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- <font color="#D81D1D">Corrected by darthfrede</font> -
-- <font color="#138CE9">www.addic7ed.com</font> --

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When last we left me...

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Cue music.

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As 1966 began,
I was determined

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to bring my studio,
Pinnacle Pictures,

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an Academy Award.

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First,
I needed the material.

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"She Cried for Justice"
was the novel of 1966.

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It told the story
of a Jewish girl

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who escapes Hungary
during the Holocaust

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and comes to America.

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Years later,
she sees her former Nazi guard

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living under an assumed name
in New York City.

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I knew from the moment
I read the first page

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this story had Oscar
written all over it.

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I called the author,
Edna Bach,

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and convinced her to meet.

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She was a recluse
who was not interested

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in dealing with Hollywood.

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So I wined and dined her.

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We sat at my favorite table
in the candlelit gardens

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of the Chateau Marmont

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and I laid on
the Wallach charm.

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"Edna, I simply must have the
rights to your memoir."

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She was tough,
"This is a sacred story

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"of my life, Mr. Wallach.

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"Why would I ever trust
a Hollywood producer

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to do it justice?"

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"Because I promise
to treat your story

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with the utmost respect.

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You will be involved
every step of the way.

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Your novel is beautiful.
Just like you."

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"Oh, Jerry,
I haven't had a warm embrace

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since the Taft Administration."

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By the next morning,
she had agreed.

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Then I got to work.

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For the lead role
of the Jewish refugee,

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Hannah Novak,

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I wanted to find an actress

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who was vulnerable,
yet resilient.

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Someone who, when the audience
looked into her eyes,

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they saw the horrors
of the Holocaust.

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But she had to be hot.

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Bridget Bailey
was the "It Girl" of 1967.

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She drove men
wa-wa-wa-wild.

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She was like whipped cream
and whiskey.

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Fluffy,
and God damn dangerous.

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She had just the right
va-va-voom

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to play
a Holocaust survivor.

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And for the male lead,

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the Gestapo officer,

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I was blessed with
the best method actor

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of his generation.

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You better believe
I went with my main wop,

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Enzo Entolini.

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At first,
Enzo wasn't up for it

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so I called him up.

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Enzo, wipe that spaghetti sauce
off your mouth,

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because I got
another project for you."

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But Jerry, I too common,

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I don't know nothing
about no Nazi.

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Enzo, I own the property.

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We can have our way
with this book

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the way we did
with those girls from Reseda.

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I like that memory.

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I had the cast
of my dreams,

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and we were ready
to bring the novel to life.

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Sometimes you throw
in the right ingredients,

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and out of the oven
comes a perfect movie.

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Hannah Novak
escaped Nazi Poland

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only to find
her tormenter here.

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This young,
Jewish refugee

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comes to this court
seeking justice.

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You say my client
was a war criminal?

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That man.
That man was Gestapo.

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And I know because

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I am a Jewish refugee.

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Can't you see...

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that I love you?

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Come here, ma.

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Their chemistry
was undeniable.

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There was just one problem.

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Our corporate owners
had no interest in owning

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an art house studio.

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Pinnacle Pictures
was independent for 40 years.

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But in 1951,
it was bought as a tax shelter

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by the CIA to funnel
South American money.

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It was an open secret
in Hollywood.

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Like how Kevin Costner
is three different people.

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Officially,
United Papaya of Uruguay

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controlled the studio.

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They didn't want me
futzing with

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their slush funds
and assassinations

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just to win an Oscar.

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They wanted to dump
Pinnacle Pictures all together.

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And sell off everything
I had built.

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But I knew how
to appeal to them.

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Through the magic of movies.

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I called down
to the sound stage

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and told them
to get the cameras ready.

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Hello, agents of the CIA.

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Seņores.

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I'd like to tell you
a little bit about

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Pinnacle Pictures,

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and what we have
going on here,

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and why we think
this movie studio isn't a front,

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but something with a front
and a back and sides.

