1
00:00:02,200 --> 00:00:03,500
  <i>(man) THINK BACK.</i>

2
00:00:04,200 --> 00:00:06,700
 <i>DO Y REMEMBER</i>
  <i>YOUR BEST FRIEND AS A KID?</i>

3
00:00:08,400 --> 00:00:10,100
  <i>IS HE STILL</i>
  <i>YOUR BEST FRIEND NOW?</i>

4
00:00:11,500 --> 00:00:12,400
  <i>DO YOU TALK?</i>

5
00:00:14,100 --> 00:00:17,200
 <i>OR DID TIME JUST CHANGE THINGS,</i>
  <i>CHANGE YOU BOTH...</i>

6
00:00:17,400 --> 00:00:19,100
 <i>UNTIL YOU LOST THE FRIENDSHIP</i>

7
00:00:19,100 --> 00:00:21,600
  <i>AND WHATEVER MADE IT SPECIAL</i>
  <i>IN THE FIRST PLACE?</i>

8
00:00:25,600 --> 00:00:28,700
 <i>I HAD FRIENDS,</i>
  <i>I HAD GOOD TIMES,</i>

9
00:00:29,800 --> 00:00:31,500
 <i>AND I DIDN'T WANT THEM TO END.</i>

10
00:00:33,300 --> 00:00:36,000
  <i>I WANTED THOSE DAYS</i>
  <i>TO LAST FOREVER.</i>

11
00:00:46,600 --> 00:00:49,000
HEY! WHO LEFT THE LID
OFF THE FOOD?

12
00:00:49,200 --> 00:00:50,400
 HEY, GET BACK HERE!

13
00:00:51,400 --> 00:00:53,000
 (boy) HEY! HEY, STOP HIM!

14
00:00:53,400 --> 00:00:55,400
 (girl) HEY! HEY, GET HIM!

15
00:00:55,800 --> 00:00:58,500
 IT'S A STRAY!
 THAT'S ALL THE FOOD WE HAD!

16
00:00:59,300 --> 00:01:00,900
 (boy) GRAB HIM! GRAB HIM!

17
00:01:04,000 --> 00:01:05,000
(boy) JIM, WHERE ARE YOU?!

18
00:01:10,100 --> 00:01:13,300
  <i>I WAS PART OF SOMETHING ONCE,</i>
  <i>AND FOR A WHILE...</i>

19
00:01:13,300 --> 00:01:15,100
OH, MY GOD.
  <i>IT WAS MAGIC.</i>

20
00:01:16,000 --> 00:01:17,100
  <i>BUT NOW...</i>

21
00:01:18,000 --> 00:01:20,100
  <i>I'M JUST</i>
  <i>SOMEONE'S GUILTY SECRET.</i>

22
00:01:21,100 --> 00:01:24,700
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23
00:01:25,400 --> 00:01:28,000
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24
00:01:28,600 --> 00:01:30,800
<font color=#4096d1>-=ÆÆÀÃÐÜ×ÖĻ×é=-
Ê±¼äÖá£ºVanessa</font>

25
00:01:31,300 --> 00:01:32,000
 HEY, CANDACE,

26
00:01:32,000 --> 00:01:33,700
 WHEN DID DETECTIVE RUSSELL
SEND THIS OVER?

27
00:01:34,600 --> 00:01:38,000
 ACTUALLY, THIS ONE'S FROM ME.
I FOUND AN OLD CASE ONLINE.

28
00:01:38,000 --> 00:01:41,500
 I ASKED RUSSELL
TO GIVE US THE FILE.
OH. HOW OLD IS "OLD"?

29
00:01:42,300 --> 00:01:44,600
 THE BODY WAS FOUND
ABOUT 18 MONTHS AGO.

30
00:01:44,600 --> 00:01:48,200
IT WAS BURIED NEAR LAKE WARD
 BY A CAMPGROUND THERE.

31
00:01:48,700 --> 00:01:50,200
 LAKE WARD DOE.

32
00:01:50,600 --> 00:01:51,900
 OUR STORY BEGINS.

33
00:01:53,500 --> 00:01:56,000
 SO OUR JOHN DOE IS
 A WHITE MALE,

34
00:01:56,000 --> 00:01:57,500
 PROBABLY IN HIS LATE 20s.

35
00:01:57,500 --> 00:02:00,200
 HE'S BURIED ABOUT A MILE
 FROM SOME CABINS NEAR THE LAKE.

36
00:02:00,200 --> 00:02:01,300
CAUSE OF DEATH?

37
00:02:01,700 --> 00:02:02,700
 HEAD TRAUMA.

38
00:02:02,800 --> 00:02:05,600
 BODY WAS WRAPPED IN A SHEET
 WITH NO LABELS OR MARKINGS.

39
00:02:05,900 --> 00:02:08,100
 HOW LONG
WAS THE BODY BURIED?

40
00:02:08,100 --> 00:02:11,400
 ABOUT A YEAR.
THIS MURDER HAPPENED
TWO A HALF YEARS AGO?

41
00:02:11,500 --> 00:02:12,900
 HOW FAR DID THE POLICE
 GET WITH IT?

42
00:02:12,900 --> 00:02:16,000
 THE CHICAGO P.D. WAS WORKING
 WITH A LOCAL SHERIFF'S OFFICE.

43
00:02:16,000 --> 00:02:18,400
THEY TRIED, BUT NO LUCK.

44
00:02:18,700 --> 00:02:20,500
 THEY DID DO A SKETCH,
 THOUGH.

45
00:02:20,600 --> 00:02:21,700
 (whistles)
OH, MAN.

46
00:02:21,900 --> 00:02:24,000
THEY MADE THE GUY
OK LIKE BIGFOOT.

47
00:02:24,000 --> 00:02:26,400
I'LL GET THE AUTOPSY PHOTOS,
 SEE WHAT I CAN DO.

48
00:02:26,400 --> 00:02:30,000
 IT SAYS HERE HE WAS WEARING
 JEANS AND A T-SHIRT,

49
00:02:30,000 --> 00:02:34,900
AND THE T-SHIRT HAD
A CARTOON ON IT.
 UH, YEAH. VERY COMMON  COMIC BOOK CHARACTERS.

50
00:02:34,900 --> 00:02:37,100
 POLICE COULDN'T TRACE IT.
I'LL REACH OUT TO THE NETWORK.

51
00:02:37,100 --> 00:02:39,100
MAYBE OUR JOHN DOE
 WAS A FANBOY.

52
00:02:39,200 --> 00:02:42,800
UM, WHAT ABOUT THIS DOG--THE ONE
 THAT LED THE KIDS TO THE BODY?

53
00:02:42,800 --> 00:02:47,100
OH, WE DON'T KNOW
THAT IT <i>LED</i> THEM THERE.
 IT WAS A STRAY, WALTER.

54
00:02:47,200 --> 00:02:48,100
 NOT LASSIE.

55
00:02:48,300 --> 00:02:50,100
 HEY, I SAW THIS DOG
 ON ANIMAL PLANET.

56
00:02:50,500 --> 00:02:51,900
 EVERY DAY
IT WENT TO THE CEMETERY

57
00:02:51,900 --> 00:02:54,500
 AND SAT ON ITS OWNER'S GRAVE
 FOR, LIKE, FIVE YEARS.

58
00:02:54,600 --> 00:02:57,500
 I MEAN, WHAT IF THIS
 ACTUALLY IS JOHN DOE'S DOG?

59
00:02:57,700 --> 00:03:01,000
OH, COME ON. EVEN IF IT WAS,
 YOU'RE NOT GONNA FIND

60
00:03:01,000 --> 00:03:03,200
A DOG IN THOSE WOODS.
 WE COULD TRY.

61
00:03:03,500 --> 00:03:05,500
 IT'S WORTH HAVING A LOOK.
 WALTER, TAKE A SHOT.

62
00:03:05,800 --> 00:03:08,200
THANK YOU, BUT I HAVE ALLERGIES.

63
00:03:08,200 --> 00:03:10,400
 I LOVE DOGS,
 BUT I PET A CHIHUAHUA,

64
00:03:10,600 --> 00:03:12,000
AND TEN MINUTES,
THESE ARE BOXING GLOVES.

65
00:03:12,000 --> 00:03:15,400
 OKAY, WALTER, YOU AND LINDSEY
 WILL TAKE THE T-SHIRT.

66
00:03:15,600 --> 00:03:18,900
 TYLER AND I WILL FOLLOW UP
 ON THE DOG. ALEX?

67
00:03:18,900 --> 00:03:20,000
 YES, CHIEF?

68
00:03:20,000 --> 00:03:21,500
 TALK TO
 THE LOCAL SHERIFF'S OFFICE?

69
00:03:21,700 --> 00:03:24,900
 YOU ALWAYS SAY THE LOCAL GUYS
 DON'T GET LISTENED TO ENOUGH.
 I'M ON IT.

70
00:03:25,600 --> 00:03:26,700
 OKAY.

71
00:03:28,700 --> 00:03:30,500
 KIDS PLAY ON THIS HILLSIDE
 ALL THE TIME.

72
00:03:30,500 --> 00:03:32,700
 IT'S AMAZING TO THINK THAT BODY
WAS HERE UNDERNEATH THEM.

73
00:03:32,900 --> 00:03:36,100
YOU NEVER HAD ANYTHING
 LIKE THIS BEFORE?
 NEVER.

74
00:03:36,200 --> 00:03:37,700
 BEFORE NOW,
WORST CASE I HAD

75
00:03:37,700 --> 00:03:40,100
WAS A 17-YEAR-OLD
WITH ALCOHOL POISONING--

76
00:03:40,100 --> 00:03:43,400
THREW UP IN MY CAR.
NOT TOO MANY MURDERS
AROUND HERE.

77
00:03:43,400 --> 00:03:44,700
 I WAS THE FIRST ONE
ON THE SCENE.

78
00:03:44,800 --> 00:03:47,000
 I SECURED IT.
 I DID EVERYTHING BY THE BOOK--

79
00:03:47,800 --> 00:03:49,200
 ROUNDED UP THE KIDS
WHO FOUND HIM

80
00:03:49,200 --> 00:03:51,700
 AND TOOK ALL THEIR STATEMENTS.
ANYONE LIVE CLBY?

81
00:03:51,800 --> 00:03:54,700
WE GOT 12 CABINS DOWN ABOUT
 A MILE, AND I GAVE YOUR PEOPLE

82
00:03:54,700 --> 00:03:58,300
A LIST OF RENTERS
FOR THE PAST FEW YEARS.
AND YOUR BOSS SHOULD'VE TOLD YOU I'M NOT A COP.

83
00:03:58,300 --> 00:04:02,200
 MY NETWORK--WE TRY TO HELP
SOLVE JOHN AND JANE DOE CASES.

84
00:04:02,200 --> 00:04:04,500
YOU LOOK LIKE A COP.
 YOU SHOULD APPLY.

85
00:04:06,000 --> 00:04:07,600
THE BODY WAS WRAPPED
 IN A COTTON BEDSHEET,

86
00:04:07,600 --> 00:04:09,500
SO WE'RE THINKING HE WAS KILLED ??

87
00:04:09,500 --> 00:04:10,900
 THEY COULD'VE DRIVEN UP
 THE FIRE LANE

88
00:04:10,900 --> 00:04:12,300
 AND THEN CARRIED HIM OVER
 FROM THERE.

89
00:04:12,500 --> 00:04:14,900
 YEAH, YOU MENTIONED
THE FIRE LANE IN YOUR REPORT.

90
00:04:14,900 --> 00:04:18,800
ONE OF YOUR LEADS INVOLVED
 A COUPLE IN A TRUCK?
 YEP, WHEN I FOUND OUT HOW LONG HE'D BEEN ON THE GROUND,

91
00:04:18,800 --> 00:04:20,100
I WENT BACK
 THROUGH MY NOTEBOOKS,

92
00:04:20,100 --> 00:04:22,300
 AND THE ONLY UNUSUAL INCIDENT
 I HAVE AROUND THAT TIME

93
00:04:22,300 --> 00:04:26,900
IS A COUPLE. THEY WERE
ARGUING IN THEIR S.U.V.
WELL, WOULD YOU RECOGNIZE THEM?

94
00:04:27,500 --> 00:04:30,100
 NOT LIKELY. THE WHOLE THING
LASTED ABOUT A MINUTE.

95
00:04:30,200 --> 00:04:32,600
 I SHINED MY LIGHT ON 'EM,
MADE 'EM GET A MOVE ON.

96
00:04:32,700 --> 00:04:35,100
 YOU DON'T THINK I'D LET
TWO MURDERERS DRIVE AWAY, DO YA?

