1 00:00:02,035 --> 00:00:03,559 NARRATOR: Previously on The Good Wife: 2 00:00:03,737 --> 00:00:05,705 I need something on a Dr. Randall Booth. 3 00:00:05,872 --> 00:00:06,964 We need to kneecap him. 4 00:00:07,173 --> 00:00:10,472 - He was beaten with a baseball bat. - What? 5 00:00:10,677 --> 00:00:12,702 And your fingerprints were found at the scene. 6 00:00:12,879 --> 00:00:14,471 KALINDA: So, what did you do with my bat? 7 00:00:14,681 --> 00:00:15,705 I took it. 8 00:00:15,882 --> 00:00:17,144 CARY: Blake Calamar. 9 00:00:17,317 --> 00:00:19,444 When he wasn't protecting Bond and Associate interests, 10 00:00:19,619 --> 00:00:21,746 he was out protecting Baltimore's biggest meth gang. 11 00:00:21,921 --> 00:00:23,684 If I were you, I'd be careful. 12 00:00:25,492 --> 00:00:27,187 VIOLA: Seventy-six degrees. 13 00:00:27,360 --> 00:00:28,759 DIANE [ON PHONE]: How nice for you. 14 00:00:28,928 --> 00:00:32,227 Here it's a balmy ten degrees, but it's gonna get chilly tonight. 15 00:00:32,399 --> 00:00:35,562 So anyway, I was supposed to fly in today for these depositions, 16 00:00:35,735 --> 00:00:37,259 but O'Hare's all messed up. 17 00:00:37,437 --> 00:00:38,836 I just need you to carry the ball. 18 00:00:39,005 --> 00:00:41,235 All routine depositions. Nothing contentious. 19 00:00:41,408 --> 00:00:43,069 Sure. What's the case? 20 00:00:43,943 --> 00:00:46,969 Patric Edelstein. 21 00:00:48,915 --> 00:00:50,109 Get Will. 22 00:00:50,283 --> 00:00:52,274 You know, Sleuthway. com? 23 00:00:52,452 --> 00:00:55,319 Uh, yes, I do. Kid's a billionaire. 24 00:00:55,488 --> 00:00:56,921 A Mark Zuckerberg in the making. 25 00:00:57,090 --> 00:00:59,650 Four-point-two billion in assets. 26 00:00:59,826 --> 00:01:02,124 Have you been following what's going on with this movie? 27 00:01:02,295 --> 00:01:03,660 The one about him? 28 00:01:03,830 --> 00:01:05,593 Yes. He says it's untrue. 29 00:01:05,765 --> 00:01:08,928 It is untrue. And defamatory. And he wants to sue. 30 00:01:09,102 --> 00:01:11,127 Uh, he knows how hard it is to prove defamation? 31 00:01:11,304 --> 00:01:14,933 He does. He's suing because he wants the world to know he's suing. 32 00:01:15,108 --> 00:01:17,542 So, what, it's a crusade? 33 00:01:17,744 --> 00:01:22,807 Hmm, three-point-two million in billable hours, a very lucrative one. 34 00:01:22,982 --> 00:01:24,313 This is a new side of you. 35 00:01:24,484 --> 00:01:26,975 You used to be into Guantanamo detainees. 36 00:01:27,153 --> 00:01:29,178 Yeah, that was before alimony. 37 00:01:29,355 --> 00:01:30,447 [DIANE LAUGHS] 38 00:01:30,623 --> 00:01:33,285 - Patric Edelstein? - Yes. 39 00:01:33,460 --> 00:01:35,951 But she only wants to rent us for the week. 40 00:01:36,396 --> 00:01:37,522 So I don't get it. 41 00:01:37,697 --> 00:01:41,895 He's in Silicon Valley, the studio's in L.A. and the depos are here? 42 00:01:42,068 --> 00:01:44,195 Viola is forum shopping. 43 00:01:44,370 --> 00:01:47,396 - Illinois is friendlier to defamation. - It's not friendly enough. 44 00:01:47,574 --> 00:01:49,565 We lost the Duke Roscoe case last year. 45 00:01:49,776 --> 00:01:52,711 That's why she thought of us. We were the ones who got the closest. 46 00:01:52,879 --> 00:01:55,006 Who was the associate on the Roscoe case? 47 00:01:55,181 --> 00:01:57,274 - Cary. - Alicia too, I think. 48 00:01:57,450 --> 00:01:59,918 - I'll get her on it. We'll talk later? - Mm-hm. 49 00:02:00,086 --> 00:02:04,284 Oh, by the way, I'm thinking of bringing him back. 50 00:02:04,891 --> 00:02:06,882 - Cary. - Really? How's that work? 51 00:02:07,060 --> 00:02:10,496 - He's burned a few too many bridges. - Repairable bridges, I would think. 52 00:02:10,663 --> 00:02:12,392 Some bridges aren't so easily repaired. 53 00:02:12,565 --> 00:02:14,726 - Let's not fight, dear. - Let me think about it. 54 00:02:17,871 --> 00:02:19,031 Alicia, hey. 55 00:02:19,205 --> 00:02:21,935 Uh, sorry to bother you at lunch, but something pretty big came up. 56 00:02:22,108 --> 00:02:24,508 Can you come by my office when you get back? 57 00:02:25,245 --> 00:02:27,713 Um, Will, I'm not at lunch. 58 00:02:27,881 --> 00:02:29,075 Someone's in trouble. 59 00:02:29,249 --> 00:02:30,841 I'm so sorry. You're gone. 60 00:02:31,017 --> 00:02:32,382 - I completely forgot. - No, no. 61 00:02:32,552 --> 00:02:35,043 Um, it's just a week. I'll be back Monday. Something you needed? 62 00:02:35,221 --> 00:02:37,189 Uh, nothing. Some defamation suit. 63 00:02:37,357 --> 00:02:38,915 Same as the Duke Roscoe case last year. 64 00:02:39,092 --> 00:02:41,026 Don't worry. I got it. Have fun. Where are you? 65 00:02:41,194 --> 00:02:43,321 Well, right now Oregon, but it's not for fun. 66 00:02:43,496 --> 00:02:44,520 Hey. 67 00:02:44,697 --> 00:02:47,860 I'm helping my brother move to Chicago, so if you need anything, l... 68 00:02:48,034 --> 00:02:49,331 [LINE DISCONNECTS] 69 00:02:49,502 --> 00:02:51,197 Hello? 70 00:02:51,371 --> 00:02:53,032 What do you mean, it is not for fun? 71 00:02:53,206 --> 00:02:54,730 I was talking to work. 72 00:02:54,908 --> 00:02:57,399 Will? Will Gardner? That name again. 73 00:02:57,577 --> 00:03:00,239 Like a guilty little computer churning out the same name. 74 00:03:00,413 --> 00:03:01,641 Will, Will, Will. 75 00:03:01,848 --> 00:03:03,042 - He's my boss. - Oh, I know. 76 00:03:03,216 --> 00:03:04,649 The sultry-eyed Will. 77 00:03:04,851 --> 00:03:07,911 He does not have sultry eyes. What are sultry eyes anyway? 78 00:03:09,556 --> 00:03:12,423 Oh, that's it. You caught him exactly. 79 00:03:12,926 --> 00:03:15,156 Hey, look, the first state. 80 00:03:15,361 --> 00:03:17,886 You're getting less and less subtle at changing your subjects. 81 00:03:18,064 --> 00:03:21,727 I think we should take a minute and talk about this Will some more. 82 00:03:21,901 --> 00:03:22,959 You gonna miss Kevin? 83 00:03:24,604 --> 00:03:26,128 Nope. 84 00:03:26,472 --> 00:03:28,667 I like new beginnings. 85 00:03:28,875 --> 00:03:31,241 Oh, but I did like Oregon. 86 00:03:31,411 --> 00:03:35,006 Why is it that all your music is gospel? 87 00:03:36,015 --> 00:03:39,678 ["VICTORY IS MINE" PLAYING ON RADIO] 88 00:03:39,886 --> 00:03:41,513 - Ha, ha. - Come on. 89 00:03:41,688 --> 00:03:43,485 Come on. 90 00:03:47,427 --> 00:03:49,622 PRESTON: Mr. Edelstein? 91 00:03:50,430 --> 00:03:53,627 Mr. Edelstein, are you with us? 92 00:03:53,900 --> 00:03:55,993 Yes, sorry. What was the question? 93 00:03:56,169 --> 00:03:58,399 You were in the midst of discussing damages. 94 00:03:58,571 --> 00:04:02,268 Actually, I think he was in the midst of discussing the emotional toll. 95 00:04:02,709 --> 00:04:07,305 Yes, this movie. It shows me creating my website so that I could pick up girls 96 00:04:07,480 --> 00:04:10,779 despite the fact that I was engaged to be married 97 00:04:10,950 --> 00:04:12,679 and had no interest in picking up girls. 98 00:04:12,852 --> 00:04:16,447 It shows several of my friends referring to me as a creep and a jerk 99 00:04:16,623 --> 00:04:19,820 despite the fact these friends were inventions. 