Mr. G: KIDS DECIDE TO GET INVOLVED IN ALL SORTS OF NASTY THINGS
AND I REALLY HAVE TO KEEP AN EYE OUT.
I'M KNOWN AROUND THE SCHOOL FOR HAVING AN ABOVE-AVERAGE SENSE OF SMELL,
SO I USE MY NOSE TO CONTROL CERTAIN BEHAVIORS.
I LIKE TO SNIFF THE KIDS MOST MORNINGS
JUST RANDOMLY IN THE CORRIDORS,
CHECKING FOR VARIOUS ODORS--
UM, CIGARETTE SMOKE,
GRAFFITI PENS, ALCOHOL,
CANNABIS, THAT SORT OF THING,
JUST IDENTIFYING THAT, SINGLING THE KIDS OUT.
STAND BACK.
THEY'RE AWARE OF IT.
THEY BECOME VERY NERVOUS WHEN THEY SEE ME IN THE MORNINGS.
AND YOU CAN ALWAYS PICK THE GUILTY ONES.
BUT YES, IT'S JUST ONE OF THE GOOD THINGS
ABOUT HAVING A HEIGHTENED SENSE.
( children's choir singing )
- TAKE DEEP BREATHS. - I DO.
COUNT TO 10.
- RELAX YOUR BODY AND STAY CALM. - EASY.
Doug Peterson: I'VE GOT JONAH ON AN ANGER MANAGEMENT COURSE WITH ME.
WE'RE GONNA MEET ONCE A WEEK.
SO WHAT WOULD HAVE BEEN A BETTER WAY TO HAVE REACTED?
JUST SAY, "FUCK OFF,"
AND WALK AWAY AND DON'T GET MAD.
ALL RIGHT.
WHAT ABOUT SOME LANGUAGE WHICH IS LESS PROVOCATIVE?
"GET FUCKED"?
Peterson: THE BREAK-DANCING FAD HAS INSTIGATED THIS.
YESTERDAY THIS YEAR-SEVEN DANCER CALLED KEIRAN
TURNED UP AT SCHOOL WEARING THE SAME TRACKSUIT THAT JONAH WAS WEARING.
THAT SHIT BREAK-DANCER AND A HOMO.
- JONAH-- - HE CAN'T BREAK-DANCE FOR SHIT, SIR.
YOU CAN GO FOR A RUN AROUND THE OVAL.
THAT'S FUCKED UP, SIR. EVERYONE WILL THINK I'M A HOMO
IF I START FUCKING RUNNING AROUND THE OVAL
EVERY TIME SOMEONE PISSES ME OFF.
JONAH TOLD KEIRAN THAT HE WAS GOING TO SET FIRE TO HIS LOCKER.
- BULLSHIT. - AND IN OTHER WAYS
HE BEHAVED IN A VERY AGGRESSIVE AND INAPPROPRIATE MANNER.
YEAH, BUT HIS LOCKER DIDN'T GET BURNED. I DIDN'T DO IT.
SO HOW IS THAT INAPPROPRIATE, SIR?
- KEEP A JOURNAL AND WRITE THINGS DOWN. - WHAT'S A JOURNAL?
IT'S LIKE A LITTLE DIARY. SO YOU WRITE STUFF IN THERE
AND IT STOPS IT BUILDING UP INSIDE YOU.
I'M NOT A POOFTER, SIR.
I DIDN'T SAY YOU WERE, JONAH.
YOU KNOW, EDUCATE THEM IN STRATEGIES THEY CAN USE,
SUCH AS THE ANGER MANAGEMENT PROGRAM THAT I'VE GOT JONAH ON HERE,
TO USE TO PUT INTO A CONSTRUCTIVE--
SIR, HOW DO YOU SPELL "FUCK HIM UP"?
SHE CAN GET STUFFED IF SHE THINKS SHE'S GONNA BE FRIENDS WITH US.
YEAH, WELL, SHE'S JUST A BITCH AS FAR AS I'M CONCERNED.
Holly: WELL, LAST NIGHTS WE WERE ALL JUST LIKE ON M.S.N.
AND JA'MIE WAS TALKING TO BEC...
YEAH, WE WERE JUST TALKING AND SHE WAS GIVING ME TIPS
TO BE MORE CONFIDENT SO I CAN HAVE A BOYFRIEND AND EVERYTHING.
AND THEN ALL OF A SUDDEN I GET THIS SENT TO ME.
YEAH, BUT SHE ACCIDENTALLY SENT IT THROUGH TO BEC,
'CAUSE IT WAS MEANT FOR ONE OF THEIR FRIENDS BRIANNA AT HILLFORD.
SHE'S BEEN OBVIOUSLY BITCHING
BEHIND OUR BACKS ABOUT US
TO HER HILLFORD FRIENDS AND WE HAVEN'T REALIZED IT AT ALL.
SHE'S COMING.
HI. I COULDN'T FIND YOU GUYS.
I KNOW YOU'RE ANNOYED.
I'M SERIOUSLY PISSED OFF, JA'MIE.
IT WAS MEANT AS A JOKE, SERIOUSLY.
IT'S NOT VERY FUNNY. BEC WAS CRYING THIS MORNING
'CAUSE YOU CALLED HER A TRY-HARD ASIAN.
IT WAS A TOTALLY JOKE. I CAN'T BELIEVE YOU PRINTED IT OUT.
LIKE, YOU OBVIOUSLY DON'T KNOW HOW UPSET WE ARE, JA'MIE.
LIKE, I DON'T EVER WANT TO BE FRIENDS WITH YOU AGAIN.
- NO WAY. - I WAS JUST--
LEARN WHAT A SENSE OF HUMOR IS, OKAY? IT WAS A JOKE.
YOU CALLED KAITLYN A HOUSING COMMISSION WHORE.
I LIVE IN A TOWNHOUSE, NOT HOUSING COMMISSION.
YEAH, AND YOU CALLED ME A CLEARASIL "BEFORE" SHOT.