97
00:04:38,900 --> 00:04:41,200
 <i>KIDS HAVE ALWAYS PLAYED</i>
  <i>ON THAT HILLSIDE.</i>

98
00:04:41,600 --> 00:04:43,000
  <i>I WAS ONE OF THEM.</i>

99
00:04:43,700 --> 00:04:47,600
  <i>IF YOU TOLD ME BACK THEN THAT</i>
 <i>I WAS PLAYING ON MY OWN GRAVE,</i>

100
00:04:48,800 --> 00:04:50,500
  <i>I WONDER HOW</i>
 THAT <i>WOULD HAVE FELT.</i>

101
00:04:51,300 --> 00:04:53,700
THREE OF THE PEOPLE I TALKED TO
 SAY THEY FED A STRAY DOG

102
00:04:53,700 --> 00:04:56,700
WITHIN THE PAST WEEK.
 THIS WAS WALTER'S STUPID IDEA.

103
00:04:56,900 --> 00:04:59,500
HOW COME HE GETS
 TO GO TO THE COMIC STORE?

104
00:04:59,800 --> 00:05:01,100
YOU GET TO BE WITH ME.

105
00:05:01,300 --> 00:05:03,500
 YEAH, AND, LIKE,
 A MILLION MOSQUITOES.

106
00:05:03,900 --> 00:05:05,200
WHY'D YOU PICK THIS CASE
 ANYWAY?

107
00:05:07,800 --> 00:05:08,900
 WHAT ARE YOU DOING?

108
00:05:09,400 --> 00:05:11,700
WHAT? YOU WANNA CALL A DOG,
 YOU WHISTLE.

109
00:05:12,200 --> 00:05:14,900
 SEE, THIS--THIS IS A COMPLETELY
NEW SIDE OF YOU, CANDACE.

110
00:05:15,200 --> 00:05:17,100
 I BET YOU DID THE WHOLE
CAMPOUT SKINNY DIPPING THING

111
00:05:17,100 --> 00:05:20,100
WHEN YOU GRADUATED.
IN YOUR DREAMS, TYLER.

112
00:05:22,100 --> 00:05:24,000
WE'RE TRYING TO TRACE
 A JOHN DOE VICTIM

113
00:05:24,000 --> 00:05:25,200
WHO WORE THIS SHIRT.

114
00:05:25,300 --> 00:05:27,600
 THE COPS SAY THERE MUST BE
 A MILLION OF THEM

115
00:05:27,600 --> 00:05:29,700
WITH THOSE CHARACTERS ON IT.
YEAH, MAYBE.

116
00:05:29,700 --> 00:05:32,200
BUT NOT TOGETHER.
 WHAT DOES THAT MEAN?

117
00:05:32,200 --> 00:05:34,800
THESE CHARACTERS--THEY'RE OWNED
 BY DIFFERENT PUBLISHERS.

118
00:05:34,800 --> 00:05:36,200
YOU ALMOST NEVER SEE 'EM
 TOGETHER,

119
00:05:36,200 --> 00:05:37,600
UNLESS
IT'S A SPECIAL EDITION.

120
00:05:37,600 --> 00:05:39,700
IT'S LIKE MARVEL AND DC
 ON ONE SHIRT.

121
00:05:39,800 --> 00:05:41,200
 SO DOES THAT TELL YOU
WHO MADE IT?

122
00:05:41,200 --> 00:05:43,400
NAH, BUT I KNOW WHERE
YOUR JOHN DOE GOT IT.

123
00:05:43,600 --> 00:05:45,500
 IT WAS DESIGNED
FOR San FrancisCon.

124
00:05:45,700 --> 00:05:47,300
IS THAT
A COMIC BOOK CONFERENCE?

125
00:05:47,300 --> 00:05:49,300
 CONVENTION.
YEAH, A BIG ONE.

126
00:05:49,300 --> 00:05:51,600
THERE WAS, LIKE,
OVER 10,000 PEOPLE THERE.

127
00:05:52,000 --> 00:05:53,800
THAT SHIRT'S FROM, LIKE,
FIVE YEARS AGO.

128
00:05:55,000 --> 00:05:56,300
 WE'RE NEVER
 GONNA GET ANYWHERE.

129
00:05:56,700 --> 00:05:58,200
 HEY, DON'T WORRY.
THEY DIDN'T SELL IT.

130
00:05:58,400 --> 00:06:01,200
THEY GAVE IT OUT TO GOFERS.
EMPLOYEES.

131
00:06:02,000 --> 00:06:03,000
YEAH, IF YOU WORKED
FOR THE CONVENTION, 

132
00:06:03,000 --> 00:06:06,800
THE ORGANIZERS--THEY'LL
HOOK YOU UP WITH SOME PERKS.
WELL, YOU THINK WE COULD  GET A LIST?

133
00:06:07,000 --> 00:06:09,500
 MAYBE.
STILL A COUPLE HUNDRED NAMES.

134
00:06:09,500 --> 00:06:10,500
HEY, BUT IT'S A START.

135
00:06:10,800 --> 00:06:11,500
 YEAH.

136
00:06:19,900 --> 00:06:21,100
WHAT ARE YOU DOING?

137
00:06:21,700 --> 00:06:24,700
PIT STOP. YOU CAN KEEP
 HIKING IF YOU WANT.

138
00:06:25,000 --> 00:06:27,200
JUST... LEAVE THE FOOD.

139
00:06:34,000 --> 00:06:36,400
 THIS MUST BE WHERE THE KIDS WHO
 FOUND THE BODY WENT SWIMMING.

140
00:06:37,100 --> 00:06:39,300
 YOU SEEM TO KNOW YOUR WAY
AROUND THIS PLACE PRETTY WELL.

141
00:06:40,100 --> 00:06:42,000
 I'M GUESSING
YOU'VE BEEN HERE BEFORE?

142
00:06:43,000 --> 00:06:43,900
 YEAH.

143
00:06:49,500 --> 00:06:52,400
THIS WAS OUR FAMILY VACATION
 PLACE WHEN I WAS A KID.

144
00:06:53,300 --> 00:06:54,200
I LOVED IT HERE.

145
00:06:55,500 --> 00:06:58,900
 I DON'T KNOW.
IT ALWAYS FELT... MAGIC.

146
00:07:00,000 --> 00:07:02,200
AND, UH,
THEN A COUPLE YEARS AGO,

147
00:07:02,200 --> 00:07:03,700
 MY MOM GOT BREAST CANCER.

148
00:07:05,000 --> 00:07:07,700
 (voice breaking) AND IT DIDN'T
 LOOK LIKE SHE'D BE OKAY.

149
00:07:09,600 --> 00:07:10,600
MY DAD--

150
00:07:11,000 --> 00:07:12,200
 HE SAID HE'D TAKE HER
 ANYWHERE IN THE WORLD

151
00:07:12,200 --> 00:07:13,200
 THAT SHE WANTED TO GO.

152
00:07:13,700 --> 00:07:17,200
I MEAN, SHE COULD'VE HAD
 PARIS OR THE PYRAMIDS.

153
00:07:19,000 --> 00:07:20,300
BUT THIS IS WHAT
 SHE WANTED--

154
00:07:21,400 --> 00:07:22,600
 TO COME HERE.

155
00:07:23,700 --> 00:07:25,000
I'M SORRY.

156
00:07:26,500 --> 00:07:30,000
IT'S OKAY. WE CAME BACK HERE
 FOR A FEW WEEKS,

157
00:07:30,000 --> 00:07:33,600
 AND... THAT'S KIND OF WHEN
 SHE TURNED AROUND.

158
00:07:34,800 --> 00:07:36,100
SHE BEAT IT.

159
00:07:36,400 --> 00:07:40,900
AND I KNOW THAT IT WAS DOCTORS
 AND TREATMENTS AND ALL,

160
00:07:41,700 --> 00:07:46,700
BUT... THAT'S WHEN I KNEW
 THIS PLACE REALLY IS MAGIC.

161
00:07:50,500 --> 00:07:53,700
 AND THE IDEA OF SOMEONE
 BEING MURDERED HERE...

162
00:07:57,200 --> 00:07:58,600
♪♪♪

163
00:08:01,100 --> 00:08:02,500
 TYLER?

164
00:08:04,800 --> 00:08:05,800
(continues growling)
 DON'T MOVE.

165
00:08:06,700 --> 00:08:10,000
SHE'S STARVING, TYLER.
 ALL SHE WANTS IS YOUR FOOD.

166
00:08:12,300 --> 00:08:14,500
GOOD. GOOD GIRL.

167
00:08:17,000 --> 00:08:17,800
 (growls)
GOT HER.

168
00:08:19,000 --> 00:08:22,000
 DOG, STOP! NO, NO!

169
00:08:23,500 --> 00:08:25,000
 (laughs) TYLER.

170
00:08:27,000 --> 00:08:30,100
CAREFULLY. CANDACE, WAIT.

171
00:08:29,400 --> 00:08:31,800
 (laughing) TYLER.

172
00:08:32,600 --> 00:08:34,200
(laughs) OHH!
 (gasps) OH, MY GOD.

173
00:08:36,700 --> 00:08:38,600
 YOU KNOW I'M TELLING EVERYONE
THIS STORY.

174
00:08:38,700 --> 00:08:41,600
(woman) OKAY, HERE SHE IS.
 WE CLEANED HER UP A LITTLE BIT.

175
00:08:41,700 --> 00:08:42,500
THIS IS IT?

176
00:08:43,300 --> 00:08:46,600
YOUR STRAY IS A LABRADOR POODLE,
 ALSO KNOWN AS A LABRADOODLE.

177
00:08:47,400 --> 00:08:50,300
 SHE'S 4 OR 5.
HOW LONG WAS SHE OUT THERE?

178
00:08:50,300 --> 00:08:53,200
I COULDN'T SAY. SHE GOT
 ENOUGH FOOD FROM VISITORS.

179
00:08:53,200 --> 00:08:56,200
 IF SHE WAS LIVING UNDER ONE OF
 THE CABINS, IT COULD BE YEARS.

180
00:08:56,200 --> 00:08:59,900
WE DIDN'T FIND A COLLAR ON HER.
 NO, BUT WE CAN
DO BETTER THAN THAT.

181
00:08:59,900 --> 00:09:01,700
 SHE HAS A MICROCHIP
 UNDER THE SKIN.

182
00:09:03,300 --> 00:09:05,800
 AS LONG AS THE OWNER'S
 REGISTERED IN THE DATABASE...

183
00:09:07,400 --> 00:09:09,600
 THERE YOU GO--
 MICHAEL AXTON.

184
00:09:09,600 --> 00:09:13,200
COULD IT REALLY BE
 THAT SIMPLE?
 WHAT IF WALTER WAS RIGHT?

185
00:09:13,200 --> 00:09:15,800
WHAT IF THIS DOG
DID BELONG TO JOHN DOE?

186
00:09:15,900 --> 00:09:17,200
THEN WE JUST GOT HIS NAME.

187
00:09:20,800 --> 00:09:22,100
SO ARE YOU
GONNA CALL RUSSELL?

188
00:09:22,200 --> 00:09:27,000
 NO, NOT YET. AT THIS POINT,
 ALL WE HAVE TO GO ON IS WALTER'S THEORY, BASED
 ON SOMETHING HE SAW ON TV.

189
00:09:27,000 --> 00:09:28,100
YEAH, BUT HE COULD BE RIGHT.

190
00:09:28,100 --> 00:09:33,000
I MEAN, MICHAEL AXTON
 COULD BE OUR JOHN DOE.
MAYBE. BUT LET'S AT LEAST FIND OUT IF HE'S MISSING.

191
00:09:33,000 --> 00:09:35,500
I MEAN, A DOG STAYIN
HIS OWNER'S GRAVE FOR THAT LONG?

192
00:09:35,500 --> 00:09:39,200
IT'S PRETTY STRANGE.
YOU DON'T KNOW THOSE WOODS
 STRANGER THINGS HAVE HAPPENED.

193
00:09:40,800 --> 00:09:41,300
(knocks on door)
(man) WHO IS IT?

194
00:09:41,500 --> 00:09:43,200
 WE'RE LOING
 FOR MICHAEL AXTON.

195
00:09:47,100 --> 00:09:48,100
YOU JUST FOUND HIM.

196
00:09:50,300 --> 00:09:54,100
(chuckles) MY DOG?
 WE FOUND HER UP IN WOODLAND,
NEAR LAKE WARD.

197
00:09:54,200 --> 00:09:55,800
UH, THE VET WHO CHECKED HER OUT
 SAID THAT SHE'D BEEN THERE

198
00:09:55,800 --> 00:09:58,700
 FOR A WHILE.
YEAH, WELL, THAT MAKES SENSE.
 THAT'S WHERE I LOST HER.

199
00:09:59,000 --> 00:10:01,000
I GO UP TO THOSE WOODS
EVERY ONCE IN A WHILE.

200
00:10:01,000 --> 00:10:03,800
KATIE RAN AWAY
ABOUT A FEW YEARS AGO.
KATIE? THAT'S HER NAME?

201
00:10:04,200 --> 00:10:08,600
YEAH. I CHECKED IN ALL THE LOCAL
 ANIMAL SHELTERS AT THE TIME,

202
00:10:08,600 --> 00:10:10,200
BUT EVENTUALLY
I JUST GAVE UP LOOKING.

