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It's been said that the wars of the 21st century may well be fought over water. The Earth's population

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has more than doubled over the last 50 years
and the demand for fresh water -- to drink

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and to grow food -- has surged along with
it. But sources of water like rainfall, rivers,

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streams, reservoirs, certainly haven't doubled.
So where is all that extra water coming from?

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More and more, it's being pumped out of the
ground.

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Water experts say groundwater is like a savings
account -- something you draw on in times

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of need. But savings accounts need to be replenished,
and there is new evidence that so much water

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is being taken out, much of the world is in
danger of a groundwater overdraft.

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California is entering its fourth year of
a record-breaking drought. Last year was the

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driest since the state started keeping records
more than a hundred years ago. And yet, pay

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a visit to California's Central Valley and
out of that parched land you'll see acre upon

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acre of corn, almond trees, pomegranates,
tomatoes, grapes. And what makes them all

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possible: water. Where do you get water in
a drought? You take it out of the savings

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account: groundwater.

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[Jay Famiglietti: When we talk about surface
water, we're talking about lakes and rivers.

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And when we're talking about groundwater,
we're really talking about water below the

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water table.]

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Jay Famiglietti, an Earth sciences professor
at the University of California, Irvine, is

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a leading expert on groundwater.

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Jay Famiglietti: It's like a sponge. It's
like an underground sponge.

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He's talking about the aquifers where groundwater
is stored -- layers of soil and rock, as he

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showed us in this simple graphic, that are
saturated with water and can be drilled into,

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like the three wells shown here.

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Lesley Stahl: You can actually pump it out
of the crevices?

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Jay Famiglietti: Imagine like trying to put
a straw into a sponge. You can actually suck

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water right out of a sponge. It's a very similar
process.

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Sucking the water out of those aquifers is
big business these days in the Central Valley.

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Well driller Steve Arthur is a very busy man.

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Steve Arthur: All the farmers, they don't
have no surface water. They've got to keep

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these crops alive. The only way to do that
is to drill wells, pump the water from the

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ground.

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Lesley Stahl: So it's either drill or go out
of business?

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Steve Arthur: Yes.

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So there's something of a groundwater rush
going on here. Arthur's seven rigs are in

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constant use and his waiting list is well
over a year. And because some wells here are

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running dry, he's having to drill twice as
deep as he did just a year or two ago. This

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well will cost the farmer a quarter of a million
dollars, and go down 1,200 feet -- about the

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height of the Empire State Building.

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Lesley Stahl: Are you and are the farmers
worried that by going that deep you are depleting

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the ground water?

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Steve Arthur: Well, yes, we are depleting
it. But on the other hand, what choice do

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you have? This is the most fertile valley
in the world. You can grow anything you want

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here. If we don't have water to grow something,
it's going to be a desert.

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He said many farmers think the problem is
cyclical and that once the drought ends, things

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will be okay.

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Lesley Stahl: Now when they take water out
and it rains...

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Jay Famiglietti: Yes.

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Lesley Stahl: ...doesn't the water go back
down there?

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Jay Famiglietti: These aquifers near the surface,
they can sometimes be replenished very quickly.

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If we're talking about a deeper aquifer, that
could take tens or hundreds of years to recharge.

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Figuring out how much is being depleted from
those aquifers deep underground isn't easy.

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Hydrologist Claudia Faunt took us to what
looked like someone's backyard shed, where

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she and her colleagues at the U.S. Geological
Survey monitor groundwater levels in the Central

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Valley the way they always have -- by dropping
a sensor down a monitoring well.

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Lesley Stahl: So this is a well.

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Claudia Faunt: This is a well. So we have
a tape here that has a sensor on the end.

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Lesley Stahl: Oh, let me see.

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The Geological Survey has 20,000 wells like
this across the country.

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Lesley Stahl: It's a tape measure.

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Claudia Faunt: It's a tape measure.

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Lesley Stahl: How will you know when it hits
water?

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Claudia Faunt: It's going to beep.

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By comparing measurements from different wells
over time, they get the best picture they

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can of where groundwater levels stand. She
unspooled and unspooled, until finally...

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[Beep]

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Lesley Stahl: Oh.

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It startled me, as did the result: a five-foot
drop in just one month.

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Claudia Faunt: Right now, we're reaching water
levels that are at historic lows, they're

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like...

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Lesley Stahl: Historic lows?

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Claudia Faunt: Right. At this site, water
levels have dropped about 200 feet in the

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last few years.

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Gathering data from holes in the ground like
this has been the only way to get a handle

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on groundwater depletion. That is, until 2002,
and the launch of an experimental NASA satellite

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called GRACE.

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Lesley Stahl: What does GRACE stand for?

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Mike Watkins: So GRACE stands for gravity
recovery and climate experiment.

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Mike Watkins is head of the Science Division
at NASA's Jet Propulsion Laboratory in Pasadena.

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He was the mission manager for the latest
Mars rover mission and he is the project scientist

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for GRACE.

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Mike Watkins: So the way GRACE works is it's
two satellites.

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Lesley Stahl: Two?

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Mike Watkins: They're actually measuring each
other's orbit very, very accurately.

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What affects that orbit is gravity.

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Mike Watkins: As the first one comes up on
some extra mass, an area of higher gravity,

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it gets pulled away...

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Lesley Stahl: It goes faster.

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Mike Watkins: ...from the second spacecraft.

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And that's where water comes in. Since water
has mass, it affects the pull of gravity,

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so after the first GRACE satellite approaches
an area that's had lots of heavy rain for

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example, and is pulled ahead, the second one
gets there, feels the pull and catches up.

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The instruments are constantly measuring the
distance between the two.

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Mike Watkins: Their changes in separation,
their changes in their orbit are a little

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different this month than last month because
water moved around and it changed the gravity

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field just enough.

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So GRACE can tell whether an area has gained
water weight or lost it.

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Lesley Stahl: So GRACE is like a big scale
in the sky?

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Mike Watkins: Absolutely.

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GRACE can also tell how much water an area
has gained or lost. Scientists can then subtract

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out the amount of rain and snowfall there,
and what's left are the changes in groundwater.

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Lesley Stahl: It's kind of brilliant to think
that a satellite in the sky is measuring groundwater.

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Mike Watkins: It is fantastic.

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Jay Famiglietti: I thought it was complete
nonsense. There's no way we can see groundwater

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from space.

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Jay Famiglietti started out a skeptic, but
that was before he began analyzing the data

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GRACE sent back. The first place he looked
was India. He showed us a time-lapse animation

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of the changes GRACE detected there over the
last 12 years. Note the dates on the lower

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right. The redder it gets, the greater the
loss of water.

