1 00:00:14,215 --> 00:00:16,181 WELL, I'VE HAD CELINE FOR 12 YEARS. 2 00:00:16,250 --> 00:00:18,884 SHE'S... PAST IT NOW, BUT IN HER DAY 3 00:00:18,919 --> 00:00:20,719 SHE WAS QUITE THE PERFORMER. 4 00:00:20,755 --> 00:00:22,354 SHE AND I DID TRICK SHOWS. 5 00:00:22,456 --> 00:00:24,289 WE'D DO LITTLE SHOWS TOGETHER WITH THE HOOPS. 6 00:00:24,325 --> 00:00:26,925 AND... HOOPIES, GO THROUGH. 7 00:00:26,994 --> 00:00:28,927 COME ON. HOOPIES. COME THROUGH. 8 00:00:28,996 --> 00:00:30,462 HOOPIES. 9 00:00:30,498 --> 00:00:32,831 SHE MIGHT NEED SOME ENCOURAGEMENT. 10 00:00:32,867 --> 00:00:34,767 COME THROUGH THE HOOP, CELINE. COME THROUGH THE HOOP. 11 00:00:34,802 --> 00:00:37,036 GOOD, THERE WE GO. THAT'S WHAT SHE DOES. 12 00:00:37,071 --> 00:00:39,104 SHE'D JUMP FOUR TO FIVE METERS ABOVE THE GROUND WITH A RUN-UP. 13 00:00:39,140 --> 00:00:41,106 SHE'D JUST DIVE THROUGH IT. 14 00:00:41,142 --> 00:00:44,276 SHE'D RUN RUN RUN AND SHE'D GO THROUGH THE HOOP AND DOWN. 15 00:00:44,311 --> 00:00:46,412 SHE USED TO DO A TRICK WHERE SHE'D GRAB ONTO MY ARM. 16 00:00:46,447 --> 00:00:48,814 SHE'D BITE ONTO THE SLEEVE AND I'D SWING HER AROUND. 17 00:00:48,849 --> 00:00:51,517 WE USED TO DO MULTIPLICATION TRICKS, 18 00:00:51,552 --> 00:00:52,985 A LITTLE TRICK WHERE I'D GIVE HER A SIMPLE 19 00:00:53,020 --> 00:00:54,520 MULTIPLICATION SUM. 20 00:00:54,555 --> 00:00:56,488 TWO TIMES THREE IS... 21 00:00:56,524 --> 00:00:57,923 ( whispers ) SIX. GO. 22 00:00:58,059 --> 00:00:59,691 STEP IT OUT. 23 00:00:59,827 --> 00:01:02,161 ONE, TWO-- STEP IT OUT. 24 00:01:03,497 --> 00:01:05,898 COME ON. THREE, FOUR, FIVE. 25 00:01:05,933 --> 00:01:07,332 SIX. WELL DONE. 26 00:01:07,368 --> 00:01:09,134 AND SHE LOVES A BIT OF A SWING, DON'T YA? 27 00:01:09,170 --> 00:01:10,636 SWING. SWING. 28 00:01:11,806 --> 00:01:13,238 AND THE WONDERFUL THING IS... 29 00:01:13,274 --> 00:01:15,307 OUT SHE COMES. CAN SHE WALK? 30 00:01:17,344 --> 00:01:19,311 YES, SHE CAN, BUT SEE, SHE'LL GO TO THE SIDE. 31 00:01:19,346 --> 00:01:21,847 THAT'S 'CAUSE OF THE-- THE DIZZINESS... 32 00:01:21,882 --> 00:01:24,216 THAT SHE GETS. SEE? OOP OOP. 33 00:01:24,251 --> 00:01:26,085 NO, THAT'S NOT THE FRONT. GO TO THE FRONT. 34 00:01:26,120 --> 00:01:28,187 DO YOU WANT A SMACK? YOU'LL GET ONE. 35 00:01:28,222 --> 00:01:30,189 THERE WE GO. 36 00:01:30,224 --> 00:01:31,790 AND THAT'S WHAT HAPPENS WHEN YOU LEAVE HER 37 00:01:31,826 --> 00:01:33,692 TO DO SOMETHING ON HER OWN. 38 00:01:33,727 --> 00:01:35,527 ( theme music playing ) 39 00:02:10,097 --> 00:02:13,565 Mr. G: WELL, THE SHIT HAS WELL AND TRULY HIT THE FAN THIS WEEK. 40 00:02:13,601 --> 00:02:15,334 THERE'S BEEN MAJOR MAJOR CREATIVE INTERFERENCE 41 00:02:15,369 --> 00:02:16,668 WITH THE ARENA SPECTACULAR. 42 00:02:16,737 --> 00:02:18,637 ANNABEL DICKSON'S PARENTS 43 00:02:18,672 --> 00:02:20,506 HAVE READ THE SCRIPT AND THEY'VE DECIDED 44 00:02:20,541 --> 00:02:23,876 THAT I CANNOT USE THEIR DAUGHTER'S STORY FOR MY MUSICAL. 45 00:02:25,446 --> 00:02:27,112 10 DAYS OUT FROM OPENING NIGHT, I JUST-- 46 00:02:27,148 --> 00:02:29,381 I CANNOT FATHOM THE SELFISHNESS OF IT. 47 00:02:29,483 --> 00:02:32,718 SO I'VE SPENT THE LAST COUPLE OF DAYS-- STRAPPED MYSELF TO THE BEAST-- 48 00:02:32,753 --> 00:02:34,820 AND I THINK I MAY HAVE COME UP WITH SOMETHING. 49 00:02:34,855 --> 00:02:36,822 - WILL IT BE DOWN NEAR THE CANTEEN? - YES. 50 00:02:36,857 --> 00:02:39,591 I'LL BE FOCUSING MORE ON THE MR. G CHARACTER 51 00:02:39,627 --> 00:02:41,860 AND LOOKING AT HIS INFLUENCE ON THE KIDS, 52 00:02:41,896 --> 00:02:43,395 THE DRUGS AND WHATNOT. 53 00:02:43,430 --> 00:02:45,831 AND THESE ARE THE POSTERS THAT WE'VE HAD DONE. 54 00:02:45,900 --> 00:02:48,867 WE'RE GOING WITH "MR. G, THE MUSICAL" 55 00:02:48,903 --> 00:02:50,969 AS THE NAME OF THE SHOW. 56 00:02:51,005 --> 00:02:53,005 ♪ MY NAME IS MR. G ♪ 57 00:02:53,040 --> 00:02:55,140 ♪ THREE TALENTS, ONE, TWO, THREE... ♪ 58 00:02:55,176 --> 00:02:57,643 SELL IT OUT TO ME, PLEASE. PLAY TO THE ARENA. 59 00:02:57,678 --> 00:03:01,513 ♪ SINGING, DANCING AND ACTING IS MY LIFE... ♪ 60 00:03:01,549 --> 00:03:04,616 Mr. G's voice: THE CHARACTER, MR. G, IN THIS NEW REWORKED SHOW-- 61 00:03:04,652 --> 00:03:07,686 HE'S A JESUS-TYPE FIGURE, IF YOU LIKE. 62 00:03:07,721 --> 00:03:09,621 HE PREACHES TO THE KIDS 63 00:03:09,657 --> 00:03:11,256 ABOUT THEIR-- YOU KNOW, THEIR ISSUES. 64 00:03:11,292 --> 00:03:14,626 ♪ IN A WORLD OF CRAZY KIDS... ♪ 65 00:03:14,662 --> 00:03:16,728 Mr. G's voice: BUT HE CAN'T HELP YOUNG JESSICA, 66 00:03:16,764 --> 00:03:19,831 WHO'S SIMILAR TO THE ANNABEL CHARACTER. 67 00:03:19,867 --> 00:03:21,466 SHE GETS INVOLVED IN DRUGS 68 00:03:21,502 --> 00:03:24,670 AND SHE EVENTUALLY DIES OF AN OVERDOSE AT THE END OF ACT TWO. 69 00:03:24,705 --> 00:03:26,138 SHE DOESN'T LISTEN TO MR. G'S ADVICE. 70 00:03:26,240 --> 00:03:29,141 ♪ AT SUMMER HEIGHTS HIGH! ♪ 71 00:03:30,211 --> 00:03:32,377 UH, PLEASE, HOISTERS. 72 00:03:40,754 --> 00:03:42,321 SO YOU GUYS MIGHT WANT TO LOOK THROUGH THAT, 73 00:03:42,389 --> 00:03:44,856 GET SOME IDEAS. ASK ME IF YOU NEED ANY ADVICE. 74 00:03:44,892 --> 00:03:46,592 WE'LL HAVE A STRETCH LIMO WITH SUNROOF IN THE BACK. 75 00:03:46,627 --> 00:03:48,594 SO THE NIGHTCLUB'S CALLED BLIND 76 00:03:48,629 --> 00:03:51,964 - AND IT'S REALLY COOL. THE DJ IS SO GOOD. - REALLY? 77 00:03:52,099 --> 00:03:53,832 - IS HE HOT? - Ja'mie: HE'S AWESOME. 78 00:03:53,867 --> 00:03:55,901 HE'S ONE OF THE MOST EXPENSIVE DJS IN THE COUNTRY. 79 00:03:55,936 --> 00:03:58,170 - WOW. - AND WE'RE GONNA HAVE HIM AT OUR FORMAL. 80 00:03:58,205 --> 00:04:00,772 - Holly: THIS IS SERIOUSLY UNBELIEVABLE, JA'MIE. - I KNOW. 81 00:04:00,808 --> 00:04:03,308 - YOU HAVE DONE THE BEST JOB. - I KNOW HOW PLAN A GOOD FORMAL. I TOLD YOU. 82 00:04:03,344 --> 00:04:06,044 - Holly: YEAH. - AT FIRST I THOUGHT IT WAS A BIT PRICEY AND STUFF... 83 00:04:06,080 --> 00:04:07,813 - NO. - ...BUT CONSIDERING THE VENUE. 84 00:04:07,848 --> 00:04:10,849 - ( all chattering ) - WE'LL GO SELL TICKETS AT LUNCH AGAIN. 