1
00:00:00,300 --> 00:00:01,600
Lucas:
MY NAME IS LUCAS SCOTT.
2
00:00:02,700 --> 00:00:05,900
I GRADUATED FROM HIGH SCHOOL
WITH MY FRIENDS.
3
00:00:07,500 --> 00:00:09,000
BROOKE DAVIS MOVED
TO NEW YORK CITY
4
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AND FOUND SUCCESS.
5
00:00:11,100 --> 00:00:13,500
PEYTON SAWYER
WENT TO LOS ANGELES.
6
00:00:14,000 --> 00:00:15,800
SUCCESS DIDN'T COME SO EASILY.
7
00:00:16,100 --> 00:00:19,200
I WROTE A NOVEL AND FELL
FOR MY EDITOR, LINDSEY.
8
00:00:22,000 --> 00:00:24,500
MY BROTHER NATHAN
SAW HIS DREAMS VANISH...
9
00:00:30,000 --> 00:00:32,300
...LEAVING HIS WIFE, HALEY,
AND THEIR SON, JAMIE,
10
00:00:32,300 --> 00:00:33,900
MORE FRACTURED THAN EVER.
11
00:00:34,400 --> 00:00:36,400
THINGS HAVE CHANGED
IN FOUR YEARS.
12
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BUT IN MANY WAYS,
THIS IS JUST THE BEGINNING.
13
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I MISSED YOU, P. SAWYER.
14
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WE'RE HOME NOW.
15
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COME ON.
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-==http://www.ragbear.com==-
ƬÃûOne Three Hill µÚ5¼¾µÚ1¼¯
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HA!
AAH!
20
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YOU'RE NOT LUCAS!
21
00:01:14,000 --> 00:01:15,400
YOU'RE BROOKE DAVIS!
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00:01:16,000 --> 00:01:17,900
YEAH. HI.
23
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YOU'RE... WEARING ME.
24
00:01:21,000 --> 00:01:22,400
CLOTHES OVER BRO'S
IS MY LINE.
25
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YEAH, I - I LOVE IT.
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THANKS.
27
00:01:26,700 --> 00:01:28,900
AND YOU ARE SO PRETTY
IN PERSON.
28
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THANKS.
SO ARE YOU.
29
00:01:32,200 --> 00:01:34,900
OKAY, THIS HASN'T HAPPENED TO ME
SINCE COLLEGE.
30
00:01:35,400 --> 00:01:36,900
RIGHT. OKAY.
31
00:01:37,000 --> 00:01:37,700
UM...
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WOW, UH, THIS HASN'T HAPPENED
TO ME SINCE COLLEGE.
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HI, LUKE.
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BROOKE DAVIS.
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00:01:48,800 --> 00:01:50,100
OH, I MISSED YOU.
36
00:01:52,100 --> 00:01:53,400
SO, WHAT DO YOU
WANT TO DO TODAY?
37
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I DON'T KNOW.
PLAY, I GUESS.
38
00:01:55,700 --> 00:01:56,800
YEAH, ME, TOO.
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00:01:57,000 --> 00:01:58,100
DON'T YOU HAVE A JOB?
40
00:01:58,100 --> 00:02:01,100
WHAT ARE YOU, THE MAN?
I DON'T SEE YOU PAYING ANY RENT.
41
00:02:01,200 --> 00:02:03,100
THAT'S BECAUSE I DON'T HAVE
ANY MONEY.
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00:02:03,800 --> 00:02:05,300
WELL,
THAT MAKES TWO OF US.
43
00:02:05,700 --> 00:02:07,000
NOW, LET'S JUST
GO OVER THE DRILL.
44
00:02:07,000 --> 00:02:09,000
IF WE SEE ANY HOT CHICKS TODAY,
WHO ARE YOU?
45
00:02:09,300 --> 00:02:11,800
I'M AN ORPHAN
WHO NEEDS SURGERY,
46
00:02:11,900 --> 00:02:14,400
AND YOU'RE PAYING FOR IT,
'CAUSE YOU'RE RICH.
47
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GOOD MAN.
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BL-BL-BL!
49
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WHOA!
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SOAPBOX DERBY.
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MAN, WHEN I WAS A KID,
I ALWAYS WANTED TO DO THIS.
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ME, TOO.
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00:02:29,900 --> 00:02:31,700
IT'S A GOOD THING
YOU'RE STILL A KID,
54
00:02:32,100 --> 00:02:34,200
'CAUSE WE GOT TWO DAYS
TO PIMP YOUR RIDE.
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CAN UNCLE MOUTH
HELP ME PIMP MY RIDE?
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I DON'T THINK SO.
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00:02:38,100 --> 00:02:40,100
SEE, UNCLE MOUTH
FINALLY GOT A J-O-B.
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THAT SPELLS "JOB."
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00:02:42,400 --> 00:02:44,000
MAN, YOU'RE GETTING
WAY TOO SMART.
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00:02:44,500 --> 00:02:46,200
IT WAS A LOT EASIER
WHEN YOU WAS 3.
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00:03:09,800 --> 00:03:11,000
GOOD EVENING,
LADIES AND GENTLEMEN.
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00:03:11,000 --> 00:03:13,900
I'M MARVIN McFADDEN,
AND SPORTS IS COMING UP NEXT.
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00:03:13,900 --> 00:03:16,200
Alice: WHAT, EXACTLY,
ARE YOU DOING?
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00:03:16,600 --> 00:03:20,300
OH, THE STATION CALLED ABOUT
THE FIELD-REPORTER POSITION?
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FIELD REPORTER -
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00:03:23,300 --> 00:03:25,400
LITTLE AMBITIOUS,
DON'T YOU THINK?
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00:03:25,400 --> 00:03:27,100
THE JOB THAT
WE CALLED YOU ABOUT
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00:03:27,100 --> 00:03:29,300
IS AN ENTRY-LEVEL
LOGGER POSITION.
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00:03:29,300 --> 00:03:31,300
WE COULD HIRE A MONKEY
TO DO THAT,
70
00:03:31,500 --> 00:03:33,800
BUT THE FREAKS AT PETA
WOULD MORE THAN LIKELY PICKET.
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00:03:35,300 --> 00:03:36,700
BUT I GUESS I ASSUMED -
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00:03:36,700 --> 00:03:37,700
FIRST DOOR ON THE LEFT.
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YOU WATCH THE GAMES,
YOU HIGHLIGHT THE BEST PLAYS,
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AND YOU LEAVE THE LOG
FOR ON-AIR.
75
00:03:41,600 --> 00:03:43,500
IF YOU CANNOT
ACCOMPLISH THAT,
76
00:03:44,600 --> 00:03:46,500
YOU ARE CURRENTLY
WASTING MY TIME.
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00:03:50,700 --> 00:03:52,500
I'M SORRY,
BUT YOU ARE STILL LOOKING
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00:03:52,500 --> 00:03:53,900
FOR A REPORTER, AREN'T YOU?
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00:03:54,800 --> 00:03:57,400
THE ANSWER TO YOUR QUESTION,
YES.
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00:03:58,200 --> 00:03:59,700
LET US BE HONEST -
81
00:04:00,400 --> 00:04:02,800
YOU DON'T REALLY HAVE
THE FACE FOR IT, DO YOU?
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00:04:35,300 --> 00:04:36,900
ALL RIGHT, GOOD MORNING.
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00:04:37,500 --> 00:04:41,300
THIS IS ACTUALLY MY FIRST
OFFICIAL DAY AS A TEACHER,
84
00:04:41,300 --> 00:04:43,000
AND YOU'RE MY FIRST
OFFICIAL CLASS.
85
00:04:43,000 --> 00:04:45,500
SO, CONGRATULATIONS.
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UH, MY NAME IS...
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00:04:52,600 --> 00:04:54,100
HALEY...
88
00:04:56,300 --> 00:04:57,600
JAMES...
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00:04:58,700 --> 00:05:00,600
Quentin:
THAT IS SOME FINE ASS.
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00:05:04,000 --> 00:05:05,300
ALL RIGHT, FIRST OF ALL,
91
00:05:05,300 --> 00:05:07,700
THAT'S NO WAY TO TALK TO A GIRL,
ANY GIRL,
92
00:05:07,700 --> 00:05:09,400
AND SECOND OF ALL,
THAT IS ABSOLUTELY NO WAY
93
00:05:09,400 --> 00:05:12,100
TO SPEAK TO A TEACHER.
94
00:05:13,600 --> 00:05:16,000
I'M SORRY.
IT WAS ME.
95
00:05:17,300 --> 00:05:18,700
JUST TRYING TO
GIVE YOU A COMPLIMENT.
96
00:05:19,700 --> 00:05:20,800
WHAT'S YOUR NAME?
97
00:05:21,200 --> 00:05:22,300
QUENTIN FIELDS.
98
00:05:23,000 --> 00:05:24,800
OKAY.
SIT DOWN, QUENTIN.
99
00:05:25,400 --> 00:05:26,400
YES, MA'AM.
100
00:05:27,100 --> 00:05:28,400
WON'T HAPPEN AGAIN,
MISS JAMES.
101
00:05:28,400 --> 00:05:34,600
ACTUALLY, IT'S MRS. SCOTT.
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DAMN, THAT ASS.
103
00:05:37,100 --> 00:05:38,700
OKAY, ALL RIGHT.
GET OUT.
104
00:05:38,700 --> 00:05:40,000
YOU NEED TO GO TO THE OFFICE.
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00:05:41,400 --> 00:05:42,800
OH, TO THE OFFICE.
106
00:05:43,600 --> 00:05:45,600
MAYBE WE COULD GO
TOGETHER, HUH?
107
00:05:47,800 --> 00:05:49,500
MAYBE YOU COULD JUST
SPANK ME RIGHT HERE.
108
00:05:51,800 --> 00:05:52,400
YEAH, THAT'S RIGHT.