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Lesley Stahl: Oh, look at that.

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He calculated that more than half the loss
was due to groundwater depletion.

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Jay Famiglietti: And this is a huge agricultural
region.

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Lesley Stahl: Have they been doing the same
kind of pumping...

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Jay Famiglietti: Yes.

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Lesley Stahl: ...that we're seeing in California?

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Jay Famiglietti: Yes.

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Lesley Stahl: It got so dark red.

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Jay Famiglietti: Yeah, that's bad.

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His India findings were published in the journal
"Nature." But as he showed us, India wasn't

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the only red spot on the GRACE map.

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Jay Famiglietti: This is right outside Beijing,
Bangladesh and then across southern Asia.

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He noticed a pattern.

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Jay Famiglietti: They are almost exclusively
located over the major aquifers of the world.

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And those are also our big food-producing
regions. So we're talking about groundwater

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depletion in the aquifers that supply irrigation
water to grow the world's food.

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If that isn't worrisome enough, some of those
aquifer systems are in volatile regions, for

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instance this one that is shared by Syria,
Iraq, Iran and Turkey.

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Jay Famiglietti: Turkey's built a bunch of
dams. Stored a bunch of water upstream. That

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forces the downstream neighbors to use more
groundwater and the groundwater's being depleted.

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Lesley Stahl: Oh my.

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Jay Famiglietti: We're seeing this water loss
spread literally right across Iran, Iraq and

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into Syria and down.

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Lesley Stahl: It's progressive.

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Famiglietti, who's now moved to the jet propulsion
lab to work on GRACE, has started traveling

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around the world, trying to alert governments
and academics to the problem, and he isn't

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the only one who's worried.

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A 2012 report from the director of National
Intelligence warned that within 10 years "many

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countries important to the United States will
experience water problems ... that will risk

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instability and state failure..." and cited
the possible "use of water as a weapon or

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to further terrorist objectives."

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Lesley Stahl: Water is the new oil.

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Jay Famiglietti: It's true. It's headed in
that direction.

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And what about our own food-producing regions,
like California's Central Valley, which produces

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25 percent of the nation's food. What is GRACE
telling us there?

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Lesley Stahl: 2008.

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Jay Famiglietti: Right.

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Lesley Stahl: '09.

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Jay Famiglietti: And now things are going
to start to get very red.

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Lesley Stahl: 2010.

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GRACE is confirming what the geological survey
well measures have shown, but giving a broader

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and more frightening picture, since it shows
that the rainy years are not making up for

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the losses.

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Lesley Stahl: '14. Dark red.

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Lesley Stahl: That's alarming.

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Jay Famiglietti: It should be.

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So much groundwater has been pumped out here
that the geological survey says it's causing

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another problem: parts of the valley are literally
sinking. It's called subsidence.

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Claudia Faunt: So the ground basically collapses
or compresses down and the land sinks.

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Lesley Stahl: The land is sinking down.

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She said at this spot, the ground is dropping
several inches a year.

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Claudia Faunt: And north of here, it's more
like a foot per year.

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Lesley Stahl: That sounds like a lot, a foot
a year.

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Claudia Faunt: It's some of the fastest rates
we have ever seen in the valley, and in the

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world.

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She says it's caused damage to infrastructure:
buckles in canals and sinking bridges. Here

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the land has sunk six feet. It used to be
level with the top of this concrete slab.

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Lesley Stahl: And this is because of the pumping
of the groundwater?

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Claudia Faunt: Yes.

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Lesley Stahl: Is there any limit on a farmer,
as to how much he can actually take out of

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this groundwater?

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Claudia Faunt: Not right now in the state
of California.

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Lesley Stahl: None?

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Claudia Faunt: As long as you put it to a
beneficial use, you can take as much as you

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want.

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But what's beneficial to you may not be beneficial
to your neighbor.

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Lesley Stahl: When you dig a well like this,
are you taking water from the next farm?

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Steve Arthur: I would say yeah. We're taking
water from everybody.

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Lesley Stahl: Well, is that neighbor going
to be unhappy?

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Steve Arthur: No. Everybody knows that there's
a water problem. Everybody knows you got to

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drill deeper, deeper. And it's funny you say
that because we're actually going to drill

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a well for that farmer next door also.

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Making things worse, farmers have actually
been planting what are known as "thirsty"

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crops. We saw orchard after orchard of almond
trees. Almonds draw big profits, but they

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need water all year long, and farmers can
never let fields go fallow, or the trees will

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die.

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But with all the water depletion here, we
did find one place that is pumping water back

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into its aquifer.

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Lesley Stahl: Look, it really looks ickier
up close.

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We took a ride with Mike Markus, general manager
of the Orange County Water District and a

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program some call "toilet to tap." They take
96-million gallons a day of treated wastewater

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from a county sanitation plant -- and yes,
that includes sewage -- and in effect, recycle

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it. He says in 45 minutes, this sewage water
will be drinkable.

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Mike Markus: You'll love it.

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Lesley Stahl: You think I'm going to drink
that water?

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Mike Markus: Yes, you will.

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They put the wastewater through an elaborate
three-step process: suck it through microscopic

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filters, force it through membranes, blast
it with UV light. By the end, Markus insists

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it's purer than the water we drink. But it
doesn't go straight to the tap. They send

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it to this basin and then use it to replenish
the groundwater.

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Jay Famiglietti: It's amazing. Because of
recycling of sewage water, they've been able

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to arrest that decline in the groundwater.

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Lesley Stahl: All right. I'm going to do it.
I'm going to do it.

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All that was left was to try it. To tell the
truth, it wasn't bad.

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Lesley Stahl: I can't believe how brave I
am. Forty-five minutes ago, this was sewer

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water.

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Mike Markus: And now, it's drinkable.

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He says it's a great model for big cities
around the country. But it's not the answer

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for areas like the Central Valley, which is
sparsely populated and therefore doesn't produce

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enough waste. So at least for now, it's continuing
withdrawals from that savings account.

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Lesley Stahl: Will there be a time when there
is zero water in the aquifer for people in

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California?

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Jay Famiglietti: Unless we take action, yes.

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California has just taken action -- enacted
a law that for the first time takes steps

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toward regulating groundwater. But it could
take 25 years to fully implement.

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At the heart of Pope Francis' revolution in
the Catholic Church is a shy Franciscan friar,

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the pope's closest American advisor, Cardinal
Se¨¢n O'Malley. The pope has appointed

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him president of the Church's crucial new
commission to combat child abuse and named

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him a member of the Council of Cardinals,
the pope's small "kitchen cabinet" charged

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with helping redraw the way the church is
governed.

