1 00:00:03,136 --> 00:00:05,638 [ Shutter Clicks ] [ Man ] NAME, PLEASE ? 2 00:00:05,638 --> 00:00:08,091 - UH, AMY JACOBS. - OKAY, AMY. FILL OUT YOUR ADDRESS CARD. 3 00:00:08,508 --> 00:00:10,760 AND MAY I HAVE THE NEXT ONE IN LINE ? 4 00:00:11,594 --> 00:00:14,097 [ Girls Chattering, Indistinct ] 5 00:00:18,118 --> 00:00:20,403 CARL, I NEED A RELOAD. 6 00:00:22,622 --> 00:00:24,641 HEY, CARL. HEY ! I NEED MORE FILM. 7 00:00:25,058 --> 00:00:27,343 I HAVEN'T LOADED IT YET. 8 00:00:27,627 --> 00:00:31,131 WHY DO YOU EVEN BOTHER COMING IN IF YOU'RE NOT GONNA DO YOUR JOB ? 9 00:00:31,131 --> 00:00:34,634 [ Chattering Continues ] 10 00:00:57,891 --> 00:01:00,260 [ Sighs Deeply ] 11 00:01:05,098 --> 00:01:08,234 [ Breath Quivering ] 12 00:01:37,580 --> 00:01:40,133 [ Shutter Clicking, Strobe Whining ] 13 00:01:45,555 --> 00:01:48,024 [ Continues ] 14 00:01:59,686 --> 00:02:03,690 [ Sighing Breaths ] 15 00:02:03,690 --> 00:02:07,193 [ Dog Barking ] 16 00:02:16,703 --> 00:02:19,205 [ Clattering, Clicking ] 17 00:02:31,851 --> 00:02:34,687 [ Wind Whistling ] 18 00:02:35,021 --> 00:02:38,758 -[ Dog Barking ] - [ Gasping ] 19 00:02:39,025 --> 00:02:40,660 [ Muffled Screaming ] 20 00:02:42,162 --> 00:02:44,380 [ Whimpering ] NOBODY'S GONNA SPOIL US. 21 00:02:44,831 --> 00:02:47,951 - [ Groaning, Whimpering ] -[ Dog Barking ] 22 00:02:47,951 --> 00:02:52,789 AMY ? AMY ! MOM ! 23 00:02:54,324 --> 00:02:58,244 [ Chattering ] 24 00:02:58,511 --> 00:03:01,164 HURRY UP WITH THOSE DRINKS, LUCY. WE'RE BACKIN' UP ! 25 00:03:06,352 --> 00:03:10,190 WHAT ARE YOU DOING ? THESE ARE REGULAR. THEY ALL ORDERED LARGE. 26 00:03:13,993 --> 00:03:17,213 WHAT-- WHAT HAPPENED ? 27 00:03:27,307 --> 00:03:29,792 [ Moans, Grunts ] 28 00:03:29,792 --> 00:03:32,478 [ Muttering ] NOBODY'S GONNA-- GONNA SPOIL US. 29 00:03:34,581 --> 00:03:39,986 NOBODY'S GONNA SPOIL US. NOBODY'S GONNA SPOIL... US. 30 00:03:39,986 --> 00:03:45,491 NOBODY'S GONNA-- NOBODY'S GONNA SPOIL US. 31 00:03:45,491 --> 00:03:47,994 NOBODY'S GONNA SPOIL-- 32 00:03:48,494 --> 00:03:50,496 NOBODY'S GONNA SPOIL-- 33 00:03:50,997 --> 00:03:53,499 NOBODY'S GONNA SPOIL US. 34 00:04:40,897 --> 00:04:43,432 [ Woman Chattering On Police Radio ] 35 00:04:48,938 --> 00:04:51,440 [ Man ] BUSHES, PLEASE. FLOWERS. EVERYTHING. 36 00:05:11,294 --> 00:05:14,797 NAMES. OKAY ? I'M LOOKING FOR THE AGENT IN CHARGE. 37 00:05:14,797 --> 00:05:16,799 AND YOU ARE ? SPECIAL AGENT MULDER. 38 00:05:17,300 --> 00:05:19,468 I'LL LET HIM KNOW YOU'RE HERE. 39 00:05:25,107 --> 00:05:27,610 [ Man ] CAN WE GET SOME SHOTS RIGHT HERE ALONG THESE DRAPERIES ? 40 00:05:49,365 --> 00:05:51,617 MRS. JACOBS ? 41 00:05:52,868 --> 00:05:54,670 I'M FOX MULDER. I'M WITH THE FBI. 42 00:05:55,054 --> 00:05:57,540 I'M SORRY ABOUT YOUR DAUGHTER. 43 00:05:57,540 --> 00:05:59,292 IT'S HER BIRTHDAY ON TUESDAY. 44 00:05:59,659 --> 00:06:02,461 WE'RE GONNA DO EVERYTHING WE CAN TO FIND HER. 45 00:06:02,795 --> 00:06:05,781 WHO COULD DO SUCH A THING ? 46 00:06:05,781 --> 00:06:08,584 WHO CAN TAKE SOMEBODY WHO WASN'T THEIRS ? 47 00:06:09,001 --> 00:06:12,255 I KNOW YOU MUST BE FEELING-- I'M SORRY, 48 00:06:12,538 --> 00:06:17,043 BUT HOW COULD YOU REALLY KNOW HOW I FEEL ? 49 00:06:27,670 --> 00:06:30,172 [ Chattering Continues On Police Radio ] 50 00:06:41,651 --> 00:06:45,187 IT'S BLOOD. AMY HAD A NOSEBLEED. 51 00:06:45,187 --> 00:06:47,406 HER LITTLE SISTER SAID IT HAPPENED WHEN THE KIDNAPPER... 52 00:06:47,406 --> 00:06:49,909 PUT HIS HAND OVER HER MOUTH. 53 00:06:49,909 --> 00:06:51,911 WE'RE RUNNING IT ANYWAY. 54 00:06:51,911 --> 00:06:53,829 WALT EUBANKS, SPECIAL AGENT IN CHARGE. 55 00:06:54,213 --> 00:06:56,198 FOX MULDER. ANY LEADS ON A SUSPECT ? 56 00:06:56,198 --> 00:06:58,551 A VAGUE DESCRIPTION FROM THE SISTER. 57 00:06:58,551 --> 00:07:01,053 HAIR AND FIBER PULLED SOME INTERESTING BITS, BUT HE DIDN'T LEAVE ANY PRINTS. 58 00:07:01,053 --> 00:07:03,389 HERE OR IN THE FLOWER BEDS OUT FRONT. 59 00:07:03,856 --> 00:07:07,493 - WHAT ABOUT THE NEIGHBORS ? - NOBODY SAW ANYTHING. NOT A CAR. NOTHING. 60 00:07:07,493 --> 00:07:09,862 IT WAS SOMEONE WHO KNEW HER. THAT MUCH WE CAN FIGURE. 61 00:07:10,363 --> 00:07:11,864 HE KNEW RIGHT WHERE HE WAS GOING. 62 00:07:12,365 --> 00:07:15,368 NO, I'D BET THAT HE DIDN'T KNOW HER SO WELL OR ELSE HE WOULDN'T HAVE BEEN SO BOLD. 63 00:07:15,368 --> 00:07:17,536 EITHER WAY, WE'RE PRETTY MUCH CHASING OUR TAILS... 64 00:07:17,536 --> 00:07:19,822 UNTIL SOMETHING OR SOMEONE TURNS ON THIS. 65 00:07:20,139 --> 00:07:21,941 WHAT ABOUT THIS WOMAN AT THE FAST-FOOD RESTAURANT ? 66 00:07:22,241 --> 00:07:24,076 - YOU HEARD ABOUT THAT ? - YEAH, THAT'S WHY I CAME DOWN HERE. 67 00:07:24,377 --> 00:07:26,862 - SEEMS LIKE A PRETTY THIN LEAD. - MIND IF I TALK TO HER ? 