100 00:04:19,993 --> 00:04:24,191 And what's worse, it shows me being a creep and a jerk. 101 00:04:24,364 --> 00:04:26,958 It would've been one thing if I was a politician or a celebrity. 102 00:04:27,133 --> 00:04:30,296 Then people have other portrayals and articles to compare to, but they don't. 103 00:04:30,470 --> 00:04:34,873 They have this movie and they think it's true. 104 00:04:35,041 --> 00:04:38,010 Are you saying that you are not a public figure, Mr. Edelstein? 105 00:04:38,177 --> 00:04:41,476 - I think that's exactly... - Shall we let Mr. Edelstein answer? 106 00:04:41,648 --> 00:04:43,946 I know the legal point here. If I'm not a public figure, 107 00:04:44,117 --> 00:04:46,517 then my lawyers only need to prove negligence, not malice. 108 00:04:46,686 --> 00:04:50,247 I've been reading law. Doesn't make as much sense as code, but I get it. 109 00:04:50,456 --> 00:04:52,253 I'm a 25-year-old computer programmer. 110 00:04:52,458 --> 00:04:54,221 I've never sought the spotlight. 111 00:04:54,394 --> 00:04:57,022 I don't want anything but to do my job. 112 00:04:57,196 --> 00:05:01,428 I'm not a public figure and, uh, I don't wanna be one. 113 00:05:01,601 --> 00:05:04,035 I sympathize, Mr. Edelstein. I do. 114 00:05:04,470 --> 00:05:06,597 But this is a movie. 115 00:05:06,773 --> 00:05:09,571 It doesn't pretend to be a documentary. 116 00:05:09,742 --> 00:05:14,008 It is an imaginative recreation of events. 117 00:05:14,180 --> 00:05:16,171 Well, then they should've made up a name. 118 00:05:16,349 --> 00:05:18,112 They shouldn't have used mine. 119 00:05:20,420 --> 00:05:21,717 You're good. 120 00:05:21,888 --> 00:05:23,753 Thanks. When do you want me back? 121 00:05:23,923 --> 00:05:25,618 Well, actually, that's it. We're done. 122 00:05:25,792 --> 00:05:27,259 No, the rest of the depositions. 123 00:05:27,427 --> 00:05:29,520 Mr. Edelstein, these depositions are pretty boring, 124 00:05:29,696 --> 00:05:31,926 and they'll take the whole week. 125 00:05:32,298 --> 00:05:34,289 My mom got a call from my eighth grade teacher. 126 00:05:34,500 --> 00:05:36,229 I loved my eighth grade teacher, Mrs. Hart. 127 00:05:36,402 --> 00:05:37,699 She said she just saw the movie 128 00:05:37,870 --> 00:05:40,031 and was worried that money was turning me into a jerk. 129 00:05:40,773 --> 00:05:42,604 I don't get those calls. My mom does. 130 00:05:42,775 --> 00:05:44,242 [ELEVATOR BELL DINGS] 131 00:05:45,111 --> 00:05:47,443 I'll be here this whole week because this matters to me. 132 00:05:47,613 --> 00:05:49,604 DIANE: Be back at 2. 133 00:05:52,018 --> 00:05:54,748 It won't work to argue that he's a private figure, will it? 134 00:05:54,921 --> 00:05:58,322 No. It doesn't matter that he didn't pursue the public eye. 135 00:05:58,524 --> 00:06:01,891 The public eye pursued him, so he's a public figure. 136 00:06:02,061 --> 00:06:03,961 They can pretty much write anything they want. 137 00:06:04,130 --> 00:06:07,224 It's too bad. I like him. 138 00:06:10,803 --> 00:06:13,328 Cary, what's up? 139 00:06:13,573 --> 00:06:15,040 Miss Sharma. 140 00:06:16,075 --> 00:06:18,043 Miss Sharma, thanks for coming by. Andrew Wiley. 141 00:06:18,211 --> 00:06:20,008 I've been put in charge of the investigation. 142 00:06:20,179 --> 00:06:21,908 I just have a few questions for you. 143 00:06:22,081 --> 00:06:23,241 Uh, what investigation? 144 00:06:23,416 --> 00:06:26,112 The beating of Dr. Booth, the Wisconsin therapist 145 00:06:26,285 --> 00:06:28,753 who was testifying in the Lockhart Gardner trial last year. 146 00:06:28,921 --> 00:06:30,445 You have a moment? 147 00:06:30,623 --> 00:06:32,147 Sure. I have several moments. 148 00:06:32,325 --> 00:06:34,088 Good. Dr. Booth woke from his coma. 149 00:06:34,260 --> 00:06:36,319 Unfortunately, the person who beat him wore a mask, 150 00:06:36,496 --> 00:06:39,329 so Dr. Booth couldn't identify him. 151 00:06:39,499 --> 00:06:43,936 Or her. Uh, I understand that you were there the morning of the beating. 152 00:06:44,103 --> 00:06:45,764 That's how your fingerprints wound up 153 00:06:45,938 --> 00:06:47,337 - on the glass on his desk. - Right. 154 00:06:47,507 --> 00:06:51,273 Yeah, see, the odd thing is Dr. Booth has no memory of your being there. 155 00:06:52,779 --> 00:06:54,940 Right, we thought that might be from his coma. 156 00:06:57,717 --> 00:06:58,877 So, uh, what did you ask him? 157 00:06:59,085 --> 00:07:01,713 When you went to see Dr. Booth, what did you ask him? 158 00:07:01,888 --> 00:07:04,152 I asked him if he stood by his testimony. 159 00:07:04,323 --> 00:07:05,381 [BABY CRIES] 160 00:07:05,591 --> 00:07:09,550 And then I asked him details to see if his testimony held up. 161 00:07:09,729 --> 00:07:12,493 So just one last thing... Sorry. 162 00:07:12,665 --> 00:07:13,859 [BABY CONTINUES CRYING] 163 00:07:14,033 --> 00:07:16,797 It's the nanny's day off, isn't it? 164 00:07:19,105 --> 00:07:20,129 [CLEARS THROAT] 165 00:07:20,306 --> 00:07:23,332 ANDREW: One last, uh, thing. It's a bit odd. 166 00:07:23,509 --> 00:07:28,310 Uh, your fingerprints were on this glass, but, uh, they weren't anywhere else. 167 00:07:28,481 --> 00:07:30,415 I mean, they weren't on the doorknobs, 168 00:07:30,616 --> 00:07:33,176 they weren't on the chair arms or the desktop. 169 00:07:33,352 --> 00:07:34,478 They're just on this glass. 170 00:07:34,654 --> 00:07:36,519 Hmm, that is odd. 171 00:07:37,623 --> 00:07:40,148 I wonder how that might have happened, 172 00:07:40,326 --> 00:07:45,423 me leaving my fingerprints on just one place. 173 00:07:46,766 --> 00:07:48,063 Well, thank you for coming in. 174 00:07:48,234 --> 00:07:50,031 We'll phone you if we have anything else. 175 00:07:50,203 --> 00:07:52,364 Actually, uh, just one last thing. 176 00:07:52,538 --> 00:07:53,698 That's two last things. 177 00:07:53,873 --> 00:07:55,898 Yeah, one last thing after the first last thing. 178 00:07:56,075 --> 00:07:58,066 Uh, did you bring the glass with you? 179 00:07:58,444 --> 00:08:00,776 - Did I bring it with me? - Yeah, to the doctor's office. 180 00:08:01,447 --> 00:08:04,678 Uh, see, Dr. Booth owned a set, but not this one. 181 00:08:04,851 --> 00:08:07,547 This is a Riedel H2O Long Drink Glass. 182 00:08:07,720 --> 00:08:09,551 Dr. Booth didn't own any of those. 183 00:08:09,722 --> 00:08:12,555 But I checked with the Lockhart Gardner Bond purchasing invoices, 184 00:08:12,725 --> 00:08:14,283 and they did. 185 00:08:15,261 --> 00:08:17,229 That is odd. 186 00:08:20,233 --> 00:08:21,791 Any more last things? 187 00:08:22,368 --> 00:08:23,892 Thank you for coming by. 188 00:08:24,437 --> 00:08:26,234 My pleasure. 189 00:08:26,939 --> 00:08:28,668 Cary. 190 00:08:33,279 --> 00:08:35,213 Why didn't you tell me about the glass? 191 00:08:35,548 --> 00:08:37,277 Look, Cary, thank you for this job. 192 00:08:37,450 --> 00:08:40,214 I'm enjoying it. I am enjoying getting out of the house. 193 00:08:40,386 --> 00:08:42,251 Don't you ever do that again. 194 00:08:43,956 --> 00:08:45,389 Yeah, but she's not a suspect. 