1
00:00:03,469 --> 00:00:04,302
- ( dance music playing )
- Sonny: THIS IS
2
00:00:06,071 --> 00:00:06,304
"Tu crezi ca poti face dansul pipi"
3
00:00:07,106 --> 00:00:07,672
FLO!
4
00:00:10,075 --> 00:00:14,112
( swing music playing )
5
00:00:14,981 --> 00:00:15,547
PIA!
6
00:00:18,317 --> 00:00:20,018
( balet )
7
00:00:20,820 --> 00:00:21,386
AQUA!
8
00:00:23,389 --> 00:00:24,890
( Latin music playing )
9
00:00:26,091 --> 00:00:26,725
AND WEE DIDDY!
10
00:00:30,328 --> 00:00:34,398
( hip-hop music playing )
11
00:00:35,267 --> 00:00:36,200
WHAT'S UP, PEEPS?
12
00:00:39,104 --> 00:00:40,104
I KNOW YOU'RE ALL
FLUSHED WITH EXCITEMENT
13
00:00:43,075 --> 00:00:43,840
BECAUSE WE ARE STREAMING
LIVE ACROSS THE WORLD.
14
00:00:44,876 --> 00:00:45,842
THE FINAL VOTES
HAVE TRICKLED IN
15
00:00:46,945 --> 00:00:47,945
AND WE'RE ABOUT TO FIND OUT
WHICH ONE OF YOU
16
00:00:51,616 --> 00:00:52,183
WILL BECOME NUMBER ONE
AT HOLDING NUMBER ONE.
17
00:00:54,286 --> 00:00:55,186
RIGHT AFTER THIS-S-S-S.
18
00:00:57,089 --> 00:00:57,754
"SO YOU THINK YOU CAN
P.P. DANCE"
19
00:00:59,724 --> 00:01:00,224
IS BROUGHT TO YOU
BY WATER.
20
00:01:01,893 --> 00:01:02,293
( jingle playing )
21
00:01:05,197 --> 00:01:05,629
♪ Water. ♪
22
00:01:07,099 --> 00:01:11,268
( all exclaim )
23
00:01:15,507 --> 00:01:16,207
GREAT REHEARSAL, GUYS.
NOW I NEED A P.P. BREAK.
24
00:01:18,276 --> 00:01:19,276
- ( rings )
- ( screams )
25
00:01:21,113 --> 00:01:22,213
♪ OFF TO THE RACES,
I'M GOING PLACES ♪
26
00:01:24,116 --> 00:01:25,282
♪ MIGHT BE A LONG SHOT,
NOT GONNA WASTE IT ♪
27
00:01:28,886 --> 00:01:29,286
♪ THIS IS THE BIG BREAK
AND IT'S CALLING MY NAME ♪
28
00:01:30,655 --> 00:01:31,555
♪ YEAH! ♪
29
00:01:34,292 --> 00:01:35,192
♪ SO FAR, SO GREAT,
GET WITH IT ♪
30
00:01:37,229 --> 00:01:38,195
♪ AT LEAST THAT'S
HOW I SEE IT ♪
31
00:01:40,633 --> 00:01:41,532
♪ HAVING A DREAM
IS JUST THE BEGINNING ♪
32
00:01:43,836 --> 00:01:44,736
♪ SO FAR, SO GREAT,
BELIEVE IT ♪
33
00:01:46,805 --> 00:01:47,772
♪ CAN'T TAKE AWAY
THIS FEELING ♪
34
00:01:50,109 --> 00:01:50,708
♪ TAKING A RIDE
WITH CHANCE ON MY SIDE ♪
35
00:01:52,911 --> 00:01:53,645
♪ YEAH, I CAN'T WAIT ♪
36
00:01:55,714 --> 00:01:56,280
♪ SO FAR,
SO GREAT ♪
37
00:01:57,783 --> 00:01:58,215
♪ SO FAR, SO GREAT ♪
38
00:02:00,318 --> 00:02:03,387
( vocalizing )
39
00:02:05,790 --> 00:02:06,723
♪ YAOOWW! ♪
40
00:02:08,926 --> 00:02:09,660
HI, THIS IS SONNY
AND YOU'VE REACHED ME
41
00:02:11,863 --> 00:02:12,129
AT MY NEW CELL PHONE
AT 555-
42
00:02:13,765 --> 00:02:14,331
0125.
43
00:02:15,900 --> 00:02:16,800
THAT WAS WAY TOO PERKY.
44
00:02:17,269 --> 00:02:18,435
I DON'T KNOW WHAT IT IS
ABOUT THAT SKETCH,
45
00:02:19,904 --> 00:02:20,504
BUT EVERY TIME WE REHEARSE IT
I GOTTA GO TO THE BATHROOM.
46
00:02:23,007 --> 00:02:23,840
NOT IF I GET THERE FIRST.
47
00:02:25,443 --> 00:02:26,143
OH. HEY, JOSH.
48
00:02:27,345 --> 00:02:28,445
- HEY, SONNY, WHAT'S UP?
- HEY.
49
00:02:30,114 --> 00:02:30,714
CHAD, WHAT ARE YOU DOING?
AND WHY ARE YOU DOING IT
50
00:02:31,349 --> 00:02:32,383
OVER HERE AT "SO RANDOM!"?
51
00:02:34,219 --> 00:02:34,951
WELL, I'M NOT JUST THE STAR
OF "MacKENZIE FALLS,"
52
00:02:36,888 --> 00:02:37,655
AMERICA'S NUMBER-ONE
TWEEN DRAMA.
53
00:02:38,256 --> 00:02:39,190
I ALSO GOT A PART
IN A MOVIE.
54
00:02:42,061 --> 00:02:42,326
HMM, I STILL DON'T KNOW
WHY YOU'RE HERE.
55
00:02:44,863 --> 00:02:45,663
I'M PLAYING
A MALE DELIVERY GUY.
56
00:02:46,665 --> 00:02:47,364
HE WORKS AT A HIGH-POWERED
LAW FIRM.
57
00:02:48,067 --> 00:02:49,233
IT'S A SMALL
BUT CRUCIAL ROLE.
58
00:02:50,869 --> 00:02:51,569
SO I'M FOLLOWING
MY GOOD BUDDY JEFF HERE
AROUND.
59
00:02:53,172 --> 00:02:53,771
- IT'S JOSH.
- WHO'S JOSH?
60
00:02:54,773 --> 00:02:55,539
THAT WOULD BE ME.
