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Daly: Last week on "The Voice"...
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♪ Treated me kind ♪
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♪ Sweet destiny ♪
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...the battle rounds began.
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- Whoa!
- And the steals changed everything.
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We've got a steal! Lightning-fast!
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And Blake Shelton's in now!
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Blake: I'm liking the stealing.
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Because when you have
two talented singers,
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it's not fair for somebody
to have to go home.
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- Collin, you're back in the game!
- Yes!
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- Hold everything!
- Thank you.
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Daly: Tonight, the battles continue
as our four superstar coaches
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pair their artists to face off
in vocal battles.
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It's go time.
♪ You turned out to be the ♪
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♪ best thing I never
♪ oh, you ♪
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Daly: To help prepare them,
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- our coaches have recruited their friends...
- Green Day.
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...some of the biggest names in music.
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If you can't hit that note,
hit it with an emotion.
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And with the battle lines drawn...
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I would love to know
why you paired us together.
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- Why do you think?
- To get rid of me.
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Blake: Instead of worrying about why,
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she needs to worry
about how to win this thing.
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Daly: ...Our coaches won't hesitate
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to use one of their remaining steals.
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Adam: There are incredibly talented people
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on all the teams, so if I can steal them,
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it makes my team that much better.
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Daly: And they'll have
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high expectations for their artists.
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- My bad. I missed my line.
- Yeah, you did miss that.
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Christina: With the option
to steal other artists,
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it definitely ups the stakes.
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♪ Shot through the heart ♪
Daly: And the artists must deliver.
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♪ And you're to blame ♪
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♪ darling, you give love a bad name ♪
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Daly: Because in the end,
only one will win it all...
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a recording contract
with Universal Music Group
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and be named "The Voice."
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The battle rounds continue right now.
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Let's see how
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the first two artists
from team Blake match up.
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21-year-old mariachi singer
Julio Cesar Castillo
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versus 42-year-old soul singer
Terisa Griffin.
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Julio came to the blind auditions
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with dreams of supporting his family.
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Julio: My dad was diagnosed with epilepsy,
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so it's not very easy
for him to get a job.
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But singing mariachi...
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it's helped me support my family.
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[ Singing Spanish ]
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I'm gonna go out there,
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and I'm gonna show America what I got.
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♪ Para bailar la bamba ♪
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♪ se necesita una poca de gracia ♪
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Daly: Two chairs turned,
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forcing him to pick Cee Lo or Blake.
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- I think I'm gonna go with Blake.
- Yes!
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Daly: Terisa Griffin
came packing experience.
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Terisa: I am 42 years old.
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Damn!
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Aren't y'all gonna say nothing?!
[ Laughs ]
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During the blind auditions, she proved
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it's never too late
to fulfill your dreams.
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♪ Never mind, I'll find someone like you ♪
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Christina turned around first.
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I feel like I'm in trouble.
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I feel like you're in trouble, too.
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- Whew!
- Why don't you just come down here
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and punch me in the face
and get it over with?
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[ Laughter, applause ]
I love you. I think you're awesome.
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- What else do you want to hear?
- I'm gonna take you.
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[ Cheers and applause ]
You're gonna take me?
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Whoo!
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Cee Lo: Now you see what I've
had to deal with all my life.
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That's my mama, my sister,
my ex-wife, everybody.
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[ Laughter ]
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Daly: Julio and Terisa meet
with their coach, Blake,
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and Michael Bublé
for their first rehearsal.
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Well, I'm sure you two are wondering,
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"why are we singing against each other?"
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It was actually more about the song,
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and I thought, you know, "Conga,"
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because "Conga" is performed
by a female diva
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like Gloria Estefan.
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Blake: Terisa's a powerful vocalist,
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but it has a little bit
of a Latin-type feel to it.
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And so I thought,
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"man, that'd be cool for Julio, also."
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I think you meet together in the middle
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because of this song.
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This tune is a great tune.
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And rhythmically, percussively,
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you got to be, like, right on,
or it's gonna sound dirty.
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♪ Feel the rhythm of the meter
getting stronger ♪
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[ Stammers ]
♪ conga beat ♪
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Wait. How does that part go?
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Julio: The song definitely
has Latin feeling to it,
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so hopefully that'll work to my advantage.
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But the speed of the song is
just... you know, it's fast.
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I get a little tongue-tied sometimes.
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[ Chuckles ]
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♪ Feel the rhythm of the meter
getting stronger ♪
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♪ don't you fight it till... ♪
[ Stammers ]
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Yeah, that's hard.
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This is all about breath control.
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Yeah.
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And you just got to look at this phrasing
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and really think about...
[ Inhales sharply ]
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...where you're gonna take that breath.
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Come on, shake your body, baby,
do the conga.
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No one in the history of the world
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ever really knew the words.
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Yeah, I know.
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[ Laughter ]
They know "Conga," but it's...
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[ Singing gibberish ]
♪ conga ♪
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[ Singing gibberish ]
♪ any longer ♪
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I can't sing that fast.
[ Laughs ]
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I think you can, man. I really do.
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Both: ♪ come on, shake your
body, baby, do the conga ♪
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♪ I know you can't
control yourself any longer ♪
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Terisa: I love ballads, so Julio...
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in my opinion, he has the upper hand
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because Julio loves mariachi.
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I don't know how I'm gonna outshine him,
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but I do know that I'm gonna go in
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with the mentality of kicking butt.
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Daly: Terisa sits down
with her coach and adviser
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to discuss her concerns with the pairing.
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I would love to know
why you paired us together,
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you know, because it's more
in his, you know...
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- Wheelhouse.
- Yeah, definitely.
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Can I ask you, why do you think?
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To get rid of me.
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- Really? You really think that?
- Yes.
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[ Voice breaking ] Yes.
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Of course not, Terisa.
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I begged and pleaded my case
to you to pick me as a coach.
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For some reason,
Terisa had this serious issue
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with the fact
that I paired her with Julio.
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She needs to...
instead of worrying about why,
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she needs to worry
about how to win this thing.
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I'll find somebody
that creates a good battle
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because I don't want it to be easy.
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I know you're pushing me out of my box.
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You know, once I said that to her,
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I think she kind of snapped out of it
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and started going, "okay, you're right."
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"I got some work to do here."
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Daly: With the battle looming,
Julio and Terisa meet with Blake
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and continue to struggle with the song.
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♪ Come on, shake your body,
baby, do the conga ♪
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♪ I know you can't [Stammers]
yourself any longer ♪
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Okay, that's you.
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Yeah, there's one word
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that you're hanging on for a second.
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Yeah, the... and by the time you
try to get to the other one,
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it's already gone by,
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and that's where it starts
to fall apart a little bit.
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If Julio doesn't figure out
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how to roll through
those choruses with ease
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and with great timing,
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he's gonna end up throwing Terisa off.
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If he throws Terisa off,
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it throws the entire performance off,
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and it just turns into
a train wreck, you know?
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And that could cost him this battle.
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♪ There's no way you're gonna stop, oh! ♪
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Julio: I think Terisa's voice is strong,
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and it's very intimidating.
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You know, she got pipes.
[ Laughs ]
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♪ There's no way we're gonna sto-o-o-o-p ♪
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Blake: Julio... he's intimidated by Terisa.
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♪ Come on ♪
And he should be.
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♪ Shake your body, baby
♪ ohh ♪
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But he also needs to know
that he's just as talented.
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♪ Come on, shake your body,
baby, do the conga ♪
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Daly: It's the night of the battle,
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and Julio and Terisa are
ready to face off.
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Terisa: I have been in this
industry for a really long time.
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It has been a grind,
definitely a struggle.
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But nothing beats a failure
but a try, and I won't give up.
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Thank you.
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[ Voice breaking ] My dad has been the
person that supported me the most.
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So I know that if I make it,
he'll be so proud of me.
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Entering now from team Blake,
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it's the singer stepping out
from his mariachi band,
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Julio Cesar Castillo...
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[ Cheers and applause ]
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...battling the fiery
soul singer Terisa Griffin!
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[ Cheers and applause ]
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Let the battle begin.
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♪ Come on, shake your body,
baby, do the conga ♪
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♪ I know you can't
control yourself any longer ♪
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♪ come on, shake your body,
baby, do the conga ♪
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♪ I know you can't
control yourself any longer ♪
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[ Cheers and applause ]
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[ Laughs ]
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♪ Everybody, gather 'round now ♪
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♪ let your body feel the heat, whoa, oh ♪
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♪ don't you worry if you can't dance ♪
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♪ let the music move your feet, yeah ♪
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♪ it's the rhythm of the island ♪
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♪ and like sugar cane so sweet, ohh ♪
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♪ if you want to do the conga ♪
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♪ you've got to listen to the beat ♪
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♪ oh, come on ♪
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♪ shake your body, baby, do the conga ♪
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♪ I know you can't
control yourself any longer ♪
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♪ feel the rhythm of the music
getting stronger ♪
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♪ don't you fight it till you
tried it, do that conga beat ♪
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Whoo!
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[ Laughs ]
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♪ Feel the fire of desire ♪
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♪ as you dance the night away, yeah ♪
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♪ 'cause tonight we're gonna party ♪
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♪ till we see the break of day, yeah ♪
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♪ once the music hits your system ♪
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♪ there's no way you're gonna stop ♪
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♪ ohh, oh, oh, oh, oh, oh, oh, yeah ♪
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♪ oh, oh-oh-oh-oh-oh-oh ♪
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♪ oh, oh, oh ♪
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♪ oh, oh ♪
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♪ shake your body, baby ♪
[ Trills ] ♪ ow! ♪
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♪ come on, shake your body,
baby, do the conga ♪
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♪ I know you can't
control yourself any longer ♪
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♪ come on, shake your body,
baby, do the conga ♪
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[ Cheers and applause ]
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[ Laughs ]
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Blake, a tough decision.
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- No!
- We'll get your decision,
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but let's hear it from your
fellow coaches first. Christina?
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Christina: Wow.
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For the first time on this show,
I'm kind of speechless.
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Come on. Say something, please.
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[ Laughter ] I'm trying.
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I'm still processing. Cee Lo,
why don't you say something?
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What's on your mind, Cee Lo?
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Yeah, I mean, it was cool.
Actually, I enjoyed it.
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I mean, Terisa, you always
got so much personality.
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Anything with soul I think is good for me,
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and it's good for the soul,
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so it really feels good
to see you so enthusiastic
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and really in the moment
and really having fun.
247
00:10:18,028 --> 00:10:21,064
I like your voice. I really do. Yeah.
248
00:10:21,098 --> 00:10:22,899
[ Cheers and applause ]
249
00:10:22,933 --> 00:10:25,501
Thank you, Cee Lo. Adam?
250
00:10:25,536 --> 00:10:27,737
[ Chuckles ] Come on, Adam.
251
00:10:27,771 --> 00:10:28,905
I am speechless.
252
00:10:28,939 --> 00:10:31,407
Blake, you've really outdone
yourself on this one,
253
00:10:31,442 --> 00:10:34,177
because just as far as
the style of what you guys do
254
00:10:34,211 --> 00:10:35,244
are just so different.
255
00:10:35,279 --> 00:10:39,916
But it was odd, and it worked, you know?
256
00:10:39,950 --> 00:10:42,218
And, Julio, we've never had a contestant
257
00:10:42,252 --> 00:10:44,187
that has the style that you have,
258
00:10:44,221 --> 00:10:47,156
so I thought that was
really cool that Blake saw that.
259
00:10:47,191 --> 00:10:48,558
Thank you.
260
00:10:48,592 --> 00:10:51,894
And, Terisa, I mean, Julio was,
like, scared at a certain point.
261
00:10:51,929 --> 00:10:53,896
- 'Cause you were...
- She can do that to you.
262
00:10:53,931 --> 00:10:55,965
- Yeah. He was like...
- She's really intimidating.
263
00:10:55,999 --> 00:10:59,502
You know, you're so fierce,
and you're an amazing singer.
264
00:10:59,536 --> 00:11:01,504
But, for my own selfish reasons,
265
00:11:01,538 --> 00:11:03,005
wanting to have something
just completely different,
266
00:11:03,040 --> 00:11:04,907
I would choose Julio.
267
00:11:04,942 --> 00:11:07,043
- Cool. Thank you, Adam.
- Thank you.
268
00:11:07,077 --> 00:11:09,112
[ Cheers and applause ]
Blake, tough decision.
269
00:11:09,146 --> 00:11:10,913
I don't know
if you got a whole lot of help.
270
00:11:10,948 --> 00:11:11,914
But what do you think?
271
00:11:11,949 --> 00:11:14,617
It was a hard, hard song to sing.
272
00:11:14,651 --> 00:11:16,719
I know it was, and I'll be damned
273
00:11:16,754 --> 00:11:20,656
if both of you didn't do awesome.
274
00:11:20,691 --> 00:11:21,758
Oh, my gosh, man. I mean, it...
275
00:11:21,792 --> 00:11:23,459
[ Cheers and applause ]
Thank you.
276
00:11:25,162 --> 00:11:27,530
Well, I know it's not easy,
Blake, but who...
277
00:11:27,564 --> 00:11:29,632
Okay. Stop it.
278
00:11:29,666 --> 00:11:32,769
[ Laughs ]
Uh, and...
279
00:11:35,539 --> 00:11:40,176
And even as I talk right now,
I don't really know who won.
280
00:11:43,514 --> 00:11:45,314
After Blake's decision...
281
00:11:45,349 --> 00:11:48,484
♪ Shot through the heart,
and you're to blame ♪
282
00:11:48,519 --> 00:11:52,755
♪ darling, you give love a bad name ♪
283
00:11:52,790 --> 00:11:55,525
Daly: ...An unforgettable night
of battles continues...
284
00:11:55,559 --> 00:11:58,661
♪ The dog days are over ♪
285
00:11:58,695 --> 00:12:00,530
Daly: ...including an exciting twist...
286
00:12:00,564 --> 00:12:02,832
Oh! We got a steal!
287
00:12:02,866 --> 00:12:05,268
...that leaves our coaches
fighting to steal new artists
288
00:12:05,302 --> 00:12:06,369
for their teams.
289
00:12:06,403 --> 00:12:07,937
Adam steals!
290
00:12:07,971 --> 00:12:09,539
Oh, it's the end of her career!
291
00:12:11,925 --> 00:12:13,059
♪ This is "The Voice" ♪
292
00:12:13,061 --> 00:12:15,194
Daly: Welcome back to the battle rounds.
293
00:12:15,196 --> 00:12:16,429
♪ Oh, come on ♪
294
00:12:16,431 --> 00:12:18,031
♪ shake your body, baby, do the conga ♪
295
00:12:18,033 --> 00:12:21,234
Daly: Before the break,
Julio and Terisa took the stage,
296
00:12:21,236 --> 00:12:23,603
and their tongue-twisting
performance of "Conga"
297
00:12:23,605 --> 00:12:25,705
gave a Latin flavor to the competition.
298
00:12:25,707 --> 00:12:27,840
[ Laughs ]
299
00:12:27,842 --> 00:12:31,177
Daly: And now the fate
of these two artists
300
00:12:31,179 --> 00:12:33,579
all rests in Blake's hands.
301
00:12:33,581 --> 00:12:35,381
Well, I know it's not easy,
Blake, but who...
302
00:12:35,383 --> 00:12:37,750
Stop it.
[ Laughs ]
303
00:12:37,752 --> 00:12:40,520
And even as I talk right now,
I don't really know who won.
304
00:12:40,522 --> 00:12:41,854
I think the way
305
00:12:41,856 --> 00:12:43,489
that I'm gonna have to make this decision
306
00:12:43,491 --> 00:12:47,493
is to think back
to when we were in rehearsals.
307
00:12:47,495 --> 00:12:50,163
And...
308
00:12:50,165 --> 00:12:55,702
to me, Julio was having
the hardest time in rehearsals.
309
00:12:55,704 --> 00:12:59,072
And because of that and
what I just saw here today...
310
00:13:02,543 --> 00:13:05,211
...I think he probably put
the most work into it.
311
00:13:05,213 --> 00:13:06,779
I'm gonna have to go with Julio.
312
00:13:06,781 --> 00:13:09,182
[ Cheers and applause ]
313
00:13:10,417 --> 00:13:12,418
Julio, congratulations.
314
00:13:12,420 --> 00:13:13,920
We'll see you at
the knockout round, my friend.
315
00:13:13,922 --> 00:13:15,988
- Thank you.
- You got it.
316
00:13:21,195 --> 00:13:23,196
Oh, my God, I feel great.
317
00:13:23,198 --> 00:13:27,033
I...I don't think
I've ever felt like this before.
318
00:13:27,035 --> 00:13:30,069
It's such a great opportunity, you know?
319
00:13:32,239 --> 00:13:34,440
[ Sniffles, sobs ]
320
00:13:37,811 --> 00:13:41,080
[ Squeals ]
321
00:13:41,082 --> 00:13:44,183
We love you.
322
00:13:44,185 --> 00:13:47,220
All right. Terisa, here we go.
323
00:13:47,222 --> 00:13:51,657
- Coaches, let me remind you Terisa is
available to steal. - Somebody! Come on!
324
00:13:51,659 --> 00:13:53,059
[ Audience chanting "steal!" ]
325
00:13:53,061 --> 00:13:54,627
Do it.
326
00:13:56,196 --> 00:13:57,230
[ Cheers and applause ]
Oh, my God!
327
00:13:57,232 --> 00:13:58,998
We've got a steal!
328
00:13:59,000 --> 00:14:03,836
- Cee Lo Green steals Terisa
Griffin from team Blake. - Yes!
329
00:14:03,838 --> 00:14:06,339
You are back in the game.
330
00:14:10,944 --> 00:14:13,079
The crowd goes nuts.
331
00:14:13,081 --> 00:14:14,647
[ Cheers and applause ]
332
00:14:14,649 --> 00:14:16,616
You are shaking like a leaf.
333
00:14:16,618 --> 00:14:20,119
What's going on? Talk to me.
334
00:14:20,121 --> 00:14:22,455
Thank you, Cee Lo!
335
00:14:22,457 --> 00:14:23,923
Cee Lo, talk to me.
336
00:14:25,359 --> 00:14:26,692
Cee Lo: You know what?
337
00:14:26,694 --> 00:14:28,161
Whoo!
338
00:14:28,163 --> 00:14:30,163
That connection with people,
man, you can't pretend that.
339
00:14:30,165 --> 00:14:32,165
You can't pretend it.
You know what I'm saying?
340
00:14:32,167 --> 00:14:34,667
So, like, you know, stay on.
Help me win the show.
341
00:14:34,669 --> 00:14:37,470
- I'm in it! I'm in it! I'm back! Whoo!
- You're back!
342
00:14:37,472 --> 00:14:38,971
Go give your new coach a hug.
343
00:14:38,973 --> 00:14:40,039
Oh, cool!
344
00:14:40,041 --> 00:14:42,608
Cee Lo Green steals Terisa Griffin.
345
00:14:42,610 --> 00:14:45,011
Thank you, thank you,
thank you, thank you, thank you!
346
00:14:45,013 --> 00:14:46,379
Thank you, Jesus, thank you.
347
00:14:46,381 --> 00:14:48,381
This is gonna be fun
to see how it plays out.
348
00:14:48,383 --> 00:14:50,216
We'll see Terisa in the knockout round.
349
00:14:50,218 --> 00:14:52,051
[ Cheers and applause ]
350
00:14:52,053 --> 00:14:54,220
Whoo-hoo!
351
00:14:54,222 --> 00:14:55,455
Christina: Yes!
352
00:14:55,457 --> 00:14:57,290
It does not matter
what everybody else thinks.
353
00:14:57,292 --> 00:15:00,793
If you get up and try,
you have already won the battle.
354
00:15:00,795 --> 00:15:01,861
Yes!
355
00:15:01,863 --> 00:15:03,863
- And so it's the voice.
- Yes.
356
00:15:03,865 --> 00:15:08,167
Not the age, ladies. It's your voice!
357
00:15:08,169 --> 00:15:10,837
You've got some killer singers
on your team, Cee Lo.