68 00:07:27,313 --> 00:07:29,181 [ Scoffs ] HEY ! SAVE ME THE TIME. 69 00:07:29,649 --> 00:07:31,634 GREAT. THANKS. 70 00:07:35,221 --> 00:07:37,473 [ Door Opening ] [ Scully, Breathless ] MULDER. 71 00:07:37,973 --> 00:07:39,975 THOUGHT YOU MISSED YOUR FLIGHT. 72 00:07:39,975 --> 00:07:41,977 WE WERE DELAYED IN D.C. I TRIED YOU ON YOUR CELL PHONE-- 73 00:07:41,977 --> 00:07:43,979 OH, I FORGOT IT. I LEFT IN KIND OF A HURRY. 74 00:07:43,979 --> 00:07:46,482 YOUR MESSAGE SAID SOMETHING ABOUT A KIDNAPPING ? YEAH. FIFTEEN-YEAR-OLD GIRL... 75 00:07:46,482 --> 00:07:48,984 NAMED AMY JACOBS WAS TAKEN FROM HER BEDROOM LAST NIGHT. 76 00:07:49,485 --> 00:07:50,986 10:00. IS SHE HERE ? 77 00:07:51,487 --> 00:07:53,489 NO, THEY HAVEN'T FOUND HER. WELL, WHAT ARE WE DOING HERE ? 78 00:07:53,489 --> 00:07:55,574 A 30-YEAR-OLD WOMAN NAMED LUCY HOUSEHOLDER... 79 00:07:55,574 --> 00:07:57,576 WAS ADMITTED HERE SHORTLY AFTER 10:00. 80 00:07:57,576 --> 00:08:00,079 SHE COLLAPSED AT WORK, SUFFERING FROM SOME KIND OF SEIZURE... 81 00:08:00,079 --> 00:08:02,698 AND WHAT HER DOCTORS ARE CALLING "GLOSSOLALIA." 82 00:08:02,698 --> 00:08:05,201 INCOHERENT SPEECH. TECHNICALLY, BUT WHETHER SHE KNEW IT OR NOT, 83 00:08:05,201 --> 00:08:07,703 SHE WAS REPEATING THE EXACT WORDS SPOKEN BY AMY'S ABDUCTOR... 84 00:08:08,204 --> 00:08:10,890 AT THE EXACT SAME TIME, 20 MILES ACROSS TOWN. 85 00:08:10,890 --> 00:08:13,109 THAT'S SPOOKY. THAT'S MY NAME, ISN'T IT ? 86 00:08:13,592 --> 00:08:17,463 TURNS OUT LUCY HOUSEHOLDER KNOWS A LITTLE SOMETHING ABOUT KIDNAPPING HERSELF. 87 00:08:17,930 --> 00:08:21,400 WHEN SHE WAS EIGHT YEARS OLD, SHE WAS TAKEN FROM HER BEDROOM WHILE HER PARENTS WERE ASLEEP. 88 00:08:21,901 --> 00:08:26,405 SHE WAS MISSING FOR FIVE YEARS UNTIL SHE ESCAPED AND SOMEONE FOUND HER BY THE SIDE OF A ROAD. 89 00:08:26,405 --> 00:08:29,909 APPARENTLY, HER ABDUCTOR HAD KEPT HER LOCKED IN A BASEMENT THE ENTIRE TIME. 90 00:08:29,909 --> 00:08:33,562 - THEY NEVER CAUGHT HIM. -[ Elevator Dings, Door Slides Open ] 91 00:08:41,187 --> 00:08:45,191 [ Tapping ] 92 00:08:45,191 --> 00:08:47,943 [ Horn Beeping ] 93 00:08:50,146 --> 00:08:53,365 LUCY ? 94 00:08:55,668 --> 00:08:58,671 I'M FOX MULDER. THIS IS DANA SCULLY. WE'RE WITH THE FBI. 95 00:08:58,671 --> 00:09:00,990 WE'D LIKE TO ASK YOU A FEW QUESTIONS. 96 00:09:01,474 --> 00:09:02,942 I'D LIKE A CIGARETTE. 97 00:09:03,442 --> 00:09:04,944 THEY WON'T LET ME SMOKE IN HERE. 98 00:09:05,377 --> 00:09:09,381 - ARE YOU FEELING ANY BETTER ? - YEAH, I'M FINE. I'D JUST LIKE A CIGARETTE. 99 00:09:09,749 --> 00:09:14,136 A YOUNG GIRL WAS KIDNAPPED LAST NIGHT. HAVE YOU HEARD ANYTHING ABOUT THAT ? 100 00:09:14,136 --> 00:09:16,138 WHAT ARE YOU ASKINGMEFOR ? 101 00:09:16,138 --> 00:09:18,741 DO YOU REMEMBER WHAT YOU WERE SAYING LAST NIGHT WHEN YOU COLLAPSED AT WORK ? 102 00:09:19,225 --> 00:09:23,078 - WHAT ? -YOU WERE SAYING, "NOBODY'S GOING TO SPOIL US." 103 00:09:26,816 --> 00:09:29,602 - DOES THAT MEAN ANYTHING TO YOU ? - NO. 104 00:09:30,102 --> 00:09:32,555 CAN YOU THINK OF ANY REASON WHY YOU MIGHT HAVE SAID IT ? 105 00:09:33,989 --> 00:09:37,076 - WHAT'D I JUST SAY ? -THOSE WERE THE EXACT WORDS... 106 00:09:37,076 --> 00:09:40,880 SPOKEN BY THE KIDNAPPER TO THE LITTLE GIRL WHEN HE TOOK HER LAST NIGHT. 107 00:09:43,249 --> 00:09:46,252 SO YOU CAN SEE THAT UNDER THE CIRCUMSTANCES IT MIGHT SEEM STRANGE-- 108 00:09:46,719 --> 00:09:49,972 SO WHAT'S YOUR POINT ? 109 00:09:50,289 --> 00:09:52,458 ALL OF US KIDNAP VICTIMS GOTTA STICK TOGETHER ? 110 00:09:52,758 --> 00:09:56,228 NO. WE JUST WANT TO FIND THE LITTLE GIRL ANY WAY WE CAN, 111 00:09:56,228 --> 00:09:59,064 AND IF YOU KNOW ANYTHING-- 112 00:10:01,533 --> 00:10:05,737 LOOK, WHAT I BEEN THROUGH IN MY LIFE I WOULDN'T WANT TO WISH ON ANYBODY. 113 00:10:06,071 --> 00:10:10,576 DOESN'T MEAN I CAN MAKE IT ANY BETTER FOR ME OR ANYONE ELSE. 114 00:10:13,562 --> 00:10:15,397 ALL RIGHT. WELL, THANKS FOR TALKING TO US, LUCY. 115 00:10:15,814 --> 00:10:18,734 YEAH. 116 00:10:19,151 --> 00:10:20,485 HEY. 117 00:10:23,272 --> 00:10:27,943 - WHEN DO I GET OUT OF HERE ? - AS SOON AS YOUR DOCTORS FEEL IT'S OKAY FOR YOU TO GO. 118 00:10:28,260 --> 00:10:31,563 NO, THEY SAY IT'S UP TO YOU. NO. 119 00:10:31,930 --> 00:10:34,600 WE CAN'T HOLD YOU HERE. YOU'RE FREE TO GO. 120 00:10:39,554 --> 00:10:42,057 I GUESS SHE'S NOT TOO BIG ON CONFINED SPACES. 121 00:10:42,057 --> 00:10:45,060 YEAH. 122 00:11:04,763 --> 00:11:06,498 [ Horn Beeping ] 123 00:11:13,705 --> 00:11:16,208 [ Chattering On Dispatch Radio ] 124 00:11:25,350 --> 00:11:28,103 - YOU'RE THE ONE THAT CALLED FOR A TOW ? - NO, NOT ME. 125 00:11:30,055 --> 00:11:32,391 GARY MOSIER ? NO, UH, WRONG GUY. 126 00:11:32,824 --> 00:11:34,660 [ Sighs ] WHILE I'M OUT HERE, I MIGHT AS WELL GIVE YOU A HAND. 127 00:11:35,127 --> 00:11:36,628 IT'S OKAY. WE'LL BE FINE. 128 00:11:38,964 --> 00:11:40,615 THINK IT LOOKS LIKE YOU'RE IN A WORLD OF HURT. 129 00:11:41,199 --> 00:11:43,001 BLOWN SIDEWALL. YOU'RE GONNA NEED A NEW TIRE. 130 00:11:43,468 --> 00:11:46,238 YEAH, YEAH. IT LOOKS THAT WAY. GOT A SPARE IN THE TRUNK ? 