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Soft-spoken and unassuming, he is usually
dressed in the brown habit of his Capuchin

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Franciscan order and not in a Cardinal's red
robes. He goes by "Cardinal Se¨¢n." And

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like Pope Francis, he is more inclined to
conversation than condemnation. He commutes

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to Rome from his day job as archbishop of
Boston to help Francis remake an ancient institution.

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Cardinal Se¨¢n O'Malley: It's a very different
world now because of his style.

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Part of that style includes the pope's reliance
on advisors like Cardinal Se¨¢n O'Malley.

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O'Malley not only works closely with the pope,
but stays with him at the Vatican guesthouse

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when he comes to Rome on business.

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Norah O'Donnell: When you come here to Rome,
you stay at the Domus Sanctae Marthae, which

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is just right over there.

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Cardinal Se¨¢n O'Malley: Yes, ordinarily.
Yeah.

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Norah O'Donnell: That means you're roommates
with the pope.

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Cardinal Se¨¢n O'Malley: Well, yes, you
see him at all the meals. And very often will

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go and celebrate mass with him in the morning.
And we have our meetings right there.

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Cardinal O'Malley and then-Cardinal Jorge
Bergoglio of Buenos Aires became fast friends

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when the Boston archbishop visited Argentina
on church business in 2010. If you want to

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understand Pope Francis, you'd do well to
look at Cardinal O'Malley.

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Norah O'Donnell: You knew him before. I mean,
did you know that he would be this kind of

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a leader?

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Cardinal Se¨¢n O'Malley: I knew that he
would be different. I am delighted that he

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is beyond my expectations.

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Both share the same outlook -- open, non-judgmental,
given to simple living, and not afraid to

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consider change.

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One change is the pope's recognition that
child abuse is a church-wide problem that

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can no longer be ignored or covered up by
bishops. O'Malley has more experience than

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any bishop in the church when it comes to
cleaning up child abuse. And Pope Francis

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turned to him to lead a new child protection
commission for the entire church.

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Cardinal Se¨¢n O'Malley: Well, it's something
that I brought to the Commission of Cardinals

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and we've talked about it. And the cardinals
were very, very supportive. And the Holy Father,

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he's a great listener

250
00:18:46,270 --> 00:18:47,010
[INSERT EXTRA: How the abuse crisis has damaged
the church]

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Norah O'Donnell: Has the Vatican resisted
it in the past?

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Cardinal Se¨¢n O'Malley: I think even
here, particularly in the past, there was

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the feeling that this was an American problem.

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Norah O'Donnell: But is there a recognition
inside the Vatican that this is intolerable.

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00:19:02,559 --> 00:19:08,630
Cardinal Se¨¢n O'Malley: Certainly, the
Holy Father is very, very aware of that and

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very committed to zero tolerance and to responding
in a proper way to this phenomenon of child abuse.

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Despite his office and influence in Rome,
Cardinal O'Malley is a modest man, reluctant

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to put himself forward. He is humble, a true
Franciscan, who would rather be addressed

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as "Cardinal Se¨¢n," than "your Eminence."
It took more than a year to convince him to

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00:19:34,290 --> 00:19:40,420
agree to an interview. But, he is so approachable
you can talk with him about nearly anything.

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00:19:40,420 --> 00:19:43,760
Norah O'Donnell: Now, your shoes look a lot
more comfortable than mine.

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00:19:43,760 --> 00:19:48,640
Cardinal Se¨¢n O'Malley: Well, 50 years
of wearing sandals.

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Norah O'Donnell: Well, do you ever have to
wear closed-toe shoes?

264
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Cardinal Se¨¢n O'Malley: Well, when I'm
disguised as a cardinal.

265
00:19:55,650 --> 00:19:58,429
Cardinal Se¨¢n O'Malley: Which isn't very
often.

266
00:19:58,429 --> 00:20:03,120
His reputation for cleaning up the church
began when he was installed as bishop of Fall

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00:20:03,120 --> 00:20:08,280
River, Massachusetts, where O'Malley inherited
one of the most notorious child abuse cases

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in history. Instead of lawyering up, O'Malley
began reaching out directly to victims, settling

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cases and acting as a pastor, not a CEO. His
success led to a transfer to Palm Beach, where

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the previous two bishops resigned after accusations
of abuse. Then, in 2002, the Vatican sent

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him to Boston.

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00:20:30,770 --> 00:20:33,360
[INSERT EXTRA: Becoming Archbishop of Boston]

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Norah O'Donnell: Were you worried?

274
00:20:35,490 --> 00:20:37,610
Cardinal Se¨¢n O'Malley: Yes. Terrified.

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Terrified because the Archdiocese of Boston,
the onetime symbol of American Catholicism

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was dissolving, thanks to what was then the
biggest sex abuse scandal in church history.

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00:20:49,330 --> 00:20:52,270
Cardinal Se¨¢n O'Malley: There were a
thousand lawsuits against us. The seminary

278
00:20:52,270 --> 00:20:58,669
was empty. As I say such anger, disappointment,
upset on the part of the people.

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00:20:58,669 --> 00:21:00,090
Norah O'Donnell: This was a pretty tough assignment?

280
00:21:00,090 --> 00:21:03,890
Cardinal Se¨¢n O'Malley: It was -- somebody
described it as a fixer-upper.

281
00:21:03,890 --> 00:21:12,890
And he began fixing it up on his first day
on the job 11 years ago by doing something

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00:21:12,890 --> 00:21:17,910
bishops seldom do: admitting what had happened
and apologizing for it.

283
00:21:17,910 --> 00:21:24,470
[Cardinal Se¨¢n O'Malley: At the beginning
of this installation ceremony, I again ask

284
00:21:24,470 --> 00:21:32,640
forgiveness for all the harm done to young
people by clergy, religious and hierarchy.]

285
00:21:32,640 --> 00:21:37,750
Se¨¢n O'Malley set a new tone in Boston.
The first thing he did was sell the palatial

286
00:21:37,750 --> 00:21:41,470
archbishop's residence and the 28 sprawling
acres it sat on.

287
00:21:41,470 --> 00:21:45,260
Cardinal Se¨¢n O'Malley: Well the archbishop's
residence was more house than I needed.

288
00:21:45,260 --> 00:21:48,240
Norah O'Donnell: Did you realize how big an
impact it would have, that decision?

289
00:21:48,240 --> 00:21:51,640
Cardinal Se¨¢n O'Malley: Well, I knew
it would have an economic impact on the diocese.