109
00:05:52,400 --> 00:05:54,000
OOH, HARDER,
MRS. JAMES-SCOTT!
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00:05:54,000 --> 00:05:55,400
ALL RIGHT, SETTLE DOWN.
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00:05:55,400 --> 00:05:56,200
SPANK ME, MRS. JAMES-SCOTT!
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I SAID, "SETTLE DOWN!"
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CLASS!
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00:06:00,400 --> 00:06:01,600
CLASS!CLASS!
CLASS!CLASS!
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00:06:01,600 --> 00:06:02,800
I HAVE JUST -
I HAVE JUST -
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00:06:02,800 --> 00:06:03,500
I -
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I -I -
I -I -
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BABY, COME BACK!
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00:06:15,700 --> 00:06:18,000
HEY, HOW MUCH
DO YOU LOVE ME?
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00:06:18,300 --> 00:06:20,500
I WENT TO SEE LINDSEY,
LUKE'S GIRLFRIEND.
121
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I HAVE GOOD NEWS
AND BAD NEWS.
122
00:06:22,000 --> 00:06:24,200
ALL RIGHT, LUKE AND I HAVEN'T
BEEN TOGETHER FOR THREE YEARS.
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00:06:24,200 --> 00:06:25,400
IT'S NOT WHY I'M HOME.
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I TOTALLY BELIEVE YOU.
FINE.
125
00:06:31,300 --> 00:06:32,600
OOH, THE OFFICE.
126
00:06:32,700 --> 00:06:34,000
THEY'RE JUST FIGURING OUT
I'M NOT IN MILAN.
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00:06:34,000 --> 00:06:35,400
I BET CTORIA'S
HAVING A COW.
128
00:06:35,400 --> 00:06:36,200
YOU THINK MAYBE
YOU SHOULD CALL
129
00:06:36,200 --> 00:06:38,200
AND LET HER KNOW YOU'RE ALIVE? NO.
130
00:06:38,700 --> 00:06:41,100
NO, I HAVE A MORE IMPORTANT
QUESTION TO ASK YOU.
131
00:06:41,200 --> 00:06:43,300
WHAT HAPPENED AFTER
LUCAS FINISHED HIS BOOK?
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00:06:51,600 --> 00:06:52,400
HELLO?
133
00:06:52,400 --> 00:06:54,200
Lucas:
Hey, it's Lucas.
134
00:06:55,800 --> 00:06:56,600
I KNOW IT'S BEEN AWHILE,
135
00:06:56,600 --> 00:07:00,300
BUT I'M HAVING A BOOK SIGNING
IN L.A. IN A COUPLE OF DAYS.
136
00:07:00,800 --> 00:07:01,900
YEAH, I KNOW.
137
00:07:02,000 --> 00:07:03,600
I MEAN, I READ ABOUT IT.
138
00:07:04,200 --> 00:07:07,400
YEAH, I'VE BEEN PACING THE HOUSE
FOR THE LAST HOUR
139
00:07:07,400 --> 00:07:09,000
WONDERING IF I SHOULD CALL,
140
00:07:09,300 --> 00:07:11,500
CONSIDERING
HOW WE LEFT THINGS.
141
00:07:12,000 --> 00:07:12,700
NO, IT'S OKAY.
142
00:07:12,700 --> 00:07:14,600
IT'S ACTUALLY REALLY GOOD
TO HEAR YOUR VOICE.
143
00:07:15,100 --> 00:07:16,100
Yours, too.
144
00:07:16,500 --> 00:07:17,900
WELL, I WAS HOPING, UM...
145
00:07:20,300 --> 00:07:22,100
I'D LOVE TO SEE YOU
IF YOU'RE NOT TOO BUSY.
146
00:07:22,800 --> 00:07:25,700
UM, YEAH - YEAH, OKAY.
147
00:07:26,100 --> 00:07:27,400
SURE, I'LL BE THERE.
148
00:07:28,300 --> 00:07:29,500
THAT'S GREAT, PEYTON.
149
00:07:30,200 --> 00:07:33,000
WELL, THEN, I -
I'LL SEE YOU SOON, THEN.
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SEE YOU SOON.
151
00:07:37,700 --> 00:07:39,100
AME IS LUCAS SCOTT.
152
00:07:39,100 --> 00:07:41,900
I'M THE NEW HEAD BASKETBAL
COACH OF THE TREE HILL RAVENS.
153
00:07:42,100 --> 00:07:43,200
THIS IS ANTWON TAYLOR.
154
00:07:43,200 --> 00:07:45,000
HE'S THE NEW ASSISTANT
HEAD COACH.
155
00:07:45,300 --> 00:07:46,700
YOU WANT OUR CREDENTIALS?
156
00:07:47,700 --> 00:07:48,900
THEY'RE HANGING
RIGHT THERE.
157
00:07:50,700 --> 00:07:52,100
I MUST CONGRATULATE YOU.
158
00:07:52,400 --> 00:07:54,900
FOR SOME OF YOU,
IT TOOK ONLY FOUR YEARS
159
00:07:54,900 --> 00:07:56,300
TO DESTROY THE LEGACY
160
00:07:56,300 --> 00:07:58,900
COH DURHAM
TOOK 35 YEARS TO BUILD.
161
00:08:00,200 --> 00:08:01,400
NICE WORK.
162
00:08:01,600 --> 00:08:06,200
SO, AS OF TODAY, ALL 12
ROSTER SPOTS ARE AVAILABLE.
163
00:08:07,200 --> 00:08:08,800
IT DOESN'T MATTER
IF YOU PLAYED LAST YEAR.
164
00:08:09,000 --> 00:08:11,900
IN THREE DAYS,
WE'LL HAVE OUR FINAL ROSTER.
165
00:08:12,400 --> 00:08:15,300
IF YOU WANT TO BE ON IT,
THEN I WOULD ADVISE YOU GO HARD.
166
00:08:18,200 --> 00:08:18,900
SKILLS?
167
00:08:18,900 --> 00:08:20,800
I WOULD DEFINITELY GO HARD.
168
00:08:21,400 --> 00:08:22,200
ONE-ON-TWO DRILL.
169
00:08:22,300 --> 00:08:23,800
EVERYBODY LINE UP
AT HALF COURT.
170
00:08:40,600 --> 00:08:43,300
MAMA, I'M GONNA RACE
IN A SOAP-OPERA DERBY.
171
00:08:43,800 --> 00:08:44,500
WHAT?
172
00:08:45,200 --> 00:08:47,400
HEY.
HOW WAS YOUR FIRST DAY?
173
00:08:47,700 --> 00:08:49,700
UM, HORRIBLE.
174
00:08:50,300 --> 00:08:52,100
MY FIRST CLASS, LIKE,
ATTACKED ME,
175
00:08:52,200 --> 00:08:53,200
AND I RAN OUT IN TEARS,
176
00:08:53,200 --> 00:08:55,800
AND PRINCIPAL TURNER HAD TO
FINISH THE REST OF MY CLASSES.
177
00:08:56,000 --> 00:08:57,200
I'M SORRY, HALES.
178
00:08:57,400 --> 00:09:00,200
THEY WERE AWFUL, SO MEAN -
ESPECIALLY THIS ONE KID,
179
00:09:00,200 --> 00:09:02,100
WHO WAS, LIKE,
SEXUALLY HARASSING ME.
180
00:09:03,000 --> 00:09:05,200
WHAT?
WHO WAS IT?
181
00:09:05,700 --> 00:09:06,700
HIM.
182
00:09:07,200 --> 00:09:08,900
HELLO, THERE,
MRS. JAMES-SCOTT.
183
00:09:11,200 --> 00:09:12,900
WE'LL SEE YOU LATER,
OKAY?
184
00:09:17,200 --> 00:09:18,300
YOU'RE LATE.
185
00:09:18,800 --> 00:09:19,600
YEAH?
186
00:09:20,000 --> 00:09:21,300
I'M ALSO
YOUR LEADING SCORER.
187
00:09:21,700 --> 00:09:24,500
NO, YOU MIGHT HAVE BEEN
A LEADING SCORER ON A TEAM
188
00:09:24,500 --> 00:09:26,500
THAT WON THREE CONFERENCE GAMES
ALL LAST SEASON.
189
00:09:27,400 --> 00:09:30,500
BUT YOU ARE NOT
MY LEADING SCORER - NOT YET.
190
00:09:38,800 --> 00:09:40,900
WHOA!WHOA!
WHOA!WHOA!
191
00:09:54,400 --> 00:09:55,800
Man: SEATTLE IS
ON THE CLOCK RIGHT NOW.
192
00:09:55,800 --> 00:09:58,600
WE'LL GET TO THE COMMISSIONER
IN REGARDS TO THEIR PICK.
193
00:09:58,600 --> 00:10:00,700
THEY GOING BIG?
THEY GOING SMALL?
194
00:10:01,300 --> 00:10:03,400
Man: SOMEBODY HELP!
SOMEBODY!
195
00:10:04,700 --> 00:10:05,900
WELL...
196
00:10:05,900 --> 00:10:07,000
WELL.
197
00:10:08,500 --> 00:10:09,800
DON'T LOOK AWAY.
198
00:10:10,100 --> 00:10:12,000
THE SECOND AND THIRD GREATEST
NIGHTS OF YOUR LIFE
199
00:10:12,000 --> 00:10:13,400
JUST WALKED BACK
INTO YOUR WORLD.
200
00:10:13,600 --> 00:10:16,700
YOU LOOKING ALL ROCK STAR
TOTALLY DOES IT FOR ME.
201
00:10:16,900 --> 00:10:18,700
VERY HEROIN CHIC, NATE.
I LIKE IT.
202
00:10:19,000 --> 00:10:20,200
WHAT ARE YOU GUYS
DOING HERE?