131 00:11:46,571 --> 00:11:49,691 YEAH. TWENTY BUCKS CASH. MY BOSS DON'T GOT TO KNOW ABOUT IT. 132 00:11:50,175 --> 00:11:51,677 HAVE YOU ON THE ROAD IN FIVE MINUTES. I CAN'T PAY YOU. 133 00:11:52,144 --> 00:11:55,814 MAKE IT TEN. POP YOUR TRUNK. TAKE ME FIVE MINUTES, MAX. 134 00:11:55,814 --> 00:12:00,135 - LEAVE ME ALONE ! - HEY, MAN. WHAT THE HELL'S YOUR PROBLEM ? 135 00:12:00,419 --> 00:12:03,288 LEAVE ME ALONE ! GET OUT OF HERE ! 136 00:12:03,689 --> 00:12:05,957 LUNATIC ! 137 00:12:12,781 --> 00:12:14,533 FREAK ! 138 00:12:23,075 --> 00:12:25,861 [ Chattering ] 139 00:12:30,532 --> 00:12:32,033 AGENT MULDER. LUCY HOUSEHOLDER. 140 00:12:32,534 --> 00:12:34,035 YOU GET ANYWHERE ON THAT ? I'M WORKIN' ON IT. 141 00:12:34,536 --> 00:12:36,621 GOT ONE OF MY GUYS ON THE LINE. SAYS SHE'S GOT A CRIMINAL RECORD. 142 00:12:37,122 --> 00:12:38,623 PROSTITUTION, NARCOTICS CONVICTIONS-- 143 00:12:39,057 --> 00:12:41,560 SHE'S DONE SOME TIME. THAT DOESN'T SURPRISE ME, GIVEN HER HISTORY. 144 00:12:41,560 --> 00:12:43,895 SHE'S ALSO GOT A BOYFRIEND DOING TIME FOR ASSAULT AND CHILD ENDANGERMENT. 145 00:12:44,362 --> 00:12:47,399 USED TO LIVE WITH HIM UP IN THE HILLS. PRETTY SKETCHY CHARACTERS. 146 00:12:47,899 --> 00:12:51,019 I DON'T THINK SHE'S INVOLVED. CLOSEST THING I GOT RIGHT NOW TO A LEAD. 147 00:12:51,019 --> 00:12:53,021 I CAN TELL HIM TO SHIFT SOME MEN-- 148 00:12:53,021 --> 00:12:55,474 NO, LET ME FOLLOW UP ON THAT, OKAY ? THANKS. 149 00:12:55,474 --> 00:12:59,811 MULDER. GOT SOMETHING. SOMETHING WEIRD. WHAT ? 150 00:12:59,811 --> 00:13:03,115 I WAS GOING OVER LUCY HOUSEHOLDER'S MEDICAL WORKUP, AND SOMETHING HIT ME. 151 00:13:03,482 --> 00:13:06,968 HER BLOOD TYPE IS "O" POSITIVE. YEAH ? 152 00:13:07,469 --> 00:13:10,472 FORENSICS LIFTED TWO BLOOD TYPES OFF OF HER WORK CLOTHES: 153 00:13:10,472 --> 00:13:12,474 "O" POSITIVE AND "B" POSITIVE. 154 00:13:12,891 --> 00:13:14,392 TWO GUESSES AS TO WHAT AMY JACOBS' BLOOD TYPE IS. 155 00:13:14,893 --> 00:13:17,145 HOW COULD IT BE AMY JACOBS' BLOOD ? LUCY WAS ALL THE WAY ACROSS TOWN. 156 00:13:17,446 --> 00:13:19,314 I DON'T KNOW, MULDER, BUT IT BEGS THE QUESTION. 157 00:13:19,464 --> 00:13:23,452 BECAUSE IT MATCHES THE VICTIM'S BLOOD TYPE ? HOW MANY HAVE "B" POSITIVE BLOOD, SCULLY ? 158 00:13:23,452 --> 00:13:27,205 ONE IN FIVE ? THAT'S HUNDREDS OF THOUSANDS OF PEOPLE IN THE LOCAL POPULATION ALONE. 159 00:13:27,472 --> 00:13:29,424 WE'RE NOT TALKING ABOUT THE LOCAL POPULATION. 160 00:13:29,424 --> 00:13:33,495 WE'RE TALKING ABOUT A WOMAN WHO'S TIED TO THIS CASE, WHO HAD SOMEBODY ELSE'S BLOOD ON HER. 161 00:13:33,495 --> 00:13:35,997 LUCY IS A VICTIM, SCULLY. JUST LIKE AMY JACOBS. 162 00:13:35,997 --> 00:13:39,568 IF SHE'S GOT ANY CONNECTION TO THIS CASE, THAT'S THE EXTENT OF IT. 163 00:13:40,068 --> 00:13:43,071 WELL, WE'LL KNOW SOON ENOUGH. WHAT ARE YOU TALKING ABOUT ? 164 00:13:43,071 --> 00:13:46,575 I'M RUNNING A P.C.R. ON HER BLOOD TO SEE IF THERE'S A D.N.A. MATCH. 165 00:13:46,575 --> 00:13:48,760 WILL YOU KEEP THAT UNDER YOUR HAT ? WHY ? 166 00:13:49,094 --> 00:13:51,580 BECAUSE I DON'T WANT LUCY HOUSEHOLDER TREATED LIKE A SUSPECT IN THIS CASE... 167 00:13:51,580 --> 00:13:53,915 UNTIL IT'S ABSOLUTELY CERTAIN THAT SHE IS ONE, OKAY ? 168 00:13:57,018 --> 00:13:59,404 [ Sighs ] 169 00:14:10,048 --> 00:14:13,535 [ Shivering ] 170 00:14:22,043 --> 00:14:23,545 LUCY ? I'M COLD. 171 00:14:24,045 --> 00:14:26,047 BROUGHT YOU ANOTHER BLANKET. [ Gasps ] 172 00:14:26,047 --> 00:14:27,916 WE SHOULD CALL THE DOCTOR. NO ! 173 00:14:28,066 --> 00:14:31,336 [ Gasping ] LET ME SEE YOUR FACE. 174 00:14:31,720 --> 00:14:35,807 WHAT DID YOU DO TO YOURSELF ? IT'S DARK. WHY IS IT DARK ? 175 00:14:36,308 --> 00:14:38,059 I CAN'T SEE. YOU HOLD ON NOW. 176 00:14:38,376 --> 00:14:40,612 I CAN'T SEE ! [ Panting ] 177 00:14:40,879 --> 00:14:42,547 [ Latch Opening ] 178 00:14:45,400 --> 00:14:48,153 [ Gasping ] 179 00:15:09,857 --> 00:15:13,360 [ Woman Chattering On Police Radio ] 180 00:15:17,865 --> 00:15:21,618 [ Dispatcher ] UH, GIVE YOUR E.T.A., PLEASE. [ Microphone Clicking ] 181 00:15:21,618 --> 00:15:25,205 [ Man ] BASE, THIS IS 17. OUR E.T.A. IS FIVE MINUTES. 182 00:15:25,372 --> 00:15:27,091 OVER. [ Microphone Clicks ] 183 00:15:27,091 --> 00:15:30,377 [ Woman Continues, Indistinct ] 184 00:15:43,257 --> 00:15:47,094 HOW'S SHE DOIN' ? FINE. BLOOD PRESSURE'S BACK TO NORMAL. 185 00:15:47,511 --> 00:15:49,279 TEMPERATURE'S BACK UP. [ Door Closing ] 186 00:15:49,646 --> 00:15:51,648 SHE MUST HAVE GONE DOWN THE RABBIT HOLE FOR A WHILE. 