1 00:00:00,000 --> 00:00:01,769 PREVIOUSLY ON FELICITY... 2 00:00:01,769 --> 00:00:04,314 I WAS JUST, UH, THINKING ABOUT 3 00:00:04,686 --> 00:00:05,720 THANKSGIVING LAST YEAR. 4 00:00:06,022 --> 00:00:07,739 IT FEELS LIKE YESTERDAY. 5 00:00:07,807 --> 00:00:08,740 REALLY? 6 00:00:08,808 --> 00:00:10,642 YEAH. 7 00:00:15,481 --> 00:00:16,714 Ms. Sherman: I THINK I LEFT MY MATCHES 8 00:00:16,783 --> 00:00:18,566 IN MY COAT POC... 9 00:00:22,104 --> 00:00:24,238 THAT WAS PROFESSOR SHERMAN? 10 00:00:25,775 --> 00:00:27,642 UH-HUH. 11 00:00:34,684 --> 00:00:38,119 OK. LET'S OPEN THIS UP FOR DISCUSSION. 12 00:00:38,187 --> 00:00:39,053 FELICITY. 13 00:00:41,023 --> 00:00:43,925 I'M NOT SURE. MAYBE THE PERSPECTIVE IS OFF? 14 00:00:44,227 --> 00:00:47,645 I CAN'T QUITE PUT MY FINGER ON IT, BUT SOMETHING FEELS WRONG. 15 00:00:47,713 --> 00:00:49,965 Ms. Sherman: OH, THERE'S DEFINITELY SOMETHING WRONG HERE, 16 00:00:50,032 --> 00:00:51,766 BUT IT ISN'T THE PERSPECTIVE. 17 00:00:51,834 --> 00:00:53,301 IS IT THE SHADING? 18 00:00:53,369 --> 00:00:54,870 PERHAPS. 19 00:00:54,937 --> 00:00:57,005 OR COULD IT BE THE FACT 20 00:00:57,073 --> 00:00:59,440 THAT YOU ARE A MANIPULATOR AND A LIAR? 21 00:00:59,876 --> 00:01:01,192 WHAT? 22 00:01:01,527 --> 00:01:02,644 NOT TO MENTION A BIT OF A SLUT. 23 00:01:02,712 --> 00:01:05,247 [CLASS LAUGHS] 24 00:01:11,254 --> 00:01:12,069 WOW. 25 00:01:12,137 --> 00:01:13,938 HARSH. BRUCE. 26 00:01:14,006 --> 00:01:14,939 YOU DIDN'T DESERVE THAT. 27 00:01:15,007 --> 00:01:16,641 I KNOW. CAN YOU BELIEVE HER? 28 00:01:20,012 --> 00:01:22,364 W-WHAT ARE YOU DOING? 29 00:01:22,431 --> 00:01:23,831 WHY'D YOU PUSH ME AWAY? 30 00:01:24,267 --> 00:01:26,101 I... I'M SORRY. 31 00:01:26,168 --> 00:01:27,269 I DIDN'T MEAN TO PUSH YOU AWAY. 32 00:01:27,336 --> 00:01:28,336 I WAS JUST... 33 00:01:28,404 --> 00:01:30,288 DRUNK. CONFUSED. 34 00:01:30,356 --> 00:01:31,489 BECAUSE YOU'RE STILL IN LOVE WITH ME. 35 00:01:31,557 --> 00:01:34,492 [ALARM BEEPS] 36 00:01:34,560 --> 00:01:35,893 [BEEP BEEP] 37 00:01:44,036 --> 00:01:45,803 Felicity: DEAR SALLY, 38 00:01:45,871 --> 00:01:49,106 SO THE DREAMS STARTED THANKSGIVING NIGHT. 39 00:01:49,175 --> 00:01:51,058 NOEL'S KISS, 40 00:01:51,126 --> 00:01:55,213 IT'S JUST STIRRING UP FEELINGS I GUESS I'VE BEEN TRYING TO AVOID. 41 00:01:55,281 --> 00:01:58,216 THE MONDAY AFTER BREAK, I COULD BARELY EVEN LOOK AT HIM 42 00:02:09,978 --> 00:02:11,012 HI. 43 00:02:11,079 --> 00:02:12,814 HI. HOW'S IT GOING? 44 00:02:12,881 --> 00:02:16,518 OH, I'M STILL RECOVERING FROM MY 200-PROOF HANGOVER. 45 00:02:16,585 --> 00:02:17,819 TOTALLY. 46 00:02:23,642 --> 00:02:26,878 LOOK. I JUST WANTED TO SAY ABOUT, UH, WHAT HAPPENED... 47 00:02:26,946 --> 00:02:27,545 THE KISS. 48 00:02:27,613 --> 00:02:30,715 YEAH. UH... 49 00:02:30,782 --> 00:02:34,319 IT WAS A REALLY STUPID DRUNKEN MISTAKE 50 00:02:34,386 --> 00:02:35,653 THAT I TOTALLY REGRET. 51 00:02:35,721 --> 00:02:37,054 I FEEL GUILTY ABOUT IT. 52 00:02:37,122 --> 00:02:39,257 ME, TOO. 53 00:02:39,725 --> 00:02:40,475 YEAH? 54 00:02:40,543 --> 00:02:41,843 OK. 55 00:02:46,182 --> 00:02:48,249 I MEAN, NOT TO MENTION THE TROUBLE WE'RE IN NOW WITH SHERMAN. 56 00:02:48,317 --> 00:02:50,251 Noel: YEAH, I KNOW, BUT... 57 00:02:50,319 --> 00:02:52,954 I THOUGHT ABOUT IT, AND SHE'S A PROFESSIONAL. 58 00:02:53,021 --> 00:02:54,622 SHE'S NOT GONNA HOLD THIS AGAINST US. 59 00:02:54,690 --> 00:02:55,623 OF COURSE SHE WILL. 60 00:02:55,691 --> 00:02:57,174 NO, SHE WON'T. 61 00:02:57,243 --> 00:02:58,276 SHE'S NOT GONNA GIVE US A BAD GRADE 62 00:02:58,344 --> 00:03:00,344 BECAUSE OF WHAT HAPPENED OVER THANKSGIVING. 63 00:03:04,867 --> 00:03:06,601 OK. WE'RE DEAD. 64 00:03:06,669 --> 00:03:08,653 DEAD. 65 00:03:50,479 --> 00:03:51,713 Felicity: THE 3 WEEKS SINCE THANKSGIVING 66 00:03:51,781 --> 00:03:54,015 HAVE BEEN UNBELIEVABLY FRUSTRATING... 67 00:03:54,082 --> 00:03:56,984 AND NOT JUST BECAUSE OF FINALS. 68 00:03:57,052 --> 00:03:59,854 EVEN THOUGH I HAD DECIDED AGAINST BEING IN A SERIOUS RELATIONSHIP, 69 00:03:59,922 --> 00:04:02,490 MY UNCONSCIOUS MIND JUST WOULDN'T COOPERATE. 70 00:04:02,925 --> 00:04:04,426 IT WOULDN'T LET GO OF NOEL. 71 00:04:06,662 --> 00:04:07,828 NOEL... 72 00:04:10,999 --> 00:04:14,035 THAT KISS... THAT KISS HAS NOT ONLY SCREWED UP MY SLEEP PATTERNS, 73 00:04:14,103 --> 00:04:16,471 IT'S PUT A GIANT CURSE ON OUR ART CLASS. 74 00:04:16,539 --> 00:04:17,838 Ms. Sherman: FELICITY? 75 00:04:17,906 --> 00:04:19,974 SORRY. 76 00:04:20,042 --> 00:04:21,943 PAY ATTENTION, PLEASE. 77 00:04:22,010 --> 00:04:26,147 SO WE SHOULD ALL BE GETTING OUR FINAL PROJECTS READY. 78 00:04:26,214 --> 00:04:29,317 I WANT YOU TO DO TWO PORTRAITS OF YOURSELF. 79 00:04:29,384 --> 00:04:30,985 ONE AS YOU SEE YOURSELF, 80 00:04:31,053 --> 00:04:35,557 AND ONE AS YOU THINK THE OUTSIDE WORLD PERCEIVES YOU. 81 00:04:35,624 --> 00:04:37,992 THEN PAIR OFF WITH A PARTNER, 82 00:04:38,060 --> 00:04:40,628 AND YOU'LL BE DOING EACH OTHER'S PORTRAITS. 83 00:04:40,696 --> 00:04:43,765 I EXPECT TO SEE AT LEAST 5 OF THE TECHNIQUES 84 00:04:43,833 --> 00:04:47,001 THAT WE HAVE WORKED WITH THIS PAST SEMESTER. 85 00:04:47,069 --> 00:04:50,204 CHOOSE A FACE THAT YOU LIKE. 86 00:04:50,272 --> 00:04:52,039 YOU'RE GONNA BE SPENDING A LOT OF TIME LOOKING AT IT. 87 00:04:52,107 --> 00:04:53,741 IF YOU WANT TO USE COLOR, THAT'S FINE, 88 00:04:53,809 --> 00:04:55,910 JUST DON'T GET FANCY, KEEP IT SIMPLE. 89 00:04:55,978 --> 00:04:58,179 YOU MAY WANT TO USE A MIRROR FOR THE SELF-PORTRAITS. 90 00:04:58,246 --> 00:05:00,414 SO LET'S GET YOUR MATERIALS TOGETHER, GO FOR IT... 91 00:05:00,483 --> 00:05:02,016 I REALLY WANT TO DO THIS WITH YOU. 92 00:05:02,084 --> 00:05:03,151 YEAH? 93 00:05:03,219 --> 00:05:04,619 WELL, I MEAN, UNLESS... 94 00:05:04,686 --> 00:05:06,421 NO. I WANT TO. OF COURSE. 95 00:05:06,489 --> 00:05:08,223 GOOD. OK. 96 00:05:14,497 --> 00:05:15,864 Felicity: HI. Noel: HI. 97 00:05:18,501 --> 00:05:21,436 NOEL AND I ARE GOING TO BE PARTNERS. THAT'S OK, RIGHT? 98 00:05:21,637 --> 00:05:24,005 YES, OF COURSE. 99 00:05:24,072 --> 00:05:25,906 GOOD, UM... 100 00:05:25,974 --> 00:05:28,009 AND WE JUST WANTED TO LET YOU KNOW 101 00:05:28,076 --> 00:05:32,113 THAT WHAT HAPPENED AT THANKSGIVING, UM... 102 00:05:32,181 --> 00:05:35,183 WHAT YOU SAW HAD NOTHING TO DO WITH DAVID. 103 00:05:35,251 --> 00:05:36,984 THAT'S TRUE. 104 00:05:37,052 --> 00:05:39,888 IT WAS YOUR PUNCH THAT DID IT. 105 00:05:39,955 --> 00:05:42,223 I'M JUST LEAVING. 106 00:05:47,679 --> 00:05:49,546 DO YOU HAVE A CLASS-RELATED QUESTION? 107 00:05:49,614 --> 00:05:52,733 I REALLY ADMIRE YOU AS A TEACHER. 