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We have a lot of films
coming up on our slate

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at Pinnacle Pictures.

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One of which
is "Swashbuckler's Island,"

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a children's movie.

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And here's
one of the stars, now.

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Puffin, the bird.

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Puffin says he hopes
you like the film.

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And that it comes out in June
of this year.

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We're very proud of it.

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Puffin's proud of it, too.

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Another picture we're very...
proud of

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is "She Cried for Justice,"

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and Oscar contender starring
Bridget Bailey

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and Enzo Entolini.

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Now I want to show you
one clip from it.

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Just one.
And you'll see

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why Pinnacle Pictures
is the bet to make.

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It speaks for itself.
We need your money.

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But I promise you,
your name will be

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on an Academy Award.

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Or if you don't want your name
on any documents,

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that's fine, too.

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Maybe that's how
you guys work.

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The next morning,
we had the money

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in a black duffel bag,
all cash.

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Had some blood on it.

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Very upsetting
for the woman at reception.

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The movie opened
just in time for nominations.

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And sure enough,
we were in the running

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for Best Picture of 1967

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Two years of work,
assembling the finest cast,

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changing most of
the plot of the novel,

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banning Edna Bach
from the set

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and completely
changing the title

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but we were here.

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I knew we had the most
revolutionary film of the year.

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We've seen excerpts
from the five films nominated

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for Best Picture.

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For the record,
they are:

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"Bonnie and Clyde,"

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"Doctor Dolittle,"

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"The Graduate,"

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"In the Heat of the Night,"

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and "Blondes, Blondes, Blondes,
and a Millionaire!"

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Based on the novel,
"She Cried for Justice."

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And now for
the Best Picture.

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May I have
the envelope, please?

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Thank you.

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The winner is...

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"In the Heat of the Night,"
Walter Mirisch.

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Mary Poppins screwed me.

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I was so distraught
at the after party,

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I could barely speak.

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The only highlight
of the evening

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was that I discovered flan.

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"Blondes, Blondes, Blondes,
and a Millionaire!"

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was a victim of its time.

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I'll be honest,
I had no idea

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there was all this,
"young people are angry

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and Black people
are this and that" going on.

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I hung out with Enzo
and Playboy Bunnies

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and wealthy crooners.

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We talked about boats
most of the time.

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But I vowed never again
to be behind the times.

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I would dive into
the changing America.

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At age 41,
I embraced the revolution.

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I started smoking pot
and wearing leather vests.

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And that was it.

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So I...
I think it was late '67.

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It was just after Jerry had done
"She Cried for Justice."

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At any rate, I...
I came up and I said to Jerry,

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"A writer writes, a director
directs an actor acts.

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Tell me, just what is it
that you do?"

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And he just laughed and said,

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"Snakes..."

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He called me Snakes
for no reason.

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I don't get it.

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"Snakes, I'm the guy
who keeps the money men hard

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while making sure
you don't get fucked."

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I always liked that answer.

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Far out.

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As a new decade began,
I was more determined than ever

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to bring home an Oscar
by any means necessary.

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The 1970s saw the greatest
cinema boom in history.

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"The Godfather,"

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"Annie Hall,"

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"Jaws,"
and 700 other movies

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that don't hold up at all.

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And the Oscars
were changing, too.

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Oh, my God.
The winners is

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George C. Scott in Patton.

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Accepting the coveted award
for Mr. George C. Scott

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is the film's producer,
Mr. Frank McCarthy.

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George C. Scott
boycotted the Oscars

202
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and the son of a bitch
still won!

203
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Meanwhile,
Pinnacle Pictures continued

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to turn out
cutting edge films.

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I was determined
to keep up with the times

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by telling the grittiest,
most progressive stories

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about a year after they were
told in different movies.

208
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"French Connection"
too intense?

209
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How about
the heavily focus grouped,

210
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"Plan to Sell Dope"?

211
00:10:18,466 --> 00:10:20,300
"Love Story" too sad?

212
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Try "Going Steady,"
where no one dies at the end.