203
00:10:11,500 --> 00:10:14,700
WELL, SHE LED SOME TEENAGERS
 TO A CRIME SCENE.

204
00:10:14,800 --> 00:10:16,600
 THERE WAS A BODY
BURIED IN THE WOODS.

205
00:10:16,600 --> 00:10:18,800
A BODY? OH, MY GOD.

206
00:10:20,200 --> 00:10:22,300
 I HONESTLY DON'T KNOW
WHAT TO SAY ABOUT THAT.

207
00:10:22,300 --> 00:10:24,800
THAT IS... REALLY...

208
00:10:25,500 --> 00:10:27,300
 WELL, KATIE'S
 STILL AT THE VET'S OFFICE,

209
00:10:27,300 --> 00:10:29,100
 BUT WE CAN ARRANGE TO HAVE HER
 BROUGHT BACK TO YOU.

210
00:10:29,500 --> 00:10:31,800
ACTUALLY.... ABOUT THAT,

211
00:10:31,800 --> 00:10:35,200
LOOK, I'M HAPPY KATIE'S SAFE
AND EVERYTHING, BUT I DON'T

212
00:10:35,200 --> 00:10:38,100
THINK THAT'S SUCH A GOOD IDEA,
 'CAUSE, UH, I'M KIND OF

213
00:10:38,100 --> 00:10:39,300
 IN THE MIDDLE
OF A DIVORCE RIGHT NOW,

214
00:10:39,300 --> 00:10:41,400
AND I'M NOT REALLY SET UP
 FOR A DOG.

215
00:10:42,300 --> 00:10:44,800
 HEY. MAYBE YOU GUYS COULD
HELP ME FIND KATIE A NEW HOME.

216
00:10:47,000 --> 00:10:49,300
(Tyler) SO KATIE DIDN'T LEAD US
 TO OUR JOHN DOE AFTER ALL?

217
00:10:49,300 --> 00:10:52,400
 NAH. AXTON LOST HER UP
 IN LAKE WARD A FEW YEARS AGO.

218
00:10:53,000 --> 00:10:55,800
 BUT YOU'RE SAFE NOW, GIRL.
 YES, YOU ARE.

219
00:10:57,400 --> 00:10:58,400
YES, YOU ARE.

220
00:10:58,600 --> 00:10:59,400
YES, YOU ARE.
 (barks)

221
00:11:01,300 --> 00:11:04,200
 WOULD SHE REALLY STAY
IN THE SAME PLACE ALL THAT TIME?

222
00:11:04,400 --> 00:11:09,000
WELL, THERE WAS THIS GUY AND HIS
 DOG ON THE DISCOVERY CHANNEL--
 WALTER, CAN WE PLEASE

223
00:11:09,000 --> 00:11:10,400
 JUST FORGET ABOUT THE DOG
 FOR A SECOND?

224
00:11:10,400 --> 00:11:11,800
WHAT'S THE STORY
ON THE T-SHIRT?

225
00:11:11,900 --> 00:11:16,300
UM, ACTUALLY, I THINK WE GOT
SOMETHING. OUR DOE WAS A GOFER.

226
00:11:16,700 --> 00:11:18,000
 OF COURSE HE WAS.

227
00:11:18,000 --> 00:11:21,600
 I HAVE NO IDEA
WHAT THAT MEANS.
OH, HE WAS A VOLUNTEER

228
00:11:21,600 --> 00:11:23,500
AT A COMIC BOOK CONVENTION
 FIVE YEARS AGO.

229
00:11:23,600 --> 00:11:25,600
 HOW MANY VOLUNTEERS
 ARE WE TALKING ABOUT

230
00:11:25,700 --> 00:11:28,000
 I CALLED THE PROMOTERS AND GOT
 THEM TO E-MAIL ME A LIST.

231
00:11:28,000 --> 00:11:31,100
 THERE WERE 12,000 PEOPLE TOTAL,
 300 VOLUNTEERS.

232
00:11:31,200 --> 00:11:35,200
 GREAT. SO WE HAVE TO FOLLOW UP
 ON 60 PEOPLE APIECE.
YEP.

233
00:11:35,300 --> 00:11:38,000
 UH, HANG ON. LINDSEY,
THE SHERIFF MADE A LIST

234
00:11:38,000 --> 00:11:40,400
 OF EVERYONE WHO RENTED
 A CABIN AT LAKE WARD

235
00:11:40,600 --> 00:11:43,000
AROUND THE TIME
 OUR DOE WAS BURIED.
 YEAH, I SAW THAT LIST.

236
00:11:43,000 --> 00:11:46,500
 I TYPED THESE NAMES
 INTO MY COMPUTER.
 MAYBE WE CAN COMPARE THE TWO LISTS.

237
00:11:46,500 --> 00:11:48,400
 IF SOMEONE WHO RENTED A D A CABIN
 ALSO WAS A VOLUNTEER

238
00:11:48,400 --> 00:11:49,900
 AT THE CONVENTION...
 I CAN TRY.

239
00:11:57,500 --> 00:11:59,300
 IT'S JUST MY LAPTOP, GUYS.

240
00:12:00,000 --> 00:12:02,200
 I'VE GOT A PROGRAM
 THAT MERGES DATA,

241
00:12:02,200 --> 00:12:03,400
 BUT IT'S GONNA TAKE
 A MINUTE.

242
00:12:03,900 --> 00:12:06,800
(sneezes)
 YOU OKAY?

243
00:12:06,900 --> 00:12:08,400
YEAH. BUT IF YOU GUYS ARE
GONNA KEEP KATIE,

244
00:12:08,600 --> 00:12:11,700
I'M GONNA FIND ANOTHER GROUP.
 OKAY, GOT IT.

245
00:12:11,700 --> 00:12:15,100
I MERGED CABIN RENTERS
 WITH CONVENTION VOLUNTEERS,

246
00:12:15,100 --> 00:12:18,300
AND ONLY ONE NAME OVERLAPS--
 JAKE LUCAS.

247
00:12:18,400 --> 00:12:20,100
 MAYBE NOW
WE SHOULD CALL RUSSELL.

248
00:12:20,700 --> 00:12:25,600
MIGHT BE A LITTLE EARLY FOR
THAT. IS THERE ANY CONTACT INFO?
NO. THIS LIST IS JUST NAMES.

249
00:12:25,600 --> 00:12:28,300
 I CAN CALL AGAIN, SEE WHAT
 THE PROMOTERS HAVE ON FILE.

250
00:12:28,600 --> 00:12:31,600
 LET'S DO IT. TYLER, HOW CLOSE
 ARE YOU ON THE SKETCH?
ALMOST DONE.

251
00:12:31,600 --> 00:12:33,700
 GREAT. THIS COULD BE HIM.

252
00:12:33,800 --> 00:12:35,800
 OUR JOHN DOE
 COULD BE JAKE LUCAS.

253
00:13:01,800 --> 00:13:04,000
 WE GOT THIS ADDRESS
 FROM THE CONVENTION PROMOTERS.

254
00:13:04,000 --> 00:13:07,300
IT WAS LISTED IN
THE CONTACT INFO FOR JAKE LUCAS.

255
00:13:08,100 --> 00:13:09,400
YEAH, I'D SAY THAT'S JAKE.

256
00:13:09,600 --> 00:13:11,700
 HE WAS LIVING HERE
WHEN I STARTED AS THE MANAGER,

257
00:13:11,700 --> 00:13:13,500
BUT NOT ANYMORE.
SO YOU KNEW HIM?

258
00:13:13,600 --> 00:13:16,500
YEAH. NICE GUY,
ALWAYS FIRED UP,

259
00:13:16,700 --> 00:13:19,800
 ALWAYS FULL OF DREAMS
AND SCHEMES. I LIKED HIM.

260
00:13:20,000 --> 00:13:21,900
 CAN YOU TELL US WHEN WAS
 THE LAST TIME YOU SAW HIM?

261
00:13:22,000 --> 00:13:25,500
PROBABLY FOUR YEARS AGO, RIGHT
 ABOUT THE TIME HE MOVED OUT.
 HE MOVED OUT?

262
00:13:25,600 --> 00:13:29,600
YEAH. CRAZY, IF YOU ASK ME.
GUY'S GOT A PRE-WAR UNIT--

263
00:13:29,700 --> 00:13:32,900
SMALL, BUT BEAUTIFUL, AND EVEN
 BETTER, RENT-CONTROLLED.

264
00:13:33,200 --> 00:13:36,300
 SO WHAT HAPPENED?
GUY GOES AND BUYS A DOG.

265
00:13:36,400 --> 00:13:37,000
IT'S INSANE,

266
00:13:37,000 --> 00:13:39,600
BECAUSE BUILDING POLICY
 SAYS NO PETS.

267
00:13:39,700 --> 00:13:40,700
 <i>AND I GIVE HIM A CHOICE.</i>

268
00:13:40,800 --> 00:13:43,300
  <i>HE KEEPS THE DOG</i>
 <i>AND GIVES UP THE UNIT.</i>

269
00:13:49,200 --> 00:13:51,300
 CAN YOU TELL US, UH,
WHERE WE COULD FIND HIM?

270
00:13:51,300 --> 00:13:52,900
UH, HIS FRIENDS, FAMILY?

271
00:13:53,000 --> 00:13:55,700
NOT REALLY, BUT I KNOW
HE FORWARDED HIS MAIL,

272
00:13:56,000 --> 00:13:57,500
 SO MAYBE
YOU CAN TRACK HIM DOWN.

273
00:13:57,500 --> 00:13:59,300
OKAY. THANK YOU.
 THANK YOU.

274
00:14:00,900 --> 00:14:01,700
 I'LL CALL RUSSELL.
 (beep)

275
00:14:01,700 --> 00:14:03,800
 MAYBE SHE CAN GET US
 THE FORWARDING ADDRESS.

276
00:14:07,300 --> 00:14:08,500
HOW SOLID ARE WE ON THIS?

277
00:14:08,800 --> 00:14:11,000
LOOKS PROMISING.
 WE TIED THE NAME "JAKE LUCAS"

278
00:14:11,000 --> 00:14:12,300
TO THE T-SHIRT ON THE VICTIM

279
00:14:12,300 --> 00:14:15,700
AND THE CABINS NEAR
WHERE THE BODY WAS FOUND.
 WE ALSO GOT AN I.D. OF OUR SKETCH

280
00:14:15,700 --> 00:14:19,000
 FROM JAKE LUCAS' OLD LANDLORD.
 SO THIS SHOULD CLINCH IT.

281
00:14:19,000 --> 00:14:20,400
 IF THIS IS HIS BROTHER.
(exhales deeply)

282
00:14:25,000 --> 00:14:26,800
 HEY. UH,
 YOU'RE THE ONE WHO CALLED?

283
00:14:27,000 --> 00:14:29,000
 YEAH. ALEX DONOVAN.
 THIS IS CANDACE BUTLER

284
00:14:29,000 --> 00:14:31,300
 AND DETECTIVE GRACE RUSSELL
 FROM CHICAGO P.D.

285
00:14:32,000 --> 00:14:32,700
 DETECTIVE?

286
00:14:33,100 --> 00:14:34,700
AND YOU ARE?

287
00:14:34,700 --> 00:14:36,600
 UH, JOHN LUCAS.

288
00:14:37,800 --> 00:14:38,800
 PLEASE COME IN.

289
00:14:38,800 --> 00:14:39,900
THANKS.
 YEAH.

290
00:14:43,600 --> 00:14:44,600
 SO, UH... (clears throat)

291
00:14:44,600 --> 00:14:46,800
THIS HAS SOMETHING TO DO
 WITH MY BROTHER JAKE?

292
00:14:47,400 --> 00:14:49,700
MR. LUCAS, WHEN'S THE LAST TIME
 YOU SAW YOUR BROTHER?

293
00:14:50,400 --> 00:14:52,200
 UH, IT'S BEEN A WHILE.

294
00:14:52,200 --> 00:14:53,900
 HOW LONG IS "A WHILE"?

295
00:14:55,100 --> 00:14:58,500
 UH, THREE YEARS, MAYBE.
 I-I DON'T KNOW.

296
00:14:58,800 --> 00:15:00,500
I'M SORRY TO TELL YOU THIS,

297
00:15:00,500 --> 00:15:02,500
BUT A BODY WAS FOUND
 UP IN WOODLAND.

298
00:15:02,600 --> 00:15:05,200
WE THINK THERE'S A CHANCE
IT COULD BE JAKE.

299
00:15:07,400 --> 00:15:09,400
 OH. NO, IT'S NOT POSSIBLE.

300
00:15:10,300 --> 00:15:11,400
JAKE'S IN INDIA.

301
00:15:12,200 --> 00:15:15,700
HOW DO YOU KNOW THAT?
 BECAUSE I GOT AN E-MAIL
 FROM HIM THIS MORNING.