108 00:05:52,801 --> 00:05:57,205 OBVIOUSLY, UM, I'VE LEARNED SO MUCH FROM YOU THIS SEMESTER, 109 00:05:57,273 --> 00:05:59,674 AND... 110 00:05:59,741 --> 00:06:03,044 I JUST WANTED TO MAKE SURE THAT WHAT HAPPENED 111 00:06:03,111 --> 00:06:06,247 ISN'T GOING TO AFFECT OUR TEACHER/STUDENT RELATIONSHIP. 112 00:06:06,682 --> 00:06:09,433 I'M GOING TO PRETEND YOU DIDN'T JUST ASK ME THAT. 113 00:06:09,501 --> 00:06:11,452 OK. 114 00:06:11,520 --> 00:06:12,954 I'LL SEE YOU ON THURSDAY. 115 00:06:18,477 --> 00:06:21,062 Sean: OH, MY GOD. THAT'S JUST FANTASTIC! 116 00:06:21,129 --> 00:06:23,965 I... NO. YES. I CAN BRING SAMPLES OVER TOMORROW AFTERNOON 117 00:06:25,868 --> 00:06:28,036 UH... ABSOLUTELY. 118 00:06:28,103 --> 00:06:29,771 YES, SIR. 119 00:06:29,838 --> 00:06:32,273 AS MUCH AS YOU'D LIKE. WHAT... 120 00:06:32,575 --> 00:06:33,357 OK. 121 00:06:34,526 --> 00:06:35,492 YES! 122 00:06:35,560 --> 00:06:36,894 WHAT? 123 00:06:36,962 --> 00:06:38,062 Sean: I DON'T BELIEVE THIS. 124 00:06:38,130 --> 00:06:39,964 WHAT... WHAT... WHAT HAPPENED? 125 00:06:40,032 --> 00:06:42,066 OK, UM, YOU KNOW HOW... 126 00:06:42,134 --> 00:06:44,902 HOW I WAS GIVING AWAY SMOOTHAISE SAMPLES ON THANKSGIVING? 127 00:06:44,970 --> 00:06:46,070 YES. 128 00:06:46,138 --> 00:06:47,338 WELL, APPARENTLY, THERE'S THIS INVESTOR GUY, 129 00:06:47,405 --> 00:06:49,506 AND HE, UH, TOTALLY FLIPPED OUT. 130 00:06:49,842 --> 00:06:52,259 TOTAL SMOOTHAISE FANATIC, 131 00:06:52,327 --> 00:06:55,162 AND HE WANTS TO DISTRIBUTE IT TO RESTAURANT CHAINS. 132 00:06:55,598 --> 00:06:57,031 OH, MY GOD. 133 00:06:57,233 --> 00:06:58,800 THAT'S AMAZING! ISN'T THAT GREAT? 134 00:06:58,867 --> 00:07:00,434 CONGRATULATIONS! THANK YOU. 135 00:07:00,502 --> 00:07:02,203 YOU KNOW, I'M GONNA BUY YOU A DRINK TONIGHT AT EPSTEIN BAR. 136 00:07:02,270 --> 00:07:03,370 OH, YOU'RE PLAYING? 137 00:07:03,438 --> 00:07:04,973 YES, I'M PLAYING. 138 00:07:05,040 --> 00:07:06,373 WOW! THAT'S GREAT. 139 00:07:06,441 --> 00:07:08,209 YOU ABSOLUTELY HAVE TO COME 140 00:07:08,276 --> 00:07:10,461 BECAUSE I SENT OUT, LIKE, A MILLION FLYERS, 141 00:07:10,528 --> 00:07:12,029 AND THERE MIGHT BE MUSIC PEOPLE THERE. 142 00:07:12,364 --> 00:07:13,615 OH, MUSIC PEOPLE. 143 00:07:13,682 --> 00:07:14,983 [DOOR OPENS] 144 00:07:15,050 --> 00:07:17,518 Julie: HEY. HEY. 145 00:07:17,586 --> 00:07:18,987 WHAT'S WRONG? 146 00:07:19,054 --> 00:07:20,321 NOTHING! 147 00:07:27,696 --> 00:07:29,563 MY AMERICAN LIT FINAL'S DUE IN 48 HOURS, 148 00:07:29,632 --> 00:07:30,965 AND I HAVEN'T EVEN STARTED YET. 149 00:07:31,033 --> 00:07:33,067 THAT'S WHY I SLAMMED THE DOOR. 150 00:07:33,135 --> 00:07:35,236 OH. 151 00:07:35,303 --> 00:07:38,289 THAT'S WHY I'M GONNA GO SLAM IT AGAIN. 152 00:07:39,691 --> 00:07:40,758 OK. 153 00:07:47,900 --> 00:07:50,968 I THOUGHT WITH TIME THE DREAMS WOULD STOP, 154 00:07:51,036 --> 00:07:52,069 BUT THEY HAVEN'T. 155 00:07:52,404 --> 00:07:55,489 IN FACT, THEY'VE JUST GOTTEN MORE INTENSE. 156 00:08:08,704 --> 00:08:10,138 I'VE MISSED YOU SO MUCH. 157 00:08:11,640 --> 00:08:13,975 I HAD HER FIRST. 158 00:08:14,043 --> 00:08:16,711 YOU CAN NEVER TAKE THAT AWAY FROM ME, NO MATTER HOW MUCH YOU LOVE HER. 159 00:08:16,779 --> 00:08:19,313 David: I'M THE ONE WHO REALLY TAUGHT HER HOW TO MAKE LOVE. 160 00:08:20,582 --> 00:08:22,116 Ben: I'M HER SOUL MATE. 161 00:08:23,552 --> 00:08:24,852 Noel: NO. I AM. 162 00:08:27,422 --> 00:08:28,455 Felicity: LUCKY? 163 00:08:28,523 --> 00:08:30,591 Lucky: JE M'APPELLE CHANCE. 164 00:08:30,659 --> 00:08:31,826 Felicity: WHAT ARE YOU DOING HERE? 165 00:08:31,894 --> 00:08:33,561 [SPEAKING FRENCH] 166 00:08:37,700 --> 00:08:38,549 [ARF] 167 00:08:40,152 --> 00:08:41,769 YOU OK? 168 00:08:42,204 --> 00:08:44,372 YEAH. YEAH. I WAS, UM... 169 00:08:44,440 --> 00:08:46,974 I WAS JUST... THINKING ABOUT THIS DREAM I HAD. 170 00:08:47,042 --> 00:08:49,210 IT'S NOTHING. 171 00:08:49,277 --> 00:08:50,712 NO. TELL ME. I WANT TO KNOW WHAT YOU WERE DREAMING. 172 00:08:50,779 --> 00:08:51,746 [NERVOUS CHUCKLE] 173 00:08:51,814 --> 00:08:54,181 NO. IT DOESN'T EVEN MAKE SENSE AT ALL. 174 00:08:54,249 --> 00:08:55,450 I DON'T EVEN REMEMBER THE DETAILS. 175 00:08:55,517 --> 00:08:56,384 IT'S JUST STUPID. 176 00:09:09,698 --> 00:09:11,466 I'M DREADING DOING THIS SELF-PORTRAIT, 177 00:09:11,533 --> 00:09:14,301 SITTING IN FRONT OF A MIRROR, STUDYING EVERY PORE OF MY FACE. 178 00:09:14,370 --> 00:09:16,404 YUCK. 179 00:09:16,472 --> 00:09:18,840 OH, I'M GONNA HAVE TO DISAGREE ON THAT ONE. 180 00:09:18,907 --> 00:09:21,576 I MEAN, DRAWING YOU IS... 181 00:09:21,643 --> 00:09:24,211 WELL, "YUCK" IS NOT THE WORD I'D USE TO DESCRIBE YOU. 182 00:09:28,751 --> 00:09:30,618 HOW'S, UH, HOW'S RUBY? 183 00:09:30,686 --> 00:09:31,919 STILL IN L.A. 184 00:09:31,987 --> 00:09:33,521 SHE'LL BE BACK IN A COUPLE OF WEEKS. BUT SHE'S, UH, 185 00:09:33,589 --> 00:09:35,222 TOTALLY UNIMPRESSED WITH THE WHOLE HOLLYWOOD SCENE. 186 00:09:43,031 --> 00:09:44,699 YOU MUST MISS HER. 187 00:09:44,767 --> 00:09:46,233 YEAH. 188 00:09:56,461 --> 00:09:57,628 Felicity: I WAS PRETTY SURE 189 00:09:57,695 --> 00:09:59,130 I WAS MAKING SOMETHING OUT OF NOTHING... 190 00:09:59,197 --> 00:10:01,198 THAT NOEL REALLY WASN'T SENDING OUT SIGNALS. 191 00:10:01,266 --> 00:10:03,501 I WAS JUST IMAGINING THEM. 192 00:10:03,568 --> 00:10:05,969 BUT THEN SOMETHING HAPPENED. 193 00:10:06,038 --> 00:10:08,406 LATE WEDNESDAY NIGHT... MID-FINAL SKETCH... 194 00:10:08,473 --> 00:10:09,673 WE TOOK A TV BREAK. 195 00:10:09,741 --> 00:10:11,075 I GUESS WE WERE BOTH EXHAUSTED 196 00:10:11,143 --> 00:10:13,810 BECAUSE WE PASSED OUT. 197 00:10:13,878 --> 00:10:15,546 WHEN I WOKE UP, 198 00:10:15,613 --> 00:10:18,182 I COULD FEEL HIS BREATH AGAINST MY NECK, 199 00:10:18,250 --> 00:10:20,351 AND NOEL HAD HIS ARM AROUND ME. 200 00:10:23,522 --> 00:10:24,988 Elena: SO WHAT HAPPENED WHEN YOU WOKE UP? 201 00:10:25,057 --> 00:10:28,059 NOTHING. I GOT UP FIRST, AND... 202 00:10:28,126 --> 00:10:29,326 HE DIDN'T SAY ANYTHING ABOUT IT. 203 00:10:29,394 --> 00:10:31,245 I DON'T KNOW IF HE DID IT ON PURPOSE. 204 00:10:31,313 --> 00:10:33,314 WE JUST WENT BACK TO DRAWING. 205 00:10:33,381 --> 00:10:35,933 WHAT HAPPENED TO "I DON'T WANT TO DATE ANYONE RIGHT NOW"? 206 00:10:36,000 --> 00:10:38,169 I KNOW, BUT... 207 00:10:38,236 --> 00:10:40,171 WHEN I SAID IT TO DAVID, I MEANT IT. 208 00:10:43,041 --> 00:10:44,108 LAST YEAR, 209 00:10:44,176 --> 00:10:45,609 I HAD A CHANCE TO BE WITH NOEL, 210 00:10:45,677 --> 00:10:48,463 AND IF I HAVE THE CHANCE AGAIN, 211 00:10:48,530 --> 00:10:50,431 I JUST... 212 00:10:50,499 --> 00:10:54,502 I DON'T WANT TO MAKE THE SAME MISTAKE AGAIN. 213 00:10:54,570 --> 00:10:57,338 I MEAN, UNLESS THIS IS ALL WISHFUL THINKING ANYWAY. 214 00:11:00,141 --> 00:11:02,977 ARE... ARE RUBY AND NOEL, 215 00:11:03,044 --> 00:11:04,912 YOU KNOW, ARE THEY SERIOUS? 