61
00:02:58,510 --> 00:02:59,143
- WELL, GOOD LUCK.
- THANK YOU.
62
00:03:01,413 --> 00:03:03,181
I WAS TALKING
TO JOSH.
63
00:03:05,718 --> 00:03:06,084
HI, THIS IS SONNY
AND YOU'VE REACHED ME
64
00:03:07,285 --> 00:03:08,186
AT 555-0125.
65
00:03:09,888 --> 00:03:10,588
- YOU KNOW WHAT TO DO.
- ( cow moos )
66
00:03:12,791 --> 00:03:13,057
HEY, MY FIRST
PHONE CALL.
67
00:03:13,592 --> 00:03:14,391
HELLO.
68
00:03:15,860 --> 00:03:16,727
YEAH, IT'S ME.
CAN YOU KEEP IT DOWN?
69
00:03:18,730 --> 00:03:19,396
I HAVE 20 LBS OF FAN MAIL
TO GO THROUGH.
70
00:03:21,666 --> 00:03:22,799
FAN MAIL?
DID I GET ANY?
71
00:03:24,102 --> 00:03:24,335
( cow moos )
72
00:03:25,570 --> 00:03:26,437
HELLO.
73
00:03:28,540 --> 00:03:29,506
AW, I WAS HOPING
TO GET YOUR MACHINE.
74
00:03:31,676 --> 00:03:32,042
ANYWAY, NO FAN MAIL
FOR YOU.
75
00:03:33,411 --> 00:03:34,077
THAT'S OKAY.
76
00:03:36,348 --> 00:03:36,714
I SAID YOU HAVE
NO FAN MAIL.
77
00:03:38,316 --> 00:03:39,082
I HEARD YOU.
78
00:03:40,318 --> 00:03:41,084
WELL, DOESN'T THAT
BOTHER YOU?
79
00:03:41,319 --> 00:03:42,253
I MEAN,
WHEN I JOINED THE SHOW
80
00:03:43,622 --> 00:03:44,088
MY FAN MAIL STARTED
ARRIVING RIGHT AWAY.
81
00:03:45,124 --> 00:03:45,522
DOESN'T BOTHER ME.
82
00:03:46,658 --> 00:03:46,924
( cow moos )
83
00:03:48,627 --> 00:03:49,293
HELLO.
84
00:03:50,295 --> 00:03:51,729
DOES IT
BOTHER YOU NOW?
85
00:03:54,900 --> 00:03:55,399
I'M OFF TO REHEARSAL.
BESIDES, I'M NOT GONNA
LET THIS BOTHER ME.
86
00:03:57,435 --> 00:04:05,042
I'M WAY TOO MATURE.
87
00:04:07,146 --> 00:04:07,812
HEY, MARSHALL.
88
00:04:09,447 --> 00:04:10,414
HEY, KIDDO.
GREAT REHEARSAL.
89
00:04:12,450 --> 00:04:12,750
I LOVED YOU IN THAT
"BABY WAA-WAA" SKETCH.
90
00:04:13,585 --> 00:04:14,418
THANKS.
91
00:04:15,888 --> 00:04:16,788
WHEN YOU SPIT UP
ON THE CHANGING TABLE
92
00:04:19,457 --> 00:04:20,224
I LAUGHED SO HARD
I GOT THAT PAIN I LIKE.
93
00:04:21,660 --> 00:04:23,094
GOOD. GOOD.
LOOK, MARSHALL,
94
00:04:25,230 --> 00:04:25,629
DO YOU THINK IT'S WEIRD
THAT I HAVEN'T GOTTEN
ANY FAN MAIL YET?
95
00:04:26,999 --> 00:04:27,832
NO, NOT AT ALL.
96
00:04:28,934 --> 00:04:29,667
YOU KNOW, NOT EVERYBODY
GETS FAN MAIL.
97
00:04:31,203 --> 00:04:32,069
HERE'S YOUR FAN MAIL,
MARSHALL.
98
00:04:35,174 --> 00:04:35,639
"ANNOUNCE MAIL,
THEN PRESENT MAIL."
99
00:04:36,641 --> 00:04:37,175
YOU GET FAN MAIL?
100
00:04:38,210 --> 00:04:39,343
NO, IT'S NOT FAN MAIL.
101
00:04:41,680 --> 00:04:42,280
I GET LETTERS
FROM PEOPLE I DON'T KNOW
WHO ADMIRE ME.
102
00:04:42,681 --> 00:04:43,614
THAT WOULD BE
FAN MAIL.
103
00:04:45,851 --> 00:04:46,483
WELL, IF YOU WANT
TO PUT A LABEL ON IT.
104
00:04:47,319 --> 00:04:48,485
LOOK AT ALL THIS
FAN MAIL.
105
00:04:50,823 --> 00:04:51,422
I KNOW.
ARE WE THE LUCKIEST GUYS
IN THE WORLD OR WHAT?
106
00:04:53,225 --> 00:04:53,657
OOH, PICTURES FROM GIRLS.
107
00:04:54,326 --> 00:04:54,959
PROM INVITATIONS?
108
00:04:56,929 --> 00:04:57,428
LOCK OF HAI--
OH, NO.
109
00:04:58,596 --> 00:04:59,363
AND NONE OF IT MATTERS
110
00:05:00,966 --> 00:05:01,598
BECAUSE ALL I CAN
THINK ABOUT
111
00:05:04,436 --> 00:05:04,836
IS WHAT'S INSIDE
THAT BOX.
112
00:05:05,337 --> 00:05:06,070
LET'S OPEN IT.
113
00:05:06,671 --> 00:05:07,771
NO NO NO,
WE CAN'T DO THAT.
114
00:05:09,741 --> 00:05:10,141
IT'S ZORA'S AND IT SAYS,
"PRIVATE AND CONFIDENTIAL.
115
00:05:11,109 --> 00:05:11,943
DO NOT OPEN."
116
00:05:14,512 --> 00:05:15,313
YEAH, BUT IF YOU STAND
LIKE THIS--
117
00:05:18,550 --> 00:05:21,085
( chuckles )
IT JUST SAYS "OPEN."
118
00:05:22,654 --> 00:05:25,122
GRAB THE TAPE.
119
00:05:26,491 --> 00:05:27,458
OH!
120
00:05:31,163 --> 00:05:34,265
BACK AWAY FROM THE BOX
OR IT'S GONNA GET MESSY.
121
00:05:36,268 --> 00:05:37,401
WHOA WHOA WHOA.