290
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And at the time I was very grateful that we
had this mansion to unload and because we

291
00:22:00,320 --> 00:22:03,169
sold it for over 100 million dollars.

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00:22:03,169 --> 00:22:08,470
O'Malley moved into the modest cathedral rectory.
He has a deep devotion to working with the

293
00:22:08,470 --> 00:22:14,980
poor, particularly immigrants. And is a prominent
voice -- in any of eight languages -- in the

294
00:22:14,980 --> 00:22:21,390
Catholic Church's call for immigration reform.
Earlier this year he led a mass at the border

295
00:22:21,390 --> 00:22:29,450
wall in Nogales, Arizona, even distributing
communion through the fence to call attention

296
00:22:29,450 --> 00:22:37,280
to the problem and the church's position on
reform. The pope, who has been a strong voice

297
00:22:37,280 --> 00:22:43,350
for immigrant rights, called it "a powerful
picture."

298
00:22:43,350 --> 00:22:50,929
But it's O'Malley's work to reform the church
on child abuse where he has made the biggest

299
00:22:50,929 --> 00:22:51,320
impact.

300
00:22:51,320 --> 00:22:56,140
Norah O'Donnell: For many people outside the
church and inside the church, the biggest

301
00:22:56,140 --> 00:23:02,809
scandal isn't the predators, it's the bishops.
The bishops who protected them and lied about

302
00:23:02,809 --> 00:23:10,470
them and moved them from parish to parish.
And many of these predators have been prosecuted.

303
00:23:10,470 --> 00:23:14,210
But the bishops have not. Why is that?

304
00:23:14,210 --> 00:23:18,980
Cardinal Se¨¢n O'Malley: One of the first
things that came up is the importance of accountability.

305
00:23:18,980 --> 00:23:28,410
And we're looking at how the church could
have protocols, how to respond when a bishop

306
00:23:28,410 --> 00:23:34,840
has not been responsible for the protection
of children in his diocese.

307
00:23:34,840 --> 00:23:40,549
Norah O'Donnell: I want to ask you about Robert
Finn, who is the bishop of Kansas City/St.

308
00:23:40,549 --> 00:23:45,090
Joseph and, as you know, he pleaded guilty
to a criminal misdemeanor for not reporting

309
00:23:45,090 --> 00:23:53,910
one of his priests to authorities. Bishop
Finn wouldn't be able to teach Sunday school

310
00:23:53,910 --> 00:23:54,250
in Boston.

311
00:23:54,250 --> 00:23:55,450
Cardinal Se¨¢n O'Malley: That's right.

312
00:23:55,450 --> 00:23:57,530
Norah O'Donnell: How is that zero tolerance...

313
00:23:57,530 --> 00:23:58,240
Cardinal Se¨¢n O'Malley: Well...

314
00:23:58,240 --> 00:24:04,660
Norah O'Donnell: ...that he's still in place?
What does it say to Catholics?

315
00:24:04,660 --> 00:24:08,799
Cardinal Se¨¢n O'Malley: Well, it's a
question that the Holy See needs to address

316
00:24:08,799 --> 00:24:09,419
urgently.

317
00:24:09,419 --> 00:24:11,380
Norah O'Donnell: And there's a recognition?

318
00:24:11,380 --> 00:24:14,450
Cardinal Se¨¢n O'Malley: There's a recognition
of that.

319
00:24:14,450 --> 00:24:16,120
Norah O'Donnell: From Pope Francis?

320
00:24:16,120 --> 00:24:16,730
Cardinal Se¨¢n O'Malley: From Pope Francis.

321
00:24:16,730 --> 00:24:17,539
[INSERT OT: Cardinal Se¨¢n O'Malley's
careful candor]

322
00:24:17,539 --> 00:24:23,190
The cardinal's careful candor isn't limited
to the church's mishandling of abuse. Take

323
00:24:23,190 --> 00:24:28,090
the Vatican doctrine office's crackdown on
American nuns for focusing more on social

324
00:24:28,090 --> 00:24:34,100
justice than issues like abortion and contraception
-- placing the nuns under the supervision

325
00:24:34,100 --> 00:24:35,100
of three bishops.

326
00:24:35,100 --> 00:24:40,760
Norah O'Donnell: It looked like a crackdown
from men at the Vatican on...

327
00:24:40,760 --> 00:24:42,260
Cardinal Se¨¢n O'Malley: A disaster.

328
00:24:42,260 --> 00:24:43,470
Norah O'Donnell: A disaster?

329
00:24:43,470 --> 00:24:44,669
Cardinal Se¨¢n O'Malley: Disaster.

330
00:24:44,669 --> 00:24:48,799
Norah O'Donnell: Should there be more women
in positions of power in the Curia?

331
00:24:48,799 --> 00:24:52,380
Cardinal Se¨¢n O'Malley: Yes. I think
there should be. And hopefully, there will

332
00:24:52,380 --> 00:24:53,039
be.

333
00:24:53,039 --> 00:24:55,039
Norah O'Donnell: When?

334
00:24:55,039 --> 00:25:02,260
Cardinal Se¨¢n O'Malley: Well, I can't
tell you what time, but hopefully soon, you

335
00:25:02,260 --> 00:25:02,789
know.

336
00:25:02,789 --> 00:25:08,190
So far, there is little in the way of concrete
change, but Cardinal O'Malley spends about

337
00:25:08,190 --> 00:25:14,450
one week every other month in Rome, otherwise
he and the pope stay in contact using a technology

338
00:25:14,450 --> 00:25:17,669
that seems almost as dated as illuminated
manuscripts.

339
00:25:17,669 --> 00:25:19,799
Cardinal Se¨¢n O'Malley: Usually the,
we fax.

340
00:25:19,799 --> 00:25:20,710
Norah O'Donnell: Really?

341
00:25:20,710 --> 00:25:21,919
Cardinal Se¨¢n O'Malley: Yes.

342
00:25:21,919 --> 00:25:23,660
Norah O'Donnell: You fax with the pope?

343
00:25:23,660 --> 00:25:24,419
Cardinal Se¨¢n O'Malley: Yes.

344
00:25:24,419 --> 00:25:26,179
Norah O'Donnell: People still communicate
by fax?

345
00:25:26,179 --> 00:25:28,039
Cardinal Se¨¢n O'Malley: Still communicate
by fax.

346
00:25:28,039 --> 00:25:29,370
Norah O'Donnell: Like, with letters or...

347
00:25:29,370 --> 00:25:30,549
Cardinal Se¨¢n O'Malley: Uh-huh.