187 00:15:51,648 --> 00:15:54,451 YOU SHOULD GET SOMETHING TO EAT SOON. GET YOUR BLOOD SUGAR BACK UP. 188 00:15:58,622 --> 00:16:02,409 WELL, WHAT DO YOU SAY, LUCY ? CAN I TAKE YOU TO DINNER ? 189 00:16:02,826 --> 00:16:04,812 [ Door Closes ] 190 00:16:11,135 --> 00:16:14,638 [ Mulder ] YOU FEELIN' BETTER ? BETTER THAN WHAT ? 191 00:16:16,140 --> 00:16:18,642 BETTER THAN AMY JACOBS. 192 00:16:18,642 --> 00:16:20,711 WOULDN'T KNOW. 193 00:16:21,211 --> 00:16:22,713 IF ANYBODY KNOWS, I SAY YOU DO. 194 00:16:24,131 --> 00:16:26,934 I GOT MY OWN SET OF PROBLEMS NOW, THANK YOU. 195 00:16:27,317 --> 00:16:31,221 HOW'D YOU SCRATCH YOUR FACE ? MUST HAVE DONE IT IN MY SLEEP. 196 00:16:34,224 --> 00:16:38,228 ARE YOU USING AGAIN, LUCY ? I'M CLEAN. 197 00:16:38,228 --> 00:16:42,733 PASSED MY TEST LAST WEEK. ASK HENRY. 198 00:16:42,733 --> 00:16:44,735 WITH FLYING COLORS. 199 00:16:46,904 --> 00:16:49,890 [ Slurping Soup ] 200 00:16:49,890 --> 00:16:52,226 HAVE YOU EVER EXPERIENCED TEMPORARY BLINDNESS BEFORE ? 201 00:16:52,226 --> 00:16:57,664 I'VE PROBABLY EXPERIENCED JUST ABOUT EVERYTHING ONCE OR TWICE. 202 00:16:57,664 --> 00:16:59,500 IT'S ALL BEEN PRETTY TEMPORARY. 203 00:16:59,917 --> 00:17:01,785 THAT GIRL'S IN TROUBLE, LUCY. 204 00:17:03,771 --> 00:17:06,607 AND THERE'S NOT A DAMN THING I CAN DO ABOUT IT. 205 00:17:07,024 --> 00:17:11,428 YOU UNDERSTAND ? I CAN'T HELP YOU. 206 00:17:18,702 --> 00:17:20,704 I THINK YOU CAN, LUCY. 207 00:17:20,704 --> 00:17:25,209 HOW ? WELL, THAT'S SOMETHING YOU HAVE TO TELL ME. 208 00:17:25,209 --> 00:17:27,711 WHAT CAN I POSSIBLY DO ? LEAD US TO HER. 209 00:17:29,630 --> 00:17:31,632 I DON'T KNOW WHERE SHE IS. 210 00:17:31,632 --> 00:17:35,636 I DON'T CARE. I'M NOT INTERESTED. 211 00:17:38,539 --> 00:17:42,876 THAT'S TOO BAD, LUCY, BECAUSE RIGHT NOW I THINK YOU'RE HER BEST HOPE. 212 00:17:45,362 --> 00:17:48,866 IF I'M HER "BEST HOPE," THEN THAT LITTLE GIRL... 213 00:17:48,866 --> 00:17:52,202 IS IN A HELL OF A LOT MORE TROUBLE THAN YOU THINK. 214 00:17:53,604 --> 00:17:55,606 [ Door Closing ] 215 00:18:02,713 --> 00:18:04,715 [ Switch Clicking ] 216 00:18:06,717 --> 00:18:09,720 [ Frightened Panting ] 217 00:18:20,564 --> 00:18:22,132 [ Strobe Flash Clicking ] 218 00:18:22,633 --> 00:18:24,635 [ Charger Whining ] 219 00:18:26,637 --> 00:18:29,056 [ Beeping ] [ Gasping ] 220 00:18:38,232 --> 00:18:41,919 [ Strobe Clicking, Whining ] 221 00:18:49,493 --> 00:18:52,062 [ Sobbing ] WHAT DO YOU-- 222 00:18:54,798 --> 00:18:56,567 WHAT DO YOU WANT ? 223 00:18:56,833 --> 00:18:59,303 WHY ARE YOU DOING THIS ? 224 00:18:59,536 --> 00:19:02,522 - [ Sobbing ] -[ Whining Increases In Intensity ] 225 00:19:02,806 --> 00:19:04,474 I WANT TO GO HOME ! 226 00:19:04,841 --> 00:19:07,961 [ Sobs, Screams ] 227 00:19:08,212 --> 00:19:10,697 [ Woman, Indistinct ] [ Screaming ] STOP ! 228 00:19:14,701 --> 00:19:16,670 MULDER, I'VE GOT-- SCULLY, TAKE A LOOK AT THIS. 229 00:19:18,255 --> 00:19:22,593 STOP ! HOW ABOUT YOU JUST SLIP UNDER THE COVER ? 230 00:19:22,893 --> 00:19:24,878 [ Screaming Continues ] IS THAT LUCY ? 231 00:19:24,878 --> 00:19:28,131 YEAH. IT WAS TAKEN IN 1978, THE WEEK SHE WAS FOUND. 232 00:19:28,532 --> 00:19:31,301 [ Screaming, Sobbing ] 233 00:19:31,702 --> 00:19:34,905 SHE'D BEEN HELD IN THE DARK FOR SO LONG, HER EYES WERE HYPERSENSITIVE TO THE LIGHT. 234 00:19:35,239 --> 00:19:38,492 [ Indistinct, Squeals ] 235 00:19:38,775 --> 00:19:42,262 WHOEVER HELD HER CAPTIVE WASN'T VERY BIG ON CONVERSATION EITHER. 236 00:19:42,262 --> 00:19:46,099 SHE'S 13 YEARS OLD HERE AND CAN BARELY STRING TWO WORDS TOGETHER. 237 00:19:46,516 --> 00:19:49,336 IT'S AMAZING SHE'S GOTTEN ANYWHERE IN LIFE. 238 00:19:49,786 --> 00:19:52,623 WELL, BY MOST YARDSTICKS, SHE HASN'T, MULDER. 239 00:19:53,090 --> 00:19:57,261 -[ Lucy Screaming ] - I THINK WE'VE GOT A BREAK IN THE CASE. 240 00:19:57,261 --> 00:19:59,279 A BIG ONE. WHAT IS IT ? 241 00:19:59,563 --> 00:20:03,550 SCHOOL PICTURES WERE MAILED OUT THIS WEEK TO EVERYONE IN AMY'S CLASS EXCEPT AMY. 242 00:20:03,550 --> 00:20:06,052 ONE OF EUBANKS' MEN DISCOVERED IT. WHO'S THE PHOTOGRAPHER ? 243 00:20:06,553 --> 00:20:08,054 IT'S AN OUTFIT CALLED LARKIN SCHOLASTIC. 244 00:20:08,555 --> 00:20:11,908 THE PHOTOGRAPHER CHECKED OUT, BUT HIS ASSISTANT WAS FIRED THE DAY AFTER THE SHOOT. 245 00:20:11,908 --> 00:20:14,244 A MAN NAMED CARL WADE. WELL, WHAT HAVE YOU GOT ON HIM ? 246 00:20:14,578 --> 00:20:18,565 DMV'S AN OLD ADDRESS, BUT HE SPENT A GOOD PART OF THE PAST 15 YEARS... 247 00:20:18,565 --> 00:20:21,568 INSTITUTIONALIZED FOR A BIPOLAR CONDITION. 248 00:20:21,568 --> 00:20:24,070 THE ONLY THING CURRENT WE HAVE ON HIM IS THIS PHOTO. 249 00:20:24,070 --> 00:20:26,973 IT WAS TAKEN BY HIS EMPLOYER TRYING OUT A NEW CAMERA. 