1
00:00:00,000 --> 00:00:01,799
Take one.

2
00:00:02,463 --> 00:00:06,002
'The Big Bang Theory is one of the
most popular shows on television,

3
00:00:06,007 --> 00:00:10,006
'loved by millions of people
all over the world.

4
00:00:10,527 --> 00:00:13,966
'I've access to everything you don't
normally see that brings the show

5
00:00:13,967 --> 00:00:15,566
'to life every week.'

6
00:00:15,567 --> 00:00:18,166
As soon as I got onto the set,
I was very excited

7
00:00:18,167 --> 00:00:20,166
and walked down the stairs...

8
00:00:20,167 --> 00:00:22,766
'From the secrets of the wardrobe
room...'

9
00:00:22,767 --> 00:00:26,766
I'll know. If this is missing
when you leave, you're in trouble.

10
00:00:28,047 --> 00:00:30,006
'To watching the cast
record the show.'

11
00:00:31,407 --> 00:00:33,606
Isn't it fun to learn things?

12
00:00:33,607 --> 00:00:37,606
This is great.

13
00:00:37,684 --> 00:00:50,733
<font color="#3399CC">Subtitles by </font><font color="ffffff">MemoryOnSmells</font>
<font color="#3399CC">http://UKsubtitles.ru</font>

14
00:00:50,807 --> 00:00:53,966
Welcome to The Big Bang Theory,
Access All Areas.

15
00:00:53,993 --> 00:00:57,432
Within reason. I can just go
waltzing into the ladies' loos

16
00:00:57,433 --> 00:00:59,872
or ladies' rest rooms,
whatever they call them.

17
00:00:59,873 --> 00:01:03,872
'Luckily for you, I am a long
allowed to waltz onto the set

18
00:01:04,033 --> 00:01:07,752
'to meet the cast and I'll be
starting with the tough questions.'

19
00:01:07,753 --> 00:01:11,272
Which character do you most enjoy
shooting scenes with?

20
00:01:11,273 --> 00:01:12,632
Goodness!

21
00:01:12,633 --> 00:01:14,232
That is Sophie's Choice.

22
00:01:14,233 --> 00:01:18,232
Who makes you laugh the most
when you're doing scenes with them?

23
00:01:18,993 --> 00:01:20,632
Who makes me laugh the most?

24
00:01:20,633 --> 00:01:22,552
Favourite people to work with?

25
00:01:22,553 --> 00:01:24,752
How can I answer that?

26
00:01:24,753 --> 00:01:26,912
Are you trying to start
World War III?

27
00:01:26,913 --> 00:01:28,552
I'm not going to answer that.

28
00:01:28,553 --> 00:01:31,632
Kunal, diva...

29
00:01:31,633 --> 00:01:33,112
Kunal, I don't like working
with at all.

30
00:01:33,113 --> 00:01:34,192
Sure. Sure.

31
00:01:34,193 --> 00:01:35,512
He, to be fair, said the same.

32
00:01:35,513 --> 00:01:36,672
I'm sure he did.

33
00:01:36,673 --> 00:01:40,392
Johnny Galecki, just outrageous.

34
00:01:40,393 --> 00:01:42,952
Who makes me laugh the most?
Erm...

35
00:01:42,953 --> 00:01:44,072
You can say none of them.

36
00:01:44,073 --> 00:01:47,472
I'm racking my brain. I can't even
remember their names.

37
00:01:47,473 --> 00:01:50,232
Simon. Another diva.

38
00:01:50,233 --> 00:01:53,992
I'm going to be diplomatic
and say... the cast.

39
00:01:53,993 --> 00:01:55,992
Or none is probably better.

40
00:01:55,993 --> 00:01:57,472
Or myself.

41
00:01:57,473 --> 00:02:00,232
You should hear the things I say.

44
00:02:08,473 --> 00:02:11,312
Boy, you were not liked
at high school, were you?

45
00:02:11,313 --> 00:02:14,592
Not really. Is that my yearbook?

46
00:02:14,593 --> 00:02:16,792
Mm-hm. "Dear Leonard,
You're really good at science.

47
00:02:16,793 --> 00:02:20,792
"Maybe one day you'll come up
with a cure for being a dork."

48
00:02:24,793 --> 00:02:27,112
OK, jokes aside,
what I really want to know

49
00:02:27,113 --> 00:02:30,352
is how they go about making
the show each week.

50
00:02:30,353 --> 00:02:32,072
We start on Wednesday mornings.

51
00:02:32,073 --> 00:02:35,992
We do the table read, which is all
the actors, producers and writers.

52
00:02:35,993 --> 00:02:38,752
We read the script and we laugh.

53
00:02:38,753 --> 00:02:39,792
Hopefully!

54
00:02:39,793 --> 00:02:42,752
Hopefully.

55
00:02:42,753 --> 00:02:46,072
And that's usually when we find out
what's going to be happening,

56
00:02:46,073 --> 00:02:49,912
so it's as much a surprise to us
as everyone else.

57
00:02:49,913 --> 00:02:52,552
The writers take notes of what
seems to work well,

58
00:02:52,553 --> 00:02:55,712
what didn't work, and they go off
to start rewriting.