302
00:15:25,000 --> 00:15:26,700
 IT DOES LOOK
A LOT LIKE JAKE.

303
00:15:27,000 --> 00:15:28,400
 (door opens)
THIS DOESN'T MAKE ANY SENSE.

304
00:15:30,500 --> 00:15:31,800
 (door closes)
 JAKE'S LIVING IN INDIA.

305
00:15:32,700 --> 00:15:34,500
 UH, THIS IS BECKY,
 OUR SISTER.

306
00:15:34,500 --> 00:15:35,900
 I GOT HERE
 AS SOON AS I COULD.

307
00:15:36,300 --> 00:15:39,900
 LOOK, I KNOW IT CAN'T BE JAKE.
 HE'S BEEN E-MAILING ME, TOO.

308
00:15:40,000 --> 00:15:43,200
WE CAN CHECK THAT.
I MEAN, THE <i>POLICE</i>

309
00:15:43,200 --> 00:15:45,700
CAN LOOK AT THE COMPUTER
AND TRACE THOSE MESSAGES.

310
00:15:45,800 --> 00:15:48,400
 WE CAN. I'LL HAVE A TECH UNIT
 TAKE A LOOK.

311
00:15:48,600 --> 00:15:52,200
DID YOUR BROTHER EVER SPEND
ANTIME AROUND LAKE WARD?
 UH, OF COURSE.

312
00:15:52,200 --> 00:15:55,500
 WE ALL DID. IT WAS
A VACATION PLACE FOR OUR FAMILY.

313
00:15:55,700 --> 00:15:57,000
 WE STILL GO
ONCE IN A WHILE.

314
00:15:57,600 --> 00:15:59,400
 HOW OFTEN
DO YOU TALK TO JAKE?

315
00:16:00,000 --> 00:16:02,800
 NOT OFTEN,
BUT THAT'S KINDA JUST HIS THING.

316
00:16:03,000 --> 00:16:04,600
 I MEAN, HE'S FLAKY.

317
00:16:04,800 --> 00:16:06,300
 FLAKY JAKE.

318
00:16:07,800 --> 00:16:09,000
(chuckles)
 IT'S WHAT WE CALL HIM.

319
00:16:09,500 --> 00:16:11,400
 YEAH, ONE DAY YOU GET
 AN E-MAIL FROM PARIS--

320
00:16:11,400 --> 00:16:12,500
 "IT'S JAKE,
 JUST CHECKING IN,"

321
00:16:12,500 --> 00:16:15,800
AND NEXT MONTH
 IT'S BURMASCOW,

322
00:16:15,800 --> 00:16:18,700
 YOU KNOW, A-AND THEN
JUST NOTHING FOR MONTHS.

323
00:16:19,000 --> 00:16:20,700
WOULD YOU SAY YOU GUYS
 ARE CLOSE?

324
00:16:21,300 --> 00:16:24,300
WE ARE,
 BUT JAKE'S HARD TO DESCRIBE.

325
00:16:24,400 --> 00:16:26,500
 WHEN HE SURFACES, HE'S GREAT.

326
00:16:26,500 --> 00:16:29,400
 WE TALK ABOUT EVERYTHING.
 BUT THEN HE GOES OFF AGAIN.

327
00:16:29,900 --> 00:16:31,800
 <i>READY? GO GET IT!</i>

328
00:16:32,800 --> 00:16:33,500
 <i>COME ON!</i>

329
00:16:33,700 --> 00:16:37,000
 JAKE'S ALWAYS BEEN DIFFERENT.
HE'S ADOPTED. UM...

330
00:16:37,000 --> 00:16:39,400
 OUR PARENTS COULDN'T HAVE
 A THIRD CHILD, A, UH...

331
00:16:41,000 --> 00:16:42,400
 SINCE HE NEVER KNEW
 HIS OWN FAMILY,

332
00:16:42,400 --> 00:16:46,400
 I JUST THINK HE TRIES TO CREATE
 THAT BOND WITH OTHER PEOPLE.

333
00:16:46,400 --> 00:16:47,400
 SO...

334
00:16:48,400 --> 00:16:49,800
 I HOPE WE'RE WRONG,

335
00:16:49,900 --> 00:16:52,900
BUT IF WE DID FIND JAKE,
 THE D.N.A. WILL PROVE IT.

336
00:16:53,000 --> 00:16:54,500
 WE NEED YOUR HELP
 FINDING A SAMPLE.

337
00:16:54,600 --> 00:16:56,600
 OKAY.
 UM, HOW DO WE DO THAT?

338
00:16:56,800 --> 00:16:58,600
WELL, YBE IF YOU HAVE

339
00:16:58,600 --> 00:17:01,500
AN OLD HAT OR TOOTHBRUSH
OR AN OLD COMB--

340
00:17:01,600 --> 00:17:03,700
ANYTHING YOU HAVE THAT BELONGED
 TO JAKE WOULD BE HELPFUL.

341
00:17:06,200 --> 00:17:07,700
 (Lindsey)
SO WHAT DID THE E-MAILS SAY?

342
00:17:08,300 --> 00:17:11,000
UH, I ONLY READ A FEW.
 THEY WERE SHORT--

343
00:17:11,000 --> 00:17:13,400
 STORIES ABOUT MUMBAI
AND HOW MUCH HE MISSES EVERYONE.

344
00:17:13,400 --> 00:17:15,100
 AND DETECTIVE RUSSELL'S
 TRACING 'EM?

345
00:17:15,200 --> 00:17:17,900
 AND SHE'S CHECKING THE D.N.A.
 OTHERWISE, WE'RE ON OUR OWN.

346
00:17:17,900 --> 00:17:19,700
 HER LIEUTENANT WON'T LET HER
 GET MORE INVOLVED

347
00:17:19,700 --> 00:17:23,100
UNTIL THERE'S A POSITIVE I.D.
 ON THE BODY.
I DON'T UNDERSTAND WHY.

348
00:17:23,200 --> 00:17:25,600
 EVERYTHING THAT WE HAVE
SAYS THAT IT'S JAKE LUCAS.

349
00:17:25,700 --> 00:17:27,900
 I KNOW. BUT WE COULD STILL BE
 ON THE WRONG TRACK.
(computer beeps)

350
00:17:28,600 --> 00:17:32,300
WE'RE NOT. AND IF JAKE LUCAS
 IS WHO I THINK HE IS,

351
00:17:32,600 --> 00:17:34,600
 THINGS JUST GOT
A LITTLE MORE INTERESTING.

352
00:17:35,300 --> 00:17:37,700
 ACCORDING TO THE TECH TRADES,
 HE'S KINDA FAMOUS.

353
00:17:37,800 --> 00:17:40,200
  FOR WHAT?
WELL, NOT FAMOUS
 IN LIKE YOU'D KNOW HIS NAME,

354
00:17:40,200 --> 00:17:44,200
BUT I BET YOU KNOW HIS WORK. HE
 CREATED THE KATIE APPLICATION.
 (Tyler) THAT'S THE GUY?

355
00:17:44,300 --> 00:17:46,100
WHAT?
 WHAT'S THAT?

356
00:17:46,200 --> 00:17:47,300
 IT'S A SOCIAL APPLICATION--

357
00:17:47,400 --> 00:17:50,000
A PRETTY SUCCESSFUL ONE,
 ACTUALLY. I GUESS HE NAMED 

358
00:17:50,000 --> 00:17:53,200
 AFTER HIS DOG.
 IT'S THIS PROGRAM
 YOU DOWNLOAD ONTO YOUR PHONE.

359
00:17:53,300 --> 00:17:56,300
WHAT'S IT DO?
 BASICALLY IT JUST MOPS UP
 WHATEVER INFORMATION'S

360
00:17:56,300 --> 00:17:59,000
 AROUND YOU, LIKE, UH,
 CELL PHONES, WIRELESS SIGNALS,

361
00:17:59,000 --> 00:18:01,500
AND IT SENDS IT
TO YOUR PRIVATE NETWORK.
 IT'S FOR YOUR FRIENDS.

362
00:18:01,600 --> 00:18:03,700
 IT CREATES A PICTURE OF WHERE
 YOU ARE AND WHAT YOU'RE DOING.

363
00:18:03,800 --> 00:18:06,500
 LIKE "CANDACE IS
AT A COFFEE SHOP IN CHICAGO,

364
00:18:06,800 --> 00:18:09,500
 AND IT'S RAINING OUTSIDE."
 I DON'T KNOW.

365
00:18:09,900 --> 00:18:12,100
 I LIKE HAVING YOU GUYS WITH ME,
 BUT NOT EVERYWHERE I GO.

366
00:18:13,300 --> 00:18:16,500
I AGREE, BUT, UH, ACCORDING
TO HIS BROTHER AND SISTER,

367
00:18:16,600 --> 00:18:18,700
HE DID LIKE CREATING BONDS
 WITH PEOPLE.

368
00:18:19,000 --> 00:18:20,600
MM. I GUESS SO.
 HE DEVELOPED KATIE

369
00:18:20,600 --> 00:18:22,600
 WITH THREE OLD FRIENDS
 FROM HIGH SCHOOL,

370
00:18:22,700 --> 00:18:26,000
AND THEY SOLD IT FOR A FORTUNE.
ANY NAMES?

371
00:18:26,200 --> 00:18:28,400
  VICTOR GUPTA,
 SOFTWARE ENGINEER,

372
00:18:28,500 --> 00:18:30,800
 LAYLA DEMCHAK,
 MARKETING AND P.R.

373
00:18:30,800 --> 00:18:35,200
AND MICHAEL AXTON, C.E.O.
 MICHAEL AXTON?
WE MET WITH HIM.

374
00:18:35,200 --> 00:18:37,700
HE'S REGISTERED AS KATIE'S
OWNER. HE KNEW JAKE LUCAS?

375
00:18:37,700 --> 00:18:39,300
 I'M NOT WAITING ON RUSSELL
 TO GET D.N.A.

376
00:18:39,300 --> 00:18:43,200
I SAY WE DO WHAT WE ALWAYS DO--
GET TO KNOW JAKE LUCAS.

377
00:18:43,300 --> 00:18:45,900
 HIS FAMILY DESERVES TO KNOW
 WHO HE REALLY WAS.

378
00:18:46,800 --> 00:18:48,200
I CAN'T BELIEVE YOU THINK
 THE BODY THEY FOUND

379
00:18:48,200 --> 00:18:49,200
IS JAKE LUCAS.

380
00:18:49,400 --> 00:18:54,200
 YEAH, YOU DIDN'T, UH, MENTION
THAT THE DOG WAS HIS, MR. AXTON.
YOU DIDN'T ASK.

381
00:18:54,200 --> 00:18:56,800
AND HONESTLY, I DIDN'T THINK THERE WAS ??

382
00:18:56,800 --> 00:19:00,300
 HE CAN'T BE DEAD.
I GET AN E-MAIL FROM HIMEVERY--EVERY ONCE IN A WHILE.

383
00:19:00,300 --> 00:19:03,100
HE'S IN INDIA OR SOMETHING.
 YEAH,
 HIS FAMILY GETS THEM, TOO.

384
00:19:03,100 --> 00:19:04,000
THE POLICE
 ARE CHECKING INTO THAT.

385
00:19:04,000 --> 00:19:05,700
 RIGHT NOW WE JUST WANT
TO LEARN MORE ABOUT HIM.

386
00:19:06,400 --> 00:19:09,000
 SO IT WAS THE, UH,
THE FOUR OF YOU

387
00:19:09,000 --> 00:19:10,600
WHO STARTED THE COMPANY,
 RIGHT?

388
00:19:11,000 --> 00:19:14,200
(sighs) YEAH. YEAH. WE ALL GREW
 UP TOGETHER OUTSIDE THE CITY,

389
00:19:14,700 --> 00:19:15,600
IN NAPERVILLE.

390
00:19:16,000 --> 00:19:18,100
 UM, WE BUILT
THE WHOLE COMPANY

391
00:19:18,400 --> 00:19:20,700
 IN THIS GUEST ROOM
AT HIS BOARDING HOUSE.

392
00:19:20,700 --> 00:19:24,700
 IT WAS YOU, VICTOR GUPTA
AND A THIRD PERSON--A WOMAN?

393
00:19:25,000 --> 00:19:28,300
 (sighs) LAYLA. YES.
WE DON'T SPEAK ANYMORE.

394
00:19:28,600 --> 00:19:30,300
THAT WAS THE DIVORCE
I MENTIONED.

395
00:19:31,300 --> 00:19:34,300
 UH, WE GOT MARRIED YOUNG.
DIDN'T LAST MUCH PAST THE SALE.

396
00:19:34,400 --> 00:19:36,700
 I WANTED TO ASK YOU ABOUT
THE NAME OF THE COMPANY.

397
00:19:37,000 --> 00:19:38,800
REPEAT N.P. INCORPORATED--

398
00:19:38,800 --> 00:19:40,700
IT'S A LITTLE UNUSUAL,
 I KNOW.