213
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"The Exorcist" too scary?

214
00:10:26,374 --> 00:10:28,274
How about
"Detective Rabbi"?

215
00:10:28,276 --> 00:10:31,544
He'll chase the Dybbuk
right out of your room.

216
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The Academy loved
a political film.

217
00:10:33,882 --> 00:10:36,516
But more importantly,
it loved a political protest

218
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on Oscar night.

219
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When Marlon Brando sent the
Land-O-Lakes Butter mascot

220
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to refuse his Oscar,

221
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I knew the bar had been set.

222
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If he was gonna
bring one Native American,

223
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I was gonna show up
with a whole tribe.

224
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When a Pinnacle film
was nominated in 1975,

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I arrived
with seven Brazilian men

226
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from the indigenous
Yanomami Tribe.

227
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If we won,
I promised the fellas

228
00:11:01,977 --> 00:11:04,377
they could rush the stage,
grab the award,

229
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and say whatever the hell
about the rain forest.

230
00:11:07,582 --> 00:11:12,018
The nominees for
the Best Picture of the year are...

231
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"Chinatown,"
a Robert Evans production,

232
00:11:14,890 --> 00:11:16,489
Robert Evans producing.

233
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"The Conversation,"
a Directors Company production,

234
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Fred Roos, co-producer.

235
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"The Godfather: Part II,"
A Coppola Company production,

236
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Francis Ford Coppola,
producer.

237
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"Lenny,"
a Marvin Worth production,

238
00:11:29,137 --> 00:11:30,670
Marvin Worth, producer.

239
00:11:30,672 --> 00:11:34,073
And "Kenny,"
a Pinnacle Production

240
00:11:34,075 --> 00:11:37,076
Jerry Wallach, producer.

241
00:11:38,212 --> 00:11:44,150
And the winner is...

242
00:11:44,152 --> 00:11:45,685
- "Godfather: Part II."
- God damn it!

243
00:11:45,687 --> 00:11:49,289
Francis Ford Coppola,
Gray Frederickson and Fred Roos.

244
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I'd been making films
for almost ten years.

245
00:11:55,697 --> 00:11:58,598
And not a single statue
graced my mantle.

246
00:12:01,569 --> 00:12:04,370
It was at that low moment
that my indigenous friends

247
00:12:04,372 --> 00:12:06,706
introduced me
to the cocaine leaf.

248
00:12:06,708 --> 00:12:09,275
Ten times more potent
than the stepped-on powder

249
00:12:09,277 --> 00:12:10,710
sold in L.A.

250
00:12:10,712 --> 00:12:12,512
For the rest of the 70s,

251
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I lived like
a jacked-up koala.

252
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I felt great.

253
00:12:22,057 --> 00:12:24,624
And a little violent
all day.

254
00:12:24,626 --> 00:12:26,459
I worked harder
than I ever had,

255
00:12:26,461 --> 00:12:29,262
turning out more and more
Oscar contenders.

256
00:12:43,545 --> 00:12:47,313
In 1977, Oscar-winning
screenwriter Michael Walters

257
00:12:47,315 --> 00:12:49,615
told me about a new
psycho-sexual drama

258
00:12:49,617 --> 00:12:51,050
he was writing.

259
00:12:51,052 --> 00:12:52,719
Walters was a mad genius,

260
00:12:52,721 --> 00:12:54,520
writing only at night

261
00:12:54,522 --> 00:12:57,690
and only typing with
the front ends of handguns.

262
00:12:57,692 --> 00:13:00,460
I bought the script
sight-unseen.

263
00:13:00,462 --> 00:13:02,395
And then I called
the one guy I knew

264
00:13:02,397 --> 00:13:03,763
who could direct it.

265
00:13:03,765 --> 00:13:06,466
The Roman Polanski...

266
00:13:06,468 --> 00:13:07,767
of Italy.

267
00:13:07,769 --> 00:13:10,036
My best friend,
Enzo Entolini,

268
00:13:10,038 --> 00:13:12,572
who had never directed
anything before.

