,500
HOW DID PAUL FIND YOU AFTER
HE ESCAPED FROM PRISON?
480
00:28:22,200 --> 00:28:25,400
HE READ SOMETHING IN THE
NEWSPAPER ABOUT TOM'S CAREER,
481
00:28:25,400 --> 00:28:28,700
AND IN THE ARTICLE
IT MENTIONED ME AND...
482
00:28:30,000 --> 00:28:31,400
AND THAT
WE HAD A DAUGHTER.
483
00:28:31,900 --> 00:28:33,500
HE STARTED A FIRE.
484
00:28:33,500 --> 00:28:35,700
HE ENDED UP
GETTING BADLY BURNED.
485
00:28:36,400 --> 00:28:39,600
AND WHEN HE WAS IN
THE HOSPITAL WARD,
486
00:28:40,300 --> 00:28:42,000
HE MANAGED TO ESCAPE.
487
00:28:43,200 --> 00:28:44,400
HE FOUND US.
488
00:28:46,800 --> 00:28:48,900
WELL, I GUESS
YOU KNOW THE REST.
489
00:28:49,200 --> 00:28:50,300
DO WE KNOW THE REST?
490
00:28:51,000 --> 00:28:52,100
I MEAN, DO WE, BETH?
491
00:28:52,800 --> 00:28:56,400
OR ARE WE JUST GOING
TO WAIT AROUND FOR YOU TO TELL US THE NEXT BIG
MISSING PIECE IN MELINDA'S LIFE?
492
00:28:56,400 --> 00:28:57,400
JIM, DON'T.
493
00:28:57,400 --> 00:28:59,000
NO, YOU KNOW WHAT,
I'M SICK OF THIS.
494
00:28:59,300 --> 00:29:02,900
I AM SICK OF PEOPLE
LIKE YOU AND LIKE HER FATHER
495
00:29:02,900 --> 00:29:04,600
WHO SHOULD HAVE BEEN
PROTECTING HER.
496
00:29:04,700 --> 00:29:07,800
WHO SHOULD STILL BE WATCHING OUT
FOR HER INSTEAD OF LYING TO HER!
497
00:29:08,100 --> 00:29:10,500
I MEAN, PLAYING MIND GAMES
WITH HER WHEN SHE'S IN DANGER.
498
00:29:10,500 --> 00:29:11,400
JIM, THIS ISN'T HELPING.
499
00:29:11,400 --> 00:29:12,900
BETH, ALL SHE EVER
WANTED FROM YOU
500
00:29:12,900 --> 00:29:15,100
WAS FOR YOU TO ACCEPT HER AS SHE IS.
501
00:29:15,200 --> 00:29:17,300
AND MAYBE FROM HER FATHER,
MAYBE AN EXPLANATION.
502
00:29:17,300 --> 00:29:19,400
YOU KNOW? HOW DO YOU
WALK OUT ON A FAMILY?
503
00:29:19,400 --> 00:29:21,100
AND FOR ALL THAT,
I MEAN, LOOK AT HER.
504
00:29:21,100 --> 00:29:23,900
SHE STILL WANTS
TO UNDERSTAND.
505
00:29:24,400 --> 00:29:26,300
SHE STILL WANTS
TO FORGIVE.
506
00:29:26,700 --> 00:29:29,800
BUT EVERY TIME SHE
OPENS HER HEART TO YOU, YOU STICK
A KNIFE IN IT.
507
00:29:29,800 --> 00:29:34,600
BETH, YOU RAN AWAY
FROM EVERYTHING YOU COULD DO
IN YOUR LIFE.
508
00:29:34,700 --> 00:29:36,300
MY WIFE RUNS TOWARD IT.
509
00:29:37,300 --> 00:29:38,900
AND FOR THAT,
SHE DESERVES
510
00:29:39,000 --> 00:29:40,800
JUST THE LITTLEST BIT
OF RESPECT.
511
00:29:42,000 --> 00:29:43,400
YOU KNOW,
A LITTLE TRUTH.
512
00:29:45,600 --> 00:29:46,400
I'M SORRY.
513
00:29:48,500 --> 00:29:49,700
MOM, I-
NO.
514
00:29:50,600 --> 00:29:51,500
HE'S RIGHT.
515
00:29:52,700 --> 00:29:53,700
YOU'RE RIGHT.
516
00:29:55,000 --> 00:29:57,000
THERE IS ANOTHER
MISSING PIECE.