250 00:20:26,973 --> 00:20:30,477 HAVE YOU SHOWN THIS PICTURE TO AMY'S LITTLE SISTER ? THEY'RE DOING IT RIGHT NOW. 251 00:20:30,477 --> 00:20:33,096 I'M GONNA TAKE IT AND SHOW IT TO LUCY. 252 00:20:52,215 --> 00:20:55,051 [ Footsteps Passing ] 253 00:21:04,844 --> 00:21:07,847 [ Engine Starts, Sputters ] 254 00:21:10,100 --> 00:21:12,085 [ Engine Chugging ] 255 00:21:28,485 --> 00:21:30,120 [ Breathing Heavily ] 256 00:21:30,453 --> 00:21:32,605 [ Grunting ] 257 00:21:38,395 --> 00:21:40,397 [ Grunting ] 258 00:21:46,953 --> 00:21:49,956 LUCY ? 259 00:21:49,956 --> 00:21:52,459 LUCY, WAIT. NO, I'M DONE WITH YOU. 260 00:21:52,459 --> 00:21:54,461 I JUST WANT TO ASK YOU A QUESTION. 261 00:21:54,461 --> 00:21:56,179 [ Knocking ] LUCY, WAIT A SECOND. 262 00:21:56,546 --> 00:21:58,331 DON'T... TOUCH ME. 263 00:22:01,051 --> 00:22:03,053 I DON'T LIKE TO BE TOUCHED. 264 00:22:06,539 --> 00:22:08,725 I'M SORRY. 265 00:22:17,600 --> 00:22:21,604 I WAS DOIN' OKAY UNTIL THIS, YOU KNOW ? 266 00:22:21,604 --> 00:22:24,891 [ Scoffs ] FIGURES. 267 00:22:25,241 --> 00:22:28,962 I JUST WANT TO SHOW YOU A PHOTOGRAPH, OKAY ? 268 00:22:35,719 --> 00:22:38,722 YOU RECOGNIZE HIM, DON'T YOU ? 269 00:22:41,224 --> 00:22:43,309 LUCY ! 270 00:22:48,948 --> 00:22:51,401 [ Engine Chugging ] 271 00:22:51,401 --> 00:22:53,403 [ Whimpering ] 272 00:23:11,788 --> 00:23:14,290 [ Gasping, Whimpering ] 273 00:23:19,662 --> 00:23:23,166 [ Banging, Clattering ] 274 00:23:27,670 --> 00:23:30,306 [ Clattering Continues ] 275 00:23:34,010 --> 00:23:35,979 HEY ! STOP ! 276 00:23:44,521 --> 00:23:46,322 [ Panting ] 277 00:23:54,030 --> 00:23:57,033 [ Sobs ] 278 00:23:57,534 --> 00:24:00,453 [ Muttering ] 279 00:24:08,645 --> 00:24:11,781 - [ Gasps, Whimpers ] - [ Gasps, Whimpers ] 280 00:24:16,886 --> 00:24:20,123 - [ Crying In Pain ] - [ Crying In Pain ] 281 00:24:20,623 --> 00:24:23,042 OW ! OW ! 282 00:24:24,527 --> 00:24:27,330 [ Whimpering ] [ Mulder ] LUCY ? 283 00:24:30,633 --> 00:24:34,504 LUCY ? [ Sobbing ] 284 00:24:35,905 --> 00:24:38,741 WHAT'S HAPPENING TO ME ? 285 00:24:40,743 --> 00:24:43,796 [ Crying ] 286 00:24:52,222 --> 00:24:57,093 HE'S PROBABLY CHANGED A LOT OVER THE LAST 17 YEARS. 287 00:24:57,493 --> 00:25:00,496 DID YOU EVEN KNOW HIS NAME ? 288 00:25:03,499 --> 00:25:06,753 CARL WADE. 289 00:25:07,036 --> 00:25:10,039 HE WORKED AS A PHOTOGRAPHER'S ASSISTANT. 290 00:25:10,540 --> 00:25:12,909 SCHOOL PICTURES, MOSTLY. THAT'S WHERE HE SAW AMY JACOBS. 291 00:25:18,514 --> 00:25:20,250 SO WHAT DO YOU WANT FROM ME ? 292 00:25:20,617 --> 00:25:22,919 I WANT YOU TO TELL ME WHAT YOU'RE GOING THROUGH. 293 00:25:25,388 --> 00:25:27,273 IT MIGHT FEEL GOOD TO TELL SOMEBODY. 294 00:25:31,227 --> 00:25:33,980 I FEEL LIKE IT'S HAPPENING ALL OVER AGAIN. 295 00:25:34,264 --> 00:25:38,201 YOU CAN ACTUALLY FEEL WHAT SHE'S GOING THROUGH, CAN'T YOU ? 296 00:25:44,641 --> 00:25:46,426 I DON'T WANT TO GO THROUGH THIS AGAIN. 297 00:25:46,709 --> 00:25:49,779 - LUCY, SHE NEEDS YOUR HELP. - THERE'S NOTHING I CAN DO. 298 00:25:50,213 --> 00:25:54,934 - LUCY-- -[ Car Approaching, Stopping ] 299 00:26:05,912 --> 00:26:08,131 WAIT HERE A SECOND, OKAY ? 300 00:26:11,134 --> 00:26:16,155 [ Door Opens, Closes ] 301 00:26:20,877 --> 00:26:22,495 WHAT'S GOIN' ON ? WE'RE HERE TO ARREST LUCY HOUSEHOLDER. 302 00:26:22,996 --> 00:26:25,298 WHY ? I THINK YOU KNOW WHY, AGENT MULDER. 303 00:26:26,349 --> 00:26:28,584 WHAT THE HELL IS HAPPENING ? 304 00:26:29,085 --> 00:26:33,589 MULDER, THE BLOOD ON LUCY'S UNIFORM WAS AN EXACT D.N.A. MATCH. 305 00:26:33,589 --> 00:26:36,559 LUCY WAS COVERED IN AMY JACOBS' BLOOD. SHE DIDN'T DO IT, SCULLY. 306 00:26:36,559 --> 00:26:39,395 MULDER, IT'S INCONTROVERTIBLE EVIDENCE. 307 00:26:39,395 --> 00:26:41,481 [ Eubanks ] AGENT MULDER ! 308 00:26:45,368 --> 00:26:48,654 - WHERE IS SHE ? - SHE WAS JUST HERE. 309 00:26:49,138 --> 00:26:50,440 WELL, SHE'S GONE NOW. 310 00:26:56,996 --> 00:26:58,798 PLEASE ! 311 00:26:59,148 --> 00:27:01,401 I-I'M THIRSTY. 312 00:27:01,818 --> 00:27:03,786 YOU SHOULDN'T HAVE RUN. 313 00:27:07,173 --> 00:27:10,259 I WAS TAKING CARE OF YOU. I THOUGHT YOU UNDERSTOOD THAT. 314 00:27:11,361 --> 00:27:13,863 WHY DID YOU RUN AWAY ? PLEASE, MISTER. 315 00:27:14,297 --> 00:27:15,782 I NEED SOME WATER ! 316 00:27:19,168 --> 00:27:20,670 YOU SHOULDN'T HAVE RUN ! 317 00:27:21,137 --> 00:27:25,007 [ Footsteps ] PLEASE. 318 00:27:27,176 --> 00:27:28,911 I-I'M SO THIRSTY. 319 00:27:55,271 --> 00:27:58,257 [ Gasping ] I WANT MY MOM ! 320 00:27:58,741 --> 00:28:01,944 [ Breathing Sharply ] 321 00:28:02,412 --> 00:28:04,197 [ Footsteps Receding ] 322 00:28:06,416 --> 00:28:09,919 I DON'T WANT TO DIE HERE. 323 00:28:09,919 --> 00:28:13,990 PLEASE ? PLEASE, MISTER. [ Crying ] 324 00:28:14,524 --> 00:28:17,310 DON'T LET ME DIE ! [ Door Slamming, Echoing ] 325 00:28:17,460 --> 00:28:20,947 [ Mutters ] 326 00:28:21,431 --> 00:28:24,917 [ Chattering ] 327 00:28:25,418 --> 00:28:28,921 YOU'RE GONNA DRIVE HER AWAY WITH THIS. SHE'S BEEN DRIVEN AWAY, MULDER. 