399
00:19:40,800 --> 00:19:43,500
 BUT THE "N.P." STANDS
FOR "NUCLEAR PARTICLES."

400
00:19:44,000 --> 00:19:45,100
 JAKE LIKED IT
BECAUSE THE LETTERS ARE

401
00:19:45,100 --> 00:19:48,800
"PETER PAN" SCRAMBLED.
 PETER PAN.

402
00:19:48,900 --> 00:19:52,100
SO HE WAS THE TYPE OF GUY
WHO DIDN'T WANT TO GROW UP, HMM?

403
00:19:52,200 --> 00:19:53,400
YEAH, HE WAS A KID AT HEART,

404
00:19:53,400 --> 00:19:56,900
BUT THAT'S WHAT MADE HIM
SPECIAL.
YEAH, WE SPOKE TO HIS BROTHER AND SISTER.

405
00:19:56,900 --> 00:19:59,400
THEY NEVER MENTIONED A THING
 ABOUT ANY OF HIS SUCCESS.

406
00:19:59,700 --> 00:20:01,900
JAKE PROBABLY DIDN'T TELL 'EM.
 I'M NOT SURPRISED.

407
00:20:02,200 --> 00:20:03,900
 JAKE DID
WHAT HE WANTED TO DO.

408
00:20:04,000 --> 00:20:06,600
THAT'S HOW I ENDED UP
 WITH KATIE.
 WHAT DO YOU MEAN?

409
00:20:06,700 --> 00:20:10,700
JAKE HAD A TRIP TO INDIA PLANNED
AND SHOWED UP AT MY DOOR

410
00:20:10,900 --> 00:20:12,900
AND SAID THAT
KATIE'S REGISTERED TO ME NOW.

411
00:20:13,300 --> 00:20:14,500
I DIDN'T LOVE THE IDEA.

412
00:20:15,800 --> 00:20:16,900
KATIE DIDN'T EITHER,
 I GUESS.

413
00:20:19,500 --> 00:20:21,000
IS ANY OF THIS HELPING YOU?

414
00:20:21,800 --> 00:20:24,200
 THE, UH, THE BOARDING HOUSE
 THAT YOU MENTIONED--

415
00:20:24,200 --> 00:20:25,700
WOULD YOU MIND
 SHOWING THAT TO ME?

416
00:20:27,100 --> 00:20:29,100
YES. OKAY. NO PROBLEM.

417
00:20:30,300 --> 00:20:32,500
IT'S TRUE.
THE FIRST KATIE APPLICATION

418
00:20:32,500 --> 00:20:34,400
 WAS WRITTEN
 IN ONE OF OUR ROOMS.

419
00:20:34,700 --> 00:20:38,100
THIS IS WHERE JAKE WENT
 WHEN HE LEFT HIS APARTMENT?
YEAH, A FEW YEARS AGO NOW.

420
00:20:38,400 --> 00:20:40,800
THE FOUR OF THEM ALWAYS TREATED
 ME LIKE ONE OF THE FAMILY,

421
00:20:40,900 --> 00:20:42,400
NOT LIKE A LANDLORD.

422
00:20:42,600 --> 00:20:43,600
 THIS IS IT.

423
00:20:43,900 --> 00:20:47,400
 OKAY, MICHAEL, YOU GO ON IN.
 I WANT TO GRAB SOMETHING.

424
00:20:54,500 --> 00:20:55,700
 THIS IS IT.

425
00:20:56,300 --> 00:20:57,700
 THIS IS WHERE
 IT ALL STARTED.

426
00:21:05,000 --> 00:21:07,000
  <i>IN THE BEGINNING,</i>
  <i>WHEN YOU DON'T HAVE MUCH,</i>

427
00:21:07,100 --> 00:21:08,500
 <i>ALL YOU CAN THINK ABOUT</i>
  <i>IS MORE.</i>

428
00:21:10,100 --> 00:21:11,100
  <i>BUT WHEN I GOT IT,</i>

429
00:21:11,100 --> 00:21:14,900
 <i>ALL I COULD THINK ABWAS HOW</i>
  <i>HAPPY I WAS WHEN I HAD LESS.</i>

430
00:21:17,500 --> 00:21:19,800
(sighs) IT'S A PRETTY SMALL ROOM
 FOR BUSINESS MEETINGS.

431
00:21:19,800 --> 00:21:21,800
 YOU GUYS MUST HAVE
 <i>REALLY</i> LIKED EACH OTHER.

432
00:21:22,700 --> 00:21:24,000
 SEE FOR YOURSELF.

433
00:21:24,100 --> 00:21:25,600
 IS THAT WHAT I THINK IT IS?
MM-HMM.

434
00:21:28,200 --> 00:21:29,800
 I USED TO COME BY SOME NIGHTS
 WITH MY CAMERA.

435
00:21:29,800 --> 00:21:32,600
 EVEN THEN, I KNEW SOMETHING
SPECIAL WAS HAPPENING.

436
00:21:32,700 --> 00:21:34,000
  <i>(Jake) IT'S ON? OKAY.</i>

437
00:21:34,300 --> 00:21:37,300
  <i>LADIES AND GENTLEMEN,</i>
  <i>WELCOME TO THE CLUBHOUSE.</i>

438
00:21:37,300 --> 00:21:40,400
 <i>THIS IS WHERE THE MAGIC</i>
  <i>HAPPENS. (laughs)</i>

439
00:21:41,300 --> 00:21:44,700
  <i>UH, LOOK. LOOK. HERE. HERE.</i>
  <i>UH, THIS IS THE MAGIC SOFA.</i>

440
00:21:44,700 --> 00:21:46,000
 <i>GET A SHOT OF THE MAGIC SOFA.</i>

441
00:21:46,000 --> 00:21:51,300
<i>AND, UM, LOOK, THERE HIDING</i>
  <i>BEHIND THAT DOOR--</i>

442
00:21:51,300 --> 00:21:55,000
<i>COME WITH ME--</i>
  <i>THE LOVELY LAYLA DEMCHAK...</i>
  <i>(laughs)</i>

443
00:21:55,300 --> 00:21:58,300
  <i>MISTRESS TO MICHAEL.</i>
 <i>(Michael) HEY, COULD YOU TALK</i>
  <i>ABOUT THE PRODUCT, PLEASE?</i>

444
00:21:58,300 --> 00:22:01,800
  <i>IT'S CALLED KATIE.</i>
  <i>IT'S THE CURE FOR LONELINESS.</i>

445
00:22:02,200 --> 00:22:04,500
  <i>WITH THIS PROGRAM,</i>
  <i>YOUR FRIENDS,</i>

446
00:22:05,200 --> 00:22:07,000
 <i>YOUR FRIENDS...</i>
  <i>HI, MOM.</i>

447
00:22:07,200 --> 00:22:11,600
<i>ARE ALWAYS WITH YOU, 24/7,</i>
  <i>WHEREVER YOU ARE.</i>

448
00:22:12,400 --> 00:22:13,400
 (cell phone rings)
  <i>ISN'T THAT RIGHT, KATIE?</i>

449
00:22:13,500 --> 00:22:15,300
EXCUSE ME. HEY.
  <i>HUH?</i>

450
00:22:16,600 --> 00:22:17,100
HOW'S IT GOING?

451
00:22:18,000 --> 00:22:19,500
WE RUSHED THE D.N.A.
 IT'S OFFICIAL.

452
00:22:19,700 --> 00:22:21,200
 Our Doe is Jake Lucas.
(sighs)

453
00:22:22,200 --> 00:22:23,100
DETECTIVE?
YOU STILL THERE?

454
00:22:23,800 --> 00:22:26,500
UH, YEAH. I LIKE THE GUY.

455
00:22:26,500 --> 00:22:28,300
I WAS KINDA HOPING
 IT WASN'T HIM.

456
00:22:29,100 --> 00:22:30,300
ANLUCK ON THE E-MAILS?

457
00:22:30,500 --> 00:22:32,100
 WELL, WE TRACED THEM.
 IT WASN'T EASY.

458
00:22:32,400 --> 00:22:35,400
WHOEVER SENT THEM KNEW
 HOW TO COVER THEIR TRACKS.
AND?

459
00:22:35,500 --> 00:22:38,400
 YOU WANT TO GUESS
 WHERE THEY CAME FROM?
NOT MUMBAI?

460
00:22:38,500 --> 00:22:40,600
 TRY THE SOUTH SIDE
 OF CHICAGO.

461
00:22:44,300 --> 00:22:45,900
 <i>I ALWAYS WANTED</i>
 <i>O TO INDIA.</i>

462
00:22:46,400 --> 00:22:48,400
  <i>I TRIED TO CONVINCE</i>
  <i>EVERYONE TO COME,</i>

463
00:22:48,400 --> 00:22:50,300
  <i>BUT THEY ALL HAD</i>
  <i>TOO MUCH GOING ON.</i>

464
00:22:50,800 --> 00:22:54,200
  <i>THE REAL WORLD--</i>
  <i>IT CAN REALLY GET IN THE WAY.</i>

465
00:22:55,300 --> 00:22:56,900
  <i>IT DIDN'T MATTER.</i>

466
00:22:57,600 --> 00:22:59,900
  <i>IN THE END,</i>
  <i>I NEVER LEFT CHICAGO.</i>

467
00:23:02,000 --> 00:23:03,800
(Russell) WE TRACED THE E-MAILS
 TO THIS ADDRESS.

468
00:23:06,800 --> 00:23:08,200
 (click)
 IT'S JUST A ROOM, REALLY.

469
00:23:08,800 --> 00:23:10,200
 BEEN LEASED
ABOUT TWO YEARS NOW.

470
00:23:10,400 --> 00:23:11,600
 YOU DON'T KNOW WHO LEASED IT?

471
00:23:13,200 --> 00:23:16,400
 IT'S CRAZY, I KNOW, BUT, UH,
 IT'S NOT EXACTLY TRUMP TOWERS.

472
00:23:17,400 --> 00:23:19,500
 I MET HIM ABOUT TWO YEARS AGO.
HE CAME IN.

473
00:23:19,500 --> 00:23:21,300
 I MADE HIM A DEAL
 ON THE SPACE.

474
00:23:21,400 --> 00:23:25,900
HE, UH, PAID IN CASH, JUST LIKE
HE HAS EVERY MONTH SINCE.
IN PERSON?

475
00:23:25,900 --> 00:23:28,800
NEVER. ONLY BY MAIL.
 AND WOULD YOU RECOGNIZE HIM?

476
00:23:28,800 --> 00:23:31,800
 BACK THEN?
 I DON'T THINK SO.

477
00:23:32,000 --> 00:23:34,200
 TRUTH IS, IF YOU TOLD ME
 YOU WERE HIM, I'D BELIEVE IT.

478
00:23:34,400 --> 00:23:38,100
THANKS.
WELL, WHAT DO YOU THINK?

479
00:23:39,100 --> 00:23:40,100
 (siren wailing in distance)
WE'LL SEIZE THE COMPUTER,

480
00:23:40,100 --> 00:23:41,500
SEE IF THERE'S ANYTHING
 WE CAN TRACE.

481
00:23:41,800 --> 00:23:45,700
OKAY. GOOD LUCK.
 UM, I GOTTA GO.
WHERE?

482
00:23:46,100 --> 00:23:47,300
GO SEE VICTOR GUPTA.

483
00:23:47,300 --> 00:23:51,000
 HE WAS ONE OF THE ORIGINAL FOUR
IN JAKE'S COMPANY.
WHY HIM?

484
00:23:51,100 --> 00:23:53,200
 UH, HE STILL CONSULTS
 FOR REPEAT N.P.

485
00:23:53,200 --> 00:23:56,300
 I WANT TO SEE WHAT IT
 LOOKS LIKE. YOU LOOK CONCERNED.

486
00:23:57,300 --> 00:23:59,400
HONESTLY, I DON'T KNOW
ANYTHING ABOUT GUPTA.

487
00:23:59,600 --> 00:24:01,600
BUT I'M STARTING TO FEEL
 LIKE EVERY TIME A CASE

488
00:24:01,600 --> 00:24:03,700
GOES SOMEWHERE, YOU GUYS
HAVE BEEN THERE ALREADY.

489
00:24:04,700 --> 00:24:08,300
WE'RE JUST TRYING TO HELP.
 I KNOW. BUT IF GUPTA
TURNS OUT TO BE A SUSPECT,

490
00:24:08,300 --> 00:24:11,500
MAYBE A DETECTIVE SHOULD BE
 AT HIS FIRST INTERVIEW.
WELL, THEN COME WITH ME.

491
00:24:13,400 --> 00:24:15,800
  LOOK, WE DON'T WANT
 TO GET IN THE WAY.