HOLD UP, ZO.
122
00:05:39,771 --> 00:05:40,471
WHAT'S THE BIG DEAL?
WE WEREN'T REALLY
GONNA OPEN IT.
123
00:05:41,306 --> 00:05:42,473
YEAH, RIGHT.
YOU GUYS OPEN
124
00:05:44,176 --> 00:05:44,842
EVERY SINGLE
PACKAGE I GET
AND EAT WHAT'S INSIDE,
125
00:05:47,112 --> 00:05:48,179
WHETHER IT'S FOOD
OR NOT.
126
00:05:50,482 --> 00:05:51,147
OH, COME ON.
TELL US WHAT'S
INSIDE THE BOX.
127
00:05:52,517 --> 00:05:52,916
YOU REALLY
WANT TO KNOW?
128
00:05:53,951 --> 00:05:54,752
YEAH, TELL US.
129
00:05:56,821 --> 00:05:57,521
OKAY, COME REAL CLOSE.
I'LL TELL YOU.
130
00:06:00,592 --> 00:06:01,592
NONE OF YOUR BUSINESS!
131
00:06:04,929 --> 00:06:07,230
SO KEEP YOUR MITTS
OFF MY MAIL, PUNKS!
132
00:06:09,801 --> 00:06:10,233
WAA WAA WAA.
133
00:06:12,704 --> 00:06:13,036
THAT'S NO GOOD.
134
00:06:15,339 --> 00:06:16,106
WAA WAA WAA.
135
00:06:17,308 --> 00:06:18,241
STILL CRYING ABOUT
NO FAN MAIL?
136
00:06:21,679 --> 00:06:22,280
NO, I TOLD YOU
I'M TOTALLY FINE
WITH THAT.
137
00:06:23,282 --> 00:06:24,282
RIGHT.
MAYBE SOMEDAY
138
00:06:25,483 --> 00:06:26,317
YOU'LL GET A FAN LETTER
LIKE EVERYONE ELSE--
139
00:06:30,255 --> 00:06:30,521
ME, ZORA, GRADY,
NICO, MARSHALL, ME.
140
00:06:35,193 --> 00:06:35,592
WELL, FOR YOUR INFORMATION,
I DID GET A FAN LETTER
141
00:06:37,462 --> 00:06:37,861
FROM ROYALTY,
142
00:06:39,764 --> 00:06:40,431
A KING, NO LESS.
143
00:06:41,366 --> 00:06:42,099
- OH, REALLY?
- YEAH.
144
00:06:45,037 --> 00:06:45,937
COULD IT BE
THE HUNAN KING?
145
00:06:48,206 --> 00:06:49,140
AND DOES HE LIVE
IN THE NOODLE PALACE?
146
00:06:52,210 --> 00:06:53,144
ACTUALLY, HE'S GOT
SEVEN LOCATIONS.
147
00:06:55,112 --> 00:06:55,913
ALL RIGHT, FINE.
IT'S JUST A MENU.
148
00:06:56,347 --> 00:06:57,581
I DIDN'T GET ANY
STUPID FAN MAIL.
149
00:07:00,685 --> 00:07:01,618
OH, SWEETIE,
I KNOW IT MUST HURT
TO BE SO UNPOPULAR.
150
00:07:04,489 --> 00:07:05,255
WELL, I DON'T KNOW.
I CAN ONLY IMAGINE,
151
00:07:05,924 --> 00:07:06,757
JUST LIKE YOU CAN
ONLY IMAGINE
152
00:07:07,592 --> 00:07:08,759
WHAT IT'S LIKE
TO ACTUALLY BE POPULAR.
153
00:07:12,263 --> 00:07:12,996
SEE, EACH FAN LETTER
IS LIKE A HUG
FROM A FRIEND.
154
00:07:14,466 --> 00:07:14,932
IS THIS PEP TALK
ALMOST OVER?
155
00:07:15,700 --> 00:07:16,533
WELL, LET'S SEE...
156
00:07:17,268 --> 00:07:18,502
I GOT MORE PEP,
SO YEAH, ALL DONE.
157
00:07:20,738 --> 00:07:21,137
I HAVE FANS.
THEY JUST HAVEN'T HAD
TIME TO WRITE YET.
158
00:07:22,440 --> 00:07:25,275
KEEP DREAMING.
159
00:07:28,580 --> 00:07:28,979
IT'S TIME.
160
00:07:32,484 --> 00:07:36,419
"DEAR SONNY...
161
00:07:38,957 --> 00:07:39,923
DUDE, DO YOU SEE
WHAT I SEE?
162
00:07:41,493 --> 00:07:42,258
CHOCOLATE-COVERED
CARAMEL-FILLED NUT CLUSTERS.
163
00:07:43,928 --> 00:07:44,661
NO, BUT GRAB ME
A FEW OF THOSE
164
00:07:45,329 --> 00:07:46,096
WHILE I TELL YOU
THE OTHER THING.
165
00:07:49,100 --> 00:07:56,807
OVER THERE--
THE FORBIDDEN BOX.
166
00:07:58,342 --> 00:07:58,642
AND NO ZORA.
167
00:08:00,177 --> 00:08:08,919
NO ZORA.
168
00:08:10,688 --> 00:08:11,855
JOSH, COME ON.
I THINK I'M READY.
169
00:08:13,958 --> 00:08:14,357
- I DON'T.
- BUT I JUST WANT
TO PUSH THE CART.
170
00:08:16,394 --> 00:08:17,861
THIS IS MY CART.
171
00:08:20,231 --> 00:08:20,697
HEY, GUYS.
SORRY I'M LATE.
172
00:08:21,599 --> 00:08:22,599
DID I MISS ANYTHING?
173
00:08:24,569 --> 00:08:25,135
HEY, MAIL'S HERE.
THIS DOESN'T CONCERN YOU.
174
00:08:26,170 --> 00:08:26,737
SONNY, HERE'S A LETTER.
175
00:08:29,106 --> 00:08:29,406
- FOR ME?
- FOR HER?
176
00:08:30,975 --> 00:08:33,710
FOR YOU.
177
00:08:35,780 --> 00:08:36,647
HEY, I TOLD YOU
YOU'D GET A FAN LETTER.
178
00:08:38,115 --> 00:08:38,916
WAY TO GO, KIDDO.
READ IT OUT LOUD.
179
00:08:41,986 --> 00:08:42,653
OH, NO NO.
I DON'T WANT TO BRAG.