59
00:02:55,713 --> 00:02:58,392
Thursdays and Fridays we rehearse
more, get it on its feet

60
00:02:58,393 --> 00:03:00,032
and we do run-throughs
for producers

61
00:03:00,033 --> 00:03:02,272
and network and studio.

62
00:03:02,273 --> 00:03:04,192
That's when rewrites come through,

63
00:03:04,193 --> 00:03:06,552
so sometimes the script will change
by as much as a third,

64
00:03:06,553 --> 00:03:10,552
and then we have a weekend
in between to learn our lines.

65
00:03:11,033 --> 00:03:12,792
Monday we rehearse with cameras.

66
00:03:12,793 --> 00:03:16,792
I prefer 20 minutes of rehearsal,
but these guys need hours.

67
00:03:16,953 --> 00:03:18,672
But you are a consummate
professional.

68
00:03:18,673 --> 00:03:20,592
It's what a lot of people
have been saying.

69
00:03:20,593 --> 00:03:23,832
Tuesday night is live
audience taping.

70
00:03:23,833 --> 00:03:27,792
Take a bow and they immediately hand
us a warm envelope

71
00:03:27,793 --> 00:03:31,072
with the next morning's
script in it.

72
00:03:31,073 --> 00:03:33,912
So, that's the actors' week
from start to finish,

73
00:03:33,913 --> 00:03:36,592
but before they can do any
rehearsing or recording,

74
00:03:36,593 --> 00:03:38,232
they're going to need a script.

75
00:03:38,233 --> 00:03:41,232
But there is an original finals draft
Ghostbusters script

76
00:03:41,233 --> 00:03:44,472
with actual slime stains.

77
00:03:44,473 --> 00:03:47,792
Oh, you're right.
It's Ghostbusters II. Never mind.

78
00:03:47,793 --> 00:03:51,792
Each and every episode of The Big
Bang Theory starts in this building

79
00:03:51,993 --> 00:03:53,032
in the writers' room.

80
00:03:53,033 --> 00:03:55,272
Led by creators Bill Prady
and Chuck Laurie,

81
00:03:55,273 --> 00:03:59,272
the team have to conjure up new and
exciting ways of making us laugh.

82
00:03:59,553 --> 00:04:02,992
Ooh, dark matter...
we'd better bring a flashlight.

83
00:04:02,993 --> 00:04:06,352
'And if anyone knows the pressure
of writing a hit show,

84
00:04:06,353 --> 00:04:10,272
'it is Chuck Lorre, who also created
Two And A Half Men.'

85
00:04:10,273 --> 00:04:14,272
How do you keep coming up
with ideas that feel fresh

86
00:04:14,593 --> 00:04:18,272
and interesting when you've
made 100 episodes of a show?

87
00:04:18,273 --> 00:04:20,872
Desperation and fear
is a good motivator.

88
00:04:20,873 --> 00:04:23,312
It's like riding through a tunnel

89
00:04:23,313 --> 00:04:25,952
with a train behind you.
For nine months, you can't stop.

90
00:04:25,953 --> 00:04:29,512
All aboard! Whoo-whoo!

91
00:04:29,513 --> 00:04:32,472
And how much does the script change

92
00:04:32,473 --> 00:04:35,112
from when you do
your first table read?

93
00:04:35,113 --> 00:04:36,952
About 30% to 40%.

94
00:04:36,953 --> 00:04:37,512
Yeah? Is that quite typical?

95
00:04:37,513 --> 00:04:39,592
Gosh, I've been on shows

96
00:04:39,593 --> 00:04:42,952
where it changed 100%
from table to shoot night.

97
00:04:42,953 --> 00:04:45,712
120%, you know?

98
00:04:45,713 --> 00:04:48,312
I've never seen a show
consistently

99
00:04:48,313 --> 00:04:51,312
where what we read
at the table is so funny

100
00:04:51,313 --> 00:04:53,672
that the rewriting
becomes a minimal amount.

101
00:04:53,673 --> 00:04:55,552
I can't seem to get in touch
with Amy.

102
00:04:55,553 --> 00:04:58,792
I tried email, video chat, tweeting
her, posting on her Facebook wall,

103
00:04:58,793 --> 00:05:01,112
texting her... nothing.

104
00:05:01,113 --> 00:05:04,312
Did you call her on the telephone?

105
00:05:04,313 --> 00:05:06,952
The telephone!

106
00:05:06,953 --> 00:05:10,952
'It's common on many shows where
what we read on the first day,
Monday,'

107
00:05:11,513 --> 00:05:14,152
there's not one word from
that script that's there on Friday.

108
00:05:14,153 --> 00:05:15,272
OK.

109
00:05:15,273 --> 00:05:16,992
'We hear all the time,'

110
00:05:16,993 --> 00:05:18,992
the condition our scripts come in,

111
00:05:18,993 --> 00:05:21,752
the good condition
they come in, it's a anomaly.

112
00:05:21,753 --> 00:05:24,312
And it makes a difference.
You know, I mean,

113
00:05:24,313 --> 00:05:25,512
they're not perfect.

114
00:05:25,513 --> 00:05:27,752
We've certainly had scripts
we've had to work on.

115
00:05:27,753 --> 00:05:29,032
Some have had more changes

116
00:05:29,033 --> 00:05:30,272
during the week than others,

117
00:05:30,273 --> 00:05:32,032
and those are rough weeks.

