BLAKE: It's about our mission.
That's what you care about, more than anything.
Peter helped you change your name at the state's attorney's office
when you worked there. Peter helped you change your name.
And you slept with him.
You're wrong.
BLAKE: That's good.
Because I told the ASA, and of course,
you know, they have their process. They'll probably...
Probably interview everyone involved,
and they'll get it all straightened out.
See you around, Kalinda.
[CELL PHONE DIALING]
[CELL PHONE RINGS]
Hey, what happened? Did you see Blake?
Yeah.
ALICIA: What did he say?
Kalinda?
Nothing. Just...
Just the usual.
I, um...
ALICIA: Are you all right?
Yeah.
Alicia, where are you?
Home. Why?
Do you wanna talk?
No. I'II, um...
I'll see you tomorrow. Yeah?
[CELL PHONE RINGING]
- Yeah. It's me. What? - Cary?
- Kalinda? KALINDA: What are you doing?
What am I doing?
[GROANS]
I'm making an omelet. What do you think?
- Where are you? - I need some help.
[SIGHS]
Okay.
- Now? - Did you see Blake today?
- Uh, no. Why? - He said he was interviewed
by an ASA.
Do you think you might know who that is?
CARY: No.
But I wouldn't worry about it. Childs doesn't have a case anymore
and Blake is AWOL.
Cary, I think Blake might have something on me.
And I think he might've told it to an ASA.
- Can you find out? - Sure.
What does he have on you?
- Can you find out? - Sure.
KALINDA: Thanks. Bye.
- So you think he's well? TRUESTALL: I believe that,
based upon a reasonable degree of medical and psychiatric certainty,
that he is no longer in need of any mental health services.
In-patient or out-patient.
You do know that he tortured, raped and killed Malory Cerone?
I do. Mr. Bowes was unwell when he committed that crime 30 years ago.
He was found not guilty by reason of insanity
and committed to a psychiatric treatment center and not to a prison.
- Didn't know you'd be here. - I didn't know I would either.
Couldn't stay away.
TRUESTALL: For 30 years, he has been treated.
I can say without hesitation he is a different man
than the man who committed that crime.
Oh, you mean when he did this?
- Don't look. - I've seen them before.
You don't understand. These photos are indeed horrifying.
But they were committed by an insane man.
This is the woman he tortured and killed.
- I know. - And did you know her daughter
is in court today?
I did not know that. I'm sorry. I know it's hard to hear,
but justice has been done here.
The man who killed your mother no longer exists.
JARVIS: I'm sorry.
I'm very sorry.
He's out in a week.
So now it's up to you guys. Keep him from getting rich.
We'll do our best.
Uh, hey. Alicia.
Tell Kalinda to stop worrying about the grand jury.
I'm not finding Blake did any more interviews,
so there shouldn't be any more subpoenas.
Okay. Good to know. I'll tell her.
REPORTER 1: Are you considering divorce?
REPORTER 2: Should your husband resign?
Please, I need to get my baby home.
NEWSMAN: The congressman's wife has no comment
after revelations regarding his affair.
MARISSA: Why are they still in the news?
She should divorce him and get it over with.
- Then people will stop chasing her. - This is not good.
Why? It has nothing to do with you guys.
Everything has to do with us guys.
Voters are like amoebas. They suck everything up
- and don't distinguish. - Is that what amoebas do?
So that's the other woman, huh?
- She's pretty. ELl: Of course she's pretty.
Now the story will own the week. You know, I do have work
- to get on with here. - Why does America suck?
America does not suck.
People suck.
What, and you think Israel will suck any less?
It'll suck different.
So that didn't end well, did it?
There was nothing to end well or not well.
I went for dinner with her. That's all.
I was trying to find out if she was undocumented
when she worked as a nanny for Wendy Scott-Carr.
- And she was. - So it was all just a political scheme?
- It was information-gathering. - Oh, come on, Dad. I saw your face.
- I saw how happy you were. - I have great control over my face.
I can make people believe...
- Oh, I'm so sorry. Was I boring you? - I have to go study.
Don't misbehave. Control that face.
[DOOR OPENS THEN CLOSES]
[INAUDIBLE DIALOGUE]
LUIS [ON TV]: No. It's not her fault.
She's been in America since she was two years old.