203
00:10:20,400 --> 00:10:22,700
WELL, LUCAS TELLS ME
THAT YOU CAN WALK,
204
00:10:22,700 --> 00:10:24,200
BUT YOU NEED
A LITTLE INCENTIVE.
205
00:10:24,200 --> 00:10:26,000
SO WE HAVE COME UP
WITH A DRILL.
206
00:10:26,500 --> 00:10:27,700
FOR EVERY STEP YOU TAKE...
207
00:10:29,000 --> 00:10:29,800
WE KISS.
208
00:10:29,800 --> 00:10:30,700
MMM.
209
00:10:34,400 --> 00:10:37,000
HEY,
IT'S GOOD TO SEE YOU.
210
00:10:39,200 --> 00:10:40,100
NATHAN...
211
00:10:41,900 --> 00:10:42,500
HEY!
212
00:10:42,500 --> 00:10:43,800
HI!
213
00:10:45,100 --> 00:10:46,000
HI!
214
00:10:46,400 --> 00:10:47,900
WHAT ARE YOU GUYS
DOING HERE?
215
00:10:48,300 --> 00:10:49,900
WE CAME TO SEE YOU
AND -
216
00:10:53,500 --> 00:10:55,000
OH, JAMIE, SWEETIE,
COME HERE.
217
00:10:55,000 --> 00:10:56,200
THERE'S PEOPLE
I WANT YOU TO MEET.
218
00:10:56,600 --> 00:10:57,800
COME ON, IT'S OKAY.
219
00:11:01,400 --> 00:11:04,600
THIS IS BROOKE AND PEYTON,
AND THIS IS OUR SON, JAMIE.
220
00:11:05,500 --> 00:11:07,400
Peyton: HEY, JAMIE.
HOW ARE YOU?
221
00:11:10,200 --> 00:11:11,000
NATE?
222
00:11:13,300 --> 00:11:14,100
I MISSED YOU.
223
00:11:17,800 --> 00:11:19,600
MAN, I'VE ALWAYS WANTED
ONE OF THESE THINGS.
224
00:11:20,600 --> 00:11:21,700
YEAH, ME, TOO.
225
00:11:21,700 --> 00:11:22,800
ME, TOO.
226
00:11:23,500 --> 00:11:24,900
I THINK
WE SHOULD PAINT IT RED.
227
00:11:25,000 --> 00:11:27,100
YOU KNOW, THE RED RACER.
228
00:11:28,400 --> 00:11:29,900
YO, KID, TALK TO ME
ABOUT THE CAPE.
229
00:11:29,900 --> 00:11:30,700
WHAT'S THE REAL?
230
00:11:30,700 --> 00:11:31,900
I'M A SUPERHERO.
231
00:11:32,100 --> 00:11:32,900
IS THAT RIGHT?
232
00:11:32,900 --> 00:11:35,700
WHY DON'T YOU FLY TO THE KITCHEN
AND GET ME A BEER?
233
00:11:36,600 --> 00:11:38,800
SO, WHAT'S YOUR TAKE ON THE
TEAM'S FORMER LEADING SCORER?
234
00:11:38,900 --> 00:11:41,500
QUENTIN?
THE KID'S PRETTY GOOD.
235
00:11:41,900 --> 00:11:42,700
THE KID'S REALLY GOOD.
236
00:11:42,700 --> 00:11:43,500
NOW WE JUST GOT TO FIGURE OUT
237
00:11:43,500 --> 00:11:45,500
IF WE CAN GET HIM TO PLAY
A TEAM GAME, YOU KNOW?
238
00:11:47,100 --> 00:11:48,100
CAN I HAVE PUDDING?
239
00:11:48,100 --> 00:11:49,300
YOU CAN READ, RIGHT?
240
00:11:49,800 --> 00:11:52,800
IF THE PUDDING SAYS "JUNK"
OR "FERGIE," YOU CAN HAVE IT.
241
00:11:53,100 --> 00:11:54,100
THANK YOU.
242
00:11:55,100 --> 00:11:56,900
HEY, AND JUST ONE, OKAY?
243
00:11:57,900 --> 00:11:58,600
NO, I MEAN, IT'S LIKE,
244
00:11:58,600 --> 00:11:59,800
I DON'T KNOW
IF THEY LOST ALL THOSE GAMES
245
00:11:59,800 --> 00:12:02,000
BECAUSE THEY DIDN'T HAVE ENOUGH
GUYS ON THE TEAM LIKE HIM.
246
00:12:02,100 --> 00:12:04,000
OR MAYBE THEY JUST LOST
BECAUSE OF HIM.
247
00:12:06,000 --> 00:12:07,300
YOU KNOW
WHO HE REMINDS ME OF.
248
00:12:07,900 --> 00:12:08,800
YEAH.
249
00:12:20,300 --> 00:12:22,600
HI, DADDY.
DID YOU SEE MY BASKETBALL?
250
00:12:23,100 --> 00:12:24,200
NO.
251
00:12:29,900 --> 00:12:30,800
YOU OKAY?
252
00:12:35,100 --> 00:12:36,500
"I'M FINE, WIFE.
HOW WAS YOUR DAY?"
253
00:12:36,500 --> 00:12:39,100
"OH, YOU KNOW, HUSBAND,
MY DAY REALLY SUCKED,
254
00:12:39,100 --> 00:12:40,400
BUT THANKS FOR ASKING."
255
00:12:40,400 --> 00:12:41,500
AND MINE DIDN'T?
256
00:12:42,000 --> 00:12:43,800
THAT'S JUST A LITTLE SELFISH,
DON'T YOU THINK?
257
00:12:43,800 --> 00:12:46,100
NO. NO, I DON'T THINK.
258
00:12:46,900 --> 00:12:48,800
AND I DIDN'T SEE YOU
LOSE YOUR DREAM.
259
00:12:48,800 --> 00:12:50,600
MAYBE YOU NEED TO
OPEN UP YOUR EYES.
260
00:12:53,400 --> 00:12:55,000
WHERE'S JAMIE?
JAMIE?
261
00:12:55,000 --> 00:12:55,900
JAMIE!
262
00:12:56,900 --> 00:12:58,000
THIS BELONG TO YOU?
263
00:13:07,700 --> 00:13:09,500
WINE DELIVERY
FROM NEW YORK CITY.
264
00:13:10,700 --> 00:13:12,900
WOW, I CALLED FOR THAT WINE
TWO YEARS AGO.
265
00:13:12,900 --> 00:13:14,800
GET IN HERE!
HI!
266
00:13:15,100 --> 00:13:16,000
AHH.
267
00:13:17,100 --> 00:13:17,800
COME ON.
268
00:13:19,800 --> 00:13:21,900
CAN I JUST ASK WHY YOU DECIDED
TO BECOME A NANNY?
269
00:13:22,100 --> 00:13:23,800
HONESTLY,
BECAUSE I GET PAID
270
00:13:23,800 --> 00:13:25,700
TO WORK
WITH SOME REALLY GREAT KIDS.
271
00:13:25,900 --> 00:13:27,700
EVENTUALLY, I'D LIKE TO MAYBE
GO BACK TO SCHOOL
272
00:13:27,700 --> 00:13:29,200
AND STUDY
TO BE A PEDIATRICIAN -
273
00:13:29,700 --> 00:13:32,700
SOMEDAY, WHEN I HAVE SOMEONE
ELSE'S LIFE AND INCOME.
274
00:13:34,300 --> 00:13:37,300
LOOK, HALEY, I KNOW WHEN YOU GO
TO INTERVIEWS LIKE THIS,
275
00:13:37,300 --> 00:13:38,600
BOTH SIDES
ARE TRYING TO FIGURE OUT
276
00:13:38,600 --> 00:13:40,600
HOW CRAZY
THE OTHER PERSON IS.
277
00:13:41,400 --> 00:13:42,600
ARE YOU DOING THAT, TOO?
278
00:13:43,100 --> 00:13:45,800
I GET IT, BUT I'VE TAKEN
ENOUGH OF YOUR TIME.
279
00:13:45,800 --> 00:13:47,100
YOU HAVE MY REFERENCES,
280
00:13:47,100 --> 00:13:50,400
AND JAMIE SEEMS LIKE A WONDERFUL
BOY, SO JUST LET ME KNOW.
281
00:13:50,600 --> 00:13:52,100
EITHER WAY,
IT WAS GREAT MEETING YOU.
282
00:13:52,100 --> 00:13:54,400
IT WAS GREAT TO MEET YOU, TOO.
THANK YOU SO MUCH.
283
00:13:55,500 --> 00:13:58,200
LOOK, MAMA!
ME AND DADDY MADE MUD!
284
00:14:00,200 --> 00:14:01,400
I'M SORRY.
WHO AM I KIDDING?
285
00:14:01,400 --> 00:14:02,700
HOW SOON
COULD YOU START?
286
00:14:24,300 --> 00:14:26,900
WELL, IMAGINE THAT.
BROOKE DAV
287
00:14:27,400 --> 00:14:28,400
WHAT TIME IS IT?
288
00:14:28,600 --> 00:14:29,700
LIKE, 8:30.
289
00:14:29,900 --> 00:14:33,700
OH, NO. I TOLD HALEY
I'D TAKE JAMIE!
290
00:14:36,800 --> 00:14:38,500
THAT WAS
SOME WILD NIGHT, BABY.
291
00:14:39,000 --> 00:14:39,900
WHAT TIME IS IT?
292
00:14:40,100 --> 00:14:41,100
LIKE, 8:30.
293
00:14:41,400 --> 00:14:42,800
OH, NO,
I'M LATE FOR WORK!
294
00:14:51,200 --> 00:14:52,900
JAMIE,
HAVE YOU SEEN MY SHOES?
295
00:14:52,900 --> 00:14:54,600
I'M SUPPOSED
TO GO AND PICK UP -
296
00:14:55,300 --> 00:14:56,200
JAMIE.
297
00:14:58,500 --> 00:14:59,800
WHAT ARE YOU DOING HERE?