85 00:04:10,884 --> 00:04:12,951 GRAB-- GRAB ONE OF THESE. WE WILL HAVE TO SPLIT UP. 86 00:04:12,987 --> 00:04:15,120 WE'RE ON THE COMMITTEE. WE DON'T HAVE TO BUY TICKETS, RIGHT? 87 00:04:15,155 --> 00:04:16,722 NO, WE'RE NOT BUYING TICKETS. 88 00:04:16,757 --> 00:04:18,457 NO, WE'RE DOING SO MUCH WORK. 89 00:04:18,492 --> 00:04:20,192 COMMITTEE MEMBERS DO NOT BUY TICKETS. 90 00:04:20,227 --> 00:04:23,462 - Girls: YEAH. - OH MY GOD, GUYS-- ISSUE. 91 00:04:23,497 --> 00:04:25,964 I HAD A GIRL COME UP TO ME ON THE PLAYGROUND 92 00:04:26,000 --> 00:04:27,799 ASKING ME WHETHER SHE COULD GO TO THE FORMAL 93 00:04:27,868 --> 00:04:29,701 WITH ANOTHER GIRL... 94 00:04:29,770 --> 00:04:31,970 - Holly: ARE YOU SERIOUS? - ...AND NOT AS A JOKE THING. 95 00:04:32,006 --> 00:04:34,840 - YEAH, ACTUALLY AS A LESBIAN. - FULL-ON LESBIANS, YEAH. 96 00:04:34,875 --> 00:04:37,509 - EWW. - I JUST DON'T THINK 97 00:04:37,544 --> 00:04:40,379 WE SHOULD BE LETTING THEM COME. 98 00:04:40,414 --> 00:04:41,913 I DON'T WANT TO BE A BITCH, 99 00:04:41,949 --> 00:04:43,482 BUT I JUST-- I FEEL LIKE 100 00:04:43,517 --> 00:04:45,117 THERE MIGHT BE AN EASY WAY 101 00:04:45,185 --> 00:04:46,685 THAT WE CAN DISCOURAGE THEM, YOU KNOW? 102 00:04:46,720 --> 00:04:48,020 LIKE, IF WE JUST SAID TO THEM 103 00:04:48,188 --> 00:04:49,921 "LIKE WE'D PREFER IT IF YOU DIDN'T COME." 104 00:04:49,957 --> 00:04:53,292 ACTUALLY, I THINK LESBIANS ARE REALLY IN AT THE MOMENT. 105 00:04:53,327 --> 00:04:54,726 THERE'S SOME REALLY HOT LESBIANS-- 106 00:04:54,762 --> 00:04:56,728 IT'D BE REALLY ACCEPTING OF US. 107 00:04:56,764 --> 00:04:58,430 I THINK IT WOULD DRAG THINGS DOWN. WE'VE GOT THE MOST 108 00:04:58,499 --> 00:05:00,299 AWESOME NIGHT PLANNED AND I DON'T WANT TO BE LIKE 109 00:05:00,334 --> 00:05:02,034 UPSTAGED BY A BUNCH OF DYKES. 110 00:05:02,102 --> 00:05:03,635 - TAMSIN WALKER. - TAMSIN WALKER. 111 00:05:03,737 --> 00:05:05,170 - Holly: HAVE YOU SEEN HER? - IS SHE A LESBIAN? 112 00:05:05,205 --> 00:05:07,039 - SHE'S HOT. - WITH THE BLACK HAIR. 113 00:05:07,074 --> 00:05:09,408 - YEAH, I KNOW HER. - YEAH, ALL THE GUYS LOVE HER. 114 00:05:09,443 --> 00:05:11,176 - SHE'S REALLY HOT. - THEY LOVE HER. 115 00:05:11,211 --> 00:05:12,911 Holly: AND WHEN YOU THINK ABOUT IT, LIKE, 116 00:05:12,946 --> 00:05:14,946 DO YOU WANT THIS FORMAL TO BE LIKE REMEMBERED, 117 00:05:14,982 --> 00:05:16,882 - LIKE TO STAND OUT? - SERIOUS. 118 00:05:16,917 --> 00:05:18,350 I GUESS IT'S COOL, BUT I FOR ONE 119 00:05:18,452 --> 00:05:20,319 DO NOT WANT TO SEE TAMSIN WALKER 120 00:05:20,354 --> 00:05:22,421 PASHING SOME CHICK ON THE DANCE FLOOR AT OUR FORMAL. 121 00:05:22,456 --> 00:05:24,256 - IT'S OUR NIGHT. - ( all chattering ) 122 00:05:24,291 --> 00:05:26,425 SO YOU GUYS, DOES-- SHUT UP. 123 00:05:26,460 --> 00:05:28,126 DOES EVERYONE RECKON IT WOULD BE COOL IF THE LESBIANS CAME? 124 00:05:28,162 --> 00:05:29,761 - All: YEAH. - I THINK IT'S FINE. 125 00:05:29,797 --> 00:05:32,130 IF YOU CAN GUARANTEE ME IT'S A COOL THING, 126 00:05:32,166 --> 00:05:34,333 - AND IT'S GONNA MAKE US LOOK GOOD... - I THINK IT'S COOL. 127 00:05:34,368 --> 00:05:36,034 ...THEN I THINK WE SHOULD TO IT. 128 00:05:36,070 --> 00:05:38,337 ASHLEY, CAN YOU WRITE THAT DOWN? ALL LESBIANS ALLOWED TO THE FORMAL. 129 00:05:38,372 --> 00:05:40,138 WE'LL GO FIND THEM AT LUNCH AND TELL THEM. 130 00:05:40,174 --> 00:05:43,208 LESBIAN ISSUE SORTED. LET'S GET ON WITH THE REST OF IT. 131 00:05:43,243 --> 00:05:45,344 DRESSES-- WHEN ARE WE SHOPPING AND WHERE? 132 00:05:45,379 --> 00:05:46,845 AND IF YOU'RE GETTING EXTENSIONS DONE, 133 00:05:46,914 --> 00:05:48,580 YOU NEED TO START PLANNING LIKE ME. 134 00:05:51,752 --> 00:05:53,318 ( Polynesian drums playing ) 135 00:06:00,461 --> 00:06:03,028 ( man vocalizing ) 136 00:06:12,673 --> 00:06:14,239 ( boys grunt ) 137 00:06:14,274 --> 00:06:16,775 ( cheering ) 138 00:06:23,117 --> 00:06:24,783 ( chatting ) 139 00:06:24,818 --> 00:06:27,018 ( whispers ) LOOK AT THE KIDS. 140 00:06:27,087 --> 00:06:28,820 WELL, THAT WAS FANTASTIC, WASN'T IT? 141 00:06:28,856 --> 00:06:31,923 - VERY STIRRING. - HEY, LOOK, THAT LITTLE BOY WAS LAUGHING AGAIN. 142 00:06:31,959 --> 00:06:34,459 I'LL FUCKIN' KILL THE LITTLE FUCKER. 143 00:06:34,495 --> 00:06:36,661 I'M GONNA BASH THE SHIT OUT OF THAT LITTLE FUCKER. 144 00:06:36,697 --> 00:06:39,398 - FUCKIN' PEDOPHILE PETE, MAKING US DO THIS SHIT. - Peterson: BEFORE WE FINISH, 145 00:06:39,433 --> 00:06:42,768 I'D LIKE TO THANK AGAIN OUR SPECIAL CELEBRITY GUEST TODAY, 146 00:06:42,803 --> 00:06:44,336 TREVOR, THE WINNER OF "BIG BROTHER 4." 147 00:06:44,371 --> 00:06:46,938 - THANK YOU VERY MUCH. - ( cheering ) 148 00:06:46,974 --> 00:06:50,342 THAT'S RIGHT. NOW SOME OF THE BOYS HAVE PUT TOGETHER 149 00:06:50,377 --> 00:06:53,345 A HIP-HOP SONG WITH A MUSIC VIDEO CLIP TO GO WITH IT. 150 00:06:54,782 --> 00:06:56,715 WATCH OUT, MTV. 151 00:06:56,750 --> 00:06:59,951 THIS IS JONAH TAKALUA'S RAP SONG, 152 00:06:59,987 --> 00:07:02,020 "BEING A POLY." 153 00:07:02,089 --> 00:07:04,055 ( hip-hop music playing ) 154 00:07:06,226 --> 00:07:08,894 - ♪ Yo yo yo ♪ - ♪ Polynesian, baby ♪ 155 00:07:08,929 --> 00:07:11,129 - ♪ Polynesian, baby ♪ - ♪ I'm a FOB, I'm a FOB ♪ 156 00:07:11,165 --> 00:07:13,265 ♪ All alone in this big bad school ♪ 157 00:07:13,300 --> 00:07:15,867 ♪ Don't wanna fuck up, I know it's not cool ♪ 158 00:07:16,036 --> 00:07:20,572 - ♪ Polynesian, baby ♪ - ♪ Polynesian, I'm a FOB, I'm a FOB ♪ 159 00:07:20,607 --> 00:07:22,741 ♪ I come from the islands, and that's no excuse ♪ 160 00:07:22,776 --> 00:07:24,743 ♪ My culture is better than any of youse ♪ 161 00:07:24,845 --> 00:07:28,046 - ♪ Polynesian, baby ♪ - ♪ Polynesian... ♪ 162 00:07:28,081 --> 00:07:30,081 ( whispers ) FUCK YOU. 163 00:07:30,117 --> 00:07:32,083 ♪ Being a Poly, oh my golly ♪ 164 00:07:32,119 --> 00:07:34,419 ♪ Just because I'm black, it's me you cannot hack ♪ 165 00:07:34,455 --> 00:07:36,888 ♪ Being a Poly, oh my golly ♪ 166 00:07:36,924 --> 00:07:38,890 - ♪ Polynesian, baby ♪ - ♪ Polynesian. ♪ 167 00:07:41,628 --> 00:07:43,495 ( cheering ) 168 00:07:46,667 --> 00:07:49,334 FUCKIN' LOOKING AT ME. 169 00:07:49,369 --> 00:07:52,037 Kids: ♪ THE SMELL OF CHILDREN ♪ 170 00:07:52,072 --> 00:07:55,140 ♪ THE SMELL OF-- DOING IT TOGETHER ♪ 171 00:07:55,175 --> 00:07:57,042 ♪ THE SMELL OF LIFE... ♪ 172 00:07:57,077 --> 00:07:59,211 Rodney: GREG'S REALLY FEELING THE STRAIN AT THE MOMENT. 