NEWSMAN: Natalie Flores has become a flashpoint
for Illinois illegal-alien policy,
which some have decried as the most lenient in the nation.
[ROCK SONG PLAYING ON COMPUTER]
Drive on out You're gonna drive on out
You need to drive on out Just drive on out
The girl is alone In the blink of an eye
You tell her to drive, drive, drive And, bitch, don't cry
The city's too loud
[MUSIC VOLUME DECREASES]
- And the lyrics were credited to him? - To Jarvis Bowes. Copyright 2010.
Band dedicated the whole album to him.
- How is it doing? - Currently number three
- on the Billboard 200. - And monetarily?
Bowes has $800,000 in royalties coming to him, but it'll go higher.
Still not a lot.
You should hear from Rhonda. She isn't interested in the money.
She just wants to stop him from getting rich from a song
- about killing her mom. - Yes, I understand her reasoning.
What's ours? This was one of Bond's cases.
It looks good. Being on the side of angels
suing a monster. It'll draw some attention.
So, what, intentional infliction of emotional distress?
Worked in a few other states. Let's see if it works here.
- He got out? - He's being released next week.
- And we're ready to go? - Bond had all the
- emotional-distress arguments ready. - Okay, but we can't keep carrying
- all of Bond's cases. - You signed off?
I'm signed off.
[WILL CLEARS THROAT]
Okay. So Bowes' lawyer will argue it's his First Amendment right.
If they lose that, they may go after the song.
Say it has nothing to do with the crime.
Want us to make sure the song is actually about the rape and murder?
Yes. Whatever you can get to connect the imagery to the crime.
And we'll never use it, but just in case.
Won't this be fun? Finding clues in bad poetry.
Don't worry. I'm not gonna comment.
- About what? - The Colorado congressman
and his skinny-dipping girlfriend. That's why you're here, right?
- No. - Eli. Come on in.
- I don't understand. - Her legal fight for citizenship
was complicated by the recent situation in the news,
and I don't think her current lawyer is quite up to it.
- This is Natalie Flores? - Yes. A DePaul University student.
- Actually, ex-student. - Wendy Scott-Carr's nanny?
Yes.
- Ex-nanny. - So do you mind if I ask?
Rumor is that your campaign was instrumental in exposing
- her undocumented status. - Yes, well, you know I can't comment
on that, but this has nothing to do with the campaign.
This is something I want handled.
Sure. I will call her and offer our services.
Great. Thank you. One more thing. I'd rather it wasn't mentioned
- that I had anything to do with this. - If the press asks?
No, if she asks.
Okay.
Good to know.
We value your business, Eli.
You were thinking about running for a judgeship at one point.
I was.
You should think about it again.
[ROCK SONG PLAYING ON COMPUTER]
[SINGING] Pass the freeway signs Pass the telephone lines
Where no one...
Is it perverse I'm sort of starting to like this?
That is perverse.
You see any connections? Carcass, kitchen sink.
- It's all too generic. - Bloody gearshift.
Yep. That's one connection.
So Cary checked to see if there were any more interviews
with Blake, and he said he couldn't find any.
What?
Cary came to me, said you should stop worrying about another subpoena.
Okay.
What happened? Did Blake say something?
No.
You still have that bad feeling? Something bad's gonna happen?
No.
[ALICIA CHUCKLES]
Are you happy?
Am I happy?
Yeah. With your life, your home?
I don't know.
I guess so.
It's like when a storm is over, is it happiness?
Or is it just a relief?
[SINGING ON COMPUTER] You're gonna drive on out
I don't understand.
We wanna help you. We've been seeing you in the news.
We believe your case has been mishandled.
Natalie, this is Alicia Florrick.
She's worked on other immigration cases.
I've asked her to help here.
We are in a consortium of law firms who promise a certain percentage
of pro bono hours each year, Natalie.
So we offer you the service free of charge.
- Why? DIANE: Why?
Because we think we can help you.
When did your parents bring you to the United States, Miss Flores?
1986.
You were 2?
- Yes. ALICIA: The problem we're facing
is this, Natalie. You know what the Dream Act is?
I do. It's a path to citizenship
- for people like me. - Yes. But its political defeat
has made it paradoxically harder.
Politicians are less willing to support the undocumented.
Especially someone like you with a high profile.
So you're going to need a sponsor with three years of legal residence.