180
00:08:45,156 --> 00:08:46,023
"DEAR SONNY,
MY NAME IS ERIC
181
00:08:47,725 --> 00:08:48,559
AND 'SO RANDOM!'
IS MY FAVORITE SHOW.
182
00:08:49,961 --> 00:08:50,727
I DIDN'T THINK
IT COULD GET ANY BETTER,
183
00:08:52,697 --> 00:08:53,530
BUT THEN YOU JOINED
THE CAST.
184
00:08:55,700 --> 00:08:56,499
I THINK YOU'RE AWESOME
AND TALENTED
185
00:08:58,903 --> 00:08:59,403
AND PLEASE SAY HI
TO NICO, ZORA,
186
00:09:02,174 --> 00:09:02,739
GRADY AND MARSHALL."
187
00:09:04,976 --> 00:09:05,376
HEY, I GOT A SHOUT-OUT.
188
00:09:07,179 --> 00:09:07,711
BORED ALREADY.
189
00:09:08,947 --> 00:09:09,780
HOW NICE IS THAT LETTER?
190
00:09:11,749 --> 00:09:12,383
YOU KNOW WHAT?
WE SHOULD CALL THIS KID.
191
00:09:13,318 --> 00:09:14,452
YEAH. WHAT?
NO. WHY?
192
00:09:16,188 --> 00:09:17,621
BECAUSE HE'S
YOUR FIRST FAN.
THIS IS A VERY BIG DEAL.
193
00:09:19,824 --> 00:09:20,691
AND HOW EXCITING
WOULD IT BE FOR HIM TO GET
A PHONE CALL FROM YOU?
194
00:09:22,760 --> 00:09:23,660
WELL, I WOULD LOVE
TO CALL MY FIRST FAN,
195
00:09:26,131 --> 00:09:27,064
BUT TOO BAD WE DON'T
EVEN HAVE HIS NUMBER.
196
00:09:29,201 --> 00:09:30,434
SURE WE DO.
HE LEFT IT ON THIS POST-IT.
197
00:09:32,537 --> 00:09:33,504
WAIT, YOU CAN'T
JUST CALL PEOPLE
OUT OF THE BLUE LIKE THAT.
198
00:09:35,707 --> 00:09:36,507
SURE WE CAN.
YOU WERE SO DOWN
IN THE DUMPS.
199
00:09:36,874 --> 00:09:38,075
THIS IS THE PERFECT
PICK-ME-UP.
200
00:09:41,379 --> 00:09:41,845
BUT I'M NOT DOWN ANYMORE.
IN FACT, I'M OUT
OF THE DUMPS.
201
00:09:43,047 --> 00:09:43,481
SHH, IT'S RINGING.
202
00:09:45,617 --> 00:09:49,453
( cow mooing )
203
00:09:51,389 --> 00:09:52,123
IS THAT A COW?
204
00:09:54,959 --> 00:09:56,627
YEAH, AND IT'S
RIGHT BEHIND YOU.
205
00:09:58,997 --> 00:09:59,663
( grunting )
206
00:10:01,866 --> 00:10:02,766
HOW DID ZORA
MOVE THIS THING?
207
00:10:05,903 --> 00:10:06,337
- IT WEIGHS A TON.
- QUIT YOUR BEEFING.
208
00:10:08,106 --> 00:10:08,672
( cow mooing )
209
00:10:11,209 --> 00:10:12,676
WELL, QUIT YOUR MOOING.
210
00:10:16,314 --> 00:10:16,647
YO. SSUP?
211
00:10:17,249 --> 00:10:18,282
IT'S ERIC.
212
00:10:20,285 --> 00:10:21,051
ERIC, THIS IS MARSHALL PIKE,
THE EXECUTIVE PRODUCER
213
00:10:22,220 --> 00:10:23,053
OF YOUR FAVORITE SHOW
"SO RANDOM!"
214
00:10:25,423 --> 00:10:25,956
I HAVE SOMEBODY
I WANT YOU TO TALK TO.
215
00:10:28,993 --> 00:10:29,293
WHERE'S SONNY?
SONNY!
216
00:10:31,196 --> 00:10:35,832
Sonny!
217
00:10:38,470 --> 00:10:39,203
HEY, SORRY.
I JUST WENT
TO GO GET A SNACK.
218
00:10:41,773 --> 00:10:41,972
OH, YOUR FAN'S
ON THE PHONE.
219
00:10:43,508 --> 00:10:44,208
OH.
220
00:10:45,877 --> 00:10:46,243
HEY, ERIC,
HOW'S IT GOING?
221
00:10:47,312 --> 00:10:48,011
OH, NOTHING.
222
00:10:49,714 --> 00:10:51,081
JUST EATING
A TURKEY LEG.
223
00:10:54,018 --> 00:10:54,385
OH, HEY, I GOT AN IDEA.
LET'S INVITE HIM DOWN
TO THE STUDIO.
224
00:10:55,520 --> 00:10:56,387
WHAT? NO.
225
00:10:57,789 --> 00:10:58,855
OH, YOU'RE SHY
ABOUT YOUR FIRST FAN.
226
00:10:59,457 --> 00:11:00,591
- GIVE ME THE PHONE.
I'LL DO IT.
- NO NO.
227
00:11:02,960 --> 00:11:03,626
SO, ERIC, LISTEN,
WE JUST WANTED
TO INVITE YOU
228
00:11:04,996 --> 00:11:05,662
DOWN TO THE SET
TO MEET ME.
229
00:11:07,431 --> 00:11:08,065
WHAT'S THAT?
YOU CAN'T COME?
230
00:11:10,601 --> 00:11:11,634
TWO BROKEN ARMS?
( mouths )
231
00:11:13,237 --> 00:11:14,037
TELL HIM
WE'LL COME TO HIM.
232
00:11:14,872 --> 00:11:15,706
- WE CAN'T GO TO HIM.
- WHY NOT?
233
00:11:19,911 --> 00:11:20,443
UH, WHY CAN'T WE
COME TO YOU, ERIC?
234
00:11:22,146 --> 00:11:23,046
UH-HUH.
UH-HUH.
235
00:11:26,150 --> 00:11:26,917
- WHAT'S HE SAYING?
- UH-HUH, UH-HUH.
236
00:11:27,952 --> 00:11:28,651
- GIVE ME THE PHONE.
- UH-HUH.
237
00:11:29,954 --> 00:11:30,620
SO YOU CAN COME?
THAT'S GREAT.