173 00:07:59,246 --> 00:08:01,513 YOU CAN STOP DANCING AND SIT DOWN, PLEASE. 174 00:08:01,548 --> 00:08:03,815 IT'S NOT SOME ENTERTAINMENT SERVICE FOR YOU. 175 00:08:03,851 --> 00:08:06,117 WE WEREN'T EXPECTING SUCH MAJOR SCRIPT CHANGES, 176 00:08:06,153 --> 00:08:08,253 AND THE TIME HASN'T BEEN ALLOWED, 177 00:08:08,288 --> 00:08:09,788 SO WE REALLY ARE RUNNING A BIT BEHIND. 178 00:08:09,890 --> 00:08:12,023 KEEP THE FLIPPING DOOR SHUT, PLEASE! 179 00:08:13,460 --> 00:08:14,826 I DON'T WANT CELINE RUNNING ONTO THE ROAD. 180 00:08:14,862 --> 00:08:16,862 Rodney: I CAN TELL HE'S REALLY STRESSED BECAUSE 181 00:08:16,897 --> 00:08:18,630 HE TENDS TO YELL A BIT MORE. 182 00:08:18,932 --> 00:08:20,899 AND I FIND THAT 183 00:08:20,934 --> 00:08:22,968 HE DOES TEND TO TAKE IT OUT AND ME AND THE KIDS A FAIR BIT. 184 00:08:23,003 --> 00:08:25,871 RODNEY, PRESS PLAY, PLEASE! 185 00:08:25,906 --> 00:08:28,473 IT'S NOT THAT HARD. BLOODY TOBY COULD DO IT. 186 00:08:28,509 --> 00:08:29,908 WHAT DO YOU CALL THAT? 187 00:08:30,010 --> 00:08:32,010 YOU LOOK LIKE A BLOODY, BRAIN-DEAD RETARD. 188 00:08:32,045 --> 00:08:34,079 JESUS CHRIST, ONLY A MOTHER COULD LOVE IT. 189 00:08:34,114 --> 00:08:36,848 DO YOU REALIZE YOU LOOK LIKE A MORON ONSTAGE? 190 00:08:36,884 --> 00:08:40,018 Mr. G's voice: YES, I ALWAYS GET LIKE THIS IN THE FINAL STRETCH. 191 00:08:40,153 --> 00:08:43,889 THE KIDS KNOW THAT I DON'T MEAN MOST OF WHAT I SAY. 192 00:08:43,924 --> 00:08:47,926 - I'M REALLY A BIG PUSSYCAT. - THAT IS WHERE THE SECOND SYRINGE IS GOING. 193 00:08:47,961 --> 00:08:49,294 I AM USING THE GYM AS A THEATER. 194 00:08:49,329 --> 00:08:51,930 - JESUS CHRIST. - GREG, LANGUAGE. 195 00:08:51,965 --> 00:08:54,866 I'M NOT INTERESTED IN YOUR OPINION ABOUT MY LANGUAGE, RODNEY. 196 00:08:54,902 --> 00:08:57,135 RIGHT NOW I DON'T CARE. TELL SOMEONE WHO CARES. 197 00:08:57,271 --> 00:08:59,004 THIS IS COMING DOWN. THAT'S GOING. 198 00:08:59,039 --> 00:09:00,572 I'M SICK OF P.E. AND I'M SICK OF THEM 199 00:09:00,607 --> 00:09:02,908 TAKING OVER MY BLOODY GYM. AND I'M SICK OF ALL OF IT. 200 00:09:02,943 --> 00:09:05,677 AND I'M SICK OF YOU GIVING ME YOUR STUPID OPINIONS 201 00:09:05,712 --> 00:09:08,346 AND-- AND SAYING YOUR STUPID THINGS INTO MY FACE. 202 00:09:08,382 --> 00:09:10,815 AND YOUR-- I'M SICK OF YOUR VOICE, RODNEY. 203 00:09:10,851 --> 00:09:13,318 WHY DON'T YOU TAKE A CHILL PILL, IDIOT? 204 00:09:13,353 --> 00:09:15,520 WELL, FUCK IT. 205 00:09:18,959 --> 00:09:21,126 - THERE THEY ARE. - ( girls giggling ) 206 00:09:21,161 --> 00:09:24,129 TAMSIN, UM, AND YOUR FRIENDS. 207 00:09:24,164 --> 00:09:25,897 I NEED TO TELL YOU SOMETHING. 208 00:09:27,668 --> 00:09:29,801 - HI, I'M JA'MIE-- YOU PROBABLY KNOW THAT. - HI. 209 00:09:29,836 --> 00:09:32,671 WE JUST WANTED TO LET YOU KNOW THAT THE FORMAL COMMITTEE'S DECIDED THAT LESBIANS 210 00:09:32,706 --> 00:09:34,205 CAN COME TO THE FORMAL. 211 00:09:34,241 --> 00:09:36,708 SO COME ALONG AND GET SOME TICKETS. 212 00:09:36,743 --> 00:09:39,878 THEY'RE 450 BUCKS AND WE'LL SEE YOU ON THE NIGHT. 213 00:09:39,913 --> 00:09:41,680 - THANKS. - THANKS. 214 00:09:41,715 --> 00:09:43,248 - SEE YA. - BYE. 215 00:09:43,283 --> 00:09:45,250 - THAT WENT REALLY WELL. - OH MY GOD, IT DID. 216 00:09:45,285 --> 00:09:47,118 I'M SO GLAD IT WAS QUICK. 217 00:09:47,154 --> 00:09:49,154 - I ALWAYS THINK SHE'S TRYING TO LIKE CRACK ONTO ME. - YEAH. 218 00:09:49,189 --> 00:09:50,855 SHE'S REALLY HOT, THOUGH. 219 00:09:53,026 --> 00:09:55,627 - LOOK WHO IT IS. - FUCK OFF, YOU SEVENS! 220 00:09:55,696 --> 00:09:58,663 - IT'S YEAR-EIGHT TURF, ONLY. - NICE LITTLE RAP SONG YOU HAD THIS MORNING. 221 00:09:58,699 --> 00:10:00,599 - FUCKIN' REAL GOOD. - AT LEAST I CAN RAP! 222 00:10:00,634 --> 00:10:02,901 AND YOUR LITTLE GRASS SKIRTS, THAT WAS SO CUTE. AW. 223 00:10:02,936 --> 00:10:04,769 AT LEAST WE CAN DANCE, MOTHERFUCKER. 224 00:10:04,871 --> 00:10:06,571 YOU WISH. YOU DANCE FOR SHIT. 225 00:10:06,607 --> 00:10:08,807 - YOU LOOKED GAY. - YOU CAN'T EVEN BREAK-DANCE FOR SHIT. 226 00:10:08,842 --> 00:10:10,976 HEY, ME AND LIAM NEED SOME POLYNESIAN ADVICE. 227 00:10:11,011 --> 00:10:13,144 WE'RE DEVELOPING SOME MAN-BOOBS, WHAT SHOULD WE DO? 228 00:10:13,180 --> 00:10:16,748 - POLYNESIAN-- - YOUR MOTHER'S THE ONE WITH MAN-BOOBS, MOTHERFUCKER. 229 00:10:16,783 --> 00:10:18,483 WHY DON'T YOU GO HANG OUT AT GUMNUT COTTAGE 230 00:10:18,518 --> 00:10:20,185 WITH THE LOVELY MISS PALMER? 231 00:10:20,220 --> 00:10:21,886 - WHY DON'T YOU FUCK YOUR OWN ASS? - SO YOU ACTUALLY 232 00:10:21,922 --> 00:10:24,189 CAN'T READ AT ALL AT THE AGE OF 13. 233 00:10:24,224 --> 00:10:27,158 THAT EXPLAINS WHY YOUR RAP LYRICS WERE SO CRAP. 234 00:10:27,194 --> 00:10:28,526 FUCK YOU, MOTHERFUCKER! 235 00:10:32,366 --> 00:10:34,199 - FUCK YOU, KEIRAN. - GET OFF ME! 236 00:10:34,267 --> 00:10:36,334 FUCK OFF! GET THE FUCK OFF ME! 237 00:10:36,403 --> 00:10:38,269 YOU WANT THE FUCKIN' SHOE? WHO WANTS THE FUCKIN' SHOE? 238 00:10:38,338 --> 00:10:40,538 GIVE ME MY SHOE BACK, YOU ASSHOLE! 239 00:10:40,607 --> 00:10:42,574 - JONAH, GET IN THERE NOW. - GO GET IT YOURSELF, MOTHERFUCKER! 240 00:10:42,676 --> 00:10:44,609 JONAH, COME HERE! NOW! 241 00:10:44,645 --> 00:10:46,911 - Jonah: MISS, YOU DIDN'T EVEN SEE! - WHAT'S GOING ON?! 242 00:10:46,947 --> 00:10:50,081 - YOU DIDN'T EVEN SEE. HE PROVOKED ME. - EXCUSE ME, I SAW THAT. 243 00:10:50,117 --> 00:10:52,183 - YOU DIDN'T EVEN SEE! TELL HER, BOYS. - BE QUIET. 244 00:10:52,285 --> 00:10:53,952 I DON'T CARE WHAT HE SAID, JONAH! 