517
00:29:57,000 --> 00:29:57,900
WHAT?
518
00:29:59,300 --> 00:30:01,100
WHEN PAUL WAS ARRESTED...
519
00:30:02,600 --> 00:30:04,200
I WAS PREGNANT.
520
00:30:05,500 --> 00:30:06,800
MOM, WHAT
ARE YOU SAYING?
521
00:30:07,400 --> 00:30:08,800
I WAS PREGNANT WITH YOU.
522
00:30:14,300 --> 00:30:16,700
PAUL EASTMAN
IS MY FATHER?
523
00:30:19,700 --> 00:30:20,600
YOU'RE LYING.
524
00:30:21,300 --> 00:30:22,100
No.
525
00:30:23,700 --> 00:30:25,000
WE DIDN'T TELL YOU.
526
00:30:25,000 --> 00:30:26,300
WE DIDN'T TELL ANYONE.
527
00:30:26,800 --> 00:30:31,000
TOM WANTED YOU AND HE WASN'T AFRAID
THAT YOU MIGHT
528
00:30:31,600 --> 00:30:34,500
HAVE THIS THING,
THIS SO-CALLED GIFT.
529
00:30:35,000 --> 00:30:36,000
YOU'RE LYING!
530
00:30:36,600 --> 00:30:37,700
YOU'RE LYING.
531
00:31:07,200 --> 00:31:08,200
IS IT TRUE?
532
00:31:09,300 --> 00:31:10,300
IS WHAT TRUE?
533
00:31:10,800 --> 00:31:12,500
THAT YOU'RE NOT
MY FATHER?
534
00:31:14,700 --> 00:31:18,000
IF YOU SAY IT'S COMPLICATED,
I WILL KILL YOU RIGHT HERE.
535
00:31:27,700 --> 00:31:30,200
YOUR MOTHER'S TRYING TO
DRIVE A WEDGE BETWEEN US.
536
00:31:30,500 --> 00:31:32,300
YOU CAN SEE THAT,
CAN'T YOU?
537
00:31:33,900 --> 00:31:35,600
NO ONE
WILL TELL ME THE TRUTH.
538
00:31:36,500 --> 00:31:37,900
COME WITH ME,
AND I WILL.
539
00:31:38,800 --> 00:31:40,200
COME WITH YOU WHERE?
540
00:31:41,000 --> 00:31:42,900
A PLACE WHERE YOU'LL BE SAFE.
541
00:31:44,000 --> 00:31:44,700
SAFE.
542
00:31:45,500 --> 00:31:46,200
RIGHT.
543
00:31:46,800 --> 00:31:47,500
LOOK...
544
00:31:48,800 --> 00:31:49,900
I'M SORRY.
545
00:31:50,300 --> 00:31:51,500
I REALLY AM.
546
00:31:52,300 --> 00:31:54,600
THIS WHOLE THING
IS SUCH A MESS.
547
00:31:56,300 --> 00:31:58,500
I NEVER MEANT FOR YOU
TO BE INVOLVED.
548
00:31:59,800 --> 00:32:01,100
NOT LIKE THIS.
549
00:32:03,900 --> 00:32:05,800
COME WITH ME, AND YOU'LL
UNDERSTAND EVERYTHING.
550
00:32:34,900 --> 00:32:36,000
I'M CURIOUS,
551
00:32:36,000 --> 00:32:37,800
WHAT DO YOU REMEMBER
ABOUT THAT NIGHT,
552
00:32:38,600 --> 00:32:41,000
THE NIGHT PAUL EASTMAN
CAME HERE?
553
00:32:41,100 --> 00:32:42,100
NOT MUCH.
554
00:32:43,600 --> 00:32:47,800
JUST HIS FACE, WITH THAT
HORRIBLE MASK LEANING OVER ME. I WAS SCARED.
555
00:32:48,100 --> 00:32:49,000
WHAT ELSE?
556
00:32:49,500 --> 00:32:50,800
THAT'S ALL, WHY?
557
00:32:51,400 --> 00:32:52,400
COULD BE IMPORTANT.
558
00:32:53,500 --> 00:32:55,000
WHAT I REMEMBER?
559
00:32:56,000 --> 00:32:58,600
WHY DON'T YOU GO UPSTAIRS AND
SEE IF YOUR ROOM JOGS ANYTHING?
560
00:33:14,100 --> 00:33:15,900
YOUR BED WAS
RIGHT OVER THERE.
561
00:33:16,400 --> 00:33:18,000
YOU NEVER EVEN
HEARD HIM COME IN.