358
00:15:10,839 --> 00:15:11,871
You think so?
359
00:15:11,873 --> 00:15:13,105
Uh, yeah.
360
00:15:13,107 --> 00:15:14,707
Blake: Me not choosing Terisa
361
00:15:14,709 --> 00:15:16,142
and her still being in this competition,
362
00:15:16,144 --> 00:15:18,144
she's gonna want to shove that in my face
363
00:15:18,146 --> 00:15:20,012
as much as she can
and go on and win this thing,
364
00:15:20,014 --> 00:15:22,882
and that's the great thing
about season three
365
00:15:22,884 --> 00:15:25,651
is now they don't always have to go home.
366
00:15:25,653 --> 00:15:26,886
You did it, buddy.
367
00:15:26,888 --> 00:15:28,120
[ Chuckles ]
368
00:15:28,122 --> 00:15:30,022
Daly: As Cee Lo celebrates
his new team member,
369
00:15:30,024 --> 00:15:32,692
let's take a look
at the next battle matchup...
370
00:15:32,694 --> 00:15:35,361
22-year-old former Yale football player
371
00:15:35,363 --> 00:15:37,530
Dez Duron from Shreveport, Louisiana,
372
00:15:37,532 --> 00:15:41,467
versus 16-year-old Paulina
from Sugar Land, Texas.
373
00:15:41,469 --> 00:15:43,870
After failing to make a team
374
00:15:43,872 --> 00:15:45,671
last season during his blind audition,
375
00:15:45,673 --> 00:15:48,341
Dez took the stage for a second time.
376
00:15:48,343 --> 00:15:50,810
I'm definitely back here
with something to prove.
377
00:15:50,812 --> 00:15:55,114
♪ It's you and me forever ♪
378
00:15:55,116 --> 00:15:57,350
Daly: He blew the coaches away
with his comeback.
379
00:15:57,352 --> 00:15:59,652
Last year, I definitely did miss
an opportunity with you,
380
00:15:59,654 --> 00:16:01,387
so I'm so happy that you came back
381
00:16:01,389 --> 00:16:03,656
and showcased a different side of yourself
382
00:16:03,658 --> 00:16:05,458
because, I mean, to me, your voice...
383
00:16:05,460 --> 00:16:07,360
the sky is the limit.
384
00:16:07,362 --> 00:16:09,095
[ Cheers and applause ]
385
00:16:09,097 --> 00:16:12,098
Paulina: I don't think I've heard
anyone with a voice identical to mine.
386
00:16:12,100 --> 00:16:16,102
It's sweet, but it still has
some kind of sass to it.
387
00:16:16,104 --> 00:16:20,940
♪ I'm gonna run to, ohh ♪
388
00:16:20,942 --> 00:16:24,610
Daly: Paulina started singing
onstage at the age of 12...
389
00:16:24,612 --> 00:16:26,612
Paulina: I have the best parents
in the entire world.
390
00:16:26,614 --> 00:16:28,281
They're super supportive,
391
00:16:28,283 --> 00:16:32,018
and I've always wanted to
just kind of pay them back
392
00:16:32,020 --> 00:16:34,854
and be what I've always hoped to be,
393
00:16:34,856 --> 00:16:36,722
which is a superstar.
394
00:16:36,724 --> 00:16:38,758
♪ You make me feel that ♪
395
00:16:38,760 --> 00:16:40,660
♪ La-la-la-la-la ♪
396
00:16:40,662 --> 00:16:43,062
...and took her next step towards stardom
397
00:16:43,064 --> 00:16:46,499
when she landed a spot on team Christina.
398
00:16:46,501 --> 00:16:49,168
You had good voice control,
and you came out really strong.
399
00:16:49,170 --> 00:16:50,336
You just belong on my team.
400
00:16:50,338 --> 00:16:51,671
[ Cheers and applause ]
401
00:16:51,673 --> 00:16:53,072
Hi.
402
00:16:53,074 --> 00:16:54,707
Hi. How's it going?
[ Laughs ]
403
00:16:54,709 --> 00:16:56,208
Paulina: Our adviser is
Billie Joe Armstrong.
404
00:16:56,210 --> 00:16:59,378
I grew up listening to Green Day.
405
00:16:59,380 --> 00:17:01,881
Oh, my gosh, I was so excited.
406
00:17:01,883 --> 00:17:04,884
♪ Girl, you're amazing ♪
407
00:17:04,886 --> 00:17:07,553
♪ just the way you are ♪
408
00:17:07,555 --> 00:17:10,056
Dez and Paulina... they have these faces
409
00:17:10,058 --> 00:17:12,892
that sort of just light up
and exude charisma,
410
00:17:12,894 --> 00:17:15,628
so I gave them "Just The Way You Are"
411
00:17:15,630 --> 00:17:17,163
because it is such a sweet song.
412
00:17:17,165 --> 00:17:18,664
And I think that that's gonna be
413
00:17:18,666 --> 00:17:19,865
really easy for them to tap in to.
414
00:17:19,867 --> 00:17:22,201
♪ Her eyes, her eyes ♪
415
00:17:22,203 --> 00:17:24,704
♪ make the stars look like
they're not shining ♪
416
00:17:24,706 --> 00:17:26,706
I'm a big fan of the song.
417
00:17:26,708 --> 00:17:28,774
I would never choose it
for myself, though, to sing.
418
00:17:28,776 --> 00:17:30,276
The song is really high.
419
00:17:30,278 --> 00:17:34,447
♪ Just the way you are ♪
420
00:17:34,449 --> 00:17:35,881
It's way up there,
421
00:17:35,883 --> 00:17:38,851
and so it's definitely gonna be
a challenge for me.
422
00:17:38,853 --> 00:17:40,086
I feel like there's a little bit
423
00:17:40,088 --> 00:17:42,288
- over-pronouncing happening there.
- Okay.
424
00:17:42,290 --> 00:17:43,456
The way you were singing it was like,
425
00:17:43,458 --> 00:17:45,191
"her ey-es, her ey-es," you know?
426
00:17:45,193 --> 00:17:47,593
Like, I really want you to relax on it,
427
00:17:47,595 --> 00:17:49,862
like... ♪ her eyes, her eyes ♪
428
00:17:49,864 --> 00:17:52,398
You know, just kind of
throw it away a little bit.
429
00:17:52,400 --> 00:17:54,033
- I mean, don't lose your pitch.
- Right.
430
00:17:54,035 --> 00:17:56,102
- I'm really nervous.
- That's natural.
431
00:17:56,104 --> 00:17:57,670
Be nervous. It's your friend.
432
00:17:57,672 --> 00:17:59,839
Christina: There's probably
a little bit more weight
433
00:17:59,841 --> 00:18:01,173
on Dez's shoulders,
434
00:18:01,175 --> 00:18:03,509
just because he wants to prove
the fact that,
435
00:18:03,511 --> 00:18:06,145
you know, he did make it past
the blind auditions
436
00:18:06,147 --> 00:18:08,247
this second time around for a reason.
437
00:18:08,249 --> 00:18:12,084
♪ 'Cause you're amazing ♪
438
00:18:12,086 --> 00:18:17,189
♪ just the way you are, are, are ♪
439
00:18:17,191 --> 00:18:20,026
I don't think you in particular
need to create
440
00:18:20,028 --> 00:18:22,762
ad-lib situations
that don't need to be there.
441
00:18:22,764 --> 00:18:26,899
You know... ♪ 'cause you're amazing ♪
442
00:18:26,901 --> 00:18:28,768
It just can be more powerful than...
443
00:18:28,770 --> 00:18:30,536
♪ amazi-i-i-ng ♪
444
00:18:30,538 --> 00:18:32,972
The song already has its pace to it,
445
00:18:32,974 --> 00:18:35,808
so if you're trying to throw in
vocal acrobats and stuff,
446
00:18:35,810 --> 00:18:39,211
you're gonna end up
kind of getting off of,
447
00:18:39,213 --> 00:18:41,380
- like, the melody of the song, I think.
- Right.
448
00:18:41,382 --> 00:18:44,050
Paulina: Billie Joe and
Christina have been giving me
449
00:18:44,052 --> 00:18:45,518
very valuable advice.
450
00:18:45,520 --> 00:18:47,987
I just need to remember everything
451
00:18:47,989 --> 00:18:49,989
and store it back here
452
00:18:49,991 --> 00:18:52,625
so that whenever I go on that stage,
453
00:18:52,627 --> 00:18:54,226
I can just bring it out
454
00:18:54,228 --> 00:18:56,662
and give the best I possibly can.
455
00:18:56,664 --> 00:19:00,332
♪ Just the way you are ♪
456
00:19:00,334 --> 00:19:02,468
That's nice. Love it, love it, yeah.
457
00:19:02,470 --> 00:19:03,803
That's your character, you know?
458
00:19:03,805 --> 00:19:05,204
Definitely incorporate moments like that.
459
00:19:05,206 --> 00:19:08,274
Dez: Paulina picks
interesting vocal choices,
460
00:19:08,276 --> 00:19:10,142
and the melodies that she's
coming up with are really cool.
461
00:19:10,144 --> 00:19:12,111
Once she gets it down,
462
00:19:12,113 --> 00:19:13,913
it's gonna be a force to be reckoned with.
463
00:19:13,915 --> 00:19:16,282
It's like just sing together
and complement each other.
464
00:19:16,284 --> 00:19:19,452
Enjoy each other, and then
the audience will enjoy it, too.
465
00:19:19,454 --> 00:19:21,721
- Just don't overthink it.
- And don't blow it.
466
00:19:25,826 --> 00:19:27,727
[ Laughter ]
And don't mess up.
467
00:19:27,729 --> 00:19:30,262
Don't make me look bad.
468
00:19:30,264 --> 00:19:31,263
[ Laughter ]
469
00:19:31,265 --> 00:19:32,932
She's got to win.
[ Laughs ]
470
00:19:35,736 --> 00:19:37,737
Daly: The next day, Dez and Paulina
471
00:19:37,739 --> 00:19:40,539
head into their last rehearsal
with Christina.
472
00:19:40,541 --> 00:19:44,744
♪ The way you a-a-a-re ♪
473
00:19:44,746 --> 00:19:50,049
♪ the way you a-a-a-re ♪
474
00:19:50,051 --> 00:19:52,818
♪ girl, you're amazing ♪
475
00:19:52,820 --> 00:19:56,822
♪ just the way you are ♪
476
00:19:56,824 --> 00:19:58,924
Paulina, you're doing
your own thing with it.
477
00:19:58,926 --> 00:20:02,728
You kind of pronounce things
in your own style,
478
00:20:02,730 --> 00:20:06,165
but just make sure I can
hear the lyrics and everything
479
00:20:06,167 --> 00:20:07,900
and you're not, you know,
inching off of your pitch.
480
00:20:07,902 --> 00:20:10,569
Just sing the song
just so everybody's not going,
481
00:20:10,571 --> 00:20:12,104
"wait, what happened?"
482
00:20:12,106 --> 00:20:13,472
You know what I mean?
Just so they don't think
483
00:20:13,474 --> 00:20:16,208
- it's like a lyric flub or a mistake.
- Okay.
484
00:20:16,210 --> 00:20:18,010
Staying on pitch,
being really aware of my tone...
485
00:20:18,012 --> 00:20:20,346
I think those are
all really important factors
486
00:20:20,348 --> 00:20:23,315
that could either make me
go onto the next round
487
00:20:23,317 --> 00:20:25,217
or, you know, make me go home.
488
00:20:25,219 --> 00:20:28,187
Christina: Dez,
I wouldn't really go higher.
489
00:20:28,189 --> 00:20:31,157
♪ The way you a-a-a-re ♪
490
00:20:31,159 --> 00:20:33,859
- Yeah, yeah, yeah.
- Yeah, like a tiny, like, dip on it.
491
00:20:33,861 --> 00:20:35,194
And go down.
492
00:20:35,196 --> 00:20:37,296
It makes me nervous
because I will lose this battle
493
00:20:37,298 --> 00:20:39,965
if I don't hit these notes right on.
494
00:20:39,967 --> 00:20:43,702
♪ Stay for a while
♪ 'cause you're amazing ♪
495
00:20:43,704 --> 00:20:46,772
My bad. I missed my line.
"You're amazing."
496
00:20:46,774 --> 00:20:49,708
Christina: Dez seems like
a very rehearsed vocalist.
497
00:20:49,710 --> 00:20:51,644
I just hope that nerves don't take over
498
00:20:51,646 --> 00:20:53,779
and he's able to relax.
499
00:20:53,781 --> 00:20:54,814
Like, it'd be nice
500
00:20:54,816 --> 00:20:56,515
to see you guys lock eyes at the end.
501
00:20:56,517 --> 00:20:58,484
[ Laughs ]
Definitely.
502
00:20:58,486 --> 00:21:01,554
Paulina's positive is
that her voice is quite unique.
503
00:21:01,556 --> 00:21:05,391
I just hope that she doesn't
experiment onstage
504
00:21:05,393 --> 00:21:07,159
and it falls flat.
505
00:21:12,732 --> 00:21:15,201
Daly: Dez and Paulina are about to battle.
506
00:21:15,203 --> 00:21:18,771
Only one will win
and remain on Christina's team.
507
00:21:18,773 --> 00:21:22,508
Dez: I know what it's like to go
home really soon in the competition.
508
00:21:22,510 --> 00:21:23,709
It doesn't feel good.
509
00:21:23,711 --> 00:21:25,945
It's not something I want to feel again.
510
00:21:25,947 --> 00:21:28,747
Paulina: To be working
with Christina Aguilera
511
00:21:28,749 --> 00:21:31,851
and learning from her,
it's like my dream come true.
512
00:21:31,853 --> 00:21:33,686
I just wouldn't want to lose that.
513
00:21:33,688 --> 00:21:35,888
I want this really badly.
514
00:21:35,890 --> 00:21:37,389
[ Applause ]
515
00:21:37,391 --> 00:21:39,225
This is my night, and I'm gonna shine.
516
00:21:39,227 --> 00:21:41,227
[ Cheers and applause ]
517
00:21:41,229 --> 00:21:42,261
Daly: Coming up...
518
00:21:43,663 --> 00:21:45,664
The coaches face tough decisions.
519
00:21:45,666 --> 00:21:48,334
Who is the winner of this battle?
520
00:21:48,336 --> 00:21:50,269
Oh, my God. I'm so torn.
521
00:21:50,271 --> 00:21:52,304
The winner of this battle...
522
00:21:53,139 --> 00:21:56,876
While hoping to strengthen their teams...
523
00:21:56,878 --> 00:21:59,044
- Whoa! We got a steal!
- Whoo!
524
00:21:59,046 --> 00:22:02,114
...they end up in a battle of their own.
525
00:22:02,116 --> 00:22:04,183
It makes a lot more sense for
you to be on my team than his.
526
00:22:04,185 --> 00:22:05,351
Damn!
527
00:22:08,480 --> 00:22:11,782
♪ This is "The Voice" ♪
528
00:22:11,784 --> 00:22:15,119
Only one of these competitors
from team Christina
529
00:22:15,121 --> 00:22:16,387
will win this battle
530
00:22:16,389 --> 00:22:18,055
and be one step closer to winning it all.
531
00:22:18,057 --> 00:22:20,157
Singing "Just The Way You Are,"
532
00:22:20,159 --> 00:22:23,661
the ex-Yale football player
from Louisiana, Dez Duron.
533
00:22:23,663 --> 00:22:27,064
[ Cheers and applause ]
534
00:22:30,435 --> 00:22:35,372
Going up against the focused
16-year-old pop hopeful
535
00:22:35,374 --> 00:22:38,375
from Texas, Paulina!
536
00:22:38,377 --> 00:22:41,912
[ Cheers and applause ]
537
00:22:50,588 --> 00:22:54,124
Let the battle begin.
538
00:22:56,327 --> 00:22:59,830
♪ Oh, her eyes, her eyes ♪
539
00:22:59,832 --> 00:23:02,499
♪ make the stars look like
they're not shining ♪
540
00:23:02,501 --> 00:23:04,668
♪ her hair, her hair ♪
541
00:23:04,670 --> 00:23:06,837
♪ falls perfectly without her trying ♪
542
00:23:06,839 --> 00:23:09,440
♪ she's so beautiful ♪
543
00:23:09,442 --> 00:23:15,512
♪ and I tell her every day, mm-hmm ♪
544
00:23:15,514 --> 00:23:17,347
♪ well, I know, I know ♪
545
00:23:17,349 --> 00:23:20,184
♪ when I compliment him,
he won't believe me ♪
546
00:23:20,186 --> 00:23:21,685
♪ and it's so, it's so ♪
547
00:23:21,687 --> 00:23:24,521
♪ sad to think
that he don't see what I see ♪
548
00:23:24,523 --> 00:23:28,025
♪ but every time he asks me,
"do I look okay?" ♪
549
00:23:28,027 --> 00:23:31,195
♪ I'll say, unh ♪
550
00:23:31,197 --> 00:23:36,033
♪ and when I see your face, oh, girl ♪
551
00:23:36,035 --> 00:23:40,270
♪ there's not a thing
that I would change ♪
552
00:23:40,272 --> 00:23:49,546
♪ 'cause you're amazing
just the way you a-a-a-a-re ♪
553
00:23:49,548 --> 00:23:53,217
♪ and when you smile ♪
554
00:23:53,219 --> 00:23:58,188
♪ the whole world stops
and stares for a while ♪
555
00:23:58,190 --> 00:24:05,028
♪ 'cause you're amazing
just the way you are ♪
556
00:24:05,030 --> 00:24:06,196
♪ oh
♪ yeah ♪
557
00:24:06,198 --> 00:24:10,834
♪ when I see your face ♪
558
00:24:10,836 --> 00:24:15,606
♪ there's not a thing
that I would change ♪
559
00:24:15,608 --> 00:24:18,776
♪ 'cause you're amazing ♪
560
00:24:18,778 --> 00:24:21,778
♪ just the way you a-a-a-re ♪
561
00:24:28,387 --> 00:24:30,420
[ Cheers and applause ]
562
00:24:32,557 --> 00:24:34,324
Daly: Give it up.
563
00:24:34,326 --> 00:24:37,928
From team Christina, Paulina and Dez.
564
00:24:37,930 --> 00:24:40,764
Very good. Christina, tough decision
coming up on this battle momentarily.
565
00:24:40,766 --> 00:24:43,667
First, some thoughts from
the other coaches. Cee Lo?
566
00:24:43,669 --> 00:24:45,102
Paulina, you have such a charm
and such a personality
567
00:24:45,104 --> 00:24:46,670
that I really enjoy.
568
00:24:46,672 --> 00:24:48,872
I love the quirk in your voice.
I think you did a great job.
569
00:24:48,874 --> 00:24:50,474
But I just think as far as total package,
570
00:24:50,476 --> 00:24:53,177
I got to give it to my man Dez.
571
00:24:53,179 --> 00:24:54,444
[ Cheers and applause ]
572
00:24:54,446 --> 00:24:56,380
Adam?
573
00:24:58,149 --> 00:24:59,216
I think that there were great things
574
00:24:59,218 --> 00:25:01,285
about both of your voices.
575
00:25:01,287 --> 00:25:03,287
But both performances on their own,
576
00:25:03,289 --> 00:25:05,489
to me, were a little bit inconsistent.
577
00:25:05,491 --> 00:25:09,026
So, probably because it seems
like more kind of seasoned,
578
00:25:09,028 --> 00:25:11,195
probably I'd go with Dez.
579
00:25:11,197 --> 00:25:13,363
[ Cheers and applause ]
580
00:25:13,365 --> 00:25:15,833
Blake Shelton?
581
00:25:15,835 --> 00:25:18,235
Well, first, let me say something to Dez.
582
00:25:18,237 --> 00:25:21,038
Man, you've come a long way in a year.
583
00:25:21,040 --> 00:25:23,340
I mean, it's amazing to see you now.