My aunt filed the l-864 form.
Good. The fact that your case was already in the works
should keep you out of any immediate trouble.
And we'll need you to have a job.
- Do you have one at the moment? - I do.
Day trading.
Day trading?
Uh, the stock market?
Well, currency exchanges too.
For clients?
A few professors at school.
It's not a lot of money, but I do offer
a fairly consistent 12-percent return.
I was thinking more like a nanny job, but that should work, I would think.
- You're Peter Florrick's wife. - I am.
Do you know that I used to be Wendy Scott-Carr's nanny?
I do.
It's kind of odd how this is working, me being helped by your firm.
Yes. It is odd.
- Did Eli Gold ask you to do this? - No. Diane did.
So why don't you give me a call when you get
all your documentation together?
Am I being used here?
I don't know.
But you know what the best thing to do if you are?
- What? - Use them right back.
[ELEVATOR BELL DINGS]
Hi, Cary. Um, can you call me straight back? Thanks.
Why do you wanna know?
[CELL PHONE BEEPS]
Why do I wanna know if you were the last one to interview Blake?
- I didn't see any interview notes. - Right, because I have them here.
You were out that day, so I talked to him.
Okay. Anything I should know?
I don't know.
Who asked you to ask?
- Do we have a problem here? - I didn't think so.
Just wondering why you're asking me about a dead case.
Okay.
I'm out the door. You see? This is the door, me, and me going.
Sorry, man.
It's a tense place around here these days.
Yeah. Baghdad after Saddam.
The point is to survive.
It was a lark. It was our Guns'N'Roses moment.
A very lucrative lark.
Yeah, well, all the best tracks are, aren't they?
It was just a goof. Kind of a new-millennium art.
You know? Collage.
Yeah. Collage. From the killer.
Yeah, well, art is art, isn't it?
Didn't Norman Mailer kill somebody or something?
So how did you get the song?
- Where are you from, darling? - Nearby.
How did you get the song?
From him. The killer. What's his name? Jarvis?
- Jarvis Bowes. - Yeah. He sent it about a year ago
from his mental hospital.
Love getting submissions from mental hospitals.
Always open them first.
So, what is your accent?
So he sent you the lyrics?
No. A tape. God-awful stuff. Sounded like a dying porpoise.
And when I said I wanted to record it,
he said he wanted to change some lyrics.
Guy's in a mental hospital, suddenly he thinks he's Ray Davies.
[CHUCKLES]
So, uh,
you gonna stay for the set?
Can I see the tape?
[ROCK SONG PLAYING ON COMPUTER]
JARVIS [SINGING ON COMPUTER]: Drive on out where no one can see
You drive on out Under the Christmas tree
"Christmas tree." That's not in the newer version.
JARVIS [SINGING ON COMPUTER]: Popcorn smell that won't come off
The bloody cow guard
"Popcorn"? "Bloody cow guard"? I would call that more than generic.
- Where you going? - The scene.
See if anything else in the song connects to it.
[CELL PHONE RINGS]
Hello?
[DISTORTED VOICE SPEAKING INDISTINCTLY OVER PHONE]
Hmm.
Hello? Hello?
[SIGHS]
- Phone your sister. - She's just gonna say
go with the public defender.
Then maybe we should go with the public defender.
Just give me one minute, okay, Dad?
Hi. This is Natalie Flores for Diane Lockhart.
When will she be in? It's very important.
No. It has to be today.
Okay. Thanks.
[SIGHS]
Well, uh, considering Wendy Scott-Carr has outspent us
by almost two-to-one, I'd say, uh, we were the underdog.
I'm sorry. I have to take another call. I'll call you back.
Hello. Hi. This is Eli.
It's me.
Yes, I know. How are you?
You asked Lockhart-Gardner to help me?
- What? - Eli, you were the one who asked
Lockhart-Gardner to help me.
- Yes. But it's not what you think. - Eli, I need you to call them.
My father's been arrested. And they won't return my calls.
My dad is gonna be processed in an hour, which means that
his name is gonna be in the system as undocumented.
Eli. How are you?
Uh, no. I didn't get the message.
Um, actually, can that wait? I'm a little bogged down.
No. It can't wait. I'm sorry.
Diane, you asked me last week if I was happy at Lockhart-Gardner.
I am, but I don't want to be unhappy. She needs your help now.