298
00:14:59,900 --> 00:15:02,400
MOMMY BROUGHT ME OVER.
SHE SAID NOT TO WAKE YOU.
299
00:15:03,700 --> 00:15:04,600
RIGHT.
300
00:15:05,900 --> 00:15:07,500
YOU EVER HAD
A WINE HANGOVER?
301
00:15:07,800 --> 00:15:09,700
I HAD A FLOPPY-EARED BUNNY
NAMED CHESTER.
302
00:15:12,200 --> 00:15:13,600
I GOT TO GO.
I'M LATE FOR WORK.
303
00:15:13,600 --> 00:15:14,900
IT'S GREAT TO SEE YOU,
BROOKE.
304
00:15:16,000 --> 00:15:17,100
HI, JAMIE!
305
00:15:33,600 --> 00:15:37,600
WELL, WELL, WELL.
SOMEBODY JUST GOT STRIKE TWO.
306
00:15:38,900 --> 00:15:42,300
LOOK, ALICE, I THINK WE GOT OFF
TO THE WRONG START.
307
00:15:43,000 --> 00:15:43,800
I JUST WANT YOU TO KNOW
308
00:15:43,800 --> 00:15:45,800
THAT I'M HONORED
TO BE A PART OF YOUR STAFF,
309
00:15:45,900 --> 00:15:48,300
AND I'M LOOKING FORWARD TO
WORKING FOR YOU AND LEARNING -
310
00:15:48,300 --> 00:15:50,100
I REALLY DON'T LIKE YOU.
311
00:15:51,300 --> 00:15:53,600
WELL, UM, WHAT CAN I DO
TO CHANGE THAT?
312
00:15:53,800 --> 00:15:56,400
QUIT...
BEFORE I FIRE YOU.
313
00:16:03,400 --> 00:16:05,500
JAMIE, THIS THING
IS REALLY AWESOME.
314
00:16:05,800 --> 00:16:06,700
YEAH.
315
00:16:06,900 --> 00:16:08,000
YEAH?
316
00:16:08,500 --> 00:16:09,200
WHAT?
317
00:16:09,400 --> 00:16:11,000
AREN'T YOU EXCITED
ABOUT BIG
318
00:16:11,000 --> 00:16:12,000
ACE?
319
00:16:12,300 --> 00:16:15,500
I GUESS,
BUT IT'S SUPPOSED TO BE MY CAR,
320
00:16:15,800 --> 00:16:17,800
AND THEY'RE NOT LETTING ME
DO ANYTHING.
321
00:16:17,800 --> 00:16:20,300
WELL, THEN, YOU BETTER
STAND UP FOR YOURSELF, HUH?
322
00:16:20,600 --> 00:16:21,600
WHAT DO YOU MEAN?
323
00:16:21,900 --> 00:16:24,900
WELL, LIKE, WHAT COLOR
DO YOU WANT IT TO BE?
324
00:16:25,300 --> 00:16:27,000
RED AND BLUE LIKE DADDY'S,
325
00:16:27,300 --> 00:16:30,200
BUT THEY WANT IT RED,
LIKE ELMO.
326
00:16:30,300 --> 00:16:33,400
AND I HATE ELMO.
GROVER'S SO MUCH BETTER.
327
00:16:33,500 --> 00:16:34,800
GROVER'S BLUE.
328
00:16:34,900 --> 00:16:38,300
I SO AGREE WITH YOU.
BLUE IT IS.
329
00:16:39,000 --> 00:16:40,500
YOU'VE GOT TO
TAKE A STAND, JAMIE.
330
00:16:40,500 --> 00:16:41,300
IF YOU START GIVING IN NOW,
331
00:16:41,300 --> 00:16:43,800
IT'S JUST GONNA GET WORSE,
TRUST ME.
332
00:16:44,200 --> 00:16:46,000
I'M GLAD
YOU'RE MY GODMOTHER.
333
00:16:48,200 --> 00:16:49,600
ME, TOO, BUDDY.
334
00:16:49,900 --> 00:16:51,600
NOW LET'S GO
GET SOME PAINT.
335
00:16:52,300 --> 00:16:53,300
COME HERE!
336
00:16:53,300 --> 00:16:54,600
I T YOU!
337
00:16:56,600 --> 00:16:57,700
HI, PRINCIPAL TURNER.
338
00:16:57,900 --> 00:17:00,100
HALEY, I THOUGHT I'D JOIN YOU
FOR A FEW DAYS.
339
00:17:00,900 --> 00:17:02,400
I CAN DO THIS ON MY OWN.
340
00:17:02,400 --> 00:17:03,700
I KNOW,
BUT YOU'RE YOUNG,
341
00:17:03,700 --> 00:17:06,300
AND SOMETIMES, THE STUDENTS
TAKE ADVANTAGE OF THAT.
342
00:17:06,300 --> 00:17:08,300
LET'S GET YOU WALKING,
AND THEN YOU CAN RUN.
343
00:17:08,900 --> 00:17:11,000
Skills: RUN, RUN, RUN!
PICK IT UP!
344
00:17:16,800 --> 00:17:19,200
BLUE TEAM, TWO-ON-TWO ZONE!
TWO-ON-TWO ZONE!
345
00:17:19,500 --> 00:17:21,000
WE DON'T PLAY NO ZONES,
COACH.
346
00:17:21,100 --> 00:17:22,700
YOU DO, IF I SAY SO.
347
00:17:22,700 --> 00:17:24,200
YOU STAY IN MAN TO MAN,
I CAN DO THIS.
348
00:17:36,100 --> 00:17:38,800
JUST TAKE ME HOME, PEYTON, OKAY?
I'M NOT FEELING THIS TODAY.
349
00:17:39,000 --> 00:17:40,900
MAYBE NOT,
BUT THE DOCTORS ARE.
350
00:17:41,400 --> 00:17:42,300
THE DOCTORS
WEREN'T THE ONES
351
00:17:42,300 --> 00:17:44,100
WITH A PIECE OF GLASS
IN THEIR SPINE
352
00:17:44,100 --> 00:17:46,100
AND NERVE DAMAGE
FOUR F'ing MONTHS AGO.
353
00:17:47,300 --> 00:17:49,600
ANYWAY, IT'S NOT LIKE
I'LL EVER PLAY BASKETBALL AGAIN.
354
00:17:50,400 --> 00:17:51,300
HEY.
355
00:17:53,300 --> 00:17:54,300
YOU KNOW WHAT?
356
00:17:54,700 --> 00:17:58,400
FIRST OF ALL, SHUT UP
AND TAKE A LOOK AROUND.
357
00:17:58,900 --> 00:18:02,100
YOU HAVE A LIFE THAT ANY ONE
OF THESE KIDS WOULD DIE FOR.
358
00:18:04,500 --> 00:18:09,200
AND WHAT'S REALLY SAD IS THAT
MOST OF THEM PROBABLY WILL.
359
00:18:27,300 --> 00:18:29,300
SO, THAT MORNING,
I'M READING AN ARTICLE
360
00:18:29,300 --> 00:18:31,100
ABOUT HOW
SHE'S RECENTLY SOBER,
361
00:18:31,200 --> 00:18:32,200
AND THAT NIGHT,
362
00:18:32,200 --> 00:18:34,800
SHE'S IN THE BOOTH NEXT TO ME
AT A CLUB, WASTED.
363
00:18:34,800 --> 00:18:37,200
AND THEN MY LABEL SIGNS HER
TO A RECORD DEAL.
364
00:18:37,400 --> 00:18:39,200
I'M SORRY.
I CAN'T BE A PART OF THAT.
365
00:18:39,600 --> 00:18:41,500
HERE'S TO NOT BEING
A PART OF IT.
366
00:18:41,500 --> 00:18:44,000
HERE'S TO TAMING
MY DEMONIC ENGLISH CLASS.
367
00:18:44,800 --> 00:18:47,900
NO, NO, WE'RE NOT GOING THERE
'CAUSE THIS SONG IS INSANE.
368
00:18:49,300 --> 00:18:50,100
YEAH.
369
00:18:58,400 --> 00:18:58,900
MOUTH!
370
00:18:59,000 --> 00:18:59,500
HI!
371
00:19:01,100 --> 00:19:02,300
MY BOSS HATES ME.
372
00:19:02,300 --> 00:19:03,600
SO, SHUT UP AND DANCE.
373
00:19:05,700 --> 00:19:07,200
I THINK THAT'S LINDSEY.
HEY.
374
00:19:07,500 --> 00:19:08,200
HEY.
375
00:19:10,100 --> 00:19:12,200
HEY, COME HERE!
HI!
376
00:19:12,700 --> 00:19:14,400
HOW ARE YOU?
HEY, YOU.
377
00:19:15,200 --> 00:19:16,600
I WANT YOU TO MEET
MY BEST FRIEND -
378
00:19:18,700 --> 00:19:19,600
NOT THAT GUY.
379
00:19:21,200 --> 00:19:22,400
I DON'T KNOW
WHERE SHE WENT.
380
00:19:24,300 --> 00:19:25,500
Skills:
SO, HERE'S THE PLAN.
381
00:19:25,600 --> 00:19:26,900
I FIGURE WE DO
A COUPLE TEST RUNS,
382
00:19:26,900 --> 00:19:28,200
YOU KNOW,
WORK OUT THE KINKS.
383
00:19:28,500 --> 00:19:30,900
THEN TOMORROW NIGHT,
BIG-GAME JAMES HERE
384
00:19:30,900 --> 00:19:32,900
GONNA SMOKE
ALL THOSE LITTLE BRATS.
385
00:19:33,000 --> 00:19:33,900
YEAH, BOY.
386
00:19:34,700 --> 00:19:39,300
ALL RIGHT,
I GIVE TO YOU THE RED RACER!
387
00:19:41,600 --> 00:19:43,400
THE BLUE BULLET.