328 00:28:29,405 --> 00:28:32,408 A HALF-DOZEN WITNESSES PLACED HER ACROSS TOWN AT THE TIME OF THE KIDNAPPING. 329 00:28:32,742 --> 00:28:36,379 I'M WELL AWARE OF THE FACTS. THEN TRUST ME ON THIS. SHE'S NOT WORKING WITH WADE. 330 00:28:36,779 --> 00:28:39,415 HOW'D SHE GET THE BLOOD ON HER ? 331 00:28:39,916 --> 00:28:42,318 SHE MAY HAVE BLED IT. 332 00:28:42,785 --> 00:28:45,621 SHEBLED AMY JACOBS' BLOOD ? 333 00:28:45,955 --> 00:28:47,457 YES, IT MAY EXPLAIN WHY THERE WAS SO LITTLE OF IT... 334 00:28:47,957 --> 00:28:50,309 - ON THE CARPET IN AMY'S BEDROOM. -[ Man ] AGENT EUBANKS ? 335 00:28:50,760 --> 00:28:54,580 - LINE THREE. - I DON'T HAVE TIME FOR THIS NONSENSE, AGENT MULDER. 336 00:28:54,580 --> 00:28:56,582 WE'VE GOT A YOUNG GIRL'S LIFE AT STAKE. 337 00:28:58,584 --> 00:29:01,087 I HATE TO SAY THIS, MULDER, BUT I THINK YOU JUST RAN OUT OF CREDIBILITY. 338 00:29:01,504 --> 00:29:04,507 [ Paper Crumpling ] HE'S WRONG, SCULLY. 339 00:29:04,507 --> 00:29:06,959 YOU'RE PROTECTING HER BEYOND THE POINT OF REASON. 340 00:29:06,959 --> 00:29:09,178 I'M PROTECTING HER BECAUSE I THINK SHE'S CONNECTED TO AMY JACOBS. 341 00:29:09,178 --> 00:29:11,380 JUST NOT THE WAY EVERYBODY ELSE THINKS SHE IS. 342 00:29:11,380 --> 00:29:14,383 DID YOU CONSIDER FOR ONE MINUTE THAT THE PERSON SHE'S CONNECTED TO IS CARL WADE ? 343 00:29:14,884 --> 00:29:17,220 CARL WADE. WHY WOULD SHE BE CONNECTED WITH CARL WADE ? 344 00:29:17,653 --> 00:29:20,640 FOR THE SAME TWISTED REASON THAT ABUSED CHILDREN CRAVE THEIR PARENTS' LOVE... 345 00:29:20,640 --> 00:29:23,142 OR HOSTAGES DEVELOP SYMPATHY FOR THEIR CAPTORS. 346 00:29:23,643 --> 00:29:26,529 I MEAN, MAYBE LUCY DEVELOPED SOME KIND OF EMOTIONAL DEPENDENCY. 347 00:29:26,662 --> 00:29:29,649 AFTER FIVE YEARS IN A DARK PIT, I'M SURE SHE DEVELOPED SOME KIND OF CONNECTION WITH WADE. 348 00:29:30,149 --> 00:29:31,651 JUST NOT THE KIND THAT YOU'RE SUGGESTING. 349 00:29:32,134 --> 00:29:35,488 IT MAKES MORE SENSE THAN THE NOTION THAT SHE'S BLEEDING AMY JACOBS' BLOOD. 350 00:29:35,972 --> 00:29:38,457 I DON'T HOW TO EXPLAIN IT, BUT I THINK THAT WADE'S ABDUCTION OF AMY... 351 00:29:38,457 --> 00:29:41,961 TRIGGERED SOME KIND OF PHYSICAL RESPONSE IN LUCY. 352 00:29:41,961 --> 00:29:44,797 SOME KIND OF EMPATHIC TRANSFERENCE. MULDER, YOU CAN'T-- 353 00:29:44,797 --> 00:29:46,298 THAT'S HOW I ACCOUNT FOR WHAT LUCY'S GOING THROUGH. 354 00:29:46,782 --> 00:29:49,752 THAT'S HOW I ACCOUNT FOR THE IDENTICAL WORDS THAT CORRESPONDED TO AMY... 355 00:29:49,752 --> 00:29:52,505 AND THE SPONTANEOUS WOUNDS AND BLOOD AS WELL. 356 00:29:52,505 --> 00:29:55,391 THEN WHY DID SHE RUN ? IF SHE'S INNOCENT, WHAT WAS SHE RUNNING FROM ? 357 00:29:55,791 --> 00:29:59,762 BECAUSE SHE'S AFRAID. YOU DON'T SEE WHAT YOU'RE DOING, DO YOU, MULDER ? 358 00:29:59,762 --> 00:30:03,098 YOU ARE SO CLOSE TO THIS THAT YOU JUST DON'T SEE IT. WHAT DON'T I SEE ? 359 00:30:03,465 --> 00:30:07,453 THE EXTREME RATIONALIZATION. YOUR PERSONAL IDENTIFICATION WITH THE VICTIM-- 360 00:30:07,753 --> 00:30:09,338 OR, IN THIS CASE, THE SUSPECT. 361 00:30:09,672 --> 00:30:12,157 YOU'RE BECOMING SOME KIND OF AN EMPATH YOURSELF, MULDER. 362 00:30:12,157 --> 00:30:15,644 YOU ARE SO SYMPATHETIC TO LUCY AS A VICTIM-- LIKE YOURSISTER-- 363 00:30:15,644 --> 00:30:19,014 THAT YOU CAN'T SEE HER AS A PERSON WHO'S CAPABLE OF COMMITTING THIS CRIME. 364 00:30:19,515 --> 00:30:21,500 YOU DON'T THINK I'VE THOUGHT OF THAT ? I HAVE. 365 00:30:21,500 --> 00:30:24,503 AND NOT EVERYTHING I DO AND SAY AND THINK OR FEEL GOES BACK TO MY SISTER. 366 00:30:24,503 --> 00:30:27,006 YOU, OF ALL PEOPLE, SHOULD REALIZE THAT SOMETIMES... 367 00:30:27,006 --> 00:30:29,508 MOTIVATIONS FOR BEHAVIOR CAN BE MORE COMPLEX AND MYSTERIOUS... 368 00:30:29,508 --> 00:30:31,961 THAN TRACING THEM BACK TO ONE SINGLE CHILDHOOD EXPERIENCE. 369 00:30:32,394 --> 00:30:35,331 AGENT MULDER ! 370 00:30:35,731 --> 00:30:38,234 WE'VE GOT A MAN ON THE WAY IN WHO SPOTTED WADE. 371 00:30:44,323 --> 00:30:48,594 YEAH, THAT'S THE GUY. I OFFERED TO FIX HIS FLAT. 372 00:30:48,594 --> 00:30:51,230 TRIED TO DO THE GUY A FAVOR. HE WENT WACKO ON ME. 373 00:30:51,230 --> 00:30:53,566 STARTED FREAKIN' THE MINUTE I GOT OUT OF MY TRUCK. 374 00:30:53,566 --> 00:30:55,684 WHAT ABOUT THE GIRL ? WAS SHE WITH HIM ? 375 00:30:56,185 --> 00:30:58,187 I DIDN'T SEE ANYONE ELSE. 376 00:30:58,187 --> 00:31:01,490 -GUESS SHE COULD HAVE BEEN IN THE TRUNK. -CAN YOU GIVE US AN EXACT SPOT ? 377 00:31:01,924 --> 00:31:03,909 YEAH. 378 00:31:11,033 --> 00:31:12,835 RIGHT IN THE MIDDLE OF NOWHERE. 