348
00:25:30,549 --> 00:25:31,440
Norah O'Donnell: Really?

349
00:25:31,440 --> 00:25:36,530
Cardinal Se¨¢n O'Malley: Oh. Very quick
and efficient. And a little more private than...

350
00:25:36,530 --> 00:25:37,799
Norah O'Donnell: Most people think...

351
00:25:37,799 --> 00:25:38,820
Cardinal Se¨¢n O'Malley: Safer.

352
00:25:38,820 --> 00:25:39,830
Norah O'Donnell: Oh, really?

353
00:25:39,830 --> 00:25:40,850
Cardinal Se¨¢n O'Malley: Uh-huh.

354
00:25:40,850 --> 00:25:43,549
Norah O'Donnell: Most people think texting
is quicker than faxing.

355
00:25:43,549 --> 00:25:48,039
Cardinal Se¨¢n O'Malley: Well, the pope
and I aren't about texting.

356
00:25:48,039 --> 00:25:53,030
His choice of communication technology is
not the only thing conservative about him.

357
00:25:53,030 --> 00:25:57,860
Church traditionalists accuse him of being
a closet liberal for participating in ecumenical

358
00:25:57,860 --> 00:26:04,100
services and presiding at the funeral of abortion
rights supporter Ted Kennedy. But the cardinal

359
00:26:04,100 --> 00:26:10,410
is a hard-liner on Catholic doctrine. Like
Pope Francis, he upholds traditional positions

360
00:26:10,410 --> 00:26:14,200
on abortion, gay marriage, birth control and
women's ordination.

361
00:26:14,200 --> 00:26:15,460
[INSERT EXTRA: Presiding at Senator Edward
Kennedy's funeral]

362
00:26:15,460 --> 00:26:21,130
Norah O'Donnell: The church says it's not
open to the discussion about ordaining women.

363
00:26:21,130 --> 00:26:22,039
Why not?

364
00:26:22,039 --> 00:26:28,450
Cardinal Se¨¢n O'Malley: Not everyone
needs to be ordained to have an important

365
00:26:28,450 --> 00:26:37,799
role in the life of the church. Women run
the Catholic charities, the Catholic schools,

366
00:26:37,799 --> 00:26:39,510
the development office for the archdiocese.

367
00:26:39,510 --> 00:26:42,169
Norah O'Donnell: Some would say women do a
lot of the work but have very little power.

368
00:26:42,169 --> 00:26:47,520
Cardinal Se¨¢n O'Malley: Well "power"
is not a word that we like to use in the church.

369
00:26:47,520 --> 00:26:48,340
It's more service.

370
00:26:48,340 --> 00:26:51,880
Norah O'Donnell: But they can't preach. They
can't administer the sacraments.

371
00:26:51,880 --> 00:26:52,530
Cardinal Se¨¢n O'Malley: Well...

372
00:26:52,530 --> 00:26:56,330
Norah O'Donnell: I mean, some women feel like
they're second class Catholics because they

373
00:26:56,330 --> 00:26:58,510
can't do those things that are very important.

374
00:26:58,510 --> 00:27:03,210
Cardinal Se¨¢n O'Malley: Well, they, but
they're, they have other very important roles

375
00:27:03,210 --> 00:27:13,210
that, you know, a priest cannot be a mother,
either. The tradition of the church is that

376
00:27:13,860 --> 00:27:22,730
we have always ordained men. And that the
priesthood reflects the incarnation of Christ,

377
00:27:22,730 --> 00:27:26,289
who in his humanity is a man.

378
00:27:26,289 --> 00:27:34,960
Norah O'Donnell: But in spite of that, does
the exclusion of women seem at all immoral?

379
00:27:34,960 --> 00:27:42,320
Cardinal Se¨¢n O'Malley: Well, Christ
would never ask us to do something immoral.

380
00:27:42,320 --> 00:27:48,159
And I know that women in...

381
00:27:48,159 --> 00:27:54,150
Norah O'Donnell: The sense of equality. I
mean, just the sense of sort of the fairness

382
00:27:54,150 --> 00:28:03,590
of it, you know. You wouldn't exclude someone
based on race. But yet you do exclude people

383
00:28:03,590 --> 00:28:04,690
based on gender.

384
00:28:04,690 --> 00:28:12,270
Cardinal Se¨¢n O'Malley: Well, it's a
matter of vocation. And what God has given

385
00:28:12,270 --> 00:28:21,539
to us. And this is, you know, if I were founding
a church, you know, I'd love to have women

386
00:28:21,539 --> 00:28:28,909
priests. But Christ founded it and what he
he has given us is something different.

387
00:28:28,909 --> 00:28:35,909
But God is not afraid of change, as Pope Francis
has told his bishops. And Cardinal O'Malley

388
00:28:35,909 --> 00:28:37,520
is thrilled with his old friend.

389
00:28:37,520 --> 00:28:43,120
Cardinal Se¨¢n O'Malley: I always had
admiration for him but to see how he has made

390
00:28:43,120 --> 00:28:45,590
this extraordinary impact on the church is
so gratifying.

391
00:28:45,590 --> 00:28:50,650
Norah O'Donnell: And will change the future
of this church.

392
00:28:50,650 --> 00:28:51,650
Cardinal Se¨¢n O'Malley: There's no doubt.

393
00:29:04,460 --> 00:29:09,000
Mandy Patinkin may not be a household name,
but he is one of the most versatile performers

394
00:29:09,000 --> 00:29:15,559
we've ever met. He is a classically trained
but barely restrained stage actor. A no-holds-barred

395
00:29:15,559 --> 00:29:22,470
concert singer and a scene-stealing star of
the big and small screens. For four decades,

396
00:29:22,470 --> 00:29:27,309
Mandy has put everything he has into every
role he's played. But a funny thing happened

397
00:29:27,309 --> 00:29:32,929
along the way to stardom. Again and again,
Mandy's career has unraveled at the hands

398
00:29:32,929 --> 00:29:39,840
of an unlikely villain: himself. Now at 61,
his raw talent has carried him to the top

399
00:29:39,840 --> 00:29:46,110
again, with his portrayal of a CIA spy chief
in "Homeland," the critically-acclaimed drama

400
00:29:46,110 --> 00:29:47,179
airing on CBS' sister network, Showtime.

401
00:29:47,179 --> 00:29:53,159
Mandy Patinkin: This is our point of view.
So it's what we're seeing.

402
00:29:53,159 --> 00:29:58,169
We met him at this outdoor location, in of
all places, Cape Town, where two streets have

403
00:29:58,169 --> 00:30:05,120
been transformed into a remote town in Pakistan.
The show came to South Africa because of the

404
00:30:05,120 --> 00:30:11,320
light, the ethnic diversity of the extras
and primarily because of the tax breaks.