584
00:25:23,342 --> 00:25:24,842
[ Cheers and applause ]
585
00:25:24,844 --> 00:25:28,145
I think as far as character
and that person
586
00:25:28,147 --> 00:25:30,480
that would jump out on the radio
between the two of you,
587
00:25:30,482 --> 00:25:32,082
it would be you, Paulina.
588
00:25:32,084 --> 00:25:33,383
I mean, you have
589
00:25:33,385 --> 00:25:36,386
such different qualities and character.
590
00:25:36,388 --> 00:25:38,355
[ Cheers and applause ]
591
00:25:38,357 --> 00:25:42,559
But I want you to remember
what I just said to Dez.
592
00:25:42,561 --> 00:25:45,095
It's amazing how much difference
a year can make,
593
00:25:45,097 --> 00:25:49,600
and I think Dez's experience
is the reason that,
594
00:25:49,602 --> 00:25:51,735
in my opinion, he won this battle.
595
00:25:51,737 --> 00:25:53,704
[ Cheers and applause ]
Thank you, Blake.
596
00:25:53,706 --> 00:25:55,772
Christina, give me some thoughts
on the battle first
597
00:25:55,774 --> 00:25:56,773
and then your decision.
598
00:25:56,775 --> 00:25:58,041
Christina: Yes, first of all,
599
00:25:58,043 --> 00:26:00,410
so incredibly proud of both of you.
600
00:26:00,412 --> 00:26:02,246
I knew that both of you would put
601
00:26:02,248 --> 00:26:03,513
your own unique twist on it.
602
00:26:03,515 --> 00:26:04,581
Paulina, you have
603
00:26:04,583 --> 00:26:07,050
this specific quality to your voice,
604
00:26:07,052 --> 00:26:10,721
this tone, this texture,
this interesting falsetto.
605
00:26:10,723 --> 00:26:13,090
And you showcased that.
You're a real performer.
606
00:26:13,092 --> 00:26:14,591
You're a real artist
when you're able to do that.
607
00:26:14,593 --> 00:26:18,128
- Thank you. - Dez, I thought you
were very consistent throughout.
608
00:26:18,130 --> 00:26:20,530
You went for that high note.
609
00:26:20,532 --> 00:26:22,032
♪ The way you are ♪
610
00:26:22,034 --> 00:26:24,968
It was really, really pretty
and right on point.
611
00:26:24,970 --> 00:26:26,937
Christina,
who's the winner of this battle?
612
00:26:26,939 --> 00:26:29,106
Whew!
613
00:26:31,509 --> 00:26:33,610
Um...
614
00:26:37,382 --> 00:26:40,017
I just feel like, Paulina,
615
00:26:40,019 --> 00:26:41,485
it had its moments where it just
wasn't followed through
616
00:26:41,487 --> 00:26:44,321
as far as consistency,
so I got to give it to Dez.
617
00:26:44,323 --> 00:26:45,989
[ Cheers and applause ]
Dez, congratulations.
618
00:26:45,991 --> 00:26:47,958
Dez Duron moves on to the knockout rounds.
619
00:26:58,469 --> 00:27:00,771
All right, coaches, let me remind you,
620
00:27:00,773 --> 00:27:02,339
Paulina is available to steal.
621
00:27:02,341 --> 00:27:05,509
Paulina, anything you want
to say to coach Christina?
622
00:27:05,511 --> 00:27:08,178
I just wanted to say you are
a wonderful coach,
623
00:27:08,180 --> 00:27:09,613
and I've already learned so much from you.
624
00:27:09,615 --> 00:27:12,616
- Thank you. Thank you.
- Ladies and gentlemen, Paulina.
625
00:27:12,618 --> 00:27:14,084
Thank you.
626
00:27:15,887 --> 00:27:18,055
Thank you very much, Paulina.
627
00:27:18,057 --> 00:27:19,957
Thank you.
628
00:27:22,026 --> 00:27:24,695
I wish I could have brought it a bit more.
629
00:27:24,697 --> 00:27:26,296
I do feel like I was a bit shaky.
630
00:27:26,298 --> 00:27:29,032
- I'm so proud of you.
- It would have been amazing
631
00:27:29,034 --> 00:27:30,834
to have been stolen
and continue this opportunity,
632
00:27:30,836 --> 00:27:33,870
but I know that it's not
the end, and I'll keep going.
633
00:27:33,872 --> 00:27:36,707
Oh, my God!
[ Laughs ]
634
00:27:36,709 --> 00:27:39,242
Dez: All the hard work
just paying off right here.
635
00:27:39,244 --> 00:27:40,811
Moments like these is what you live for.
636
00:27:40,813 --> 00:27:43,146
Unbelievable job.
637
00:27:43,148 --> 00:27:45,415
I want to be the one
to give Christina her first win,
638
00:27:45,417 --> 00:27:47,217
so this is the season right here.
639
00:27:47,219 --> 00:27:49,219
[ Laughs ]
Whoo!
640
00:27:49,221 --> 00:27:50,554
Daly: Coming up...
641
00:27:50,556 --> 00:27:53,824
♪ You give love a bad name ♪
642
00:27:53,826 --> 00:27:55,292
Blake: I looked down,
and everybody was going,
643
00:27:55,294 --> 00:27:56,660
"oh, my gosh."
644
00:27:56,662 --> 00:27:59,162
Those are the type of moments
that win a battle round.
645
00:27:59,164 --> 00:28:01,398
...the battle rounds heat up.
646
00:28:01,400 --> 00:28:05,102
♪ Whoo, I will always be the ♪
647
00:28:05,104 --> 00:28:07,371
How do you, like, sing that many notes?
648
00:28:07,373 --> 00:28:10,374
Yeah, I can't even think that many notes.
649
00:28:13,761 --> 00:28:17,062
♪ This is "The Voice" ♪
650
00:28:17,064 --> 00:28:19,565
Daly: Welcome back to the battle rounds.
651
00:28:19,567 --> 00:28:21,066
Next, let's check in with Adam
652
00:28:21,068 --> 00:28:23,402
and his nine-time
Grammy award-winning adviser,
653
00:28:23,404 --> 00:28:27,239
Mary J. Blige, as they prepare
for his next battle pairing.
654
00:28:27,241 --> 00:28:29,408
[ British accent ]
It's a music-industry master class
655
00:28:29,410 --> 00:28:31,076
starring Mary J. Blige and Adam Levine.
656
00:28:31,078 --> 00:28:33,579
Adam: [ normal voice ]
I've known Mary J. for years,
657
00:28:33,581 --> 00:28:35,848
and she's a wonderful woman
that I love so dearly,
658
00:28:35,850 --> 00:28:37,550
so it's really great that
she's here for the battle rounds
659
00:28:37,552 --> 00:28:42,154
because she offers
a perspective that I don't have.
660
00:28:42,156 --> 00:28:44,590
Daly: Let's see how
the next two artists match up...
661
00:28:44,592 --> 00:28:47,760
24-year-old former racecar driver Benji
662
00:28:47,762 --> 00:28:51,530
versus 26-year-old bar manager Sam James.
663
00:28:51,532 --> 00:28:53,198
During the blind auditions,
664
00:28:53,200 --> 00:28:56,669
Sam James came to "The Voice"
looking for a career change.
665
00:28:56,671 --> 00:29:01,674
I earn a living as a bartender,
and it's an awesome place,
666
00:29:01,676 --> 00:29:03,642
but I want to be playing music full time.
667
00:29:03,644 --> 00:29:08,480
♪ Imagine all the people ♪
668
00:29:08,482 --> 00:29:10,716
Daly: His efforts paid off.
669
00:29:10,718 --> 00:29:11,817
Adam: You have a fantastic voice.
670
00:29:11,819 --> 00:29:13,152
You definitely deserve to be here,
671
00:29:13,154 --> 00:29:14,486
and I'm happy you're on my team, man.
672
00:29:14,488 --> 00:29:15,988
Thank you so much. Thank you.
673
00:29:15,990 --> 00:29:18,457
Daly: And Benji wowed two coaches
674
00:29:18,459 --> 00:29:20,192
with his rock-'n'-roll scream.
675
00:29:20,194 --> 00:29:22,161
♪ Ye-e-e-ah! ♪
676
00:29:22,163 --> 00:29:23,696
Christina: Wow!
677
00:29:23,698 --> 00:29:26,198
What's your name?!
[ Cheers and applause ]
678
00:29:26,200 --> 00:29:28,767
This whole experience is
really important to me
679
00:29:28,769 --> 00:29:29,802
because I kind of don't want it
to end like racing did.
680
00:29:29,804 --> 00:29:31,937
I don't want it to end with
681
00:29:31,939 --> 00:29:33,772
that 100-mile-an-hour collision
into a wall.
682
00:29:33,774 --> 00:29:37,042
Daly: Now both artists face off
against each other.
683
00:29:37,044 --> 00:29:38,978
- What?! - What's going on?
Adam: - Gentlemen!
684
00:29:38,980 --> 00:29:43,782
Sam: It's totally hard to put
this into perspective right now.
685
00:29:43,784 --> 00:29:46,118
I'm gonna get to work with two
of the biggest names in music.
686
00:29:46,120 --> 00:29:47,152
- I'm Sam.
- Mary.
687
00:29:47,154 --> 00:29:48,287
Nice to meet you, Mary.
[ Laughs ]
688
00:29:48,289 --> 00:29:50,456
I've been a fan of Mary's for a long time.
689
00:29:50,458 --> 00:29:54,193
Her trophy room is
probably bigger than my house.
690
00:29:54,195 --> 00:29:55,561
People are gonna love it.
691
00:29:55,563 --> 00:29:56,562
- It's gonna be a crowd-pleaser kind of song.
- Yeah.
692
00:29:56,564 --> 00:29:59,064
Adam: I chose Bon Jovi
693
00:29:59,066 --> 00:30:00,232
'cause I wanted them to be
out of their comfort zone.
694
00:30:00,234 --> 00:30:01,500
I like that sometimes.
695
00:30:01,502 --> 00:30:03,168
This is the time when you're
doing the battle rounds,
696
00:30:03,170 --> 00:30:04,503
and people are gonna start
to get to know you.
697
00:30:04,505 --> 00:30:06,405
People kind of fall in love
with what you do,
698
00:30:06,407 --> 00:30:07,573
who you are, all this kind of stuff.
699
00:30:07,575 --> 00:30:08,741
And this is a really great way to do that.
700
00:30:08,743 --> 00:30:10,075
It's not what they would have chosen,
701
00:30:10,077 --> 00:30:11,944
which I think it's good, you know?
702
00:30:11,946 --> 00:30:15,914
If it all fits perfectly
and all makes perfect sense,
703
00:30:15,916 --> 00:30:18,083
it doesn't always engage or entertain.
704
00:30:18,085 --> 00:30:20,586
So this was one
of those wild cards I threw out.
705
00:30:20,588 --> 00:30:24,089
♪ Shot through the heart,
and you're to blame ♪
706
00:30:24,091 --> 00:30:26,091
♪ darling, you give love a bad name ♪
707
00:30:26,093 --> 00:30:28,460
Sam is just this powerhouse.
708
00:30:28,462 --> 00:30:30,162
There's this density to his voice.
709
00:30:30,164 --> 00:30:34,333
♪ Oh, I play my part,
and you play your game ♪
710
00:30:34,335 --> 00:30:36,468
Benji's an amazing screamer,
but he can also have
711
00:30:36,470 --> 00:30:38,637
this really clean,
pristine-sounding voice.
712
00:30:38,639 --> 00:30:42,141
♪ Darling, you give love a bad name ♪
713
00:30:42,143 --> 00:30:43,709
Adam: And I think
that the both of them together,
714
00:30:43,711 --> 00:30:45,210
it's gonna be a really powerful duet.
715
00:30:45,212 --> 00:30:46,545
♪ A bad name ♪
716
00:30:46,547 --> 00:30:47,746
♪ bad name ♪
[ Laughs ]
717
00:30:47,748 --> 00:30:48,914
Adam: Check it out,
check it out, check it out.
718
00:30:48,916 --> 00:30:50,749
Sam, I think sometimes the upper ones,
719
00:30:50,751 --> 00:30:51,884
you're straining a bit.
720
00:30:51,886 --> 00:30:53,886
If you can't hit that note with the note,
721
00:30:53,888 --> 00:30:57,122
hit it with an emotion,
and it's gonna go "ding!"
722
00:30:57,124 --> 00:30:58,857
Sam has a great voice.
723
00:30:58,859 --> 00:31:00,526
I think he just needs other techniques
724
00:31:00,528 --> 00:31:03,629
and ways of hitting that note
and he'll be great.
725
00:31:03,631 --> 00:31:05,597
♪ You give love a bad name ♪
726
00:31:05,599 --> 00:31:09,068
There's always one or two notes
in a big song like this
727
00:31:09,070 --> 00:31:10,502
I strain to hit.
728
00:31:10,504 --> 00:31:12,671
- It's an intimidating song.
- It is. That's true.
729
00:31:12,673 --> 00:31:13,839
- It's a big song.
- Yeah.
730
00:31:13,841 --> 00:31:16,075
I'm not really a Bon Jovi guy,
731
00:31:16,077 --> 00:31:17,910
but I want to make it all the way.
732
00:31:17,912 --> 00:31:21,246
♪ You give love a bad name ♪
733
00:31:21,248 --> 00:31:23,315
I'm learning so much about myself
734
00:31:23,317 --> 00:31:24,817
from being on "The Voice."
735
00:31:24,819 --> 00:31:27,553
So I definitely, definitely have
a lot of work to do.
736
00:31:27,555 --> 00:31:31,056
Daly: As the battle approaches,
Benji and Sam head in
737
00:31:31,058 --> 00:31:32,458
for one final rehearsal with Adam.
738
00:31:32,460 --> 00:31:36,662
♪ Shot through the heart,
and you're to blame ♪
739
00:31:36,664 --> 00:31:40,299
♪ darling, you give love a bad name ♪
740
00:31:40,301 --> 00:31:43,469
Benji: I've always been
kind of the front man of a band,
741
00:31:43,471 --> 00:31:45,237
and that makes me think that I
have a shot to win this battle.
742
00:31:45,239 --> 00:31:50,976
♪ Oh, you're a loaded gun ♪
743
00:31:50,978 --> 00:31:53,345
♪ yeah, yeah! ♪
744
00:31:53,347 --> 00:31:56,014
Adam: Sam, the way you just
sang that was really great.
745
00:31:56,016 --> 00:31:58,350
But, Benji, one of the reasons
why I chose this song
746
00:31:58,352 --> 00:32:00,519
was because I knew
that you could have that moment
747
00:32:00,521 --> 00:32:01,920
where you're like, "yeah!"
748
00:32:01,922 --> 00:32:05,791
But you really only need to roar
at certain moments in the song,
749
00:32:05,793 --> 00:32:07,693
but you can sing it the rest of the time,
750
00:32:07,695 --> 00:32:09,795
'cause it's not gonna be good
if you scream it all.
751
00:32:09,797 --> 00:32:11,497
Benji: I really just want to scream it out
752
00:32:11,499 --> 00:32:14,166
and yell it out, but you've got to stay
753
00:32:14,168 --> 00:32:16,001
kind of within
those constraints of the song
754
00:32:16,003 --> 00:32:17,202
while also being yourself.
755
00:32:17,204 --> 00:32:18,337
That's hard.
756
00:32:18,339 --> 00:32:21,039
Bon Jovi is a deceptively great singer
757
00:32:21,041 --> 00:32:22,775
who isn't just up there, growling.
758
00:32:22,777 --> 00:32:24,543
He's, you know...
759
00:32:24,545 --> 00:32:26,378
♪ Shot through the heart,
and you're to blame ♪
760
00:32:26,380 --> 00:32:28,380
♪ darling, you give love ♪
761
00:32:28,382 --> 00:32:31,950
I mean, he's singing.
It's not just... rawr!
762
00:32:31,952 --> 00:32:35,387
What I need to do is sit down,
put the headphones on,
763
00:32:35,389 --> 00:32:36,388
and lock it down,
764
00:32:36,390 --> 00:32:37,556
'cause this is what I want to do.
765
00:32:37,558 --> 00:32:38,891
And I'm not banking on me getting saved.
766
00:32:38,893 --> 00:32:40,259
I'm banking on me winning.
767
00:32:40,261 --> 00:32:41,927
Adam: It's almost like you have
the opposite problem,
768
00:32:41,929 --> 00:32:44,797
because your thing is gonna be
getting out of your comfort range.
769
00:32:44,799 --> 00:32:45,998
And with you, it's like you have
770
00:32:46,000 --> 00:32:47,533
these two very
dramatically different ranges,
771
00:32:47,535 --> 00:32:49,468
and I think that's gonna be, for you,
772
00:32:49,470 --> 00:32:50,769
balancing those two things out.
773
00:32:50,771 --> 00:32:53,472
Benji and Sam both had some issues,
774
00:32:53,474 --> 00:32:55,007
but I'm trying to challenge people,
775
00:32:55,009 --> 00:32:56,775
and I'm trying to make people comfortable.
776
00:32:56,777 --> 00:33:00,179
So, you know, that's my goal,
and that's my plan.
777
00:33:00,181 --> 00:33:01,880
I think that the both of them should be
778
00:33:01,882 --> 00:33:03,081
able to thrive for the song.
779
00:33:04,284 --> 00:33:06,485
Daly: The pressure mounts
780
00:33:06,487 --> 00:33:09,021
while Benji and Sam
make their way to the stage.
781
00:33:09,023 --> 00:33:11,657
Sam: I don't want to sling drinks anymore.
782
00:33:11,659 --> 00:33:13,592
You know, it's a fun job,
783
00:33:13,594 --> 00:33:17,029
and it definitely pays
the bills, but I'm done with it.
784
00:33:17,031 --> 00:33:20,799
I want to have
every day I wake up, it's music.
785
00:33:20,801 --> 00:33:24,303
Benji: If I don't win tonight,
then this might be it
786
00:33:24,305 --> 00:33:27,005
as far as music for me
as a career, you know?
787
00:33:27,007 --> 00:33:29,341
I've given it a long time... 11 years.
788
00:33:29,343 --> 00:33:32,511
So, I really like Sam.
He's an awesome guy.
789
00:33:32,513 --> 00:33:34,179
But it's battle royale.
790
00:33:34,181 --> 00:33:35,848
[ Cheers and applause ]
791
00:33:35,850 --> 00:33:39,618
Daly: Coming up,
an epic battle rocks the stage.
792
00:33:39,620 --> 00:33:43,155
♪ Yea-a-a-a-h! ♪
793
00:33:44,224 --> 00:33:47,459
You screamed like a bat flying
straight out of hell.
794
00:33:47,461 --> 00:33:49,728
Daly: And later, which coach will score
795
00:33:49,730 --> 00:33:51,129
the second steal of the night?
796
00:33:51,131 --> 00:33:53,232
Push. Somebody push.
797
00:33:54,601 --> 00:33:55,601
Push.
798
00:33:55,603 --> 00:33:58,704
Whoa! We got a steal!
799
00:34:01,668 --> 00:34:03,668
♪ This is "The Voice" ♪
800
00:34:03,670 --> 00:34:05,670
[ Cheers and applause ]
801
00:34:05,672 --> 00:34:06,972
Daly: Stepping into the ring now,
802
00:34:06,974 --> 00:34:10,809
the 24-year-old
ex-racecar driver from Orlando!
803
00:34:10,811 --> 00:34:12,477
Here he is! Benji!
804
00:34:12,479 --> 00:34:16,081
[ Cheers and applause ]
805
00:34:21,988 --> 00:34:25,490
Going voice to voice
with the 26-year-old bar manager
806
00:34:25,492 --> 00:34:28,994
from Massachusetts, Sam James.
807
00:34:28,996 --> 00:34:31,029
[ Cheers and applause ]
808
00:34:44,677 --> 00:34:47,045
Let the battle begin.