238
00:11:32,389 --> 00:11:32,622
OKAY, SO I'LL
SEE YOU LATER.
239
00:11:33,991 --> 00:11:34,958
BYE.
240
00:11:36,328 --> 00:11:37,628
I HAVE A FEELING THAT KID'S
NOT GONNA SHOW UP.
241
00:11:40,298 --> 00:11:41,599
WELL, IF HE DOESN'T,
I'M GONNA CALL HIM
EVERY DAY UNTIL HE DOES.
242
00:11:45,103 --> 00:11:49,840
YOU'RE MEETING
YOUR FIRST FAN
WHETHER HE LIKES IT OR NOT.
243
00:11:54,446 --> 00:11:56,714
Woman over P.A.:
Marshall, the boy who wr
244
00:11:58,850 --> 00:11:59,149
YOU MUST BE ERIC.
245
00:12:01,486 --> 00:12:02,419
WOW, YOU--
246
00:12:04,389 --> 00:12:05,155
YOU WEREN'T KIDDING
ABOUT THOSE BROKEN ARMS.
247
00:12:07,058 --> 00:12:07,624
WHAT, YOU THINK
THIS IS FUNNY,
248
00:12:08,192 --> 00:12:09,359
HAVING TWO
BROKEN ARMS?
249
00:12:10,795 --> 00:12:11,461
HOW ABOUT
I COME OVER THERE
AND BREAK YOUR ARMS
250
00:12:11,796 --> 00:12:12,996
AND YOU SEE
HOW FUNNY IT IS?
251
00:12:16,734 --> 00:12:17,901
YOU-- YOU SEEM
A LITTLE DIFFERENT
FROM YOUR LETTER.
252
00:12:20,004 --> 00:12:20,871
LOOK, IF YOU
DON'T WANT ME HERE,
I'LL JUST LEAVE.
253
00:12:22,774 --> 00:12:23,173
BESIDES, I DON'T SEE
SONNY HERE ANYWAYS.
254
00:12:23,841 --> 00:12:24,507
SEE YOU LATER.
255
00:12:25,910 --> 00:12:26,509
HOLD UP.
WHERE ARE YOU GOING?
256
00:12:27,745 --> 00:12:28,111
RELAX.
HAVE A NECTARINE.
257
00:12:29,947 --> 00:12:30,781
A NECTARINE?
258
00:12:32,683 --> 00:12:33,349
WHAT, IS THIS
A POOR MAN'S PEACH?
259
00:12:35,720 --> 00:12:36,186
NO, THANKS.
I'M OUT OF HERE.
260
00:12:37,422 --> 00:12:38,555
WAIT WAIT WAIT WAIT.
261
00:12:41,726 --> 00:12:42,326
LOOK, YOU CAME
ALL THE WAY DOWN HERE
TO MEET SONNY--
262
00:12:43,261 --> 00:12:43,794
YOU'RE GONNA
MEET SONNY.
263
00:12:44,396 --> 00:12:45,462
WELL, MAKE IT SNAPPY,
264
00:12:47,165 --> 00:12:47,864
'CAUSE I GOT
PLACES TO GO
AND PEOPLE TO SEE
265
00:12:50,201 --> 00:12:50,467
WHEN I GET
TO THOSE PLACES.
266
00:12:52,136 --> 00:12:53,036
MARSHALL, I NEED
TO TALK TO YOU.
267
00:12:54,639 --> 00:12:55,406
TAWNI, YOU'RE JUST IN TIME.
THIS IS ERIC.
268
00:12:56,941 --> 00:12:57,808
HE WROTE THAT FAN LETTER
TO SONNY.
269
00:13:00,712 --> 00:13:01,345
OH, THE ONE
THAT DIDN'T MENTION ME.
270
00:13:02,647 --> 00:13:03,747
YEAH YEAH,
THAT'S THE ONE.
271
00:13:06,351 --> 00:13:07,184
TAWNI, CAN YOU
KEEP HIM COMPANY
WHILE I GO FIND HER?
272
00:13:09,654 --> 00:13:10,454
I DON'T REALLY THINK
SHE WANTS TO.
273
00:13:11,389 --> 00:13:12,623
NO, ACTUALLY,
I'D BE DELIGHTED.
274
00:13:14,759 --> 00:13:15,192
I MEAN,
ANY FAN OF SONNY'S IS
A FAN OF MINE, RIGHT?
275
00:13:17,762 --> 00:13:24,201
NOT NECESSARILY.
276
00:13:28,039 --> 00:13:28,339
WELL, THANKS FOR
SHOWING ME AROUND.
277
00:13:29,073 --> 00:13:29,406
GOTTA GO.
278
00:13:30,041 --> 00:13:31,074
WAIT WAIT.
279
00:13:32,210 --> 00:13:33,243
YOU KNOW, THERE'S SOMETHING
THAT'S BEEN BUGGING ME
280
00:13:34,245 --> 00:13:35,412
EVER SINCE YOU WROTE
THAT FAN LETTER
TO SONNY.
281
00:13:37,615 --> 00:13:38,081
AND THAT IS,
WHY WOULD YOU WRITE
A FAN LETTER TO SONNY?
282
00:13:39,617 --> 00:13:40,083
'CAUSE I LIKE HER.
283
00:13:40,985 --> 00:13:41,719
WHY DO YOU LIKE HER?
284
00:13:43,054 --> 00:13:43,821
WHY DON'T YOU
LIKE HER?
285
00:13:44,656 --> 00:13:45,422
HOW DO YOU KNOW
I DON'T LIKE HER?
286
00:13:48,059 --> 00:13:48,925
UH, CALL IT
DUDE'S INTUITION.
287
00:13:51,696 --> 00:13:53,163
OKAY, IT'S NOT
THAT I DON'T LIKE HER,
288
00:13:56,501 --> 00:13:57,100
IT'S JUST SHE'S
A LOT BETTER THAN I THOUGHT
SHE WAS GONNA BE.
289
00:13:58,002 --> 00:13:58,702
( normal voice )
REALLY?
290
00:13:59,671 --> 00:14:00,504
( deep voice )
I MEAN, REALLY?
291
00:14:03,207 --> 00:14:03,407
YEAH, BUT I'D NEVER
TELL HER THAT.
292
00:14:04,809 --> 00:14:05,709
WHY?
293
00:14:07,746 --> 00:14:08,011
YOU'RE NOT THREATENED
BY HER, ARE YOU?
294
00:14:09,213 --> 00:14:10,013
WHAT?