118
00:05:32,033 --> 00:05:34,672
Guys, we are going to do
a different line there.

119
00:05:34,673 --> 00:05:36,632
'If life was always like that here,'

120
00:05:36,633 --> 00:05:39,192
it'd be a tear-your-hair-out
experience, I think.

121
00:05:39,193 --> 00:05:41,752
On the flip side,
now I'm a little spoiled.

122
00:05:41,753 --> 00:05:43,512
Why do you even want this here?!

123
00:05:43,513 --> 00:05:46,632
Its size is completely
disproportionate to its purpose.

124
00:05:46,633 --> 00:05:50,632
Seeing as its purpose was to piss
you off, I'd say it's spot-on.

125
00:05:53,753 --> 00:05:55,352
Now, the writing's one thing.

126
00:05:55,353 --> 00:05:58,552
Sure it's very good,
but then every show has writers.

127
00:05:58,553 --> 00:06:00,952
But a show that features
a theoretical physicist,

128
00:06:00,953 --> 00:06:04,952
an astrophysicist, an experimental
physicist, a neurobiologist,

129
00:06:05,113 --> 00:06:08,072
a microbiologist and a...
well, a Howard Wolowitz,

130
00:06:08,073 --> 00:06:10,672
obviously needs to use a lot
of sciencey language

131
00:06:10,673 --> 00:06:12,752
that us at home
can barely understand.

132
00:06:12,753 --> 00:06:15,872
Now, luckily, the actors and writers
have someone to help them

133
00:06:15,873 --> 00:06:18,192
to ensure that they don't embarrass
themselves

134
00:06:18,193 --> 00:06:21,152
by saying "loop quantum gravity"
when they mean string theory.

135
00:06:21,153 --> 00:06:23,872
And, trust me, thatisfunny...
I checked.

136
00:06:23,873 --> 00:06:26,912
I will graciously overlook the fact
that she is an arrogant,

137
00:06:26,913 --> 00:06:29,912
sub-par scientist, who actually
believes loop quantum gravity

138
00:06:29,913 --> 00:06:32,632
better unites quantum mechanics
with general relativity

139
00:06:32,633 --> 00:06:33,832
than does string theory.

140
00:06:33,833 --> 00:06:37,832
How do you deal with all the kind
of scientific content of the show?

141
00:06:39,393 --> 00:06:40,112
Do you leave blanks...

142
00:06:40,113 --> 00:06:41,152
Sub-contract it.

143
00:06:41,153 --> 00:06:42,632
And then go...?

144
00:06:42,633 --> 00:06:46,472
We have a brilliant astrophysicist
named David Saltzberg,

145
00:06:46,473 --> 00:06:48,232
who's a professor at UCLA.

146
00:06:48,233 --> 00:06:51,352
I basically get every script
in advance and I look it over,

147
00:06:51,353 --> 00:06:53,512
and, er, the writers actually
know a lot of science

148
00:06:53,513 --> 00:06:56,352
and fill out what they want.
And maybe it'll just need

149
00:06:56,353 --> 00:06:59,032
a little tiny tweak here and there,
a change of word.

150
00:06:59,033 --> 00:07:01,032
Other times,
they'll say, "Science to come."

151
00:07:01,033 --> 00:07:02,632
What is physics?

152
00:07:02,633 --> 00:07:04,752
We're designing
an experiment to look

153
00:07:04,753 --> 00:07:08,512
for the annihilation spectrum
resulting from dark matter collisions
in space.

154
00:07:08,513 --> 00:07:12,432
My tests of the bomb
quantum interference in fact
have reached an interesting point.

155
00:07:12,433 --> 00:07:16,432
Force of gravity equals mass
times 9.8m per second per second.

156
00:07:17,193 --> 00:07:19,712
Now we're testing phase
shift due to an electric potential.

157
00:07:19,713 --> 00:07:23,432
Our 9.8m per second
squared as a, can...

158
00:07:23,433 --> 00:07:26,112
Thematic theory,
algebraic gossip and epidemiology.

159
00:07:26,113 --> 00:07:28,552
Time dependent backgrounds
and string theory.

160
00:07:28,553 --> 00:07:30,992
You work on fundamental tests
of quantum mechanics?

161
00:07:30,993 --> 00:07:34,912
It's specifically
quantum field theory
and D-dimensional de Sitter space.

162
00:07:34,913 --> 00:07:38,912
I preserved it in a 1% solution
of polyvinyl acetal resin.

163
00:07:40,433 --> 00:07:42,752
Oh, my God!
That's the most romantic thing

164
00:07:42,753 --> 00:07:46,552
anyone's ever said to me
that I didn't understand.

165
00:07:46,553 --> 00:07:50,472
And now we have Mayim Bialik,
who is a, you know...

166
00:07:50,473 --> 00:07:52,232
A neuroscientist... neuroscientist.

167
00:07:52,233 --> 00:07:54,712
So she tells us
when we're wrong in that area.

168
00:07:54,713 --> 00:07:57,472
When it comes to neuroscience
and neurobiology,

169
00:07:57,473 --> 00:07:59,952
I guess
I'm the unofficial authority.

170
00:07:59,953 --> 00:08:01,352
Come on, tumour.

171
00:08:01,353 --> 00:08:05,352
Mama needs an aggressive
little glioblastoma.