562
00:33:18,600 --> 00:33:20,000
DID YOU SEE HIM LEAVE?
563
00:33:20,400 --> 00:33:22,900
NO. I JUST
WENT BACK TO SLEEP.
564
00:33:22,900 --> 00:33:24,700
YOU SURE?
YEAH.
565
00:33:24,700 --> 00:33:25,600
YEAH, I...
566
00:33:41,400 --> 00:33:42,600
THAT'S IT.
567
00:33:43,400 --> 00:33:45,200
THE BREAKING GLASS,
IT WOKE ME UP.
568
00:33:46,300 --> 00:33:47,200
AND THEN?
569
00:33:48,500 --> 00:33:49,800
AND THEN THE VOICES.
570
00:33:49,800 --> 00:33:52,600
Tom: THIS IS NOT THE TIME OR THE PLACE,
PAUL. YOU CAN'T JUST SHOW UP HERE AND-
571
00:33:52,600 --> 00:33:54,800
Paul Eastman: WHAT'D YOU THINK
I'D DO, MAKE AN APPOINTMENT?
572
00:33:54,800 --> 00:33:57,000
I CAN'T HELP YOU.
THERE'S NOTHING I CAN DO... YOU SHOULD TURN YOURSELF IN.
573
00:33:57,000 --> 00:33:58,600
YOU KNOW WHAT YOU DID.
YOU KNOW WHY I'M HERE.
574
00:33:58,600 --> 00:34:00,700
I SAW ALL THE FILES.
575
00:34:01,600 --> 00:34:03,500
ALL THE COURT
RECORDS.
576
00:34:03,800 --> 00:34:06,100
YOU NEVER LIFTED
A FINGER TO HELP ME.
577
00:34:06,400 --> 00:34:08,800
EVERYTHING
THAT YOU TOLD BETH THAT YOU WERE
DOING FOR ME,
578
00:34:08,800 --> 00:34:10,600
THAT WAS ALL A LIE.
579
00:34:10,900 --> 00:34:13,200
YOU WANTED TO
KEEP ME IN PRISON!
580
00:34:13,200 --> 00:34:14,300
KEEP YOUR VOICE DOWN.
581
00:34:14,300 --> 00:34:16,400
WHAT DO YOU THINK
BETH IS GOING TO SAY
582
00:34:16,400 --> 00:34:19,900
WHEN SHE FINDS OUT THAT YOU HIRED
THAT OTHER PRISONER TO KILL ME,
583
00:34:20,400 --> 00:34:24,000
THAT YOU WANTED ME DEAD SO THAT
YOU COULD HAVE HER ALL TO YOURSELF.
584
00:34:24,000 --> 00:34:25,200
SHE'LL NEVER BELIEVE YOU,
585
00:34:25,200 --> 00:34:26,900
BUT YOU DO
WHAT YOU HAVE TO DO.
586
00:34:27,800 --> 00:34:28,900
I WILL.
587
00:34:48,900 --> 00:34:52,300
IT'S FUNNY HOW MEMORIES
CAN COME RUSHING BACK.
588
00:34:53,100 --> 00:34:54,400
WHAT ARE YOU DOING?
589
00:34:54,800 --> 00:34:57,100
I'M SORRY, MELINDA,
BUT THE THING IS...
590
00:34:58,600 --> 00:35:00,800
I JUST CAN'T
LET YOU LIVE NOW.
591
00:35:07,100 --> 00:35:07,800
Melinda: WAIT.
592
00:35:08,200 --> 00:35:09,700
YOU KNEW PAUL EASTMAN
WAS INNOCENT,
593
00:35:09,700 --> 00:35:11,200
AND YOU KEPT HIM
IN JAIL?
594
00:35:12,000 --> 00:35:15,300
INNOCENCE IS KIND OF
A BROAD CONCEPT AT TIMES.
595
00:35:16,400 --> 00:35:17,800
BESIDES,
YOUR MOTHER WANTED ME
596
00:35:17,800 --> 00:35:21,000
AND NOT SOME NEEDY,
HAUNTED GUY.
597
00:35:21,000 --> 00:35:22,400
SO I JUST...
598
00:35:23,100 --> 00:35:24,900
MADE SURE HE STAYED
WHERE HE BELONGED.
599
00:35:24,900 --> 00:35:28,100
BUT YOUR MOTHER, SHE'S
NOTHING IF NOT DEVOTED.