492
00:24:16,000 --> 00:24:18,300
 WE DON'T WORK LIKE YOU DO.
 WE DON'T WORK CASES

493
00:24:18,300 --> 00:24:20,800
 IN A STRAIGHT LINE. WE LEARN.
AND I APPRECIATE THAT,

494
00:24:20,800 --> 00:24:23,500
AND I THINK YOU SHOULD GO. I'M JUST SAYI

495
00:24:24,400 --> 00:24:27,600
 YOU'RE HERE TO HELP US,
NOT THE OTHER WAY AROUND.

496
00:24:42,300 --> 00:24:43,400
 THAT'S LAYLA DEMCHAK,

497
00:24:43,400 --> 00:24:45,600
 ONE OF JAKE'S FRIENDS
 AND PARTNERS.

498
00:24:45,600 --> 00:24:48,100
THIS MUST HAVE BEEN WHAT SHE DID
 WITH HER SHARE OF THE PAYOUT.

499
00:24:48,100 --> 00:24:51,900
RENTS IN THIS NEIGHBORHOOD
 AREN'T CHEAP.
 YEAH, AND NEITHER'S

500
00:24:51,900 --> 00:24:54,200
THE SMALLER THE OUTFIT,
 THE HIGHER THE PRICE TAG.

501
00:24:54,400 --> 00:24:56,000
MM. LET'S GO IN.

502
00:24:59,200 --> 00:25:00,400
JAKE'S NUMBER ONE RULE WAS

503
00:25:00,400 --> 00:25:03,200
 HE HAD TO BE ABLE
TO BRING KATIE TO WORK.
AND YOU'RE A CONSULTANT?

504
00:25:03,200 --> 00:25:06,000
I'M ON THE BOARD, BUT I LIKE TO
STAY INVOLVED IN THE DAY-TO-DAY.

505
00:25:06,400 --> 00:25:08,000
I CAN SEE WHY
 YOU WOULDN'T WANT TO LEAVE.

506
00:25:08,000 --> 00:25:11,400
 THIS HAS TO BE THE COOLEST
OFFICE I'VE EVER SEEN.
YEAH, DAY CARE CENTER,

507
00:25:11,600 --> 00:25:15,600
 IN THE MIND OF A MODERN-DAY
PETER PAN, IT ALL SEEMS IDYLLIC,

508
00:25:15,700 --> 00:25:16,700
 BUT THIS IS BUSINESS.

509
00:25:16,700 --> 00:25:19,000
 IT CAN'T BE ALL JELLY BEANS
 AND PUPPY DOGS.

510
00:25:19,100 --> 00:25:21,500
NO. YOU KNOW,
WE STARTED AS FRIENDS,

511
00:25:21,500 --> 00:25:24,400
BUT THE MORE SUCCESSFUL WE GOT,
THE MORE THAT CHANGED.

512
00:25:24,500 --> 00:25:27,900
WHY IS THAT?
TIME, PERSONALITIES, EGOS.

513
00:25:28,000 --> 00:25:29,200
IT'S NATURAL.

514
00:25:29,700 --> 00:25:31,800
 YOU KNOW, JAKE DIDN'T KNOW
BUSINESS, BUT AFTER A WHILE,

515
00:25:31,800 --> 00:25:34,600
 HE KNEW ENOUGH TO START
PUSHING MICHAEL PRETTY HARD.

516
00:25:34,800 --> 00:25:38,600
AND I WROTE THE CODE FOR KATIE,
BUT JAKE STILL TOOK FULL CREDIT.

517
00:25:39,000 --> 00:25:40,600
I KIND OF RESENTED THAT
 A LITTLE.

518
00:25:41,400 --> 00:25:42,900
 UH, WHAT ABOUT LAYLA?

519
00:25:43,800 --> 00:25:46,000
LAYLA AND JAKE DIDN'T FIGHT.
 I DON'T KNOW WHY.

520
00:25:46,100 --> 00:25:47,700
SHE ALWAYS SEEMED TO, UH,

521
00:25:47,800 --> 00:25:49,300
 UNDERSTAND
WHERE HE WAS COMING FROM.

522
00:25:49,600 --> 00:25:52,400
HIS BROTHER AND SISTER SAID THEY
 USED TO CALL HIM "FLAKY JAKE."

523
00:25:52,500 --> 00:25:54,300
 UH, IT DOESN'T SOUND LIKE
 THE GUY YOU'RE DESCRIBING,

524
00:25:54,300 --> 00:25:57,500
 HE WAS UNPREDICTABLE, BUT HE
WAS SERIOUS ABOUT THE COMPANY.

525
00:25:58,400 --> 00:26:00,600
 CAN I ASK ABOUT THE CABIN
UP IN LAKE WARD?

526
00:26:00,600 --> 00:26:04,500
ANY IDEA WHY JAKE WAS THERE?
 YEAH, IT WAS
RIGHT BEFORE THE BIG SALE.

527
00:26:04,900 --> 00:26:06,800
JAKE INVITED US UP THERE
 TO TALK ABOUT IT.

528
00:26:06,800 --> 00:26:07,800
IT WAS HIS DECISION,

529
00:26:08,200 --> 00:26:10,800
BUT, UH, HE WANTED TO MAKE SURE
WE WERE ALL BEHIND IT.

530
00:26:10,900 --> 00:26:14,600
 WERE YOU?
 OF COURSE.
IT WAS A SOLID OFFER.

531
00:26:14,600 --> 00:26:16,000
 I MEAN,
WE HAD A NICE RUN TOGETHER,

532
00:26:16,000 --> 00:26:18,200
BUT IT W TIME TO MOVE ON.

533
00:26:23,700 --> 00:26:25,600
 SO YOU ALL WANTED TO GO
 YOUR SEPARATE WAYS?

534
00:26:25,600 --> 00:26:28,100
IT WAS TIME.
THEY WERE GREAT DAYS,

535
00:26:28,100 --> 00:26:30,400
BUT YOU KNOW WHEN A PARTY
IS WINDING DOWN.

536
00:26:31,100 --> 00:26:33,000
JAKE WAS HEADING OFF
 TO INDIA,

537
00:26:33,000 --> 00:26:36,000
SO ONE WAY OR ANOTHER,
THINGS WERE COMING TO AN END.

538
00:26:36,100 --> 00:26:38,700
  <i>JAKE WAS ALWAYS</i>
 <i>SUCH A FREE SPIRIT.</i>

539
00:26:39,400 --> 00:26:41,800
 THANK YOU FOR LETTING ME SEE
THESE. WHERE SHOULD I PUT THEM?

540
00:26:41,800 --> 00:26:43,200
UH, ANYWHERE ON THE DESK.

541
00:26:45,600 --> 00:26:47,800
 (sighs) JAKE AND I
USED TO TALK FOR HOURS.

542
00:26:48,100 --> 00:26:50,600
I CAN TELL YOU THAT WITHOUT HIM
 THERE HOLDING US TOGETHER,

543
00:26:50,600 --> 00:26:53,000
THE THREE OF US WOULD HAVE BEEN
 AT EACH OTHER'S THATS.

544
00:26:53,700 --> 00:26:56,000
WE DON'T EVEN SPEAK NOW.
 REALLY?

545
00:26:56,700 --> 00:26:58,700
 I JUST THOUGHT
 YOU GUYS WERE SO HAPPY.

546
00:26:58,900 --> 00:27:01,600
NOTHING'S EVER
QUITE THE WAY IT LOOKS.

547
00:27:01,800 --> 00:27:03,800
 DID YOU ARGUE?
SURE. ON SOME LEVEL,

548
00:27:03,800 --> 00:27:06,300
YOU'RE ALWAYS THE SAME PERSON
 YOU WERE IN HIGH SCHOOL.

549
00:27:06,400 --> 00:27:08,500
BUT IF YOU NEVER LEAVE
THOSE PEOPLE,

550
00:27:09,300 --> 00:27:11,700
 I GUESS YOU NEVER
GET RID OF THAT BAGGAGE.

551
00:27:14,800 --> 00:27:16,800
 HOW'D IT GO
 WITH VICTOR GUPTA?

552
00:27:16,800 --> 00:27:19,600
 UH, INTERESTING GUY. HE ADMITS
 TO RESENTING JAKE A LITTLE.

553
00:27:19,600 --> 00:27:22,600
UH, WALTER THINKS HE'S INVOLVED.
 HE NEVER EVEN T HIM.

554
00:27:22,800 --> 00:27:25,200
 UH, YOU KNOW WALTER.
 HE SAYS HE'S GOT A FEELING.

555
00:27:25,800 --> 00:27:28,400
 YOU SEE WHY I TELL YOU TO LEAVE
 THE COP STUFF TO US?

556
00:27:29,000 --> 00:27:30,600
HEY. WE WERE ALL
 JUST FILLING IN THE BLANKS

557
00:27:30,600 --> 00:27:32,300
WHILE YOU WAITED
FOR YOUR D.N.A. RESULT.

558
00:27:33,000 --> 00:27:35,300
 SO WHAT BLANKS
 DID YOU ACTUALLY FILL IN?

559
00:27:35,300 --> 00:27:38,100
WELL, JAKE'S WHOLE GROUP
IS A LITTLE OFF.

560
00:27:38,100 --> 00:27:40,600
 I AGREE. I TALKED TO AXTON
 FOR A WHILE. HE NEVER TOLD ME

561
00:27:40,600 --> 00:27:43,000
 ANYTHING I COULDN'T HAVE READ
IN AN ARTICLE ABOUT THE COMPANY.

562
00:27:43,000 --> 00:27:45,000
THE WHOLE THING
 JUST SEEMED TOO REHEARSED.

563
00:27:45,000 --> 00:27:46,800
 AND GUPTA HAS GOT
 A CHIP ON HIS SHOULDER

564
00:27:46,800 --> 00:27:50,400
ABOUT WHO REALLY CREATED KATIE.
 AND LAYLA'S GOT
SOME ISSUES, TOO.

565
00:27:50,400 --> 00:27:53,700
 I'M GUESSING
THAT SHE'S AN ALCOHOLIC.
 WAS SHE DRUNK?

566
00:27:54,000 --> 00:27:57,200
IT'S BEYOND THAT. ALCOHOLICS
 DON'T ALWAYS LOOK DRUNK.

567
00:27:57,200 --> 00:27:58,900
 I THINK
SHE NEEDS A DRINK TO FUNCTION.
 (computer chimes)

568
00:27:58,900 --> 00:28:00,600
 THE POINT IS,
 SOMETHING'S NOT RIGHT.

569
00:28:00,700 --> 00:28:03,000
 HANG ON. OUR CYBERCRIME TECHS
TOOK A LOOK

570
00:28:03,000 --> 00:28:06,000
 AT THE COMPUTER WE SEIZED.
 IT HAD TO BE CLEAN.

571
00:28:06,000 --> 00:28:08,600
THEY RECREATED PART OF THE CACHE
AND FOUND A NAME.

572
00:28:09,400 --> 00:28:14,000
THOSE E-MAILS WERE SENT FROM
 AN ACCOUNT OWNED BY JOHN LUCAS,???

573
00:28:19,500 --> 00:28:21,400
 NO, NO, NO, NO,
 NO. OKAY. WAIT.

574
00:28:21,600 --> 00:28:23,400
 FIRST YOU TELL ME
THAT JAKE IS WORTH MILLIONS,

575
00:28:23,400 --> 00:28:25,100
AND NOW YOU'RE SAYING I'M
THE ONE THAT SENT THOSE E-MAILS?

576
00:28:25,100 --> 00:28:27,700
YOUR BROTHER SOLD HIS COMPANY
FOR $14 MILLION.

577
00:28:27,700 --> 00:28:30,900
 I-I DIDN'T KNOW THAT.
 MAYBE YOU DID.
 YOUR PARENTS ARE GONE.

578
00:28:30,900 --> 00:28:33,100
 MAYBE YOU KNEW IF JAKE DIED,
 THAT MONEY WOULD GO

579
00:28:33,100 --> 00:28:36,500
 TO YOU AND BECKY.
 NO. THIS IS CRAZY.
 I-I-IS THAT TRUE?

580
00:28:36,500 --> 00:28:39,100
 MR. LUCAS, WE'RE JUST TRYING
TO UNDERSTAND. THE POLICE THINK

581
00:28:39,100 --> 00:28:41,200
THAT THE E-MAILS CAME
FROM AN ACCOUNT IN YOUR NAME.

582
00:28:41,200 --> 00:28:43,300
CAN YOU EXPLAIN THAT?
 NO, I CAN'T EXPLAIN THAT.

583
00:28:43,300 --> 00:28:45,300
MAYBE YOU WERE ANGRY AT HIM.
 MAYBE HIS SUCCESS WAS

584
00:28:45,300 --> 00:28:47,800
TOO MUCH FOR YOU TO HANDLE.
 NO, LOOK,
 WE NEVER TALKED ABOUT WORK.