269
00:13:12,574 --> 00:13:14,440
Entolini needed money.

270
00:13:14,442 --> 00:13:16,209
He'd invested
every dime he had

271
00:13:16,211 --> 00:13:18,177
in the sparking water
business.

272
00:13:18,179 --> 00:13:19,746
The Caps weren't shut
tight enough,

273
00:13:19,748 --> 00:13:22,515
and the whole supply
went flat.

274
00:13:22,517 --> 00:13:24,317
They worked
night and night

275
00:13:24,319 --> 00:13:26,686
in a special mirrored office
I had made for them.

276
00:13:26,688 --> 00:13:30,223
We were determined to make
the coke-iest movie ever.

277
00:13:30,225 --> 00:13:31,691
In an effort
to add to the whole,

278
00:13:31,693 --> 00:13:33,526
"What the fuck?"
of this production,

279
00:13:33,528 --> 00:13:35,428
we decided to cast
no-name actors

280
00:13:35,430 --> 00:13:37,263
who can
improvise dialogue.

281
00:13:37,265 --> 00:13:39,332
And on top of that,
Enzo and Walters

282
00:13:39,334 --> 00:13:42,035
insisted on shooting
on real locations

283
00:13:42,037 --> 00:13:43,403
with no permits

284
00:13:43,405 --> 00:13:46,672
and with no green lights
at crosswalks.

285
00:13:46,674 --> 00:13:49,475
I put every dollar we had
behind the project.

286
00:13:49,477 --> 00:13:51,377
The press was
gunning for me.

287
00:13:51,379 --> 00:13:53,780
We were now in the era when
overages and release dates

288
00:13:53,782 --> 00:13:56,249
were the stuff of
the nightly news.

289
00:13:56,251 --> 00:13:58,418
Still, I knew
we had the goods.

290
00:13:58,420 --> 00:14:01,120
A bondage-themed,
improvised movie

291
00:14:01,122 --> 00:14:04,290
with borderline-unattractive
no-name actors.

292
00:14:04,292 --> 00:14:06,426
The anticipation
for our masterpiece

293
00:14:06,428 --> 00:14:08,594
kept growing and growing.

294
00:14:11,699 --> 00:14:14,167
On May 25th, 1977,

295
00:14:14,169 --> 00:14:16,736
"Fisting"
opened worldwide...

296
00:14:16,738 --> 00:14:19,372
the same day as
"Star Wars."

297
00:14:19,374 --> 00:14:21,174
Was "Fisting"
a better movie?

298
00:14:21,176 --> 00:14:22,642
You bet it was.

299
00:14:22,644 --> 00:14:24,410
Can you rent it anywhere?

300
00:14:24,412 --> 00:14:25,511
Not really.

301
00:14:25,513 --> 00:14:26,846
One store has it.

302
00:14:26,848 --> 00:14:28,648
The point is,
we lost a ton of dough

303
00:14:28,650 --> 00:14:30,783
and once again,
I had to go beg for money

304
00:14:30,785 --> 00:14:32,718
to keep Pinnacle running.

305
00:14:32,720 --> 00:14:34,754
Hello, agents of the CIA.

306
00:14:34,756 --> 00:14:36,589
Seņores.

307
00:14:36,591 --> 00:14:40,359
Me and the fellas
would just like to apologize

308
00:14:40,361 --> 00:14:42,695
for...
not getting you the Oscar.

309
00:14:42,697 --> 00:14:44,363
Look, if it isn't Puffin.

310
00:14:44,365 --> 00:14:46,199
From our newest film,

311
00:14:46,201 --> 00:14:48,668
"Swashbuckler Island,"
from 12 years ago.

312
00:14:48,670 --> 00:14:51,304
Puffin...

313
00:14:51,306 --> 00:14:52,672
You're the only one
I trust, Puffin.

314
00:14:55,243 --> 00:14:58,444
Rosie, Dale.