GUYS, SERIOUSLY, BUILD A BRIDGE AND GET OVER IT.
AND DON'T CALL ME A BITCH, HOLLY.
YOU SERIOUSLY THINK WE'RE JUST GONNA GET OVER IT? YOU'RE A MEAN BITCH.
- SERIOUSLY, YOU ARE. - YEAH, WHATEVER.
ANYWAY, I HAVE THE BEST NEWS.
YOU KNOW HOW I'M DOING THE "IT'S ALL ABOUT EDUCATION" EXCHANGE THING?
WELL, LAST NIGHT THEY CALLED MY MOM AND THEY SAID
THEY'RE GONNA DO A TV AD AND THEY WANT ME TO BE IN IT
- 'CAUSE I'VE GOT MODELING EXPERIENCE. - JA'MIE, WE DON'T CARE.
OH MY GOD, YOU SOUND LIKE A BROKEN RECORD.
- CAN YOU GUYS JUST GET OVER IT, SERIOUSLY? - WE'RE NOT GONNA GET OVER IT.
AND DON'T BE A BITCH AND DON'T LISTEN TO MY STORY, HOLLY.
YOU'RE A BITCH, JA'MIE, SO, YOU KNOW, WHATEVER. FIND SOME NEW FRIENDS.
OH, YEAH, COOL, OKAY. SEE YA.
YEAH, WHATEVER, JA'MIE. SEE YA.
AS IF I'M GONNA BE FRIENDS WITH YOU BITCHES ANYWAY.
GOOD. WE DON'T WANT TO BE FRIENDS WITH YOU EITHER, BITCH.
- Ja'mie: BYE. - STUPID FUCKING BITCH.
Ja'mie: WHATEVER.
THIS ISN'T STRAIGHT. RODNEY, IT'S NOT STRAIGHT.
Mr. G: WE'RE IN AUDITION WEEK THIS WEEK.
IF YOU WANT SOMETHING DONE, DO IT YOURSELF.
I WAS JUST SAYING TO RODNEY THIS MORNING--
I UNRAVELED THE AUDITION POSTERS
AND I HAD AN EXCITEMENT QUIVER. I WENT...
I GET VERY EXCITED ABOUT THINGS AND I DO THAT.
IT'S NORMALLY CLOSER TO PRODUCTION THAT I DO IT.
IT'S AN INVOLUNTARY THING THAT I GET.
BOYS, MUSICAL AUDITIONS.
I'VE BEEN SORT OF CASTING THE NET WIDE THIS YEAR, SO TO SPEAK.
- WHAT ABOUT YOU, STUART? - THE ROLE OF ANNABEL--
THE REAL ANNABEL DICKSON WAS QUITE, I GUESS, A SEXY GIRL
AND HAD A LOT OF-- A WILD QUALITY.
AND I THINK THERE ARE SOME GIRLS
WHO HAVE THAT AT THE SCHOOL.
SO I AM ASKING SOME OF THE SLUTTIER GIRLS TO GET INVOLVED.
- WEDNESDAY IN THE GYM. - OKAY, COOL.
OKAY, SEE YOU THEN.
- DO YOU LIKE THIS ONE, MISS? - YEAH, I LIKE THE IMAGERY OF THAT ONE.
- THIS IS ME DOING THIS MOVE... - YEAH.
...WHERE I'M BREAKING, RIGHT?
AND I GET ALL THIS MAD AIR AND I'M FULLY IN THE AIR
- FOR, LIKE, ABOUT EIGHT SECONDS, FULLY. - YEAH.
AND EVERYONE'S, LIKE, FLIPPING OUT
BECAUSE THEY HAD NEVER SEEN A BOY DO THAT BEFORE.
THESE ARTWORKS ARE GONNA BECOME ILLUSTRATIONS
THAT THE BOYS WILL USE TO ACCOMPANY
THE STORIES THAT THEY'RE WRITING.
- IT'S QUITE ABSTRACT. - YEAH, IT'S ALL THE HEADS.
I LOVE ART AND I USE IT
AS A KIND OF DEVICE TO ALLOW THE BOYS
TO GET OUT SOME CREATIVITY.
SEE THAT ONE? YOU SEE THE HOT CHICK?
- THEN HE CRACKS A FAT. - YEAH, IT'S--
MAYBE THAT ONE WON'T GO IN YOUR BOOK. WHAT DO YOU THINK?
WHY NOT, MISS? TOO RUDE FOR YOU?
Jan Palmer: I THINK THAT IT REALLY ASSISTS
WITH THEIR ABILITY TO LEARN.
THIS IS THIS MOTHERFUCKER LASER BEAM
THAT I USED TO FUCK ANYONE OFF THAT COMES NEAR
- THAT I DIDN'T LIKE. - LANGUAGE LANGUAGE.
SEE-- "FUCK YOU, MISS," 'CAUSE IT'S A TEACHER.
NOT YOU. IT'S ANOTHER TEACHER THAT I DIDN'T LIKE.
RIGHT.
I'M PARTICULARLY PROUD OF THE WORK THAT JONAH'S BEEN DOING.
AND I KNOW THAT HE CAN HEAR ME BECAUSE HE DOESN'T MISS MUCH,
BUT HE'S BEEN DOING REALLY REALLY WELL.
Ja'mie: ALL MY FRIENDS HAVE TOTALLY LOST IT.
AND THEY'VE GONE AROUND THE WHOLE SCHOOL TELLING EVERYONE
I'M A BITCH AND NOT TO BE FRIENDS WITH ME.
BUT I DON'T EVEN CARE
BECAUSE I MAKE FRIENDS REALLY EASILY AND I DON'T NEED THEM.
ASHLEY, HI.
UM, I WAS JUST GONNA SAY
YOU KNOW THE "IT'S ALL ABOUT EDUCATION" THING?
I MIGHT BE DOING A TV AD FOR IT.
I CAN'T BELIEVE YOU BELIEVED THOSE BITCHES.