216 00:11:04,980 --> 00:11:06,914 I THINK HE LIKES HER. 217 00:11:06,982 --> 00:11:08,916 I MEAN, I DON'T KNOW. I MEAN... 218 00:11:08,984 --> 00:11:11,185 YOU GUYS HAVE A HISTORY. 219 00:11:11,252 --> 00:11:12,920 IT'S A WHOLE DIFFERENT THING. 220 00:11:12,988 --> 00:11:15,055 PLUS, SHE'S BEEN OUT OF TOWN FOR WEEKS. 221 00:11:15,491 --> 00:11:16,373 WHAT DOES THAT MEAN? 222 00:11:16,441 --> 00:11:17,741 I MEAN, HOW SERIOUS CAN IT BE? 223 00:11:17,809 --> 00:11:21,095 DO YOU THINK I SHOULD TELL HIM ABOUT THE DREAMS? 224 00:11:21,163 --> 00:11:24,265 YOU TWO HAVE BEEN DANCING AROUND THIS LONG ENOUGH. 225 00:11:24,333 --> 00:11:26,067 YOU MIGHT AS WELL. 226 00:11:31,206 --> 00:11:32,339 Felicity: I COULDN'T TAKE IT ANYMORE. 227 00:11:32,407 --> 00:11:33,574 MY DREAMS, OUR NAP... 228 00:11:33,876 --> 00:11:34,709 ALL THESE THINGS WERE ADDING UP 229 00:11:34,776 --> 00:11:37,261 TO SOME PRETTY UNMISTAKABLE CONCLUSIONS. 230 00:11:37,328 --> 00:11:38,595 I HAD TO CONFRONT NOEL, 231 00:11:38,663 --> 00:11:40,330 AND I JUST HAD TO LIVE WITH THE CONSEQUENCES. 232 00:11:41,850 --> 00:11:43,283 HI. 233 00:11:43,351 --> 00:11:44,318 RUBY. 234 00:11:44,386 --> 00:11:45,819 IT'S SO GOOD TO SEE YOU. 235 00:11:45,888 --> 00:11:46,954 UH, YEAH. 236 00:11:47,389 --> 00:11:49,089 THEY REARRANGED MY SHOOTING SCHEDULE 237 00:11:49,157 --> 00:11:50,591 SO I COULD COME BACK FOR MY ECON FINAL. 238 00:11:51,026 --> 00:11:52,243 COME ON IN. NOEL'S IN THE SHOWER. 239 00:12:12,146 --> 00:12:16,450 I...I'M THIRSTY. AREN'T YOU? 240 00:12:16,518 --> 00:12:17,451 NO. 241 00:12:17,519 --> 00:12:20,654 OK. I'M JUST, UH... PORTRAIT BREAK. 242 00:12:20,722 --> 00:12:24,157 GOOD. I'M GETTING CARPAL TUNNEL. 243 00:12:24,226 --> 00:12:25,709 Felicity: CAN YOU BELIEVE IT'S ALREADY CHRISTMAS? 244 00:12:25,777 --> 00:12:28,745 I MEAN, I SWEAR THAT TIME'S GOING FASTER THAN IT USED TO. 245 00:12:28,813 --> 00:12:30,581 Noel: I KNOW. WHAT HAPPENED TO FALL? 246 00:12:30,648 --> 00:12:33,117 IT'S LIKE IT SKIPPED AND WENT DIRECTLY FROM SUMMER TO WINTER. 247 00:12:36,588 --> 00:12:38,255 WHAT'S THIS, CHRISTMAS SHOPPING? 248 00:12:38,323 --> 00:12:40,324 HOW NON-PROCRASTINATING OF YOU. 249 00:12:40,392 --> 00:12:41,325 Felicity: OR IS THIS ELENA'S? 250 00:12:41,393 --> 00:12:43,077 NO. IT'S MINE. 251 00:12:43,144 --> 00:12:45,112 WOW. WHICH TEACHER ARE YOU TRYING TO BUTTER UP? 252 00:12:45,179 --> 00:12:48,482 ACTUALLY, THAT'S MAYBE FOR RUBY. 253 00:12:48,550 --> 00:12:50,050 OH. 254 00:12:50,118 --> 00:12:52,219 MAYBE. 255 00:12:52,286 --> 00:12:53,754 WOW. 256 00:12:53,822 --> 00:12:55,288 YEAH. I'M NOT SURE. 257 00:12:55,356 --> 00:12:56,657 I CAN'T DECIDE WHAT THE HELL TO DO. 258 00:12:56,725 --> 00:12:59,159 NO. I'M SURE SHE'LL LOVE IT. 259 00:12:59,227 --> 00:13:00,193 I DON'T KNOW. 260 00:13:00,261 --> 00:13:01,495 HEY. UH... 261 00:13:04,265 --> 00:13:05,365 IS THIS BETTER? 262 00:13:07,301 --> 00:13:09,703 UH... THAT'S REALLY PRETTY. 263 00:13:09,771 --> 00:13:13,107 OR... THIS. 264 00:13:16,361 --> 00:13:17,661 TOO MUCH? 265 00:13:17,729 --> 00:13:19,813 NO. 266 00:13:22,200 --> 00:13:23,567 IT'S TOO MUCH, ISN'T IT? 267 00:13:23,635 --> 00:13:25,336 BUT IS THE PALM PILOT TOO IMPERSONAL? 268 00:13:25,404 --> 00:13:26,570 BECAUSE SHE'S ALWAYS COMPLAINING 269 00:13:26,638 --> 00:13:28,072 ABOUT BEING DISORGANIZED, 270 00:13:28,140 --> 00:13:30,374 AND MY BROTHER GOT ONE AND SAID IT COMPLETELY CHANGED HIS LIFE, 271 00:13:30,442 --> 00:13:32,043 AND THAT MADE ME WANT ONE. 272 00:13:32,110 --> 00:13:34,345 SO I JUST... WHAT DO YOU THINK? 273 00:13:34,546 --> 00:13:36,447 NOEL, I... 274 00:13:36,515 --> 00:13:37,615 YOU CAN SAY ANYTHING YOU WANT. 275 00:13:37,682 --> 00:13:38,816 THEY'RE ALL RETURNABLE. 276 00:13:38,884 --> 00:13:40,217 I CAN'T TELL YOU WHAT TO GIVE RUBY. 277 00:13:40,419 --> 00:13:42,536 NO. I JUST WANT YOUR OPINION. 278 00:13:42,604 --> 00:13:44,905 I THINK THEY'RE ALL REALLY GOOD. 279 00:13:44,973 --> 00:13:48,592 OK. WELL, JUST TELL ME WHICH ONE YOU WOULD WANT. 280 00:13:52,397 --> 00:13:54,732 WHAT? WHAT'S GOING ON? 281 00:13:54,933 --> 00:13:59,520 I COULD PROBABLY TELL YOU WHAT TO GIVE RUBY... 282 00:13:59,587 --> 00:14:03,857 IF I DIDN'T HAVE A PERSONAL INTEREST AT STAKE. 283 00:14:06,795 --> 00:14:09,062 I WANT TO GO OUT WITH YOU AGAIN. 284 00:14:09,130 --> 00:14:12,566 I DON'T EVEN KNOW HOW SERIOUS YOU AND RUBY ARE 285 00:14:12,633 --> 00:14:15,035 OR EVEN IF YOU'D BE INTERESTED IN DATING ME 286 00:14:15,103 --> 00:14:18,038 IF YOU WEREN'T DATING ANYONE ELSE. 287 00:14:18,106 --> 00:14:20,207 OH, MY GOD. 288 00:14:22,977 --> 00:14:24,578 Noel: I'M REELING. 289 00:14:24,646 --> 00:14:26,246 I'M PHYSICALLY REELING. 290 00:14:28,650 --> 00:14:31,218 I KNOW. THIS WAS, LIKE, A BOMBSHELL. 291 00:14:33,321 --> 00:14:34,988 I DON'T... 292 00:14:35,056 --> 00:14:36,490 I CAN'T REALLY FEEL MY LEGS. 293 00:14:48,436 --> 00:14:49,636 [SIGH] 294 00:14:53,040 --> 00:14:57,428 THIS IS BAD TIMING... WHAT YOU'RE SAYING. 295 00:14:57,629 --> 00:14:58,929 MM-HMM. 296 00:14:58,997 --> 00:14:59,864 Noel: YEAH. 297 00:15:04,335 --> 00:15:07,170 I SAW THIS GUY ON THE NEWS WHEN I WAS A KID. 298 00:15:07,238 --> 00:15:09,306 A STUNT GUY. 299 00:15:09,508 --> 00:15:12,259 AND HE WAS, UH... HE WAS ON A MOTORCYCLE, 300 00:15:12,326 --> 00:15:14,495 AND HE WAS DOING THIS INSANE JUMP 301 00:15:14,562 --> 00:15:16,296 OVER, LIKE, 60 SCHOOL BUSES 302 00:15:16,364 --> 00:15:19,132 OR SOMETHING RIDICULOUS, YOU KNOW? 303 00:15:19,200 --> 00:15:21,735 AND HE TRIED IT, AND HE MISSED. 304 00:15:21,803 --> 00:15:24,938 HE BROKE, LIKE, 80% OF THE BONES IN HIS BODY 305 00:15:25,006 --> 00:15:27,941 ON THE ROOF OF BUS 59. 306 00:15:30,028 --> 00:15:33,164 AND I REMEMBER THEY INTERVIEWED HIM FROM THE HOSPITAL. 307 00:15:33,231 --> 00:15:35,682 HE HAD BANDAGES AND GAUZE ALL OVER HIM. 308 00:15:35,750 --> 00:15:39,219 HE LOOKED UP, AND YOU COULD ONLY SEE HIS EYES. 309 00:15:39,287 --> 00:15:40,854 AND THEY ASKED HIM IF HE WAS GONNA TRY IT AGAIN, 310 00:15:40,922 --> 00:15:42,322 AND HE SAID, "NO." 311 00:15:42,390 --> 00:15:45,759 AND THEY SAID, "WHY NOT?" 312 00:15:45,827 --> 00:15:49,430 AND HE SAID, "BECAUSE I REALLY MISSED THE FIRST TIME." 313 00:15:54,753 --> 00:15:58,422 YOU JUST SAID THE PERFECT THING, 314 00:15:58,489 --> 00:16:02,760 AND... THANK YOU FOR BEING HONEST BACK. 315 00:16:04,746 --> 00:16:06,647 NOW I FEEL WEIRD. 316 00:16:06,714 --> 00:16:08,048 IT'S LIKE REVERSE REELING. 317 00:16:08,115 --> 00:16:09,667 NO. DON'T. 318 00:16:09,734 --> 00:16:10,684 WE SHOULD BOTH FEEL REALLY GOOD. 319 00:16:10,751 --> 00:16:13,687 WE JUST... GOT IT OUT THERE. 