585
00:28:47,900 --> 00:28:51,000
 COME ON. YOU EXPECT US
TO BELIEVE THAT?
I SELL OFFICE FURNITURE,

586
00:28:51,000 --> 00:28:53,400
I-I-I READ THE SPORTS PAGES.
I DON'T KNOW ANYTHING

587
00:28:53,400 --> 00:28:58,200
ABOUT THE TECH WORLD.
I-I KNEW. HE CALLED HERE
A COUPLE OF DAYS

588
00:28:58,200 --> 00:29:01,900
 BEFORE HE WENT--BEFORE HE WAS
SUPPOSED TO GO TO INDIA.

589
00:29:02,900 --> 00:29:04,200
 IT WAS LIKE ALWAYS.

590
00:29:04,300 --> 00:29:06,700
 I MEAN, HE WAS BAD
ABOUT KEEPING IN TOUCH,

591
00:29:06,800 --> 00:29:08,700
 BUT WHEN HE DID, IT ALL CAME
 POURING OUT OF HIM.

592
00:29:09,300 --> 00:29:12,900
HE SAID ONE OF HIS IDEAS WORKED.
A COMPANY WANTED TO BUY HIM OUT.

593
00:29:13,300 --> 00:29:16,400
 BUT HE DIDN'T WANT TO SELL.
 WHY DIDN'T YOU TELL ME?

594
00:29:17,300 --> 00:29:18,700
 BECAUSE IT WAS JAKE.

595
00:29:20,000 --> 00:29:21,100
 I LOVED HIM,

596
00:29:21,700 --> 00:29:23,700
 BUT I THOUGHT IT WAS JUST
 ANOTHER ONE OF HIS SCHEMES.

597
00:29:26,400 --> 00:29:29,500
 SHE'S RIGHT. I WOULDN'T
HAVE BELIEVED IT EITHER.

598
00:29:30,300 --> 00:29:33,100
 THAT'S THE TOUGH SIDE
OF JAKE--THE WHIMSY.

599
00:29:33,200 --> 00:29:35,500
 YOU KNOW, IT'S SOMETHING
 YOU EXPECT IN A 5-YEAR-OLD,

600
00:29:35,500 --> 00:29:36,600
 YOU MIGHT TOLERATE IT
 FROM A TEENAGER,

601
00:29:36,600 --> 00:29:38,700
BUT IN A GROWN MAN,
 IT CAN WEAR YOU DOWN.

602
00:29:39,400 --> 00:29:40,900
ENOUGH TO MAKE YOU
WANT TO KILL HIM?

603
00:29:43,200 --> 00:29:44,400
I LOVED HIM.

604
00:29:45,400 --> 00:29:46,500
 NOW LOOK,

605
00:29:46,600 --> 00:29:48,500
I CAN'T EXPLAIN THE E-MAILS.
 ALL RIGHT?

606
00:29:48,500 --> 00:29:51,200
 IF IT LOOKS LIKE I SENT THEM,
 THEN SOMEBODY IS SETTING ME UP.

607
00:29:55,700 --> 00:29:57,000
YOU THINK BECKY WAS RIGHT?

608
00:29:57,100 --> 00:30:01,000
 ABOUT WHAT?
ABOUT JAKE. MAYBE HE INVITED
 THEM UP THERE TO THE CABIN

609
00:30:01,000 --> 00:30:01,700
'CAUSE HE CHANGED HIS MIND.

610
00:30:01,700 --> 00:30:03,400
MAYBE HE DECID
NOT TO SELL THE COMPANY.
 (cell phone ringing)

611
00:30:03,500 --> 00:30:05,600
IN OTHER WORDS, HE TOLD THEM
 THERE WOULDN'T BE ANY PAYD.

612
00:30:05,900 --> 00:30:09,400
 SOUNDS LIKE MOTIVE TO ME.
WALTER. HEY.

613
00:30:09,500 --> 00:30:12,200
 HEY, MAN.
 IT'S ME. IT'S WALTER.
YOU OKAY?

614
00:30:12,700 --> 00:30:15,100
 DUDE, IT'S ON, RIGHT NOW.

615
00:30:15,200 --> 00:30:18,800
 I TOLD YOU SOMETHING WAS UP
 WITH THAT GUPTA GUY.
Okay, Walter, calm down.

616
00:30:19,000 --> 00:30:21,800
 HE JUST LEFT HIS HOUSE. ALL
RIGHT, HE'S GOT THE LOOK, MAN--

617
00:30:21,800 --> 00:30:24,200
BEADY-EYE McGEE.
 HE WAS LOOKING AROUND TO SEE

618
00:30:24,200 --> 00:30:25,600
 if anyone was following him.

619
00:30:26,000 --> 00:30:28,700
ARE <i>YOU</i> FOLLOWING HIM?
Yeah! He left the city.

620
00:30:29,200 --> 00:30:31,200
 I TRACKED HIM TO THIS LITTLE
 RESTAURANT AT LAKE AND OLIVE.

621
00:30:31,200 --> 00:30:36,200
OH, MAN. HE'S NOT ALONE.
 AXTON JUST SHOWED UP.

622
00:30:36,200 --> 00:30:39,600
YOU'RE NOT GONNA BELIEVE
 WHO HE'S WITH--LAYLA DEMCHAK.

623
00:30:40,000 --> 00:30:41,000
YOU GOTTA GET OUT HERE.

624
00:30:41,800 --> 00:30:43,300
OKAY, WALT, SIT TIGHT.

625
00:30:43,300 --> 00:30:45,600
DON'T <i>DO</i> ANYTHING.
WE'RE ON OUR WAY.

626
00:30:51,700 --> 00:30:53,700
 THAT'S THE PLACE,
BUT I DON'T SEE WALTER.

627
00:30:56,000 --> 00:30:57,100
 OH. THERE THEY ARE.

628
00:30:58,600 --> 00:31:01,000
 WHATEVER THEY'RE TALKING ABOUT,
 IT LOOKS TENSE.

629
00:31:02,400 --> 00:31:03,500
(sighs) THERE'S WALTER.

630
00:31:04,700 --> 00:31:06,000
 I THOUGHT YOU TOLD HIM
 NOT TO DO ANYTHING.
 (cell phone rings)

631
00:31:06,000 --> 00:31:09,200
 HEY. GET OUT OF THERE!
 (beep)

632
00:31:09,500 --> 00:31:11,400
(lowered voice) I'M TOO FAR
AWAY. I CAN'T HEAR ANYTHING.

633
00:31:11,400 --> 00:31:15,900
I'M GONNA TRY
TO MOVE TO THE BAR.
 WALTER, IT'S GRACE. I'M CALLING AN OBSERVATION TEAM.

634
00:31:15,900 --> 00:31:17,200
 THEY'LL BE HERE
 IN TEN MINUTES.

635
00:31:17,700 --> 00:31:20,900
IT COULD BE OVER BY THEN.
JUST GIVE HIM--
 GIVE HIM A SECOND.

636
00:31:20,900 --> 00:31:22,100
 MAYBE HE'LL COME UP
WITH SOMETHING.

637
00:31:42,400 --> 00:31:45,300
I TOLD YOU THOSE E-MAILS
WERE A BAD IDEA.

638
00:31:45,400 --> 00:31:47,700
WE WERE RECKLESS.
WE HAD TO DO SOMETHING,
 ALL RIGHT?

639
00:31:47,700 --> 00:31:51,100
 JAKE WOULD NEVER TRAVEL THAT
 LONG WITHOUT GETTING IN TOUCH.
 (Layla) OKAY,SO WHAT DO WE DO NOW?

640
00:31:51,700 --> 00:31:54,400
 We're covered. They think John
 sent the e-mails. We're fine.

641
00:31:55,000 --> 00:31:59,800
WE'RE NOT FINE.
 I'M NOT FINE.
HEY, LOOK, WE HAVE COME THIS FAR, ALL RIGHT?

642
00:32:00,000 --> 00:32:02,400
 We stick to the plan.
Nothing changes.

643
00:32:06,700 --> 00:32:08,200
I'll promise you one thing--

644
00:32:08,600 --> 00:32:10,000
 IF THE COPS--
 (crunch, line disconnects)

645
00:32:19,000 --> 00:32:20,400
 THE FRIENDSHIP WAS
 FALLING APART.

646
00:32:20,400 --> 00:32:22,300
 I'M GUESSING IT ENDED
 THAT DAY UP AT THE CABIN.

647
00:32:22,300 --> 00:32:26,200
FOUR OF THEM KNEW WHAT HAPPENED,
 ONE OF THEM WOUND UP DEAD.
I DON'T GET IT.THEY MADE SO MUCH MONEY.

648
00:32:26,200 --> 00:32:29,400
 WHO GAINED ANYTHING
 BY JAKE DYING?
 UNLESS HE REAL WANTED TO KILL THE DEAL.

649
00:32:29,400 --> 00:32:33,400
 AT THE END OF THE DAY,
 IT WAS HIS DECISION.
 THAT'S A LOT OF MONEY TO A PEOPLE TO WA

650
00:32:33,500 --> 00:32:36,600
BUT JAKE WASN'T ABOUT
 THE MONEY, WAS HE?
NO, HE WAS ABOUT THE FRIENDSHIP,

651
00:32:36,700 --> 00:32:40,600
 SO I CAN IMAGINE HIM SAYING,
 "LET'S KEEP THIS THING GOING."
YEAH, AND I CAN IMAGINE  THEIR ANSWER.

652
00:32:40,700 --> 00:32:41,500
 YEAH, WELL, IT MAKES SENSE.

653
00:32:41,500 --> 00:32:44,700
JAKE DIDN'T WANT TO SELL,
 THE THREE OF THEM DID.
 SO THAT'S WHY THEY KILLED HIM?

654
00:32:44,700 --> 00:32:49,400
$14 MILLION IS
 WHY THEY KILLED HIM.
 EVEN IF THAT'S TRUE, I'VE GOT THREE PEOPLE GIVING ALIBIS

655
00:32:49,400 --> 00:32:51,600
 FOR EACH OTHER.
I NEED ONE OF THEM TO CRACK,

656
00:32:51,600 --> 00:32:52,900
OR IT'S
 A PROSECUTOR'S NIGHTMARE.

657
00:32:53,000 --> 00:32:55,100
 OF THE THREE, I THINK LAYLA'S
 YOUR WEAKEST LINK.

658
00:32:55,100 --> 00:32:56,000
I AGREE.
(sighs)

659
00:33:01,200 --> 00:33:03,300
 I THINK IT'S REALLY GOOD
 FOR YOU. IT'S AN AWESOME COLOR,

660
00:33:03,300 --> 00:33:06,000
AND IT'S THE TYPE OF DRESS THAT
 YOU CAN WEAR DURING THE DAY--

661
00:33:06,000 --> 00:33:09,000
AHEM. UH, EXCUSE ME?
 UH, SORRY, HONEY

662
00:33:09,200 --> 00:33:11,300
 I DON'T THINK
 I CARRY YOUR SIZE.

663
00:33:11,400 --> 00:33:13,300
UH, NO.

664
00:33:13,400 --> 00:33:16,000
 I WAS WONDERING IF ANY OF YOU
 OWN A SILVER COUPE.

665
00:33:16,100 --> 00:33:18,500
THAT'S MINE.
 OKAY,
MAYBE YOU CAN HELP ME OUT.

666
00:33:20,300 --> 00:33:22,100
I-I-I REALLY APPRECIATE IT.

667
00:33:22,200 --> 00:33:24,700
UH, IT--I JUST GOTTA GET
 TO THIS UTILITY BOX.

668
00:33:24,700 --> 00:33:27,300
IF YOU, UH, MOVE YOUR CAR DOWN
 THE STREET, THAT'D BE GREAT.

669
00:33:27,400 --> 00:33:28,400
 SURE.

670
00:33:52,800 --> 00:33:54,700
MA'AM, I'M GONNA NEED YOU
 TO STEP OUT OF THE CAR, PLEASE.

671
00:34:05,000 --> 00:34:06,800
(Lindsey) THEY ARRESTED HER
FOR DRUNK DRIVING?

672
00:34:06,900 --> 00:34:09,000
 SHE BLEW A 2.0
ON THE BREATHALYZER.

673
00:34:09,000 --> 00:34:10,600
MORE THAN TWICE
THE LEGAL LIMIT.

674
00:34:10,600 --> 00:34:12,600
 I HAD A BOSS ONCE
WHO WAS AN ALCOHOLIC.

675
00:34:12,700 --> 00:34:15,300
FOUR HOURS WITHOUT A DRINK,
 AND HETARTED SHAKING.

676
00:34:19,700 --> 00:34:20,900
 MAYBE SHE DIDN'T KILL HIM.

677
00:34:21,700 --> 00:34:23,000
IT DIDN'T HAVE TO BE
 ALL THREE OF THEM.

678
00:34:23,000 --> 00:34:26,300
IT WOULD ONLY TAKE
 ONE OF THEM TO SNAP.
 YEAH, BUT BASEON WHAT WE HEARD AT THE RESTAURANT,

679
00:34:26,300 --> 00:34:28,300
 ALL THREE OF THEM
AT LEAST COVERED IT UP.