245 00:10:53,987 --> 00:10:56,354 - I AM NOT IMPRESSED. - ( all shouting ) 246 00:10:59,626 --> 00:11:01,259 ( school bell ringing ) 247 00:11:01,294 --> 00:11:03,828 THAT'S THE BELL. P.E. STUDENTS, GET OUT. 248 00:11:04,765 --> 00:11:07,232 THE GYM'S MINE AS OF NOW. 249 00:11:07,267 --> 00:11:09,768 OUT. CAREFUL WITH THAT BALL ON MY SET. 250 00:11:09,803 --> 00:11:11,803 TAKE THEM OUT. YOU'RE FREAKING OUT MY DOG. 251 00:11:13,507 --> 00:11:16,174 FOR THE RUN OF MY SHOW, I NEED THE BASKETBALL HOOP GONE. 252 00:11:16,276 --> 00:11:18,810 GREG, P.E. IS STILL USING THE SPACE, 253 00:11:18,845 --> 00:11:21,012 YOU CANNOT REMOVE THE BASKETBALL RING. 254 00:11:21,048 --> 00:11:23,682 AND AS FOR THE IDEA OF PAINTING THE GYM FLOOR WHITE, 255 00:11:23,717 --> 00:11:26,351 THAT'S ABSOLUTELY LUDICROUS AND OUT OF THE QUESTION. 256 00:11:28,121 --> 00:11:29,654 THERE'S A MORE IMPORTANT ISSUE. 257 00:11:29,690 --> 00:11:31,489 I'VE HAD A NOTE FROM A PARENT. 258 00:11:31,525 --> 00:11:33,124 ACCORDING TO THIS MOTHER, 259 00:11:33,160 --> 00:11:35,360 YOU CALLED HER DAUGHTER A WALRUS, 260 00:11:35,395 --> 00:11:36,961 - AND YOU SAID... - WELL-- 261 00:11:37,030 --> 00:11:38,930 ...YOU WERE GLAD THAT YOU HAD REINFORCED THE STAGE 262 00:11:39,032 --> 00:11:40,598 OR SHE MIGHT HAVE FALLEN THROUGH. 263 00:11:40,634 --> 00:11:42,834 I WAS REFERRING TO HANNAH AUSTIN. 264 00:11:42,869 --> 00:11:45,770 AND I THINK IN THAT CASE, IT'S A LEGITIMATE CONCERN. 265 00:11:45,806 --> 00:11:47,639 SORRY, GREG, IT'S NOT ACCEPTABLE, OKAY? 266 00:11:47,674 --> 00:11:49,507 I WANT YOU TO APOLOGIZE TO HANNAH 267 00:11:49,543 --> 00:11:51,409 AND TO ANY OTHER STUDENTS YOU MAY HAVE OFFENDED, 268 00:11:51,445 --> 00:11:53,278 AND GET ON WITH DOING WHAT YOU DO WELL 269 00:11:53,313 --> 00:11:56,514 AND THAT IS PRODUCING THE FANTASTIC PERFORMANCE THAT YOU'RE GOING TO DO. 270 00:11:56,616 --> 00:11:58,383 FINE. 271 00:11:58,418 --> 00:12:00,351 WHAT ABOUT MY ARENA SEATING? 272 00:12:00,387 --> 00:12:03,388 WELL, IT COSTS ME $5,000 273 00:12:03,423 --> 00:12:05,023 TO HIRE THE SEATING. 274 00:12:05,058 --> 00:12:06,791 AND WE CAN MANAGE, NO DOUBT, WHEN WE HAVE CHAIRS 275 00:12:06,827 --> 00:12:08,326 ON THE GYM FLOOR-- 276 00:12:08,361 --> 00:12:10,662 I'VE ADVERTISED IT AS AN ARENA SPECTACULAR. 277 00:12:10,697 --> 00:12:12,397 I NEED ARENA SEATING. I'M NOT PUTTING THEM 278 00:12:12,432 --> 00:12:14,232 ON THE FLOOR FOR GOD'S SAKE. 279 00:12:14,267 --> 00:12:15,900 GREG, YOU KNOW WE HAVE LIMITATIONS 280 00:12:15,969 --> 00:12:18,670 IN TERMS OF MONEY IN PUBLIC SCHOOLS. 281 00:12:18,705 --> 00:12:21,106 WELL, EVERYTHING I ASK FOR YOU JUST REFUSE 282 00:12:21,141 --> 00:12:23,274 BECAUSE IT'S DRAMA AND YOU DON'T CARE AND YOU'RE TOO BUSY 283 00:12:23,443 --> 00:12:25,577 WITH YOUR SPORT AND YOUR LIBRARY AND YOUR-- 284 00:12:25,746 --> 00:12:27,278 THAT'S NOT FAIR 285 00:12:27,314 --> 00:12:29,347 AND I'M GETTING SICK OF YOU DOING YOUR WHOLE SULKING ACT. 286 00:12:29,382 --> 00:12:32,016 WE'RE NOT GOING TO DISRUPT THE WHOLE LIFE OF P.E. 287 00:12:32,052 --> 00:12:34,519 AND EVERYONE ELSE FOR YOUR GRANDIOSE PLANS. 288 00:12:34,554 --> 00:12:36,521 CAN I JUST REMIND YOU, MARGARET, 289 00:12:36,556 --> 00:12:38,156 THAT I HAVE MY RESIGNATION LETTER 290 00:12:38,191 --> 00:12:40,225 IN MY PIGEONHOLE WAITING TO GO? 291 00:12:40,260 --> 00:12:42,994 AND I DON'T WANT TO HAVE TO USE IT, BUT I WILL USE IT. 292 00:12:43,029 --> 00:12:44,729 DON'T PUSH ME, MARGARET. 293 00:12:44,765 --> 00:12:47,565 I'LL GO. YOU'LL HAVE NO PERFORMING ART CENTRE. 294 00:12:47,601 --> 00:12:49,768 YOU'RE GONNA HAVE NO PRODUCTION, 295 00:12:49,803 --> 00:12:52,604 NO MEDIA EXPOSURE. I'LL JUST BE GONE. 296 00:12:52,639 --> 00:12:55,406 I'VE GOTTA DO WHAT I CAN DO WITHIN THE CONSTRAINTS OF OUR FUNDS. 297 00:12:55,442 --> 00:12:57,142 I'M JUST ASKING YOU 298 00:12:57,177 --> 00:13:00,779 TO HAVE A THINK ABOUT YOUR FUTURE WITH ME. 299 00:13:00,814 --> 00:13:02,981 AND KNOW THAT IF YOU 300 00:13:03,083 --> 00:13:05,517 KEEP GETTING IN MY WAY, 301 00:13:05,552 --> 00:13:07,085 I WILL HAVE NO HESITATION 302 00:13:07,120 --> 00:13:08,787 IN BRINGING THAT LETTER IN HERE AND RESIGNING. 303 00:13:08,822 --> 00:13:10,321 - JUST WANT YOU TO KNOW THAT. - OH, COME ON. 304 00:13:10,357 --> 00:13:12,123 - BE-- BE REASONABLE. - I'M BEING REASONABLE. 305 00:13:12,159 --> 00:13:14,058 YOU'RE THE ONE WHO'S NOT GIVING ME WHAT I WANT. 306 00:13:14,094 --> 00:13:15,994 THINK ABOUT IT. I COULD BE GONE LIKE THAT. 307 00:13:18,131 --> 00:13:22,400 I TEND TO BELIEVE THAT KEIRAN IS THE INNOCENT ONE IN THIS SITUATION. 308 00:13:22,435 --> 00:13:25,670 YOU'VE ALL BEEN ON HIS CASE SINCE THE JUNIOR SCHOOL-- 309 00:13:25,705 --> 00:13:27,472 I AM WARNING YOU. 310 00:13:27,507 --> 00:13:29,340 SINCE THE JUNIOR SCHOOL DANCE, THIS WHOLE NONSENSE 311 00:13:29,376 --> 00:13:30,942 HAS BEEN GOING ON, ALL RIGHT? 312 00:13:31,077 --> 00:13:32,510 AND I'M-- I'M ABSOLUTELY SICK OF IT. 313 00:13:32,546 --> 00:13:35,180 IT REVOLVES THESE RIDICULOUS TURF WARS 314 00:13:35,215 --> 00:13:36,915 - THAT EXIST OVER THE AMPHITHEATER. - Jonah: IT'S NOT ABOUT THAT. 315 00:13:36,950 --> 00:13:39,450 YOU DO NOT OWN THE AMPHITHEATER. 316 00:13:39,486 --> 00:13:41,386 DO I MAKE MYSELF CLEAR? 317 00:13:41,421 --> 00:13:43,521 - Boys: IT'S OUR TURF! - EXCUSE ME. 318 00:13:43,623 --> 00:13:47,659 NOR ARE YOU ALLOWED TO USE YOUR SIZE TO BULLY OTHER STUDENTS. 319 00:13:47,694 --> 00:13:50,161 - I KNOW, MISS. IT'S NOT ABOUT BULLYING HIM. - HE STARTED SHIT. 320 00:13:50,197 --> 00:13:51,863 WHAT IS IT ABOUT THEN, HUH? 321 00:13:51,932 --> 00:13:54,399 - HE WAS TEASING ME-- - OH, TEASING YOU, JONAH! 322 00:13:54,434 --> 00:13:56,367 - Jonah: HE WAS BEING RACIST. - WELL, DO YOU KNOW WHAT? 323 00:13:56,403 --> 00:13:59,103 I THINK YOU'RE BIG ENOUGH TO TAKE A LITTLE BIT OF TEASING. 324 00:13:59,139 --> 00:14:01,673 YOUR PROBLEM IS, JONAH, THAT YOU CAN CERTAINLY DISH IT OUT, 325 00:14:01,708 --> 00:14:05,076 - BUT YOU CAN'T TAKE IT. - HE MADE FUN OF ME NOT BEING ABLE TO READ, MISS. 326 00:14:05,111 --> 00:14:07,545 I DON'T CARE. DO YOU KNOW HOW WE'RE GOING TO SOLVE THIS ISSUE? 