809
00:34:49,648 --> 00:34:53,318
♪ Shot through the heart,
and you're to blame ♪
810
00:34:53,320 --> 00:34:57,255
♪ darling, you give love a bad name ♪
811
00:35:01,460 --> 00:35:05,130
♪ an angel's smile is what you sell ♪
812
00:35:05,132 --> 00:35:08,900
♪ you promised me heaven,
then put me through hell ♪
813
00:35:08,902 --> 00:35:12,904
♪ chains of love got a hold on me ♪
814
00:35:12,906 --> 00:35:16,908
♪ when passion's your prison,
you can't break free ♪
815
00:35:16,910 --> 00:35:25,050
♪ oh, you're a loaded gun, yea-a-a-h ♪
816
00:35:25,052 --> 00:35:28,720
♪ whoa, there's nowhere to run ♪
817
00:35:28,722 --> 00:35:32,357
♪ no one can save me, the damage is done ♪
818
00:35:32,359 --> 00:35:35,860
♪ shot through the heart,
and you're to blame ♪
819
00:35:35,862 --> 00:35:39,397
♪ darling, you give love a bad name ♪
820
00:35:39,399 --> 00:35:43,568
♪ I play my part, and you play your game ♪
821
00:35:43,570 --> 00:35:47,639
♪ darling, you give love a bad name ♪
822
00:35:47,641 --> 00:35:53,278
♪ you give lo-o-o-o-o-ve a bad name ♪
823
00:35:53,280 --> 00:35:57,715
♪ whoo! Paint your smile on your lips ♪
824
00:35:57,717 --> 00:36:01,186
♪ blood-red nails on your fingertips ♪
825
00:36:01,188 --> 00:36:05,023
♪ a schoolboy's dream, you act so shy ♪
826
00:36:05,025 --> 00:36:09,127
♪ your very first kiss was
your first kiss goodbye ♪
827
00:36:09,129 --> 00:36:10,495
♪ whoa ♪
828
00:36:10,497 --> 00:36:13,298
♪ you're a loaded gun ♪
829
00:36:13,300 --> 00:36:16,768
♪ yeah, yeah, yeah! ♪
830
00:36:16,770 --> 00:36:20,772
♪ oh, there's nowhere to run ♪
831
00:36:20,774 --> 00:36:24,909
♪ no one can save me, the damage is done ♪
832
00:36:24,911 --> 00:36:28,513
♪ yea-a-a-a-h! ♪
833
00:36:28,515 --> 00:36:31,716
♪ shot through the heart,
and you're to blame ♪
834
00:36:31,718 --> 00:36:36,054
♪ darling, you give love a bad name ♪
835
00:36:36,056 --> 00:36:39,724
♪ I play my part, and you play your game ♪
836
00:36:39,726 --> 00:36:43,294
♪ darling, you give love a bad name ♪
837
00:36:43,296 --> 00:36:49,400
♪ darling, you give lo-o-o-o-ve
a bad name! ♪
838
00:36:49,402 --> 00:36:51,136
[ Cheers and applause ]
839
00:36:53,506 --> 00:36:56,407
Daly: Team Adam battling.
840
00:36:56,409 --> 00:36:59,711
Sam, Benji, great job.
841
00:36:59,713 --> 00:37:00,845
Damn!
842
00:37:00,847 --> 00:37:02,680
[ Laughs ]
Great job, fellas.
843
00:37:02,682 --> 00:37:03,681
[ Cheers and applause ]
844
00:37:03,683 --> 00:37:05,383
There's your coach. His name's Adam.
845
00:37:05,385 --> 00:37:07,452
We'll give him a minute
to take all that in,
846
00:37:07,454 --> 00:37:09,020
and we'll get some of the
thoughts from his fellow coaches.
847
00:37:09,022 --> 00:37:10,922
We'll start with Mr. Blake Shelton. Blake?
848
00:37:10,924 --> 00:37:12,190
Hey, guys. How you doing?
849
00:37:12,192 --> 00:37:13,892
- What's up, Blake?
- You calm down?
850
00:37:13,894 --> 00:37:15,727
You were pissed off
a second ago, both of you.
851
00:37:15,729 --> 00:37:18,396
Let me just tell you how I feel about it.
852
00:37:18,398 --> 00:37:20,732
Sam, you kind of have your thing
you do, and you stay there.
853
00:37:20,734 --> 00:37:21,900
You know what I mean?
854
00:37:21,902 --> 00:37:25,003
Benji, either you have a bigger range
855
00:37:25,005 --> 00:37:28,072
or you're more willing
to explore that stuff.
856
00:37:28,074 --> 00:37:29,440
[ Applause ]
857
00:37:29,442 --> 00:37:30,775
You did something over here
in the corner that was just...
858
00:37:30,777 --> 00:37:32,544
I looked down, and everybody was going,
859
00:37:32,546 --> 00:37:33,711
"oh, my gosh."
860
00:37:33,713 --> 00:37:35,180
Those are the type of moments
861
00:37:35,182 --> 00:37:38,149
that win a battle round to me,
so I would give this to Benji.
862
00:37:38,151 --> 00:37:39,250
[ Cheers and applause ]
863
00:37:39,252 --> 00:37:40,919
Daly: Thank you, Blake.
864
00:37:40,921 --> 00:37:42,453
Christina, your thoughts?
865
00:37:42,455 --> 00:37:43,821
Sam, you kind of have
an Adam Levine thing going on
866
00:37:43,823 --> 00:37:45,056
in your voice, though, right?
867
00:37:45,058 --> 00:37:47,425
Well, I don't know.
[ Laughs ]
868
00:37:47,427 --> 00:37:49,928
I was so entertained.
You guys were battling it out.
869
00:37:49,930 --> 00:37:51,696
That's what the battle rounds
is all about.
870
00:37:51,698 --> 00:37:53,431
Sam, you came out here,
871
00:37:53,433 --> 00:37:55,667
and you immediately caught my attention.
872
00:37:55,669 --> 00:37:58,036
You have this great smile
and this great look in your eye,
873
00:37:58,038 --> 00:38:00,004
and you had a lot of confidence.
874
00:38:00,006 --> 00:38:02,040
And I liked how even though Benji
875
00:38:02,042 --> 00:38:04,509
was definitely doing his [screams].
876
00:38:04,511 --> 00:38:06,411
You know, you stayed consistent
in your comfort zone,
877
00:38:06,413 --> 00:38:09,247
and you followed through,
and it was great.
878
00:38:09,249 --> 00:38:13,785
But I'm down for, you know,
some yelling and screaming,
879
00:38:13,787 --> 00:38:15,086
and so for me, it's Benji.
880
00:38:15,088 --> 00:38:16,154
[ Cheers and applause ]
881
00:38:17,856 --> 00:38:19,691
Cee Lo, what did you think of that?
882
00:38:19,693 --> 00:38:22,660
Initially, I thought
that it was pretty even-matched.
883
00:38:22,662 --> 00:38:23,861
And then, Benji,
884
00:38:23,863 --> 00:38:26,164
I want to comment
on something that Blake said.
885
00:38:26,166 --> 00:38:29,634
He said either it was you were
willing to explore
886
00:38:29,636 --> 00:38:31,502
or you just had a greater range.
887
00:38:31,504 --> 00:38:33,671
I think it was both,
which doubled the distance.
888
00:38:33,673 --> 00:38:34,939
You know what I'm saying?
889
00:38:34,941 --> 00:38:36,207
Because you just took the lead.
890
00:38:36,209 --> 00:38:39,978
So I just think Benji was
the clear lead on this one.
891
00:38:39,980 --> 00:38:42,814
[ Applause ] All right, some thoughts
from the other coaches there.
892
00:38:42,816 --> 00:38:45,316
The only opinion that matters
is coach Adam Levine.
893
00:38:45,318 --> 00:38:46,351
Adam, some thoughts?
894
00:38:46,353 --> 00:38:48,386
So, guys, listen.
895
00:38:48,388 --> 00:38:50,188
Benji, you have one of the best
screams I've ever heard.
896
00:38:50,190 --> 00:38:51,756
- Yeah!
- You do. He does.
897
00:38:51,758 --> 00:38:54,359
You scream like a bat flying
straight out of hell.
898
00:38:54,361 --> 00:38:55,994
- I appreciate that.
- That is very hard to do.
899
00:38:55,996 --> 00:38:57,795
And, you know, it hearkens back
900
00:38:57,797 --> 00:38:59,764
to the real rock singers,
you know, of the day.
901
00:38:59,766 --> 00:39:02,267
Now, the one problem, though,
that I have is the fact
902
00:39:02,269 --> 00:39:06,838
that in between your
lower register and your scream,
903
00:39:06,840 --> 00:39:08,039
there's a little bit of lack of control.
904
00:39:08,041 --> 00:39:09,807
Sam, you know, I saw you when you went
905
00:39:09,809 --> 00:39:12,310
for those high ones
that you were struggling with.
906
00:39:12,312 --> 00:39:14,412
Even if you didn't nail them perfectly,
907
00:39:14,414 --> 00:39:15,480
you got damn close.
908
00:39:15,482 --> 00:39:17,515
And you have your own style,
909
00:39:17,517 --> 00:39:18,850
and I really felt it coming through.
910
00:39:18,852 --> 00:39:20,852
You weren't doing
an impression of anybody.
911
00:39:20,854 --> 00:39:23,521
You were Sam, and I really respect that.
912
00:39:23,523 --> 00:39:25,189
Adam, who is the winner of this battle?
913
00:39:25,191 --> 00:39:27,825
Okay, so, here we go.
914
00:39:30,129 --> 00:39:31,729
The winner of this battle...
915
00:39:36,669 --> 00:39:38,836
the winner of this battle...
916
00:39:44,810 --> 00:39:47,812
...Sam.
917
00:39:47,814 --> 00:39:50,181
[ Cheers and applause ]
918
00:39:50,183 --> 00:39:51,582
Sam James, congratulations.
919
00:39:51,584 --> 00:39:53,618
- We'll see you at the knockout round.
- Awesome.
920
00:39:59,825 --> 00:40:03,294
- Thank you.
- You're welcome, man.
921
00:40:03,296 --> 00:40:06,564
Sam: It means so much to me
that Adam saw something in me
922
00:40:06,566 --> 00:40:07,899
that the other coaches didn't.
923
00:40:07,901 --> 00:40:09,000
I live another day.
924
00:40:09,002 --> 00:40:10,835
You know, I'm here. I'm ready to stay.
925
00:40:10,837 --> 00:40:12,837
And he believes in me,
and it makes me feel...
926
00:40:12,839 --> 00:40:13,905
I'm overwhelmed.
927
00:40:13,907 --> 00:40:15,873
Man, that was a close one, huh?
928
00:40:15,875 --> 00:40:18,142
You nailed it. You nailed it, though.
929
00:40:18,144 --> 00:40:23,081
Daly: Coaches, let me remind you
Benji is available to steal.
930
00:40:23,083 --> 00:40:24,449
[ Cheers and applause ]
931
00:40:26,051 --> 00:40:28,052
Anything you want to say to Adam?
932
00:40:28,054 --> 00:40:30,722
Dude, I appreciate
kind of the feedback you gave me
933
00:40:30,724 --> 00:40:32,857
and the conversations we've had.
934
00:40:32,859 --> 00:40:34,926
I'll take it to heart, man. Thank you.
935
00:40:34,928 --> 00:40:36,794
Christina: You're a classy guy.
I like you, Benji.
936
00:40:36,796 --> 00:40:38,896
Thank you. You are a classy guy.
Thank you, Benji.
937
00:40:38,898 --> 00:40:41,899
All right. Give it up for Benji,
everybody.
938
00:40:41,901 --> 00:40:43,568
Thank you, Adam.
939
00:40:43,570 --> 00:40:44,902
All right, bro. You did great.
940
00:40:44,904 --> 00:40:46,104
You did great. Take care.
941
00:40:46,106 --> 00:40:47,638
Adam: With Benji and Sam,
that was just a matter
942
00:40:47,640 --> 00:40:52,510
of Sam has a little more control
over his voice.
943
00:40:52,512 --> 00:40:54,612
Benji is like an unpolished diamond.
944
00:40:54,614 --> 00:40:56,581
'Cause he's got
that scream that I really love,
945
00:40:56,583 --> 00:40:58,583
but I just thought Sam was
a little more solid as a singer.
946
00:40:58,585 --> 00:41:00,651
They're both great, but Sam was so far
947
00:41:00,653 --> 00:41:01,819
out of what he's used to that it's like...
948
00:41:01,821 --> 00:41:03,321
I commend that.
949
00:41:03,323 --> 00:41:05,089
If it were my choice,
950
00:41:05,091 --> 00:41:07,191
I definitely probably would have
gone with Benji,
951
00:41:07,193 --> 00:41:08,860
just because he had a crazy range
952
00:41:08,862 --> 00:41:10,995
that I didn't even know he was capable of.
953
00:41:10,997 --> 00:41:14,031
But it just wasn't right
for my team, so I had to pass.
954
00:41:14,033 --> 00:41:15,366
If you put him back into his comfort zone,
955
00:41:15,368 --> 00:41:16,534
I think he's gonna be a lot better.
956
00:41:16,536 --> 00:41:17,668
Yeah.
957
00:41:17,670 --> 00:41:19,170
Benji: I've never counted
on second chances,
958
00:41:19,172 --> 00:41:21,372
so I wasn't really looking for a steal.
959
00:41:21,374 --> 00:41:23,641
I mean, would I have taken one? Yes.
[ Laughs ]
960
00:41:23,643 --> 00:41:27,145
But it's tough, man, and... it's tough.
961
00:41:27,147 --> 00:41:29,947
Daly: Coming up, more incredible battles.
962
00:41:29,949 --> 00:41:31,282
♪ I'd pay the devil to replace her ♪
963
00:41:31,284 --> 00:41:32,784
♪ she's gone ♪ she's gone ♪
964
00:41:32,786 --> 00:41:35,920
♪ oh, I, what went wrong? ♪
965
00:41:35,922 --> 00:41:39,090
♪ dog days are over ♪
966
00:41:39,092 --> 00:41:41,159
You've got the music in you.
967
00:41:41,161 --> 00:41:43,461
Blake, this is a tough decision,
968
00:41:43,463 --> 00:41:44,896
because they really go toe-to-toe.
969
00:41:44,898 --> 00:41:46,297
Daly: And later, one artist's life
970
00:41:46,299 --> 00:41:48,966
is changed forever after a steal.
971
00:41:48,968 --> 00:41:50,268
[ Cheers and applause ]
Whoa!
972
00:41:54,141 --> 00:41:55,807
♪ This is "The Voice" ♪
973
00:41:55,809 --> 00:41:57,442
Daly: Welcome back to the battle rounds.
974
00:41:57,444 --> 00:42:01,747
As the battles continue,
Cee Lo awaits his next pairing
975
00:42:01,749 --> 00:42:03,348
alongside his trusted friend,
976
00:42:03,350 --> 00:42:06,017
Grammy award-winning rock star Rob Thomas.
977
00:42:06,019 --> 00:42:08,353
As soon as you come on
and you meet these artists,
978
00:42:08,355 --> 00:42:10,689
you're immediately kind of
transported back to the idea
979
00:42:10,691 --> 00:42:13,158
of when you were first starting out.
980
00:42:13,160 --> 00:42:16,495
I've been in that place.
I've wanted it so bad.
981
00:42:16,497 --> 00:42:18,497
So I felt like I even had more
to maybe offer the artist
982
00:42:18,499 --> 00:42:19,598
because of that.
983
00:42:19,600 --> 00:42:21,433
Daly: Next up for team Cee Lo,
984
00:42:21,435 --> 00:42:24,302
31-year-old family man Nicholas David
985
00:42:24,304 --> 00:42:27,739
versus 30-year-old music teacher
Todd Kessler.
986
00:42:27,741 --> 00:42:30,809
Father-to-be Todd came
to "The Voice" on a mission.
987
00:42:30,811 --> 00:42:33,011
Todd: This whole journey...
this is bigger than me.
988
00:42:33,013 --> 00:42:34,045
I want it to provide
989
00:42:34,047 --> 00:42:36,715
that better life for my future family.
990
00:42:36,717 --> 00:42:40,886
♪ Oh, Maggie, I wish I'd ♪
991
00:42:40,888 --> 00:42:42,687
Daly: He impressed Cee Lo
with his pure, crisp voice.
992
00:42:42,689 --> 00:42:46,558
♪ Never seen your fa-a-a-ce ♪
993
00:42:46,560 --> 00:42:48,794
Cee Lo: You sounded so smooth.
994
00:42:48,796 --> 00:42:50,796
And I think that you will work
perfectly for me.
995
00:42:50,798 --> 00:42:55,333
Daly: Minnesota native Nicholas
David overcame a rocky past
996
00:42:55,335 --> 00:42:57,435
before making it to the "Voice" stage.
997
00:42:57,437 --> 00:42:58,637
Nicholas: I just was lost
998
00:42:58,639 --> 00:43:00,772
and just kind of self-medicated
with booze.
999
00:43:00,774 --> 00:43:02,607
Due to the drinking,
I started gaining weight.
1000
00:43:02,609 --> 00:43:04,709
Before I even knew it, I was 300 pounds.
1001
00:43:04,711 --> 00:43:07,078
So I shed the weight. I shed the booze.
1002
00:43:07,080 --> 00:43:09,514
Now I feel my message of healing and hope
1003
00:43:09,516 --> 00:43:11,616
can reach a larger audience.
1004
00:43:11,618 --> 00:43:15,654
♪ Whenever you're in trouble,
won't you stand by me? ♪
1005
00:43:15,656 --> 00:43:19,858
Daly: One button push landed him
a spot on Cee Lo's team.
1006
00:43:19,860 --> 00:43:23,628
Unique voice, unique style.
Now unique coach.
1007
00:43:23,630 --> 00:43:24,629
[ Cheers and applause ]
1008
00:43:24,631 --> 00:43:25,964
Holy buckets.
1009
00:43:25,966 --> 00:43:27,199
Daly: Ready to battle,
1010
00:43:27,201 --> 00:43:29,901
Nicholas and Todd meet
with Cee Lo and Rob.
1011
00:43:29,903 --> 00:43:31,236
Rob: Couple midwest kids. Doing well?
1012
00:43:31,238 --> 00:43:32,437
- Yeah, man.
- Yeah.
1013
00:43:32,439 --> 00:43:33,839
We were kind of joking, too,
1014
00:43:33,841 --> 00:43:35,740
saying you picked us 'cause we got beards.
1015
00:43:35,742 --> 00:43:38,009
- The beard guys, the beard crew.
- Yeah.
1016
00:43:38,011 --> 00:43:40,111
Nicholas: I'm very happy with the pairing
1017
00:43:40,113 --> 00:43:41,780
because Todd and I have
a lot of similarities.
1018
00:43:41,782 --> 00:43:42,781
We're both from the midwest.
1019
00:43:42,783 --> 00:43:45,383
We both got long-term relationships.
1020
00:43:45,385 --> 00:43:46,985
We both have babies on the way.
1021
00:43:46,987 --> 00:43:49,621
We're not looking at this like
we're competing each other.
1022
00:43:49,623 --> 00:43:50,789
- It's just us against ourselves.
- But you are.
1023
00:43:50,791 --> 00:43:52,324
Well, yeah. Of course we know that.
1024
00:43:52,326 --> 00:43:53,525
[ Laughing ]
Of course.
1025
00:43:53,527 --> 00:43:55,660
Cee Lo: Nicholas and Todd will be singing
1026
00:43:55,662 --> 00:43:57,229
"She's Gone" by Hall & Oates.
1027
00:43:57,231 --> 00:43:59,297
Daryl's voice, man, is just all about,
1028
00:43:59,299 --> 00:44:01,132
you know, real soulful stuff.
1029
00:44:01,134 --> 00:44:03,301
Daryl hall is one of the
forefathers of blue-eyed soul,
1030
00:44:03,303 --> 00:44:08,006
and I chose this song because of
both of their blue-eyed souls.
1031
00:44:08,008 --> 00:44:14,512
♪ Everybody's trying to tell me
what's right for me ♪
1032
00:44:14,514 --> 00:44:16,581
- What is up, Bill Withers?
- Yeah.
1033
00:44:16,583 --> 00:44:17,716
[ Both laugh ]
1034
00:44:17,718 --> 00:44:19,117
I'm just gonna walk out right now.