172
00:08:05,353 --> 00:08:09,352
Did you ever think that you would
start using your neuroscience again?

173
00:08:10,473 --> 00:08:11,632
In this way?

174
00:08:11,633 --> 00:08:12,752
No.

175
00:08:12,753 --> 00:08:14,112
'Since getting my PhD,'

176
00:08:14,113 --> 00:08:17,512
I never thought I would be acting
as a neuroscientist, no.

177
00:08:17,513 --> 00:08:21,512
Amy's at the dry-cleaner's
and she's made a very amusing pun.

178
00:08:21,553 --> 00:08:25,552
"I don't care for p-chloro-ethylene
and I don't like glycol,ether."

179
00:08:28,993 --> 00:08:32,232
Personally, I like that physics is
out there and incomprehensible,

180
00:08:32,233 --> 00:08:36,192
but I really like it when it's
what we call freshman physics.

181
00:08:36,193 --> 00:08:38,512
We don't need strength...
we're physicists.

182
00:08:38,513 --> 00:08:40,912
We are the intellectual descendants
of Archimedes.

183
00:08:40,913 --> 00:08:43,992
Give me a fulcrum and a lever, I can
move the earth. It's a matter...

184
00:08:43,993 --> 00:08:45,752
I don't have this.
I don't have this!

185
00:08:45,753 --> 00:08:48,552
It's something that people
have been exposed to in some way

186
00:08:48,553 --> 00:08:52,552
and so there's
a chance of knowing what's going on.

187
00:08:55,993 --> 00:08:59,352
Ah, gravity,
thou art a heartless bitch.

188
00:08:59,353 --> 00:09:02,752
And, frankly,
if people disagree with the science,

189
00:09:02,753 --> 00:09:06,752
they can send a letter
to Dr Saltzberg or Dr Bialik.

190
00:09:08,393 --> 00:09:10,472
There's nothing wrong
with the science.

191
00:09:10,473 --> 00:09:14,472
Perhaps you mean a different thing
than I do when you say, "Science."

192
00:09:16,433 --> 00:09:19,472
Fashion's probably not
the first thing that springs to mind

193
00:09:19,473 --> 00:09:21,352
when you think of
The Big Bang Theory,

194
00:09:21,353 --> 00:09:24,152
but for a show that's about
pretty unfashionable guys,

195
00:09:24,153 --> 00:09:27,072
they do all have
their own distinctive style,

196
00:09:27,073 --> 00:09:29,552
from Sheldon's T-shirts
to Howard's...

197
00:09:29,553 --> 00:09:31,952
eye-wateringly tight trousers.

198
00:09:31,953 --> 00:09:33,432
They do stand out in a crowd.

199
00:09:41,673 --> 00:09:45,672
So I assume this is all divided up
into different characters?

200
00:09:45,753 --> 00:09:47,712
Yes, we call them character closets.

201
00:09:47,713 --> 00:09:50,432
Sheldon, staring with
the plaid pants, of course.

202
00:09:50,433 --> 00:09:51,512
Yes.

203
00:09:51,513 --> 00:09:53,872
And then all of his T-shirts
back here.

204
00:09:53,873 --> 00:09:56,352
He's got his Green Lantern
and Flash shirts.

205
00:09:56,353 --> 00:09:59,272
He has a lot of T-shirts. They all
have a lot of clothes, to be fair.

206
00:09:59,273 --> 00:10:00,552
Oh, yes.

207
00:10:00,553 --> 00:10:03,032
'Do you have a favourite
Sheldon piece?'

208
00:10:03,033 --> 00:10:04,312
I like this.

209
00:10:04,313 --> 00:10:06,192
Yes, that's nice...

210
00:10:06,193 --> 00:10:08,072
the evolution
of an into a robot is nice.

211
00:10:08,073 --> 00:10:09,552
It screams Sheldon to me.

212
00:10:09,553 --> 00:10:10,272
Wow!

213
00:10:10,273 --> 00:10:12,512
Wow!
I really like Raj's outfits.

214
00:10:12,513 --> 00:10:15,752
I like the fact that I think
he looks quite cool.

215
00:10:15,753 --> 00:10:17,472
They all bridge cool,

216
00:10:17,473 --> 00:10:20,872
except I throw something else
that just ruins it all.

217
00:10:20,873 --> 00:10:22,512
I thinkhethinks it's cool.

218
00:10:22,513 --> 00:10:24,152
'When Raj first came to America,'

219
00:10:24,153 --> 00:10:26,552
he was dressed head-to-toe
in Miami Vice clothes,

220
00:10:26,553 --> 00:10:29,752
because that was a big popular
show in India at that time.

221
00:10:29,753 --> 00:10:33,192
What about arguably
my favourite character,

222
00:10:33,193 --> 00:10:35,192
dress-wise and otherwise, Howard?

223
00:10:35,193 --> 00:10:36,432
Where's his stuff?

224
00:10:36,433 --> 00:10:38,792
He's got a room to himself.

225
00:10:38,793 --> 00:10:40,272
Of course he has.

226
00:10:40,273 --> 00:10:42,632
Hey, qu'est-ce que s'up?

227
00:10:50,873 --> 00:10:51,552
Look at that!

228
00:10:51,553 --> 00:10:52,832
Very eclectic. I know.

229
00:10:52,833 --> 00:10:53,872
Look at that.