WHY WOULD I WANT TO BE FRIENDS WITH YOU ANYWAY,
LESBIAN CURLY-HEAD BITCH?
Ja'mie: I'M ACTUALLY REALLY ENJOYING
NOT BEING FRIENDS WITH THEM, DO YOU KNOW WHAT I MEAN?
LIKE, LUNCHTIMES ARE SO MUCH BETTER WITHOUT THEM.
DID YOU WANT ME TO CARRY THESE TO YOUR NEXT CLASS OR WHAT?
JUST POP THEM DOWN OVER THERE.
NEXT ONE, PLEASE.
Mr. G: I CANNOT AFFORD TO HAVE A CAST THAT CAN'T HANDLE THE PRESSURE.
SO RATHER THAN GOING STRAIGHT INTO A GENERAL AUDITION,
I LIKE TO DO WHAT I CALL A PSYCHOLOGICAL ASSESSMENT.
- ANY HISTORY OF MENTAL ILLNESS IN THE FAMILY? - NO.
- DOES DAD EVER HIT MOM AT ALL? - NO.
WHAT I'M LOOKING FOR MOSTLY IS, CAN THEY HANDLE
THE EMOTIONAL STRAIN OF BEING IN A SHOW?
HAVE YOU EVER FELT LIKE CUTTING YOURSELF,
- CUTTING YOUR ARMS? - NO.
IF YOU HAD TO CHOOSE BELOW OR ABOVE THE BELLY BUTTON,
WHICH DIRECTION WOULD YOU HEAD?
YOU NEED TO BE FAIRLY THICK-SKINNED
TO BE IN A SHOW LIKE MINE.
SO I DO WHAT I CALL A SENSITIVITY TEST.
YOU'VE GOT THIGHS LIKE AN ELEPHANT
AND YOU'VE GOT A FACE LIKE A BLOODY HORSE.
WHO'S GONNA WANT TO PAY TO SEE YOU ONSTAGE?
WHO?
EXCELLENT. THAT WAS GOOD. YOU HANDLED THAT WELL.
I TEST THE KIDS FOR HAND-EYE COORDINATION.
OPEN YOUR EYES. CATCH.
CATCH THIS.
MISSED IT.
I'M ABLE TO CULL, OR WEED OUT THE KIDS
WHO ARE JUST NOT RIGHT.
REJECTION CAN BE TOUGH, BUT THE WORLD IS
A TOUGH PLACE. DEAL WITH IT.
SHE GOT REALLY UPSET. NEXT ONE, PLEASE. ALASTAIR.
ALL RIGHT, EVERYBODY. JUST CONTINUE ON WITH THE WORK.
WRITE, "DO YOU LIKE MY DICK?"
DO IT IN, LIKE, A BUBBLE.
"YES."
- WHAT ARE YOU BOYS DOING? - NOTHING, MISS.
STOP FUCKING PERVING ON US, MISS.
GET UP OFF THE GROUND, PLEASE, AND GO AND DO SOME WORK.
WE'RE READING BOOKS. YOU'RE SUPPOSED TO READ THEM ON THE GROUND.
Sarah Wheatley: I HAVE TO SAY THAT JONAH HAS, UM,
A TOTAL INABILITY TO COMPLETE TASKS.
I CAN ALMOST GUARANTEE THAT TOMORROW
HE'LL COME IN FULL OF EXCUSES AS TO WHY HE CAN'T PARTICIPATE.
MISS, MY PEN'S DRIED OUT.
GAVIN, CAN YOU PLEASE LEND JONAH A PEN?
I SIT HIM NEXT TO HIS FRIENDS AND HE TALKS.
I PUT HIM NEXT TO GOOD STUDENTS-- HE COPIES THEIR WORK.
I MEAN, I DON'T KNOW HOW STUPID HE THINKS I AM.
STUART, SADIE, JESSICA AND JONAH,
YOU WILL BE PRESENTING YOUR TALKS
ON "THE OUTSIDERS" TOMORROW.
MISS, THAT SUCKS. YOU SAID I COULD DO MINE ON TUPAC.
- I BEG YOUR PARDON? - YOU SAID I COULD DO MINE ON TUPAC.
TUPAC? WHY WOULD I LET YOU DO IT ON TUPAC...
- 'CAUSE YOU SAID-- - ...WHEN THE TOPIC IS "THE OUTSIDERS"?
- YOU JUST SAID IT. - I DID NOT SAY IT, JONAH.
- DON'T YOU REMEMBER? - NOW YOU'VE HAD PLENTY OF TIME
TO COMPLETE THIS TASK. AND IF YOU'VE HAD ANY PROBLEMS
YOU'VE HAD MORE THAN OPPORTUNITY TO COME UP AND TALK TO ME ABOUT IT.
- YES, MISS. - I DON'T THINK I'VE EVEN SEEN YOU
WORK ON IT AT ALL, IN FACT.
WHAT DO YOU THINK THIS IS, IDIOT?
- BEG YOUR PARDON? - I'M WORKING ON IT.
- WHAT, A DRAWING? - YEAH.
I DIDN'T WANT TO SHOW YOU UNTIL TOMORROW.
IT CERTAINLY DOESN'T LOOK LIKE
THE KIND OF WORK EVERYONE ELSE IN THE ROOM IS DOING.
WELL, WAIT TILL TOMORROW. YOU'LL FIND OUT.
WELL, YOU KNOW WHAT? I'LL LOOK FORWARD TO TOMORROW.
WE'LL ALL BE WAITING TO SEE JONAH'S TALK
ON "THE OUTSIDERS" 'CAUSE I THINK
IT'S GONNA BE THE BEST ONE OF THE LOT. WHAT DO YOU THINK, JONAH?
- I THINK IT WILL BE. - YEAH.
MOVE. HOLLY, I'M SITTING NEXT TO YOU.
SORRY, JA'MIE. I'M NOT FRIENDS WITH YOU ANYMORE.