320 00:16:13,754 --> 00:16:16,656 WE CERTAINLY DID. 321 00:16:16,724 --> 00:16:18,992 NOW WE CAN JUST MOVE ON. 322 00:16:30,388 --> 00:16:32,155 GIVE HER THE BRACELET. 323 00:16:33,875 --> 00:16:34,774 YOU THINK? 324 00:16:36,845 --> 00:16:38,144 IT'S WHAT I'D WANT. 325 00:16:44,919 --> 00:16:47,320 Julie: ♪ I KNOW BY NOW 326 00:16:47,388 --> 00:16:50,190 ♪ BETTER BE THIS TIME 327 00:16:50,492 --> 00:16:51,475 ♪ GIVE ME LOVE 328 00:16:51,543 --> 00:16:53,877 ♪ GIVE ME LIFE 329 00:16:53,945 --> 00:16:58,499 ♪ I'VE BEEN TRAVELING FOR SO LONG ♪ 330 00:16:58,566 --> 00:17:02,068 ♪ OVERDRIVE, HUNDRED MILES ♪ 331 00:17:02,136 --> 00:17:07,674 ♪ I DESERVE A LITTLE BIT OF THIS LIFE ♪ 332 00:17:07,742 --> 00:17:10,777 ♪ A LITTLE SMILE 333 00:17:10,845 --> 00:17:14,447 ♪ I DESERVE A LITTLE BIT OF YOU ♪ 334 00:17:17,685 --> 00:17:18,619 ♪ YEAH 335 00:17:18,686 --> 00:17:21,588 Sean: WHOO-HOO-HOO! 336 00:17:21,656 --> 00:17:23,590 YEAH! 337 00:17:24,025 --> 00:17:25,109 WHOO-HOO! 338 00:17:25,176 --> 00:17:26,610 Sean: WHOO! 339 00:17:26,678 --> 00:17:28,695 Man: GREAT! 340 00:17:28,763 --> 00:17:29,830 GOOD JOB, JULIE. THANKS. 341 00:17:31,298 --> 00:17:33,133 HEY. 342 00:17:33,201 --> 00:17:34,167 HI. 343 00:17:34,235 --> 00:17:36,870 I FOUND YOUR FLYER IN MY IN-BOX, 344 00:17:36,938 --> 00:17:38,138 AND I DECIDED ON A WHIM 345 00:17:38,206 --> 00:17:39,773 TO COME CHECK OUT YOUR SHOW, 346 00:17:39,840 --> 00:17:41,641 AND I'M REALLY GLAD I DID. 347 00:17:41,709 --> 00:17:43,343 THAT WAS A GREAT SET. 348 00:17:43,345 --> 00:17:44,795 THANK YOU. THANKS. 349 00:17:44,863 --> 00:17:45,796 I'M ERIC KIDD. 350 00:17:45,864 --> 00:17:46,997 JULIE EMRICK. 351 00:17:47,065 --> 00:17:48,465 OH, YOU KNOW THAT. YOU GOT THE FLYER. 352 00:17:48,533 --> 00:17:53,436 YES. UM, I'M HEAD OF A&R AT POP ROCKS RECORDS. 353 00:17:53,504 --> 00:17:54,872 I DON'T... 354 00:17:55,056 --> 00:17:56,039 YEAH. WELL, WE'RE GROWING. 355 00:17:56,107 --> 00:17:57,641 YOU KNOW, WE HAVE A LOT OF GREAT ACTS, 356 00:17:57,709 --> 00:18:00,311 AND WE'RE REALLY INTO DEVELOPING NEW TALENT. 357 00:18:00,378 --> 00:18:02,695 SO I WAS WONDERING, HAVE YOU MADE ANY RECORDINGS? 358 00:18:02,763 --> 00:18:03,696 ME? 359 00:18:03,764 --> 00:18:05,198 YEAH. NO. 360 00:18:05,266 --> 00:18:07,935 WELL, I'VE MADE A COUPLE OF REALLY CHEESY TAPES FOR MYSELF. 361 00:18:08,002 --> 00:18:09,502 I BORROWED A 4-TRACK FROM MY FRIEND. 362 00:18:09,938 --> 00:18:12,172 THERE WAS, LIKE, A DOG BARKING IN THE BACKGROUND. 363 00:18:12,239 --> 00:18:14,808 I WOULD LOVE TO HEAR IT, CANINE BACKUP AND ALL. 364 00:18:14,876 --> 00:18:16,944 MAYBE I COULD PASS IT ALONG TO MY PARTNERS. 365 00:18:17,011 --> 00:18:18,144 ARE YOU KIDDING? 366 00:18:18,212 --> 00:18:21,514 NO. I'M DEAD SERIOUS. REALLY. 367 00:18:21,583 --> 00:18:23,516 LOOK. CAN I BUY YOU A DRINK OR SOMETHING? 368 00:18:23,585 --> 00:18:24,885 OH, GOD. I WOULD LOVE TO, 369 00:18:24,953 --> 00:18:26,787 BUT I'M IN THE MIDDLE OF FINALS RIGHT NOW, 370 00:18:26,854 --> 00:18:28,021 AND I SHOULD NOT EVEN BE HERE, SO... 371 00:18:28,089 --> 00:18:29,355 Sean: HEY! 372 00:18:29,423 --> 00:18:30,557 YOU WERE AMAZING. 373 00:18:30,625 --> 00:18:31,558 THANK YOU. 374 00:18:31,626 --> 00:18:32,559 AMAZING. 375 00:18:32,627 --> 00:18:34,795 SEAN, THIS IS ERIC. ERIC, THIS IS SEAN. 376 00:18:34,862 --> 00:18:37,664 BE REALLY NICE BECAUSE HE'S FROM A RECORD COMPANY. 377 00:18:37,732 --> 00:18:38,699 NICE TO MEET YOU. 378 00:18:38,766 --> 00:18:40,300 YES. YOU, TOO. 379 00:18:40,367 --> 00:18:43,770 WELL, LOOK, WHY DON'T YOU GIVE ME A CALL? 380 00:18:43,838 --> 00:18:46,690 I WOULD LOVE TO HEAR THOSE TAPES. REALLY. 381 00:18:46,758 --> 00:18:47,925 HERE'S MY CARD. 382 00:18:47,992 --> 00:18:49,927 OK. THANKS. 383 00:18:49,994 --> 00:18:52,196 NO PROBLEM. NICE MEETING YOU. 384 00:18:52,263 --> 00:18:53,197 NICE TO MEET YOU. 385 00:18:53,264 --> 00:18:54,331 YEAH. 386 00:18:56,567 --> 00:18:58,284 OH, MY GOD. POP ROCKS. 387 00:19:05,960 --> 00:19:07,527 Elena: WHAT'S UP? 388 00:19:07,595 --> 00:19:08,728 NOEL'S THE GREATEST. 389 00:19:08,796 --> 00:19:13,450 UM, GWEN, THIS IS FELICITY, MY OLD LAB PARTNER. 390 00:19:13,518 --> 00:19:16,052 FELICITY, THIS IS GWEN, YOUR REPLACEMENT. 391 00:19:16,388 --> 00:19:18,338 IT'S NICE TO MEET YOU. 392 00:19:18,640 --> 00:19:19,923 GWEN, WHY DON'T YOU CONTINUE WITH THE ASSIGNMENT, 393 00:19:19,991 --> 00:19:21,091 AND I'LL BE JUST A SEC. 394 00:19:22,727 --> 00:19:24,828 I'LL GO GET... 395 00:19:24,896 --> 00:19:26,196 THE BEAKER. 396 00:19:26,264 --> 00:19:27,498 THE BEAKER. 397 00:19:34,873 --> 00:19:37,674 SHE'S THE, UH, SLOW TALKER? 398 00:19:37,742 --> 00:19:39,943 SHE'S NOT THE FAST TALKER. 399 00:19:40,011 --> 00:19:41,211 WHAT'S WRONG? 400 00:19:41,279 --> 00:19:43,680 NOEL JUST DUMPED ME. 401 00:19:43,748 --> 00:19:45,883 SINCE WHEN WERE YOU DATING? 402 00:19:45,950 --> 00:19:49,052 I, UH... 403 00:19:49,120 --> 00:19:51,422 TOLD HIM I WANTED TO SEE HIM AGAIN, 404 00:19:51,489 --> 00:19:53,724 AND HE SAID "NO." 405 00:19:53,792 --> 00:19:56,026 HE LIKES RUBY. 406 00:19:56,093 --> 00:19:57,828 OH, HONEY, I'M SORRY. 407 00:19:57,896 --> 00:19:59,029 OH, NO, DON'T BE. 408 00:19:59,096 --> 00:20:03,434 I TOLD HIM HOW I FELT, AND HE MADE A CHOICE. 409 00:20:08,039 --> 00:20:10,240 IT'S WEIRD. I, UH, 410 00:20:10,308 --> 00:20:12,543 I GUESS I SHOULD BE MISERABLE OR SOMETHING, 411 00:20:12,610 --> 00:20:16,947 BUT... I REALLY RESPECT HIS DECISION. 412 00:20:17,014 --> 00:20:19,883 THAT ONLY MAKES YOU WANT HIM MORE. 413 00:20:19,951 --> 00:20:22,453 DAMN RIGHT. 414 00:20:22,520 --> 00:20:24,120 IT SUCKS HOW THAT HAPPENS. 415 00:20:24,188 --> 00:20:26,089 YEAH. 416 00:20:33,298 --> 00:20:35,365 [JINGLE BELLS PLAYING] 417 00:20:46,511 --> 00:20:47,478 MERRY CHRISTMAS. 418 00:20:47,545 --> 00:20:49,880 OH, MY GOD. WHAT IS THIS? 419 00:20:49,948 --> 00:20:50,914 OPEN IT. 420 00:20:50,982 --> 00:20:53,216 I DIDN'T GET YOU ANYTHING YET. 421 00:20:53,284 --> 00:20:54,885 THAT'S OK. OK. 422 00:21:02,393 --> 00:21:04,528 A PALM PILOT. 423 00:21:04,596 --> 00:21:06,429 I TOTALLY NEED ONE OF THESE. 424 00:21:06,498 --> 00:21:07,898 YEAH? 425 00:21:07,966 --> 00:21:10,000 I'M SO DISORGANIZED. 426 00:21:10,067 --> 00:21:11,334 OR UNORGANIZED? 427 00:21:11,402 --> 00:21:12,503 WHICHEVER ONE'S RIGHT. 428 00:21:12,570 --> 00:21:14,387 YOU SURE YOU LIKE IT? BECAUSE I HAVE THE RECEIPT. 429 00:21:14,455 --> 00:21:15,422 WE CAN RETURN IT. 430 00:21:15,490 --> 00:21:16,590 NO. I LOVE IT. 431 00:21:16,657 --> 00:21:17,790 YEAH, HERE, LET'S RETURN IT. 432 00:21:17,858 --> 00:21:20,277 NOEL, STOP. THIS IS PERFECT. 433 00:21:20,345 --> 00:21:22,246 REALLY? 434 00:21:23,882 --> 00:21:26,116 REALLY. 435 00:21:26,184 --> 00:21:28,318 YOU'RE THE SWEETEST. 