295
00:14:11,282 --> 00:14:12,082
WHY WOULD I BE
THREATENED BY HER?
296
00:14:14,452 --> 00:14:15,185
I MEAN, I'M PRETTIER
AND I'M FUNNIER
297
00:14:16,287 --> 00:14:17,287
AND MY HAIR
HAS MORE VOLUME.
298
00:14:18,723 --> 00:14:19,590
THAT'S JUST BECAUSE
YOU USE SO MUCH PRODUCT.
299
00:14:23,461 --> 00:14:24,561
OH, I LIKE A GUY
WHO KNOWS ABOUT PRODUCT.
300
00:14:27,298 --> 00:14:28,465
AND I LIKED IT MUCH BETTER
WHEN YOU STAYED OVER THERE.
301
00:14:29,868 --> 00:14:30,868
SO WHAT DOES
YOUR DUDE'S INTUITION
TELL YOU NOW?
302
00:14:33,004 --> 00:14:33,270
IT'S TIME TO TAKE
THESE BROKEN WINGS
AND FLY.
303
00:14:35,239 --> 00:14:35,639
WAIT.
304
00:14:37,008 --> 00:14:37,541
YOU'LL BE BACK.
305
00:14:39,577 --> 00:14:40,210
THEY ALWAYS COME BACK.
306
00:14:42,580 --> 00:14:43,547
...TWO, ONE TWO,
ONE AND TWO.
307
00:14:45,483 --> 00:14:46,216
WHOA WHOA WHOA,
WATCH WHERE YOU'RE GOING.
308
00:14:47,184 --> 00:14:47,918
- WHO ARE YOU?
- WHO ARE YOU?
309
00:14:48,286 --> 00:14:49,386
- WHO ARE YOU?
- WHO ARE YOU?
310
00:14:50,789 --> 00:14:51,555
I'M JUST GONNA
BREAK THE ICE HERE.
I'M GRADY.
311
00:14:53,324 --> 00:14:54,124
DON'T BE GIVING AWAY
YOUR IDENTITY.
312
00:14:55,760 --> 00:14:55,992
WE'RE IN THE MIDDLE
OF A CRIME.
313
00:14:56,661 --> 00:14:57,561
OH.
314
00:15:00,465 --> 00:15:00,798
THE NAME'S DARLINGTON--
RUSTY DARLINGTON.
315
00:15:01,699 --> 00:15:02,098
AND YOU ARE?
316
00:15:02,867 --> 00:15:03,567
WHAT'S IT TO YA?
317
00:15:04,435 --> 00:15:05,568
FOR THE ANSWER
TO THAT QUESTION
318
00:15:08,672 --> 00:15:08,939
I WILL HAVE TO
REFER TO MY BROTHER,
JACOB DARLINGTON.
319
00:15:09,407 --> 00:15:10,273
JACOB?
320
00:15:12,343 --> 00:15:12,675
REALLY?
THAT'S THE BEST
YOU CAN DO?
321
00:15:14,345 --> 00:15:15,045
I'M NERVOUS.
322
00:15:16,948 --> 00:15:17,747
I GOT A QUESTION
FOR YOU, KID.
323
00:15:18,983 --> 00:15:19,482
WHERE'S YOUR
VISITOR'S PASS, HUH?
324
00:15:21,785 --> 00:15:22,485
WELL, I DON'T KNOW.
325
00:15:24,555 --> 00:15:25,422
BUT WHY ARE YOU
LUGGING AROUND
326
00:15:27,191 --> 00:15:27,824
A BOX THAT SAYS
"PROPERTY OF ZORA"?
327
00:15:30,094 --> 00:15:30,693
AND WE ACCEPT
THAT ANSWER
328
00:15:32,029 --> 00:15:32,362
AS YOUR
VISITOR'S PASS.
329
00:15:33,864 --> 00:15:34,630
( laughs )
330
00:15:37,769 --> 00:15:38,669
ENJOY YOUR VISIT
AT "SO RANDOM!"
331
00:15:42,406 --> 00:15:46,142
OKAY, I'M GONNA SHOW YOU
ONE MORE TIME.
332
00:15:49,380 --> 00:15:51,782
ALL RIGHT.
ALL RIGHT, I GOT IT.
333
00:15:53,017 --> 00:15:54,050
( groans )
334
00:15:55,854 --> 00:15:56,219
- I GIVE UP.
- WHAT WAS WRONG
WITH THAT ONE?
335
00:15:57,388 --> 00:15:58,021
EVERYTHING.
336
00:15:59,657 --> 00:16:00,056
( normal voice )
OH, SORRY.
337
00:16:01,225 --> 00:16:01,625
DO I KNOW YOU?
338
00:16:03,361 --> 00:16:03,961
NOBODY KNOWS ME.
339
00:16:06,798 --> 00:16:09,967
NO ONE WILL EVER
KNOW ME.
340
00:16:11,636 --> 00:16:14,770
WEIRD BEARD.
341
00:16:17,475 --> 00:16:18,008
I KNOW YOU'D BE BACK.
342
00:16:19,743 --> 00:16:21,911
THEY ALWAYS COME BACK.
343
00:16:25,682 --> 00:16:25,982
- ( slow jazz playing )
- NOW WHERE WERE WE?
344
00:16:28,386 --> 00:16:31,154
MAIL CALL.
345
00:16:34,825 --> 00:16:35,492
SORRY, TAWNI.
I DIDN'T KNOW
YOU WERE ENTERTAINING.
346
00:16:37,995 --> 00:16:38,661
I'M ALWAYS
ENTERTAINING.
347
00:16:39,863 --> 00:16:41,197
WHAT DO YOU WANT,
JOSH?
348
00:16:43,901 --> 00:16:44,334
I HAVE SOME FAN MAIL FOR SONNY.
WILL YOU MAKE SURE SHE GETS IT?
349
00:16:45,903 --> 00:16:51,741
DON'T I ALWAYS?
350
00:16:55,179 --> 00:16:55,445
- THOSE ARE ALL FOR ME.
- NO, THEY'RE ALL FOR--
351
00:16:56,447 --> 00:16:57,213
SONNY?
352
00:16:58,749 --> 00:16:59,582
YOU'VE BEEN HIDING
MY FAN MAIL.
353
00:17:01,685 --> 00:17:02,385
YOU'RE PRETENDING
TO BE YOUR OWN FAN?
354
00:17:03,154 --> 00:17:03,853
YOU COMMITTED
MAIL FRAUD.