405
00:30:11,320 --> 00:30:16,490
Mandy Patinkin: So I'm going to give you a
little tour.

406
00:30:16,490 --> 00:30:22,809
They even relocated the entire "Homeland"
soundstage here. Mandy, who plays spy Saul

407
00:30:22,809 --> 00:30:26,610
Berenson, was happy to show us around, at
breakneck speed.

408
00:30:26,610 --> 00:30:27,799
Mandy Patinkin: This is the Hall of Presidents...

409
00:30:27,799 --> 00:30:29,530
Bob Simon: Does Saul walk this fast?

410
00:30:29,530 --> 00:30:30,720
Mandy Patinkin: Yes he does.

411
00:30:30,720 --> 00:30:39,070
For the uninitiated, "Homeland" is Hollywood's
depiction of the 14-year clandestine war between

412
00:30:39,070 --> 00:30:46,059
the CIA and Islamic terrorists. Patinkin's
character, a former top CIA official, is the

413
00:30:46,059 --> 00:30:52,770
moral center of a messy, complicated world,
where spies spin webs of deceit in a struggle

414
00:30:52,770 --> 00:30:54,059
most of us never see.

415
00:30:54,059 --> 00:31:02,270
Mandy Patinkin: On occasion, a well-constructed
drama, can do what no reality or news program

416
00:31:02,270 --> 00:31:07,700
can do, what Shakespeare does brilliantly,
is it can show both sides' opinions.

417
00:31:07,700 --> 00:31:12,070
[Haqqani: We did not fly those planes at the
World Trade Center. Al Qaeda did.]

418
00:31:12,070 --> 00:31:14,230
[Saul Berenson: You harbored Osama Bin Laden.]

419
00:31:14,230 --> 00:31:18,049
[Haqqani: Bin Laden was a Saudi. I don't see
you invading that country.]

420
00:31:18,049 --> 00:31:22,360
[Saul Berenson: We came here to kill or capture
those directly responsible.]

421
00:31:22,360 --> 00:31:25,590
Bob Simon: Did you talk to CIA people before
you played the part?

422
00:31:25,590 --> 00:31:28,659
Mandy Patinkin: Yes, I did. And I continue
to. And I'm not allowed to tell you who they

423
00:31:28,659 --> 00:31:28,820
are.

424
00:31:28,820 --> 00:31:31,659
Bob Simon: Don't tell me who they are. But
tell me what they tell you and how you react

425
00:31:31,659 --> 00:31:32,020
to it.

426
00:31:32,020 --> 00:31:35,270
Mandy Patinkin: You know, I talk to a variety
of them. So I'm going to pick the one that

427
00:31:35,270 --> 00:31:41,929
meets Mandy's slash Saul's heart and tempo
and temperature. And so I found that guy and

428
00:31:41,929 --> 00:31:47,309
he tells me stuff because he wants me to understand
how he cares about the world and why he does

429
00:31:47,309 --> 00:31:50,450
some of the horrible things that he does,
quote unquote, "horrible."

430
00:31:50,450 --> 00:31:51,669
Bob Simon: But he does it.

431
00:31:51,669 --> 00:31:54,640
Mandy Patinkin: He does it because he's a
soldier.

432
00:31:54,640 --> 00:31:59,860
This season begins with an American bombing
of a wedding party, kicking off a new cycle

433
00:31:59,860 --> 00:32:01,529
of vengeance and violence.

434
00:32:01,529 --> 00:32:07,960
Mandy Patinkin: I think the question of this
particular season that I rarely see in American

435
00:32:07,960 --> 00:32:15,150
television is: Who is the bad guy? Is America
possibly the bad guy?

436
00:32:15,150 --> 00:32:18,400
Heavy stuff, for an actor who made his name
in musical theater.

437
00:32:18,400 --> 00:32:23,480
[Mandy Patinkin: Bit by bit! Only way to make
a work of art. Every moment makes a contribution,

438
00:32:23,480 --> 00:32:25,640
every little detail plays a part!]

439
00:32:25,640 --> 00:32:31,299
This was Mandy 30 years ago, starring in Sondheim's
"Sunday in the Park with George." He'd already

440
00:32:31,299 --> 00:32:36,500
won a Tony for "Evita," and critics' praise
for his "fiercely intelligent" performances.

441
00:32:36,500 --> 00:32:41,630
[Mandy Patinkin: Putting it together. Bit
by bit!]

442
00:32:41,630 --> 00:32:47,480
His preparation is legendary. He learned to
fence for his most famous role in "The Princess

443
00:32:47,480 --> 00:32:51,600
Bride," which also gave him his most memorable
line.

444
00:32:51,600 --> 00:33:01,169
[Mandy Patinkin: Hello. My name is Inigo Montoya.
You killed my father. Prepare to die.]

445
00:33:01,169 --> 00:33:05,070
People ask him to recite it to this day. So
we did too.

446
00:33:05,070 --> 00:33:13,000
Mandy Patinkin: Hello. My name is Inigo Montoya.
You killed my father. Prepare to die.

447
00:33:13,000 --> 00:33:23,000
Then there are the people who know Mandy for
this...

448
00:33:23,090 --> 00:33:28,820
He does nearly 50 concerts a year in cities
across the country, singing an eclectic blend

449
00:33:28,820 --> 00:33:34,809
of show tunes, rock anthems and folk songs.
Not bad for a guy who doesn't read music.

450
00:33:34,809 --> 00:33:40,039
Mandy Patinkin: I'm a lyrically driven person.
I am not a musically driven person. That's

451
00:33:40,039 --> 00:33:43,539
why I love Sondheim. That's why I love Shakespeare.
That's why I love Irving Berlin and Rodgers

452
00:33:43,539 --> 00:33:47,630
and Hammerstein and Tom Waits and Paul Simon
and Randy Newman. They're storytellers.

453
00:33:47,630 --> 00:33:49,799
Bob Simon: Have you always talked so fast?

454
00:33:49,799 --> 00:33:53,919
Mandy Patinkin: Yes. And I was horrified.
I saw an interview that I did with someone,

455
00:33:53,919 --> 00:33:59,210
and I was horrified by it. And I said to my
wife, "This is unbearable how I talk."

456
00:33:59,210 --> 00:34:01,150
Bob Simon: It's unbearable for me, it's hard...

457
00:34:01,150 --> 00:34:02,740
Mandy Patinkin: I'm sorry, I'll shut up.