327 00:14:07,581 --> 00:14:09,514 - HOW, MISS? - YOU'RE ALL BANNED FROM THE AMPHITHEATER. 328 00:14:09,549 --> 00:14:12,083 - THAT'S JUST FUCKED UP, MISS! - THAT'S IT. 329 00:14:12,118 --> 00:14:13,718 NO MORE. AND DO YOU KNOW WHAT? 330 00:14:13,753 --> 00:14:15,620 IF I CATCH YOU EVEN REMOTELY CLOSE TO THE AMPHITHEATER, 331 00:14:15,655 --> 00:14:17,488 THIS ISSUE WILL GO TO MISS MURRAY. 332 00:14:17,524 --> 00:14:19,657 - MISS! - NOW, I'M PRETTY SURE THAT YOU DON'T WANT YOUR DAD 333 00:14:19,693 --> 00:14:21,492 FINDING OUT ABOUT THIS, DO YOU, JONAH? DO YOU? 334 00:14:21,528 --> 00:14:24,462 - NO, MISS. - NO. AND IN ADDITION TO THAT, 335 00:14:24,497 --> 00:14:26,631 YOU WILL STAY AT LEAST 10 METERS AWAY 336 00:14:26,666 --> 00:14:28,499 FROM ALL YEAR-SEVEN STUDENTS AT ALL TIMES. 337 00:14:28,535 --> 00:14:30,368 - ALL RIGHT? - YES, MISS. 338 00:14:30,403 --> 00:14:32,837 NOW GO AND FIND THE CLEANER, GET THE LADDER 339 00:14:32,873 --> 00:14:35,306 - AND GET THE SHOE OFF THE ROOF. - YES, MISS. 340 00:14:37,811 --> 00:14:40,278 - FUCK, MAN. - Wheatley: KEEP AWAY FROM THEM, ALL RIGHT? 341 00:14:42,015 --> 00:14:43,882 - WELL, HE RANG ME LAST NIGHT-- - OKAY. 342 00:14:43,917 --> 00:14:46,184 HE RANG ME LAST NIGHT AND HE SAID HE'S GONNA COME WITH ME. 343 00:14:46,219 --> 00:14:48,152 WHO IS PATRICK AND HOW COME I DON'T KNOW ABOUT HIM? 344 00:14:48,188 --> 00:14:49,721 HE'S KIND OF SHY-- THE GUY IN THE WHEELCHAIR. 345 00:14:49,756 --> 00:14:51,289 THE WHEELCHAIR GUY? HE'S HOT, JESS. 346 00:14:51,324 --> 00:14:52,824 OH MY GOD. 347 00:14:52,859 --> 00:14:54,759 IT'S SUCH A GOOD LOOK, GOING WITH A DISABLED GUY. 348 00:14:54,794 --> 00:14:56,261 - YEAH! - IT IS. 349 00:14:56,296 --> 00:14:58,963 IT CAN GET YOU SOME CRED FOR BEING SYMPATHETIC AND STUFF. 350 00:14:58,999 --> 00:15:01,232 YEAH, AND HE'S TOTALLY HOT, SO YOU GET, LIKE, 351 00:15:01,268 --> 00:15:04,035 - THE BEST OF BOTH WORLDS. - WHEELCHAIRS IS SUCH A GOOD VISUAL, THOUGH. 352 00:15:04,070 --> 00:15:05,970 - Girls: YEAH. - LIKE WHEN YOU ARRIVE, OH MY GOD. 353 00:15:06,006 --> 00:15:08,306 I WENT WITH A BLACK GUY TO MY YEAR-10 FORMAL 354 00:15:08,341 --> 00:15:09,841 - FOR THE SAME REASON. - REALLY? 355 00:15:09,910 --> 00:15:11,542 AND EVERYONE WAS LIKE "OH, WOW." 356 00:15:11,578 --> 00:15:13,611 - YEAH, WE'VE GONE OUT A WHILE. - THAT'S HOT. 357 00:15:13,647 --> 00:15:15,947 SO COOL. AND IT'S REALLY GOOD FOR THE LATE-NIGHT DITCH. 358 00:15:15,982 --> 00:15:18,449 SERIOUSLY, GUYS, WE HAVE TO DUMP OUR PARTNERS AFTER THE FORMAL. 359 00:15:18,518 --> 00:15:21,019 - I'M NOT TAKING HIM TO THE AFTER-PARTY. - YEAH, THE AFTER-PARTY-- 360 00:15:21,054 --> 00:15:23,021 - WHO ARE YOU ACTUALLY TAKING? - Ja'mie: I DON'T KNOW YET. 361 00:15:23,056 --> 00:15:25,323 - AS IF YOU DON'T KNOW WHO YOU WANT TO TAKE. - I DON'T KNOW. 362 00:15:25,358 --> 00:15:27,125 I'VE HEARD STUFF FROM PEOPLE 363 00:15:27,227 --> 00:15:29,560 THAT HENRY IS LIKE SAVING HIMSELF FOR YOU. 364 00:15:29,596 --> 00:15:31,062 - DID HENRY SAY THAT? - YES. 365 00:15:31,097 --> 00:15:32,563 ( all chattering ) 366 00:15:32,699 --> 00:15:35,333 JA'MIE, HE IS LIKE HANDS DOWN THE HOTTEST GUY IN OUR YEAR. 367 00:15:35,368 --> 00:15:37,402 - I KNOW-- - EVEN IN OUR SCHOOL-- 368 00:15:37,437 --> 00:15:38,937 SHUT UP. SO EMBARRASSING. 369 00:15:38,972 --> 00:15:40,838 SERIOUSLY, SHE COULD HAVE ANY GUY SHE WANTS. 370 00:15:40,874 --> 00:15:42,941 - DO YOU KNOW HOW GOOD YOU WOULD LOOK TOGETHER? - I KNOW, WE WOULD LOOK 371 00:15:42,976 --> 00:15:44,676 REALLY HOT TOGETHER. 372 00:15:44,711 --> 00:15:46,477 I JUST-- I WANT TO GO WITH SOMEONE REALLY SPECIAL. 373 00:15:46,513 --> 00:15:48,613 DO YOU KNOW WHAT I MEAN? LIKE, I WANT IT TO BE AN AMAZING NIGHT 374 00:15:48,648 --> 00:15:50,114 AND I WANT MY PARTNER TO BE AMAZING. 375 00:15:50,150 --> 00:15:51,683 YEAH, TRUE. 376 00:15:51,718 --> 00:15:54,686 OKAY, GUYS. LISTENING UP. HEY, EVERYONE. 377 00:15:54,721 --> 00:15:56,654 Mr. G's voice: THINGS ARE GOING FROM WORSE TO WORSE. 378 00:15:56,690 --> 00:15:59,791 MY-- MY LEAD, MY MR. G, HAS WALKED. 379 00:15:59,826 --> 00:16:01,459 HE'S LEFT THE SHOW. 380 00:16:01,494 --> 00:16:03,161 RUMORS COMING BACK TO ME ARE 381 00:16:03,196 --> 00:16:05,863 THAT APPARENTLY I CALLED HIM A PANSY IN ONE OF THE REHEARSALS 382 00:16:05,899 --> 00:16:07,565 AND SUGGESTED THAT HE MAY BE RESPONSIBLE 383 00:16:07,600 --> 00:16:09,133 FOR THE LACK OF TICKET SALES. 384 00:16:09,169 --> 00:16:11,102 LISTEN UP, PLEASE, CAST. 385 00:16:11,137 --> 00:16:13,905 Mr. G's voice: WE NEED TO FIND A NEW MR. G, A.S.A.P. 386 00:16:13,974 --> 00:16:15,707 I WOULDN'T TELL THE KIDS THIS, 387 00:16:15,742 --> 00:16:17,809 BUT I AM LITERALLY FREAKING OUT. 388 00:16:17,844 --> 00:16:19,877 WE DO NOT HAVE A MR. G, 389 00:16:19,913 --> 00:16:22,413 SO I'M FREAKING OUT. 390 00:16:22,515 --> 00:16:25,083 MATTHEW'S A LITTLE PRICK FOR LEAVING 391 00:16:25,118 --> 00:16:27,251 AND HE WILL NEVER BE IN ANOTHER SHOW AGAIN. 392 00:16:28,955 --> 00:16:30,855 ALSO, APPARENTLY, SOME OF YOU ARE A LITTLE UPSET 393 00:16:30,890 --> 00:16:34,692 THAT I'VE BEEN SAYING SOME PERSONAL THINGS TO YOU IN REHEARSALS, 394 00:16:34,728 --> 00:16:37,061 AND YOU'VE BEEN TELLING MOMMY AND DADDY 395 00:16:37,097 --> 00:16:39,630 ABOUT SOME THINGS THAT I MAY HAVE SAID. 396 00:16:39,666 --> 00:16:42,233 IF I CALL YOU NAMES OR MAKE A COMMENT 397 00:16:42,268 --> 00:16:43,835 THAT YOU TAKE PERSONALLY... 398 00:16:45,338 --> 00:16:47,538 YOU KNOW, TWO WORDS-- DEAL WITH IT. 399 00:16:47,574 --> 00:16:49,607 YOU NEED TO GET OVER YOURSELVES 400 00:16:49,676 --> 00:16:52,110 AND REALIZE IT'S NOT ABOUT YOU, IT'S ABOUT THE SHOW. 401 00:16:52,145 --> 00:16:54,112 I'M SORRY-- 402 00:16:54,147 --> 00:16:56,447 THAT'S WHAT I'M SUPPOSED TO BE SAYING-- I'M SORRY, 403 00:16:56,483 --> 00:16:58,616 BUT THIS IS THE THEATER 404 00:16:58,718 --> 00:17:01,686 AND THERE'S NO ROOM FOR HYPERSENSITIVE TYPES. 405 00:17:11,464 --> 00:17:12,997 UM, HI. HI, TAMSIN. 406 00:17:13,033 --> 00:17:15,633 - HI. - CAN I TALK TO YOU PRIVATELY? 