355
00:17:04,988 --> 00:17:05,588
WELL, YOU COMMITTED
FAN FRAUD.
356
00:17:06,223 --> 00:17:07,023
FAN FRAUD'S
NOT ILLEGAL.
357
00:17:08,725 --> 00:17:09,192
WELL, MAIL FRAUD'S
NOT EMBARRASSING.
358
00:17:10,094 --> 00:17:11,194
I'M NOT EMBARRASSED.
359
00:17:12,430 --> 00:17:13,263
BUT APPARENTLY
I'M BETTER THAN
YOU THOUGHT I'D BE.
360
00:17:15,199 --> 00:17:15,965
I TOLD THAT TO ERIC
IN CONFIDENCE.
361
00:17:17,501 --> 00:17:18,234
WELL, ONE THING
ABOUT ERIC IS
362
00:17:18,702 --> 00:17:20,303
HE'S BAD
AT KEEPING SECRETS.
363
00:17:22,106 --> 00:17:22,872
- ( knocks on door )
- KNOCK KNOCK, IT'S MARSHALL.
CAN I COME IN?
364
00:17:24,141 --> 00:17:24,640
GUESS WHO ELSE
CAN'T KEEP A SECRET.
365
00:17:26,410 --> 00:17:29,245
COME ON IN, MARSHALL.
366
00:17:31,415 --> 00:17:32,148
HAVE YOU SEEN SONNY?
I CAN'T FIND HER ANYWHERE.
367
00:17:33,384 --> 00:17:34,084
YOU CAN'T FIND HER
BECAUSE--
368
00:17:35,686 --> 00:17:36,719
BECAUSE SHE'S
RIGHT HERE.
369
00:17:39,423 --> 00:17:39,822
NO, YOU'RE NOT.
YOU'RE ERIC.
SHE'S ERIC.
370
00:17:41,425 --> 00:17:42,525
NO, I'M SONNY.
371
00:17:45,129 --> 00:17:45,661
AND THIS IS MARSHALL.
AND YOU'RE TAWNI, REMEMBER?
372
00:17:47,599 --> 00:17:48,331
MARSHALL, SHE'S ERIC.
373
00:17:49,667 --> 00:17:50,333
SHE PUT ON A COSTUME
AND A BEARD
374
00:17:51,636 --> 00:17:52,603
AND SHE BROKE
HER ARMS.
375
00:17:53,771 --> 00:17:54,972
- I SEE
WHAT'S GOING ON HERE.
- FINALLY.
376
00:17:57,408 --> 00:17:57,774
SOMEBODY'S A LITTLE JEALOUS
ABOUT SOMEBODY'S FIRST FAN.
377
00:17:59,010 --> 00:17:59,242
( guffaws )
378
00:18:00,712 --> 00:18:01,478
FINE.
379
00:18:02,379 --> 00:18:03,179
LET'S SEE WHO GETS
THE LAST LAUGH.
380
00:18:05,683 --> 00:18:06,850
MARSHALL, I SAY
WE TRACK DOWN ERIC,
381
00:18:09,286 --> 00:18:10,286
BRING HIM BACK HERE
AND INTRODUCE HIM
TO SONNY ONSTAGE
382
00:18:12,090 --> 00:18:12,723
DURING THE SHOW
IN FRONT OF
THE WHOLE WORLD.
383
00:18:13,357 --> 00:18:13,991
WHAT DO YOU THINK
OF THAT?
384
00:18:15,493 --> 00:18:15,926
I DON'T LIKE
THAT IDEA.
385
00:18:18,195 --> 00:18:18,629
I LIKE THAT IDEA.
386
00:18:19,797 --> 00:18:20,631
I LOVE THAT IDEA.
387
00:18:21,666 --> 00:18:22,365
I'M GONNA GO CALL HIM
RIGHT AWAY.
388
00:18:25,169 --> 00:18:25,802
- ( laughs )
- ( cow mooing )
389
00:18:26,971 --> 00:18:27,337
DON'T EVEN
THINK ABOUT IT.
390
00:18:28,472 --> 00:18:32,109
ALREADY DID.
391
00:18:34,378 --> 00:18:37,147
OH, I'LL GET IT.
392
00:18:39,117 --> 00:18:39,683
( mooing continues )
393
00:18:41,352 --> 00:18:41,652
- NO!
- GET BACK HERE!
394
00:18:43,821 --> 00:18:44,121
NO! NO!
395
00:18:45,056 --> 00:18:45,522
NO-O-O!
396
00:18:48,325 --> 00:18:50,627
- YES.
- NO.
397
00:18:51,928 --> 00:18:53,196
( deep voice )
YO, SSUP?
398
00:18:55,432 --> 00:18:56,432
YOU WANT ME
TO MEET SONNY IN FRONT
OF A LIVE AUDIENCE?
399
00:18:58,702 --> 00:18:59,636
YOU'LL HAVE
TO BREAK MY LEGS
TO KEEP ME AWAY.
400
00:19:01,872 --> 00:19:05,007
( normal voice )
TURNS OUT IT WAS
FOR YOU.
401
00:19:08,279 --> 00:19:08,545
( phone rings )
402
00:19:09,380 --> 00:19:09,879
HELLO.
403
00:19:11,482 --> 00:19:11,881
WILL YOU GET OFF ME?
404
00:19:14,985 --> 00:19:15,818
Announcer:
Now let's get back to
"So Random!"
405
00:19:17,588 --> 00:19:18,120
SO LONG, EVERYBODY,
AND STAY TUNED
406
00:19:21,024 --> 00:19:23,426
FOR "AMERICA'S GOT GAS."
407
00:19:24,995 --> 00:19:26,028
GREAT SHOW, EVERYBODY.
408
00:19:27,931 --> 00:19:42,312
WE'RE BACK
FOR THE SIGN-OFF
IN TWO MINUTES.
409
00:19:44,548 --> 00:19:45,047
I KNEW
I RECOGNIZED YOU.
410
00:19:47,050 --> 00:19:47,650
YOU'RE WEIRD BEARD.
411
00:19:49,220 --> 00:19:49,619
WHY ARE YOU
WEIRD BEARD?
412
00:19:50,321 --> 00:19:51,120
WHY DO YOU CARE?
413
00:19:52,623 --> 00:19:53,423
I DON'T KNOW,
LET'S GIVE IT A SHOT.