458
00:34:02,740 --> 00:34:06,690
Bob Simon: No. It's not a question of shutting
up. I mean, you go for two minutes without

459
00:34:06,690 --> 00:34:09,369
taking a breath. It's very hard to pop in
a question.

460
00:34:09,369 --> 00:34:14,700
Mandy Patinkin: I guess the reason is there's
various things that have popped up that I

461
00:34:14,700 --> 00:34:17,540
really want to say before I check out. If
I can leave something behind.

462
00:34:17,540 --> 00:34:23,950
The next time we met, at his rustic retreat
in upstate New York, he told us he'd already

463
00:34:23,950 --> 00:34:29,530
cleaned the house and taken a 10-mile bike
ride to burn off some excess energy. He also

464
00:34:29,530 --> 00:34:33,570
went through a ritual he conducts before big
interviews and performances.

465
00:34:33,570 --> 00:34:40,050
Mandy Patinkin: I recite every name of every
person that I've known who's passed on. And

466
00:34:40,050 --> 00:34:46,960
I do that because there was a line in the
libretto of "Carousel." And the line is: "As

467
00:34:46,960 --> 00:34:53,820
long as there's one person on Earth who remembers
you, it isn't over." And I, it's a game I

468
00:34:53,820 --> 00:34:54,919
play that gives me...

469
00:34:54,919 --> 00:34:56,139
Bob Simon: It's not a game, it's very serious.

470
00:34:56,139 --> 00:35:03,020
Mandy Patinkin: It is a game, the whole ball
of wax is a game -- your life, my life, politics,

471
00:35:03,020 --> 00:35:05,119
economy, hunger...

472
00:35:05,119 --> 00:35:07,349
Bob Simon: By definition a game has winners
and losers.

473
00:35:07,349 --> 00:35:13,369
Mandy Patinkin: Yes, it does. I think we all
lose in the end because we don't get to stay

474
00:35:13,369 --> 00:35:21,310
here forever. That is a part of the game at
this point, I think, is a profound flaw.

475
00:35:21,310 --> 00:35:27,810
Despite roles in a handful of films, including
"Ragtime," he never became a leading man,

476
00:35:27,810 --> 00:35:33,480
partly because of two epic mistakes, career
blunders that he rarely discusses in public.

477
00:35:33,480 --> 00:35:37,320
Bob Simon: You actually think I'm not going
to ask you what those mistakes were?

478
00:35:37,320 --> 00:35:41,420
Mandy Patinkin: That's fine, I'll tell you
what they were. One was having said yes to

479
00:35:41,420 --> 00:35:47,550
do the movie "Heartburn" with Mike Nichols
and Meryl Streep when I knew it wasn't right

480
00:35:47,550 --> 00:35:51,760
for me. That how could I turn down Mike and
Meryl? And I wanted to be a movie star, and

481
00:35:51,760 --> 00:35:56,250
I wanted to be powerful, and I wanted to be
more things than I was at that time. And I

482
00:35:56,250 --> 00:35:58,210
didn't like the piece.

483
00:35:58,210 --> 00:36:03,599
And it showed. Director Mike Nichols fired
him after one day and replaced him with Jack

484
00:36:03,599 --> 00:36:03,980
Nicholson.

485
00:36:03,980 --> 00:36:06,280
[Jack Nicholson: I'm Mark Foreman.]

486
00:36:06,280 --> 00:36:09,230
After that, his leading roles were mostly
on television.

487
00:36:09,230 --> 00:36:10,589
[Mandy Patinkin: Come on!]

488
00:36:10,589 --> 00:36:13,020
He won an Emmy playing a doctor in "Chicago
Hope."

489
00:36:13,020 --> 00:36:14,839
[Mandy Patinkin: I'm Jason Gideon.]

490
00:36:14,839 --> 00:36:22,540
Then starred as an FBI profiler in "Criminal
Minds." But in an infamous real-life episode,

491
00:36:22,540 --> 00:36:28,089
Mandy abruptly quit that show, saying he objected
to the content, leaving his cast mates, crew

492
00:36:28,089 --> 00:36:30,910
and CBS, high and dry.

493
00:36:30,910 --> 00:36:35,990
Mandy Patinkin: Wasn't their mistake. It was
mine. I chose it because I was greedy. I wanted

494
00:36:35,990 --> 00:36:41,280
more money. I was always worried about money.
And I was always worried that I needed more

495
00:36:41,280 --> 00:36:45,510
money and I needed to be more famous to get
more money, and this, and that, and everything.

496
00:36:45,510 --> 00:36:50,750
When the fact of the matter is, which my wife
always says to me, we have never wanted. She

497
00:36:50,750 --> 00:36:55,310
said, "Where do you get this fear from?" I
don't know. Maybe it's genetic, maybe it's

498
00:36:55,310 --> 00:36:57,630
nonsense. But it's greed.

499
00:36:57,630 --> 00:37:04,690
He thought he'd never work in television again.
For years, his reputation as an obsessive,

500
00:37:04,690 --> 00:37:06,700
hard-to-handle actor preceded him.

501
00:37:06,700 --> 00:37:11,380
Bob Simon: You have such a clear vision of
what you're doing. Is it ever painful for

502
00:37:11,380 --> 00:37:13,369
you to take instruction from a director?

503
00:37:13,369 --> 00:37:19,420
Mandy Patinkin: It used to be, and I wouldn't
do it for years, and I was ashamed of myself.

504
00:37:19,420 --> 00:37:23,260
And I apologize. I've apologized in print,
I apologize here because...

505
00:37:23,260 --> 00:37:26,290
Bob Simon: But I'm sure sometimes you were
right and they were wrong.

506
00:37:26,290 --> 00:37:30,630
Mandy Patinkin: Who cares? Who cares if I
was right and they were wrong? You're a person,

507
00:37:30,630 --> 00:37:35,000
you're directing me, you're talking to me.
Be a human being, listen to you. Is it cancer?

508
00:37:35,000 --> 00:37:40,089
Is it world peace? No, it's a movie, it's
a TV show. Try!

509
00:37:40,089 --> 00:37:45,810
He can be hard on himself, tracing some of
that anger back to the loss of his father

510
00:37:45,810 --> 00:37:47,160
when Mandy was 18.

511
00:37:47,160 --> 00:37:51,130
Mandy Patinkin: I remember he dreamed of things,
"I'm going to go do this, I'm going to go

512
00:37:51,130 --> 00:37:55,869
do that when the kids are older," and then
he died from pancreatic cancer and he didn't

513
00:37:55,869 --> 00:38:03,740
do it. And I remember that 18-year-old kid
said, "I'm not going to wait." And I became

514
00:38:03,740 --> 00:38:08,910
impatient for anything I dreamed of, I wanted
it done by sundown.