I DON'T CARE. I ALWAYS SIT WITH YOU.
JA'MIE, THERE'S A SEAT OVER THERE. GO OVER THERE.
I'M NOT SITTING NEXT TO SOME RANDOM EMO.
MOVE, PLEASE.
I'M SORRY, IT LOOKS LIKE YOU DON'T HAVE AN OPTION.
WHY DON'T YOU GO FUCK YOURSELF, PUBLIC-SCHOOL BITCH?
CHILL OUT, JA'MIE. YOU'RE REALLY EMBARRASSING YOURSELF.
YOU KNOW WHAT WOULD BE EMBARRASSING? HAVING YOUR HEAD.
- DID YOU HEAR THAT? - GROUP A, GROUP B TODAY.
SO GROUP A, GROUP B. GROUP A, GROUP B.
A, B. A, B.
- A, B, A. - ( mouths )
I'D LIKE GROUP A TO BE THINKING ABOUT
PARMENIDES'S VIEW OF THE WORLD
AND GROUP B TO BE THINKING ABOUT
HERODOTUS'S VIEW OF THE WORLD.
( sobbing )
MOM, IT'S ME.
I'M REALLY UPSET.
YOU HAVE TO COME AND PICK ME UP
'CAUSE EVERYONE'S BEING A BITCH TO ME.
I SHOULD NEVER HAVE COME HERE.
THEY DON'T EVEN HAVE FUCKING GRASS ON THEIR OVAL. IT'S ALL THIS DIRT.
I AM NOT GOING TO SEE THE SCHOOL COUNSELOR, YOU BITCH.
I HATE THIS SCHOOL. I DO NOT WANT TO BE HERE.
I WANT TO FUCKING GO BACK TO HILLFORD.
I'LL TRASH MY ROOM AND YOU WILL BE FUCKING CLEANING UP, OKAY?
I WILL HAVE NO HESITATION
IN SMASHING YOUR DOLLS CUPBOARD WITH A HAMMER, MOM.
I'M SERIOUS. OR MAYBE I'LL GET PREGNANT.
MAYBE I'LL JUST GO WITH SOME TEACHER OR SOMETHING
AND GET PREGNANT. AND THEN YOU DEAL WITH THAT.
YOU'LL HAVE TO FUCKING RAISE THE BABY. IS THAT WHAT YOU WANT?
I AM SERIOUSLY GONNA, LIKE, HYPERVENTILATE AND DIE
AND IT WILL BE YOUR FAULT.
I AM NOT FUCKING GETTING THE TRAIN HOME!
THERE'S FUCKING-- THE TRAIN STATION
IS SERIOUSLY FUCKED UP. I'M GONNA GET, LIKE, RAPED OR SOMETHING
AND THEN I'LL BE, LIKE, IN COUNSELING FOR THE REST OF MY LIFE
AND IT WILL BE YOUR FAULT!
WHY ARE YOU THE BIGGEST BITCH IN THE WORLD TO ME?
I'M 16, MOM. IN A COUPLE OF YEARS' TIME
I'M GONNA BE FUCKING OUT OF YOUR LIFE.
I'M NOT EVEN GONNA FUCKING INVITE YOU TO MY WEDDING.
DO YOU LOVE ME? IF YOU FUCKING LOVE ME
YOU'LL DO AS I FUCKING SAY.
I JUST WANT TO GO BACK TO HILLFORD.
THAT IS WHERE I BELONG.
I'M NOT SUPPOSED TO BE HERE.
I'M A FUCKING PRIVATE-SCHOOL GIRL.
Mr. G: FIVE, SIX, SEVEN, EIGHT...
♪ SCHOOL THESE DAYS ♪
♪ YOU'D HAVE TO BE A FOOL THESE DAYS... ♪
Mr. G: THIS IS PHASE ONE OF THE AUDITION PROCESS.
IT'S A CATTLE CALL, IF YOU LIKE.
♪ SCHOOL THESE DAYS ♪
I USUALLY GET PRETTY BIG NUMBERS, SO I LIKE TO USE THE GYM.
GET OUT, AARON. I'VE BOOKED THE GYM.
TAKE IT UP WITH MARGARET IF YOU'VE GOT AN ISSUE.
♪ IT'S BOYS AND COCKS AND SEX AND DRUGS ♪
♪ IT'S NOT LIKE IT USED TO BE... ♪
BRILLIANT.
♪ THERE'S NOWHERE TO HIDE FROM TEEN SUICIDE ♪
♪ WATCH OUT FOR TEEN PREGNANCY... ♪
GOOD EFFORT.
♪ IT'S THE WORST PLACE IN AUSTRALIA ♪
♪ WHERE YOU CAN GET ANOREXIA... ♪
NOT QUITE RIGHT.
♪ SCHOOL THESE DAYS ♪
♪ DON'T WANT TO GO TO SCHOOL. ♪
RIGHT HAND, THRUST THRUST.
THE DANCE ROUTINE THAT I'VE COME UP WITH
IS PART OF THE NIGHTCLUB SCENE.
( dance music playing )
IT'S AN IMPORTANT PART OF THE PRODUCTION
WHERE ANNABEL GOES TO THE NIGHTCLUB
WHERE SHE TAKES THE FATAL ECSTASY PILL.
GET INTO IT.
SO THE MOVES ARE VERY MUCH WHAT THE KIDS ARE DOING THESE DAYS.
SPREAD YOUR LEGS, AND UP.
SPREAD YOUR LEGS...
CALEB, MORE EFFORT, PLEASE. I THOUGHT BLACK PEOPLE WERE SUPPOSED TO HAVE RHYTHM.
DON'T LET YOUR WEIGHT DRAG YOU DOWN, PLEASE, SWEETHEART.
WHAT I'M LOOKING FOR IS, ARE YOU A TRIPLE THREAT?
DO YOU HAVE THE ABILITY TO SING, DANCE, ACT?
AND DO YOU HAVE THE LOOK?