195 00:08:45,558 --> 00:08:47,583 The more you try and help her, the more she is. 196 00:08:50,796 --> 00:08:52,320 ANDREW: Mr. Calamar. 197 00:08:52,498 --> 00:08:54,056 - Uh, Andrew Wiley. - Hi. 198 00:08:54,233 --> 00:08:56,394 - You wanna come with me? - Yeah, sure. 199 00:09:02,475 --> 00:09:04,739 Legally, there was no reckless disregard for the truth. 200 00:09:04,911 --> 00:09:07,573 Yes, you said that five times. 201 00:09:07,747 --> 00:09:10,614 Now, your studio's movie had a scene 202 00:09:10,783 --> 00:09:14,310 where Mr. Edelstein's girlfriend broke up with him, 203 00:09:14,487 --> 00:09:17,115 calling him a "Ioner joke." 204 00:09:17,290 --> 00:09:20,225 But isn't it true that there was no such breakup 205 00:09:20,393 --> 00:09:23,362 - because there was no girlfriend? - I haven't the foggiest. 206 00:09:23,529 --> 00:09:27,192 Well, as the lead studio lawyer, wasn't it your job to get the foggiest? 207 00:09:27,366 --> 00:09:31,769 No, it was my job to determine if there was a reckless disregard for the truth. 208 00:09:31,938 --> 00:09:34,964 WILL: So you would claim Mr. Edelstein was not engaged to be married? 209 00:09:35,141 --> 00:09:37,871 No, I would consider the question irrelevant. 210 00:09:38,044 --> 00:09:39,102 The truth is irrelevant? 211 00:09:39,278 --> 00:09:42,770 No, the facts of Mr. Edelstein's life were irrelevant. 212 00:09:42,949 --> 00:09:44,849 What was relevant is whether the filmmakers 213 00:09:45,017 --> 00:09:48,350 - showed a reckless disregard... WILL: For the truth! 214 00:09:48,521 --> 00:09:50,785 You do understand these words have to mean something? 215 00:09:50,957 --> 00:09:54,017 - Please, don't yell, Mr, uh... - Gardner. 216 00:09:54,193 --> 00:09:56,024 Keep that for the next time you need to ask. 217 00:09:56,195 --> 00:09:59,358 Now, look, Mr. Gardner, we're here. 218 00:09:59,532 --> 00:10:02,023 We're in Chicago in seven-degree weather. 219 00:10:02,201 --> 00:10:04,863 Now, we understand the need for some hazing. 220 00:10:05,037 --> 00:10:07,403 But is the shouting really necessary? 221 00:10:07,573 --> 00:10:08,699 It isn't. 222 00:10:08,874 --> 00:10:10,398 But it makes it fun for us. 223 00:10:12,812 --> 00:10:15,906 - Very well done. - Thank you. 224 00:10:16,082 --> 00:10:17,140 Do you need something? 225 00:10:17,316 --> 00:10:20,183 - I wanna be your friend. - You... 226 00:10:21,420 --> 00:10:22,785 I have a lot of friends. 227 00:10:22,955 --> 00:10:25,048 You can't win this. 228 00:10:25,224 --> 00:10:28,387 It's defamation. You have to prove malice. You can't. 229 00:10:28,561 --> 00:10:30,722 Even Mr. Edelstein knows he's gonna lose. 230 00:10:30,896 --> 00:10:34,662 He wants the publicity of the fight, that's all. 231 00:10:35,167 --> 00:10:36,794 Why don't you do what we're all doing? 232 00:10:37,370 --> 00:10:41,067 Chalking up a staggering amount of billable hours. 233 00:10:41,240 --> 00:10:44,232 Come on. Let's be friends. 234 00:10:45,678 --> 00:10:47,202 Okay. 235 00:10:47,380 --> 00:10:48,938 How do you get a tan like that? 236 00:10:49,115 --> 00:10:51,811 Ah, Princeville, Kauai. 237 00:10:51,984 --> 00:10:55,044 I have a beautiful spread. 238 00:10:55,221 --> 00:10:57,382 Three acres. If you're ever out that way. 239 00:10:57,890 --> 00:11:00,188 Thank you. I'll see you tomorrow. 240 00:11:04,563 --> 00:11:06,827 Alicia, sorry to do this to you, 241 00:11:06,999 --> 00:11:09,729 but I need everything you have on the Duke Roscoe defamation suit. 242 00:11:09,902 --> 00:11:11,563 How quickly can you get to a landline? 243 00:11:11,737 --> 00:11:13,034 [GOSPEL MUSIC PLAYING OVER RADIO 244 00:11:13,205 --> 00:11:16,868 - Um, soon. - Because we're gonna win this. 245 00:11:17,343 --> 00:11:19,538 We're gonna win this big. 246 00:11:31,891 --> 00:11:35,088 We need to prove the studio not only knew the movie was untrue, 247 00:11:35,261 --> 00:11:37,957 but they were reckless about the possibility of its falsehood. 248 00:11:38,130 --> 00:11:40,257 And they'll never admit to that. 249 00:11:40,433 --> 00:11:42,230 ALICIA [OVER SPEAKER]: We have to prove he was a private figure. 250 00:11:42,401 --> 00:11:45,962 We already tried that. Edelstein's been written about too much. 251 00:11:46,138 --> 00:11:48,003 Where are you? The reception's better. 252 00:11:48,174 --> 00:11:49,573 I found a high spot. 253 00:11:50,576 --> 00:11:52,908 Here's the question: What does Edelstein want? 254 00:11:53,079 --> 00:11:54,239 He's too rich to want money. 255 00:11:54,413 --> 00:11:58,144 My guess is he wants an apology, but the studio won't apologize. 256 00:11:58,317 --> 00:11:59,682 Wait. 257 00:12:01,520 --> 00:12:04,114 I don't need the studio to admit reckless disregard. 258 00:12:04,290 --> 00:12:05,951 - You don't? - No. 259 00:12:06,525 --> 00:12:08,288 I need the screenwriter to. 260 00:12:08,461 --> 00:12:10,691 Why would the screenwriter admit to reckless disregard? 261 00:12:10,896 --> 00:12:14,332 Because he wants to. My guess is the writer wants to say it's his story, 262 00:12:14,500 --> 00:12:16,968 not Edelstein's. I think he's pissed he can't. 263 00:12:17,136 --> 00:12:19,161 That's right. That's what we did with Duke Roscoe. 264 00:12:19,338 --> 00:12:21,533 - Played his ego. - Great. 265 00:12:21,707 --> 00:12:24,267 Get me the notes from the Roscoe deposition. 266 00:12:24,443 --> 00:12:26,206 Oh, I'll need to find Wi-Fi. 267 00:12:26,412 --> 00:12:28,107 As soon as you can. Thanks. 268 00:12:29,715 --> 00:12:30,807 This is a pretty spot. 269 00:12:31,650 --> 00:12:33,345 OWEN: Yeah. 270 00:12:33,786 --> 00:12:37,153 I've been admiring it for a while now out here in the cold. 271 00:12:37,656 --> 00:12:39,556 [LAUGHS] 272 00:12:39,725 --> 00:12:41,215 [CAR HORN HONKS] 273 00:12:41,427 --> 00:12:44,191 Cary. What's up? 274 00:12:44,363 --> 00:12:47,560 Hey, uh, I can't. I'm sorry. 275 00:12:47,733 --> 00:12:50,395 What do you mean? What's Blake saying? 276 00:12:50,569 --> 00:12:53,333 Kalinda, they're beginning to suspect you because we're talking. 277 00:12:53,506 --> 00:12:54,973 - Suspect? - Kalinda, please. 278 00:12:55,141 --> 00:13:00,078 I'm not protecting myself, I'm protecting you, okay? Goodbye. 279 00:13:04,383 --> 00:13:06,476 [GOSPEL MUSIC PLAYING OVER RADIO 280 00:13:08,554 --> 00:13:10,579 ALICIA: I need to find Wi-Fi. 281 00:13:10,756 --> 00:13:12,223 There's Starbucks on every corner. 282 00:13:12,391 --> 00:13:16,555 So sultry Will is Mr. Georgetown? 283 00:13:17,463 --> 00:13:19,260 Am I right? Found my journal in the backseat. 284 00:13:19,465 --> 00:13:21,558 You kept writing about Mr. Georgetown. 285 00:13:21,734 --> 00:13:23,031 Is that him? 286 00:13:23,202 --> 00:13:26,660 Owen, please, I need to get Wi-Fi. 287 00:13:26,839 --> 00:13:28,704 Oh, talk to me. I'll get you Wi-Fi. 288 00:13:28,874 --> 00:13:32,105 - Get me Wi-Fi and I'll talk. - All right. Uh, click up there. 289 00:13:33,746 --> 00:13:35,941 ALICIA: Yeah, they're both password protected. 290 00:13:36,115 --> 00:13:38,208 - Which has stronger signal strength? - "Rotterbear2." 