315
00:14:58,446 --> 00:15:00,413
This is the the team
that's gonna put

316
00:15:00,415 --> 00:15:03,549
Pinnacle Pictures
back on the map.

317
00:15:03,551 --> 00:15:06,385
This time,
the film didn't work.

318
00:15:06,387 --> 00:15:09,155
And I got the shock
of my life.

319
00:15:15,229 --> 00:15:16,762
After 13 years
working to rig

320
00:15:16,764 --> 00:15:18,664
an Oscar
for Pinnacle Pictures,

321
00:15:18,666 --> 00:15:20,299
I was fired.

322
00:15:20,301 --> 00:15:22,435
Some men would see this
as a bottom.

323
00:15:22,437 --> 00:15:26,672
I saw it as the top
of a new and weirder mountain.

324
00:15:26,674 --> 00:15:28,608
I was going solo.

325
00:15:40,287 --> 00:15:41,654
I ran my production company

326
00:15:41,656 --> 00:15:43,322
out of my beautiful home,

327
00:15:43,324 --> 00:15:44,924
Villa Casalati.

328
00:15:44,926 --> 00:15:47,393
The future looked as good
as a blonde

329
00:15:47,395 --> 00:15:50,429
with long,
flat buttocks.

330
00:15:50,431 --> 00:15:51,464
Little did I know,

331
00:15:51,466 --> 00:15:52,565
what lay ahead of me

332
00:15:52,567 --> 00:15:54,734
was 10 more years of losing.

333
00:15:54,736 --> 00:15:56,402
The winner is...

334
00:15:56,404 --> 00:15:59,539
"Chariots of Fire."

335
00:15:59,541 --> 00:16:01,841
In '82, I lost
to "Chariots of Fire,"

336
00:16:01,843 --> 00:16:04,410
which is, at best,
a soundtrack

337
00:16:04,412 --> 00:16:06,579
that your mother has
in her car.

338
00:16:06,581 --> 00:16:11,584
In 1988, I made $200 million
with "Robot Bachelor."

339
00:16:11,586 --> 00:16:12,952
And the winner is...

340
00:16:12,954 --> 00:16:15,388
"Rain Man,"
Mark Johnson, producer.

341
00:16:15,390 --> 00:16:19,258
And lost to "Tootsie Counts
Cards in Vegas."

342
00:16:19,260 --> 00:16:21,794
Throughout the 1980s and '90s,
I made millions

343
00:16:21,796 --> 00:16:24,330
as I pivoted
to win the gold.

344
00:16:24,332 --> 00:16:25,598
Here's a period piece.

345
00:16:25,600 --> 00:16:26,799
No dice?

346
00:16:26,801 --> 00:16:28,801
All right, a biopic.

347
00:16:28,803 --> 00:16:30,803
Not this year?

348
00:16:30,805 --> 00:16:32,438
How about
an underdog sports movie

349
00:16:32,440 --> 00:16:34,440
with Meat Loaf as the coach?

350
00:16:34,442 --> 00:16:36,275
Get out of your office?

351
00:16:36,277 --> 00:16:37,743
Whatever you say, lady.

352
00:16:37,745 --> 00:16:39,879
The breaking point
was in the mid-1990s,

353
00:16:39,881 --> 00:16:42,648
when my Wyatt Earp movie,
"Mr. Old West"

354
00:16:42,650 --> 00:16:44,617
went head to head
with "Tombstone"

355
00:16:44,619 --> 00:16:46,519
and "Wyatt Earp."

356
00:16:46,521 --> 00:16:48,254
None of us were nominated

357
00:16:48,256 --> 00:16:50,957
and "Forrest Gump"
won Best Picture.

358
00:16:50,959 --> 00:16:53,259
"Forrest Gump."

359
00:16:53,261 --> 00:16:54,860
I'm sorry,
but what the fuck

360
00:16:54,862 --> 00:16:56,762
is the message of that movie?

361
00:16:56,764 --> 00:16:59,765
If you're dumb enough,
you can meet three presidents?