YEAH, THEY DIDN'T MAKE IT.
SORRY, IT'S A NO-GO, I'M AFRAID.
AND, UNFORTUNATELY FOR SOME KIDS, THEY JUST DON'T HAVE IT.
LESS CHATTING, MORE STRETCHING, PLEASE.
IT'S G-TIME, NOT FREE TIME, COME ON.
COME THROUGH, GIRLS, AND GRAB YOURSELVES A CHAIR.
UM, WELL, THE REASON I CALLED A SESSION--
AND THANKS, MISS DEAN, FOR RUNNING IT--
UM, IS BECAUSE YESTERDAY
EVERYONE WAS BEING A TOTAL BITCH TO ME.
AND I'M A GUEST AT THE SCHOOL
AND THEY SHOULD BE REALLY NICE TO ME.
- OKAY, YES, HOLLY? - MISS, CAN I JUST EXPLAIN?
UM, JA'MIE ACTUALLY PUBLISHED THIS PHOTO OF US ON THE INTERNET
THAT SAID WE WERE PUBLIC SCHOOL SKANKS.
- THAT'S A JOKE. - AND SHE SAID
KAITLYN WAS A HOUSING-COMMISSION WHORE
AND THAT I NEEDED A BREAST REDUCTION.
- OH, MISS, TELL THEM IT'S A JOKE. - LOOK, MISS, LOOK.
- YOU THINK IT'S HILARIOUS. - TELL THEM THEY NEED TO GET
A SENSE OF HUMOR 'CAUSE THAT IS A JOKE.
IT'S NOT FUNNY. LOOK AT WHAT SHE'S DONE, MISS.
- WHY WOULD YOU CHOOSE TO LIVE IN A TOWN LIKE THIS? - WE CAN'T ALL BE RICH SNOBS.
DO YOU THINK THIS WAS APPROPRIATE TO SEND OUT TO PEOPLE ABOUT YOUR FRIENDS?
YES, AS A JOKE.
- I'M NOT AN ASIAN TRY-HARD. - BEC, YOU CALLED ME.
YOU WANTED SOME ADVICE ON HOW TO GET A BOYFRIEND. I WAS GIVING YOU ADVICE.
- SO SHE HAD TO BE NOT ASIAN? - I HAVE TO CHANGE MY RACE?
- YOU DON'T HAVE TO GO ON ABOUT BEING ASIAN. - SHE IS ASIAN.
- SHE WALKS AROUND GOING, "OH, I'M ASIAN." - NO, I DON'T.
- "I'M SO COOL. I'VE GOT A CUTE ASIAN ACCENT." - YOU'RE THE ONE
THAT ALWAYS SAYS, "I'M FROM PRIVATE SCHOOL."
"OOH, LOOK AT MY FRINGE. OOH, ASIAN ASIAN."
NO VIOLENCE. WE NEED TO STOP INSULTING EACH OTHER.
WE NEED TO KEEP THE LANGUAGE CIVILIZED, OKAY?
AND WE NEED TO STOP MAKING RACIST COMMENTS AS WELL.
- SHE'S BEING A BITCH. - ( all chattering )
SO THEY'RE ALLOWED TO CALL ME A BITCH NOW, ARE THEY?
CAN WE JUST NOT--? NO, CAN WE NOT USE THE TERM "BITCH"?
THE REASON YOU'RE PISSED OFF IS 'CAUSE I'M MORE POPULAR IN THE GROUP THAN YOU.
- ( all chattering ) - YOU USED TO BE THE LEADER OF THE GROUP
- AND NOW I AM AND THESE GUYS LOOK UP TO ME. - SHUT YOUR FAT FACE.
- WE'RE NOT LOOKING UP TO YOU AT ALL. - YOU'RE A FUCKING COW.
OH, GOOD. SHE JUST SWORE. REALLY NICE.
- OH, PLEASE! - DID YOU HEAR THAT? SHE CALLED ME A FUCKING COW.
- OKAY, LADIES, WE NEED TO KEEP A HANDLE... - YOU JUST SWORE NOW.
- ...ON THE LANGUAGE. - FUCKING MENTAL BITCH.
- YOU ACT ALL INNOCENT. - YOU'RE THE BIGGEST SLUT IN THE WHOLE SCHOOL.
- HOW DO YOU KNOW? - 'CAUSE EVERYONE TALKS ABOUT IT BEHIND YOUR BACK.
- BULLSHIT. - GIRLS...
SHUT YOUR FACE AND GO TO THE HAIRDRESSER AND SORT YOUR ROOTS OUT.
HOW ABOUT EVERYBODY DOESN'T SWEAR THEN?
WHY DON'T YOU GO AND GET A SKIN GRAFT? 'CAUSE YOUR SKIN'S SHIT.
YOU'RE JUST JEALOUS 'CAUSE YOU'RE FLAT AND HAVE NO BOOBS AT ALL.
"OH, YOU NEED A BREAST REDUCTION."
OH, REALLY NICE. REALLY NICE, HOLLY,
CONSIDERING I HAD AN EATING DISORDER WHEN I WAS DEVELOPING
- AND THAT'S WHY I HAVE NO TITS. - STOP FAKE-CRYING, YOU STUPID BITCH.
I'M STILL DEVELOPING. THEY'RE GONNA GET BIGGER. WHEN I'M 25
THESE ARE GONNA BE FUCKING HUGE 'CAUSE I'M GONNA GET IMPLANTS.
- SO SHUT YOUR FUCKING FACE. - ( all chattering )
YOU'RE SO FAT, THE FAT DOESN'T KNOW WHERE TO GO AND IT POPS OUT YOUR CHEST.
- GIRLS, THE LANGUAGE. - Holly: OH YEAH, I'M HUGE.
STOP TRYING TO BRING UP OTHER THINGS, LIKE YOUR LITTLE EATING DISORDER.
IF YOU GIVE ME THAT LOOK AGAIN, BEC, I'M GONNA SLAP YOU DOWN, BITCH.