600
00:35:28,100 --> 00:35:31,500
SHE JUST WOULDN'T...
GIVE UP ON THAT GUY.
601
00:35:31,500 --> 00:35:33,700
SO YOU TRIED TO HAVE
HIM KILLED IN PRISON?
602
00:35:36,400 --> 00:35:38,800
WHEN THEY TOLD ME THAT PAUL
KILLED THAT GUY INSTEAD...
603
00:35:47,000 --> 00:35:48,900
HE HAD MORE ON THE BALL
THAN I THOUGHT HE DID.
604
00:35:50,500 --> 00:35:52,400
IT WAS A WIN-WIN
IN ANY CASE.
605
00:35:52,400 --> 00:35:54,300
HE WAS CONVICTED
FOR THAT MURDER, TOO.
606
00:35:54,600 --> 00:35:55,800
YOUR MOTHER AND I,
607
00:35:56,600 --> 00:35:59,500
WELL, NOT EXACTLY HAPPILY
EVER AFTER, I GUESS, BUT STILL,
608
00:35:59,800 --> 00:36:02,100
IT'S NICE TO... WIN.
609
00:36:02,400 --> 00:36:03,900
SO WHY DID YOU
COME BACK HERE?
610
00:36:04,400 --> 00:36:05,800
WHY WOULDN'T YOU JUST
LEAVE ME ALONE?
611
00:36:05,800 --> 00:36:08,700
BECAUSE YOU HAD TO GO
AND FIND THE UNDERGROUND, WAKE UP PAUL EASTMAN.
612
00:36:09,000 --> 00:36:10,600
YOU KNOW WHAT YOUR PROBLEM IS, MELINDA?
613
00:36:11,200 --> 00:36:12,900
YOU'RE JUST TOO GOOD
FOR YOUR OWN GOOD.
614
00:36:13,300 --> 00:36:16,200
I KEPT HOPING THAT YOU
WOULD GET SCARED OFF.
615
00:36:19,600 --> 00:36:21,700
BUT YOU DON'T SCARE EASILY, DO YOU?
616
00:36:21,700 --> 00:36:24,200
DAD, PLEASE... DAD!
617
00:36:24,200 --> 00:36:25,400
DON'T CALL ME DAD.
618
00:36:26,100 --> 00:36:27,400
I'm not your father.
619
00:36:27,400 --> 00:36:29,400
I WASN'T TALKING TO YOU!
620
00:36:43,200 --> 00:36:44,300
NO!
621
00:37:10,200 --> 00:37:11,400
HEY. HEY, ARE YOU ALL RIGHT?
622
00:37:11,400 --> 00:37:13,300
YEAH, I'M ALL RIGHT.
HOW DID YOU FIND ME?
623
00:37:13,300 --> 00:37:14,700
I LOOKED EVERYWHERE.
BUT THEN I THOUGHT,
624
00:37:14,700 --> 00:37:17,200
YOU'RE LOOKING FOR EASTMAN'S
GHOST HERE, WITH THE BONES.
625
00:37:18,900 --> 00:37:19,800
HE'S DEAD.
626
00:37:30,500 --> 00:37:31,900
YOU'RE MY FATHER?
627
00:37:34,600 --> 00:37:36,100
HAVE YOU ALWAYS KNOWN?
628
00:37:37,200 --> 00:37:40,700
AFTER I DIED, I FORGOT ALMOST
EVERYTHING ABOUT MY LIFE.
629
00:37:42,100 --> 00:37:44,400
IT WAS LIKE
I'D BECOME PARALYZED,
630
00:37:44,700 --> 00:37:48,600
STUCK DOWN BELOW WITH ALL OF
THE OTHER ANGRY, BITTER SPIRITS.
631
00:37:52,900 --> 00:37:55,100
BUT THEN I SAW SOMETHING.
632
00:37:56,600 --> 00:37:59,700
SOMETHING THAT CHANGED
EVERYTHING.
633
00:38:01,000 --> 00:38:02,300
IT WOKE ME UP.
634
00:38:04,400 --> 00:38:05,200
WHAT?
635
00:38:05,700 --> 00:38:06,600
YOU.
636
00:38:07,100 --> 00:38:11,300
I SAW YOU MOVING
THROUGH THE CHURCH, AND I KNEW INSTANTLY.
637
00:38:12,000 --> 00:38:14,100
I FELT THAT
YOU WERE FROM ME.
638
00:38:15,200 --> 00:38:16,800
YOU WERE SO BEAUTIFUL.