362
00:16:59,767 --> 00:17:01,567
It was all too much.

363
00:17:01,569 --> 00:17:03,736
My heart couldn't take it.

364
00:17:03,738 --> 00:17:05,605
My doctor told me
I could be happy

365
00:17:05,607 --> 00:17:07,974
with the millions
of dollars I had,

366
00:17:07,976 --> 00:17:11,477
or I could
chase Oscars and die.

367
00:17:11,479 --> 00:17:13,379
My life was a mess.

368
00:17:13,381 --> 00:17:14,814
I needed to get smart,

369
00:17:14,816 --> 00:17:16,616
wisen up,
kick the stupid

370
00:17:16,618 --> 00:17:18,884
out of my brain
and rev the Corvette.

371
00:17:18,886 --> 00:17:21,387
Clean and sober,
I dedicated my life

372
00:17:21,389 --> 00:17:23,022
to doing good.

373
00:17:23,024 --> 00:17:24,590
Here we go, everybody.

374
00:17:24,592 --> 00:17:26,492
We're doing charity work.

375
00:17:26,494 --> 00:17:28,361
With some donations
from AFI

376
00:17:28,363 --> 00:17:29,996
and every major studio,

377
00:17:29,998 --> 00:17:32,265
I started
Lights, Camera, Hope!

378
00:17:32,267 --> 00:17:33,966
The first charity
to give state of the art

379
00:17:33,968 --> 00:17:38,537
cameras and boom mics
to L.A.'s most dangerous gangs.

380
00:17:38,539 --> 00:17:40,006
Something magical
is happening down here

381
00:17:40,008 --> 00:17:42,675
in God knows where,
South Los Angeles.

382
00:17:42,677 --> 00:17:44,610
Hardened youths
are putting down their guns

383
00:17:44,612 --> 00:17:46,545
and picking up
a different kinda weapon:

384
00:17:46,547 --> 00:17:48,047
A movie camera.

385
00:17:48,049 --> 00:17:50,449
It's Lights, Camera, Hope!

386
00:17:52,853 --> 00:17:54,353
Lights, Camera, Hope!
helped me

387
00:17:54,355 --> 00:17:56,422
get over
my Oscar obsession.

388
00:17:56,424 --> 00:17:58,858
All I wanted to do
was charity work.

389
00:17:58,860 --> 00:18:00,793
So much so,
that I simultaneously

390
00:18:00,795 --> 00:18:02,995
lobbied the Academy
to make a special award

391
00:18:02,997 --> 00:18:05,831
for showbiz people
who do charity work.

392
00:18:05,833 --> 00:18:07,767
The proudest moment
of my life

393
00:18:07,769 --> 00:18:10,436
was when the Jerry Wallach
Humanitarian Oscar

394
00:18:10,438 --> 00:18:13,572
was presented
for the first time.

395
00:18:13,574 --> 00:18:15,474
And now, presenting
the Jerry Wallach

396
00:18:15,476 --> 00:18:16,976
Humanitarian Award,

397
00:18:16,978 --> 00:18:18,844
please welcome,
Anne Hathaway.

398
00:18:23,584 --> 00:18:25,351
Hello.

399
00:18:25,353 --> 00:18:28,421
It is my honor
to present the first ever

400
00:18:28,423 --> 00:18:31,390
Jerry Wallach
Humanitarian Award.

401
00:18:31,392 --> 00:18:33,459
- We at the Academy...
- I was about to

402
00:18:33,461 --> 00:18:35,061
receive an Oscar.

403
00:18:35,063 --> 00:18:37,863
The bald boy from Brooklyn
who only wanted

404
00:18:37,865 --> 00:18:39,465
to make people smile.

405
00:18:39,467 --> 00:18:42,468
It was finally
Jerry Wallach's night.

406
00:18:42,470 --> 00:18:43,903
To read the nominees

407
00:18:43,905 --> 00:18:49,008
for the Jerry Wallach
Humanitarian Award.