291 00:13:38,384 --> 00:13:41,717 Type "go to rotterbear2." 292 00:13:44,423 --> 00:13:46,414 It's what tech support gives novice computer users 293 00:13:46,592 --> 00:13:49,117 - so they don't forget their password. - I can't do that. 294 00:13:49,295 --> 00:13:52,059 - It's someone else's Wi-Fi. - Right, and you're borrowing it. 295 00:13:52,231 --> 00:13:55,291 It's like you're throwing your soda can in someone's trash. 296 00:13:55,501 --> 00:13:56,866 [LAUGHS] It is not. 297 00:13:57,036 --> 00:13:59,596 You are so prim and proper. We're in the middle of nowhere. 298 00:13:59,772 --> 00:14:01,706 Rotterbear2 is probably some Unabomber 299 00:14:01,874 --> 00:14:03,603 who uses the Internet to surf porn all day. 300 00:14:03,776 --> 00:14:05,141 Well, it's gone anyway. 301 00:14:05,311 --> 00:14:06,403 You know what I've noticed about you? 302 00:14:06,579 --> 00:14:07,603 [SIGHS] 303 00:14:07,780 --> 00:14:10,408 You're willing to do naughty things if I give you a little encouragement. 304 00:14:11,217 --> 00:14:14,516 Look, there's more cabins coming up here. Keep looking. 305 00:14:14,687 --> 00:14:17,747 - Now, what is the deal with Will? - He's my boss. 306 00:14:18,624 --> 00:14:22,890 Yeah, but I've seen the way you two guys talk to each other. 307 00:14:26,265 --> 00:14:30,599 That is a telling pause. 308 00:14:32,271 --> 00:14:36,264 I like Will. He likes me. We work well together. 309 00:14:36,442 --> 00:14:37,966 Making sweet music? 310 00:14:43,182 --> 00:14:46,310 - Alicia? - I don't know, okay? 311 00:14:47,486 --> 00:14:49,113 What am I doing? 312 00:14:49,288 --> 00:14:51,415 I like work. I don't wanna screw up work. 313 00:14:51,590 --> 00:14:54,286 Are you...? Are you sleeping with him? 314 00:14:56,562 --> 00:14:57,654 No. 315 00:14:58,097 --> 00:15:00,065 But you want to. 316 00:15:02,835 --> 00:15:08,296 I want to not think about it, okay? 317 00:15:08,474 --> 00:15:10,669 Right. Okay. 318 00:15:12,611 --> 00:15:14,602 Look, free Wi-Fi. 319 00:15:16,582 --> 00:15:19,278 KALINDA: Hey, big-time FBI lady. 320 00:15:19,451 --> 00:15:21,681 - I'll meet you at the car. - All right. 321 00:15:21,854 --> 00:15:25,654 Kalinda, I've missed you. How are you? 322 00:15:25,824 --> 00:15:27,451 Good. 323 00:15:28,794 --> 00:15:30,318 Have you missed me? 324 00:15:30,496 --> 00:15:32,225 At times. 325 00:15:32,398 --> 00:15:35,026 Look, um, I need something. 326 00:15:35,200 --> 00:15:36,861 Of course you do. 327 00:15:37,036 --> 00:15:40,995 Do you know Blake Calamar? He used to work for MS-13. 328 00:15:41,173 --> 00:15:43,403 I don't know that name, but I do know MS-13. 329 00:15:43,609 --> 00:15:45,201 And? 330 00:15:46,011 --> 00:15:48,809 Oh, no, no, no. 331 00:15:48,981 --> 00:15:51,040 What happened to the preliminaries, Kalinda? 332 00:15:51,216 --> 00:15:54,014 A girl likes to be wined and dined first. 333 00:15:54,920 --> 00:15:56,182 How's work? 334 00:16:00,392 --> 00:16:02,860 Okay. MS-13 is growing. 335 00:16:03,028 --> 00:16:05,724 A meth gang is like a shark. It has to keep moving or it dies. 336 00:16:05,898 --> 00:16:08,662 And from what I hear, it's moving to Chicago, 337 00:16:08,834 --> 00:16:12,235 joining forces with a local gang, a entrepreneur that you might know. 338 00:16:12,404 --> 00:16:15,168 - Who? - Lemond Bishop. 339 00:16:16,008 --> 00:16:17,771 Look, maybe we can help each other. 340 00:16:17,943 --> 00:16:20,241 What are you doing for dinner this Friday? 341 00:16:20,946 --> 00:16:22,004 Eating with you. 342 00:16:22,181 --> 00:16:23,944 No, you know what I find funny? 343 00:16:24,149 --> 00:16:26,709 That you're suing me, Mr. Edelstein. 344 00:16:26,885 --> 00:16:28,910 I mean, why not the director? 345 00:16:29,088 --> 00:16:33,184 Ah, oh, yes, that's when you know a "Film by" credit is a lie. 346 00:16:33,359 --> 00:16:34,724 When there is a lawsuit. 347 00:16:34,893 --> 00:16:38,852 - Do you want that on the record? - Sure. Get everything in the record. 348 00:16:39,031 --> 00:16:41,898 I'm Rand Blaylock. I'm the writer. 349 00:16:42,067 --> 00:16:43,295 I had chicken salad for lunch. 350 00:16:43,469 --> 00:16:45,562 And what research materials did you use 351 00:16:45,738 --> 00:16:49,037 for the scene of my client breaking up with his girlfriend, Mr. Blaylock? 352 00:16:49,208 --> 00:16:51,608 What research materials? These. 353 00:16:51,777 --> 00:16:55,873 - Your imagination? - Yes, if that's not a dirty word here. 354 00:16:56,048 --> 00:16:58,039 Far from it. So you made it up? 355 00:16:59,251 --> 00:17:01,913 Yes, I did what writers have done since Aristophanes. 356 00:17:02,087 --> 00:17:05,750 I made up a scene in which Mr. Edelstein breaks up with his girlfriend 357 00:17:05,924 --> 00:17:09,155 because I felt that it conveyed the truth of a character. 358 00:17:09,328 --> 00:17:11,489 "Truth of a character." What do you mean by that? 359 00:17:11,697 --> 00:17:13,460 I think he is speaking artistically. 360 00:17:13,632 --> 00:17:16,897 I know they're trying to use my artistic words against me. 361 00:17:17,069 --> 00:17:19,003 Don't worry. I will be circumspect. 362 00:17:19,471 --> 00:17:22,463 "Truth of a character" means more than just factual truth. 363 00:17:22,641 --> 00:17:26,509 It means, "Who is this person? How do they fit into a narrative?" 364 00:17:26,712 --> 00:17:30,307 WILL: What do you mean, narrative? - I mean, that I'm trying to tell a story, 365 00:17:30,482 --> 00:17:33,315 and I need a character to help me tell that story. 366 00:17:33,485 --> 00:17:36,579 And what was the story you were trying to tell here? 367 00:17:36,755 --> 00:17:38,120 BLAYLOCK: The story of the Internet. 368 00:17:38,290 --> 00:17:41,987 This age we're in where people just criticize each other anonymously. 369 00:17:42,161 --> 00:17:45,597 Where all these tiny little Ioners in their tiny little rooms 370 00:17:45,764 --> 00:17:49,359 order out for pizza and just flame at each other all the time. 371 00:17:49,535 --> 00:17:52,299 Or when those same Ioners blog about your drug use? 372 00:17:56,108 --> 00:17:58,338 Yes, I'm guilty, lawyer-man. 373 00:17:58,510 --> 00:18:01,035 You found it. Malice. 374 00:18:01,246 --> 00:18:04,613 This whole movie was just my attempt at getting back at the Internet. 375 00:18:04,783 --> 00:18:05,875 Take that, Internet. 376 00:18:06,051 --> 00:18:08,042 You wanted Mr. Edelstein's character in the movie 377 00:18:08,253 --> 00:18:10,448 to show that the Internet was alienating people. 378 00:18:10,622 --> 00:18:12,647 Not just that, but, yes, that. 379 00:18:12,825 --> 00:18:16,056 So it didn't really matter what Mr. Edelstein's real character was? 380 00:18:16,261 --> 00:18:18,024 - He didn't say that. - Nor do I think that. 381 00:18:18,197 --> 00:18:19,858 I have a legal obligation, counselor. 382 00:18:20,032 --> 00:18:23,661 But, yes, there's nothing wrong with having a character express theme. 383 00:18:24,002 --> 00:18:27,267 The First Amendment protects me from your stupid dumb-ass questions. 384 00:18:27,439 --> 00:18:28,963 Should we all take a little break? 