379 00:31:13,235 --> 00:31:15,554 - WHICH WAY WAS THE CAR HEADED ? - WEST. 380 00:31:17,356 --> 00:31:20,843 INTERSTATE 12, COUNTY 15, NORTH. 381 00:31:20,843 --> 00:31:25,180 903. LOOK AT THIS. RIGHT OFF THE 903. 382 00:31:27,917 --> 00:31:31,103 - EASTON ? - THAT'S WHERE LUCY WAS FOUND 17 YEARS AGO. 383 00:31:33,122 --> 00:31:36,542 [ Arguing, Indistinct ] [ Tires Squealing ] 384 00:31:41,096 --> 00:31:43,599 [ Engine Starting, Chugging ] 385 00:31:57,062 --> 00:32:00,649 IT'S A SMALL TOWN, SCULLY. SOMEBODY'S BOUND TO KNOW WADE'S FACE, WHERE HE LIVES. 386 00:32:00,649 --> 00:32:02,651 BUT WE ALREADY STICK OUT LIKE A SORE THUMB, MULDER. 387 00:32:02,651 --> 00:32:05,654 IF WE START CANVASSING MAIN STREET, SOMEBODY'S GONNA PICK UP THE PHONE TO HIM. 388 00:32:06,088 --> 00:32:08,457 BUT HE'S A PHOTOGRAPHER, RIGHT ? 389 00:32:10,826 --> 00:32:12,828 YEAH. HE SHOULD HAVE AN ACCOUNT HERE. 390 00:32:12,828 --> 00:32:14,713 [ Seat Belt Clicks ] 391 00:32:54,570 --> 00:32:57,022 [ Whispers ] GO. 392 00:33:39,014 --> 00:33:40,849 [ Sobbing, Gasping ] 393 00:33:44,002 --> 00:33:46,021 AMY ? 394 00:33:49,191 --> 00:33:51,693 MULDER ? YEAH ? 395 00:33:52,194 --> 00:33:53,695 WHAT'S HAPPENING ? DID YOU FIND HER ? 396 00:33:54,196 --> 00:33:58,167 [ Footsteps ] 397 00:34:26,729 --> 00:34:28,998 WHERE ARE THEY, LUCY ? 398 00:34:31,867 --> 00:34:34,353 TELL US WHERE WADE TOOK AMY. 399 00:34:34,854 --> 00:34:36,355 I DON'T KNOW. 400 00:34:36,839 --> 00:34:40,176 ANYTHING HAPPENS TO THAT GIRL, LUCY, AND YOU'LL BE TRIED AS AN ACCOMPLICE. 401 00:34:44,080 --> 00:34:46,666 - WERE THEY HERE WHEN YOU ARRIVED ? - NO. 402 00:34:47,049 --> 00:34:49,485 - YOU HAVEN'T SEEN HIM ? SPOKEN WITH HIM ? - I SAID NO ! 403 00:34:49,919 --> 00:34:53,055 - THEN WHY ARE YOU HERE ? - I DON'T KNOW. 404 00:34:53,556 --> 00:34:57,627 JUST SHOWED UP FOR NO REASON IN PARTICULAR ? THAT'S WHAT YOU ASK US TO BELIEVE ? 405 00:34:58,094 --> 00:34:59,845 I'VE BEEN HERE BEFORE. 406 00:35:01,647 --> 00:35:03,482 A LONG TIME AGO. 407 00:35:03,482 --> 00:35:06,669 IT WAS WHERE HE KEPT ME. 408 00:35:07,003 --> 00:35:09,839 [ Eubanks ] SO, WHY ARE YOU HERE NOW ? 409 00:35:12,341 --> 00:35:15,478 TAKE HER OUTSIDE AND PLACE HER IN CUSTODY. 410 00:35:15,478 --> 00:35:20,199 NO. I'LL TAKE HER. COME ON, LUCY. 411 00:35:20,199 --> 00:35:22,652 AGENT MULDER-- IT'S ALL RIGHT. 412 00:35:42,888 --> 00:35:45,891 [ Car Door Opening ] 413 00:35:47,893 --> 00:35:50,896 HE HASN'T TOUCHED HER. NOT YET. 414 00:35:51,897 --> 00:35:54,400 HE WANTS TO, BUT HE CAN'T. 415 00:35:54,400 --> 00:35:56,402 THAT'S WHY HE TAKES THE PICTURES. 416 00:35:56,886 --> 00:36:00,172 WHAT ELSE, LUCY ? TELL ME WHAT ELSE. 417 00:36:02,591 --> 00:36:06,095 IF HE CAN'T HAVE HER ALL TO HIMSELF, 418 00:36:06,095 --> 00:36:08,481 THAT'S WHEN HE'S DANGEROUS. 419 00:36:08,931 --> 00:36:11,434 THAT'S WHEN HE'LL START HURTING HER. 420 00:36:11,434 --> 00:36:13,469 LUCY, YOU CAME HERE TO HELP HER. NO ! 421 00:36:13,836 --> 00:36:16,339 WHY ELSE WOULD YOU COME BACK HERE, IF NOT FOR AMY ? 422 00:36:16,339 --> 00:36:19,675 YOU'RE SHARING HER PAIN. I CAN'T. 423 00:36:19,675 --> 00:36:22,178 YOU'RE THE SURVIVOR. YOU'RE THE STRONG ONE. 424 00:36:22,178 --> 00:36:23,979 NOW AMY NEEDS SOME OF YOUR STRENGTH. 425 00:36:26,749 --> 00:36:29,168 SHE'S NOT GONNA MAKE IT. SHEHASTO MAKE IT. 426 00:36:29,668 --> 00:36:31,904 AND YOU HAVE TO HELP HER. 427 00:36:31,904 --> 00:36:35,941 [ Shivering ] SHE'S COLD. 428 00:36:35,941 --> 00:36:39,662 SHE'S COLD AND WET. [ Coughing ] 429 00:36:39,995 --> 00:36:43,315 LUCY, LUCY, SIT DOWN. SIT DOWN. 430 00:36:43,315 --> 00:36:46,318 [ Continues Coughing ] 431 00:36:50,606 --> 00:36:54,393 MULDER, THEY FOUND WADE'S CAR NORTH OF HERE. 432 00:37:00,015 --> 00:37:02,501 THEY'RE IN THE WATER. WHAT ? 433 00:37:02,501 --> 00:37:04,370 THERE'S A RIVER NEAR HERE. I THINK THAT'S WHERE THEY ARE. 434 00:37:04,520 --> 00:37:06,455 BUT THE RIVER'S EAST, AND THEY FOUND WADE'S CAR A MILE NORTH. 435 00:37:06,455 --> 00:37:09,792 WELL, WADE LIVES HERE. HE KNOWS THESE WOODS. HE COULD BE DOUBLING BACK. 436 00:37:12,728 --> 00:37:14,480 [ Scully ] DID SHE TELL YOU THAT ? 437 00:37:14,830 --> 00:37:17,183 NO, BUT I THINK THAT'S WHAT SHE'S TRYING TO DO. 438 00:37:17,666 --> 00:37:20,703 MULDER, WAIT ! [ Sighs ] 439 00:37:20,703 --> 00:37:24,707 STAY WITH HER, AND GET WORD TO EUBANKS THAT WADE MAY BE HEADING TOWARDS THE RIVER. 440 00:37:27,126 --> 00:37:32,131 - [ Coughing ] - [ Coughing ] 441 00:37:36,419 --> 00:37:39,655 PLEASE. STOP. I CAN'T. 442 00:37:39,655 --> 00:37:44,076 [ Siren Wailing ] COME ON ! THEY'RE COMIN' ! 