[ Laughs ]
1035
00:44:19,119 --> 00:44:21,286
Todd: Nick sounded so good
that it was just,
1036
00:44:21,288 --> 00:44:23,054
"what am I doing here?" You know?
1037
00:44:23,056 --> 00:44:25,123
♪ I'd pay the devil to replace her ♪
1038
00:44:25,125 --> 00:44:29,594
♪ she's gone, oh, I, what went wrong? ♪
1039
00:44:29,596 --> 00:44:31,930
Or something like that. I don't know.
[ Laughs ]
1040
00:44:31,932 --> 00:44:34,699
That last "she's gone" after "I'd
pay the devil to replace her"?
1041
00:44:34,701 --> 00:44:36,735
- Uh-huh?
- It jumps right in.
1042
00:44:36,737 --> 00:44:39,905
♪ Oh, I, I better learn how to face it ♪
1043
00:44:39,907 --> 00:44:40,906
♪ she's gone ♪ she's gone ♪
1044
00:44:40,908 --> 00:44:41,907
♪ oh, I ♪
1045
00:44:41,909 --> 00:44:43,575
♪ oh, I ♪
1046
00:44:43,577 --> 00:44:45,010
♪ I'd pay the devil to replace her ♪
1047
00:44:45,012 --> 00:44:46,678
♪ she's gone ♪
1048
00:44:46,680 --> 00:44:48,914
[ Piano plays ]
[ Laughs ]
1049
00:44:48,916 --> 00:44:51,182
- He ain't doing that.
- You got to make that face, too, right?
1050
00:44:51,184 --> 00:44:52,183
You got to be like...
1051
00:44:52,185 --> 00:44:53,685
♪ Oh!
♪ She's gone! ♪
1052
00:44:53,687 --> 00:44:55,387
[ Laughs ]
1053
00:44:55,389 --> 00:44:56,888
[ Laughs ]
1054
00:44:56,890 --> 00:45:00,458
It's not just about giving you guys a task
1055
00:45:00,460 --> 00:45:02,861
or just singing some random song.
1056
00:45:02,863 --> 00:45:05,096
It's just I would love
for it to connect, you know,
1057
00:45:05,098 --> 00:45:06,831
to each one of you in a personal way
1058
00:45:06,833 --> 00:45:09,167
to where you can truly
sing it with that conviction.
1059
00:45:09,169 --> 00:45:11,469
That's been a constant struggle for me.
1060
00:45:11,471 --> 00:45:13,905
Rob: Todd has a strong voice
1061
00:45:13,907 --> 00:45:15,840
that's more soulful
than I think he realizes,
1062
00:45:15,842 --> 00:45:19,444
and I think Todd needs to find
that connection with the song.
1063
00:45:19,446 --> 00:45:21,646
Is there an experience in your life
1064
00:45:21,648 --> 00:45:24,149
that you probably could maybe hold onto?
1065
00:45:24,151 --> 00:45:25,817
Yeah, I mean, my wife and I,
1066
00:45:25,819 --> 00:45:27,485
the first five years of our relationship
1067
00:45:27,487 --> 00:45:29,654
- were long-distance.
- Mm-hmm.
1068
00:45:29,656 --> 00:45:32,090
So, I mean, that's kind of
the only thing I can think of.
1069
00:45:32,092 --> 00:45:33,525
I get asked all the time like,
"what makes a really good song?"
1070
00:45:33,527 --> 00:45:36,127
And the only answer is,
"if it takes you somewhere."
1071
00:45:36,129 --> 00:45:37,662
You know what I mean? Like,
and it can be a great pop song.
1072
00:45:37,664 --> 00:45:39,731
It could be a dance song.
It could be a ballad.
1073
00:45:39,733 --> 00:45:42,968
But if it takes you somewhere,
that's a good song.
1074
00:45:42,970 --> 00:45:44,102
Yeah.
1075
00:45:44,104 --> 00:45:45,303
Todd: I really need
to make this song my own
1076
00:45:45,305 --> 00:45:47,405
to connect with it on that deeper level,
1077
00:45:47,407 --> 00:45:50,575
and I really need to find a place
1078
00:45:50,577 --> 00:45:53,745
that that makes sense to me
and convey that to the audience.
1079
00:45:57,216 --> 00:45:59,284
Daly: The next day,
Nicholas gets some guidance
1080
00:45:59,286 --> 00:46:02,687
from his coach, Cee Lo,
and adviser, Rob Thomas.
1081
00:46:02,689 --> 00:46:04,489
Rob: You seem like an old soul.
1082
00:46:04,491 --> 00:46:06,024
- You know what I mean?
Nicholas: - Yeah.
1083
00:46:06,026 --> 00:46:07,692
But at the same time,
this forces that issue of, like,
1084
00:46:07,694 --> 00:46:09,327
- this is a competition... do you know
what I mean? - Yeah.
1085
00:46:09,329 --> 00:46:10,996
Do you have that? Do you have
a competitive spirit?
1086
00:46:10,998 --> 00:46:13,231
Do you have a want to win?
1087
00:46:13,233 --> 00:46:15,367
Yeah, and that's the hard part,
1088
00:46:15,369 --> 00:46:16,868
'cause it's like part of me says,
1089
00:46:16,870 --> 00:46:19,471
- "I just want to do this with Todd."
- Sure.
1090
00:46:19,473 --> 00:46:21,473
Nicholas: I think the biggest
difficulty I've encountered
1091
00:46:21,475 --> 00:46:23,141
as we approach the battle is
1092
00:46:23,143 --> 00:46:25,477
I'm really growing to be close with Todd.
1093
00:46:25,479 --> 00:46:26,678
It's maybe more difficult
1094
00:46:26,680 --> 00:46:28,346
to look at it like a competition
1095
00:46:28,348 --> 00:46:30,949
'cause I just look at it
like this wonderful experience.
1096
00:46:30,951 --> 00:46:32,384
Wanting to win doesn't make you
a lesser person.
1097
00:46:32,386 --> 00:46:34,019
I think your challenges
1098
00:46:34,021 --> 00:46:36,855
you're gonna have
through this whole process is...
1099
00:46:36,857 --> 00:46:40,191
Coming to terms with those mixed emotions.
1100
00:46:40,193 --> 00:46:42,494
Cee Lo: Nick is finding it
hard to compete.
1101
00:46:42,496 --> 00:46:44,963
It's a friendly competition
but a competition.
1102
00:46:44,965 --> 00:46:46,965
Like, this is still a war.
You know what I'm saying?
1103
00:46:46,967 --> 00:46:48,333
So he needs to really, really get serious
1104
00:46:48,335 --> 00:46:50,969
about this battle if he plans on winning,
1105
00:46:50,971 --> 00:46:52,670
so he can't take Todd for granted.
1106
00:46:57,977 --> 00:46:59,944
Daly: It's the night of the battle,
1107
00:46:59,946 --> 00:47:03,048
and Nicholas and Todd
are ready to face off.
1108
00:47:05,284 --> 00:47:07,352
Todd: I need to find my place in the song
1109
00:47:07,354 --> 00:47:09,687
where I'm gonna shine brighter than Nick,
1110
00:47:09,689 --> 00:47:12,690
but I need to really find
that place inside
1111
00:47:12,692 --> 00:47:15,093
to get past him to win this battle.
1112
00:47:17,263 --> 00:47:19,931
Nicholas: Cee Lo told me
to get rid of my indecisiveness
1113
00:47:19,933 --> 00:47:21,066
because I've become
1114
00:47:21,068 --> 00:47:22,834
actually really good friends
with my partner,
1115
00:47:22,836 --> 00:47:24,736
and I've prayed on it and thought about it
1116
00:47:24,738 --> 00:47:26,704
and meditated on it,
and I'm ready to do it.
1117
00:47:26,706 --> 00:47:27,705
Go get them.
1118
00:47:27,707 --> 00:47:30,875
Thank you very much. Thank you.
1119
00:47:31,977 --> 00:47:33,111
Daly: Coming up...
1120
00:47:33,113 --> 00:47:34,112
♪ She's gone
♪ she's gone ♪
1121
00:47:34,114 --> 00:47:35,814
♪ oh, I ♪
1122
00:47:35,816 --> 00:47:38,850
...Nicholas and Todd go
head-to-head in a performance
1123
00:47:38,852 --> 00:47:41,586
that leaves Cee Lo
with his toughest decision yet.
1124
00:47:41,588 --> 00:47:42,821
[ Cheers and applause ]
1125
00:47:42,823 --> 00:47:43,822
It was awesome!
1126
00:47:43,824 --> 00:47:45,590
You gave me the head roll!
1127
00:47:45,592 --> 00:47:47,625
You look like Jesus, and people like that.
1128
00:47:47,627 --> 00:47:50,295
[ Laughter ]
You both moved me in different ways.
1129
00:47:50,297 --> 00:47:54,032
- Who is the winner of this battle round?
- I'm going to go with...
1130
00:47:57,864 --> 00:47:59,364
♪ This is "The Voice" ♪
1131
00:47:59,366 --> 00:48:01,032
[ Cheers and applause ]
1132
00:48:01,034 --> 00:48:04,102
From team Cee Lo,
two will enter the battle ring,
1133
00:48:04,104 --> 00:48:06,771
but only one will be declared the winner.
1134
00:48:06,773 --> 00:48:09,274
Will it be the family man from Minnesota,
1135
00:48:09,276 --> 00:48:10,909
Nicholas David...
1136
00:48:10,911 --> 00:48:14,412
[ Cheers and applause ]
1137
00:48:15,514 --> 00:48:18,049
Whoo-hoo! Look who it is!
1138
00:48:18,051 --> 00:48:20,785
Daly: ...Or the music teacher
from Chicago,
1139
00:48:20,787 --> 00:48:24,122
looking for a new start, Todd Kessler?
1140
00:48:24,124 --> 00:48:25,623
[ Cheers and applause ]
1141
00:48:27,226 --> 00:48:28,393
Yeah!
1142
00:48:28,395 --> 00:48:29,461
- Whoo!
- Whoo!
1143
00:48:34,300 --> 00:48:37,168
Let the battle begin.
1144
00:48:38,671 --> 00:48:43,808
♪ Ooh, ooh-ooh-ooh ♪
1145
00:48:43,810 --> 00:48:50,815
♪ ooh, ooh-ooh-ooh ♪
1146
00:48:50,817 --> 00:48:57,388
♪ everybody's high on consolation ♪
1147
00:48:57,390 --> 00:49:01,726
♪ everybody's trying to
tell me what's right for me ♪
1148
00:49:01,728 --> 00:49:03,962
♪ mm-mm-mm, yeah ♪
1149
00:49:03,964 --> 00:49:08,466
♪ my daddy tried to bore me
with a sermon ♪
1150
00:49:08,468 --> 00:49:13,304
♪ but it's plain to see
that they can't comfort me ♪
1151
00:49:13,306 --> 00:49:14,873
♪ yeah ♪
1152
00:49:14,875 --> 00:49:19,911
♪ sorry, Charlie, for the imposition ♪
1153
00:49:19,913 --> 00:49:26,951
♪ I think I got it, got it,
got the strength to carry on ♪
1154
00:49:26,953 --> 00:49:32,390
♪ I need a drink and a quick decision ♪
1155
00:49:32,392 --> 00:49:38,429
♪ now it's up to me, oh, what will be ♪
1156
00:49:38,431 --> 00:49:39,764
♪ she's gone
♪ she's gone ♪
1157
00:49:39,766 --> 00:49:40,798
♪ oh, I ♪
1158
00:49:40,800 --> 00:49:42,634
♪ oh, I ♪
1159
00:49:42,636 --> 00:49:44,636
♪ I better learn how to face it ♪
1160
00:49:44,638 --> 00:49:46,137
♪ she's gone
♪ she's gone ♪
1161
00:49:46,139 --> 00:49:48,640
♪ oh, I
♪ oh, I ♪
1162
00:49:48,642 --> 00:49:50,775
♪ I'd pay the devil to replace her ♪
1163
00:49:50,777 --> 00:49:51,843
♪ she's gone
♪ she's gone ♪
1164
00:49:51,845 --> 00:49:57,182
♪ oh, I, what went wrong? ♪
1165
00:49:57,184 --> 00:49:58,816
That's good.
♪ Get up in the morning ♪
1166
00:49:58,818 --> 00:50:02,353
♪ look in the mirror ♪
1167
00:50:02,355 --> 00:50:09,694
♪ I'm worn as her toothbrush
hanging in the stand ♪
1168
00:50:09,696 --> 00:50:14,365
♪ my face ain't looking any younger ♪
1169
00:50:14,367 --> 00:50:20,705
♪ but they, they can never be
what she was to me, yeah ♪
1170
00:50:20,707 --> 00:50:21,839
♪ she's gone
♪ she's gone ♪
1171
00:50:21,841 --> 00:50:22,840
♪ oh, I ♪
1172
00:50:22,842 --> 00:50:24,776
♪ oh, I ♪
1173
00:50:24,778 --> 00:50:25,643
♪ I better learn how to face it ♪
1174
00:50:27,279 --> 00:50:28,780
She's gone ♪
♪ she' oh, I ♪
1175
00:50:28,782 --> 00:50:31,015
♪ oh, oh, I ♪
1176
00:50:31,017 --> 00:50:32,617
♪ pay the devil to replace her ♪
1177
00:50:32,619 --> 00:50:34,118
♪ she's gone
♪ she's gone ♪
1178
00:50:34,120 --> 00:50:40,892
♪ oh, I, what went wrong? ♪
1179
00:50:40,894 --> 00:50:45,730
♪ she's go-o-o-o-ne, oh, I ♪
1180
00:50:45,732 --> 00:50:47,565
♪ I better learn how to face it ♪
1181
00:50:47,567 --> 00:50:51,002
♪ she's gone, oh, what went wrong? ♪
1182
00:50:51,004 --> 00:50:53,671
♪ I, I'd pay the devil to replace her ♪
1183
00:50:53,673 --> 00:50:55,173
♪ she's gone
♪ she's gone ♪
1184
00:50:55,175 --> 00:51:00,712
♪ oh, I, what went wrong? ♪
1185
00:51:00,714 --> 00:51:04,882
♪ ooh, ooh-ooh-ooh, ooh-ooh-ooh ♪
1186
00:51:04,884 --> 00:51:06,084
♪ yeah ♪
1187
00:51:06,086 --> 00:51:07,385
[ Cheers and applause ]
1188
00:51:16,962 --> 00:51:19,030
[ Laughs ]
1189
00:51:19,032 --> 00:51:20,698
We'll get the tough decision
from Cee Lo in a few minutes.
1190
00:51:20,700 --> 00:51:22,267
First, Adam, what'd you think?
1191
00:51:22,269 --> 00:51:23,334
It was awesome!
1192
00:51:23,336 --> 00:51:24,569
[ Cheers and applause ]
And especially,
1193
00:51:24,571 --> 00:51:27,238
once you guys shook off the cobwebs
1194
00:51:27,240 --> 00:51:28,906
and it got comfortable,
1195
00:51:28,908 --> 00:51:30,241
your voices sounded amazing together.
1196
00:51:30,243 --> 00:51:32,510
Nicholas, what is that
that comes out of your mouth?
1197
00:51:32,512 --> 00:51:33,678
That's like a unique...
1198
00:51:33,680 --> 00:51:35,546
there's only one of those, you know,
1199
00:51:35,548 --> 00:51:36,681
and that's really cool
1200
00:51:36,683 --> 00:51:37,949
just 'cause it's so profoundly different.
1201
00:51:37,951 --> 00:51:39,851
[ Cheers and applause ]
Thanks, Adam.
1202
00:51:39,853 --> 00:51:41,686
Blake Shelton, what did you think?
1203
00:51:41,688 --> 00:51:42,920
Blake: I'll start with Todd.
1204
00:51:42,922 --> 00:51:44,989
You're a guy who's got such a great voice,
1205
00:51:44,991 --> 00:51:48,626
and you're in the upper, upper,
upper percentile
1206
00:51:48,628 --> 00:51:50,461
of just great vocalists.
1207
00:51:50,463 --> 00:51:51,629
Thank you.
1208
00:51:51,631 --> 00:51:52,730
[ Applause ]
You are.
1209
00:51:52,732 --> 00:51:55,733
I agree.
1210
00:51:55,735 --> 00:51:58,403
Nicholas is that... there is.
1211
00:51:58,405 --> 00:52:01,873
There's nobody else
in this world like you.
1212
00:52:01,875 --> 00:52:04,175
I mean, it's just you've got
that Barry White thing
1213
00:52:04,177 --> 00:52:05,510
if you want it.
[ Christina laughs ]
1214
00:52:05,512 --> 00:52:07,712
You've got the upper Hall & Oates sound
1215
00:52:07,714 --> 00:52:08,880
if you want it.
1216
00:52:08,882 --> 00:52:10,915
You look like Jesus, and people like that.
1217
00:52:10,917 --> 00:52:12,216
[ Laughter ]
1218
00:52:12,218 --> 00:52:14,018
Christina: You know, I had a lot
of fun watching that.
1219
00:52:14,020 --> 00:52:15,119
I really enjoyed
1220
00:52:15,121 --> 00:52:16,587
the two of your voices coming together,
1221
00:52:16,589 --> 00:52:18,556
and it was solid.
1222
00:52:18,558 --> 00:52:19,724
Todd, you were solid.
1223
00:52:19,726 --> 00:52:20,925
But I got to talk
about Nicholas for a second.
1224
00:52:20,927 --> 00:52:24,262
Nicholas, you got some style
and some swag,
1225
00:52:24,264 --> 00:52:25,430
and you gave me the head rolls,
1226
00:52:25,432 --> 00:52:27,365
and you were doing this at the end.
1227
00:52:27,367 --> 00:52:30,168
You have this unique quality
that is all your own.
1228
00:52:30,170 --> 00:52:32,103
Daly: Tough decision, Cee Lo.
It was such a great battle.
1229
00:52:32,105 --> 00:52:33,571
- What are you thinking?
Cee Lo: - Very tough.
1230
00:52:33,573 --> 00:52:36,074
First of all, let me just say, Nicholas,
1231
00:52:36,076 --> 00:52:39,844
they're right about you...
you are fantastic.
1232
00:52:39,846 --> 00:52:41,846
You move me in a very special way,
1233
00:52:41,848 --> 00:52:46,050
and I really, really enjoy
hearing you do your thing, man.
1234
00:52:46,052 --> 00:52:49,921
Todd, you are equally incomparable.
1235
00:52:49,923 --> 00:52:52,123
I appreciate you equally.
I appreciate you both equally.
1236
00:52:52,125 --> 00:52:53,458
You both did a great job today,
1237
00:52:53,460 --> 00:52:56,327
and it's a very tough decision for me.
1238
00:52:59,732 --> 00:53:03,634
Who is the winner of this battle?
1239
00:53:03,636 --> 00:53:07,739
All right, I'm going to go with...
1240
00:53:09,908 --> 00:53:12,944
...Saint Nick.
1241
00:53:12,946 --> 00:53:15,113
[ Cheers and applause ]
1242
00:53:15,115 --> 00:53:18,149
Nicholas David, congratulations.
You are moving on.
1243
00:53:18,151 --> 00:53:19,717
We'll see you at the knockout round,
1244
00:53:19,719 --> 00:53:22,620
representing team Cee Lo.
1245
00:53:22,622 --> 00:53:24,155
[ Cheers and applause ]
1246
00:53:26,892 --> 00:53:30,294
[ Indistinct conversation ]
1247
00:53:32,598 --> 00:53:36,634
Coaches, let me remind you
Todd is available to steal.
1248
00:53:36,636 --> 00:53:38,636
Todd, tough, tough battle.
1249
00:53:38,638 --> 00:53:40,238
Yeah, yeah.
1250
00:53:40,240 --> 00:53:41,973
Some nice things said about you.
1251
00:53:41,975 --> 00:53:44,575
Anything you want to say
to your coach, Cee Lo Green?
1252
00:53:44,577 --> 00:53:45,977
Thank you for this opportunity.