385 00:18:29,141 --> 00:18:31,701 I know what he wants me to say, Burl. Here, I'm gonna say it. 386 00:18:31,877 --> 00:18:35,176 I don't give a rat's ass about facts. 387 00:18:37,850 --> 00:18:43,049 I give more than a rat's ass, in fact, every breath I breathe, about truth. 388 00:18:43,222 --> 00:18:45,986 Shakespeare's truth. Tolstoy's truth. 389 00:18:46,158 --> 00:18:48,592 Not this legal mumbo jumbo. 390 00:18:48,794 --> 00:18:53,322 That's just the graffiti on a Roman temple, forgotten in a year. 391 00:18:53,499 --> 00:18:55,194 But there was no malice, right? 392 00:18:55,934 --> 00:18:57,834 There was no malice. None. 393 00:18:58,003 --> 00:18:59,937 You wanted to get back at bloggers 394 00:19:00,105 --> 00:19:03,165 who anonymously criticized you for your drug use 395 00:19:03,342 --> 00:19:05,902 by ascribing those supposed characteristics 396 00:19:06,078 --> 00:19:08,842 of those same bloggers to Mr. Edelstein, 397 00:19:09,014 --> 00:19:10,606 but there was no malice? 398 00:19:10,816 --> 00:19:14,081 That's right. And you know what? God bless America. I'm free to do that. 399 00:19:14,253 --> 00:19:16,380 And you know what else, Mr. Atticus Finch? 400 00:19:16,555 --> 00:19:17,852 You do the same thing. 401 00:19:18,023 --> 00:19:21,550 You write your own movie, making fun of me, my drug use, 402 00:19:21,727 --> 00:19:25,527 and then go get Mr. Edelstein to finance it. 403 00:19:28,233 --> 00:19:30,963 - What? - Nothing further. 404 00:19:32,337 --> 00:19:34,897 What? Are you gonna go finance your own movie? 405 00:19:35,841 --> 00:19:37,968 We've been going after the wrong thing. 406 00:19:38,143 --> 00:19:40,907 - Defamation? - Yes. It's unwinnable. 407 00:19:41,079 --> 00:19:43,980 So why are we going after something that's unwinnable? 408 00:19:44,149 --> 00:19:45,343 What's winnable? 409 00:19:51,857 --> 00:19:54,325 WILL [OVER SPEAKER]: Diane and I decided to change the strategy 410 00:19:54,493 --> 00:19:56,757 - and go after something winnable. - Right of publicity? 411 00:19:56,929 --> 00:19:58,362 Been going after the wrong thing. 412 00:19:58,530 --> 00:20:00,998 We can't win defamation. That's about intent. 413 00:20:01,166 --> 00:20:04,431 We don't need intent to prove the studio infringed 414 00:20:04,603 --> 00:20:07,071 - on Edelstein's right of publicity. - Why is that? 415 00:20:07,239 --> 00:20:09,764 - Sorry, that's Owen. WILL: Oh, hello, Owen. 416 00:20:09,942 --> 00:20:11,569 Sorry to take your sister away. 417 00:20:11,743 --> 00:20:14,871 Oh, don't worry. I don't think she minds being taken away. 418 00:20:15,047 --> 00:20:17,379 Ha, ha, I'm going now. 419 00:20:17,549 --> 00:20:19,983 Um, you know, right of publicity sounds good to me. 420 00:20:20,385 --> 00:20:21,818 And Blaylock, in his deposition, 421 00:20:21,987 --> 00:20:25,013 said Edelstein had a right to make his own movie, 422 00:20:25,190 --> 00:20:26,817 and that's the point. 423 00:20:26,992 --> 00:20:30,621 The studio used him to make money and now they owe him that money. 424 00:20:30,796 --> 00:20:33,128 DIANE: Sam Moore v. the Weinsteins. 425 00:20:33,298 --> 00:20:35,493 They're arguing the movie Soul Men prevents them 426 00:20:35,667 --> 00:20:39,535 from being the ultimate beneficiaries of their trademarks. 427 00:20:39,705 --> 00:20:43,471 The only problem is the studio can argue it's a transformative work of art. 428 00:20:43,642 --> 00:20:45,337 ALICIA: Unless you start to chip away at it. 429 00:20:45,510 --> 00:20:47,501 - How? - Look into their product placement. 430 00:20:50,716 --> 00:20:54,345 Okay, everybody read and we'll get together tomorrow. Be ready at 8. 431 00:20:54,519 --> 00:20:55,986 Okay. 432 00:20:56,188 --> 00:20:58,486 There were other people on that call, you know? 433 00:20:58,657 --> 00:21:00,454 OWEN: I know. I was trying to embarrass you. 434 00:21:00,993 --> 00:21:02,824 [OWEN SNIFFS THEN COUGHS] 435 00:21:02,995 --> 00:21:06,192 Oh, come on. This isn't high school. 436 00:21:06,365 --> 00:21:08,196 What? This is medical marijuana. 437 00:21:08,367 --> 00:21:10,335 It is not. Owen, put it out. 438 00:21:10,502 --> 00:21:12,663 It is. I have bad joints. 439 00:21:12,838 --> 00:21:16,239 This isn't Oregon. Put it out, Owen, or I'm... 440 00:21:16,441 --> 00:21:18,500 I'll call Mom. 441 00:21:19,177 --> 00:21:20,201 I'm dialing. 442 00:21:22,080 --> 00:21:24,446 This is Mom and Dad's fault, you know. 443 00:21:24,616 --> 00:21:26,880 I had a difficult childhood. This is how I cope. 444 00:21:27,052 --> 00:21:28,349 I don't wanna bail you out of jail. 445 00:21:28,520 --> 00:21:29,714 [EXHALES] 446 00:21:29,888 --> 00:21:31,253 You never did it? 447 00:21:31,456 --> 00:21:33,219 - Never. - With Will? 448 00:21:33,392 --> 00:21:35,519 Will's gonna be your go-to from now on, isn't it? 449 00:21:35,694 --> 00:21:38,390 No, I just... I like the thought of you trying things, 450 00:21:38,563 --> 00:21:41,031 breaking rules that you never broke in high school. Come on. 451 00:21:41,366 --> 00:21:42,993 I am having wine. 452 00:21:43,168 --> 00:21:45,102 And I'm very happy, thank you. 453 00:21:58,684 --> 00:22:00,413 Search warrant? 454 00:22:01,586 --> 00:22:03,520 Nice paintings. 455 00:22:04,189 --> 00:22:05,850 Thanks. 456 00:22:06,191 --> 00:22:08,591 - You wanna buy one? - They're yours? 457 00:22:10,929 --> 00:22:13,557 - You're hurting your girlfriend. - My girlfriend? 458 00:22:13,732 --> 00:22:15,893 Kalinda. You're hurting her by doing her bidding. 459 00:22:16,068 --> 00:22:18,093 Oh, buddy, I don't do anything except for me. 460 00:22:18,603 --> 00:22:20,628 We got a lot in common, then. 461 00:22:20,806 --> 00:22:24,037 CARY: Guys, don't forget the bedroom. MAN: You got it. 462 00:22:24,209 --> 00:22:30,114 You see, I don't mind this. Random searches, hostile questions. 463 00:22:30,282 --> 00:22:32,876 But I have friends and they won't like this. 464 00:22:33,051 --> 00:22:34,382 [LAUGHS] Oh. 465 00:22:34,553 --> 00:22:35,815 Scary. 466 00:22:36,021 --> 00:22:38,080 Yeah, it's funny. 467 00:22:38,256 --> 00:22:41,783 I'm always intimidated by threats until I search people's homes. 468 00:22:41,960 --> 00:22:44,053 Then I see what books they own 469 00:22:44,229 --> 00:22:47,323 and it's hard to take their threats seriously after that. 470 00:22:47,532 --> 00:22:49,124 I like this one. 471 00:22:50,435 --> 00:22:54,235 Don't you? It's just... It's so raw. 472 00:22:55,140 --> 00:22:57,335 You've seen our search warrant? 473 00:22:58,110 --> 00:23:01,273 Uh, I have. 474 00:23:01,446 --> 00:23:05,906 But, uh, you didn't need one. I would've welcomed you in. 475 00:23:06,084 --> 00:23:08,279 We found an e-mail on your computer to Lemond Bishop 476 00:23:08,453 --> 00:23:11,479 discussing 10 pounds of office supplies. Here's a copy. 477 00:23:12,124 --> 00:23:15,150 - It's not my e-mail. - Really? 478 00:23:15,327 --> 00:23:16,487 This was on your server. 479 00:23:16,661 --> 00:23:19,323 - Yeah, hacked, most probably. - So you don't know Lemond Bishop? 480 00:23:19,498 --> 00:23:21,932 No, in my workday, I've had dealings with Mr. Bishop, 481 00:23:22,100 --> 00:23:24,967 but they're all legal and all licensed. 