443 00:37:44,560 --> 00:37:47,446 I CAN'T ! PLEASE. [ Sobbing ] [ Siren Continues Wailing ] 444 00:37:47,446 --> 00:37:50,199 NOBODY-- 445 00:37:52,268 --> 00:37:54,503 NOBODY'S GONNA SPOIL US. 446 00:37:55,004 --> 00:37:57,373 NO ! NO, NO ! [ Screaming Shrilly ] 447 00:37:57,773 --> 00:37:59,141 [ Gasps ] 448 00:38:07,683 --> 00:38:11,654 CAN YOU SIT UP ? CAN YOU BREATHE ? ARE YOU ABLE TO BREATHE ? 449 00:38:14,623 --> 00:38:16,609 [ Static Burst ] THIS IS AGENT KRESKI. 450 00:38:16,609 --> 00:38:20,329 I'VE GOT WHAT LOOKS LIKE AN EMERGENCY MEDICAL SITUATION. REQUESTING E.M.S. OVER. 451 00:38:35,911 --> 00:38:38,130 WADE ! 452 00:38:38,714 --> 00:38:40,883 FEDERAL OFFICER ! HOLD IT RIGHT THERE ! 453 00:39:11,447 --> 00:39:13,649 SHE'S NOT BREATHING. 454 00:39:13,983 --> 00:39:15,551 NO PULSE EITHER. 455 00:39:18,754 --> 00:39:21,423 - [ Blowing Air ] - [ Sighing ] 456 00:39:22,957 --> 00:39:25,192 [ Softly ] ONE, TWO, THREE, FOUR-- 457 00:39:25,626 --> 00:39:29,597 - COME ON, AMY, BREATHE ! [ Exhales ] - [ Gasps ] 458 00:39:29,930 --> 00:39:32,249 TWO, THREE, FOUR, FIVE. 459 00:39:32,700 --> 00:39:35,235 [ Puffs Air ] 460 00:39:37,254 --> 00:39:39,089 [ Sighs ] THERE'S NOTHING. 461 00:39:39,506 --> 00:39:42,092 [ Panting ] MULDER, IT'S NO GOOD. 462 00:39:42,476 --> 00:39:44,461 I'M SORRY. DAMN IT, AMY ! COME ON ! 463 00:39:45,879 --> 00:39:47,748 NOW STOP. YOU CAN'T HELP HER. 464 00:39:50,067 --> 00:39:52,786 [ Puffing ] MULDER, IT'S NO USE. 465 00:39:53,053 --> 00:39:57,107 MULDER, STOP IT. STOP IT ! 466 00:39:57,625 --> 00:39:59,059 MULDER, STOP ! 467 00:40:21,982 --> 00:40:26,470 [ Gagging, Gasping ] MULDER ! 468 00:40:28,489 --> 00:40:31,058 [ Choking, Coughing ] 469 00:40:36,163 --> 00:40:38,415 SHE'S BREATHING. 470 00:40:38,699 --> 00:40:41,301 - HAVE YOU GOT HER ? - YEAH, WE'VE GOT HER. 471 00:40:41,568 --> 00:40:44,571 [ Coughing Continues ] 472 00:40:44,822 --> 00:40:47,624 YOU HAVE TO GET AN E.M.S. UNIT HERE RIGHT AWAY WITH SOME HEAT AND OXYGEN. 473 00:40:48,075 --> 00:40:51,278 THEY'RE CLOSE. WE'VE GOT THEM UP AT WADE'S PLACE RIGHT NOW. 474 00:40:51,578 --> 00:40:53,564 THEY'RE WORKING ON LUCY HOUSEHOLDER. 475 00:40:55,449 --> 00:40:59,720 [ Coughing ] I'M COLD. I WANT TO GO HOME. 476 00:41:00,220 --> 00:41:02,523 IT'S GETTING DARK. WE HAVE TO GET HER OFF THE RIVER. 477 00:41:21,375 --> 00:41:23,193 [ Woman On Police Radio ] RESCUE 22, CLEAR FREQUENCIES. 478 00:41:23,193 --> 00:41:25,562 I DON'T KNOW WHAT HAPPENED. SHE STARTED COUGHING, THEN SHE COULDN'T BREATHE. 479 00:41:25,562 --> 00:41:27,981 BY THE TIME THE E.M.S. GUYS GOT HERE, SHE WAS ALREADY GONE. 480 00:41:28,365 --> 00:41:30,968 [ Chattering Continues On Police Radio ] 481 00:41:35,422 --> 00:41:38,792 [ Man On Police Radio ] THIS IS UNIT 11. COPY THAT. 482 00:42:43,190 --> 00:42:46,009 - HOW'S AMY ? - SHE'S EXHAUSTED, 483 00:42:46,009 --> 00:42:48,011 BUT IT LOOKS LIKE SHE'S GONNA BE FINE. 484 00:42:48,011 --> 00:42:50,397 THE DOCTORS WANT TO KEEP HER FOR A DAY OR TWO, JUST TO BE SURE. 485 00:42:50,831 --> 00:42:52,583 HOW SERIOUS WERE HER INJURIES ? 486 00:42:52,900 --> 00:42:58,288 WADE MUST HAVE LEFT HER ALONE. THERE WERE NO INJURIES. 487 00:42:58,288 --> 00:43:00,791 HE MUST HAVE DRAGGED HER THROUGH THE WOODS FOR AT LEAST A MILE. 488 00:43:01,291 --> 00:43:04,294 I KNOW, MULDER. I CAN'T EXPLAIN IT. 489 00:43:04,294 --> 00:43:06,730 SHE DIDN'T HAVE A CUT ON HER. 490 00:43:06,730 --> 00:43:09,233 AND NOBODY WANTS TO TALK ABOUT THAT RIGHT NOW. EVERYONE'S JUST RELIEVED... 491 00:43:09,733 --> 00:43:12,019 TO HAVE HER BACK AGAIN, TO HAVE HER SAFE. 492 00:43:12,419 --> 00:43:14,254 THEY FINISH UP ON LUCY ? 493 00:43:14,688 --> 00:43:20,143 YES, THEY, UH-- THEY BROUGHT IN THE STATE PATHOLOGIST LAST NIGHT. 494 00:43:20,143 --> 00:43:22,896 SO I STOPPED BY TO GET THE AUTOPSY REPORTS ON MY WAY. 495 00:43:23,263 --> 00:43:25,249 SHE DROWNED, DIDN'T SHE ? 496 00:43:25,249 --> 00:43:29,503 [ Sighs ] THEY FOUND FIVE LITERS OF WATER IN HER LUNGS. 497 00:43:33,507 --> 00:43:35,259 SHE SAVED AMY'S LIFE. 498 00:43:35,542 --> 00:43:38,679 MULDER, [ Intakes Sharp Breath ] 499 00:43:41,181 --> 00:43:43,433 WHATEVER THERE WAS BETWEEN THEM, 500 00:43:43,717 --> 00:43:47,054 YOU WERE PART OF THAT CONNECTION-- DID YOU THINK ABOUT THAT ? 501 00:43:47,454 --> 00:43:51,441 LUCY MAY HAVE DIED FOR AMY, 502 00:43:51,441 --> 00:43:53,443 BUT WITHOUT YOU, THEY NEVER WOULD HAVE FOUND HER. 503 00:43:53,894 --> 00:43:56,730 I THINK SHE DIED FOR MORE THAN AMY. 504 00:43:58,232 --> 00:43:59,800 WHAT DO YOU MEAN ? 505 00:44:04,204 --> 00:44:07,207 I THINK, FINALLY, IT WAS... 506 00:44:07,207 --> 00:44:10,711 THE ONLY WAY SHE COULD ESCAPE. 507 00:44:10,711 --> 00:44:13,547 THE ONLY WAY SHE COULD FORGET WHAT HAPPENED 17 YEARS AGO. 508 00:44:16,917 --> 00:44:20,721 IT WAS FINALLY THE ONLY WAY SHE COULD OUTRUN CARL WADE. 509 00:44:33,267 --> 00:44:38,755 CLOSED-CAPTIONED BY CAPTIONS, INC. LOS ANGELES 510 00:45:08,968 --> 00:45:11,437 [ Child ] I MADE THIS !