436 00:21:28,386 --> 00:21:32,655 GOOD. I'M GLAD YOU LIKE IT. WOW. 437 00:21:32,723 --> 00:21:35,059 OK. PLEASE, NOW HOOK IT UP. 438 00:21:35,126 --> 00:21:37,027 HOOK IT UP? OH, THAT WAS NICE. 439 00:21:37,095 --> 00:21:40,530 [SEAN HUMMING] 440 00:21:48,623 --> 00:21:49,673 HEY. 441 00:21:49,741 --> 00:21:51,525 HELLO. 442 00:21:51,826 --> 00:21:52,842 YOU LOOK GREAT. 443 00:21:52,910 --> 00:21:54,127 THANKS. 444 00:21:54,195 --> 00:21:57,064 Sean: ANY SPECIAL OCCASION? 445 00:21:57,131 --> 00:21:59,099 NO. I WAS JUST DROPPING OFF MY TAPE 446 00:21:59,167 --> 00:22:00,400 TO THAT RECORD GUY. 447 00:22:00,468 --> 00:22:01,501 WHO, ERIC? MM-HMM. 448 00:22:01,569 --> 00:22:03,019 HOW'D THAT GO? 449 00:22:03,088 --> 00:22:04,521 HE SEEMS REALLY INTERESTED. 450 00:22:04,589 --> 00:22:07,324 WELL, THAT'S GREAT. YOU WANT A SANDWICH OR SOMETHING? 451 00:22:07,392 --> 00:22:10,327 NO. ACTUALLY, I JUST HAD LUNCH WITH HIM IN HIS OFFICE. 452 00:22:10,395 --> 00:22:11,945 HE ORDERED A PIZZA. 453 00:22:12,013 --> 00:22:12,946 REALLY? 454 00:22:13,014 --> 00:22:14,547 I AM SO EXCITED. 455 00:22:14,615 --> 00:22:17,550 OK. HE'S THINKING ABOUT DOING THIS THING CALLED A DEMO DEAL 456 00:22:17,618 --> 00:22:20,387 WHERE THEY PAY TO HAVE, LIKE, 3 OR 4 SONGS RECORDED, 457 00:22:20,455 --> 00:22:22,255 AND THEN IF THEY LIKE WHAT THEY HEAR, 458 00:22:22,323 --> 00:22:24,324 THEY MAY ACTUALLY SIGN ME. 459 00:22:24,392 --> 00:22:26,810 BUT YOU DIDN'T SIGN ANYTHING WITH HIM YET, DID YOU? 460 00:22:26,878 --> 00:22:28,078 NO. WHY? 461 00:22:28,146 --> 00:22:29,279 I DON'T KNOW. 462 00:22:29,347 --> 00:22:30,714 I JUST KIND OF GOT A BAD FEELING FROM HIM. 463 00:22:30,782 --> 00:22:32,232 WHAT? 464 00:22:32,299 --> 00:22:34,000 TO BE HONEST, HE JUST SEEMED LIKE HE WAS A LITTLE MORE INTERESTED 465 00:22:34,068 --> 00:22:35,769 IN HITTING ON YOU THAN HELPING YOUR CAREER. 466 00:22:35,837 --> 00:22:37,203 WHAT ARE YOU TALKING ABOUT? 467 00:22:37,372 --> 00:22:39,223 I'M JUST TELLING YOU WHAT I SAW. 468 00:22:39,290 --> 00:22:40,257 I DON'T BELIEVE YOU. 469 00:22:40,324 --> 00:22:41,358 I'M STANDING HERE TELLING YOU SOMETHING 470 00:22:41,425 --> 00:22:42,525 THAT JUST HAPPENED TO ME, 471 00:22:42,593 --> 00:22:43,627 AND ALL YOU CAN TALK ABOUT 472 00:22:43,694 --> 00:22:45,695 IS HOW YOU THINK THAT HE WAS HITTING ON ME? 473 00:22:45,764 --> 00:22:47,965 OK. I'M SORRY. MAYBE I'M WRONG. 474 00:22:48,032 --> 00:22:49,199 YOU KNOW, WHEN YOU TOLD ME 475 00:22:49,267 --> 00:22:50,600 ABOUT YOUR STUPID SMOOTHAISE INVESTOR, 476 00:22:50,668 --> 00:22:52,736 I WAS JUST HAPPY FOR YOU. 477 00:22:52,804 --> 00:22:54,621 WAIT A MINUTE. STUPID SMOOTHAISE INVESTOR? 478 00:22:54,689 --> 00:22:56,990 HE'S GOT TWO PARTNERS. THEY OWN A RECORD COMPANY. 479 00:22:57,057 --> 00:22:58,091 THE GUY IS LEGIT. 480 00:22:58,393 --> 00:22:59,909 THE GUY IS A LITTLE SLIMY, OK? 481 00:22:59,977 --> 00:23:01,561 YOU DON'T EVEN KNOW HIM. 482 00:23:01,629 --> 00:23:03,347 I DON'T NEED TO KNOW HIM. I MET HIM. 483 00:23:03,414 --> 00:23:05,815 YOU THINK JUST BECAUSE I AM A GIRL 484 00:23:05,883 --> 00:23:07,351 THAT HE'S TRYING TO SCAM ON ME 485 00:23:07,418 --> 00:23:09,386 AND I DON'T HAVE ANY BUSINESS SENSE WHATSOEVER. 486 00:23:09,454 --> 00:23:10,820 Ben: OK, OK. OK. 487 00:23:10,888 --> 00:23:12,656 I'M STARING AT A BLANK COMPUTER SCREEN, 488 00:23:12,723 --> 00:23:14,191 PANICKED, TRYING TO WRITE A PAPER 489 00:23:14,259 --> 00:23:15,425 ON A TOPIC I DON'T UNDERSTAND. 490 00:23:15,493 --> 00:23:17,494 SO, PLEASE, SHUT UP. 491 00:23:19,463 --> 00:23:20,530 THAT'S FINE BECAUSE I'M LEAVING. 492 00:23:20,598 --> 00:23:22,599 NO. JULIE. 493 00:23:22,801 --> 00:23:23,667 COME ON. 494 00:23:31,559 --> 00:23:37,114 Man: ♪ I'M GONNA HAVE TO SPECULATE... ♪ 495 00:23:37,315 --> 00:23:41,652 I HOPE WHAT I SAID EARLIER DIDN'T FREAK YOU OUT. 496 00:23:41,719 --> 00:23:43,753 NO. NO, NO, NO. 497 00:23:43,822 --> 00:23:45,255 IT'S, UH... 498 00:23:45,323 --> 00:23:46,756 IT WAS THE NICEST THING YOU'VE EVER SAID TO ME. 499 00:23:46,825 --> 00:23:48,692 OK. 500 00:23:58,203 --> 00:24:00,237 SO DID YOU END UP GIVING RUBY THE BRACELET? 501 00:24:00,305 --> 00:24:02,806 ACTUALLY, I GAVE HER THE PALM PILOT. 502 00:24:02,873 --> 00:24:06,225 REALLY? 503 00:24:06,293 --> 00:24:07,828 HOW DID SHE TAKE IT? 504 00:24:07,895 --> 00:24:09,028 SEEMED TO LIKE IT. 505 00:24:09,096 --> 00:24:10,229 GOOD. 506 00:24:18,739 --> 00:24:20,440 ALL RIGHT. YOU'RE TOO HARD. 507 00:24:20,508 --> 00:24:21,541 LET ME SEE IT. 508 00:24:21,609 --> 00:24:25,479 NO. I MADE YOU LOOK LIKE A REALLY CUTE TOMATO. 509 00:24:29,117 --> 00:24:31,784 I THINK I FINALLY GOT YOUR EYES RIGHT. 510 00:24:34,589 --> 00:24:35,855 HEY, CAN I TRY SOMETHING? 511 00:24:35,923 --> 00:24:37,357 WHAT? 512 00:24:37,425 --> 00:24:39,493 BRUCE, THAT GUY FROM CLASS... 513 00:24:39,560 --> 00:24:42,695 YEAH. YOU KNOW, HE WAS IN A DREAM I HAD RECENTLY. 514 00:24:43,131 --> 00:24:44,648 DISTURBING. 515 00:24:44,716 --> 00:24:46,550 WOW. 516 00:24:46,751 --> 00:24:50,770 UH, ANYWAY, HE WAS TELLING ME ABOUT THIS TECHNIQUE 517 00:24:50,838 --> 00:24:54,474 WHERE, BEFORE YOU DRAW, YOU GET CLOSE 518 00:24:54,542 --> 00:24:57,627 AND STARE DEEPLY INTO THE OTHER PERSON'S EYES, LIKE, NONSTOP. 519 00:24:57,695 --> 00:25:00,063 THE EYES BEING THE WINDOW TO THE SOUL, THAT KIND OF THING? 520 00:25:00,398 --> 00:25:04,884 YEAH. SORT OF LIKE LOOKING FOR THE INNER ESSENCE OF YOUR SUBJECT. 521 00:25:04,952 --> 00:25:06,253 HE SAYS HE DOES IT WHEN HE GETS BLOCKED, 522 00:25:06,320 --> 00:25:07,820 AND I THOUGHT HE WAS HITTING ON ME AT FIRST. 523 00:25:07,888 --> 00:25:09,389 BUT THEN I MET HIS GIRLFRIEND AND REALIZED 524 00:25:09,457 --> 00:25:13,360 THAT IT'S A NATURAL ARTISTIC EXERCISE. 525 00:25:13,427 --> 00:25:14,528 DO YOU MIND? 526 00:25:14,595 --> 00:25:16,095 NO. 527 00:25:16,164 --> 00:25:18,965 OK. UH, WELL, WHY DON'T YOU COME OVER HERE, 528 00:25:19,033 --> 00:25:21,134 AND WE'LL STARE? 529 00:25:33,481 --> 00:25:35,215 ALL RIGHT. 530 00:25:35,283 --> 00:25:38,151 Man: ♪ IT MUST BE TRUE 531 00:25:38,219 --> 00:25:41,087 ♪ IT MUST BE TRUE 532 00:25:41,155 --> 00:25:47,794 ♪ WE BELONG TO US 533 00:25:47,861 --> 00:25:53,567 ♪ AND I BELONG TO YOU 534 00:25:53,634 --> 00:25:58,638 ♪ OH, WE BELONG TO... 535 00:25:58,706 --> 00:25:59,573 [DOOR OPENS] 536 00:26:01,542 --> 00:26:02,976 WHAT? 537 00:26:03,044 --> 00:26:04,410 YOU TWO WERE ABOUT TO KISS, THAT'S WHAT. 538 00:26:04,579 --> 00:26:05,462 ELENA. 539 00:26:05,529 --> 00:26:06,913 IT'S OK. 540 00:26:06,981 --> 00:26:08,147 GO AHEAD AND GET IT OVER WITH. 541 00:26:08,583 --> 00:26:09,316 WE WERE NOT ABOUT TO KISS. 542 00:26:09,383 --> 00:26:10,434 IT'S ALL RIGHT WITH ME. 543 00:26:10,501 --> 00:26:12,302 IT DOESN'T HAVE TO BE THANKSGIVING. 