- NO VIOLENCE. - SERIOUSLY, BEC,
QANTAS IS DOING SOME GOOD DEALS ON ONE-WAY TICKETS TO CHINA.
- WHY DON'T YOU BUY ONE? - I'M NOT EVEN FROM CHINA.
- I'M FROM SINGAPORE, YOU IDIOT. - ASIA, CHINA, SAME THING.
- IT'S DIFFERENT. - Dean: ALL RIGHT!
- IDIOT. - SHH.
- BUILD A FUCKING BRIDGE. - Jess: JA'MIE, APOLOGIZE.
I'M NOT APOLOGIZING FOR TRYING TO BE FUNNY.
IF YOU WANT TO BE MY FRIEND
YOU WILL APOLOGIZE TO ME.
- YOU'RE A RACIST BITCH. - PLEASE CONSIDER
THAT MAYBE I AM FREAKING OUT ABOUT THIS.
MAYBE I'VE BEEN LIKE PANIC-ATTACKING ABOUT THIS SINCE YESTERDAY.
I COULDN'T EVEN BREATHE LAST NIGHT WHEN I WENT TO BED AND MY MOM--
- OKAY, SHH. - SEE, SHE'S TRYING TO MANIPULATE YOU, MISS DEAN.
SHE'S SAYING, "OH, BEC JUST SHOULDN'T BE ASIAN."
- I CAN'T HELP THAT I'M ASIAN. - I CAN'T BREATHE, GUYS. I CAN'T BREATHE.
ALL RIGHT, GIRLS.
COME ON, GET HER ON THE FLOOR, PLEASE.
( panting )
I SERIOUSLY CAN'T BREATHE.
OH MY GOD.
JA'MIE, JUST CALM DOWN.
JUST TAKE SOME DEEP BREATHS, PLEASE.
- SOMEONE CALL MY MOM. - SOMEONE GET A PAPER BAGS, A PAPER BAG.
- JONAH, HOW ARE YOU? - GOOD, MISS.
OH, GOOD.
I'M GLAD YOU CAME IN.
I WANTED TO ASK YOU ABOUT THIS.
DID YOU LEAVE THIS ON MY DESK YESTERDAY AFTER SCHOOL?
YES, MISS.
COME SIT DOWN.
YOU KNOW, JONAH,
YOU WANTED ME TO SEE THIS, DIDN'T YOU?
- YES, MISS. - OKAY.
DO YOU WANT TO JUST TELL ME WHAT THAT PICTURE'S ABOUT?
IT'S JUST MY DAD TOUCHING MY DICK OR SOMETHING.
OKAY, I THOUGHT IT MIGHT BE THAT.
NOW I'M REALLY GLAD YOU SHOWED IT TO ME, JONAH,
BUT I'M NOT QUALIFIED TO DEAL WITH THESE ISSUES.
SO I'M GONNA HAVE TO TALK TO DOUG PETERSON.
- IS THAT OKAY WITH YOU? - YEAH.
OKAY, GOOD. AND THEN WE'RE GONNA HAVE TO MAKE A REPORT
AND WE'LL PROBABLY HAVE TO CALL YOUR FATHER.
OKAY.
PLEASE COME THROUGH AND TAKE A SEAT.
Peterson: WE'VE ASKED YOU HERE TO ADDRESS THIS ISSUE DIRECTLY
AND WE NEED TO LET YOU KNOW THAT WE ARE OBLIGED
TO INFORM CHILD PROTECTION SERVICES.
JONAH, IS THERE ANYTHING
THAT YOU WOULD LIKE TO SAY TO DAD?
JUST STOP DOING WHAT YOU'RE DOING.
WHAT THE FUCK AM I DOING?
I THOUGHT YOU'D DONE SOMETHING WRONG.
WHAT THE FUCK?
MR. TAKALUA, JONAH DREW A PICTURE
AND IN THE PICTURE JONAH HAS SHOWN
YOU TOUCHING HIS GENITALS.
WHAT THE FUCK ARE YOU TALKING ABOUT?
Palmer: THIS IS THE PICTURE.
YOU LITTLE FUCKWIT.
WHY WOULD I WANT TO TOUCH HIS GENITALS?
WHAT ARE YOU THINKING DRAWING THIS SHIT?
♪ I'M A PARTY GIRL WITH A BAD HABIT ♪
♪ BAD HABIT FOR DRUGS... ♪
Rodney Parsons: TONIGHT IS THE CALLBACK STAGE
OF THE AUDITIONS.
AT THE MOMENT WE'RE DOING ANNABEL.
HOW'S THAT MAKING YOU FEEL, BOYS?
Parsons: HE'S GOT A REALLY UNIQUE TALENT FOR SPOTTING TALENT--
REALLY REALLY MAGIC TO SEE HIM WORKING WITH THE KIDS LIKE THIS.
♪ I'M A PARTY GIRL WITH A BAD HABIT ♪
♪ BAD HABIT FOR DRUGS ♪
♪ I'M A NAUGHTY GIRL WITH A BAD HABIT... ♪
Mr. G: THIS SHOW IS SET IN SUMMER HEIGHTS HIGH,
SO THERE ARE A LOT OF CHARACTERS
WHO ARE FAMILIAR TO US,
A LOT OF TEACHER CHARACTERS.
♪ MY NAME IS MR. G ♪
♪ THREE TALENTS-- ONE, TWO, THREE ♪
♪ SINGING AND DANCING AND ACTING IS MY LIFE... ♪
Mr. G: WE LOOK AT MR. G AND HIS INFLUENCE ON ANNABEL'S LIFE.
♪ I'M A TEACHER, THAT'S FOR SURE ♪
♪ IN A WORLD OF CRAZY KIDS... ♪
Mr. G: MR. G IS A TRIPLE THREAT.
HE CAN SING, HE CAN DANCE, HE CAN ACT.
IS THERE A KID OUT THERE THAT CAN DO IT? I HOPE SO.