388
00:19:43,900 --> 00:19:45,300
BROOKE HELPED ME.
389
00:19:46,500 --> 00:19:47,400
YEAH.
390
00:19:47,400 --> 00:19:48,600
LOOK, WELL,
IT DON'T MATTER.
391
00:19:48,600 --> 00:19:50,000
YOU READY TO TRY IT,
FLASH?
392
00:19:52,200 --> 00:19:53,200
FIGURED THAT MUCH.
393
00:19:53,200 --> 00:19:54,400
SO, CHECK THIS OUT.
394
00:19:54,400 --> 00:19:57,300
WE'RE GONNA USE THIS MANNEQUIN
FOR THE FIRST RUN.
395
00:20:02,000 --> 00:20:02,900
ALL RIGHT.
396
00:20:03,900 --> 00:20:05,000
LET'S ROLL!
397
00:20:20,500 --> 00:20:21,500
OHH.
398
00:20:28,100 --> 00:20:29,600
OH, MAN, WE GONNA HAVE TO
FIX THAT.
399
00:20:35,100 --> 00:20:35,800
HI.
400
00:20:36,200 --> 00:20:37,300
OH, HI.
401
00:20:37,900 --> 00:20:38,700
LINDSEY.
402
00:20:39,200 --> 00:20:40,300
PEYTON.
403
00:20:40,700 --> 00:20:43,300
I KNOW THIS IS AWKWARD,
BUT I JUST WANTED TO SAY HI.
404
00:20:43,400 --> 00:20:46,000
AND I KNOW I DON'T KNOW YOU,
BUT I FEEL LIKE I DO.
405
00:20:46,000 --> 00:20:48,500
AT LEAST, THE VERSION OF YOU
FROM THE BOOK.
406
00:20:49,600 --> 00:20:51,100
YOU SEEMED REALLY BRAVE.
407
00:20:51,500 --> 00:20:52,400
THANKS.
408
00:20:54,000 --> 00:20:57,600
ANYWAY, I HOPE TO SEE YOU
AROUND, PEYTON.
409
00:20:58,400 --> 00:20:59,400
TAKE CARE.
410
00:21:05,700 --> 00:21:08,000
DAMN IT, I REALLY
DIDN'T WANT TO LIKE HER.
411
00:21:08,800 --> 00:21:10,700
I KNOW,
BUT SHE'S GREAT, RIGHT?
412
00:21:12,700 --> 00:21:13,600
SORRY.
413
00:21:17,300 --> 00:21:18,200
HALEY?
414
00:21:18,700 --> 00:21:20,200
OH, CARRIE, HI.
415
00:21:20,500 --> 00:21:23,600
HI. OH, MY GOSH, I PROBABLY
LOOK LIKE A BOOZEHOUND.
416
00:21:24,000 --> 00:21:25,900
I WAS JUST CELEBRATING
WITH SOME FRIENDS.
417
00:21:26,100 --> 00:21:27,800
YOU LOOK FINE.
YOU LOOK GREAT.
418
00:21:27,800 --> 00:21:28,800
REALLY GREAT.
419
00:21:30,300 --> 00:21:31,200
THANKS.
420
00:21:31,800 --> 00:21:33,500
LISTEN, I JUST
WANT YOU TO KNOW
421
00:21:33,500 --> 00:21:35,400
THAT I APPRECIATE
YOU TAKING A CHANCE ON ME.
422
00:21:35,400 --> 00:21:37,300
I'M GONNA TAKE GOOD CARE
OF JAMIE, I PROMISE.
423
00:21:37,300 --> 00:21:39,600
OH, I KNOW YOU WILL.
YOU'RE GONNA DO JUST FINE.
424
00:21:39,600 --> 00:21:41,700
OH, THANKS.
WELL, I'LL SEE YOU SOON.
425
00:21:41,700 --> 00:21:43,200
OKAY, YOU HAVE
A GREAT NIGHT.
426
00:21:43,200 --> 00:21:44,400
BYE.
427
00:21:45,000 --> 00:21:45,800
BYE.
428
00:21:48,100 --> 00:21:49,200
AND, MOUTH, WHO WAS THAT?
429
00:21:49,200 --> 00:21:51,400
OH, THAT'S CARRIE.
SHE'S OUR NEW NANNY.
430
00:21:52,600 --> 00:21:53,800
I'M SORRY.
HAVE YOU LOST YOUR MIND?
431
00:21:53,800 --> 00:21:55,700
SHE CANNOT BE
YOUR NEW NANNY.
432
00:21:56,200 --> 00:21:56,900
WHY?
433
00:21:57,000 --> 00:21:59,600
UH, WELL, FOR STARTERS,
HAVE YOU LOOKED AT HER?
434
00:21:59,600 --> 00:22:01,200
SHE IS WAY TOO HOT.
435
00:22:01,200 --> 00:22:02,400
OKAY,
YOU TWO NEED TO STOP.
436
00:22:02,700 --> 00:22:04,600
WHY DOES EVERYTHING
HAVE TO BE ABOUT LOOKS?
437
00:22:04,600 --> 00:22:07,500
MAYBE SHE'S A GREAT NANNY
OR A GREAT FIELD REPORTER.
438
00:22:07,500 --> 00:22:09,200
SHOULDN'T THAT BE THE POINT
AND NOT HER LOOKS?
439
00:22:10,000 --> 00:22:11,200
BESIDES, IF HALEY
DOESN'T HIRE HER,
440
00:22:11,200 --> 00:22:12,800
I WON'T GET TO SEE HER
IN A BIKINI.
441
00:22:13,200 --> 00:22:14,000
NICE.
442
00:22:14,000 --> 00:22:15,300
DAMN, SHE WAS HOT.
443
00:22:16,100 --> 00:22:19,300
I'VE GOT TO GO, YOU GUYS.
I NEED TO CHECK UP ON NATHAN.
444
00:22:52,600 --> 00:22:54,000
SEEMS LIKE ANOTHER LIFE.
445
00:22:54,700 --> 00:22:56,000
IT WAS, FOR YOU.
446
00:22:56,800 --> 00:22:58,600
I MEAN, I APPRECIATE YOU
COMING BACK AND EVERYTHING,
447
00:22:58,600 --> 00:23:01,700
BUT CONSIDERING THE WAY
YOUR PHONE'S BEEN BLOWING UP,
448
00:23:02,100 --> 00:23:05,500
YOU HAVE A VERY BUSY,
VERY GREAT LIFE TO GET BACK TO.
449
00:23:06,000 --> 00:23:07,100
OKAY.
450
00:23:07,900 --> 00:23:11,200
I HAVE A VERY IMPORTANT FRIEND
WHO NEEDS ME.
451
00:23:12,100 --> 00:23:14,200
WHY DID YOU COME HOME,
PEYTON?
452
00:23:14,700 --> 00:23:18,300
I GUESS I WAS LOOKING FOR
THAT INSPIRATION I FELT
453
00:23:18,300 --> 00:23:20,800
WHEN WE WROTE OUR NAMES HERE,
YOU KNOW?
454
00:23:25,000 --> 00:23:27,100
I WAS FEARLESS THEN,
BROOKE.
455
00:23:28,000 --> 00:23:29,600
SO, WHAT HAPPENED
TO THAT GIRL?
456
00:23:31,000 --> 00:23:33,700
THAT GIRL BECAME ASSISTANT
TO THE ASSISTANT.
457
00:23:33,700 --> 00:23:35,400
SO, IF YOU
WANT TO BE THE GIRL
458
00:23:35,400 --> 00:23:36,800
YOU THOUGHT
YOU COULD BE BACK THEN,
459
00:23:36,800 --> 00:23:38,200
START A LABEL, PEYTON.
460
00:23:38,200 --> 00:23:39,300
DO IT YOURSELF.
461
00:23:39,900 --> 00:23:41,500
I AM SERIOUS.
462
00:23:41,600 --> 00:23:44,800
PEYTON, I WANT TO INVEST
IN YOUR LABEL.
463
00:23:44,800 --> 00:23:46,300
I BELIEVE IN YOU.
464
00:23:46,800 --> 00:23:47,800
OKAY?
465
00:23:51,800 --> 00:23:54,200
UNLESS THAT'S NOT REALLY
WHY YOU CAME HOME.
466
00:23:54,600 --> 00:23:56,800
I'M GONNA RETURN
THOSE PHONE CALLS REAL QUICK.
467
00:23:58,000 --> 00:23:59,600
ASK ABOUT
THE RECORD LABEL.
468
00:24:03,600 --> 00:24:05,400
I'M SUPPOSED TO ASK
ABOUT THE LABEL.
469
00:24:05,400 --> 00:24:09,800
YEAH, BROOKE WANTS ME
TO START MY OWN LABEL HERE.
470
00:24:10,900 --> 00:24:11,900
ARE YOU GONNA DO IT?
471
00:24:15,400 --> 00:24:16,900
I MET LINDSEY TONIGHT.
472
00:24:18,800 --> 00:24:20,300
SHE SEEMS WONDERFUL.
473
00:24:21,200 --> 00:24:23,200
HOW LONG HAVE YOU TWO
BEEN TOGETHER?
474
00:24:26,400 --> 00:24:28,500
WHY DIDN'T YOU COME
TO THE BOOK SIGNING
475
00:24:30,200 --> 00:24:32,000
IN L.A. TWO YEARS AGO?
476
00:24:41,600 --> 00:24:43,900
WOW.
THIS IS A GREAT TURNOUT.
477
00:24:44,000 --> 00:24:46,700
LISTEN, LUKE, I KNOW THIS IS
YOUR FIRST BOOK AS AN AUTHOR,
478
00:24:46,700 --> 00:24:48,800
BUT IT WAS ALSO
MY FIRST BOOK TO EDIT,
479
00:24:48,800 --> 00:24:50,300
AND I HAD THE BEST YEAR
DOING IT.