544 00:26:15,823 --> 00:26:17,090 [DOOR CLOSES] 545 00:26:25,449 --> 00:26:26,483 Felicity: LAST NIGHT'S DREAM 546 00:26:26,551 --> 00:26:28,918 WAS THE MOST UNSETTLING SO FAR. 547 00:26:58,549 --> 00:26:59,882 OH, NO. 548 00:27:03,221 --> 00:27:07,023 I REALLY WANTED THAT BRACELET. 549 00:27:07,091 --> 00:27:08,291 ME, TOO. 550 00:27:08,359 --> 00:27:10,093 YOU, TOO? 551 00:27:10,160 --> 00:27:13,129 INTERESTING. 552 00:27:13,197 --> 00:27:15,098 SO, WAS THIS YOUR IDEA? 553 00:27:21,239 --> 00:27:22,339 Felicity: SALLY, YOU KNOW THAT FEELING 554 00:27:22,406 --> 00:27:25,208 WHEN YOU'RE DRIVING SOMEWHERE, 555 00:27:25,276 --> 00:27:29,512 AND YOU CAN'T REMEMBER EXACTLY HOW YOU GOT THERE? 556 00:27:29,580 --> 00:27:32,249 WELL, I JUST TOOK MY FRENCH LIT FINAL, 557 00:27:32,316 --> 00:27:35,218 AND I HAVE NO IDEA WHAT THE QUESTION WAS. 558 00:27:51,935 --> 00:27:55,272 HEY, ROGER CLEMENS, WHAT'S YOUR PROBLEM? 559 00:27:55,339 --> 00:27:56,556 NOTHING. 560 00:27:56,624 --> 00:27:57,824 Sean: YOU KNOW, I KNOW WHAT THAT'S LIKE, 561 00:27:57,892 --> 00:27:59,291 WHEN YOU JUST WANT TO THROW A HI-LITE ACROSS THE ROOM. 562 00:27:59,359 --> 00:28:00,292 THAT MAKES SENSE. 563 00:28:00,360 --> 00:28:02,745 AMERICAN LITERATURE. 564 00:28:02,813 --> 00:28:05,215 THINGS YOU LEARN IN COLLEGE. 565 00:28:05,416 --> 00:28:07,784 NO. IT'S MY FINAL PAPER. IT'S IMPOSSIBLE. 566 00:28:07,851 --> 00:28:10,020 NO, NO. FINAL PAPERS ARE A HASSLE, OK? 567 00:28:10,087 --> 00:28:11,922 PAYING FOR LIFE IS IMPOSSIBLE. 568 00:28:11,989 --> 00:28:15,908 I SWEAR TO GOD, IF I COULD SWITCH PLACES WITH YOU, I ALMOST WOULD. 569 00:28:15,976 --> 00:28:18,144 NO, THANKS. WHAT, YOU GOT MONEY TROUBLE? 570 00:28:18,211 --> 00:28:19,061 NAH. 571 00:28:20,798 --> 00:28:23,550 NO, NOTHING. IT'S JUST R&D's VERY EXPENSIVE, OK? 572 00:28:23,617 --> 00:28:26,903 BUT WHEN SMOOTHAISE HITS, WHICH I KNOW IT WILL... 573 00:28:26,970 --> 00:28:28,037 NO QUESTION ABOUT IT... 574 00:28:28,105 --> 00:28:29,038 I'M GONNA LOOK BACK ON THIS PERIOD OF MY LIFE, 575 00:28:29,106 --> 00:28:30,407 AND I'M GONNA LAUGH ABOUT IT. 576 00:28:30,474 --> 00:28:32,458 I'M ALREADY LOOKING AT THIS PERIOD OF LIFE AND LAUGHING. 577 00:28:32,526 --> 00:28:35,628 WHAT'S YOUR PAPER? 578 00:28:36,063 --> 00:28:37,497 IT'S THE INVISIBLE MAN. 579 00:28:39,866 --> 00:28:42,485 WHAT? "EXAMINE THE THEME THAT AMERICAN SOCIETY 580 00:28:42,553 --> 00:28:45,088 WILLFULLY IGNORES AND OPPRESSES AFRICAN-AMERICANS." 581 00:28:45,156 --> 00:28:47,307 YEAH. IN 5,000 WORDS. 582 00:28:47,374 --> 00:28:49,592 HUH. 583 00:28:49,660 --> 00:28:52,512 ALL I CAN THINK ABOUT IS THAT WHEN THIS GUY MAKES HIMSELF INVISIBLE, 584 00:28:52,580 --> 00:28:54,280 IT'S LIKE SOME SORT OF A METAPHOR. 585 00:28:54,715 --> 00:28:55,332 YOU KNOW WHAT I MEAN? 586 00:28:55,399 --> 00:28:56,333 METAPHOR. YEAH. 587 00:28:56,400 --> 00:28:57,534 THIS GUY COMES IN TO SIDDERBRIDGE, 588 00:28:57,601 --> 00:28:59,202 AND HE'S ALL DRESSED UP IN BANDAGES 589 00:28:59,269 --> 00:29:01,604 AND EVERYBODY'S, LIKE, "HEY, WHAT A FREAK." 590 00:29:01,672 --> 00:29:02,788 H.G. WELLS. 591 00:29:02,856 --> 00:29:04,857 YEAH. SO I'M THINKING 592 00:29:04,925 --> 00:29:06,776 THAT THAT'S WHAT IT'S LIKE FOR SOME PEOPLE, 593 00:29:06,844 --> 00:29:08,078 BUT I HAVE NO IDEA. 594 00:29:08,145 --> 00:29:09,479 I FEEL LIKE A TOTAL IDIOT. 595 00:29:09,546 --> 00:29:10,897 I THINK YOU ARE AN IDIOT... THANKS. 596 00:29:10,965 --> 00:29:12,131 BUT NOT FOR THE REASON THAT YOU'RE THINKING. 597 00:29:12,199 --> 00:29:13,633 SEAN, COME ON, THAT'S NOT FUNNY. 598 00:29:13,701 --> 00:29:15,635 OH, NO, IT'S NOT FUNNY. 599 00:29:15,703 --> 00:29:18,170 SEE, YOU'RE SUPPOSED TO BE READING 600 00:29:18,239 --> 00:29:21,474 INVISIBLE MAN BY RALPH ELLISON. 601 00:29:23,243 --> 00:29:24,677 THERE'S ANOTHER INVISIBLE MAN? 602 00:29:25,112 --> 00:29:28,180 TWO BOOKS WITH THE SAME NAME, SEAN? 603 00:29:28,249 --> 00:29:30,182 THAT IS SO STUPID. 604 00:29:30,251 --> 00:29:32,184 NO. THAT'S A METAPHOR, BEN. 605 00:29:32,253 --> 00:29:33,653 SHUT UP! 606 00:29:33,721 --> 00:29:35,355 YOU KNOW WHAT? I SHOULDN'T HAVE TOLD YOU. 607 00:29:35,422 --> 00:29:38,358 I CANNOT BELIEVE I READ THE WRONG FREAKING BOOK. 608 00:29:38,425 --> 00:29:39,942 [DOOR OPENS] 609 00:29:41,278 --> 00:29:42,445 JUST SO YOU KNOW, 610 00:29:42,513 --> 00:29:44,414 ERIC KIDD GAVE MY TAPE TO HIS PARTNERS, 611 00:29:44,482 --> 00:29:45,448 AND THEY LOVED IT. 612 00:29:45,516 --> 00:29:47,133 WHO'S ERIC KIDD? 613 00:29:47,200 --> 00:29:49,302 Julie: OH, JUST THE GUY WHO WANTS TO GET IN MY PANTS. 614 00:29:49,370 --> 00:29:51,103 WHAT, SO THEY'RE SIGNING YOU? THAT'S GREAT. 615 00:29:51,171 --> 00:29:53,906 I KNOW. ERIC STILL HAS TO HEAR FROM ONE GUY, 616 00:29:53,974 --> 00:29:56,075 BUT ONCE HE DOES, HE'S GONNA DRAW UP A CONTRACT. 617 00:29:56,143 --> 00:29:58,177 WELL, CONGRATULATIONS. 618 00:29:58,245 --> 00:30:00,179 THANK YOU. WHERE ARE YOU GOING? 619 00:30:00,247 --> 00:30:01,581 BOOKSTORE. BOOKSTORE. 620 00:30:07,238 --> 00:30:10,923 I'M SORRY. I, UM... 621 00:30:10,991 --> 00:30:12,875 I WAS JUST BEING A LITTLE OVERPROTECTIVE. 622 00:30:12,943 --> 00:30:14,911 I GET TO RECORD MY SONGS. 623 00:30:14,978 --> 00:30:17,096 HOW MUCH FUN IS THAT GONNA BE? 624 00:30:17,164 --> 00:30:19,065 HEY, IF YOU NEED ANYBODY TO PLAY THE OBOE... 625 00:30:19,133 --> 00:30:20,066 HIGH SCHOOL BAND. 626 00:30:20,134 --> 00:30:23,069 I DIDN'T MEAN TO BE SO... 627 00:30:23,137 --> 00:30:25,437 NO. HEY, FORGET IT. COME ON. 628 00:30:25,505 --> 00:30:30,793 THE SMOOTHAISE INVESTOR, OK, WASN'T ACTUALLY THE INVESTOR. 629 00:30:30,861 --> 00:30:32,328 HE WAS A LIAISON, 630 00:30:32,396 --> 00:30:34,030 OR A SECRETARY, IT TURNS OUT, SO... 631 00:30:34,098 --> 00:30:35,081 OH. 632 00:30:35,149 --> 00:30:37,216 YEAH. IT TOTALLY FELL APART, 633 00:30:37,284 --> 00:30:38,718 WHICH IS ACTUALLY, YOU KNOW, A GOOD THING 634 00:30:38,786 --> 00:30:40,052 BECAUSE THE GUY WAS TALKING TO ME 635 00:30:40,120 --> 00:30:41,554 ABOUT SIGNING OVER ALL THE RIGHTS, 636 00:30:41,622 --> 00:30:42,789 AND I NEVER WOULD HAVE DONE THAT. 637 00:30:42,856 --> 00:30:45,174 YEAH, OF COURSE YOU WOULDN'T. 638 00:30:45,242 --> 00:30:46,609 I'M SORRY. 639 00:30:46,677 --> 00:30:48,177 YEAH, WELL, WHATEVER. 640 00:30:49,996 --> 00:30:52,732 CONGRATULATIONS, THOUGH. SERIOUSLY. 641 00:30:54,885 --> 00:30:55,952 THANK YOU. 642 00:30:56,019 --> 00:30:58,054 I'M GONNA GO CALL MY PARENTS. 643 00:31:06,246 --> 00:31:07,780 [KNOCK ON DOOR] 644 00:31:10,317 --> 00:31:11,317 SORRY. 645 00:31:11,385 --> 00:31:12,602 NO. THAT'S, UH... HI. 646 00:31:12,670 --> 00:31:14,103 I WASN'T JUST STARING AT MYSELF. 647 00:31:14,171 --> 00:31:16,305 I'M ACTUALLY DOING A SELF-PORTRAIT FOR CLASS. 