230
00:10:53,873 --> 00:10:55,392
If this is missing when you leave...

231
00:10:55,393 --> 00:10:56,232
I've got my eye on it.

232
00:10:56,233 --> 00:10:57,312
You're in trouble.

233
00:10:57,313 --> 00:10:59,832
There is one outfit he wore with
an eye patch and leather pants...

234
00:10:59,833 --> 00:11:01,112
The guy's a hero.

235
00:11:01,113 --> 00:11:03,032
'And a flowy blouse.
He pulled it off.'

236
00:11:03,033 --> 00:11:04,712
Hello, boys.

237
00:11:04,713 --> 00:11:07,632
I would say he's a clothes... horse.

238
00:11:07,633 --> 00:11:09,032
Whore or horse? I don't know.

239
00:11:09,033 --> 00:11:10,312
I think horse.

240
00:11:10,313 --> 00:11:12,072
I think for him, let's say whore.

241
00:11:12,073 --> 00:11:14,712
I want to blend in.

242
00:11:14,713 --> 00:11:15,752
To what?

243
00:11:15,753 --> 00:11:17,112
Toy Story?!

244
00:11:17,113 --> 00:11:17,832
This is Leonard.

245
00:11:17,833 --> 00:11:18,792
I recognise these cords.

246
00:11:18,793 --> 00:11:20,032
Yes.

247
00:11:20,033 --> 00:11:21,192
A muted rainbow.

248
00:11:21,193 --> 00:11:23,992
Yes, muted. He's got a bit of
a bucket of water thrown on him

249
00:11:23,993 --> 00:11:26,312
compared to some
of the other characters.

250
00:11:26,313 --> 00:11:28,072
Is this all stuff you want me
to try on?

251
00:11:28,073 --> 00:11:30,592
No, this is stuff
I want you to throw out.

252
00:11:30,593 --> 00:11:34,592
When I had to dress up as Supergirl,
that was especially liberating.

253
00:11:35,873 --> 00:11:38,872
I don't know about you,
but I feel empowered.

254
00:11:38,873 --> 00:11:39,912
Come on, I made that look good.
Come on.

255
00:11:39,913 --> 00:11:41,152
Yeah.

256
00:11:43,153 --> 00:11:44,192
I'm Batman!

257
00:11:59,153 --> 00:12:00,632
Don't go anywhere, please,

258
00:12:00,633 --> 00:12:03,912
cos we've got more of the
Bing Bang Theory: Access All Areas...

259
00:12:03,913 --> 00:12:06,052
within reason...
for you after the break.

260
00:12:06,149 --> 00:12:08,308
Coming up...

261
00:12:08,309 --> 00:12:11,188
'I learn
the secrets of the stairway...'

262
00:12:11,189 --> 00:12:15,188
Once you've got down, you just sort
of stand against the wall here.

263
00:12:15,629 --> 00:12:18,428
'And take my place in the audience
to watch the cast record the show.'

264
00:12:18,429 --> 00:12:20,788
Give it up for Jim Parsons!

265
00:12:20,789 --> 00:12:21,868
I have no idea what that line is.

266
00:12:21,869 --> 00:12:23,268
I messed up mine too a bit.

267
00:12:23,269 --> 00:12:25,387
Pace yourself. Go!

268
00:12:32,325 --> 00:12:34,924
Welcome back to the
Big Bang Theory: Access All Areas.

269
00:12:35,006 --> 00:12:39,005
Camera... Action!

270
00:12:40,825 --> 00:12:43,104
Does anyone have any wood?

271
00:12:43,105 --> 00:12:46,584
Oh, come on! I just want wood!

272
00:12:46,585 --> 00:12:48,944
Why are you making it so hard?

273
00:12:52,025 --> 00:12:54,384
OK, we've got the writing,
the science,

274
00:12:54,385 --> 00:12:55,864
the wardrobe and the actors.

275
00:12:55,865 --> 00:12:58,544
But the world of the Big Bang Theory
wouldn't be complete without

276
00:12:58,545 --> 00:13:00,344
the incredibly detailed sets.

277
00:13:00,345 --> 00:13:04,304
Designed by legendary
production designer John Shaffner,

278
00:13:04,305 --> 00:13:06,624
who designed the famous Friends
set amongst others,

279
00:13:06,625 --> 00:13:09,864
the sets each have their
own special charm.

280
00:13:09,865 --> 00:13:13,504
Actually, my favourite set is the
hallway between the two apartments.

281
00:13:13,505 --> 00:13:16,904
The producers wanted this walk
and talk in the stairwell.

282
00:13:16,905 --> 00:13:20,904
Well, we built the set and Chuck
and Bill came down and they looked

283
00:13:21,265 --> 00:13:24,264
at it and said, "We really need
to see the stairway go down."

284
00:13:24,265 --> 00:13:26,064
So I was like, "Oh, dear,

285
00:13:26,065 --> 00:13:29,984
I'm not authorised by the studio
to cut a hole in the floor.

286
00:13:29,985 --> 00:13:31,304
So then we went to the studio

287
00:13:31,305 --> 00:13:33,224
and said we need to cut
a hole in the floor.

288
00:13:33,225 --> 00:13:36,224
So that's how we came about
building the staircase that actually

289
00:13:36,225 --> 00:13:37,464
goes down about six feet.