1253
00:53:45,979 --> 00:53:47,945
You turned around in the blinds,
and it meant so much to me.
1254
00:53:47,947 --> 00:53:48,980
And you know what?
1255
00:53:48,982 --> 00:53:50,415
I'm not going home broken-hearted.
1256
00:53:50,417 --> 00:53:51,482
I got stuff to go home to.
1257
00:53:51,484 --> 00:53:53,050
I got my wife, my baby on the way, so...
1258
00:53:53,052 --> 00:53:54,318
[ Cheers and applause ]
1259
00:53:54,320 --> 00:53:56,120
...I really, really, really appreciate it.
1260
00:53:56,122 --> 00:53:58,456
You've got the music in you.
1261
00:53:58,458 --> 00:54:00,291
- You know, please continue, man.
- Thank you.
1262
00:54:00,293 --> 00:54:02,126
- Don't let this break your heart in any
kind of way. - Thank you.
1263
00:54:02,128 --> 00:54:04,629
- A big hand, everybody, for Todd Kessler.
- Thank you.
1264
00:54:04,631 --> 00:54:07,298
- Thank you, Todd.
- Thank you.
1265
00:54:07,300 --> 00:54:09,534
[ Cheers and applause ]
Cee Lo: Yo.
1266
00:54:09,536 --> 00:54:10,935
Great job, bro.
1267
00:54:10,937 --> 00:54:14,105
Come here.
1268
00:54:14,107 --> 00:54:16,007
I'm sorry. You know what?
1269
00:54:16,009 --> 00:54:17,675
You got to do what you got to do.
1270
00:54:17,677 --> 00:54:19,110
- Okay?
- I will, yeah.
1271
00:54:19,112 --> 00:54:20,411
Adam: Great job, man.
1272
00:54:20,413 --> 00:54:23,080
Christina: Todd went up,
and he gave it his best shot,
1273
00:54:23,082 --> 00:54:26,250
but Nicholas is so multidimensional.
1274
00:54:26,252 --> 00:54:29,253
The guy has soul. He has character.
1275
00:54:29,255 --> 00:54:32,223
And I think that Cee Lo made
the right decision.
1276
00:54:32,225 --> 00:54:33,925
Aah!
1277
00:54:33,927 --> 00:54:35,426
Hey, ma.
[ Smooches ]
1278
00:54:35,428 --> 00:54:36,494
I'm so proud of you.
1279
00:54:36,496 --> 00:54:37,495
So awesome.
1280
00:54:37,497 --> 00:54:38,696
I'm full, man. I'm full.
1281
00:54:38,698 --> 00:54:41,966
I'm full of joy.
So full of happiness, man.
1282
00:54:41,968 --> 00:54:43,801
- Pizza party tonight, guys.
- Pizza party.
1283
00:54:43,803 --> 00:54:46,471
♪ Pizza party ♪
1284
00:54:46,473 --> 00:54:50,141
♪ Shot through the heart,
and you're to blame ♪
1285
00:54:50,143 --> 00:54:52,310
Daly: You can download
the winners' full versions
1286
00:54:52,312 --> 00:54:55,346
of tonight's battle performances
at iTunes.
1287
00:54:55,348 --> 00:54:57,014
♪ I'd pay the devil to replace her ♪
1288
00:54:57,016 --> 00:54:58,349
♪ she's gone ♪
1289
00:54:58,351 --> 00:54:59,784
Coming up...
1290
00:54:59,786 --> 00:55:02,220
I love both of them,
but one has to move on,
1291
00:55:02,222 --> 00:55:04,255
and one of them won't.
1292
00:55:04,257 --> 00:55:05,389
It's go time.
1293
00:55:05,391 --> 00:55:08,759
♪ The dog days are over ♪
1294
00:55:08,761 --> 00:55:12,129
And later, the power to choose
shifts to one artist.
1295
00:55:12,131 --> 00:55:14,031
[ Cheers and applause ]
1296
00:55:14,033 --> 00:55:15,500
Who is your new coach?
1297
00:55:19,644 --> 00:55:21,478
♪ This is "The Voice" ♪
1298
00:55:21,480 --> 00:55:24,582
Daly: Welcome back to the battle rounds.
1299
00:55:24,584 --> 00:55:26,617
Let's check in with Blake
and his adviser, Michael Bublé,
1300
00:55:26,619 --> 00:55:30,020
as they prepare
for their next battle pairing.
1301
00:55:30,022 --> 00:55:31,689
I feel like I came here
to mentor with you,
1302
00:55:31,691 --> 00:55:34,291
and now I feel like I'm a part of it.
1303
00:55:34,293 --> 00:55:35,659
Mm-hmm. You are.
1304
00:55:35,661 --> 00:55:40,898
Michael Bublé is just an artist
that can do anything.
1305
00:55:40,900 --> 00:55:42,933
♪ Michael Bublé ♪
1306
00:55:42,935 --> 00:55:45,336
So many people
will walk out of this room today
1307
00:55:45,338 --> 00:55:47,071
better performers
1308
00:55:47,073 --> 00:55:50,074
based on 15 minutes with Michael Bublé.
1309
00:55:50,076 --> 00:55:51,408
I mean, that's...
1310
00:55:51,410 --> 00:55:53,711
that's unbelievable. That's amazing.
1311
00:55:53,713 --> 00:55:56,714
Daly: Next, 23-year-old
indie artist Lelia Broussard,
1312
00:55:56,716 --> 00:55:58,716
from Lafayette, Louisiana,
1313
00:55:58,718 --> 00:56:01,385
faces 32-year-old music teacher
Suzanna Choffel,
1314
00:56:01,387 --> 00:56:04,154
from Austin, Texas.
1315
00:56:04,156 --> 00:56:07,825
Lelia has gone to great lengths
to pursue a career in music.
1316
00:56:07,827 --> 00:56:11,328
Lelia: When I was 17, I moved to New York
1317
00:56:11,330 --> 00:56:14,331
to make it in music,
and it's a difficult path.
1318
00:56:14,333 --> 00:56:18,002
I've been playing shows for nobody,
1319
00:56:18,004 --> 00:56:20,671
so when people show up to my shows,
1320
00:56:20,673 --> 00:56:23,908
I'm always like, "yes! I'm doing it."
1321
00:56:23,910 --> 00:56:25,843
♪ I have always thought
that it's a crime ♪
1322
00:56:25,845 --> 00:56:28,379
Daly: Her take on a classic
landed her on team Blake.
1323
00:56:28,381 --> 00:56:30,814
[ Cheers and applause ]
1324
00:56:30,816 --> 00:56:34,852
Lelia: Being on "The Voice"
is an incredible opportunity
1325
00:56:34,854 --> 00:56:37,488
to make it into a living.
1326
00:56:38,890 --> 00:56:40,224
Daly: Music teacher Suzanna
1327
00:56:40,226 --> 00:56:42,059
is stepping out from the classroom
1328
00:56:42,061 --> 00:56:43,928
for a shot at a career in music.
1329
00:56:43,930 --> 00:56:49,099
♪ I've built my life around you ♪
1330
00:56:49,101 --> 00:56:50,968
Daly: After impressing Adam and Blake...
1331
00:56:50,970 --> 00:56:53,170
- I did turn around before you?
- You bastard.
1332
00:56:53,172 --> 00:56:54,772
...she had a tough decision.
1333
00:56:54,774 --> 00:56:57,775
[ Audience shouting ]
1334
00:56:57,777 --> 00:56:59,576
I think I'm gonna have to go with Blake.
1335
00:56:59,578 --> 00:57:00,811
Yes!
1336
00:57:00,813 --> 00:57:02,813
I'm so mad. She's so good, it's crazy.
1337
00:57:02,815 --> 00:57:04,682
Daly: Ready for battle, the singers meet
1338
00:57:04,684 --> 00:57:07,051
with Blake and Michael
for their first rehearsals.
1339
00:57:07,053 --> 00:57:08,352
- Nice to meet you.
- Nice to see you. How are you?
1340
00:57:08,354 --> 00:57:11,121
Lelia: It was wonderful
to meet Michael Bublé.
1341
00:57:11,123 --> 00:57:12,256
He's a gentleman.
1342
00:57:12,258 --> 00:57:14,325
Blake and Michael...
1343
00:57:14,327 --> 00:57:17,394
they're super pros, so it's
great to have them on our side.
1344
00:57:17,396 --> 00:57:19,430
Y'all had to have known
I was gonna pair y'all together.
1345
00:57:19,432 --> 00:57:21,565
- Absolutely. We called it.
- Yeah, we knew. Outside, we were like...
1346
00:57:21,567 --> 00:57:22,633
"We're gonna get paired."
1347
00:57:22,635 --> 00:57:23,934
[ Laughter ]
We knew it. We knew it.
1348
00:57:23,936 --> 00:57:25,402
Blake: Lelia and Suzanna...
1349
00:57:25,404 --> 00:57:27,404
it's just the most obvious
pairing of a battle
1350
00:57:27,406 --> 00:57:28,706
I've ever seen.
1351
00:57:28,708 --> 00:57:29,773
I'm so excited.
1352
00:57:29,775 --> 00:57:30,808
Here's two chicks,
1353
00:57:30,810 --> 00:57:32,977
kind of indie artists, who play guitar,
1354
00:57:32,979 --> 00:57:34,478
that kind of have gypsy souls,
1355
00:57:34,480 --> 00:57:37,848
so I picked "Dog Days Are Over"
by Florence And The Machine
1356
00:57:37,850 --> 00:57:39,516
because they are so huge right now,
1357
00:57:39,518 --> 00:57:41,485
and it's a mad rock/indie sound.
1358
00:57:41,487 --> 00:57:44,822
I mean, there's definitely some of that
1359
00:57:44,824 --> 00:57:47,725
that can come out of them,
I think, and I want to hear it.
1360
00:57:47,727 --> 00:57:52,463
♪ Except everything ♪
1361
00:57:52,465 --> 00:57:55,699
♪ you had ♪
1362
00:57:55,701 --> 00:58:00,637
♪ and what was left after that, too ♪
1363
00:58:01,873 --> 00:58:04,875
When you go to your falsetto,
it's so pretty.
1364
00:58:04,877 --> 00:58:06,443
- Oh, thanks. Thank you.
- It's so pretty, and you look like
1365
00:58:06,445 --> 00:58:07,478
you're really feeling it.
1366
00:58:07,480 --> 00:58:09,013
Oh, my God, I love to watch her sing.
1367
00:58:09,015 --> 00:58:10,481
That's the first time I ever got
to sit here and watch you sing.
1368
00:58:10,483 --> 00:58:12,249
You know what I mean?
1369
00:58:12,251 --> 00:58:13,717
Thank you.
1370
00:58:13,719 --> 00:58:15,252
Suzanna: Lelia is a great performer.
1371
00:58:15,254 --> 00:58:17,654
She really puts her whole into the song.
1372
00:58:17,656 --> 00:58:20,991
And as a teacher, I often get in
my head a lot about technique.
1373
00:58:20,993 --> 00:58:23,827
♪ Can you hear the horses? ♪
1374
00:58:23,829 --> 00:58:26,663
♪ 'cause here they come ♪
1375
00:58:26,665 --> 00:58:28,732
Blah! There I go flat.
1376
00:58:28,734 --> 00:58:31,568
I'm a little nervous about letting go
1377
00:58:31,570 --> 00:58:34,071
of some of those little,
minute, technical details
1378
00:58:34,073 --> 00:58:37,574
and actually, you know, putting
myself into the performance.
1379
00:58:37,576 --> 00:58:41,779
That's, like, my one concern.
1380
00:58:41,781 --> 00:58:45,516
Daly: The next day, after
feeling insecure in rehearsal,
1381
00:58:45,518 --> 00:58:48,919
Suzanna sits down with Blake
and Michael for advice.
1382
00:58:48,921 --> 00:58:51,922
I do teach a lot, and the past few years,
1383
00:58:51,924 --> 00:58:54,191
I haven't been performing
as much as I should be.
1384
00:58:54,193 --> 00:58:57,694
But I would say
leave the teacher thing behind.
1385
00:58:57,696 --> 00:58:59,129
- You know what I mean?
- Right. Yeah.
1386
00:58:59,131 --> 00:59:01,298
- Instead of thinking about the breathing...
- Sure, sure.
1387
00:59:01,300 --> 00:59:03,300
...or what other things
that you've been beating
1388
00:59:03,302 --> 00:59:05,369
- into other people's minds...
- Yeah.
1389
00:59:05,371 --> 00:59:07,771
...don't let that accidentally
start becoming, you know,
1390
00:59:07,773 --> 00:59:09,606
things that are happening in your mind
1391
00:59:09,608 --> 00:59:12,109
- in this situation, you know?
- Yeah, sure. Absolutely.
1392
00:59:12,111 --> 00:59:14,778
I could see Suzanna becoming that person
1393
00:59:14,780 --> 00:59:18,282
that's like, you know,
stand up there, breathe right.
1394
00:59:18,284 --> 00:59:20,951
I know that's good singing,
that's good form,
1395
00:59:20,953 --> 00:59:22,052
but screw that.
1396
00:59:22,054 --> 00:59:23,787
I want to see how she just cuts loose
1397
00:59:23,789 --> 00:59:25,522
and loses herself onstage.
1398
00:59:25,524 --> 00:59:28,192
I don't care if you've done one
gig or you've done a thousand.
1399
00:59:28,194 --> 00:59:29,326
No one needs to know.
1400
00:59:29,328 --> 00:59:30,994
Yeah.
1401
00:59:30,996 --> 00:59:32,896
Daly: The following day,
1402
00:59:32,898 --> 00:59:36,667
Lelia and Suzanna meet with
Blake for one final rehearsal.
1403
00:59:36,669 --> 00:59:40,904
♪ 'Cause here they come ♪
1404
00:59:40,906 --> 00:59:44,241
♪ the horses are coming ♪
1405
00:59:44,243 --> 00:59:47,077
♪ so you better run ♪
1406
00:59:47,079 --> 00:59:50,481
♪ run fast for your mother,
run fast for your father ♪
1407
00:59:50,483 --> 00:59:53,117
Blake: Give me one second.
I'm sorry. I'm sorry.
1408
00:59:53,119 --> 00:59:55,552
Lelia, the pitch can get
really haywire there.
1409
00:59:55,554 --> 00:59:57,488
- You know what I mean?
- Right. Right, right.
1410
00:59:57,490 --> 00:59:59,890
And there's absolutely
no forgiveness on television.
1411
00:59:59,892 --> 01:00:01,892
Pay special attention to those,
1412
01:00:01,894 --> 01:00:04,394
because those will be the things that
make you who you are on down the road.
1413
01:00:04,396 --> 01:00:06,063
Lelia: As a singer/songwriter,
1414
01:00:06,065 --> 01:00:08,232
I think the whole process
has been super-intense,
1415
01:00:08,234 --> 01:00:10,134
and I've been feeling it today.
1416
01:00:10,136 --> 01:00:13,537
I'm still kind of, like, getting
my bearings around the song.
1417
01:00:13,539 --> 01:00:15,806
I don't think anybody likes
that pitch I just used.
1418
01:00:15,808 --> 01:00:17,141
- You know what else, Suzanna?
Suzanna: - Yeah.
1419
01:00:17,143 --> 01:00:18,909
There's different things
1420
01:00:18,911 --> 01:00:20,577
that make you sound like different people.
1421
01:00:20,579 --> 01:00:22,579
- Sometimes it's the phrasing.
Sometimes it's the rasp. - Okay.
1422
01:00:22,581 --> 01:00:23,981
But there was a time or two
where you opened up
1423
01:00:23,983 --> 01:00:26,483
- and it was a clear voice, you know?
- Okay. Right.
1424
01:00:26,485 --> 01:00:28,619
Suzanna: I change my voice a lot.
1425
01:00:28,621 --> 01:00:30,354
It probably comes from, you know,
1426
01:00:30,356 --> 01:00:32,322
a multitude of influences that I have.
1427
01:00:32,324 --> 01:00:34,758
I guess I would just say,
you know, pick one.
1428
01:00:34,760 --> 01:00:38,362
To win this battle, I need
to embody the artist within.
1429
01:00:38,364 --> 01:00:41,365
I will say that just go
into this and have fun with it,
1430
01:00:41,367 --> 01:00:43,567
- but leave nothing out there.
Lelia: - Yeah.
1431
01:00:43,569 --> 01:00:46,670
This is gonna be
a really tough decision for me.
1432
01:00:46,672 --> 01:00:49,072
Because I love both of them. I really do.
1433
01:00:49,074 --> 01:00:51,742
One has to move on, and one of them won't,
1434
01:00:51,744 --> 01:00:53,744
and that's just "The Voice."
1435
01:00:53,746 --> 01:00:55,445
It's go time.
1436
01:00:58,283 --> 01:01:00,417
Daly: It's the night of the battle,
1437
01:01:00,419 --> 01:01:03,554
and Lelia and Suzanna
will put it all on the line
1438
01:01:03,556 --> 01:01:05,889
to win and remain on team Blake.
1439
01:01:05,891 --> 01:01:09,693
Lelia: I've been on my own for
so long, sometimes it's hard.
1440
01:01:09,695 --> 01:01:12,196
But being a couple steps away
from the live show,
1441
01:01:12,198 --> 01:01:14,031
there's definitely no room for error.
1442
01:01:14,033 --> 01:01:17,267
Suzanna, girl, you better look out.
1443
01:01:17,269 --> 01:01:18,835
It's on.
1444
01:01:20,371 --> 01:01:22,706
Suzanna: I absolutely think
1445
01:01:22,708 --> 01:01:24,041
that this is kind of my crossover moment
1446
01:01:24,043 --> 01:01:25,776
from "teaching, behind the scenes,"
1447
01:01:25,778 --> 01:01:30,781
"sort of subdued" Suzanna,
into more of the star Suzanna,
1448
01:01:30,783 --> 01:01:33,283
showing the world, showing
America I'm not just a teacher.
1449
01:01:33,285 --> 01:01:34,718
I can rock it.
1450
01:01:34,720 --> 01:01:38,589
Daly: Coming up, Blake's artists
impress him with their battle...
1451
01:01:38,591 --> 01:01:41,658
♪ You can't carry it with you
if you want to survive ♪
1452
01:01:41,660 --> 01:01:43,227
...making it hard
for him to pick a winner.
1453
01:01:43,229 --> 01:01:45,896
Oh, no. Not these two.
I don't want to see anybody go.
1454
01:01:45,898 --> 01:01:48,398
- Who is the winner?
- Damn it. That sucks.
1455
01:01:48,400 --> 01:01:51,368
Daly: Will one go home,
or will there be a steal?
1456
01:01:51,370 --> 01:01:53,003
[ Audience chanting "steal!" ]
1457
01:01:57,442 --> 01:01:59,276
Hey, it's Christina Milian.
1458
01:01:59,278 --> 01:02:00,944
Do you want to know
how the battle pairings
1459
01:02:00,946 --> 01:02:02,446
really feel about each other?
1460
01:02:02,448 --> 01:02:04,114
The relationship between us
1461
01:02:04,116 --> 01:02:07,951
is a lot better
than a lot of the contestants.
1462
01:02:07,953 --> 01:02:10,354
I get the juicy gossip back here.
1463
01:02:10,356 --> 01:02:12,589
Hit us up on nbc.com/the-voice,
1464
01:02:12,591 --> 01:02:14,091
because I'll be chatting
with all of the artists
1465
01:02:14,093 --> 01:02:16,760
right after they step
off the battle stage.
1466
01:02:16,762 --> 01:02:18,862
In a perfect world, if Adam could have
1467
01:02:18,864 --> 01:02:20,831
you and me into one person...
1468
01:02:20,833 --> 01:02:21,898
For the ultimate "Voice" experience,
1469
01:02:21,900 --> 01:02:23,567
keep up with us on Facebook
1470
01:02:23,569 --> 01:02:26,737
and hit us up on Twitter using #thevoice.
1471
01:02:26,739 --> 01:02:29,273
Battles continue right after this.