407 00:17:15,668 --> 00:17:18,036 - YEAH, SURE. YEAH. - IS THAT COOL? COOL. 408 00:17:20,173 --> 00:17:21,539 YES, I JUST WANTED TO SAY HI. 409 00:17:23,476 --> 00:17:25,743 AND I WANTED TO ASK YOU SOMETHING. 410 00:17:25,845 --> 00:17:27,311 OKAY. 411 00:17:27,347 --> 00:17:29,680 - I'M INTRIGUED. - YEAH. 412 00:17:29,716 --> 00:17:31,516 WELL, AS YOU KNOW, THE FORMAL'S COMING UP, RIGHT? 413 00:17:31,551 --> 00:17:34,685 AND EVERYONE'S ASKING DATES, 414 00:17:34,721 --> 00:17:37,688 AND I KNOW YOU'RE INTO GIRLS... 415 00:17:37,724 --> 00:17:39,390 YEAH. 416 00:17:39,426 --> 00:17:41,993 ...SO I WANTED TO ASK IF YOU'D GO WITH ME TO THE FORMAL. 417 00:17:43,296 --> 00:17:45,229 OH. 418 00:17:45,265 --> 00:17:46,697 UM... 419 00:17:48,068 --> 00:17:50,435 I'M REALLY FLATTERED, BUT... 420 00:17:50,470 --> 00:17:52,603 I DON'T KNOW YOU THAT WELL, JA'MIE. 421 00:17:52,639 --> 00:17:54,138 YEAH, SO WE'D HAVE TO HANG OUT AND STUFF, 422 00:17:54,174 --> 00:17:56,040 LIKE GO TO THE SHOPS OR SOMETHING 423 00:17:56,109 --> 00:17:58,943 - AND GET TO KNOW EACH OTHER BEFORE WE GO. - YEAH. YEAH. 424 00:17:59,045 --> 00:18:00,745 I DIDN'T KNOW YOU WERE INTO GIRLS. 425 00:18:00,780 --> 00:18:02,213 YEAH, I AM. YEAH. 426 00:18:02,248 --> 00:18:04,248 AND I'VE BEEN REALLY CONFUSED FOR A WHILE, 427 00:18:04,284 --> 00:18:07,118 UM, BUT NOW I KNOW FOR SURE. 428 00:18:07,153 --> 00:18:08,953 I'M-- I'M REALLY INTO CHICKS. 429 00:18:08,988 --> 00:18:12,156 OKAY. UM, COOL. 430 00:18:12,258 --> 00:18:14,759 I'M GONNA HAVE TO THINK ABOUT IT. 431 00:18:14,794 --> 00:18:16,794 - IS THAT OKAY? - YEAH YEAH, THAT'S COOL. 432 00:18:16,830 --> 00:18:20,231 I WANT US TO LOOK EQUALLY HOT ON THE NIGHT, 433 00:18:20,266 --> 00:18:22,300 SO IF THAT'S WHAT YOU'RE WORRIED ABOUT, THEN-- THEN DON'T, 434 00:18:22,368 --> 00:18:24,669 - 'CAUSE WE-- I CAN GIVE YOU SOME TIPS. - OKAY, THANKS. 435 00:18:24,704 --> 00:18:27,772 UM... THAT'S REALLY FLATTERING, 436 00:18:27,807 --> 00:18:29,874 - I'M JUST GONNA HAVE TO HAVE A THINK. - YEAH, THAT'S COOL. 437 00:18:29,909 --> 00:18:31,709 - OKAY. - GET BACK TO ME. 438 00:18:31,744 --> 00:18:35,279 - I WILL. - UM, SO SHOULD WE GO OUT TO OUR FRIENDS OR-- 439 00:18:35,315 --> 00:18:36,981 - YEAH, OKAY. - YEAH. 440 00:18:39,486 --> 00:18:40,985 OH MY GOD. 441 00:18:44,491 --> 00:18:46,557 - GREG. - HMM? 442 00:18:46,593 --> 00:18:50,294 I'VE GOT AN IDEA AND I THINK IT'S THE PERFECT WAY TO FIX OUR PROBLEMS. 443 00:18:50,330 --> 00:18:51,829 I'VE GOT-- I'VE GOT SOME IDEAS 444 00:18:51,898 --> 00:18:53,364 ABOUT WHO THE NEW MR. G WILL BE. 445 00:18:53,399 --> 00:18:55,299 I DO NOT NEED YOUR HELP. 446 00:18:55,335 --> 00:18:58,636 I'M SORTED IN THAT DEPARTMENT OF THINKING THOUGHTS. 447 00:18:58,671 --> 00:19:01,105 WELL, I'VE SPOKEN TO THE CAST, 448 00:19:01,141 --> 00:19:03,241 AND WE ALL PRETTY MUCH AGREE, 449 00:19:03,309 --> 00:19:04,909 YOU'VE ONLY GOT ONE OPTION... 450 00:19:06,045 --> 00:19:08,112 TOBY. 451 00:19:08,148 --> 00:19:10,148 NO. NO. I NEED TOBY AS MY ASSISTANT. 452 00:19:10,250 --> 00:19:12,250 HE'S-- HE CAN'T BE IN THE CAST. 453 00:19:12,285 --> 00:19:15,620 HE KNOWS EVERYONE'S DIALOGUE, HE KNOWS ALL THE DANCE ROUTINES. 454 00:19:15,655 --> 00:19:18,422 NO-- I-- THANK YOU, TOBY, 455 00:19:18,458 --> 00:19:21,626 BUT NO, YOU CANNOT BE MR. G, NO. 456 00:19:21,661 --> 00:19:24,028 IT'S A RIDICULOUS IDEA. NO. 457 00:19:24,063 --> 00:19:26,364 HE'S THE ONLY OPTION YOU'VE GOT. 458 00:19:26,399 --> 00:19:28,466 YES, NOT THE ONLY OPTION. 459 00:19:28,501 --> 00:19:30,434 THERE-- THERE ARE OTHER-- 460 00:19:30,470 --> 00:19:32,937 - THERE ARE NO OTHER OPTIONS. - WE COULD BRING IN A KID FROM ANOTHER SCHOOL. 461 00:19:32,972 --> 00:19:35,039 - NOT IN 10 DAYS. - I JUST DON'T THINK THIS IS THE ANSWER. 462 00:19:35,074 --> 00:19:36,574 - NOT IN 10 DAYS. - THIS ANSWER IS RIDICULOUS. 463 00:19:36,609 --> 00:19:38,576 HE KNOWS IT PERFECTLY. 464 00:19:38,611 --> 00:19:40,311 - I DON'T THINK-- - WHAT DO YOU RECKON, TOBE? 465 00:19:40,346 --> 00:19:41,879 - YES. - DO YOU WANT TO BE MR. G? 466 00:19:41,915 --> 00:19:43,614 YES. 467 00:19:43,716 --> 00:19:45,750 - WELL-- - KIDS, WHO THINKS TOBY 468 00:19:45,785 --> 00:19:47,985 SHOULD STEP IN TO BE MR. G IN THE MUSICAL? 469 00:19:48,021 --> 00:19:50,154 - Kids: YEAH! - IT'S RIDICULOUS, RODNEY. IT IS RIDICULOUS. 470 00:19:50,223 --> 00:19:52,823 IT'S NOT, MAN. JUST GIVE US A SMILE AND SAY YES. 471 00:19:52,859 --> 00:19:54,559 I'M NOT GOING TO SMILE. 472 00:19:54,594 --> 00:19:57,728 YOU ARE. COME ON. COME ON, MAN. 473 00:19:57,764 --> 00:20:00,565 - THE PERFECT OPTION. - ( whispers ) DON'T PUT ME ON THE SPOT, PLEASE. 474 00:20:00,600 --> 00:20:02,733 HE'S THE PERFECT OPTION. COME ON. 475 00:20:04,370 --> 00:20:05,970 THERE YOU ARE. THAT'S IT. 476 00:20:06,005 --> 00:20:07,471 - ALL RIGHT, ALL RIGHT. - THAT'S IT? GOT IT. 477 00:20:07,507 --> 00:20:09,440 - YES YES, ALL RIGHT. - BRILLIANT. 478 00:20:09,475 --> 00:20:11,242 - TOBY'S THE NEW MR. G. - ( cheering ) 479 00:20:11,277 --> 00:20:13,044 WELL DONE! 480 00:20:13,079 --> 00:20:15,746 ( hip-hop music playing ) 481 00:20:15,782 --> 00:20:17,481 THERE THEY ARE. 482 00:20:17,517 --> 00:20:19,317 Jonah: I KNEW THEY'D FUCKIN' GO STRAIGHT THERE. 483 00:20:19,352 --> 00:20:21,085 Peterson: MISS WHEATLEY HAS SUCCESSFULLY PUT AN END 484 00:20:21,120 --> 00:20:23,621 TO THE RIDICULOUS TURF WARS... 485 00:20:23,656 --> 00:20:26,023 THAT THE ISLANDER BOYS SEEM SO OBSESSED WITH. 486 00:20:26,059 --> 00:20:29,427 KEIRAN! KEIRAN! 487 00:20:29,495 --> 00:20:32,063 - JUST CAME TO SAY HELLO. - YOU'RE NOT ALLOWED HERE ANYMORE. 488 00:20:32,098 --> 00:20:34,966 - Leon: YES, WE ARE. - WE CAN GO WHEREVER WE WANT-- 10 METER RULE. 489 00:20:35,001 --> 00:20:38,035 - YOU'RE TOO CLOSE. - THIS IS 10 METERS, MOTHERFUCKER. 490 00:20:38,137 --> 00:20:40,238 GET A RULER IF YOU DON'T BELIEVE ME. 491 00:20:40,273 --> 00:20:42,340 WHY DON'T YOU BOYS GO CHECK OUT YOUR LOCKERS? 