680
00:34:29,000 --> 00:34:31,100
 SOME REWARD FOR WANTING
 TO KEEP YOUR FRIENDS TOGETHER.

681
00:34:31,200 --> 00:34:32,300
YOU OKAY WITH THIS?

682
00:34:33,500 --> 00:34:35,700
 IT'S LEGAL.
IT'S GOOD ENOUGH FOR ME.

683
00:34:38,300 --> 00:34:39,500
 SEE YOU IN A FEW HOURS.

684
00:35:05,600 --> 00:35:07,000
 (clears throat)
SORRY FOR THE DELAY.

685
00:35:07,100 --> 00:35:09,200
 (handcuffs click)
 CENTRAL BOOKING WAS
 PRETTY BACKED UP.

686
00:35:09,300 --> 00:35:10,700
 IS THERE ANYTHING
 I CAN GET YOU?

687
00:35:10,900 --> 00:35:12,700
YOU KNOW WHAT I NEED.

688
00:35:14,000 --> 00:35:16,700
LISTEN, I'M SORRY ABOUT
ALL THIS. I KNOW YOU'RE HURTING.

689
00:35:16,700 --> 00:35:20,000
BUT, UH, WE NEED TO TALK TO YOU,
 AND WE NEED YOU SOBER.

690
00:35:20,000 --> 00:35:21,500
I SHOULDN'T HAVE BEEN
 DRIVING.

691
00:35:21,500 --> 00:35:25,000
 IT'S NOT ABOUT THAT.
 IT'S ABOUT JAKE LUCAS.

692
00:35:25,900 --> 00:35:29,500
WE SAW YOU WITH MICHAEL
 AND VICTOR AT THE RESTAURANT.

693
00:35:29,500 --> 00:35:31,900
WE HEARD
 WHAT YOU SAID TO THEM.

694
00:35:32,000 --> 00:35:34,500
WHAT HAPPENED AT THAT CABIN,
 LAYLA?

695
00:35:34,800 --> 00:35:36,000
NOTHING.

696
00:35:37,600 --> 00:35:39,600
 WE DECIDED
 TO SELL THE COMPANY.

697
00:35:41,000 --> 00:35:43,300
(sighs) BUT JAKE DIDN'T WANT
TO SELL THE COMPANY.

698
00:35:43,400 --> 00:35:45,800
 HE DIDN'T WANT THE FOUR OF YOU
 TO STOP BEING FRIENDS, RIGHT?

699
00:35:48,200 --> 00:35:49,400
 LAYLA, IT'S OKAY.

700
00:35:49,800 --> 00:35:51,300
 YOU CAN TELL US NOW...

701
00:35:52,400 --> 00:35:54,600
 UNLESS YOU WANT TO FEEL
LIKE THIS FOREVER.

702
00:35:59,700 --> 00:36:00,700
JAKE...

703
00:36:02,000 --> 00:36:04,000
ASKED US TO COME UP
 TO LAKE WARD,

704
00:36:04,000 --> 00:36:05,800
JUST LIKE IN THE OLD DAYS...

705
00:36:07,100 --> 00:36:08,200
HE SAID.

706
00:36:09,300 --> 00:36:10,500
WHEN WE GOT THERE,

707
00:36:11,600 --> 00:36:15,700
HE TOLD US HE DIDN'T WANT
TO GO THROUGH WITH THE SALE.
DID HE SAY WHY?

708
00:36:16,400 --> 00:36:19,400
HE SAID THE FOUR OF US
 MATTERED MORE TO HIM

709
00:36:19,400 --> 00:36:20,900
THAN WHAT HE COULD GET
 FOR IT.

710
00:36:21,600 --> 00:36:23,900
WE LET THAT COMPANY
DESTROY US,

711
00:36:24,000 --> 00:36:25,900
AND HE WANTED TO FIX IT...

712
00:36:26,300 --> 00:36:30,200
(chuckles) REMIND US
 OF HOW WE STARTED.

713
00:36:30,300 --> 00:36:32,200
 HOW DID EVERYONE TAKE IT?

714
00:36:32,300 --> 00:36:34,000
 NOT WELL.

715
00:36:34,800 --> 00:36:38,500
 MICHAEL AND VICTOR
 WERE ANGRY AT FIRST.

716
00:36:38,500 --> 00:36:41,000
I KNOW THEY WANTED OUT.
 BUT YOU KNOW WHAT?

717
00:36:41,000 --> 00:36:43,900
 AFTER A WHILE,
THEY AGREED NOT TO SELL.

718
00:36:44,200 --> 00:36:46,300
THEY WANTED THE MONEY,
 BUT THEY... (sighs)

719
00:36:48,000 --> 00:36:49,900
THEY KNEW WHAT HE MEANT.

720
00:36:50,300 --> 00:36:53,500
 LAYLA, DID ONE OF THEM
 WANT THE MONEY ENOUGH

721
00:36:53,500 --> 00:36:54,800
 TO KILL JAKE?

722
00:36:56,000 --> 00:36:57,300
NO.

723
00:36:59,000 --> 00:37:00,800
THIS WASN'T ABOUT THE MONEY.

724
00:37:06,600 --> 00:37:08,200
JAKE WAS OUT ON THE DECK,

725
00:37:08,300 --> 00:37:10,500
 DRINKING A BEER
AND LOOKING AT THE STARS.

726
00:37:11,100 --> 00:37:13,700
 I WAITED
SO I COULD TALK TO HIM ALONE.

727
00:37:14,400 --> 00:37:17,500
I SAID, "JAKE,

728
00:37:18,000 --> 00:37:21,100
WHETHER YOU LIKE IT OR NOT,
 WE'RE NOT KIDS ANYMORE."

729
00:37:21,400 --> 00:37:23,400
(crying) "I'M A GROWN WOMAN.

730
00:37:25,000 --> 00:37:28,200
HOW LONG IS IT GONNA TAKE
 FOR YOU TO NOTICE IT?"

731
00:37:29,100 --> 00:37:30,400
 YOU WERE IN LOVE WITH HIM.

732
00:37:31,500 --> 00:37:32,900
(whispers) WHAT DO YOU THINK?

733
00:37:35,200 --> 00:37:37,000
I ALWAYS HAD BEEN.

734
00:37:37,100 --> 00:37:38,800
 BUT HE DIDN'T RECIPROCATE.

735
00:37:39,000 --> 00:37:40,900
HE KNEW HOW I FELT
ABOUT HIM.

736
00:37:41,400 --> 00:37:43,600
HE'D KNOWN IT FOR YEARS.

737
00:37:43,700 --> 00:37:45,800
 BUT I WAS
HIS BEST FRIEND'S GIRL,

738
00:37:46,500 --> 00:37:48,600
AND IT WAS MORE IMPORTANT

739
00:37:48,600 --> 00:37:50,400
TO KEEP US TOGETHER
AS A GROUP.

740
00:37:51,300 --> 00:37:53,000
  <i>IT WAS HARD FOR LAYLA</i>

741
00:37:53,000 --> 00:37:55,100
 <i>TO HEAR ME SAY,</i>
  <i>"I LOVE YOU ALL"</i>

742
00:37:55,600 --> 00:37:59,400
<i>WHEN WHAT SHE WANTED TO HEAR</i>
  <i>WAS, "I LOVE</i> YOU."
WHY CAN'T WE JUST STAY  TOGETHER

743
00:38:00,000 --> 00:38:03,400
THAT IS NOT GONNA WORK!
 IT'S ABOUT THE...
 NO!

744
00:38:04,300 --> 00:38:06,100
  <i>AND THE DIFFERENCE</i>
  <i>BROKE HER HEART.</i>

745
00:38:16,200 --> 00:38:17,600
I COULDN'T TELL THEM.

746
00:38:19,700 --> 00:38:21,500
MICHAEL FOUND JAKE
THNEXT MORNING.

747
00:38:21,500 --> 00:38:23,700
IT LOOKED LIKE AN ACCIDENT.

748
00:38:24,300 --> 00:38:26,700
 AND ALL THE TALK OF FRIENDSHIP
 WENT OUT THE WINDOW.

749
00:38:27,100 --> 00:38:30,100
 THE THREE OF YOU COVERED UP
 HIS DEATH AND SOLD THE COMPANY.

750
00:38:30,200 --> 00:38:33,500
 IS THAT WHAT HAPPENED, OR IS
 THERE ANOTHER REASON, LAYLA?

751
00:38:33,500 --> 00:38:36,500
 WE ALL HAD OUR PHONES OUT.
WE WERE TRYING TO FIND A SIGNAL

752
00:38:36,500 --> 00:38:40,100
TO CALL THE POLICE. AND THEN
VICTOR SAID, "DO YOU REALIZE

753
00:38:40,100 --> 00:38:43,500
 "THAT IF JAKE TOLD JUST ONE
PERSON THAT HE CHANGED HIS MIND,

754
00:38:43,500 --> 00:38:46,100
 THAT NO ONE IS EVER GONNA
BELIEVE THAT WE DIDN'T DO THIS?"

755
00:38:46,900 --> 00:38:47,700
AND HE WAS RIGHT.

756
00:38:48,800 --> 00:38:52,700
SO, YEAH, WE MADE IT LOOK LIKE
 IT NEVER HAPPENED.

757
00:38:53,500 --> 00:38:56,000
AND, YES, WE TOOK THE MONEY.

758
00:38:57,600 --> 00:38:59,200
LOOK HOW HAPPY IT MADE US.

759
00:39:07,000 --> 00:39:09,700
  <i>LOOKING BACK,</i>
  <i>IT WAS MY MISTAKE.</i>

760
00:39:10,700 --> 00:39:12,000
 <i>I DIDN'T WANT TO GROW UP.</i>

761
00:39:12,600 --> 00:39:14,100
  <i>I WANTED TO GO BACK</i>

762
00:39:15,100 --> 00:39:15,900
  <i>TO THE BEGINNING...</i>
(starts engine)

763
00:39:16,500 --> 00:39:19,000
  <i>TO THE DAYS</i>
  <i>WHEN ALL I HAD WAS AN IDEA</i>

764
00:39:19,000 --> 00:39:22,100
  <i>AND THE FOUR OF US</i>
  <i>WERE STILL BEST FRIENDS.</i>

765
00:39:25,100 --> 00:39:26,400
 <i>BUT YOU CAN'T GO BACK.</i>

766
00:39:27,300 --> 00:39:28,600
 <i>PEOPLE CHANGE.</i>

767
00:39:29,200 --> 00:39:30,800
  <i>FRIENDSHIPS EVOLVE.</i>

768
00:39:32,300 --> 00:39:34,000
  <i>I TRIED TO KEEP OUR GRP</i>
  <i>TOGETHER</i>

769
00:39:34,000 --> 00:39:35,900
  <i>WHEN IT WAS MEANT</i>
 <i>TO COME APART.</i>

770
00:39:41,100 --> 00:39:42,800
  <i>PLACES CAN BE MAGIC,</i>

771
00:39:44,000 --> 00:39:46,900
 <i>AND CERTAIN TIMES IN YOUR LIFE</i>
  <i>CAN BE MAGIC, TOO.</i>

772
00:39:49,100 --> 00:39:50,500
  <i>BUT WHEN THEY GO,</i>

773
00:39:51,800 --> 00:39:53,400
  <i>YOU HAVE TO LET THEM GO.</i>

774
00:39:55,800 --> 00:39:57,100
  <i>I KNOW THAT NOW.</i>

775
00:39:59,500 --> 00:40:01,300
 <i>YOU STILL TAKE THEM WITH YOU--</i>

776
00:40:03,300 --> 00:40:04,400
 <i>THE GREAT DAYS,</i>

777
00:40:05,400 --> 00:40:07,800
 <i>THE DAYS WHEN YOU WERE</i>
  <i>PART OF SOMETHING,</i>

778
00:40:08,300 --> 00:40:10,300
 <i>WHEN ALL OF YOU JOINED TOGETHER</i>

779
00:40:10,300 --> 00:40:12,700
 <i>BECAUSE YOU CARED ABOUT</i>
 <i>THE SAME THING.</i>

780
00:40:15,300 --> 00:40:16,500
  <i>OLD FRIENDS--</i>

781
00:40:17,300 --> 00:40:20,100
  <i>THEY MAY NOT BE WITH YOU,</i>
  <i>BUT THEY'RE A PART OF YOU.</i>

782
00:40:22,700 --> 00:40:24,000
  <i>AND THEN THERE'S KATIE--</i>

783
00:40:25,300 --> 00:40:27,900
 <i>THE ONE FRIEND</i>
 <i>WHO NEVER LEFT MY SIDE.</i>

784
00:40:29,200 --> 00:40:30,300
  <i>I MISS HER.</i>

785
00:40:32,100 --> 00:40:33,400
 <i>BUT I CAN MOVE ON NOW.</i>

786
00:40:35,800 --> 00:40:38,600
 <i>MY NAME IS JAKE LUCAS.</i>

787
00:40:38,900 --> 00:40:44,900
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