♪ AT SUMMER HEIGHTS HIGH. ♪
MR. G, I JUST DON'T CARE ABOUT SCHOOLWORK.
Mr. G: I'M USING, FOR MY AUDITION PIECE,
A SCENE BETWEEN MR. G AND ANNABEL.
HAVE A GOOD NIGHT. AND--
AND REMEMBER, BE CAREFUL.
SHE TURNS, SHE SLUTS HER WAY OFF. EXCELLENT.
Mr. G: THE ROLE OF CELINE IS AN INTERESTING ONE.
WE'RE DOING A THREE-WEEK RUN,
SO I NEED A DOG WHO CAN HANDLE THAT KIND OF A SCHEDULE.
DO YOU WANT A SMACK?
THERE ARE OTHER DOGS IN THE RUNNING THAT I WOULD SERIOUSLY CONSIDER,
SO SHE'S REALLY GOING TO HAVE TO PROVE HERSELF.
KEEP THAT HEAD TO THE FRONT, PLEASE. DO NOT LOOK SELF-CONSCIOUS.
I'M SO SORRY. I SHOULDN'T HAVE DONE IT.
IT'S NOT EVEN FUNNY. I FEEL REALLY BAD.
YEAH, WELL, THANK YOU FOR APOLOGIZING.
AT LEAST YOU KNOW THAT WHAT YOU DID WAS WRONG.
THAT'S COOL. I JUST WISH I DIDN'T DO IT.
- I DON'T WANT TO FIGHT ANYMORE. - NEVER AGAIN.
- LET'S BE FRIENDS FOREVER AND EVER. - YEAH, COOL.
OKAY, THAT'S GREAT. HOW DID THAT MAKE YOU FEEL?
- MUCH BETTER. - THAT FELT GOOD.
- IT FELT WEIRD FOR ME. - A BIT WEIRD FOR YOU?
'CAUSE IT FELT LIKE SHE ACTUALLY GENUINELY WAS SORRY.
- SO IT FELT GOOD. - YEAH.
- DID YOU MEAN IT? - NO.
BUT IT'S GOOD FOR THE EXERCISE.
WELL, WHAT WE'RE GONNA DO NOW IS,
WE'RE GONNA DO IT FROM JA'MIE'S PERSPECTIVE.
ACTION!
- HI, GUYS. - HI.
- DID YOU GET THE PICTURE? - YES. OH, IT WAS SO FUNNY.
- OH MY GOD, HOW FUNNY WAS IT? - IT'S SO FUNNY.
I CAN'T BELIEVE I ACCIDENTALLY SENT IT TO YOU.
- AND YOU AND THE MENTAL ILLNESS THING. - YEAH, I KNOW.
I'M SO GLAD YOU GUYS THOUGHT IT WAS FUNNY.
IT WAS HILARIOUS.
OH MY GOD.
CUT. COOL. WHAT DID YOU THINK?
OKAY, NOW WHAT HAVE WE LEARNED TODAY, GIRLS, FROM THIS?
I LEARNED THAT, LIKE,
IF YOU LOOK AT PEOPLE'S PERSPECTIVE,
LIKE, YOU CAN REALLY SAVE A FRIENDSHIP.
AND I LEARNED THAT, LIKE, WELL,
YOU'VE GOT TO BE REALLY CAREFUL
WHEN YOU BITCH ABOUT YOUR FRIENDS,
WATCH OUT FOR YOUR M.S.N. WINDOWS REALLY CAREFULLY;
AND THAT I'VE GOT THE COOLEST
AND MOST FORGIVING FRIENDS IN THE WORLD.
I'M SO PROUD OF YOU, GIRLS.
WE'RE FRIENDS AGAIN.
I'M SO GLAD WE RESOLVED IT.
- OKAY, TO CLASS. - THAT WENT REALLY WELL, MISS.
I THINK THAT WAS A REALLY GOOD WAY OF DOING IT,
SO THE GIRLS COULD SEE, LIKE, MY PERSPECTIVE.
CAN YOU GUYS GET ME A CHAIR, PLEASE?
I DIDN'T FUCKING TOUCH HIS FUCKING DICK, YOU FUCK!
ADMIT IT, DAD. YOU DO.
HE'S FUCKING PROBABLY LYING TO YOU.
YOU TELL THEM THE TRUTH. TELL THEM WHAT YOU DO TO ME.
PLEASE DON'T BE SO AGGRESSIVE. HE'S ONLY--
WHAT ARE YOU FUCKING THINKING? I NEVER FUCKING DO THIS.
- ( all chattering ) - TELL THEM YOU'RE BULLSHITTING.
I'M TAKING AWAY THE PLAYSTATION AND I'M THROWING IT OUT.
BULLSHIT YOU ARE. THE PLAYSTATION'S MINE. YOU CAN'T TAKE IT AWAY.
I'LL MAKE YOU FUCKING SHARE A ROOM WITH YOUR SISTER.
BULLSHIT.
ALL RIGHT, I MADE IT UP.
I JUST DREW THIS AS A JOKE.
I JUST KNEW THAT YOU'D ALL FLIP OUT.
TELL THEM I NEVER FUCKING TOUCH YOUR DICK.
HE NEVER TOUCHES MY DICK.
AND I'VE NEVER FUCKING TOUCHED IT.
HE'S NEVER TOUCHED IT.
SO YOU JUST DREW THAT? THAT DIDN'T ACTUALLY HAPPEN?
- YEAH. - YOU MADE IT UP?
I JUST MADE IT UP
BECAUSE I WANTED TO GET OUT OF MY ENGLISH TALK.
JONAH, IF YOUR DAD IS MAKING YOU LIE,
YOU HAVE TO KNOW THAT THERE ARE PEOPLE WHO WILL LISTEN TO YOU.
- NO, IT'S TRUE. - WHAT THE FUCK?
THIS DIDN'T HAPPEN?
NO.
I'D SMASH HIM OUT IF HE TRIED TO DO THAT.