I'm on my way.
[SIGHS]
[ROCK SONG PLAYING ON SPEAKERS]
JARVIS [SINGING ON SPEAKERS]: Just drive on out
Where no one can see
You drive on out Under the Christmas tree
DIANE: Then what happened? DEITCH: I received a 2-M-1 call
- for a burglary with forcible entry. - You saw Mr. Flores at the scene?
In the vicinity. There was a report of a Hispanic burglar with a weapon
driving away.
And I saw Mr. Luis Flores driving a similar automobile.
A similar make and model?
We're just holding him for questioning, ma'am.
Yes. Unfortunately, in a few minutes, Dispatch will be sending
his name on to ICE as undocumented.
Well, that's not under my purview. I'm investigating a burglary.
It was a different make and model, wasn't it?
Ma'am, you can leave my desk now.
You saw a Hispanic man driving his car near the burglary scene
and took him in for questioning.
Talk to the judge, I'm not talking to you anymore.
He's innocent of the burglary, but he will be deported
if you keep holding on to him.
ELl: Are you all right?
Yes.
You can go now, if you want.
No. I'm fine.
Whatever this is doing for you, Mr. Gold,
whatever guilt this is satisfying,
you don't have to worry. I'm fine.
DEITCH: Do you see this, ma'am?
This key?
Mr. Flores is now in the system. Have a good day.
Yep. One court after another. That's my life.
You just behave and everything will be all right. You're an artist now.
Babette Penn.
Will Gardner.
I like your suit.
I like yours. How is it representing a killer?
Oh, you're not gonna be a killjoy, are you?
I might. I'm not sure yet.
He's really nice when you get to know him.
[WILL CHUCKLES]
Psycho wants you.
ALICIA: What do you think? - I think you should go.
Hi.
- I'm a fan. - Of?
You. From way back.
The news conference, standing by your man.
I wrote a song about it.
- How gratifying. - I'll send it to you.
Oh, goodie.
Let's not make this boring, shall we?
What do you suggest? Tequila shots?
Ha, ha. Oh, you're funny. No, I'm punting
- on the First Amendment. - Really?
What's the fun in a constitutional argument?
- You win a quick verdict. - Yeah. You can bankrupt my client
with appeal after appeal and my client's song
- has nothing to do with his past crime. - Ah.
Good luck with that.
- Just a warning. - Hmm.
I play dirty.
You know when I said we'll never use what you guys are going after?
Change of plans.
Based on this, Your Honor, we ask for a summary judgment
- of Mr. Gardner's suit. - A quick correction, Your Honor.
This suit is not mine.
It is Miss Cerone's, whose mother was raped and murdered.
Yes. And unfortunately for Mr. Gardner,
that case was adjudicated over 30 years ago
and we are now in civil court.
You aren't objecting on First Amendment grounds.
In the interest of a quick and tidy summary judgment,
we argue this suit should be dismissed on the facts.
Which should be heard by a jury.
Because you wanna inflame the jury's passions.
No, Your Honor. Because the facts are persuasive.
As you can see from these revised lyrics, Your Honor,
Mr. Bowes changed the words in his song
to avoid similarities to his crime.
And those changed lyrics mention an embedded cow guard
which you can see in this photo from the scene.
PENN: Really? - Do you have a minute?
- I need to talk to you. PENN: That's the connection
Mr. Gardner is making?
The lyrics also make reference to Christmas trees, Your Honor.
And as you can see from this map and photo,
within a quarter mile of the crime scene
is the Grayton Family Christmas Farm.
Now, Your Honor, we argue that Miss Penn's motion be dismissed
and we continue to trial.
Miss Penn. Do you have anything?
Your Honor, yes, we do. The Grayton Christmas Tree Farm
was not in existence 30 years ago.
Is this true, Mr. Gardner?
Your Honor, uh, we would request a recess to study this.
I checked around on who last interviewed Blake,
and there were no interview notes, so I thought there was no interview.
But it turns out there was.
Matan Brody interviewed him last.
And what did he say?
- Matan? - Yeah.
He said he interviewed Blake last, and he was keeping
the interview notes under lock and key.
Why?
I don't know. He wouldn't say.
Did he tell you what was in the interview?
- No. - Did you tell Matan
- I was the one asking? - No.
- Why? - Cary, will you do me a favor?