1472
01:02:30,743 --> 01:02:32,744
♪ This is "The Voice" ♪
1473
01:02:32,746 --> 01:02:34,045
[ Cheers and applause ]
1474
01:02:34,047 --> 01:02:37,549
One of these artists
will represent team Blake
1475
01:02:37,551 --> 01:02:39,217
in the knockout round.
1476
01:02:39,219 --> 01:02:41,553
In the ring tonight, the
independent singer/songwriter
1477
01:02:41,555 --> 01:02:44,189
from Louisiana, Lelia Broussard...
1478
01:02:44,191 --> 01:02:47,392
[ Cheers and applause ]
1479
01:02:49,061 --> 01:02:51,096
- Yeah!
- Whoo!
1480
01:02:52,498 --> 01:02:55,133
...up against the Austin music teacher,
1481
01:02:55,135 --> 01:02:58,470
Suzanna Choffel!
1482
01:02:58,472 --> 01:03:00,505
[ Cheers and applause ]
1483
01:03:03,342 --> 01:03:05,744
Whoo, whoo!
1484
01:03:11,017 --> 01:03:14,019
This battle begins right now.
1485
01:03:17,556 --> 01:03:20,892
♪ Happiness hit her ♪
1486
01:03:20,894 --> 01:03:23,561
♪ like a train on a ♪
1487
01:03:23,563 --> 01:03:28,933
♪ track ♪
1488
01:03:30,903 --> 01:03:34,072
♪ coming towards her ♪
1489
01:03:34,074 --> 01:03:36,408
♪ stuck, still no turning ♪
1490
01:03:36,410 --> 01:03:38,410
♪ back ♪
1491
01:03:42,416 --> 01:03:45,717
♪ the dog days are over ♪
1492
01:03:45,719 --> 01:03:49,054
♪ the dog days are done ♪
1493
01:03:49,056 --> 01:03:51,890
♪ the horses are coming ♪
1494
01:03:51,892 --> 01:03:55,060
♪ so you better run ♪
1495
01:03:55,062 --> 01:03:58,797
♪ run fast for your mother,
run fast for your father ♪
1496
01:03:58,799 --> 01:04:01,800
♪ run for your children,
for your sisters and brothers ♪
1497
01:04:01,802 --> 01:04:04,469
♪ leave all your love
and your longing behind ♪
1498
01:04:04,471 --> 01:04:07,972
♪ you can't carry it with you
if you want to survive ♪
1499
01:04:07,974 --> 01:04:10,975
♪ the dog days are over ♪
1500
01:04:10,977 --> 01:04:14,612
♪ the dog days are done ♪
1501
01:04:14,614 --> 01:04:16,948
♪ can you hear the horses? ♪
1502
01:04:16,950 --> 01:04:22,987
♪ 'cause here they come ♪
1503
01:04:22,989 --> 01:04:24,255
[ Cheers a applause ]
1504
01:04:24,257 --> 01:04:27,425
♪ And I ♪
1505
01:04:27,427 --> 01:04:31,096
♪ I never wanted ♪
1506
01:04:31,098 --> 01:04:36,101
♪ anything from you ♪
1507
01:04:36,103 --> 01:04:41,106
♪ except everything ♪
1508
01:04:41,108 --> 01:04:43,074
♪ you had ♪
1509
01:04:43,076 --> 01:04:48,213
♪ and what was left after that, too ♪
1510
01:04:49,582 --> 01:04:53,485
♪ run fast for your mother,
run fast for your father ♪
1511
01:04:53,487 --> 01:04:56,321
♪ run for your children,
for your sisters and brothers ♪
1512
01:04:56,323 --> 01:04:58,790
♪ leave all your love
and ur longing behind ♪
1513
01:04:58,792 --> 01:05:02,594
♪ you can't carry it with you
if you want to survive ♪
1514
01:05:02,596 --> 01:05:05,230
♪ the dog days are over ♪
1515
01:05:05,232 --> 01:05:09,067
♪ the dog days are done ♪
1516
01:05:09,069 --> 01:05:11,903
♪ can you hear the horses? ♪
1517
01:05:11,905 --> 01:05:17,075
♪ 'cause here they come ♪
1518
01:05:17,077 --> 01:05:19,144
[ Cheers and applause ]
1519
01:05:22,081 --> 01:05:26,184
Daly: Give it up for Suzanna and Lelia.
1520
01:05:26,186 --> 01:05:28,386
[ Cheers a applause ]
1521
01:05:28,388 --> 01:05:29,988
Blake, wow.
1522
01:05:29,990 --> 01:05:32,023
That is not gonna be easy for you.
1523
01:05:32,025 --> 01:05:33,158
Christina, some thoughts?
1524
01:05:33,160 --> 01:05:34,425
That was great, you guys.
1525
01:05:34,427 --> 01:05:35,894
- That was really beautiful.
Cee Lo: - Really good.
1526
01:05:35,896 --> 01:05:39,330
- Thank you.
- Thank you.
1527
01:05:39,332 --> 01:05:40,765
Suzanna, that was kind of like... zing!
1528
01:05:40,767 --> 01:05:42,600
Okay, you have a really special,
unique thing about your voice.
1529
01:05:42,602 --> 01:05:46,738
And, Lelia, whenever you brought
in that beautiful falsetto,
1530
01:05:46,740 --> 01:05:48,907
I was really taken by that, too.
1531
01:05:48,909 --> 01:05:51,743
You know, this was a great
pairing, a great match.
1532
01:05:51,745 --> 01:05:53,411
Blake, this is a tough decision,
1533
01:05:53,413 --> 01:05:55,580
because they really go toe-to-toe.
1534
01:05:55,582 --> 01:05:58,550
Cee Lo: Yeah, um...
Lelia, that was wonderful...
1535
01:05:58,552 --> 01:06:01,186
that walk across and that second verse...
1536
01:06:01,188 --> 01:06:03,021
but I don't think you took the opportunity
1537
01:06:03,023 --> 01:06:05,390
to really take off from there, you know.
1538
01:06:05,392 --> 01:06:06,658
But you both deserve to be here,
1539
01:06:06,660 --> 01:06:10,395
and you both have talent...
talent overflowing.
1540
01:06:10,397 --> 01:06:12,964
You know, Suzanna,
I've kind of been mad at myself
1541
01:06:12,966 --> 01:06:15,133
'cause I remember turning around for you.
1542
01:06:15,135 --> 01:06:16,201
And I wanted to make sure
1543
01:06:16,203 --> 01:06:17,802
it wasn't a Stevie Nicks impression.
1544
01:06:17,804 --> 01:06:19,704
But clearly, after seeing this, it's not,
1545
01:06:19,706 --> 01:06:21,372
and, you know, I screwed up,
1546
01:06:21,374 --> 01:06:22,774
and I should have beaten his ass
into the ground
1547
01:06:22,776 --> 01:06:23,875
and taken you away from him.
1548
01:06:23,877 --> 01:06:27,045
Lelia, you were also really powerful.
1549
01:06:27,047 --> 01:06:29,881
I was discovering you
for the first time tonight.
1550
01:06:29,883 --> 01:06:33,518
So, because I'm wishing that
I had fought harder for you,
1551
01:06:33,520 --> 01:06:35,019
Suzanna, I would have to go with you.
1552
01:06:35,021 --> 01:06:36,287
[ Cheers and applause ]
1553
01:06:36,289 --> 01:06:38,423
Daly: All right, Blake, tough decision.
1554
01:06:38,425 --> 01:06:40,491
Damn it. That sucks.
1555
01:06:40,493 --> 01:06:44,195
Every time a battle comes
across this stage from my team,
1556
01:06:44,197 --> 01:06:45,630
it's like, "oh, no. Not these two."
1557
01:06:45,632 --> 01:06:48,199
"I don't want to see anybody go."
But they had some good points.
1558
01:06:48,201 --> 01:06:50,034
Lelia, when you did start in
on your verse,
1559
01:06:50,036 --> 01:06:52,136
it was like you became the Lelia
1560
01:06:52,138 --> 01:06:55,673
that I just, like, am obsessed with.
1561
01:06:55,675 --> 01:06:58,843
I mean, when she sings,
she almost becomes the song.
1562
01:06:58,845 --> 01:07:00,912
I love to watch it.
1563
01:07:00,914 --> 01:07:02,146
And, Suzanna... it's interesting
1564
01:07:02,148 --> 01:07:03,481
that you talked
about the Stevie Nicks thing,
1565
01:07:03,483 --> 01:07:05,750
because she kind of has the ability
1566
01:07:05,752 --> 01:07:07,819
to kind of be a chameleon
1567
01:07:07,821 --> 01:07:10,021
and turn into Stevie Nicks
when she's doing Stevie Nicks
1568
01:07:10,023 --> 01:07:11,456
and then Florence And The Machine
1569
01:07:11,458 --> 01:07:13,191
when she's doing Florence And The Machine,
1570
01:07:13,193 --> 01:07:17,695
but I also think Suzanna sounds
like Suzanna when she wants to.
1571
01:07:17,697 --> 01:07:20,398
Blake, who is the winner of this battle?
1572
01:07:24,637 --> 01:07:25,837
Uh...
1573
01:07:27,940 --> 01:07:30,608
I think Suzanna won this battle.
I'm gonna go with Suzanna.
1574
01:07:30,610 --> 01:07:32,277
[ Cheers and applause ]
1575
01:07:32,279 --> 01:07:34,579
Suzanna, congratulations.
1576
01:07:34,581 --> 01:07:38,283
We'll see you in the knockout round.
1577
01:07:44,990 --> 01:07:46,491
Congratulations to you.
1578
01:07:46,493 --> 01:07:50,128
- Good job.
- Thank you.
1579
01:07:50,130 --> 01:07:54,332
Coaches, let me remind you
Lelia is available to steal.
1580
01:07:54,334 --> 01:07:57,068
Lelia: I just want to say thank you.
1581
01:07:57,070 --> 01:07:58,369
It was such an amazing experience
1582
01:07:58,371 --> 01:08:01,372
to be on the show and to be on your team.
1583
01:08:01,374 --> 01:08:03,374
- So thank you so much.
- Thank you.
1584
01:08:03,376 --> 01:08:05,043
Ladies and gentlemen,
give her a round of applause.
1585
01:08:05,045 --> 01:08:07,712
Lelia Broussard. Thank you so much.
1586
01:08:07,714 --> 01:08:09,047
- Good luck, sweetie.
- Thank you.
1587
01:08:09,049 --> 01:08:11,382
- I'll see you down the road.
- All right.
1588
01:08:11,384 --> 01:08:12,951
Adam: Lelia's really amazing,
1589
01:08:12,953 --> 01:08:15,286
but I've done one steal, I got one left.
1590
01:08:15,288 --> 01:08:16,955
I'm saving it for a special occasion,
1591
01:08:16,957 --> 01:08:21,192
an instinctual moment
of some epiphany of some kind.
1592
01:08:21,194 --> 01:08:23,361
It's crazy though, man.
People surprise you, like...
1593
01:08:23,363 --> 01:08:24,529
I felt bad, though.
1594
01:08:24,531 --> 01:08:25,930
- They're both great.
- They were so great.
1595
01:08:25,932 --> 01:08:28,599
Oh, my God!
[ Laughing ]
1596
01:08:28,601 --> 01:08:29,634
Suzanna: I was kind of nervous
1597
01:08:29,636 --> 01:08:31,369
about the song initially when I got it,
1598
01:08:31,371 --> 01:08:32,971
and I feel like I worked hard on it,
1599
01:08:32,973 --> 01:08:35,773
and I was pretty blown away by
just what all the coaches said.
1600
01:08:35,775 --> 01:08:38,576
I'm very excited. I'm not gonna lie.
1601
01:08:38,578 --> 01:08:40,878
I'm pretty excited!
[ Laughs ]
1602
01:08:40,880 --> 01:08:42,880
- Come here. Mwah!
Man: - So cool.
1603
01:08:42,882 --> 01:08:44,682
Daly: Coming up...
1604
01:08:44,684 --> 01:08:47,352
A two-button steal
has the coaches fighting
1605
01:08:47,354 --> 01:08:50,188
to pick up a valuable voice.
1606
01:08:50,190 --> 01:08:51,622
He didn't believe in you
1607
01:08:51,624 --> 01:08:53,358
during the blind auditions like I did.
1608
01:08:53,360 --> 01:08:55,393
You know a lot about bull crap, Oklahoma.
1609
01:09:00,596 --> 01:09:02,764
♪ This is "The Voice" ♪
1610
01:09:02,766 --> 01:09:05,133
Daly: Welcome back to the battle rounds.
1611
01:09:05,135 --> 01:09:08,936
Let's check in with Christina
before her next battle pairing.
1612
01:09:08,938 --> 01:09:10,438
Christina: In my next life,
I'm gonna come back
1613
01:09:10,440 --> 01:09:12,473
in an all-male rock band.
1614
01:09:12,475 --> 01:09:13,641
[ Laughs ]
1615
01:09:13,643 --> 01:09:14,976
[ Guitar tuning ]
1616
01:09:14,978 --> 01:09:18,146
I'm like, "can we switch places
for a day?"
1617
01:09:18,148 --> 01:09:19,981
Billie Joe: I can mentor that.
1618
01:09:19,983 --> 01:09:21,582
[ Laughs ]
1619
01:09:21,584 --> 01:09:23,685
Daly: While Christina
and Billie Joe Armstrong
1620
01:09:23,687 --> 01:09:27,221
await their next battle pairing,
let's see how they match up.
1621
01:09:27,223 --> 01:09:30,058
17-year-old Joselyn Rivera from Florida
1622
01:09:30,060 --> 01:09:33,995
versus 19-year-old
pop powerhouse Sylvia Yacoub.
1623
01:09:33,997 --> 01:09:37,131
During the blind auditions,
Sylvia impressed
1624
01:09:37,133 --> 01:09:40,101
three of our coaches
with her powerful performance...
1625
01:09:40,103 --> 01:09:43,471
♪ Like I'm the only one
that you'll ever love ♪
1626
01:09:43,473 --> 01:09:45,139
Daly: ...Giving her a shot at fulfilling
1627
01:09:45,141 --> 01:09:47,475
both her and her mother's dreams.
1628
01:09:47,477 --> 01:09:50,378
Sylvia: My mom grew up in Egypt,
and she wasn't able to
1629
01:09:50,380 --> 01:09:52,513
follow her dreams,
just 'cause she was a woman,
1630
01:09:52,515 --> 01:09:55,049
and I just want to make these
dreams come true for me and my mom.
1631
01:09:55,051 --> 01:09:57,351
Daly: 17-year-old Joselyn
broke out of her shell...
1632
01:09:57,353 --> 01:10:01,923
♪ Stro-o-o-nger ♪
1633
01:10:01,925 --> 01:10:04,258
Daly: ...Fueling a heated debate
between Christina and Blake.
1634
01:10:04,260 --> 01:10:06,060
Do you notice the long light going out
1635
01:10:06,062 --> 01:10:08,096
in front of my chair right now?
1636
01:10:08,098 --> 01:10:10,498
- Wait. Did you push your button?
- You're damn right I did.
1637
01:10:10,500 --> 01:10:11,799
Oh!
[ Laughter ]
1638
01:10:11,801 --> 01:10:14,235
Joselyn is very young,
so it's an exciting place to be,
1639
01:10:14,237 --> 01:10:16,237
in the beginning of her journey.
1640
01:10:16,239 --> 01:10:18,406
Song choice... "Best Thing I Never Had."
1641
01:10:18,408 --> 01:10:20,842
I chose it because
I feel like the two of you
1642
01:10:20,844 --> 01:10:22,477
are capable of a song like this.
1643
01:10:22,479 --> 01:10:24,312
I love this song so much.
1644
01:10:24,314 --> 01:10:27,648
But Sylvia and Joselyn
are really good singers.
1645
01:10:27,650 --> 01:10:28,916
I knew I had to give them both
1646
01:10:28,918 --> 01:10:31,419
a song that required
some pretty powerful vocals.
1647
01:10:31,421 --> 01:10:37,158
♪ Well, I bet it sucks
to be you right now ♪
1648
01:10:37,160 --> 01:10:39,694
Sylvia's voice is very powerful.
1649
01:10:39,696 --> 01:10:42,230
♪ Another place, another time ♪
1650
01:10:42,232 --> 01:10:43,364
It sounds like she's got
1651
01:10:43,366 --> 01:10:45,666
a lot of years behind her, and it shows.
1652
01:10:45,668 --> 01:10:48,669
You're hitting so hard,
and it's all power.
1653
01:10:48,671 --> 01:10:51,506
- The only thing I worry about is
if you overpower it. - Mm-hmm.
1654
01:10:51,508 --> 01:10:53,074
I think, for Sylvia,
1655
01:10:53,076 --> 01:10:56,144
having a powerful voice is her strength,
1656
01:10:56,146 --> 01:10:58,112
but with having great power
comes great responsibility,
1657
01:10:58,114 --> 01:11:02,450
so she has to be able to kind of
stay mature within the song.
1658
01:11:02,452 --> 01:11:04,152
Definitely pick out
1659
01:11:04,154 --> 01:11:06,087
where you're gonna do
the ad-libs and the runs.
1660
01:11:06,089 --> 01:11:08,256
I want to make sure it doesn't come off
1661
01:11:08,258 --> 01:11:11,159
as overdone, trying too hard,
or even sloppy.
1662
01:11:11,161 --> 01:11:13,327
When I started out so strong
in all those runs
1663
01:11:13,329 --> 01:11:16,230
it was 'cause I was kind of nervous
to sing in front of Christina,
1664
01:11:16,232 --> 01:11:18,833
but I got what she was saying...
that I need to pick my moments.
1665
01:11:18,835 --> 01:11:21,969
♪ I know you want me back ♪
1666
01:11:21,971 --> 01:11:24,472
Christina: Joselyn has a great voice,
1667
01:11:24,474 --> 01:11:27,809
and I think she has a problem
finding her own volume.
1668
01:11:27,811 --> 01:11:31,145
But she's very young.
She's still finding who she is.
1669
01:11:31,147 --> 01:11:33,815
You, I think, need to find out
where your comfort zone is,
1670
01:11:33,817 --> 01:11:35,783
having a higher tone,
because you can use that
1671
01:11:35,785 --> 01:11:36,984
- to your advantage.
- Right.
1672
01:11:36,986 --> 01:11:39,020
I was shy my whole entire life,
1673
01:11:39,022 --> 01:11:41,355
and I wanted to know how to prepare
1674
01:11:41,357 --> 01:11:43,591
to get onstage and really be strong.
1675
01:11:43,593 --> 01:11:46,260
I think it's about delivering
those lyrics and that message
1676
01:11:46,262 --> 01:11:49,263
and then, like, choosing your moments.
1677
01:11:49,265 --> 01:11:51,766
Billie Joe: I think
the one thing about Joselyn...
1678
01:11:51,768 --> 01:11:54,101
if there's one thing that can
cause her to lose the battle
1679
01:11:54,103 --> 01:11:56,771
is that she tries to overcompensate
1680
01:11:56,773 --> 01:11:58,606
for having a softer voice.
1681
01:11:58,608 --> 01:12:02,276
And if she does that,
she can wind up in trouble.
1682
01:12:02,278 --> 01:12:05,079
Daly: With little time left
before their battle,
1683
01:12:05,081 --> 01:12:06,414
Joselyn and Sylvia head in
1684
01:12:06,416 --> 01:12:09,317
for one final rehearsal with Christina.
1685
01:12:09,319 --> 01:12:10,651
♪ Best thing I never ♪
1686
01:12:10,653 --> 01:12:11,652
♪ ooh ♪
1687
01:12:11,654 --> 01:12:13,988
♪ and I will never be the ♪
1688
01:12:13,990 --> 01:12:15,323
Joselyn: I think sometimes
1689
01:12:15,325 --> 01:12:17,491
Sylvia could be a little bit overpowering.
1690
01:12:17,493 --> 01:12:19,260
Sometimes it can be impressive,
1691
01:12:19,262 --> 01:12:21,095
and sometimes it can be a little annoying.