639
00:38:16,800 --> 00:38:18,600
THE MORE
I WATCHED YOU,
640
00:38:19,000 --> 00:38:21,900
THE MORE I SAW HOW
YOU PINED FOR THE MAN
641
00:38:21,900 --> 00:38:23,800
THAT YOU THOUGHT
WAS YOUR FATHER;
642
00:38:24,100 --> 00:38:26,400
HOW YOU WERE WAITING
FOR HIM TO LOVE YOU BACK,
643
00:38:26,400 --> 00:38:30,600
AND I KNEW THAT
I COULD NEVER COMPETE WITH
YOUR IDEA OF HIM,
644
00:38:30,600 --> 00:38:34,800
SO I HAD TO TRY AND MAKE YOU
DESTROY THAT MYTH YOURSELF.
645
00:38:35,400 --> 00:38:37,800
YOU COULD HAVE TOLD ME THIS
SO MUCH SOONER.
646
00:38:39,200 --> 00:38:41,200
YOU WOULD NEVER
HAVE BELIEVED ME.
647
00:38:42,800 --> 00:38:45,300
THIS WAS A JOURNEY YOU
HAD TO TAKE ON YOUR OWN.
648
00:38:46,200 --> 00:38:47,200
WITH MY HELP.
649
00:38:47,500 --> 00:38:50,600
YOU'VE SPENT SO MUCH TIME
TRYING TO UNDERSTAND THE MAN
650
00:38:50,600 --> 00:38:52,800
WHO PRETENDED
TO BE YOUR FATHER,
651
00:38:53,800 --> 00:38:56,000
YOU NEVER SAW
THE ONE PERSON
652
00:38:57,200 --> 00:38:59,600
WHO WAS RIGHT IN FRONT
OF YOUR EYES.
653
00:38:59,600 --> 00:39:01,100
I'VE TRIED.
654
00:39:02,500 --> 00:39:04,200
BUT SHE ALWAYS
PUSHES ME AWAY.
655
00:39:05,400 --> 00:39:08,000
AND SHE LIES
ABOUT EVERYTHING.
656
00:39:08,800 --> 00:39:11,000
SHE ONLY WANTED
TO PROTECT YOU.
657
00:39:12,700 --> 00:39:14,100
THAT'S WHAT MOTHERS DO.
658
00:39:15,800 --> 00:39:16,900
BUT YOU'VE ONLY...
659
00:39:17,300 --> 00:39:19,900
LOOKED AT HER IN THE SHADOW
OF TOM GORDON.
660
00:39:21,200 --> 00:39:23,900
BUT SHE HAS ALWAYS
PUT YOU FIRST.
661
00:39:26,100 --> 00:39:27,100
IT'S TIME...
662
00:39:27,900 --> 00:39:29,400
TO MAKE THINGS RIGHT.
663
00:39:31,400 --> 00:39:34,400
BE TOO GOOD
FOR YOUR OWN GOOD.
664
00:39:41,900 --> 00:39:44,000
I DON'T BLAME YOU
FOR HATING ME.
665
00:39:44,800 --> 00:39:46,500
MOM, I COULD NEVER HATE YOU.
666
00:39:48,200 --> 00:39:50,500
YOU'RE BUSY FIGHTING
YOUR OWN BATTLES.
667
00:39:51,000 --> 00:39:52,200
YOU ALWAYS
BELIEVED IN HIM.
668
00:39:52,200 --> 00:39:54,400
I JUST DIDN'T
SEE HOW I COULD
669
00:39:54,500 --> 00:39:56,100
TAKE THAT AWAY FROM YOU.
670
00:39:57,200 --> 00:39:59,000
MOM, I'M RELIEVED.
671
00:40:00,400 --> 00:40:02,500
MY FATHER DIDN'T ABANDON ME.
672
00:40:04,100 --> 00:40:05,800
AT LEAST NOT BY CHOICE.
673
00:40:07,100 --> 00:40:10,400
AND TO KNOW THAT HE WOULD HAVE
WANTED ME IF HE COULD HAVE,
674
00:40:12,000 --> 00:40:13,500
MAKES ALL THE DIFFERENCE.
675
00:40:14,600 --> 00:40:18,000
SOMEWHERE, DEEP DOWN INSIDE, I ALWAYS FELT LIKE
I WAS DISPOSABLE.
676
00:40:20,100 --> 00:40:21,300
NOW I DON'T.