If you find out anything else, will you just come and talk to me?
No one else.
I talked to Alicia because she was your lawyer.
I know.
Don't worry. You're not gonna get subpoenaed.
Childs won't come after you again.
Thanks.
They're right. The Christmas-tree farm is only 18 years old.
Okay. Well, we all need to do a bit of musical archeology here.
What is the connection between these lyrics and the crime scene?
And why did he change those lyrics especially?
Kalinda, where are you on this?
Nowhere.
Great.
Well, let's get somewhere.
Alicia, call for you.
Thank you. Hello?
MAN [OVER PHONE]: Alicia Florrick? - Uh, yes.
- Who is this? JARVIS: You know who this is.
I can tell from your voice you know who this is.
ALICIA: Is this Mr. Bowes?
JARVIS: Yes. I need a lawyer.
Mr. Bowes, you have a lawyer. And we can't be speaking.
JARVIS: I need another lawyer.
There's a website that is dedicated to illegally downloading my music.
You can be speaking if he waives his rights.
And you want another lawyer to battle illegal downloads?
You're gonna lose tomorrow. The case will be dismissed,
and then I'll need someone to sue over illegal downloads.
I need to remind you that I work for the firm
representing the adverse party in your current dispute,
and I can't talk to you unless you've talked to your current lawyer.
I already did. She was great. Why do you stay with your husband?
I don't know.
Why did you change your lyrics?
[JARVIS CHUCKLES]
I'm an artist. You know, they did spectrographic studies
of Fra Angelico paintings, and they found rough sketches beneath them.
- Ah, so you were revising to improve? - I was revising
because my life is a revision.
And the Christmas tree, that was just an improvement?
Well, it wasn't the best rhyme, was it?
I guess I shouldn't talk art with a lawyer.
- It's up to you. - Art is about personalizing, isn't it?
Lawyers think in terms of the macro, artists the micro.
I see. And what's the micro here?
Ooh. Is this important for our lawsuit?
Our lawsuit against illegal downloads? You decide.
I wanna remake my life.
Like you have.
How do I do that?
Well, it would've helped if you hadn't killed someone.
[LAUGHS]
Oops.
I can't change the past, can I?
Once a bad person, always a bad person.
Goodbye.
[DIAL TONE]
[SIGHS]
What do you think?
I think we should be looking to the personal.
[ROCK SONG PLAYING ON COMPUTER]
JARVIS [SINGING ON COMPUTER]: The popcorn smell that won't come off
The bloody cow guard
I don't know.
There are new lyrics, but none of them seem to connect with the crime scene.
We were wondering if they might connect to your mom.
- I don't think so. - Nothing with the Christmas tree?
- Popcorn? Cow guard? - No, I'm sorry. It was February.
We didn't have a tree up.
And I don't know what the rest of it means.
DIANE: This is how it'll work.
Your father was swept up in a hunt-and-peck.
A burglary charge targeting a Hispanic adult, 5'10".
There'll be a bond hearing tomorrow, and he's sure to be released.
The only problem is he's in the system now.
Immigration has been told of his identity, and he's scheduled
to be picked up along with the other undocumented at 3 p.m.
So I need to approach a judge about accelerating his bond hearing.
Okay, uh...
- What can I do? - Be at court tomorrow.
[ROCK SONG PLAYING ON COMPUTER]
Not too far In the trunk of the car
Where no one Can hear her scream
The pulsin' of the brain...
- Rhonda, hi. - Alicia, hi. I just realized I can help.
I was in the elevator and I just realized...
- What? - I'm in a group. A survivor's group.
We meet every month. Children whose parents have been murdered.
There's a woman, Lynn Boyle. Her mother was raped and murdered
in 1981 in Poplar Grove. They never found the killer.
- Are you all right? - Yes. Actually, for the first time
in a long time, I am. Listen, the things you said in the song,
they don't sound like my mom. They sound like hers.
[MUFFLED CHATTERING]
We said we'd never talk about this.
- You think I wanna talk about it? - Then why are we talking about it?
Matan Brody knows.
What're you talking about? No one knows.
There was another investigator at Lockhart-Gardner.
He seemed to have found out and he told Matan.
Does Alicia know?
No.
[SIGHS]
It was one night.
There's no way he could've found out.
You know Matan. You hired him.