480
00:24:50,300 --> 00:24:52,100
SO, I JUST WANTED TO
SAY THANK YOU
481
00:24:52,100 --> 00:24:54,100
AND I'M PROUD OF YOU.
482
00:24:57,300 --> 00:24:58,900
OKAY, YOU READY?
483
00:24:59,100 --> 00:25:00,000
YEAH.
484
00:25:04,400 --> 00:25:06,400
I GUESS EVERYBODY'S HERE
THAT'S COMING.
485
00:25:07,000 --> 00:25:08,000
HI.
486
00:25:11,300 --> 00:25:13,400
LUKE, I KNEW WE WEREN'T
MEANT TO BE.
487
00:25:20,800 --> 00:25:22,400
I SHOULD GET HOME.
488
00:25:23,600 --> 00:25:25,100
SEE YOU.
489
00:25:33,700 --> 00:25:34,500
HEY.
490
00:25:36,200 --> 00:25:37,800
THOUGHT YOU'D BE ASLEEP
BY NOW.
491
00:25:39,100 --> 00:25:40,200
HOW WAS YOUR NIGHT?
492
00:25:40,200 --> 00:25:41,300
GOOD.
493
00:25:42,300 --> 00:25:43,600
I MET PEYTON.
494
00:25:44,300 --> 00:25:45,600
LET ME ASK YOU SOMETHING.
495
00:25:45,800 --> 00:25:49,000
DO ALL OF YOUR EX-GIRLFRIENDS
HAVE TO BE SO DAMN PRETTY?
496
00:25:49,600 --> 00:25:51,500
NOT LIKE ALL MY CURRENT
GIRLFRIENDS.
497
00:25:51,500 --> 00:25:54,300
OH,
"ALL" BETTER MEAN "ONE."
498
00:25:57,400 --> 00:25:59,000
DO YOU KNOW
IF THEY'RE BACK FOR A WHILE?
499
00:25:59,400 --> 00:26:00,800
BROOKE AND PEYTON?
500
00:26:01,300 --> 00:26:02,300
I DON'T KNOW.
501
00:26:03,800 --> 00:26:06,000
BROOKE WANTS TO HELP PEYTON
START HER OWN RECORD LABEL,
502
00:26:06,400 --> 00:26:07,800
MAYBE IN TREE HILL.
503
00:26:08,300 --> 00:26:10,000
YOU THINK
SHE'LL BE GOOD AT IT?
504
00:26:10,300 --> 00:26:11,900
YEAH,
SHE'LL BE GREAT AT IT.
505
00:26:13,800 --> 00:26:15,800
THEN IF SHE NEEDS HELP,
YOU SHOULD HELP HER.
506
00:26:16,300 --> 00:26:19,600
AND I'LL TRY MY BEST
NOT TO BE INSANELY JEALOUS.
507
00:26:28,400 --> 00:26:30,200
HEY, AS SOON AS BROOKE
AND PEYTON GET HERE,
508
00:26:30,200 --> 00:26:31,300
WE'RE GONNA TAKE OFF,
OKAY?
509
00:26:31,300 --> 00:26:32,400
I'M NOT GOING.
510
00:26:33,600 --> 00:26:34,500
WHAT?
511
00:26:35,000 --> 00:26:36,300
JAMES IS COUNTING ON YOU.
512
00:26:36,300 --> 00:26:38,600
I DON'T WANT ANYBODY
SEEING ME LIKE THIS.
513
00:26:40,800 --> 00:26:42,700
HAS IT OCCURRED TO YOU
THAT THIS ISN'T ABOUT YOU?
514
00:26:47,500 --> 00:26:49,100
HALEY, WE'RE HERE!
515
00:26:49,100 --> 00:26:50,100
HEY!
516
00:26:50,900 --> 00:26:51,600
HEY.
517
00:26:51,800 --> 00:26:54,400
HI.
SO, I HAVE A SURPRISE.
518
00:26:54,400 --> 00:26:55,100
YOU'RE GONNA LIKE IT.
519
00:26:55,100 --> 00:26:57,100
I MADE JAMIE A LITTLE SOMETHING
FOR HIS RACE.
520
00:26:58,500 --> 00:26:59,700
LOOK, MAMA!
521
00:27:00,100 --> 00:27:02,100
OH, MY GOODNESS,
LOOK AT THIS!
522
00:27:02,100 --> 00:27:04,000
THIS IS
A REAL RACING SUIT!
523
00:27:04,500 --> 00:27:06,600
AND I EVEN MADE YOU A SPONSOR,
P. SAWYER.
524
00:27:06,700 --> 00:27:08,700
OH, YEAH? OH.
525
00:27:10,200 --> 00:27:13,300
"PEYTON SAWYER, UNEMPLOYED."
THANK YOU VERY MUCH.
526
00:27:13,900 --> 00:27:14,900
YOU'RE WELCOME.
527
00:27:15,100 --> 00:27:17,200
I CAN'T WAIT
FOR DADDY TO SEE ME!
528
00:27:17,500 --> 00:27:19,100
OH, BABY, LISTEN,
529
00:27:20,300 --> 00:27:22,800
DADDY'S JUST NOT FEELING
VERY WELL TODAY.
530
00:27:22,900 --> 00:27:24,200
I'M SORRY.
531
00:27:24,400 --> 00:27:26,000
HE'S NOT COMING?
532
00:27:26,700 --> 00:27:29,100
NO. I'M SORRY.
533
00:27:29,300 --> 00:27:31,300
BUT EVERYBODY ELSE
IS GONNA BE THERE.
534
00:27:31,500 --> 00:27:33,800
OH, YEAH, I HEAR
YOUR UNCLE LUCAS IS COMING,
535
00:27:33,800 --> 00:27:35,800
AND SKILLS AND MOUTH
AND ALL THE GUYS.
536
00:27:35,800 --> 00:27:38,800
I'M PRETTY SURE HE'S GONNA HAVE
THE BIGGEST CROWD THERE. ABSOLUTELY.
537
00:27:39,000 --> 00:27:40,600
YEAH, OKAY?
538
00:27:41,800 --> 00:27:42,800
OKAY, COME ON.
539
00:27:42,800 --> 00:27:44,700
COME ON.
LET'S DO IT, DUDE.
540
00:27:45,500 --> 00:27:47,100
COME ON, BUDDY.
LET'S WIN A RACE.
541
00:27:56,600 --> 00:27:57,700
GO!
542
00:28:04,800 --> 00:28:06,000
HERE HE IS!
543
00:28:06,100 --> 00:28:08,200
THERE HE IS,
LIGHTNING JAMIE SCOTT!
544
00:28:08,200 --> 00:28:09,700
HEY, COOL OUTFIT, MAN.
545
00:28:10,100 --> 00:28:10,900
SO, WHAT'S GOOD, MAN?
546
00:28:10,900 --> 00:28:12,200
YOU READY TO WIN THIS THING
OR WHAT?
547
00:28:15,000 --> 00:28:16,700
OKAY, I'M GONNA NEED YOU
TO GO AHEAD
548
00:28:16,700 --> 00:28:18,600
AND STOP YELLING
AND LISTEN TO ME.
549
00:28:19,100 --> 00:28:20,600
NO, YOU ARE YELLING.
550
00:28:20,800 --> 00:28:22,400
YOU ARE YELLING,
AND IT'S MY COMPANY!
551
00:28:22,400 --> 00:28:24,000
WHY ARE YOU YELLING AT ME?
552
00:28:25,300 --> 00:28:28,600
THERE IS A BOY HERE.
YES, A BOY.
553
00:28:28,600 --> 00:28:29,600
NO, I DON'T -
554
00:28:29,600 --> 00:28:31,300
JUST - UGH!
555
00:28:31,400 --> 00:28:32,300
GOD!
556
00:28:39,100 --> 00:28:40,600
CAN I BORROW YOUR PHONE?
557
00:28:48,200 --> 00:28:49,800
HI, MILLICENT, IT'S ME.
558
00:28:50,200 --> 00:28:53,600
NO, IT'S GREAT.
I'M JUST GONNA NEED A NEW PHONE.
559
00:28:54,000 --> 00:28:56,600
OKAY, THANKS.
560
00:29:01,400 --> 00:29:02,400
HEY, BUDDY.
561
00:29:03,000 --> 00:29:05,400
SO, YOU'RE RACING FOR
CLOTHES OVER BRO'S NOW, HUH?
562
00:29:05,600 --> 00:29:07,300
PEYTON SAWYER, UNEMPLOYED.
563
00:29:08,100 --> 00:29:09,900
Man:
RACERS, TO YOUR CARS!
564
00:29:10,100 --> 00:29:11,500
LET'S GO GET 'EM, FLASH!
565
00:29:13,200 --> 00:29:14,900
Brooke: ALL RIGHT, BIG GUY,
HERE YOU GO.
566
00:29:17,400 --> 00:29:18,800
NOW,
BE CAREFUL, ALL RIGHT?
567
00:29:19,800 --> 00:29:20,600
READY?
568
00:29:23,300 --> 00:29:24,800
ALL RIGHT, HERE WE GO.
569
00:29:26,300 --> 00:29:27,100
GOOD?
570
00:29:28,200 --> 00:29:30,000
OKAY, RACERS,
WHEN YOU'RE READY,
571
00:29:30,000 --> 00:29:32,000
PLACE BOTH HANDS
ON THE STEERING WHEEL.
572
00:29:33,600 --> 00:29:34,600
Skills:
YOU CAN DO
573
00:29:50,800 --> 00:29:52,800
HOLD UP, HOLD UP.
CAR 23, ARE YOU OKAY?
574
00:29:53,200 --> 00:29:54,400
I DON'T WANT TO.
575
00:29:55,300 --> 00:29:56,600
OKAY. MOM?
576
00:29:58,500 --> 00:30:00,200
HEY, BABY.