515
00:38:08,910 --> 00:38:12,070
And he wanted to remember every moment of
every day.

516
00:38:12,070 --> 00:38:17,099
Mandy Patinkin: This is recreating my father's
junkyard, the Scrap Corporation People's Iron

517
00:38:17,099 --> 00:38:21,180
and Metal Company was the name of it. It was
on the South Side of Chicago at Loomis and

518
00:38:21,180 --> 00:38:21,670
Hoyne.

519
00:38:21,670 --> 00:38:28,089
He showed us how he's documented his life
with an electric train set. He spent decades

520
00:38:28,089 --> 00:38:31,750
building this world. It takes him back more
than 50 years.

521
00:38:31,750 --> 00:38:36,839
Mandy Patinkin: In many ways they saved my
childhood. I lived under that train table

522
00:38:36,839 --> 00:38:39,380
and it was like a little tree house. Like
a refuge to me.

523
00:38:39,380 --> 00:38:39,970
Bob Simon: Mandy's retreat.

524
00:38:39,970 --> 00:38:43,589
Mandy Patinkin: Yeah. Those trains right up
there on that shelf, those are the trains

525
00:38:43,589 --> 00:38:46,760
my father bought me when I was eight years
old. Those are the first trains and every

526
00:38:46,760 --> 00:38:47,700
one of them works perfectly.

527
00:38:47,700 --> 00:38:53,109
Mandy Patinkin: This is my ma. She was a great
cook, so we named a diner after her.

528
00:38:53,109 --> 00:38:58,160
Every piece has a story. And we found ourselves
still shooting late that night.

529
00:38:58,160 --> 00:39:03,630
Mandy Patinkin: Guys? Somebody come over here
with us. This is a real fun thing!

530
00:39:03,630 --> 00:39:06,310
By then, Mandy had talked us under the table.

531
00:39:06,310 --> 00:39:09,109
Mandy Patinkin: I like the trolley because
it doesn't break down.

532
00:39:09,109 --> 00:39:11,630
Bob Simon: There it is. There it is. It is
great!

533
00:39:11,630 --> 00:39:16,910
Kathryn Patinkin: I think one of the best-kept
secrets about my husband is how damn funny

534
00:39:16,910 --> 00:39:17,910
he is.

535
00:39:17,910 --> 00:39:23,950
Mandy's wife of 34 years and the mother of
his two sons is actress Kathryn Grody. She

536
00:39:23,950 --> 00:39:29,650
says what attracted her was his authenticity,
even though he could put some people off.

537
00:39:29,650 --> 00:39:34,770
Kathryn Patinkin: He doesn't know the intensity
that he comes off as. He can certainly be

538
00:39:34,770 --> 00:39:40,020
obnoxious. And he has three members of his
family that have no problem in saying, "Dad,

539
00:39:40,020 --> 00:39:41,700
that was obnoxious."

540
00:39:41,700 --> 00:39:43,849
Bob Simon: So the family is not scared of
him?

541
00:39:43,849 --> 00:39:48,890
Kathryn Patinkin: Well, not anymore. I mean
I would, you know, it's an interesting, the

542
00:39:48,890 --> 00:39:53,200
nature, nurture thing. I think my youngest
son was never, ever afraid of this guy, ever.

543
00:39:53,200 --> 00:39:57,240
Mandy Patinkin: He taught my older one and
my wife more about how to handle me. Before

544
00:39:57,240 --> 00:40:00,740
I learned to handle my moods. And I'd had
mood struggles.

545
00:40:00,740 --> 00:40:08,540
"Homeland" has turned out to be an antidote
to those struggles resurrecting his career,

546
00:40:08,540 --> 00:40:15,950
and giving him something else, the role of
the quiet, wise Saul Berenson, which he says

547
00:40:15,950 --> 00:40:18,960
is not so much a stretch, as an aspiration.

548
00:40:18,960 --> 00:40:28,150
Bob Simon: Saul comes across as very calm,
almost avuncular. This about as far as you

549
00:40:28,150 --> 00:40:30,040
can get from Mandy Patinkin.

550
00:40:30,040 --> 00:40:39,720
Mandy Patinkin: Mandy is not calm. So that's
acting. I'm acting. And, and I love playing

551
00:40:39,720 --> 00:40:46,329
someone calm. I wish I'd had that role earlier
on in life. There's a lot of Saul I like to

552
00:40:46,329 --> 00:40:47,510
take with me in my life.

553
00:40:47,510 --> 00:40:50,170
Bob Simon: What would you like to take with
you?

554
00:40:50,170 --> 00:40:55,240
Mandy Patinkin: His quiet, his ability to
truly, legitimately listen. His lack of a

555
00:40:55,240 --> 00:40:58,440
need to speak first, to get his ideas out.

556
00:40:58,440 --> 00:41:00,760
Bob Simon: Has this really affected you?

557
00:41:00,760 --> 00:41:01,609
Mandy Patinkin: Not enough.

558
00:41:01,609 --> 00:41:06,910
[Mandy Patinkin and Taylor Mac: Sometimes
I think we're on the right track...]

559
00:41:06,910 --> 00:41:11,800
When he finishes playing Saul, he'll go back
to being Mandy, diving into an experimental

560
00:41:11,800 --> 00:41:17,930
musical with his longtime pianist Paul ford
and actor Taylor Mac. He told us his purpose

561
00:41:17,930 --> 00:41:24,270
in life can be summed up in a single word:
"connect." Singing and performing have always

562
00:41:24,270 --> 00:41:27,579
been his surest means of doing that.

563
00:41:27,579 --> 00:41:37,119
[Mandy Patinkin and Taylor Mac: Didn't mean
to make you cry. If I'm not back tomorrow,

564
00:41:37,119 --> 00:41:37,240
carry on, carry on, as if nothing really matters.]

565
00:41:37,240 --> 00:41:43,280
Mandy Patinkin: Somebody just offered me a
part the other day, the older guy in a film.

566
00:41:43,280 --> 00:41:52,060
And I remember saying to the guy, "I'm so
sad that I'm old enough to play this part,

567
00:41:52,060 --> 00:42:00,609
and I'm so grateful that I am." Because, you
know, all that clich??d things, you really

568
00:42:00,609 --> 00:42:06,030
do learn something if you get the luck of
being able to hang around. Even if it's a

569
00:42:06,030 --> 00:42:09,030
rough ride, you learn.