That's why I think he's not telling Childs.
Childs is a lame duck.
You're saying Matan wants to see who wins the election?
My guess is he wants to be kept on if you win.
[SCOFFS]
Okay.
I'll talk to him.
See you.
Kalinda.
You know that I love Alicia.
I've fallen in love with my wife again.
It would kill her to know this.
I know.
- It was another murder. - What?
Rhonda told me yesterday.
The lyrics in the song started to make sense to her,
but not about her mom... Why was your phone off?
- What are you talking about? - I tried your cell.
No, no, I mean the song.
Oh. Rhonda is in a survivor group with the daughter
of a woman named Lynn Boyle.
She was raped and murdered in Poplar Grove.
She was kidnapped from her workplace, a movie theater.
The popcorn smell.
CARY: Lynn Boyle. Twenty-eight years old. Mother of two.
She was found in the trunk of her car. She was carjacked and forced to drive
off into a field where she was raped and murdered.
No DNA evidence. Some fabric fibers, but they never matched.
ALICIA: When did this happen?
Um, three months before Malory Cerone.
Did anyone ever try to connect it to Bowes before?
Yeah, but it never stuck. There was nothing of his at the scene.
Kalinda.
The Christmas tree.
We're cutting it close. We have 25 minutes.
DIANE: We have to get the paperwork to the holding cell too.
There he is. He's here on another case.
JUDGE: Counselor, do we really have to belabor this situation?
Take the two weeks, please. Thank you. Next case.
Your Honor, we have a quick bond matter that is time-sensitive.
- I'm sorry, is this Hank Christie? - No, Your Honor.
But if you would allow us a moment, I have another case in civil court.
- Well, that's not up to me, Miss... - Lockhart.
Miss Lockhart.
- Emily's List, is that right? - It is, Your Honor. Hello.
DEITCH: I believed he was connected to the crime.
- I pulled him over. - But the report stated
that the burglar was between the ages of 18 and 25.
- Isn't that correct? - Yes.
- And how old is Mr. Flores? - Well, he says he's 52.
Officer, I understand the need to widen the net,
but that would seem awfully wide, wouldn't it?
- Motion for bond approved. - Thank you, Your Honor.
And if we could process this with some haste.
I have a release notice for Luis Flores.
NATALIE: Dad! - Natalia.
- That's my client. He made bond, sir. - He's being transferred to ICE.
The judge just ordered his release. This is a mistake.
- That may be, but it's not our mistake. - No, sir, please,
my father's done nothing wrong.
He's never even had a parking ticket. Please.
It's not about doing wrong, miss. He's in the system.
- It's out of my hands. - It's not out of your hands.
- You know it's not. - That's just not true, ma'am.
- Dad, I'm sorry. - Don't say that. I'm okay.
- Hey, Tom, what's up? - Mr. Gold, how are you?
Good, good. Haven't seen you at the Sheriff's Association in a while.
- Uh, the wife hates those things. - Ha, ha. Yeah, rubber chickens.
[BOTH CHUCKLE]
So, uh, can you help me out here? Luis is my gardener.
- Uh, I don't know, Mr. Gold. It's ICE. - It's ICE when he's out the door.
He could be a material witness in an ongoing investigation.
He could be a material witness in an investigation.
It's a small gesture. It would be appreciated.
You can't find good gardeners these days, you know?
Let me see what I can do.
[SIGHS]
I'm okay, mijita. I'm okay.
I think we were almost out of favors in there.
So the lyrics have nothing to do with your crime?
That is correct. I'm a fan of Elvis Costello
and Gerard Manley Hopkins, and I just wanted to try something
that combined their spirits.
- Really? - Really.
- Did you like the song? - I think I liked the earlier version.
I hate my first drafts. Everything's in flux, don't you think?
Hmm. And so the Christmas tree you mention in the song,
- the lyrics you tried to cover up... PENN: Objection.
I'm not sure if I should object to that or just laugh.
- You want some help with that? - No, I think I've decided. Ha, ha.
- Do you two want us all to leave? - No, Your Honor.
So the reason you changed the cow guard in your song
has nothing to do with the murder?
- Correct. - But you do remember
- seeing the cow guard? - I don't think I do remember,
but, uh, I'm an intuitive person, so it's probably in there someplace. Ha, ha.