WHAT'S GOING ON?
577
00:30:00,200 --> 00:30:01,700
I DON'T WANT TO RACE,
MAMA.
578
00:30:02,500 --> 00:30:04,200
WELL, YOU DON'T HAVE TO,
BUT ARE YOU SURE?
579
00:30:04,200 --> 00:30:05,800
I MEAN, I THINK IT'S GONNA BE
REALLY FUN.
580
00:30:06,100 --> 00:30:07,700
I WANT TO TALK TO BROOKE.
581
00:30:11,400 --> 00:30:12,600
WHAT'S UP, HANDSOME?
582
00:30:12,800 --> 00:30:15,600
I DON'T WANT TO DO IT,
BUT I LIKE MY RACING SUIT.
583
00:30:15,800 --> 00:30:16,900
THE SUIT'S YOURS,
584
00:30:16,900 --> 00:30:18,700
BUT ARE YOU SURE
YOU DON'T WANT TO RACE?
585
00:30:18,800 --> 00:30:20,500
IT'S MY LIFE.
I'M TAKING A STAND.
586
00:30:20,500 --> 00:30:22,900
IS THAT OKAY?
YES, THAT'S OKAY, HONEY.
587
00:30:22,900 --> 00:30:23,900
COME HERE.
588
00:30:24,900 --> 00:30:26,400
SORRY, UNCLE SKILLS.
589
00:30:27,900 --> 00:30:29,000
Skills:
IT'S OKAY, BUDDY.
590
00:30:30,700 --> 00:30:31,700
YOU HEAR THAT?
591
00:30:32,000 --> 00:30:35,500
MY MAN IS TAKING A STAND,
BLAZING HIS OWN TRAIL.
592
00:30:35,900 --> 00:30:36,800
FOLLOWER.
593
00:30:47,500 --> 00:30:50,200
WELL, HE DIDN'T RACE.
HE WAS AFRAID.
594
00:30:50,800 --> 00:30:52,200
YOU MIGHT KNOW SOMETHING
ABOUT THAT.
595
00:30:52,200 --> 00:30:53,400
WE'RE ALL AFRAID.
596
00:30:55,400 --> 00:30:56,600
YEAH, BUT HE'S 4,
597
00:30:56,600 --> 00:30:59,100
AND HE NEEDED HIS DAD,
AND HIS DAD WASN'T THERE.
598
00:30:59,800 --> 00:31:01,300
NICE WORK, DAN.
599
00:31:07,700 --> 00:31:09,200
ARE YOU GONNA SAY ANYTHING,
600
00:31:09,200 --> 00:31:10,600
OR ARE YOU JUST
GONNA SIT THERE
601
00:31:10,600 --> 00:31:12,300
LIKE YOU HAVE
FOR THE LAST FOUR MONTHS?
602
00:31:12,300 --> 00:31:14,800
YOU GONNA GET DRUNK,
MAYBE POUT A LITTLE, CRY?
603
00:31:14,800 --> 00:31:15,900
YOU DON'T GET IT,
DO YOU?
604
00:31:16,700 --> 00:31:19,600
I USED TO BE SOMEBODY, HALEY.
DO YOU UNDERSTAND THAT?
605
00:31:19,800 --> 00:31:21,200
DO YOU UNDERSTAND
WHAT THAT MEANS?
606
00:31:21,200 --> 00:31:23,700
I USED TO BE NATHAN SCOTT,
AND I WAS GREAT.
607
00:31:24,400 --> 00:31:25,900
AND I SHOULD HAVE
WALKED AWAY, OKAY?
608
00:31:25,900 --> 00:31:27,900
I KNOW THAT,
AND I DIDN'T DO IT.
609
00:31:28,000 --> 00:31:31,400
AND NOW I'M NOTHING,
AND I HAVE NOTHING.
610
00:31:35,700 --> 00:31:37,300
YOU HAVE NOTHING?!
611
00:31:38,600 --> 00:31:42,000
YOU HAVE A BEAUTIFUL SON
WHO IS HERE!
612
00:31:42,700 --> 00:31:44,200
I AM HERE!
613
00:31:45,500 --> 00:31:47,300
YOU HAVE GOT TO FIGURE OUT
614
00:31:47,300 --> 00:31:48,600
WHO YOU'RE GONNA BE
IN THIS, NATHAN,
615
00:31:48,600 --> 00:31:52,200
BECAUSE THIS VERSION OF YOU
DOES NOT WORK FOR US.
616
00:31:53,700 --> 00:31:56,900
I CANNOT KEEP LIVING
LIKE THIS, OKAY?
617
00:31:59,100 --> 00:32:00,600
DO YOU UNDERSTAND
WHAT I'M SAYING?
618
00:32:01,100 --> 00:32:03,000
ONE MORE NIGHT
LIKE THIS, NATHAN,
619
00:32:03,800 --> 00:32:07,000
AND I PROMISE YOU,
YOU WILL HAVE NOTHING!
620
00:32:18,600 --> 00:32:20,200
LITTLE EARLY,
DON'T YOU THINK?
621
00:32:20,600 --> 00:32:23,100
USUALLY DON'T START MY HARD
DRINKING TILL AT LEAST NOON.
622
00:32:24,300 --> 00:32:25,400
COME HERE.
623
00:32:25,900 --> 00:32:27,300
I WANT TO
SHOW YOU SOMETHING.
624
00:32:39,300 --> 00:32:40,500
I TALKED TO MY MOM,
625
00:32:41,800 --> 00:32:46,600
AND, UM... WE DECIDED
WE WANT YOU TO HAVE IT.
626
00:32:47,300 --> 00:32:48,700
RENT-FREE,
UNDER ONE ITION -
627
00:32:49,800 --> 00:32:52,200
THAT IT BECOMES OFFICE SPACE
FOR YOUR NEW LABEL.
628
00:32:53,500 --> 00:32:54,300
LUKE...
629
00:32:54,300 --> 00:32:55,500
AND I'VE ALREADY TALKED
TO BROOKE,
630
00:32:55,600 --> 00:32:57,200
SO I DON'T THINK YOU HAVE
ANY MORE EXCUSES.
631
00:33:00,900 --> 00:33:02,500
YOU KNOW
THAT FOUR YEARS AGO
632
00:33:02,500 --> 00:33:04,300
I WOULD HAVE JUMPED AT THIS.
633
00:33:06,600 --> 00:33:07,500
BUT WHAT?
634
00:33:08,800 --> 00:33:10,800
DOESN'T SEEM
SO CUT-AND-DRY ANYMORE?
635
00:33:12,000 --> 00:33:13,300
'CAUSE IT'S NOT.
636
00:33:14,200 --> 00:33:17,000
I WROTE A NOVEL,
AND I CAN'T ITE A SECOND ONE.
637
00:33:17,800 --> 00:33:19,800
MOUTH'S BOSS
APPARENTLY HATES HIM.
638
00:33:19,800 --> 00:33:23,900
NATHAN MISSED HIS DREAM
BY A BREATH.
639
00:33:27,800 --> 00:33:29,000
THAT'S LIFE.
640
00:33:30,200 --> 00:33:33,100
SO, YOU COULDN'T CHANGE
THE WORLD FROM LOS ANGELES.
641
00:33:37,600 --> 00:33:38,600
CHANGE IT HERE.
642
00:33:39,500 --> 00:33:40,800
I KNOW YOU CAN DO IT.
643
00:33:41,900 --> 00:33:43,200
AND SO DO YOU.
644
00:33:46,500 --> 00:33:47,600
JUST THINK ABOUT IT.
645
00:33:48,200 --> 00:33:50,000
I WAS THERE, LUKE.
646
00:33:53,000 --> 00:33:54,700
AT YOUR BOOK SIGNING
IN L.A.
647
00:34:01,300 --> 00:34:03,000
SO, I JUST WANTED
TO SAY THANK YOU
648
00:34:04,100 --> 00:34:05,400
AND I'M PROUD OF YOU.
649
00:34:08,000 --> 00:34:09,600
OKAY, YOU READY?
650
00:34:09,900 --> 00:34:10,700
YEAH.
651
00:34:11,900 --> 00:34:13,400
I WAS THERE, LUCAS.
652
00:34:14,500 --> 00:34:16,300
I WAS SO PROUD OF YOU.
653
00:34:18,000 --> 00:34:19,700
BUT WE HADN'T TALKED
IN A LONG TIME,
654
00:34:19,700 --> 00:34:22,200
AND I SAW YOU WITH LINDSEY,
655
00:34:22,200 --> 00:34:23,600
AND I FIGURED YOU GUYS
WERE TOGETHER,
656
00:34:23,600 --> 00:34:25,400
WHICH, CLEARLY,
YOU ARE, AND...
657
00:34:26,700 --> 00:34:28,000
I LIKE HER.
658
00:34:28,300 --> 00:34:29,400
I DO.
659
00:34:32,400 --> 00:34:36,400
BUT DO YOU REMEMBER WHEN
YOU FIRST JOINED THE RAVENS,
660
00:34:36,800 --> 00:34:39,800
AND YOU TOOK ALL MY SKETCHES
OVER TO THUD WITHOUT ASKING?
661
00:34:40,500 --> 00:34:42,800
AND DO YOU REMEMBER
WHAT YOU SAID THAT NIGHT
662
00:34:42,800 --> 00:34:45,200
THAT YOU ENTERED THE GYM
FOR THE FIRST TIME?
663
00:34:47,000 --> 00:34:48,500
"YOUR ART MATTERS.
664
00:34:49,700 --> 00:34:51,400
IT'S WHAT GOT ME HERE."
665
00:34:51,600 --> 00:34:52,700
YEAH.
666
00:34:53,600 --> 00:34:55,500
IT'S LIKE
YOU TOUCHED MY SOUL.
667
00:34:57,000 --> 00:35:00,900
AND A FEW DAYS AGO,
I WAS READY TO QUIT AGAIN.