482 00:23:25,137 --> 00:23:26,604 And that is not my e-mail. 483 00:23:26,772 --> 00:23:29,866 What, someone broke into your place to type an e-mail on your computer? 484 00:23:30,375 --> 00:23:32,707 - Yeah. - Yeah. 485 00:23:33,011 --> 00:23:35,673 Sure. That could happen. 486 00:23:36,348 --> 00:23:37,872 I like this one. 487 00:23:39,384 --> 00:23:42,979 Will phoned me to tell me something, but I never got the message. 488 00:23:44,356 --> 00:23:47,189 - What? - Will phoned me 489 00:23:47,359 --> 00:23:52,592 to tell me something passionate, and I never heard it. 490 00:23:55,667 --> 00:23:56,827 How did you never hear it? 491 00:23:57,002 --> 00:23:59,470 Well, I don't know. My phone gobbles things. 492 00:23:59,638 --> 00:24:02,163 It doesn't gobble things. What are you, like, 4? 493 00:24:02,340 --> 00:24:05,104 Like the pictures I sent Mom? Pfft! 494 00:24:05,277 --> 00:24:08,906 Look, that is because you didn't include it as an attachment. 495 00:24:09,114 --> 00:24:15,417 Please, can we not talk about my technological ineptness? 496 00:24:15,620 --> 00:24:18,646 Yeah, but how do you know he phoned if you didn't get the message? 497 00:24:18,824 --> 00:24:20,485 I can't tell you. It's confidential. 498 00:24:20,659 --> 00:24:22,354 Your love life is confidential? 499 00:24:22,527 --> 00:24:24,392 Do I talk to him? That's the question. 500 00:24:24,563 --> 00:24:27,157 Do I ask him what he said? 501 00:24:27,332 --> 00:24:30,130 Do you ask Will what he said to you? 502 00:24:30,302 --> 00:24:32,770 Yes. But he's in love with somebody. 503 00:24:32,938 --> 00:24:36,669 I mean, not in love, in something. 504 00:24:36,842 --> 00:24:39,834 And she's nice. I really like her. 505 00:24:40,245 --> 00:24:44,238 And they like sports together. 506 00:24:44,716 --> 00:24:45,944 They're always talking about 507 00:24:46,151 --> 00:24:50,588 [IN HIGH VOICE] three-pointer-this and three-pointer-that. 508 00:24:50,755 --> 00:24:53,087 [IN NORMAL VOICE] I know I just made fun of her voice, 509 00:24:53,258 --> 00:24:55,021 but I do think 510 00:24:55,193 --> 00:24:59,562 that it would really be a mistake to ask him. 511 00:24:59,731 --> 00:25:00,891 Oh, wow. 512 00:25:01,066 --> 00:25:03,967 - I'm conflicted. - You're in love. 513 00:25:09,307 --> 00:25:10,433 I can't be. 514 00:25:10,976 --> 00:25:12,773 Happens to the best of us. 515 00:25:16,781 --> 00:25:17,907 What do I do? 516 00:25:18,283 --> 00:25:22,276 What do I want you to do or what will you do? 517 00:25:23,421 --> 00:25:24,786 Which one will I like more? 518 00:25:24,956 --> 00:25:26,389 We get home. 519 00:25:26,558 --> 00:25:30,119 You clean up a little, because you're looking a little rough around the edges. 520 00:25:30,295 --> 00:25:33,059 You comb your hair and you put on something nice. 521 00:25:33,565 --> 00:25:35,829 But business-like. You know, not too slutty. 522 00:25:36,401 --> 00:25:41,998 And you go to him and you say, "Will, I need a moment of your time." 523 00:25:42,207 --> 00:25:45,005 And he'll be like, "Okay." 524 00:25:45,210 --> 00:25:47,303 Like that, kind of manly-like. 525 00:25:47,479 --> 00:25:50,107 - And then you say... - What? 526 00:25:52,517 --> 00:25:55,281 - "I've been watching you for 15 years." - Heh. 527 00:25:55,453 --> 00:25:59,150 "I'm tired of shoving love to the side and serving other people. 528 00:25:59,324 --> 00:26:04,990 I can't think of anything more important in my life right now 529 00:26:06,231 --> 00:26:08,461 than the feeling of your breath on my neck, 530 00:26:09,267 --> 00:26:11,167 your hands on my breasts." 531 00:26:11,336 --> 00:26:12,963 I can't do that. 532 00:26:13,138 --> 00:26:14,833 It's Alicia time. 533 00:26:16,007 --> 00:26:17,304 ALICIA: Shut up. 534 00:26:17,475 --> 00:26:18,806 Good to have you back, ma'am. 535 00:26:20,345 --> 00:26:23,371 Did you try to buy the rights to Mr. Edelstein's story? 536 00:26:23,548 --> 00:26:25,277 Yes, among others. 537 00:26:25,450 --> 00:26:28,442 - And why did he turn you down? - Well, I imagine he can tell you that. 538 00:26:28,620 --> 00:26:30,485 But he said he didn't want his story told. 539 00:26:30,655 --> 00:26:33,146 Do you know what this is? 540 00:26:33,325 --> 00:26:35,316 That's a T-shirt with a likeness of the actor 541 00:26:35,493 --> 00:26:37,552 who plays the part of Patric Edelstein. 542 00:26:37,762 --> 00:26:39,195 That's right. 543 00:26:39,364 --> 00:26:43,357 I purchased it downstairs not a half-hour ago for 23.99. 544 00:26:43,535 --> 00:26:46,561 Was it licensed by your studio, ma'am? 545 00:26:47,639 --> 00:26:50,631 I don't think Mr. Preston has the answer to that. 546 00:26:50,809 --> 00:26:52,674 Yes, it was licensed by our studio. 547 00:26:52,844 --> 00:26:56,371 And you're also selling a book about the making of, is that right? 548 00:26:56,548 --> 00:26:58,140 PRESTON: Excuse me, Ms. Lockhart. 549 00:26:58,316 --> 00:27:01,774 We would argue that our movie's a transformative work of art 550 00:27:01,953 --> 00:27:05,912 and therefore impervious to any right-of-publicity claim by Mr. Edelstein. 551 00:27:06,091 --> 00:27:08,855 Meaning it's a work of art and not a work of commerce? 552 00:27:09,027 --> 00:27:12,019 That's correct. The Supreme Court has shown great bias 553 00:27:12,197 --> 00:27:15,598 - for free non-commercial expression. - Thank you for that clarification. 554 00:27:15,800 --> 00:27:17,927 You're welcome. Anything to save us some time here. 555 00:27:18,370 --> 00:27:22,329 So, ma'am, talk to me about the product placement in the movie. 556 00:27:22,507 --> 00:27:25,999 Objection. That's irrelevant to this deposition. 557 00:27:26,177 --> 00:27:28,805 Shall we let the court determine what's what, Mr. Preston? 558 00:27:28,980 --> 00:27:31,881 Ma'am, could you tell me how many companies 559 00:27:32,050 --> 00:27:33,745 placed their products in your movie? 560 00:27:34,719 --> 00:27:35,743 Twenty-three. 561 00:27:35,920 --> 00:27:39,083 My goodness. That's a lot of artistic expression to divvy up. 562 00:27:39,257 --> 00:27:42,693 And how many products did these 23 companies place in the movie? 563 00:27:42,861 --> 00:27:45,125 I'd like to call a halt to these proceedings 564 00:27:45,330 --> 00:27:46,592 until after lunch. Thank you. 565 00:27:46,765 --> 00:27:48,062 That was fun. 566 00:27:48,233 --> 00:27:51,031 The last thing they'll wanna do is open their books. 567 00:27:51,202 --> 00:27:55,138 Thank you, both of you. You're, uh, making this an entertaining ride. 568 00:27:55,340 --> 00:27:57,137 And trying to give you your money's worth. 569 00:27:57,342 --> 00:27:59,071 Oh, no. 570 00:28:02,847 --> 00:28:03,973 How dare you? 571 00:28:04,149 --> 00:28:06,140 What's wrong, Viola? 572 00:28:06,351 --> 00:28:07,545 Sit down. 573 00:28:07,719 --> 00:28:10,711 You're stealing him. You're trying to steal Edelstein. 574 00:28:10,889 --> 00:28:12,356 What are you talking about? 575 00:28:12,524 --> 00:28:14,424 I told you it was a loser. 576 00:28:14,592 --> 00:28:17,390 I shared the wealth. I could've shared it with anybody in Chicago. 