290
00:13:37,465 --> 00:13:40,864
If you get to the bottom of the stair
and make a corner,

291
00:13:40,865 --> 00:13:44,864
there's dirt and there's a wall
full of gum on it from the actors

292
00:13:45,385 --> 00:13:47,424
who wait to go on
and put their gum on the wall!

293
00:13:47,425 --> 00:13:51,424
So it's sort of starting
to look like the underside
of a table in a cheap diner.

294
00:13:51,625 --> 00:13:53,584
Obviously as soon as I got
onto the set

295
00:13:53,585 --> 00:13:57,384
and walked downwards I was amazed
at how little the gap is to fit in.

296
00:13:57,385 --> 00:14:00,784
Once you've got down you just
sort of stand there against a wall.

297
00:14:00,785 --> 00:14:03,784
Um, and the other thing about it
was trying to give them enough

298
00:14:03,785 --> 00:14:07,784
space between the two apartments so
there'd be working space for a scene.

299
00:14:08,665 --> 00:14:12,104
Um, I put this elevator in the middle
and I showed it to Chuck

300
00:14:12,105 --> 00:14:15,064
and Bill and they said,
"We don't want the elevator

301
00:14:15,065 --> 00:14:17,624
"because why would they walk up
and down the stairs?"

302
00:14:17,625 --> 00:14:19,704
And I said,
"Because it's always broken.

303
00:14:19,705 --> 00:14:22,104
The landlord has never fixed it."

304
00:14:22,105 --> 00:14:26,104
Give me that.

305
00:14:27,025 --> 00:14:28,664
What did you do that for,
I had plenty of time?!

306
00:14:32,585 --> 00:14:35,744
So, this is it, I've chatted to
the cast and crew, I've poked around

307
00:14:35,745 --> 00:14:39,744
behind the scenes, I know exactly
how the Big Bang Theory gets made.

308
00:14:40,225 --> 00:14:42,384
All I've got to do now is
take my place in the audience

309
00:14:42,385 --> 00:14:44,464
and watch them
actually record the show.

310
00:14:44,465 --> 00:14:47,704
This is about as exciting as
it gets for a Big Bang fan.

311
00:14:47,705 --> 00:14:50,424
In a way, I wish you could be here.

312
00:14:50,425 --> 00:14:52,784
In another way
I don't cos you'll be in my seat.

313
00:14:52,785 --> 00:14:56,784
What I can promise is that I'll
really enjoy it for you.

314
00:14:58,585 --> 00:15:02,584
Excuse me. Sorry.

315
00:15:04,545 --> 00:15:08,544
OK, hold the over, Richard.

316
00:15:10,025 --> 00:15:12,624
Ladies and gentlemen,
round of applause,
are you ready to meet our cast?

317
00:15:12,625 --> 00:15:14,424
Let's hear it!

318
00:15:18,745 --> 00:15:22,744
It's just so electric in here
on our take nights.

319
00:15:24,505 --> 00:15:26,744
It's very exciting to have
that energy from the audience.

320
00:15:26,745 --> 00:15:30,744
Give it up!

321
00:15:31,345 --> 00:15:35,344
Oh, it's amazing, I love it.

322
00:15:37,745 --> 00:15:41,744
It's great, it's sort of like a short
play every week.

323
00:15:45,585 --> 00:15:47,944
I wouldn't be half
as happy as I am here

324
00:15:47,945 --> 00:15:51,824
if we didn't have that
live audience.

325
00:15:51,825 --> 00:15:54,464
Here's Sheldon,
the incredible Jim Parsons!

326
00:15:54,465 --> 00:15:58,464
It does add that element of
surprise and adrenaline.

327
00:15:59,825 --> 00:16:02,384
Cameras A, B, C, X.

328
00:16:02,385 --> 00:16:05,944
On the mark.

329
00:16:05,945 --> 00:16:07,544
Here we go, and action!

330
00:16:07,545 --> 00:16:10,464
I don't think I could ever get
a massage from a guy.

331
00:16:10,465 --> 00:16:13,664
Really? What was I doing
to your neck last night
while you were playing Xbox?

332
00:16:17,345 --> 00:16:19,864
Not much, it's still killing me.

333
00:16:19,865 --> 00:16:20,904
We always get comments like,

334
00:16:20,905 --> 00:16:22,704
"OH, my God that laugh-track
is driving me crazy,"

335
00:16:22,705 --> 00:16:25,304
but it's not a laugh-track,
it's real people!

336
00:16:25,305 --> 00:16:26,264
Where's Howard?

337
00:16:26,265 --> 00:16:28,024
No, "Hi, Raj, how are you, Raj?"

338
00:16:28,025 --> 00:16:31,864
Straight to,
"Where's the other white guy?"

339
00:16:31,865 --> 00:16:34,264
When I watch scenes on
every show when you know

340
00:16:34,265 --> 00:16:37,384
there's not a live audience,

341
00:16:37,385 --> 00:16:40,064
it's just slightly
soulless. Something's missing,

342
00:16:40,065 --> 00:16:44,064
they are a tangible presence in the
room, almost like another character.

343
00:16:46,305 --> 00:16:47,824
Some of my favourite scenes,

344
00:16:47,825 --> 00:16:51,024
which also seem to be fans'
favourite scenes,

345
00:16:51,025 --> 00:16:53,424
between Amy and Sheldon,
do not play that way all week.