668
00:35:02,500 --> 00:35:03,900
BUT YOU SAVED ME
669
00:35:03,900 --> 00:35:06,500
WITH THE WORDS YOU WROTE
ABOUT ME IN YOUR NOVEL.
670
00:35:07,700 --> 00:35:10,500
SO, IF YOU'RE STRUGGLING
TO WRITE THE NEXT ONE...
671
00:35:12,000 --> 00:35:13,200
YOU SHOULD KNOW...
672
00:35:14,900 --> 00:35:16,900
THAT YOUR ARTTERS,
LUCAS.
673
00:35:20,500 --> 00:35:22,600
IT'S WHAT GOT ME HERE.
674
00:35:26,500 --> 00:35:27,700
MORNING.
675
00:35:32,200 --> 00:35:33,800
SIT DOWN, MR. FIELDS.
676
00:35:38,300 --> 00:35:40,600
I THINK WE NEED
A LITTLE BREAK, HMM?
677
00:35:41,700 --> 00:35:43,000
LIKE, FOR THE REST
OF THE HOUR.
678
00:35:45,300 --> 00:35:47,500
WHAT DO YOU SAY, CLASS, HUH?
WHO'S WITH ME?
679
00:35:48,200 --> 00:35:51,100
ANY STUDENT WHO WALKS OUT
THAT DOOR FAILS THIS QUARTER.
680
00:35:52,800 --> 00:35:55,100
I'M NOT GONNA STOP YOU.
I'M JUST GONNA FAIL YOU.
681
00:35:56,100 --> 00:35:58,100
SAY GOODBYE
TO EXTRACURRICULAR ACTIVITIES.
682
00:35:58,100 --> 00:36:00,900
SAY GOODBYE TO SPORTS,
LIKE BASKETBALL.
683
00:36:07,400 --> 00:36:09,500
DO YOU UNDERSTAND
THAT THE REST OF YOUR LIFE
684
00:36:09,500 --> 00:36:11,700
IS BEING SHAPED RIGHT NOW?
685
00:36:13,200 --> 00:36:13,800
IT'S UP TO YOU.
686
00:36:13,800 --> 00:36:16,000
YOU CAN WALK OUT THAT DOOR
AND FAIL THIS CLASS
687
00:36:16,000 --> 00:36:18,000
AND JUST TAKE YOUR CHANCES.
688
00:36:18,900 --> 00:36:20,200
OR YOU CAN SIT DOWN, LISTEN,
689
00:36:20,200 --> 00:36:22,400
AND LEARN FROM SOMEBODY
THAT'S BEEN THERE.
690
00:36:24,600 --> 00:36:25,800
THE CHOICE IS YOURS.
691
00:36:47,400 --> 00:36:49,600
THE REST OF YOUR LIFE
IS A LONG TIME.
692
00:36:50,200 --> 00:36:54,200
AND WHETHER YOU KNOW IT OR NOT,
IT'S BEING SHAPED RIGHT NOW.
693
00:37:10,800 --> 00:37:13,200
YOU CAN CHOOSE TO BLAME
YOUR CIRCUMSTANCES ON FATE
694
00:37:13,200 --> 00:37:17,100
OR BAD LUCK OR BAD CHOICES.
695
00:37:28,900 --> 00:37:30,700
OR YOU CAN FIGHT BACK.
696
00:37:31,100 --> 00:37:32,500
AAH!
697
00:37:46,800 --> 00:37:48,700
I'M NATHAN SCOTT,
698
00:37:49,000 --> 00:37:51,000
AND I HAVE TOO MUCH TO LOSE.
699
00:38:08,800 --> 00:38:12,000
Haley: THINGS AREN'T ALWAYS
GONNA BE FAIR IN THE REAL WORLD.
700
00:38:12,100 --> 00:38:14,000
THAT'S JUST THE WAY IT IS.
701
00:38:24,000 --> 00:38:27,000
BUT FOR THE MOST PART,
YOU GET WHAT YOU GIVE.
702
00:38:34,200 --> 00:38:35,500
THIS SOMKIND OF JOKE?
703
00:38:37,000 --> 00:38:38,600
NO, I'M AFRAID
YOU DIDN'T MAKE THE TEAM.
704
00:38:39,400 --> 00:38:41,900
YOU UNDERSTAND, WITHOUT ME,
YOU'RE GONNA LOSE EVERY GAME.
705
00:38:42,600 --> 00:38:43,900
OH, I THINK YOU'RE WRONG.
706
00:38:44,400 --> 00:38:45,900
BUT IF YOU ARE RIGHT,
707
00:38:45,900 --> 00:38:48,100
THEN WE'RE GOING TO LOSE
AS A TEAM.
708
00:38:54,600 --> 00:38:56,000
MR. FIELDS?
709
00:38:56,700 --> 00:38:59,100
I HEAR YOU'VE BEEN DISRUPTING
YOUR ENGLISH CLASS.
710
00:38:59,300 --> 00:39:01,200
I WOULDN'T RECOMMEND
YOU KEEP THAT UP.
711
00:39:02,100 --> 00:39:03,500
THIS AIN'T OVER.
712
00:39:04,600 --> 00:39:06,100
IT'S "THIS ISN'T OVER."
713
00:39:06,100 --> 00:39:07,900
Haley: LET ME ASK YOU ALL
A QUESTION.
714
00:39:08,300 --> 00:39:11,400
WHAT'S WORSE - NOT GETTING
EVERYTHING YOU WISHED FOR...
715
00:39:11,400 --> 00:39:13,000
WELL, CONGRATULATIONS, MEN.
716
00:39:13,500 --> 00:39:15,700
YOU ARE THE NEW
TREE HILL RAVENS.
717
00:39:18,000 --> 00:39:19,300
LET'S GO TO WORK.
718
00:39:21,300 --> 00:39:24,200
...OR GETTING IT,
BUT FINDING OUT IT'S NOT ENOUGH?
719
00:39:24,200 --> 00:39:26,000
I DO LOVE MY COMPANY.
720
00:39:26,000 --> 00:39:27,000
I JUST...
721
00:39:29,300 --> 00:39:31,000
I WANT TO RUN IT FROM HERE.
722
00:39:33,200 --> 00:39:34,800
I KNOW IT WASN'T THE PLAN.
723
00:39:38,000 --> 00:39:40,100
IT'S MY LIFE.
I'M TAKING A STAND.
724
00:39:43,200 --> 00:39:44,300
BYE.
725
00:39:45,500 --> 00:39:47,000
IT'S PERFECT.
I'LL TAKE IT.
726
00:39:47,200 --> 00:39:48,300
THANK YOU.
727
00:39:52,600 --> 00:39:55,500
HELP ME WITH THIS.
COME HERE.
728
00:40:04,300 --> 00:40:07,300
Haley:HE REST OF YOUR LIFE
IS BEING SHAPED RIGHT NOW.
729
00:40:08,600 --> 00:40:10,500
WITH THE DREAMS YOU CHASE...
730
00:40:12,500 --> 00:40:14,000
THE CHOICES YOU MAKE...
731
00:40:15,200 --> 00:40:17,000
JAMIE, WAKE UP.
732
00:40:19,300 --> 00:40:21,400
HEY, WE'RE GOING OUT, OKAY?
GET READY.
733
00:40:21,500 --> 00:40:22,600
WHERE?
734
00:40:22,700 --> 00:40:24,000
IT'S A SURPRISE.
735
00:40:24,200 --> 00:40:26,100
AND, HEY, BUDDY,
BRING YOUR CAPE.
736
00:40:26,100 --> 00:40:29,500
...AND THE PERSON
YOU DECIDE TO BE.
737
00:40:41,600 --> 00:40:43,400
Lindsey: YOU REMEMBER
WHY I GAVE YOU THAT?
738
00:40:43,700 --> 00:40:45,500
WE WENT TO DINNER
AFTER THE SIGNING.
739
00:40:45,500 --> 00:40:47,200
IT WAS OUR FIRST DATE.
740
00:40:49,900 --> 00:40:51,700
YOU COMING TO BED?
741
00:40:53,800 --> 00:40:55,200
ACTUALLY, UM...
742
00:40:56,800 --> 00:40:58,600
I THINK I'M GONNA WRITE
FOR A WHILE.
743
00:41:00,500 --> 00:41:02,300
THAT'S GREAT, LUKE.
744
00:41:06,400 --> 00:41:09,600
YOU KNOW, SON, THERE'S GONNA BE
A LOT OF TIMES IN YOUR LIFE
745
00:41:09,600 --> 00:41:10,800
WHEN YOU'RE AFRAID.
746
00:41:11,100 --> 00:41:12,200
BEING AFRAID IS OKAY,
747
00:41:12,200 --> 00:41:14,500
BUT IF YOU DON'T WORK
THROUGH THAT FEAR,
748
00:41:15,400 --> 00:41:17,800
YOU MIGHT MISS OUT
ON SOME PRETTY GREAT THINGS.
749
00:41:18,100 --> 00:41:19,800
ARE YOU AFRAID, DADDY?
750
00:41:21,800 --> 00:41:23,000
SOMETIMES.
751
00:41:23,900 --> 00:41:24,700
YOU?
752
00:41:24,900 --> 00:41:26,100
SOMETIMES.
753
00:41:26,700 --> 00:41:28,400
THEN WE'LL DO THIS
TOGETHER.
754
00:41:29,600 --> 00:41:30,800
ON THE COUNT OF THREE.
755
00:41:30,800 --> 00:41:33,800
ONE, TWO, THREE!
756
00:41:34,300 --> 00:41:36,600
THE REST OF YOUR LIFE
IS A LONG TIME.
757
00:41:37,600 --> 00:41:41,800
AND THE REST OF YOUR LIFE
STARTS RIGHT NOW.
758
00:41:41,900 --> 00:41:44,100
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