492 00:20:42,375 --> 00:20:44,208 - HOW COME? - Jonah: JUST GO CHECK 'EM OUT. 493 00:20:44,244 --> 00:20:45,876 - WHY? - SEE WHAT YOU SEE. 494 00:20:45,912 --> 00:20:49,447 Peterson: JONAH NOW SEEMS TO BE ABLE TO TAKE RESPONSIBILITY 495 00:20:49,482 --> 00:20:51,115 FOR HIS OWN ACTIONS. 496 00:20:51,150 --> 00:20:53,084 AND I THINK THIS IS A DIRECT RESULT 497 00:20:53,119 --> 00:20:54,919 OF THE POLYNESIAN PATHWAYS PROGRAM, 498 00:20:54,954 --> 00:20:58,055 THAT HE IS SLOWLY LEARNING THE RIGHT WAY TO BEHAVE. 499 00:20:58,091 --> 00:21:01,459 - OH, SHIT. - WHAT THE HELL? 500 00:21:01,494 --> 00:21:03,227 WHOA. 501 00:21:03,263 --> 00:21:04,962 CELINE, CALM DOWN, PLEASE. 502 00:21:04,998 --> 00:21:07,565 - ALL RIGHT. - ( growls ) 503 00:21:07,634 --> 00:21:09,133 REPEATING AFTER ME. 504 00:21:09,168 --> 00:21:10,701 - COME ON, JESSICA. - COME ON, JESSICA. 505 00:21:10,737 --> 00:21:12,670 "YOU DON'T NEED DRUGS TO HAVE FUN." 506 00:21:12,705 --> 00:21:14,939 - "YOU DON'T NEED DRUGS TO HAVE FUN." - WE'VE GOT A NEW MR. G-- 507 00:21:15,074 --> 00:21:17,074 TOBY-- AND HE'S ABSOLUTELY BRILLIANT UP THERE. 508 00:21:17,110 --> 00:21:19,510 "I'M ALWAYS HAVING FUN AND I DON'T NEED DRUGS." 509 00:21:19,545 --> 00:21:21,012 "I ALWAYS HAVE FUN. DON'T NEED DRUGS." 510 00:21:21,147 --> 00:21:23,047 - SAY IT TO HER. - OH, WHOOPS. 511 00:21:23,149 --> 00:21:25,850 Rodney's voice: HE'S GOT AN ALMOST PERFECT RECALL FOR STAGE DIRECTION. 512 00:21:25,885 --> 00:21:27,551 I THINK THE REAL MR. G IS QUITE IMPRESSED 513 00:21:27,620 --> 00:21:29,253 BY HOW WELL HE'S SLOTTED IN. 514 00:21:29,322 --> 00:21:31,155 I HAVE FUN AND DON'T NEED THEM. 515 00:21:31,190 --> 00:21:33,791 Mr. G's voice: HE'S NOT OVERPLAYING THE CHARACTER LIKE MATTHEW DID. 516 00:21:33,826 --> 00:21:35,393 - YOU ARE NAILING THIS. - REALLY GOOD, TOBE. 517 00:21:35,461 --> 00:21:38,095 HE'S NOT SORT OF, YOU KNOW, PONCING AROUND. 518 00:21:38,197 --> 00:21:41,799 HE'S-- HE'S BRINGING A SORT OF MASCULINE QUALITY TO THE ROLE, 519 00:21:41,834 --> 00:21:44,935 WHICH IS MORE IN KEEPING WITH THE MR. G CHARACTER. 520 00:21:44,971 --> 00:21:47,138 AND YOU WALK HER BACK TO CLASS. 521 00:21:47,173 --> 00:21:49,240 Mr. G's voice: I'M HAPPY WITH-- WITH HOW THINGS ARE GOING. 522 00:21:49,275 --> 00:21:50,775 IT'S ALL GOING SO WELL. 523 00:21:50,877 --> 00:21:52,176 YOU KNOW, TOUCH WOOD. 524 00:21:56,482 --> 00:21:59,150 MR. G! MR. G! IT'S CELINE! 525 00:21:59,185 --> 00:22:01,485 - SHE RAN OUT TO THE ROAD. - THE CAR-- IT HER. 526 00:22:01,521 --> 00:22:03,220 I TOLD YOU TO KEEP THE BLOODY DOOR SHUT. 527 00:22:03,356 --> 00:22:06,190 - WHERE IS SHE? - JUST OUTSIDE. 528 00:22:06,225 --> 00:22:08,492 - Girl: WHAT HAPPENED? - Girl #2: HIS DOG GOT RUN OVER. 529 00:22:08,528 --> 00:22:11,362 OH MY GOD, DID YOU SEE IT? 530 00:22:11,397 --> 00:22:13,030 - IS SHE OKAY? - WHAT'S HAPPENED? 531 00:22:13,066 --> 00:22:14,498 - BY A CAR? - CELINE GOT RUN OVER. 532 00:22:14,534 --> 00:22:16,801 - CELINE'S BEEN HIT BY A CAR. - IS SHE ALL RIGHT? 533 00:22:16,836 --> 00:22:18,436 - Girl: DON'T KNOW. - OH MY GOSH. 534 00:22:18,504 --> 00:22:20,504 ( murmuring ) 535 00:22:20,540 --> 00:22:22,440 YEAR 11 FORMAL TICKETS! 536 00:22:22,542 --> 00:22:25,042 YEAR 11 FORMAL TICKETS. 450 BUCKS. 537 00:22:25,078 --> 00:22:26,711 HAVE YOU GOT THE MONEY ON YOU TODAY? 538 00:22:26,746 --> 00:22:29,447 - NO ONE'S BUYING THEM. - DID YOU SELL ANY? 539 00:22:29,482 --> 00:22:31,515 WE'VE SOLD NOTHING. 540 00:22:31,551 --> 00:22:33,017 - ( all chattering ) - HI, JA'MIE. 541 00:22:33,052 --> 00:22:34,652 - OH, HI. - HOW ARE YOU? 542 00:22:34,687 --> 00:22:36,187 GOOD, YEAH, I'M REALLY GOOD. 543 00:22:36,222 --> 00:22:38,289 UM, I HAD A BIG THINK ABOUT IT 544 00:22:38,324 --> 00:22:40,458 AND I THINK IT'S A REALLY GOOD IDEA. 545 00:22:40,526 --> 00:22:42,059 - TO GO TO THE FORMAL WITH ME? - YEAH. 546 00:22:42,095 --> 00:22:43,461 - YES! - YEAH, I WOULD LOVE TO GO. 547 00:22:43,496 --> 00:22:45,396 HOW COOL. IT'S SO EXCITING. 548 00:22:45,431 --> 00:22:48,065 - WE'RE GONNA HAVE THE BEST NIGHT. - YEAH, IT'LL BE REALLY GOOD. 549 00:22:48,101 --> 00:22:50,568 UM, IF YOU NEED TO TALK AT ALL 550 00:22:50,603 --> 00:22:52,370 ABOUT THE WHOLE COMING OUT THING-- 551 00:22:52,538 --> 00:22:54,038 OH, YEAH, I'M COOL. 552 00:22:54,073 --> 00:22:55,573 - I'M OKAY ABOUT IT. - YOU SURE? 553 00:22:55,675 --> 00:22:58,242 YEAH, I'VE ALWAYS KNOWN. I WAS JUST BORN THIS WAY. 554 00:22:59,879 --> 00:23:02,079 - UM, YEAH. - GOOD. 555 00:23:02,115 --> 00:23:03,948 - WE'LL MESSAGE EACH OTHER. - OKAY, COOL. 556 00:23:03,983 --> 00:23:05,483 - WELL, SEE YOU. - BYE. 557 00:23:05,518 --> 00:23:07,084 - BYE. - BYE. 558 00:23:08,187 --> 00:23:10,354 OH MY GOD, DON'T FREAK OUT. 559 00:23:10,390 --> 00:23:12,490 - WHAT THE HELL IS GOING ON? - WHAT ARE YOU DOING? 560 00:23:12,558 --> 00:23:14,325 I'M NOT A LESBIAN. OH MY GOD. 561 00:23:14,360 --> 00:23:16,427 - GUYS, SERIOUSLY. - I CAN'T BELIEVE IT. 562 00:23:16,462 --> 00:23:18,462 - ARE YOU A LESBIAN? - DON'T WORRY. 563 00:23:18,531 --> 00:23:21,332 NO, I TOLD HER I WAS A LESBIAN SO SHE'D SAY YES TO TAKE ME TO THE FORMAL. 564 00:23:21,367 --> 00:23:23,768 WHY THE HELL DO YOU WANT TO GO TO THE FORMAL WITH A LESBIAN? 565 00:23:23,803 --> 00:23:25,436 - DON'T YOU GET IT? - NO. 566 00:23:25,471 --> 00:23:27,037 SHE IS LIKE THE SECOND- HOTTEST GIRL IN YEAR 11. 567 00:23:27,073 --> 00:23:28,873 - BUT SHE'S A LESBIAN. - THE COMBINATION OF HER AND I 568 00:23:28,908 --> 00:23:30,841 IS GONNA BE AWESOME, SERIOUSLY. 569 00:23:30,877 --> 00:23:32,676 - IT'S GONNA BLOW EVERYONE'S MIND. - OH MY GOD. 570 00:23:32,712 --> 00:23:34,478 - THIS IS LIKE-- YOU'RE A LESBIAN? - THINK ABOUT IT. 571 00:23:34,514 --> 00:23:36,013 LIKE, WHEN WE TURN UP TO THE NIGHTCLUB, 572 00:23:36,048 --> 00:23:37,882 WE GET OUT OF THE LIMO, EVERYONE'S GONNA GO SCHIZO. 573 00:23:37,917 --> 00:23:39,617 - CAN YOU IMAGINE THAT? - SO, IT'S FAKE? 574 00:23:39,652 --> 00:23:41,552 - Ja'mie: YEAH, IT'S TOTALLY-- - OH MY GOD. 575 00:23:41,587 --> 00:23:45,456 - EXCUSE ME, ARE YOU SURE? - I AM FAKING BEING A LESBIAN. I AM NOT A LESBIAN. 