346
00:16:53,425 --> 00:16:56,504
The way you see them on TV is
the way that the studio audience

347
00:16:56,505 --> 00:16:58,184
determines that they get played.

348
00:16:58,185 --> 00:17:01,784
There's nothing like people
seeing Sheldon

349
00:17:01,785 --> 00:17:04,504
and Amy kiss for the first time.

350
00:17:04,505 --> 00:17:06,184
You can't gauge that.

351
00:17:10,025 --> 00:17:12,464
Fascinating.

352
00:17:12,465 --> 00:17:15,424
Um, and for me, that's really
where a scene gets life that it

353
00:17:15,425 --> 00:17:18,184
doesn't have for the
previous five days.

354
00:17:18,185 --> 00:17:20,824
It's like I'm
living in a dictatorship.

355
00:17:20,825 --> 00:17:24,824
"You must take a vacation, you must
have fun, you must enjoy life."

356
00:17:26,145 --> 00:17:29,224
I don't think you have a good
handle on dictatorships.

357
00:17:29,225 --> 00:17:31,704
There are moments
when you can't help

358
00:17:31,705 --> 00:17:35,264
but get carried away like
I guess you would in theatre.

359
00:17:35,265 --> 00:17:38,024
You try to keep your pants on.

360
00:17:38,025 --> 00:17:39,704
It's not always possible!

361
00:17:39,705 --> 00:17:41,664
No, but we do our best.

362
00:17:41,665 --> 00:17:44,824
The audience is amazing cos
they give you instant reaction.

363
00:17:44,825 --> 00:17:47,344
And they don't lie.

364
00:17:47,345 --> 00:17:51,344
They'll tell you immediately
if something is working or not.

365
00:17:51,825 --> 00:17:54,384
I am the king of nerds.

366
00:17:59,265 --> 00:18:01,384
What does that mean?

367
00:18:01,385 --> 00:18:03,944
That means if anyone displeases me

368
00:18:03,945 --> 00:18:07,024
I can arrange to have their email
inbox spammed.

369
00:18:09,265 --> 00:18:11,984
We do quite a bit of re-writing
here on the fly with them.

370
00:18:11,985 --> 00:18:15,024
Well, it means
if anyone displeases me

371
00:18:15,025 --> 00:18:18,024
I don't help them
set up their printer.

372
00:18:20,305 --> 00:18:24,064
You have to listen to the audience
to get the rhythm of it and then

373
00:18:24,065 --> 00:18:28,064
we wait for the laugh and sometimes
it never comes and then we cry...

374
00:18:28,745 --> 00:18:30,464
Um, guys? Guys?

375
00:18:30,465 --> 00:18:31,704
No, it's gonna come.

376
00:18:31,705 --> 00:18:33,464
I know it's been ten minutes,
just trust me.

377
00:18:33,465 --> 00:18:36,504
I've been doing this for a really
long time and it's humbling

378
00:18:36,505 --> 00:18:38,224
how often the studio audience

379
00:18:38,225 --> 00:18:42,224
will tell you that what you thought
was hilarious is not hilarious.

380
00:18:43,225 --> 00:18:46,264
And what you thought was,
meh, is fabulous.

381
00:18:46,265 --> 00:18:49,464
I just don't know how I'm going
to break it to him.

382
00:18:49,465 --> 00:18:51,384
How about topless?

383
00:18:51,385 --> 00:18:53,344
Well, you waggle those puppies
in his face I bet you'd get him

384
00:18:53,345 --> 00:18:55,344
to join the marines.

385
00:18:57,545 --> 00:19:00,504
I think this is good,
I dunno, I hope it is,

386
00:19:00,505 --> 00:19:04,144
if it's not the audience will
tell us and we'll fix it.

387
00:19:04,145 --> 00:19:06,224
I just don't know how I'm going
to break it to him.

388
00:19:06,225 --> 00:19:08,824
Hey, you know, I'm a big believer
in breaking bad news to a guy

389
00:19:08,825 --> 00:19:09,824
when you're in bed with him.

390
00:19:09,825 --> 00:19:12,384
That's how I told my high school
boyfriend I slept with his brother.

391
00:19:14,785 --> 00:19:18,144
That's how I told his brother
the same thing!

392
00:19:18,145 --> 00:19:20,944
You can't anticipate what other
people are going to respond to

393
00:19:20,945 --> 00:19:23,464
and if you think you can,
you're crazy.

394
00:19:23,465 --> 00:19:26,904
Time and again we've
run into situations,

395
00:19:26,905 --> 00:19:30,904
with Sheldon especially, where
it's like, just coming off too mean.

396
00:19:31,425 --> 00:19:34,664
They're not laughing they're going,
"Ohh..." You know?

397
00:19:34,665 --> 00:19:36,624
And that's not the intent.

398
00:19:36,625 --> 00:19:40,624
Sheldon's not cruel, he's honest.

399
00:19:40,785 --> 00:19:43,064
When instead of a laugh
there's an "Ohhh."

400
00:19:43,065 --> 00:19:44,544
Yeah.

401
00:19:44,545 --> 00:19:47,224
Richard Feynman was a famous
American physicist.

402
00:19:47,225 --> 00:19:49,064
Part of the Manhattan project.