577 00:28:17,562 --> 00:28:19,393 We're trying to win a case for your client. 578 00:28:19,564 --> 00:28:23,728 Oh, no. Don't try to turn it noble. You are showing off for him. 579 00:28:23,902 --> 00:28:26,496 And what's worse, I have to hear it from Preston. 580 00:28:26,671 --> 00:28:28,639 I have to hear it from the opposition! 581 00:28:28,807 --> 00:28:32,265 You heard it from our opposition because he's afraid we're beating him. 582 00:28:32,444 --> 00:28:35,004 Just go to hell. 583 00:28:35,180 --> 00:28:38,149 It's no wonder that they call you an ice queen behind your back. 584 00:28:38,316 --> 00:28:39,647 Where is this coming from, Viola? 585 00:28:39,818 --> 00:28:41,752 I've been nothing but straightforward with you. 586 00:28:41,920 --> 00:28:44,013 You've been nothing but a conniving bitch. 587 00:28:44,489 --> 00:28:47,185 And another thing. You're fired. 588 00:28:47,392 --> 00:28:48,654 Miss Walsh. 589 00:28:50,962 --> 00:28:52,122 You're fired. 590 00:28:58,002 --> 00:28:59,663 Thank you for coming in, Mr. Abaire. 591 00:28:59,838 --> 00:29:03,205 And you've worked for your automotive company for how long? 592 00:29:03,408 --> 00:29:06,036 Ten happy years, our tin anniversary. 593 00:29:06,211 --> 00:29:07,906 [CHUCKLES] 594 00:29:09,481 --> 00:29:12,507 And you work in their Product Integration Department? 595 00:29:12,684 --> 00:29:15,152 SIMON: Yes. DIANE: You negotiated with the studio 596 00:29:15,320 --> 00:29:17,481 to have your automobiles placed in their movie? 597 00:29:17,655 --> 00:29:19,623 Yes, the 2011 LaHavre. 598 00:29:19,791 --> 00:29:22,954 Uh, two passive placements and one integrated placement. 599 00:29:23,128 --> 00:29:25,494 "Passive" meaning beauty shots, and "integrated"? 600 00:29:25,663 --> 00:29:29,622 Meaning there had to be at least one mention of the automobile's features. 601 00:29:29,801 --> 00:29:35,535 For example, our voice-activated on-board navigation system. 602 00:29:37,075 --> 00:29:38,872 And how was this movie sold to you? 603 00:29:39,043 --> 00:29:41,944 Uh, well, I don't understand. 604 00:29:42,113 --> 00:29:43,740 Was Mr. Edelstein's name used 605 00:29:43,948 --> 00:29:46,439 in trying to convince you to place your cars in the movie? 606 00:29:46,618 --> 00:29:48,085 Oh, yeah, of course. 607 00:29:48,253 --> 00:29:50,721 It was between this movie and Social Network. 608 00:29:50,889 --> 00:29:52,516 Would you have agreed to pay the studio 609 00:29:52,690 --> 00:29:56,490 if the movie had been not about Mr. Edelstein? 610 00:29:56,661 --> 00:29:59,858 For example, if it had been about a fictional computer programmer? 611 00:30:00,031 --> 00:30:02,090 Oh, ha, ha, no. Of course not. 612 00:30:02,267 --> 00:30:04,599 I think we can call a halt to this. 613 00:30:04,769 --> 00:30:08,068 Really? I think we have a few more questions. 614 00:30:08,239 --> 00:30:11,402 You won. Take "yes" for an answer. 615 00:30:13,044 --> 00:30:14,773 Thirty-five million dollars. 616 00:30:14,979 --> 00:30:16,344 And an apology. 617 00:30:16,748 --> 00:30:17,772 We're sorry. 618 00:30:17,982 --> 00:30:19,677 [ALL LAUGH] 619 00:30:26,257 --> 00:30:27,884 KALINDA: I thought you had a home. 620 00:30:28,059 --> 00:30:30,926 I do. Lake Forest. 621 00:30:31,095 --> 00:30:33,256 When I work past 11, the government is required to pay 622 00:30:33,431 --> 00:30:34,728 for in-town accommodations. 623 00:30:34,899 --> 00:30:38,130 How nice, huh. My tax dollars at work. 624 00:30:38,303 --> 00:30:41,795 So, Blake Calamar, huh? That's a new name to us. 625 00:30:42,373 --> 00:30:44,307 Really? I'm surprised. 626 00:30:44,509 --> 00:30:47,569 We've been juggling a lot of balls at the FBI. 627 00:30:47,745 --> 00:30:49,076 But I guess you have too. 628 00:30:53,551 --> 00:30:55,314 LANA: I'm taking off my shoe. 629 00:30:56,921 --> 00:30:58,286 See? 630 00:30:58,756 --> 00:30:59,780 I can see. 631 00:31:02,527 --> 00:31:05,155 LANA: I'm stretching out my foot. 632 00:31:07,098 --> 00:31:08,292 Are you all right with that? 633 00:31:08,466 --> 00:31:12,266 Oh, you have to stretch, you have to stretch. 634 00:31:12,437 --> 00:31:14,667 I have an offer for you. 635 00:31:15,807 --> 00:31:17,502 Come work for me. 636 00:31:17,675 --> 00:31:19,939 It's not good at Lockhart Gardner. 637 00:31:20,111 --> 00:31:22,477 And it won't be good for quite some time. 638 00:31:23,047 --> 00:31:24,309 And why is that? 639 00:31:25,583 --> 00:31:28,746 Your firm is representing Bishop, the drug dealer. 640 00:31:30,355 --> 00:31:32,152 Yeah, his legitimate interests. 641 00:31:32,991 --> 00:31:35,960 He has no legitimate interests. 642 00:31:40,131 --> 00:31:42,622 The firm is in danger. 643 00:31:43,301 --> 00:31:44,461 Come work for me. 644 00:31:46,838 --> 00:31:49,568 We've had this conversation. 645 00:31:49,741 --> 00:31:52,710 I... I like it where I am. 646 00:31:57,582 --> 00:31:59,447 Why do you like men? 647 00:32:00,318 --> 00:32:01,512 Why do I like men? 648 00:32:01,986 --> 00:32:05,945 Yes, sex with men. Why do you like it? 649 00:32:07,292 --> 00:32:09,624 I don't distinguish. 650 00:32:09,794 --> 00:32:13,491 LANA: You don't have a preference? 651 00:32:16,634 --> 00:32:18,158 [SIGHS] 652 00:32:20,538 --> 00:32:21,630 You were saying? 653 00:32:23,508 --> 00:32:25,908 I was saying... 654 00:32:27,111 --> 00:32:29,204 Italian, Mexican, Thai. 655 00:32:29,380 --> 00:32:32,645 Why does one choose one food over the other? 656 00:32:32,817 --> 00:32:34,648 Because sex is not food. 657 00:32:35,186 --> 00:32:37,484 - Because of love. - Or intimacy. 658 00:32:37,655 --> 00:32:38,883 Don't you want intimacy? 659 00:32:40,525 --> 00:32:42,117 No. 660 00:32:43,061 --> 00:32:44,528 [CELL PHONE RINGING] 661 00:32:47,565 --> 00:32:49,032 I have to get that. 662 00:32:49,200 --> 00:32:51,691 Then you're gonna need your foot back. 663 00:33:03,948 --> 00:33:06,678 - You following me? - We need to talk. 664 00:33:06,851 --> 00:33:10,378 Sure, let's talk. Let's all talk. 665 00:33:20,231 --> 00:33:22,062 What do you need? 666 00:33:23,701 --> 00:33:25,896 You talking to the feds? 667 00:33:26,804 --> 00:33:30,865 I was having dinner with a fed. One fed. 668 00:33:32,210 --> 00:33:35,668 Why? Jealous? 669 00:33:37,081 --> 00:33:41,074 Kalinda, the kids have all gone to bed, okay? 670 00:33:41,586 --> 00:33:45,215 It's just me and you, the adults. 671 00:33:46,624 --> 00:33:47,955 It's time to be honest. 672 00:33:49,193 --> 00:33:50,251 You start. 673 00:33:54,098 --> 00:33:55,622 Are you armed? 674 00:34:20,124 --> 00:34:22,285 You missed a spot. 675 00:34:30,468 --> 00:34:33,028 You unclasp it at the top. 676 00:34:38,643 --> 00:34:41,305 - My turn. - Unh. 677 00:34:41,879 --> 00:34:43,506 What, you need more access? 678 00:34:43,681 --> 00:34:46,548 TSA. You know the drill. 679 00:34:48,252 --> 00:34:50,277 You wrote that e-mail to Bishop. 680 00:34:50,655 --> 00:34:53,749 You planted it in my apartment for your boyfriend to find. 681 00:34:54,459 --> 00:34:57,053 The ASA, heh, Cary. 682 00:34:57,662 --> 00:35:00,358 You didn't come to Lockhart Gardner as an investigator. 