WILL: And the allusion to forcing a victim to pull over beside a field,
- why did you change those lyrics? - I thought it was melodramatic.
And yet fairly realistic, given how you killed her.
- I've tried to block those memories. WILL: You don't remember
how you killed her, so the song could be based on your crime?
Objection. Leading question.
Overruled.
No.
I remember my crime enough to know that it's not connected to the song.
Good. So the allusion to the car trunk, how was that different from the crime?
Well, the song describes how I carried her in the trunk,
which is impossible. I couldn't have done that
because I don't drive a stick.
So you only put her in the trunk after you killed her?
Yes, l...
Go on. You were saying?
Your Honor, could we take a short recess?
You were saying about the trunk...
- How you put her in the trunk? - I didn't do that.
That doesn't have anything to do with this crime.
PENN: Your Honor, please, a recess?
JUDGE: Ten minutes.
[GAVEL BANGS]
That's too bad. You mixed up the victims.
NEWSWOMAN: - leaving many observers wondering
whether this new deal will push the congressman's wife
even closer to divorce.
The deal for her memoirs is estimated at $1.3 million.
I say again, America sucks.
What's wrong with that? Capitalism at work.
What is it with you youth today and your disgust for everything capitalistic?
You don't think that's disgusting? She's selling her pain.
To pay her bills. Better than selling her body.
Actually, I disagree.
Selling her body is at least more honest.
Oh. How I love these little chats.
So I told Mom about your little girlfriend.
- Thanks. - She called it your
campaign palette cleanser.
You always find some crush in the last month
of the campaign to fixate on.
How I love your mom's little pop psychology one-liners.
She said it's because you hate yourself.
- There we go. - You need to act as savior
to someone or you'll have to face the fact you do bad things.
- That doesn't even make sense. - In a sort of screwed-up way, it does.
Why are we even talking about this again?
Can't we just sit and enjoy quality time?
She was outside.
- What? - You asked why I'm talking
about her again. Because I saw her outside, and we said hi.
Go to her, Dad. Go save her.
ELl: Uh, hello?
Hi.
I just wanted to say thank you.
That's all.
- You didn't need to. - My boyfriend's back from Las Vegas.
I'm just saying that. It's not a big deal.
- I'm just saying it. - I'm glad.
- I, um... - No. No, you don't have to.
- It's not what you think. - This is just a thank-you.
Natalie, I know. I know.
It's just nice to talk. That's all.
I'm too old to have expectations of anything other than talk.
[CHUCKLES]
- Oh, my God, that sounded terrible. - No, it's okay.
It's really nice talking to you.
And to you.
Goodbye.
Okay.
JUDGE: Defendant's motion to dismiss is granted.
[GAVEL BANGS]
- It was always a long shot. - I know.
JARVIS: I'm so sorry, ma'am. - It's okay, buddy.
If there was any way I could get her back...
- "Them" back. - If there was any way, I would.
I know you just must hate me. I hope we can talk sometime.
We have to talk about those illegal downloads.
- Sure. When you get out. - Oh, haven't you heard?
- I am out. - Yeah, I have heard.
CARY: Mr. Bowes, you're under arrest for the murder of Lynn Boyle.
You have the right to remain silent.
Anything you say can and will be used against you in a court of law.
You have a right to an attorney...
Thank you.
It's okay. You guys just play, and I'll cook.
Mom, it's tied.
Carl, what's wrong with you?
I kill people and eat their hands. That's two things.
You have to at least make references I understand.
Carl.
- Dinner is ready. - Mom, it's still tied.
- Where's Dad? - Dad, dinner!
No, I just wanna make sure.
I'm coming!
Listen, Matan, we've always worked well together.
So you be good to me, and I'll be good to you.
Okay.
Beat Wendy.
I thought you liked public school.
- I do. I'd stay there. - I just wanna see what other schools
are out there. Where would we move to?
I don't know that we would. Maybe to a bigger apartment.
- Not to Highland Park? - Mom doesn't want to.
- I didn't say that. It's expensive. - Isn't the market down?
What, are you following real estate now?
[CHUCKLES]
Hey, Dad. Mom was saying that we might stay around here
and not go back to Highland Park.
That's right.
Everything good?
As good as it can be.
- Want some pizza? - I do.
ALICIA: Pass plates. Oh, wow, you already took two pieces, dude.