648 00:31:16,373 --> 00:31:18,808 OH, I KNOW. NOEL TOLD ME ABOUT THE ASSIGNMENT. 649 00:31:18,876 --> 00:31:20,076 DO YOU HAVE A SECOND? 650 00:31:20,143 --> 00:31:22,729 YEAH. YEAH, OF COURSE. COME IN. 651 00:31:24,515 --> 00:31:27,517 I'M SORT OF HAVING A STUPID CRISIS. 652 00:31:27,585 --> 00:31:29,285 IS IT ABOUT FINALS? 653 00:31:29,620 --> 00:31:30,970 NO. IT'S ABOUT NOEL. 654 00:31:31,037 --> 00:31:31,954 OH. 655 00:31:32,022 --> 00:31:33,939 I WASN'T EVEN GONNA ASK YOU 656 00:31:34,007 --> 00:31:35,541 BECAUSE YOU DATED HIM, 657 00:31:35,609 --> 00:31:38,611 BUT THEN I REALIZED THAT'S WHY I SHOULD ASK YOU. 658 00:31:38,678 --> 00:31:41,614 ALL THIS DOES IS SHOW HOW LAME I AM WITH GUYS. 659 00:31:41,681 --> 00:31:43,816 YOU KNOW I'M DOING THAT MOVIE, RIGHT? 660 00:31:44,251 --> 00:31:45,284 RIGHT, WHICH IS GREAT. 661 00:31:45,352 --> 00:31:46,419 I GUESS IT IS. 662 00:31:46,487 --> 00:31:49,422 IT JUST SEEMS SORT OF LIKE IT'S NOT ME, BUT... 663 00:31:49,490 --> 00:31:51,957 SO THEY'RE GIVING ME THIS THING CALLED PER DIEM, 664 00:31:52,025 --> 00:31:53,526 WHICH IS MONEY. 665 00:31:53,594 --> 00:31:55,478 IT'S, LIKE, FREE MONEY ON TOP OF WHAT THEY'RE ALREADY PAYING ME, 666 00:31:55,546 --> 00:31:58,148 SO I'M THINKING OF GETTING NOEL A TICKET. 667 00:31:58,215 --> 00:32:00,867 WHAT KIND? A PLANE TICKET? 668 00:32:00,934 --> 00:32:03,836 YEAH. TO COME BACK WITH ME TO LOS ANGELES. 669 00:32:03,904 --> 00:32:06,406 THE MOVIE SAID THEY NEEDED ME FOR TWO MORE WEEKS, 670 00:32:06,473 --> 00:32:10,443 WHICH IS INSANE SINCE ALL I DO IS SIT AROUND. 671 00:32:10,511 --> 00:32:12,044 WHY I'M ASKING YOU 672 00:32:12,112 --> 00:32:15,281 IS BECAUSE IT SEEMS A LITTLE EXTRAVAGANT. 673 00:32:17,902 --> 00:32:19,402 WOULD IT FREAK HIM OUT? 674 00:32:19,469 --> 00:32:20,403 UM... 675 00:32:23,106 --> 00:32:25,909 I DON'T KNOW. I... 676 00:32:25,976 --> 00:32:28,077 I DON'T THINK IT WOULD. 677 00:32:28,145 --> 00:32:30,129 Ruby: SO IF YOU WERE ME, 678 00:32:30,196 --> 00:32:31,531 YOU'D GIVE IT TO HIM. 679 00:32:31,598 --> 00:32:34,083 IF I WERE YOU? 680 00:32:37,454 --> 00:32:40,122 YEAH. I MEAN, YOU KNOW, 681 00:32:40,190 --> 00:32:41,524 BUT DON'T REALLY TAKE MY ADVICE. 682 00:32:41,592 --> 00:32:42,525 I MEAN, I DON'T... 683 00:32:42,593 --> 00:32:44,060 OH, NO, I'M GONNA. 684 00:32:45,262 --> 00:32:46,195 OH. 685 00:33:06,300 --> 00:33:08,067 WERE YOU GOING TO KISS ME OR NOT? 686 00:33:08,368 --> 00:33:09,652 UM... 687 00:33:09,720 --> 00:33:11,421 BECAUSE IT CERTAINLY SEEMS LIKE YOU WERE. 688 00:33:11,488 --> 00:33:13,556 LAST NIGHT? 689 00:33:13,624 --> 00:33:14,974 NOEL. 690 00:33:15,041 --> 00:33:16,375 YES. I ALMOST KISSED YOU, ALL RIGHT? 691 00:33:17,628 --> 00:33:18,995 WELL, WHAT ABOUT RUBY? 692 00:33:19,063 --> 00:33:20,229 I KNOW. GOD! 693 00:33:20,297 --> 00:33:22,232 YOU THROW THIS INSANE CURVE BALL AT ME, YOU KNOW? 694 00:33:22,299 --> 00:33:23,633 YOU WANT TO START DATING AGAIN. 695 00:33:23,701 --> 00:33:25,201 COULD YOU HAVE CHOSEN A WORST TIME? 696 00:33:25,269 --> 00:33:26,752 I DIDN'T CHOOSE THIS TIME, 697 00:33:26,820 --> 00:33:28,520 AND I ONLY TOLD YOU BECAUSE I THOUGHT YOU WERE SENDING ME SIGNALS. 698 00:33:28,588 --> 00:33:31,090 WELL, MAYBE I WAS. 699 00:33:31,158 --> 00:33:35,211 OK. WAIT A SECOND. TWO THINGS. FIRST OF ALL, 700 00:33:35,279 --> 00:33:38,831 THAT IS NOT FAIR TO RUBY, AND SECONDLY, 701 00:33:38,899 --> 00:33:40,233 THEN WHAT ARE YOU SAYING? 702 00:33:40,300 --> 00:33:42,701 I'M SAYING I'M A MESS RIGHT NOW. 703 00:33:42,769 --> 00:33:44,136 RUBY AND I ARE JUST STARTING OUT. 704 00:33:44,204 --> 00:33:46,239 SHE'S BEEN GONE LONGER THAN WE'VE BEEN TOGETHER. 705 00:33:46,306 --> 00:33:48,741 OBVIOUSLY, SHE DOESN'T MEAN MORE TO ME NOW THAN YOU DO, SHE CAN'T. 706 00:33:48,808 --> 00:33:50,142 ON THE OTHER HAND, 707 00:33:50,210 --> 00:33:53,445 I DIDN'T JUST THROW OUT THAT MOTORCYCLE STORY CAVALIERLY. 708 00:33:53,513 --> 00:33:54,546 YOU KNOW, I'D ACTUALLY THOUGHT ABOUT THAT, 709 00:33:54,614 --> 00:33:56,515 AND ON THE OTHER HAND, I THINK I'M... 710 00:33:56,583 --> 00:33:58,918 I THINK I'M WILLING TO RISK IT AGAIN AND TRUST US. 711 00:33:58,986 --> 00:34:01,153 YOU. AGAIN. 712 00:34:01,221 --> 00:34:03,373 REALLY? 713 00:34:09,329 --> 00:34:11,898 SO IF ELENA HADN'T WALKED IN? 714 00:34:11,965 --> 00:34:13,599 YES. YES. 715 00:34:13,667 --> 00:34:17,653 I WOULD'VE PLANTED A GIANT, UNDRUNK, GUILTY KISS ON YOUR LIPS. 716 00:34:20,156 --> 00:34:22,925 GOD! I'M RUBY'S R.A. 717 00:34:22,993 --> 00:34:24,460 I'M HER BOYFRIEND. 718 00:34:28,215 --> 00:34:29,815 YOU SAID "I THINK." 719 00:34:29,883 --> 00:34:32,318 THAT YOU "THINK" YOU'RE WILLING TO RISK IT. 720 00:34:32,753 --> 00:34:36,256 YEAH. IT DOESN'T SOUND VERY DECISIVE, DOES IT? 721 00:34:39,409 --> 00:34:42,244 SO MAYBE WE JUST THINK ABOUT IT. 722 00:34:45,766 --> 00:34:47,267 YEAH, WE CAN DO THAT. 723 00:35:01,365 --> 00:35:03,599 Felicity: I DIDN'T DREAM AT ALL LAST NIGHT... 724 00:35:03,667 --> 00:35:06,902 NOT ABOUT NOEL, NOT ABOUT ANYTHING. 725 00:35:09,590 --> 00:35:11,090 TODAY WAS OUR DRAWING FINAL. 726 00:35:11,157 --> 00:35:12,858 I WOKE UP SORT OF ENERGIZED 727 00:35:12,926 --> 00:35:15,828 WITH A WEIRD BUTTERFLIES FEELING I HAVEN'T HAD 728 00:35:15,896 --> 00:35:18,263 SINCE SOMETIME LAST YEAR... 729 00:35:18,331 --> 00:35:21,701 THIS EXCITING, HOPEFUL FEELING 730 00:35:21,768 --> 00:35:24,770 THAT MAYBE NOEL AND I WERE GETTING BACK TOGETHER. 731 00:35:26,907 --> 00:35:28,874 ARE YOU AND NOEL GETTING BACK TOGETHER? 732 00:35:28,942 --> 00:35:31,477 WHAT? 733 00:35:31,544 --> 00:35:33,245 SEE, THE POINT IS, IS THAT I FINALLY MET A GUY 734 00:35:33,313 --> 00:35:35,014 THAT I REALLY LIKE, 735 00:35:35,082 --> 00:35:37,483 SOMEONE I CAN TRUST. 736 00:35:37,550 --> 00:35:40,752 SO, I GET THIS RIDICULOUS MOVIE THING... 737 00:35:40,820 --> 00:35:42,121 I DON'T EVEN KNOW WHAT I'M DOING... 738 00:35:42,189 --> 00:35:44,357 AND I'M STAYING IN THIS WAY-TOO-MODERN HOTEL 739 00:35:44,424 --> 00:35:48,060 WITH THESE GQ CREEPY GUYS IN THE LOBBY ALL THE TIME, 740 00:35:48,128 --> 00:35:51,263 AND THE ONLY THING THAT REALLY GETS ME THROUGH IT... 741 00:35:51,331 --> 00:35:52,798 [SIGH] 742 00:35:52,866 --> 00:35:56,869 ARE THE PACKAGES NOEL SENDS ME. 743 00:35:56,936 --> 00:35:58,371 NOEL SENT YOU PACKAGES? 744 00:35:58,438 --> 00:36:02,508 YEAH. REALLY... JUST REALLY GREAT PACKAGES 745 00:36:02,575 --> 00:36:04,477 WITH LITTLE STUFF, LITTLE CUTE THINGS 746 00:36:04,544 --> 00:36:07,746 LIKE TOYS AND HOROSCOPES AND CANDY, 747 00:36:07,814 --> 00:36:12,218 AND HE... HE MADE SOME CARDS ON THE COMPUTER, 748 00:36:12,285 --> 00:36:16,188 AND... IT SOUNDS REALLY STUPID TALKING ABOUT IT. 749 00:36:16,256 --> 00:36:19,725 I CAN'T TELL YOU HOW MUCH THAT MEANT TO ME, 750 00:36:19,792 --> 00:36:22,161 HOW MUCH HE MEANS TO ME. 751 00:36:25,198 --> 00:36:26,932 ARE YOU AND NOEL GETTING BACK TOGETHER? 