677
00:40:31,400 --> 00:40:32,300
Go.
678
00:40:44,000 --> 00:40:46,400
YOU NEVER WERE FOND OF
SEEING GHOSTS, WERE YOU?
679
00:40:47,500 --> 00:40:49,600
I'LL MAKE AN EXCEPTION TODAY.
680
00:40:51,300 --> 00:40:53,700
HOW CAN I EVER
ASK YOU TO FORGIVE ME?
681
00:40:53,700 --> 00:40:56,100
I WAS SO
FULL OF RAGE...
682
00:40:57,000 --> 00:40:58,700
AT YOU AND HIM.
683
00:41:00,600 --> 00:41:03,400
I JUST WANTED YOU ALL TO
FEEL AS MUCH PAIN AS I DID,
684
00:41:03,900 --> 00:41:06,900
BUT THAT ALL WENT AWAY
WITH JUST ONE WORD.
685
00:41:08,200 --> 00:41:09,200
WHAT?
686
00:41:11,100 --> 00:41:12,100
"DAD."
687
00:41:14,300 --> 00:41:16,400
WHEN MY DAUGHTER
CALLED FOR ME,
688
00:41:17,500 --> 00:41:18,900
WHEN SHE NEEDED ME,
689
00:41:19,600 --> 00:41:21,300
ALL THE FURY
WENT AWAY,
690
00:41:22,100 --> 00:41:23,900
AND I JUST WANTED
TO SAVE HER.
691
00:41:24,700 --> 00:41:27,100
IF I COULD DO THIS
ALL OVER AGAIN-
692
00:41:27,100 --> 00:41:28,500
I WOULDN'T
CHANGE A THING.
693
00:41:29,800 --> 00:41:31,800
LOOK AT WHAT
WE CREATED.
694
00:41:32,900 --> 00:41:35,000
SHE'S THE REASON
WE CAME TOGETHER.
695
00:41:36,500 --> 00:41:38,100
NOTHING ELSE MATTERS.
696
00:41:39,200 --> 00:41:40,100
NOTHING.
697
00:41:45,400 --> 00:41:46,400
THE LIGHT?
698
00:41:47,500 --> 00:41:48,300
YEAH.
699
00:41:48,900 --> 00:41:50,300
IT'S GETTING BRIGHTER.
700
00:41:51,200 --> 00:41:52,700
????
701
00:41:53,600 --> 00:41:54,700
I NEED TO KNOW.
702
00:41:54,700 --> 00:41:55,500
NO.
703
00:41:57,300 --> 00:41:58,300
THERE ISN'T.
704
00:41:58,800 --> 00:42:00,000
YOU'RE LOVED.
705
00:42:01,800 --> 00:42:03,400
THAT'S ALL,
THAT'S EVERYTHING.
706
00:42:13,100 --> 00:42:14,300
AND SO AM I.
707
00:42:35,100 --> 00:42:36,000
CLEAN SLATE.
708
00:42:37,800 --> 00:42:39,000
CLEAN SLATE.
709
00:42:40,700 --> 00:42:42,000
YOU KNOW, UM,
710
00:42:42,800 --> 00:42:45,400
WE'RE ALL GOING TO WATCH
THE TALL SHIPS COME IN.
711
00:42:45,500 --> 00:42:47,200
WOULD YOU LIKE TO COME?
712
00:42:47,300 --> 00:42:50,900
OH, NO, YOU-YOU GO ON
WITH YOUR FRIENDS. IT'S ALL RIGHT.
713
00:42:51,000 --> 00:42:52,500
IT'S FRIENDS AND FAMILY.
714
00:42:54,700 --> 00:42:55,300
OK.
715
00:43:00,700 --> 00:43:03,700
HAVE I EVER TOLD YOU HOW
PROUD I AM TO BE YOUR MOTHER?
716
00:43:03,700 --> 00:43:05,100
YOU ARE MY MOTHER, RIGHT?
717
00:43:05,700 --> 00:43:09,800
YES. I AM DEFINITELY
YOUR MOTHER.
718
00:43:10,000 --> 00:43:20,000
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719
00:43:52,800 --> 00:43:53,500
WHAT?
720
00:43:53,500 --> 00:43:54,700
THAT'S WEIRD.
721
00:43:55,500 --> 00:43:57,000
THERE'S SIX OF US, BUT...
722
00:43:57,700 --> 00:43:59,700
THERE'S ONLY FIVE SHADOWS.
723
00:43:59,700 --> 00:44:07,000
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