403
00:19:49,065 --> 00:19:53,064
Everyone in the world of science
knows who Richard Feynman was.

404
00:19:53,625 --> 00:19:55,584
Now you do too.

405
00:19:58,385 --> 00:20:01,824
In front of the audience
most of us can stay pretty focused

406
00:20:01,825 --> 00:20:04,304
but it's some of the
playfulness that Jim

407
00:20:04,305 --> 00:20:08,304
and I have that really kind
of brings out some of the giggles.

408
00:20:13,745 --> 00:20:16,824
She broke that, it was fine!

409
00:20:16,825 --> 00:20:20,824
Control yourself!

410
00:20:21,705 --> 00:20:24,304
Are there times when you do just
totally lose it

411
00:20:24,305 --> 00:20:26,184
even when the audience are there?

412
00:20:26,185 --> 00:20:28,264
Oh, in as far as getting the giggles?

413
00:20:28,265 --> 00:20:30,584
Yeah.

414
00:20:30,585 --> 00:20:34,024
Kunal is the worst for that,
he cracks himself up constantly.

415
00:20:34,025 --> 00:20:36,504
Follow your heart.

416
00:20:54,825 --> 00:20:55,984
I'm the worst at that.

417
00:20:55,985 --> 00:20:57,824
Yeah, I heard that.

418
00:20:57,825 --> 00:20:59,704
That's why you asked me
this question?

419
00:20:59,705 --> 00:21:02,584
Yeah, it's leading. It's leading.

420
00:21:02,585 --> 00:21:06,584
No, it's so bad, like,
it's cos I'm having the most fun.

421
00:21:06,625 --> 00:21:08,784
No, it's probably cos I'm
the most unprofessional.

422
00:21:08,785 --> 00:21:11,544
He can't stop
laughing at his own jokes.

423
00:21:11,545 --> 00:21:15,384
And so I'll come over and whisper
to him "Sometimes babies die."

424
00:21:15,385 --> 00:21:16,504
And that steels him up.

425
00:21:16,505 --> 00:21:19,024
When I first got here the...

426
00:21:19,025 --> 00:21:22,584
Can I take it from there?

427
00:21:22,585 --> 00:21:26,184
English is tough!

428
00:21:26,185 --> 00:21:28,984
I'm going to be doing some
brain-stem estology

429
00:21:28,985 --> 00:21:30,384
while you get yourself on the.

430
00:21:30,385 --> 00:21:34,384
I have no idea what that line is.

431
00:21:34,785 --> 00:21:35,904
With a live audience,

432
00:21:35,905 --> 00:21:38,184
when they're enjoying it

433
00:21:38,185 --> 00:21:42,184
and their laughter is
sincere and loud, it's...

434
00:21:42,625 --> 00:21:46,544
That's a great,
great sense of gratification.

435
00:21:46,545 --> 00:21:48,504
Too much?

436
00:21:48,505 --> 00:21:50,064
Ooooh!

437
00:21:50,065 --> 00:21:52,904
Yeah. No.

438
00:21:52,905 --> 00:21:56,904
And that's a cut!

439
00:22:00,625 --> 00:22:02,944
We have a wonderfully loyal audience

440
00:22:02,945 --> 00:22:05,624
and there's a bond there
over five years.

441
00:22:05,625 --> 00:22:07,704
You have given us
your half hour to watch the show,

442
00:22:07,705 --> 00:22:11,704
I want you to come away thinking it
was a half hour well spent.

443
00:22:14,145 --> 00:22:17,304
What an experience, I genuinely feel
quite lucky to have gained

444
00:22:17,305 --> 00:22:19,304
this insight into the making
of the show.

445
00:22:19,305 --> 00:22:23,184
Turns out it's both complicated
and fun in equal measure.

446
00:22:23,185 --> 00:22:25,304
But I think I'll leave
the final word

447
00:22:25,305 --> 00:22:29,304
on the last hundred episodes
to the cast.

448
00:22:29,505 --> 00:22:32,544
What are you
tuning in for every week?

449
00:22:32,545 --> 00:22:36,104
It's not the story and the sense
of what will happen this week

450
00:22:36,105 --> 00:22:39,904
as much as it is, whatever happens
I want to see what these people do.

451
00:22:39,905 --> 00:22:41,824
Here we are five years later...

452
00:22:41,825 --> 00:22:45,824
Really close and a hundred episodes
that's over 500 days

453
00:22:45,945 --> 00:22:48,864
here in the same room
with the same people.

454
00:22:48,865 --> 00:22:51,224
Part of the reason we're still
here is it's a great cast.

455
00:22:51,225 --> 00:22:52,904
These are really talented actors

456
00:22:52,905 --> 00:22:55,144
and they can do anything
we ask them to do.

457
00:22:55,145 --> 00:22:59,144
They couldn't be a nicer group
of people, they were so welcoming.

458
00:22:59,865 --> 00:23:03,864
And the fact that nobody's
killed another person yet...

459
00:23:04,225 --> 00:23:05,984
Is a real achievement!

460
00:23:05,985 --> 00:23:07,994
Yeah, is a real achievement!

461
00:23:08,009 --> 00:23:26,640
<font color="#3399CC">Subtitles by </font><font color="ffffff">MemoryOnSmells</font>
<font color="#3399CC">http://UKsubtitles.ru</font>