752 00:36:27,000 --> 00:36:28,600 RUBY... 753 00:36:28,668 --> 00:36:30,802 LISTEN. MAYBE IT'S JUST ME BEING TOTALLY INSECURE, 754 00:36:30,870 --> 00:36:33,639 BUT... WHEN I GAVE NOEL THAT TICKET, YOU KNOW, 755 00:36:33,706 --> 00:36:36,042 TO GO BACK TO LOS ANGELES, 756 00:36:36,109 --> 00:36:39,445 HE WAS REALLY TOUCHED, BUT HE SEEMED SORT OF DISTANT, 757 00:36:39,513 --> 00:36:41,847 AND, UM... 758 00:36:41,915 --> 00:36:44,116 AND HE WASN'T SURE IF HE COULD GO. 759 00:36:44,184 --> 00:36:46,185 AND I DIDN'T REALLY KNOW WHY. 760 00:36:46,253 --> 00:36:47,953 HE DIDN'T GIVE ME AN ANSWER. 761 00:36:49,423 --> 00:36:51,723 HE DIDN'T SAY THAT WAS BECAUSE OF ME? 762 00:36:51,791 --> 00:36:54,226 NO. BUT WHEN HE TALKS ABOUT YOU, 763 00:36:54,294 --> 00:36:58,464 OR, YOU KNOW, WHEN YOU TALK TO HIM ON THE PHONE, 764 00:36:58,532 --> 00:36:59,731 HE'S DIFFERENT. 765 00:36:59,799 --> 00:37:01,567 IT'S HARD TO EXPLAIN. 766 00:37:01,634 --> 00:37:04,002 I KNOW YOU GUYS HAVE BEEN HANGING OUT A LOT 767 00:37:04,071 --> 00:37:08,474 AND WORKING ON YOUR ART FINAL AND... 768 00:37:08,542 --> 00:37:12,178 AND THE POINT IS... 769 00:37:12,245 --> 00:37:14,313 I CAN'T COMPETE WITH YOU. 770 00:37:15,915 --> 00:37:17,916 I KNOW I JUST CAN'T. 771 00:37:23,690 --> 00:37:26,192 OF COURSE I LIKE NOEL. I MEAN... 772 00:37:28,995 --> 00:37:29,995 BUT... 773 00:37:32,732 --> 00:37:34,766 YOU DON'T HAVE TO WORRY ABOUT ME. 774 00:37:34,834 --> 00:37:39,805 AS COMPLICATED AS IT IS, 775 00:37:39,872 --> 00:37:41,673 NOEL AND I ARE JUST FRIENDS. 776 00:37:42,109 --> 00:37:44,009 REALLY? 777 00:37:44,077 --> 00:37:45,844 YEAH. 778 00:37:45,912 --> 00:37:47,763 OH, MY GOD. 779 00:37:47,831 --> 00:37:49,966 THAT'S EXACTLY WHAT I WANTED YOU TO SAY. 780 00:37:54,872 --> 00:37:56,005 YOU DON'T HAVE TO DO THIS, YOU KNOW. 781 00:37:56,072 --> 00:37:58,674 ACTUALLY, I LIKE TYPING, SO... 782 00:37:58,742 --> 00:38:00,543 YOU KNOW WHAT? THIS IS A HALFWAY DECENT PAPER. 783 00:38:00,611 --> 00:38:01,511 IS IT? YEAH. 784 00:38:01,578 --> 00:38:02,545 I'VE BEEN WORKING ON PURE ADRENALINE, 785 00:38:02,613 --> 00:38:04,179 BUT, YEAH, IT FEELS PRETTY GOOD. 786 00:38:04,247 --> 00:38:05,214 WHAT TIME IS IT DUE? 787 00:38:05,281 --> 00:38:07,884 UM, IN 15 MINUTES. 788 00:38:07,951 --> 00:38:08,918 PIECE OF CAKE. 789 00:38:08,986 --> 00:38:10,987 OK. UH, YOU SPELLED POLARIZED WRONG. 790 00:38:11,054 --> 00:38:11,988 ALL RIGHT. FIX IT? 791 00:38:12,055 --> 00:38:13,489 YEAH. 792 00:38:13,557 --> 00:38:14,490 LET'S GO. 793 00:38:14,558 --> 00:38:15,658 WE LOST... WE LOST IT. 794 00:38:15,726 --> 00:38:16,659 WHAT? JOKING. 795 00:38:16,727 --> 00:38:18,628 AH, DON'T DO THAT. 796 00:38:27,720 --> 00:38:28,620 HI. 797 00:38:30,257 --> 00:38:31,957 SO SHERMAN'S GONNA MURDER US TODAY. 798 00:38:32,025 --> 00:38:33,025 ARE YOU READY FOR THIS? 799 00:38:33,093 --> 00:38:35,745 UH, NOT REALLY. 800 00:38:35,812 --> 00:38:38,748 I MEAN IT. THIS IS THE END OF OUR EDUCATIONAL CAREERS. 801 00:38:41,351 --> 00:38:43,568 RUBY CAME TO SEE ME. 802 00:38:43,636 --> 00:38:45,070 OH. 803 00:38:45,138 --> 00:38:46,505 SHE TELL YOU ABOUT THE TICKET? 804 00:38:46,572 --> 00:38:48,540 YEAH. 805 00:38:48,608 --> 00:38:50,075 YEAH. 806 00:38:51,678 --> 00:38:53,545 I THINK YOU SHOULD GO. 807 00:38:53,613 --> 00:38:56,348 GO WITH RUBY. 808 00:38:57,817 --> 00:38:59,051 WHEN SHE CAME TO SEE ME, 809 00:38:59,118 --> 00:39:03,355 SHE HAD THIS TONE IN HER VOICE, 810 00:39:03,423 --> 00:39:08,694 AND IT WAS SWEET AND URGENT AND... 811 00:39:08,761 --> 00:39:09,828 A LITTLE FAMILIAR. 812 00:39:12,449 --> 00:39:15,384 AND I REALIZED WHERE I'D HEARD IT BEFORE. 813 00:39:15,452 --> 00:39:16,919 FROM ME. 814 00:39:16,987 --> 00:39:19,088 LAST YEAR WHEN HANNAH CAME, 815 00:39:19,155 --> 00:39:20,573 I WAS THE NEW GIRLFRIEND, 816 00:39:20,640 --> 00:39:23,209 AND HANNAH WAS THE OLD GIRLFRIEND. 817 00:39:23,276 --> 00:39:25,077 THAT WAS A HORRIBLE FEELING. 818 00:39:25,144 --> 00:39:28,714 IT'S A TOTALLY DIFFERENT SITUATION. 819 00:39:28,781 --> 00:39:31,049 REALLY? 820 00:39:34,387 --> 00:39:36,988 BUT STILL, I THINK... I THINK YOU'RE RIGHT. 821 00:39:39,693 --> 00:39:41,059 I'M GONNA GO WITH RUBY. 822 00:39:43,162 --> 00:39:46,198 YEAH, I... 823 00:39:46,266 --> 00:39:49,301 ALL I CAN SAY IS I UNDERSTAND. 824 00:39:49,369 --> 00:39:51,770 OF COURSE I UNDERSTAND. 825 00:39:51,838 --> 00:39:56,408 Ms. Sherman: OK. LET'S FOCUS ON THE WORK. 826 00:39:56,476 --> 00:40:00,546 FIRST UP IS FELICITY PORTER AND NOEL CRANE. 827 00:40:00,614 --> 00:40:02,981 ALL RIGHT. LET'S SEE. 828 00:40:05,184 --> 00:40:10,106 WELL, THERE ARE SOME PROBLEMS HERE, A FEW OBVIOUS ONES. 829 00:40:10,173 --> 00:40:15,661 BUT CLEARLY FOR THESE THOUGHTFUL AND SKILLFULLY DRAWN PIECES, 830 00:40:15,729 --> 00:40:19,097 THE POSITIVES FAR OUTWEIGH THE NEGATIVES. 831 00:40:19,165 --> 00:40:20,733 THESE TWO DRAWINGS WERE OBVIOUSLY DRAWN 832 00:40:20,800 --> 00:40:25,170 BY TWO PEOPLE WHO COULD REALLY SEE EACH OTHER, 833 00:40:25,238 --> 00:40:28,006 WHO FELT A CERTAIN... 834 00:40:28,074 --> 00:40:30,976 Felicity: SO IT TURNS OUT SHERMAN DIDN'T DESTROY US AT ALL. 835 00:40:31,043 --> 00:40:32,711 SHE WAS ACTUALLY... 836 00:40:32,779 --> 00:40:34,813 SHE WAS ACTUALLY INCREDIBLY KIND. 837 00:40:34,881 --> 00:40:37,650 Ms. Sherman: THAT IS A VERY ELUSIVE QUALITY TO HAVE. 838 00:40:37,717 --> 00:40:40,185 NOW, OVER HERE, UH... 839 00:40:46,576 --> 00:40:47,809 EXCUSE ME. 840 00:40:47,877 --> 00:40:52,331 UH... I... 841 00:40:52,399 --> 00:40:55,901 I JUST WANTED TO SAY THANK YOU FOR, UH, 842 00:40:55,969 --> 00:40:58,570 THE GRADE AND CRITIQUE. 843 00:40:58,638 --> 00:41:01,006 IT WAS REALLY GENEROUS. 844 00:41:01,074 --> 00:41:04,310 I WAS ONLY CRITIQUING THE ART, NOT THE ARTIST. 845 00:41:22,596 --> 00:41:25,697 Felicity: RUBY LEFT A DAY EARLY TO GET BACK TO HER MOVIE. 846 00:41:25,765 --> 00:41:27,733 NOEL FLIES OUT TO MEET HER TOMORROW NIGHT, 847 00:41:27,800 --> 00:41:31,770 THE SAME NIGHT I FLY BACK TO PALO ALTO. 848 00:41:31,838 --> 00:41:34,991 I LEAVE FROM KENNEDY AND NOEL FROM LAGUARDIA. 849 00:41:58,047 --> 00:41:58,947 OH. 850 00:42:01,285 --> 00:42:02,985 EH, YOU TAKE THIS ONE, OK? 851 00:42:03,052 --> 00:42:04,019 ARE YOU SURE? 852 00:42:04,087 --> 00:42:05,554 YEAH. I'LL GET THE NEXT ONE. 853 00:42:14,564 --> 00:42:16,131 GOING TO KENNEDY. 854 00:42:16,199 --> 00:42:17,500 Man: OK. 855 00:42:17,567 --> 00:42:19,435 THANKS. 856 00:42:19,503 --> 00:42:20,469 THANK YOU, SIR. 857 00:42:28,978 --> 00:42:30,696 SO... 858 00:42:49,515 --> 00:42:50,583 HAVE A GOOD CHRISTMAS. 859 00:42:52,218 --> 00:42:54,152 YOU, TOO.