683 00:35:01,299 --> 00:35:03,392 Come on, honest. 684 00:35:10,508 --> 00:35:11,998 You wearing a wire? 685 00:35:15,580 --> 00:35:17,673 I'm a fixer. 686 00:35:18,483 --> 00:35:20,280 Bond wants something to happen, 687 00:35:20,451 --> 00:35:22,817 doesn't wanna know how it happened, that's me. 688 00:35:23,221 --> 00:35:26,588 I didn't plant anything in your apartment. 689 00:35:26,891 --> 00:35:28,415 You should look elsewhere. 690 00:35:28,593 --> 00:35:30,720 What about your meeting with the feds? 691 00:35:31,362 --> 00:35:35,423 She wants me to leave Lockhart Gardner, join her. 692 00:35:37,435 --> 00:35:42,566 She knows that MS-13 is joining forces with Bishop. 693 00:35:45,376 --> 00:35:47,742 What does Bond want you to fix? 694 00:35:48,613 --> 00:35:50,672 He wanted me to investigate everyone at the firm, 695 00:35:50,848 --> 00:35:55,717 see who was a threat to a takeover and who was an asset. 696 00:35:56,320 --> 00:35:58,811 Your connection to Will? 697 00:35:59,557 --> 00:36:00,854 What is it? 698 00:36:01,025 --> 00:36:03,585 Heh, I did, uh... 699 00:36:03,961 --> 00:36:06,623 I did some work for him at his first firm in Baltimore. 700 00:36:06,831 --> 00:36:08,458 Illegal work? 701 00:36:10,034 --> 00:36:11,968 He owes me. 702 00:36:13,204 --> 00:36:19,143 You know, Donna thinks that you like women more than men. 703 00:36:19,343 --> 00:36:21,743 Sometimes. 704 00:36:24,215 --> 00:36:25,739 [WHISPERS]: Depends. 705 00:36:30,388 --> 00:36:32,913 [IN NORMAL VOICE] Where's my baseball bat? 706 00:36:34,458 --> 00:36:35,925 Unh. 707 00:36:36,961 --> 00:36:38,223 It's in my bag. 708 00:36:38,629 --> 00:36:40,563 I want it back. 709 00:36:43,467 --> 00:36:44,934 [GRUNTS] 710 00:36:52,610 --> 00:36:53,668 So you'll lay off? 711 00:36:54,779 --> 00:36:56,144 Lay off what? 712 00:36:56,914 --> 00:36:58,779 Everything. 713 00:37:00,418 --> 00:37:01,646 [GRUNTS] 714 00:37:03,754 --> 00:37:05,381 Yeah. 715 00:37:20,438 --> 00:37:23,202 - Why do you care about Leela? - I don't. 716 00:37:23,407 --> 00:37:26,638 Heh, then what do you care about? 717 00:37:38,522 --> 00:37:39,989 [BLAKE GROANS] 718 00:37:40,625 --> 00:37:43,719 [BLAKE COUGHS] 719 00:37:43,928 --> 00:37:46,021 [BLAKE SNIFFS THEN GROANS] 720 00:37:47,431 --> 00:37:51,367 It's all right. You'll have trouble breathing for a minute. 721 00:37:53,738 --> 00:37:55,638 Hi, uh... 722 00:37:56,240 --> 00:37:59,937 My boyfriend's had an accident and he's injured his chest. 723 00:38:00,111 --> 00:38:02,045 He's having problems breathing. 724 00:38:02,213 --> 00:38:04,704 Could you send someone up, please? 725 00:38:04,882 --> 00:38:06,372 Thank you. 726 00:38:08,452 --> 00:38:10,716 - Wait. - I'm going now, Blake. 727 00:38:10,888 --> 00:38:13,516 - You trying to say something? - Leela. 728 00:38:14,558 --> 00:38:18,050 Yeah, you keep going with that. 729 00:38:18,229 --> 00:38:19,662 Leela, l... 730 00:38:19,830 --> 00:38:22,458 Why don't you try and take a deep breath? 731 00:38:24,368 --> 00:38:26,268 I phoned... 732 00:38:27,571 --> 00:38:30,404 Phoned your husband. 733 00:38:36,113 --> 00:38:37,341 ALICIA: You wanna come in? 734 00:38:37,515 --> 00:38:40,006 OWEN: No, I better get moved in. 735 00:38:40,184 --> 00:38:43,915 - So, uh, thanks. - Sure. 736 00:38:51,262 --> 00:38:54,288 What did you mean, what I will do? 737 00:38:54,498 --> 00:38:55,726 - What? - About Will. 738 00:38:55,900 --> 00:38:58,994 You said, "What you want me to do and what I will do." 739 00:38:59,170 --> 00:39:01,138 What will I do? 740 00:39:01,605 --> 00:39:03,072 Um... 741 00:39:04,709 --> 00:39:07,940 You're a good person, Alicia. 742 00:39:08,112 --> 00:39:09,545 You're pretending that you're not, 743 00:39:09,714 --> 00:39:15,277 that this recent unpleasantness has changed you, but it hasn't. 744 00:39:15,553 --> 00:39:17,418 You are who you are. 745 00:39:17,588 --> 00:39:21,547 You can't cheat. 746 00:39:22,026 --> 00:39:24,051 It's not in your makeup. 747 00:39:27,131 --> 00:39:29,827 Thanks for the company. 748 00:39:30,668 --> 00:39:33,136 - I'll see you soon. - Okay. 749 00:40:13,377 --> 00:40:17,279 Well, uh, according to the lawyers, I have to say this: 750 00:40:17,448 --> 00:40:22,886 My Patric Edelstein is not the real Patric Edelstein, 751 00:40:23,087 --> 00:40:26,955 to which I have my own legal one-word retort: duh. 752 00:40:27,124 --> 00:40:29,592 Ha, ha, I mean, yes, we lost a lawsuit. 753 00:40:29,760 --> 00:40:33,093 Yes, there is fiction in every fact. 754 00:40:33,264 --> 00:40:35,664 - But you know what I hate? - I think I know what he hates. 755 00:40:35,833 --> 00:40:36,959 Our litigious society. 756 00:40:37,134 --> 00:40:41,127 And a world where lawyers find cleverer and cleverer ways 757 00:40:41,305 --> 00:40:43,102 to make end-runs around the First Amendment. 758 00:40:43,274 --> 00:40:44,707 - Hey, he called us clever. - Ha, ha. 759 00:40:44,875 --> 00:40:47,309 What happens to writers and to satirists 760 00:40:47,478 --> 00:40:50,413 if every time they offend someone, 761 00:40:50,614 --> 00:40:52,377 they're sued based on right of publicity? 762 00:40:52,750 --> 00:40:55,218 - He's not wrong. - Of course he's not wrong. 763 00:40:55,386 --> 00:40:59,345 The last refuge of the loser is to not be wrong. 764 00:41:02,059 --> 00:41:06,393 Hey. How was, uh, everywhere? 765 00:41:06,564 --> 00:41:08,555 It was good. Good. 766 00:41:08,732 --> 00:41:10,256 Well, good job on the road. 767 00:41:10,434 --> 00:41:12,163 The studio apologized. 768 00:41:12,503 --> 00:41:14,630 And we did pretty well. 769 00:41:18,042 --> 00:41:19,771 Will, I need a moment of your time. 770 00:41:20,678 --> 00:41:21,736 Okay. 771 00:41:23,581 --> 00:41:25,776 I never got the second message to my cell phone. 772 00:41:26,250 --> 00:41:28,775 - I don't know why. - The second? 773 00:41:28,953 --> 00:41:30,079 No, you got everything. 774 00:41:31,188 --> 00:41:33,782 When you phoned Peter's press conference, you left two messages, 775 00:41:33,958 --> 00:41:36,290 but I didn't get the second. I only got the first. 776 00:41:36,460 --> 00:41:40,521 I hate missed connections and that stuff, 777 00:41:40,731 --> 00:41:42,790 so can I ask, 778 00:41:43,434 --> 00:41:44,924 what did you say? 779 00:41:48,606 --> 00:41:50,870 In my second message? 780 00:41:52,943 --> 00:41:54,205 Yes. 781 00:42:00,251 --> 00:42:01,775 You don't have to say. 782 00:42:04,588 --> 00:42:06,453 No, I will. 783 00:42:08,125 --> 00:42:12,721 I said I think you made the right decision with Peter, 784 00:42:12,897 --> 00:42:16,128 and I didn't want us to be uncomfortable at work. 785 00:42:20,571 --> 00:42:22,436 Okay. 786 00:42:23,607 --> 00:42:25,268 Good. 787 00:42:26,243 --> 00:42:27,733 And we're not. 788 00:42:27,912 --> 00:42:29,777 And we're not. 789 00:42:31,515 --> 00:42:33,312 Okay. 790 00:42:35,286 --> 00:42:36,913 I should get back to work. 791 00:42:40,024 --> 00:42:42,117 It's good to have you back. 792 00:42:42,593 --> 00:42:44,857 It's good to be back, heh.