408
00:18:49,010 --> 00:18:50,576
Sidney Poitier,

409
00:18:50,578 --> 00:18:53,412
for the Poitier Center
for Racial Harmony.

410
00:18:57,884 --> 00:19:01,454
Paul Newman, for the
Newman's Own Foundation.

411
00:19:01,456 --> 00:19:04,857
Hey, Paul.

412
00:19:04,859 --> 00:19:07,626
Jerry Wallach,
producer of "Fisting."

413
00:19:10,498 --> 00:19:15,768
And Enzo Entolini for his
Italian Don't Litter campaign.

414
00:19:18,773 --> 00:19:21,907
And the Jerry Wallach
Oscar goes to,

415
00:19:21,909 --> 00:19:24,410
of course,
Enzo Entolini.

416
00:19:36,523 --> 00:19:38,524
Leave it to Julie Andrews'
little minion

417
00:19:38,526 --> 00:19:40,760
to fuck me over.

418
00:19:47,902 --> 00:19:49,668
Grazie mille.
Grazie.

419
00:19:49,670 --> 00:19:51,070
Was I mad at Enzo?

420
00:19:52,540 --> 00:19:54,173
Not on your life.

421
00:19:54,175 --> 00:19:57,676
Enzo saved my ass
many times.

422
00:19:57,678 --> 00:20:00,679
Enzo was the longest
relationship of my life.

423
00:20:00,681 --> 00:20:01,914
Forget my money.

424
00:20:01,916 --> 00:20:03,182
Forget my wives.

425
00:20:03,184 --> 00:20:04,884
Forget my four sons.

426
00:20:04,886 --> 00:20:09,188
Enzo was truly
my best friend.

427
00:20:09,190 --> 00:20:11,690
And I miss him
every God damn day.

428
00:20:15,663 --> 00:20:19,198
Now I spend my days
awash in a cologne cold memory.

429
00:20:19,200 --> 00:20:22,802
It stinks of regret
like a diaper in a hot car.

430
00:20:22,804 --> 00:20:25,704
Each spray
a jolt to the past.

431
00:20:25,706 --> 00:20:28,007
So many missed opportunities.

432
00:20:28,009 --> 00:20:30,876
So many awards
given to my lessers.

433
00:20:30,878 --> 00:20:33,879
My career is in the past.

434
00:20:33,881 --> 00:20:35,648
The door is closing.

435
00:20:35,650 --> 00:20:37,183
The curtain is falling.

436
00:20:37,185 --> 00:20:39,185
The waiter
is bringing the check.

437
00:20:39,187 --> 00:20:41,620
The masseuse has stepped out
of the room

438
00:20:41,622 --> 00:20:45,524
and reminded me
where my robe is.

439
00:20:45,526 --> 00:20:48,027
I will never make
another movie again.

440
00:20:48,029 --> 00:20:49,562
It's over.

441
00:20:49,564 --> 00:20:52,097
Fin.

442
00:20:52,099 --> 00:20:53,799
Next stop...

443
00:20:53,801 --> 00:20:55,134
death.

444
00:20:59,974 --> 00:21:01,540
Or...

445
00:21:01,542 --> 00:21:03,008
Hold on.
Hold on everybody,

446
00:21:03,010 --> 00:21:04,844
I got an idea
for a movie.

447
00:21:04,846 --> 00:21:06,512
Racism.

448
00:21:06,514 --> 00:21:08,113
We do a movie
about different people

449
00:21:08,115 --> 00:21:10,516
of different races
not getting along.

450
00:21:10,518 --> 00:21:11,884
Put a lot of
movie stars in it.

451
00:21:11,886 --> 00:21:13,786
Right?
That's a thing.

452
00:21:13,788 --> 00:21:14,920
Right?
Am I right?

453
00:21:22,800 --> 00:21:25,800
- <font color="#D81D1D">Corrected by darthfrede</font> -
-- <font color="#138CE9">www.addic7ed.com</font> --

