FOR NADIL
I didn't want... I don't want this. I don't want this.
I'm sorry, Tony.
Fuck, Thomas, you were right. I'm gonna die.
I'm gonna die here.
There he is!
A NETFLIX ORIGINAL SERIES
This is the track we're doing the video for.
The guy, uh, he released it when he was in jail.
Wait, the guy we're filming just got out of jail?
Yeah, 20 years for armed robbery
Crazy, right?
- For real? - No, I'm just messing.
- Okay, everything on? - Yeah, the GoPros are recording.
- You sure? This one too? - Yeah.
No, he's a small time drug dealer, he's doing rap now.
So this, um... this track is how he got spotted,
that's, uh, that's how he got picked up by the label.
The track got a ton of views,
so they want us to get footage and make a video for them.
We're just filming his, um...
his everyday life.
Don't stop filming.
We film as much as possible, as much as we can.
- Okay, okay. - Yeah?
Anyway, we do as usual. We film and tonight we're home.
What's bugging me
is that I haven't spoken to the artist on the phone
and I can't get a hold of him.
- Wanna stop and call him now? - No, don't worry, I'll call him later.
What the...?
Right. Well, I think we're here.
What is he doing? That's shady.
- He wants us to follow him, right? - Yeah, I think so.
What the fuck?
Let me do the talking, okay?
- Yo, how much do you want? - No, we're here for Tony's music video.
Wait here.
Huh?
LEARN YOUR LESSON!
Hey, hey, those guys have guns.
- What's he doing? What is all this? - Open the gate.
- Is that him? - No, the artist is Black.
- No filming. Camera down. - Don't film him. Don't film him.
- Hey, we're here for Tony's video. - Shut up. Drive.
Yacine, go ahead.
Go on, follow him.
Park there.
Here?
- Tony... - Pull in, just park.
Turn off the engine.
Give me your ID.
For what?
- I asked for your ID. - Sure.
My ID.
Leave the keys and get out.
Move it.
- Get that car out of here. Go on. - Sure, okay, I got it.
- Go on! - Where are you taking it?
Move it. Don't worry.
- Hey, hey, man, that's my car! - Move.
- But all my stuff is in there! - Shut up. Just shut up.
No, my equipment! Hey!
When I say move, you move. You got me?
What the fuck is going on?
Come on. Hold on.
What are you doing? Hey, put the camera down. No cameras.
- It's not recording. - Get that out of here.
- Don't film me. Stop. - Thomas, camera down.
Hey, come here.
- Hey, no camera. Put the camera down. - Lower it.
- Tony? - There's no Tony here. Understand?
What are you doing here? Are you a cop?
- No, I'm not. - What are you doing here?
- I have an appointment with Tony. - There's no appointment!
There's no appointment, no Tony! No appointment!
- You got that or not? - Yeah, okay.
- What you got in your pockets? - Nothing.
- Empty your pockets. - He took everything!
- Empty them. - I don't have anything.
- Hey! - Look, they're empty.
Nothing.
Hey, chill out. I'm Tony.
- You are? For real? - Yeah, I am.
Chill out, man.
- He took our car. Everything. - He was freaking out!
I mean...
he pointed a gun at me.
- Man, he was just messing with you. - Sure, but it's not funny.
- They took my car. - It was a prank!
You're here, right? You got here okay?
- Yeah, it was a bit of a weird welcome... - Don't film me, bro.
- What do you mean, weird? - I need my car.
- I need to get my car back. All my gear... - Enough about your car.
- You really think we'll steal it? - No, but all my gear's in it.
It's a boat. Stop it. Don't worry.
Look, nobody here cares. We all drive Porsches.
Don't be scared. Hey, guys.
Moussa, come here. I'll introduce you.
This is my partner.
- Don't worry. He's cool. - I'm not cool.
- Just watch what you film. - Hey! Okay. Dude.
Chill out! Yo. What's up with you?
- Tony, please, come on... - Huh? What's up?
He's not a cop. We respect him. That's enough.
I'm not here to cause trouble.
They're just gonna be filming us working, but don't worry.
- Our faces... - Faces will be blurred.
You think I'd put your ugly face in my music video?
All right. Whatever.
Come on, man. Chill.
Don't trip. I decide on the final cut.
- We trust you. - You think I'm stupid?
Okay, you done? We need to open the store.
- Open it then. - Everybody up, let's go.
You handle hash. You're on cocaine.
- Go on, Yacine. - Don't film my face, asshole.
- Let's go. We're off. - Let me introduce Thomas, my cameraman.
- Hey. - Thomas is the best.
- Hey. What's up? - Mabs, get moving.
- You better get great shots of me. - For sure.
- He's awesome. - Is he good?
Yeah, he's the best. I work with him a lot. He's awesome.
- What we prepared for you is great. - What'd you prepare?
Did you get the email from the label, the one with the storyboard?
Shit, man, are you for real?
Well, we gave you a breakdown. We had a whole storyboard with all our...
What are you talking about? This is your storyboard.
Our work, this is what you're filming. That's why you're here, right?
- Well, we planned... - Here. You'll film the store, everything.
Storyboard? Is this man crazy?
Come on, man.
Just film cool shots and we're good.
- That's my little brother. - Ah. Okay.
- Hey. - You good, bro?
Yeah. Tony, what's with the cameras?
They're making me a music video for me. For the album we're doing.
So, he's like Spielberg?
Spielberg. Spielberg, he said.
I wanna try holding the camera.
Nah, come on, Kylian. It's too heavy for you.
It's twice your size. If you want, I'll get you a small one.
- Okay. - Okay?
Listen. Please don't hang around here, okay?
- Huh? - Okay.
Do me a favor, Djanel, take him to a movie or something.
- Sure. - Or to the park or anything.
Just stay away from here.
Come here!
You son of a bitch!
Who the fuck was that?
Fuck.
What was that?