NEXT TIME YOU MAKE SURE YOU GET YOUR STORY RIGHT.
IF I COME IN HERE BECAUSE YOU ACCUSE ME
OF TOUCHING HIS FUCKING DICK WHILE I NEVER TOUCHED IT,
THEN I'LL FUCKING SMASH YOU.
- WELL... - YOU SHOULD APOLOGIZE TO MY DAD.
OKAY, UM...
WOULD YOU LIKE A CUP OF TEA?
STICK YOUR FUCKING CUP OF TEA UP YOUR ASS.
EMMA EINSWORTH, GROUP B.
STEPHAN CHRISTADOOLEY, GROUP B.
Mr. G: WELL, IT'S BEEN A SLEEPLESS NIGHT
AND I'VE TOSSED AND TOSSED OVER THESE,
BUT I'VE COME UP WITH MY FINAL CAST.
GROUP B, I'D LIKE YOU TO HEAD OVER TO P4 AND WAIT FOR ME THERE.
I BRING THE KIDS IN. I DIVIDE THEM INTO TWO GROUPS.
ONE GROUP IS MY CAST.
THE OTHER GROUP HAVE BEEN REJECTED.
AS YOU KNOW, TODAY IS THE DAY THAT I ANNOUNCE THE CAST.
AND AS YOU KNOW--
OH, THIS IS REALLY HARD--
I WISH I COULD HAVE HAD EVERYONE IN THE SHOW,
BUT I CAN'T.
UM...
BUT I WANTED TO BRING YOU IN HERE
TO TELL YOU
THAT...
YOU ARE MY CAST!
YOU'RE IN THE SHOW. YOU'RE IN THE SHOW.
EVERYONE HUG ME.
CANDICE? WHERE'S CANDICE? CANDICE, YOU'RE ANNABEL.
MATT, YOU'RE MR. G.
CELINE, YOU'RE CELINE.
STAY HERE, CELEBRATE. I'M GONNA GO AND TALK TO GROUP B.
WELL DONE. YOU'RE THE BEST CAST EVER.
OKAY, GUYS, SHUSH, PLEASE.
I KNOW YOU'RE EXCITED TO FIND OUT
WHO'S IN THE CAST OF THE SHOW. QUIET, PLEASE.
WHEN I LOOK AROUND THIS ROOM
I SEE A LOT OF TALENT.
UM,
THIS IS GOING TO BE AN AMAZING SHOW.
THAT'S WHY I WANTED TO TELL YOU GUYS
THAT YOU...
ARE NOT IN MY SHOW. IT'S THE OTHER GROUP.
IT'S NOT YOU GUYS.
YOU'RE NOT IN IT. ( chuckles )
SO THAT'S-- YOU CAN GO.
( chuckles ) YOU'RE NOT IN IT.
Mr. G: IT IS A HARSH REALITY
THAT SHOW BUSINESS IS A HARD BUSINESS.
YOU KNOW, WE DON'T ALL HAVE WHAT IT TAKES.
YOU CAN ALWAYS TRY OUT FOR STAGE CREW.
YOU DIDN'T MAKE IT IN, TOBY. YOU'RE NOT IN IT.
- OKAY. - YOU'RE NOT IN THE SHOW. YOU CAN GO NOW.
- OKAY. - GO TO CLASS.
- AND IT'S YOUR DANCING THAT LET YOU DOWN, REALLY. - YEAH.
Mr. G: I THINK FOR SOME KIDS
IT'S BETTER THAT THEY KNOW NOW
THAN FIND OUT LATER IN LIFE THAT THEY'VE GOT NO TALENT.
I ALWAYS SAY THEY'LL THANK ME ONE DAY.
( theme music playing )
WE'RE DOING A YEAR-11 FORMAL.
GIRLS, IT'S JUST NOT GONNA HAPPEN.
I REALLY WANT A FORMAL.
I TOLD THE GIRLS, "DO NOT EAT ANYTHING."
"STARVING FOR THE FORMAL!"
- KEEP IT STRAIGHT. - FORMALS CAN GIVE HEART.
STOP PUSHING ME, FAT SLUTS.
I WANT TO ASSIGN TO YOU A GROUP OF YEAR-SEVEN BOYS.
THEY LOOK GAY-ASS.
YOU CAN MAKE THEM DO SHIT FOR YOU?
KEEP WRITING. I HAVE TO HAND THIS SHIT IN.
- THEY CALLED ME A WRANGER. - THEY CALLED ME GAY.
HE CALLED ME A LARD-ASS HOMO.
WHAT THE FUCK DID YOU SAY TO HIM?
SEE WHERE IT'S COMING FROM?
I'M GONNA TAKE A PHOTO OF MY BUM.
HAVE YOU KNOW WHAT MY ASS LOOKS LIKE, SIR. YOU'VE BEEN THINKING ABOUT IT.
Mr. G: WE ARE MIDWAY THROUGH REHEARSALS.
♪ MARIJUANA... ♪
THESE ARE THE ECSTASY PILLS. THESE ARE OUR SLUT OUTFITS.
WE'RE GOING TO DO THE SHOW AS AN ARENA SPECTACULAR.
I'M PERFORMING THERE THERE THERE THERE.
I DON'T WANT RETARDED CHILDREN IN MY SHOW.
I'D LIKE YOU TO MEET YOUR LATEST CAST MEMBERS.
ONE OF THE PARENTS FOUND HUMAN FECES
ON THE CLASSROOM FLOOR.
♪ DON'T GET INVOLVED WITH DRUGS... ♪
"BEFORE I ROOT YOU, ARE YOU OVER 16?"
Mr. G: THERE'S A TERRORIST ATTACKING THE SCHOOL!
CHRIST, I CAN'T BELIEVE THIS IS HAPPENING.
- IT'S REALLY EMBARRASSING. - YOU TOLD ME YOU WERE ANOREXIC.
OBVIOUSLY, YOU WERE LYING.