414
00:19:55,726 --> 00:19:56,426
WELL, I SENT MYSELF
A FAN LETTER
415
00:19:57,394 --> 00:19:58,194
PRETENDING TO BE
MY OWN FAN
416
00:19:59,230 --> 00:20:00,196
AND NOW I GET
TO GO OUT ONSTAGE
417
00:20:01,232 --> 00:20:02,131
TO MEET THE FAN THAT
I'M PRETENDING TO BE.
418
00:20:04,568 --> 00:20:05,268
WHY WOULD YOU WRITE
YOURSELF A FAN LETTER?
419
00:20:06,670 --> 00:20:07,437
BECAUSE I LOST FAITH
IN MYSELF.
420
00:20:09,440 --> 00:20:10,206
CLASSIC CASE
OF ACTOR INSECURITY--
421
00:20:11,242 --> 00:20:12,041
YOU START DOUBTING
YOUR ABILITIES,
422
00:20:12,943 --> 00:20:13,743
WONDERING WHETHER
YOU'RE GOOD ENOUGH
423
00:20:14,545 --> 00:20:15,211
AND WHETHER YOU DESERVE
TO BE ON TV.
424
00:20:16,413 --> 00:20:16,646
SO YOU'VE BEEN
THROUGH THIS?
425
00:20:17,981 --> 00:20:18,314
NO.
426
00:20:18,582 --> 00:20:19,949
NO. NO.
427
00:20:23,987 --> 00:20:25,121
BUT I MADE YOU THINK I HAD,
WHICH IS WHY I'LL NEVER
GO THROUGH IT.
428
00:20:26,724 --> 00:20:27,423
YOU'RE UNBELIEVABLE.
429
00:20:28,959 --> 00:20:30,059
I KNEW IT.
YOU DON'T CARE.
430
00:20:32,763 --> 00:20:33,263
I THOUGHT
WE WERE HAVING
A REAL MOMENT HERE.
431
00:20:33,597 --> 00:20:34,731
( jingle playing )
432
00:20:35,733 --> 00:20:36,766
Marshall:
Now please welcome back
to the stage
433
00:20:38,302 --> 00:20:38,768
- the cast of "So Random!"
- ( cheering )
434
00:20:40,137 --> 00:20:40,770
WELL, THAT'S MY CUE.
435
00:20:41,572 --> 00:20:42,272
SO WHAT ARE YOU
GONNA DO?
436
00:20:43,940 --> 00:20:44,274
YOU DON'T CARE,
REMEMBER?
437
00:20:45,509 --> 00:20:46,276
BUT I DO.
438
00:20:47,745 --> 00:20:48,278
NOW EXCUSE ME
WHILE I GO OUT THERE
439
00:20:50,314 --> 00:21:02,825
AND EMBARRASS MYSELF.
440
00:21:04,728 --> 00:21:05,461
WELL, THAT'S OUR SHOW,
EVERYBODY,
441
00:21:05,962 --> 00:21:06,996
BUT BEFORE WE SAY
GOOD NIGHT,
442
00:21:08,064 --> 00:21:09,165
WE WANT TO INTRODUCE YOU
TO A VERY SPECIAL GUEST--
443
00:21:11,335 --> 00:21:12,435
THE GUY WHO WROTE SONNY
HER VERY FIRST FAN LETTER.
444
00:21:14,905 --> 00:21:15,371
LET'S GIVE IT UP FOR ERIC--
WHAT'S HIS NAME AGAIN?
445
00:21:17,240 --> 00:21:17,874
DOESN'T-EXISTOWITZ.
446
00:21:20,644 --> 00:21:25,481
LET'S GIVE IT UP
FOR ERIC!
447
00:21:29,120 --> 00:21:30,653
ERIC, COME OUT, COME OUT
WHEREVER YOU'RE NOT.
448
00:21:33,191 --> 00:21:34,024
ALL RIGHT, LET'S JUST
GET THIS OVER WITH.
449
00:21:36,260 --> 00:21:36,559
MARSHALL, I HAVE
TO SAY SOMETHING.
450
00:21:38,129 --> 00:21:38,594
ERIC IS...
451
00:21:40,597 --> 00:21:45,735
YOUR BIGGEST FAN.
452
00:21:49,640 --> 00:21:50,307
THAT'S IMPOSSIBLE.
ERIC IS NOT REAL.
453
00:21:53,010 --> 00:21:53,643
BUT I'M STANDING
RIGHT HERE.
454
00:21:54,879 --> 00:21:55,378
LET'S GIVE IT UP
FOR SONNY!
455
00:21:58,182 --> 00:21:58,715
( jingle playing )
456
00:22:00,617 --> 00:22:01,084
WHY ARE YOU HELPING ME?
457
00:22:01,919 --> 00:22:02,685
I'M NOT HELPING YOU.
458
00:22:05,256 --> 00:22:05,922
I JUST WANTED
TO TRY ON THE BEARD.
459
00:22:06,790 --> 00:22:07,657
SOUNDS LIKE
SOMEBODY CARES.
460
00:22:10,728 --> 00:22:11,494
SOMEBODY WANTED
TO TRY ON A WEIRD BEARD.
461
00:22:12,529 --> 00:22:13,095
- ( coughs ) CARES.
- BEARDS.
462
00:22:13,664 --> 00:22:14,230
- CARES.
- BEARDS.
463
00:22:14,965 --> 00:22:15,531
- CARES.
- BEARDS.
464
00:22:16,567 --> 00:22:16,833
- BEARDS.
- CARES.
465
00:22:18,669 --> 00:22:28,878
GOT YOU.
466
00:22:31,782 --> 00:22:35,251
EADY.
467
00:22:37,788 --> 00:22:44,327
WE'RE GONNA NEED
A CROWBAR.
468
00:22:47,365 --> 00:22:49,933
WE'RE GONNA NEED
SOME SCISSORS.
469
00:22:50,902 --> 00:22:51,301
MAY I?
470
00:22:52,937 --> 00:22:53,136
STUPID RIBBON.
471
00:22:53,570 --> 00:22:54,404
OOH.
472
00:22:56,707 --> 00:22:57,874
- ONE, TWO...
- DUDE, YOU SMELL THAT?
473
00:23:01,178 --> 00:23:01,912
SMELLS LIKE HER GRANDMA'S
HOMEMADE CHOCOLATE-CHIP COOKIES.
474
00:23:05,016 --> 00:23:06,449
( laughs )
WHO WANTS COOKIES?
475
00:23:08,920 --> 00:23:15,425
WORKS EVERY TIME.
476
00:00:00,500 --> 00:00:02,000
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