576 00:23:45,491 --> 00:23:48,692 - I TOTALLY KNOW YOUR PLAN. IT'S LIKE TO STAND OUT. - IT'S DISGUSTING EVEN TO JOKE. 577 00:23:48,728 --> 00:23:51,662 - TO GO WITH A LESBIAN-- - IT'S GONNA BE BIGGER THAN YOU AND THE WHEELCHAIR GUY. 578 00:23:51,697 --> 00:23:53,097 NO, IT WILL MAKE YOU STAND OUT SO MUCH. 579 00:23:53,132 --> 00:23:54,932 - IT'LL BE LIKE OH MY GOD. - IT'S GONNA BE SO COOL. 580 00:23:54,967 --> 00:23:57,201 GET OVER IT, JESS. IT'S GONNA BE THE BEST THING EVER. 581 00:23:57,236 --> 00:23:58,836 LIKE WE SHOULD DO AWARDS 582 00:23:58,871 --> 00:24:00,738 AND WE'LL HAVE LIKE THE HOTTEST LESBIAN COUPLE AWARD... 583 00:24:00,773 --> 00:24:02,606 - YES! - ...AND ME AND TAMSIN CAN WIN IT. 584 00:24:04,143 --> 00:24:06,477 - I GOT SUSPENDED! - ( cheering ) 585 00:24:06,512 --> 00:24:07,978 Jonah: THREE-DAY SUSPENSION! 586 00:24:08,014 --> 00:24:10,080 I HAD TO GO SEE MISS MURRAY, 587 00:24:10,116 --> 00:24:12,583 AND SHE SAID THAT MY DAD HAD TO PAY FOR THE LOCKERS 588 00:24:12,685 --> 00:24:14,685 TO BE FIXED AND REPAINTED AND SHIT. 589 00:24:14,720 --> 00:24:16,454 AND DAD SAID FUCK OFF TO THEM. 590 00:24:16,556 --> 00:24:18,122 SUSPENDED! 591 00:24:18,157 --> 00:24:21,025 AND PEDOPHILE PETE SAID THAT IF I FUCK UP AGAIN 592 00:24:21,060 --> 00:24:24,094 THEY WANT MY DAD TO SEND ME TO A PRIVATE SCHOOL FOR PROBLEM BOYS. 593 00:24:24,130 --> 00:24:26,263 - YOUR DAD LOOKS ANGRY, MAN. - I KNOW, HE'S PISSED. 594 00:24:26,299 --> 00:24:29,099 YOU DO THAT SHIT AGAIN, I'LL SEND YOU BACK TO TONGA. 595 00:24:29,135 --> 00:24:32,036 I DON'T EVEN CARE IF YOU SEND ME BACK TO TONGA. 596 00:24:32,071 --> 00:24:33,671 THERE'S MAD BREAK-DANCERS IN TONGA. 597 00:24:33,706 --> 00:24:36,173 I WANT TO GO THERE. 598 00:24:36,209 --> 00:24:39,710 - I'M GONNA SMACK YOU TONIGHT. - THAT'S CHILD ABUSE IF YOU DO. 599 00:24:39,779 --> 00:24:42,546 AND YOU DIDN'T TURN UP TO POLY DAY, MOTHERFUCKER. YOU OWE ME. 600 00:24:44,183 --> 00:24:46,283 NOW, I'VE JUST SPOKEN TO MR. G, HE'S CALLED. 601 00:24:46,319 --> 00:24:48,118 HE'S ON HIS WAY BACK FROM THE VET. 602 00:24:49,722 --> 00:24:51,722 UNFORTUNATELY... 603 00:24:51,757 --> 00:24:53,257 CELINE HAS DIED. 604 00:24:54,794 --> 00:24:57,394 NOW, WHEN MR. G GETS BACK TODAY, 605 00:24:57,430 --> 00:25:00,431 HE'S OBVIOUSLY GOING TO BE VERY UPSET. 606 00:25:00,466 --> 00:25:02,233 I WOULD ASK THAT YOU ALL TAKE THAT INTO CONSIDERATION. 607 00:25:03,936 --> 00:25:06,337 LET'S MOVE INTO THE FIRST POSITIONS 608 00:25:06,372 --> 00:25:08,572 FOR "SCHOOL THESE DAYS," THE REPRISE, PLEASE. 609 00:25:21,053 --> 00:25:22,753 OKAY, CAST. 610 00:25:24,257 --> 00:25:26,056 WE WILL RUN THROUGH... 611 00:25:27,326 --> 00:25:29,360 THE WHOLE NUMBER TO THE END. 612 00:25:30,730 --> 00:25:32,096 DANCERS, HEADS DOWN, PLEASE, 613 00:25:32,131 --> 00:25:35,032 REMEMBERING JAZZ RUN-IN WITH RIGHT FOOT FIRST. 614 00:25:35,101 --> 00:25:36,667 THANK YOU, RODNEY. 615 00:25:36,702 --> 00:25:39,136 ( piano music playing ) 616 00:25:41,607 --> 00:25:44,575 ♪ SCHOOL THESE DAYS ♪ 617 00:25:44,610 --> 00:25:48,846 ♪ YOU'D HAVE TO BE A FOOL THESE DAYS ♪ 618 00:25:48,881 --> 00:25:52,983 ♪ TO WANT TO GO TO SCHOOL THESE DAYS ♪ 619 00:25:53,019 --> 00:25:56,287 ♪ SCHOOL THESE DAYS ♪ 620 00:25:58,524 --> 00:26:01,992 ♪ SCHOOL IS THUGS, SEX AND DRUGS ♪ 621 00:26:02,061 --> 00:26:06,330 ♪ IT'S NOT LIKE IT USED TO BE ♪ 622 00:26:06,432 --> 00:26:10,100 ♪ TO WANT TO GO TO SCHOOL THESE DAYS ♪ 623 00:26:10,136 --> 00:26:13,103 ♪ SCHOOL THESE DAYS ♪ 624 00:26:13,139 --> 00:26:17,508 ♪ DON'T WANT TO GO TO SCHOOL ♪ 625 00:26:17,543 --> 00:26:22,580 ♪ DON'T WANT TO GO TO SCHOOL. ♪ 626 00:26:31,257 --> 00:26:32,957 GUYS, FORMAL ISSUE. 627 00:26:33,059 --> 00:26:35,593 THERE'S NO WAY HE'S DOING IT UNLESS WE GIVE HIM FULL PAYMENT. 628 00:26:35,628 --> 00:26:37,328 IT'S A SERIOUS ISSUE, GUYS. 629 00:26:37,363 --> 00:26:39,396 - WE'LL DO LIKE A DRESS-UP DAY. - THAT'S, LIKE, PAYING 630 00:26:39,432 --> 00:26:42,433 - FOR OUR FORMAL. - TO RAISE IMPORTANT FUNDS FOR AIDS IN AFRICA. 631 00:26:42,468 --> 00:26:45,302 I DON'T REALLY SEE IT AS LYING. AIDS MONEY, AIDS IN AFRICA. 632 00:26:45,438 --> 00:26:49,173 ( dance music plays ) 633 00:26:49,308 --> 00:26:51,542 JA'MIE'S IN A MASSIVE AMOUNT OF TROUBLE. 634 00:26:51,644 --> 00:26:55,179 LOOK, WE'RE REALLY RICH, SO JUST NAME YOUR PRICE AND WE'LL SORT IT OUT. 635 00:26:55,214 --> 00:26:57,314 Jan: TO BE HONEST, I'M A BIT WORRIED ABOUT JONAH. 636 00:26:57,350 --> 00:26:59,917 DOUG'S TAKING THIS REALLY HARD LINE WITH HIM. 637 00:26:59,952 --> 00:27:03,320 ONE TIME YOU GET CAUGHT BREAK-DANCING AND YOU ARE OUT OF HERE! 638 00:27:03,356 --> 00:27:06,657 WE GOT A TEXT MESSAGE FROM KEIRAN. HE WANTS TO HAVE A BREAK-DANCING CHALLENGE. 639 00:27:06,692 --> 00:27:08,392 HE'S GONNA GO AROUND THE WHOLE SCHOOL 640 00:27:08,427 --> 00:27:10,461 TELLING EVERYONE I'M NOT A GOOD ENOUGH BREAK-DANCER. 641 00:27:10,496 --> 00:27:12,162 THE ONLY RULE WE HAVE IS NO ROGs OR FOBs. 642 00:27:12,198 --> 00:27:14,498 Jonah: I KNOW IF I TAKE REVENGE ON HIM, 643 00:27:14,533 --> 00:27:16,266 I'LL GET FUCKIN' EXPELLED OR SOME SHIT. 644 00:27:16,302 --> 00:27:18,268 I'M SORRY TO HEAR ABOUT YOUR DOG. 645 00:27:18,304 --> 00:27:20,004 YOU NEVER SAID "GREAT, THANK YOU FOR WHAT YOU'VE DONE." 646 00:27:20,039 --> 00:27:21,972 I'M BLOODY RESIGNING. FUCK OFF, EVERYONE. 647 00:27:22,008 --> 00:27:24,308 Mr. G's voice: WELL, I'M LEAVING AT THE END OF TODAY. 648 00:27:24,343 --> 00:27:26,810 IT'S MY LAST DAY TODAY. MR. G'S LAST DAY! 649 00:27:26,846 --> 00:27:28,879 Mr. G's voice: I'VE COME TO THE END. AND IT FEELS RIGHT. 650 00:27:28,914 --> 00:27:30,381 Rodney: WHY HAVE YOU SPENT ALL DAY TODAY 651 00:27:30,416 --> 00:27:31,682 DRIVING UP AND DOWN OUTSIDE THE SCHOOL? 652 00:27:31,717 --> 00:27:33,484 IT'S ON MY WAY TO THE SHOPS. 653 00:27:33,519 --> 00:27:35,719 - WHAT ARE WE GONNA DO? - THAT'S NOT GONNA HAPPEN. 654 00:27:35,755 --> 00:27:37,454 - I'M SUPPORTING HIM! - TRUST ME FOR ONCE. 655 00:27:37,657 --> 00:27:40,124 - YOU SPAZZ. - THAT'S REALLY MEAN. 656 00:27:40,226 --> 00:27:40,924 - YOU SPAZZ. - THAT'S REALLY MEAN.