1692
01:12:21,097 --> 01:12:23,297
♪ Turned out to be the... ♪
1693
01:12:23,299 --> 01:12:25,633
Okay, hold on, hold on, hold on.
Sorry, sorry, sorry. Hang on.
1694
01:12:25,635 --> 01:12:29,303
Sylvia, some of the more pretty
things I think you were doing
1695
01:12:29,305 --> 01:12:30,638
was whenever you were doing
1696
01:12:30,640 --> 01:12:32,740
a little bit more tender and vulnerable,
1697
01:12:32,742 --> 01:12:34,742
'cause you already have
this intensity about it
1698
01:12:34,744 --> 01:12:38,246
that it would even end up
being better and more in pitch
1699
01:12:38,248 --> 01:12:39,814
if it was just eased up on.
1700
01:12:39,816 --> 01:12:41,983
Sylvia: Going into this battle
round, I'm a little nervous,
1701
01:12:41,985 --> 01:12:45,620
'cause I think if I try too hard
to show my power the whole time,
1702
01:12:45,622 --> 01:12:47,755
I won't show those vulnerable moments,
1703
01:12:47,757 --> 01:12:49,156
so I just got to make sure
1704
01:12:49,158 --> 01:12:51,692
that it's not a constant 10
the whole time.
1705
01:12:51,694 --> 01:12:53,027
♪ Ahh ♪
1706
01:12:53,029 --> 01:12:56,330
♪ what goes around comes back around ♪
1707
01:12:56,332 --> 01:12:59,834
♪ it sucks to be you right now
♪ right now ♪
1708
01:12:59,836 --> 01:13:03,404
♪ ooh-ooh ♪
1709
01:13:03,406 --> 01:13:05,640
I like the solidness of that, Joselyn.
1710
01:13:05,642 --> 01:13:07,842
You guys sound really,
really, really good.
1711
01:13:07,844 --> 01:13:09,143
Let's just do it from the top, all right?
1712
01:13:09,145 --> 01:13:10,311
- Yeah, sure.
- Okay?
1713
01:13:10,313 --> 01:13:12,747
Joselyn has a crazy great range.
1714
01:13:12,749 --> 01:13:17,551
Then, you have Sylvia,
who has a really powerful voice.
1715
01:13:17,553 --> 01:13:20,655
Man, it's gonna make a great battle.
1716
01:13:20,657 --> 01:13:23,658
Whoo!
1717
01:13:23,660 --> 01:13:25,626
Daly: It's the night of the battle,
1718
01:13:25,628 --> 01:13:28,496
and Joselyn and Sylvia head to the stage.
1719
01:13:28,498 --> 01:13:30,331
Joselyn: It would be super-heartbreaking
1720
01:13:30,333 --> 01:13:32,333
for me to go home,
1721
01:13:32,335 --> 01:13:36,270
because this show
has really helped me open up.
1722
01:13:36,272 --> 01:13:38,606
♪ Goes around comes back around ♪
1723
01:13:38,608 --> 01:13:40,775
I no longer have to sit in a corner
1724
01:13:40,777 --> 01:13:42,443
and hide myself from the world.
1725
01:13:42,445 --> 01:13:44,278
I can be who I am,
1726
01:13:44,280 --> 01:13:47,815
and I want to continue on
on this amazing journey.
1727
01:13:47,817 --> 01:13:50,318
Sylvia: This seems to be
the last chance, really,
1728
01:13:50,320 --> 01:13:52,853
for not only my myself,
but for my mom, as well.
1729
01:13:52,855 --> 01:13:54,855
If I win this battle,
the second I see my mom,
1730
01:13:54,857 --> 01:13:56,057
I know there's just gonna be
1731
01:13:56,059 --> 01:13:57,825
just a whole lot of crying on her part,
1732
01:13:57,827 --> 01:13:59,360
'cause she's gonna be so excited.
1733
01:13:59,362 --> 01:14:00,594
And that's what I want to see.
1734
01:14:00,596 --> 01:14:02,396
I want to see her smiling at me
because I won.
1735
01:14:02,398 --> 01:14:04,732
[ Cheers and applause ]
1736
01:14:04,734 --> 01:14:07,168
Entering now, the quiet Florida teen
1737
01:14:07,170 --> 01:14:09,503
Joselyn Rivera...
1738
01:14:09,505 --> 01:14:11,505
[ Cheers and applause ]
1739
01:14:17,012 --> 01:14:23,351
...versus the Egyptian-born
pop singer Sylvia Yacoub!
1740
01:14:23,353 --> 01:14:24,652
[ Cheers and applause ]
1741
01:14:32,494 --> 01:14:35,029
This battle starts right now.
1742
01:14:35,031 --> 01:14:39,033
♪ What goes around comes back around ♪
1743
01:14:39,035 --> 01:14:41,035
♪ hey, my baby ♪
1744
01:14:42,337 --> 01:14:45,506
♪ what goes around ♪
♪ comes back around ♪
1745
01:14:45,508 --> 01:14:50,444
♪ there was a time ♪
1746
01:14:50,446 --> 01:14:55,116
♪ I thought that you did
everything right ♪
1747
01:14:55,118 --> 01:14:59,787
♪ no lies, no wrong ♪
1748
01:14:59,789 --> 01:15:04,859
♪ boy, I must have been out of my mind ♪
1749
01:15:04,861 --> 01:15:10,464
♪ so when I think of the time
that I almost loved you ♪
1750
01:15:10,466 --> 01:15:14,702
♪ you showed your ass,
and I, I saw the real you ♪
1751
01:15:14,704 --> 01:15:17,038
♪ thank God you blew it
♪ ha!
1752
01:15:17,040 --> 01:15:19,473
♪ Thank God I dodged the bullet ♪
1753
01:15:19,475 --> 01:15:22,977
♪ I'm so over you,
so, baby, good looking out ♪
1754
01:15:22,979 --> 01:15:26,047
♪ I wanted you bad ♪
1755
01:15:26,049 --> 01:15:27,882
♪ I'm so through with that ♪
1756
01:15:27,884 --> 01:15:31,886
♪ 'cause honestly
you turned out to be the ♪
1757
01:15:31,888 --> 01:15:34,221
♪ best thing I never ♪
1758
01:15:34,223 --> 01:15:36,857
♪ you turned out to be the ♪
1759
01:15:36,859 --> 01:15:39,293
♪ best thing I never had ♪
1760
01:15:39,295 --> 01:15:41,729
♪ and I'm gonna always be the ♪
1761
01:15:41,731 --> 01:15:44,432
♪ best thing you never h-a-a-ad ♪
1762
01:15:48,403 --> 01:15:51,272
♪ oh, yeah, but I bet it sucks to be you
♪ right n-o-o-ow ♪
1763
01:15:53,909 --> 01:15:56,644
♪ I know
♪ It's time to face the facts ♪
1764
01:15:56,646 --> 01:15:58,412
♪ that I'm the one that's got away ♪
1765
01:15:58,414 --> 01:16:00,748
♪ lord knows that it would take ♪
1766
01:16:00,750 --> 01:16:02,917
♪ another place, another time ♪
1767
01:16:02,919 --> 01:16:05,586
♪ another world, another life ♪
1768
01:16:05,588 --> 01:16:07,088
♪ thank God I found the ♪
1769
01:16:07,090 --> 01:16:08,589
♪ good in goodbye
♪ good in goodbye ♪
1770
01:16:08,591 --> 01:16:11,459
♪ I used to want you so bad ♪
1771
01:16:11,461 --> 01:16:14,261
♪ I'm so through with that ♪
1772
01:16:14,263 --> 01:16:17,932
♪ 'cause honestly
you turned out to be the ♪
1773
01:16:17,934 --> 01:16:19,633
♪ best thing I never had ♪
1774
01:16:24,439 --> 01:16:27,908
♪ ooh, and I will always be the
♪ you turned out to be the ♪
1775
01:16:27,910 --> 01:16:30,277
♪ best thing you never h-a-a-ad ♪
1776
01:16:32,914 --> 01:16:36,617
♪ it sucks to be you right now ♪
1777
01:16:36,619 --> 01:16:40,721
♪ what goes around comes back around ♪
1778
01:16:40,723 --> 01:16:44,058
♪ hey, what goes around
♪ whoa, ooh ♪
1779
01:16:44,060 --> 01:16:48,395
♪ I bet it sucks to be you right ♪
1780
01:16:48,397 --> 01:16:50,231
♪ now ♪
1781
01:16:50,233 --> 01:16:52,399
♪ ooh-ooh-ooh ♪
1782
01:16:52,401 --> 01:16:56,403
♪ ooh ♪
1783
01:16:56,405 --> 01:16:59,340
[ Cheers and applause ]
1784
01:16:59,342 --> 01:17:01,442
Daly: First, some thoughts
from the other coaches.
1785
01:17:01,444 --> 01:17:03,110
We'll start with you, Cee Lo.
1786
01:17:03,112 --> 01:17:06,514
Cee Lo: Joselyn, you sounded so
wonderful opening up this song.
1787
01:17:06,516 --> 01:17:08,349
It's like I had never heard you before,
1788
01:17:08,351 --> 01:17:10,217
and you really impressed me.
1789
01:17:10,219 --> 01:17:11,719
I was like, "okay, this little thing"
1790
01:17:11,721 --> 01:17:13,921
"with the big voice," you know?
1791
01:17:13,923 --> 01:17:16,757
- Thank you so much.
- So I really enjoyed you.
1792
01:17:16,759 --> 01:17:19,059
Sylvia, you have a very strong
voice, a very commanding voice.
1793
01:17:19,061 --> 01:17:22,363
Maybe I just won't pick anyone,
because you both were great.
1794
01:17:22,365 --> 01:17:24,331
Adam, what'd you think?
1795
01:17:24,333 --> 01:17:25,666
Man, it was so great.
1796
01:17:25,668 --> 01:17:28,969
Like, obviously, you guys
are just gnarly-good singers.
1797
01:17:28,971 --> 01:17:30,070
I mean, I don't even know how...
1798
01:17:30,072 --> 01:17:31,972
and I'm sure, Blake, you can understand
1799
01:17:31,974 --> 01:17:33,340
where I'm coming from...
1800
01:17:33,342 --> 01:17:35,342
like, how do you, like,
sing that many notes?
1801
01:17:35,344 --> 01:17:36,610
Sometimes, it was a little too much.
1802
01:17:36,612 --> 01:17:39,280
Joselyn, your performance was amazing.
1803
01:17:39,282 --> 01:17:42,283
You know, I loved the movement,
and it was cool.
1804
01:17:42,285 --> 01:17:45,286
And, Sylvia, you know,
you have a very powerful voice.
1805
01:17:45,288 --> 01:17:48,088
Maybe Joselyn had you
a little bit on performance.
1806
01:17:48,090 --> 01:17:49,290
If I had to choose,
I would choose Joselyn.
1807
01:17:49,292 --> 01:17:51,058
She seemed like
she was the one that was...
1808
01:17:51,060 --> 01:17:52,860
Thank you so much. Thank you.
1809
01:17:52,862 --> 01:17:54,461
Daly: All right. Blake?
1810
01:17:54,463 --> 01:17:57,364
Yeah, I can't even think that many notes.
1811
01:17:57,366 --> 01:18:00,201
Sylvia, when you sing,
1812
01:18:00,203 --> 01:18:03,103
it's like you sing a little bit
with like, "I'll kick your ass."
1813
01:18:03,105 --> 01:18:04,171
You know what I mean?
1814
01:18:04,173 --> 01:18:06,473
And you probably could kick his ass.
1815
01:18:06,475 --> 01:18:09,777
And Joselyn sings with that
smile that she has right there.
1816
01:18:09,779 --> 01:18:12,112
It's just two different
approaches as artists.
1817
01:18:12,114 --> 01:18:15,282
For my personal tastes,
I guess the smile melted me.
1818
01:18:15,284 --> 01:18:16,850
I think I would have picked Joselyn.
1819
01:18:16,852 --> 01:18:19,119
Thank you so much, Blake. Thank you.
1820
01:18:19,121 --> 01:18:22,122
All right, a few for Joselyn,
but now what matters most...
1821
01:18:22,124 --> 01:18:23,824
from your own coach, Christina Aguilera.
1822
01:18:23,826 --> 01:18:25,359
- Wait, babe.
- Oh!
1823
01:18:25,361 --> 01:18:27,428
Let me set the record straight
that I would have picked Sylvia.
1824
01:18:27,430 --> 01:18:30,764
- Okay. - Thank you.
- Thank you, Cee Lo.
1825
01:18:30,766 --> 01:18:33,167
All right. Sorry.
1826
01:18:33,169 --> 01:18:34,602
This is one of the tougher choices for me,
1827
01:18:34,604 --> 01:18:37,338
'cause I have a special spot for
both of you guys in my heart.
1828
01:18:37,340 --> 01:18:39,073
Joselyn, there were moments
1829
01:18:39,075 --> 01:18:40,574
where you were a little bit
"deer in headlights."
1830
01:18:40,576 --> 01:18:43,077
You know, and you did your
homework, you found your spots,
1831
01:18:43,079 --> 01:18:44,345
and you found your comfort zone,
1832
01:18:44,347 --> 01:18:46,680
and you came back,
and you really shined tonight.
1833
01:18:46,682 --> 01:18:48,816
And, then, Sylvia,
I mean, you come out here,
1834
01:18:48,818 --> 01:18:50,017
and you're like fire.
1835
01:18:50,019 --> 01:18:53,554
You just come out here,
and you do me proud.
1836
01:18:53,556 --> 01:18:57,558
You know, this really hard
for me, you guys.
1837
01:18:57,560 --> 01:19:01,762
I really, seriously
want to keep both of you.
1838
01:19:01,764 --> 01:19:04,765
I'm a little upset that I paired
the two of you together.
1839
01:19:04,767 --> 01:19:08,469
Who is the winner of this battle?
1840
01:19:08,471 --> 01:19:10,504
I don't know, guys. Uh...
1841
01:19:10,506 --> 01:19:12,539
Oh, God. I know, I know.
1842
01:19:12,541 --> 01:19:15,042
It's killing me right now. Killing me.
1843
01:19:15,044 --> 01:19:17,144
Whew! I don't know, man.
1844
01:19:17,146 --> 01:19:18,312
Sucks, doesn't it?
1845
01:19:18,314 --> 01:19:21,382
It does. This one sucks. I don't...
1846
01:19:21,384 --> 01:19:22,850
[ Groans ]
1847
01:19:22,852 --> 01:19:25,653
Um, you know, you know, I...
1848
01:19:25,655 --> 01:19:28,555
[ Laughs ]
I'm sorry. I'm sorry.
1849
01:19:28,557 --> 01:19:32,693
You know, oh, my God. I'm so torn.
1850
01:19:32,695 --> 01:19:34,528
[ Audience shouting ]
1851
01:19:36,231 --> 01:19:37,898
I loved both of it.
1852
01:19:37,900 --> 01:19:39,667
But you know what? I'm gonna go with...
1853
01:19:48,780 --> 01:19:49,913
♪ This is "The Voice" ♪
1854
01:19:49,915 --> 01:19:52,582
Daly: Welcome back to the battle rounds.
1855
01:19:52,584 --> 01:19:55,151
Before the break, Joselyn
and Sylvia took the stage
1856
01:19:55,153 --> 01:19:58,922
with a powerful performance
of a Beyoncé hit...
1857
01:19:58,924 --> 01:20:00,190
♪ Thank God I found the ♪
1858
01:20:00,192 --> 01:20:01,191
♪ good in goodbye
♪ good in goodbye ♪
1859
01:20:01,193 --> 01:20:04,160
♪ I used to want you so bad ♪
1860
01:20:04,162 --> 01:20:06,830
...leaving Christina
with the impossible decision
1861
01:20:06,832 --> 01:20:08,364
of which pop artist
will represent her team
1862
01:20:08,366 --> 01:20:09,866
in the knockout rounds.
1863
01:20:09,868 --> 01:20:14,270
Who is the winner of this battle?
1864
01:20:14,272 --> 01:20:16,306
I don't know, guys. Uh...
1865
01:20:16,308 --> 01:20:18,341
Oh, God. I know. I know.
1866
01:20:18,343 --> 01:20:20,677
It's killing me right now. Killing me.
1867
01:20:20,679 --> 01:20:22,879
[ Audience shouting ]
1868
01:20:24,882 --> 01:20:28,051
Oh, my God. I'm so torn.
1869
01:20:34,024 --> 01:20:35,358
I loved both of it.
1870
01:20:35,360 --> 01:20:37,026
But you know what? I'm gonna go with fire.
1871
01:20:37,028 --> 01:20:41,097
I loved it, Sylvia. So, you
know, I'm gonna go with Sylvia.
1872
01:20:41,099 --> 01:20:43,700
Daly: Sylvia Yacoub, congratulations.
1873
01:20:43,702 --> 01:20:47,604
Whew, after a tough decision
from Christina,
1874
01:20:47,606 --> 01:20:50,673
we'll see you at the knockout round.
1875
01:20:50,675 --> 01:20:53,243
I believe in your passion and, you know,
1876
01:20:53,245 --> 01:20:54,277
the fire in you,
1877
01:20:54,279 --> 01:20:56,112
and I just connect with that very much.
1878
01:20:56,114 --> 01:20:59,215
- Thank you so much.
- Congratulations.
1879
01:21:02,253 --> 01:21:04,187
[ Cheers and applause ]
1880
01:21:04,189 --> 01:21:08,358
Daly: Coaches, let me remind you,
Joselyn is available to steal.
1881
01:21:08,360 --> 01:21:10,059
[ Audience chanting "steal!" ]
Push.
1882
01:21:17,301 --> 01:21:20,837
Whoa! We got a steal!
1883
01:21:20,839 --> 01:21:23,473
Adam Levine steals Joselyn!
1884
01:21:23,475 --> 01:21:28,044
And Blake Shelton's in now!
1885
01:21:28,046 --> 01:21:29,746
Two coaches!
1886
01:21:29,748 --> 01:21:33,116
You are back in this competition, Joselyn.
1887
01:21:34,485 --> 01:21:36,286
Whoo!
1888
01:21:36,288 --> 01:21:37,921
[ Cheers and applause ]
Daly: Congratulations.
1889
01:21:37,923 --> 01:21:40,323
- Thank you so much, Carson.
- Oh, my gosh.
1890
01:21:40,325 --> 01:21:41,658
Let's start with Adam.
1891
01:21:41,660 --> 01:21:45,361
You went in first and furious
to steal Joselyn. Why?
1892
01:21:45,363 --> 01:21:48,431
Uh, you know what?
1893
01:21:48,433 --> 01:21:51,801
Joselyn, you came out, and you
impressed all of us, no doubt.
1894
01:21:51,803 --> 01:21:53,136
Like, a lot of the people
1895
01:21:53,138 --> 01:21:56,339
that do what I think
you could do, you do better.
1896
01:21:56,341 --> 01:21:58,241
You could be one of those singers
1897
01:21:58,243 --> 01:22:00,310
that has a song on the radio,
and then you go see them live,
1898
01:22:00,312 --> 01:22:02,178
and you say, "wow, and she can
actually really sing."
1899
01:22:02,180 --> 01:22:04,013
- Thanks, Adam.
- Let's go over to Blake.
1900
01:22:04,015 --> 01:22:05,982
Blake, why do you want to steal Joselyn?
1901
01:22:05,984 --> 01:22:07,817
I was listening to some of the bull crap
1902
01:22:07,819 --> 01:22:10,753
that Adam was throwing at you...
1903
01:22:10,755 --> 01:22:12,922
You know a lot about bull crap, Oklahoma.
1904
01:22:12,924 --> 01:22:15,592
...and all these things
that he could see in you
1905
01:22:15,594 --> 01:22:18,094
and that how much he believes in you.
1906
01:22:18,096 --> 01:22:21,598
But it's just odd to me
that he didn't believe in you
1907
01:22:21,600 --> 01:22:23,600
during the blind auditions like I did,
1908
01:22:23,602 --> 01:22:27,337
when I hit my button for you the
very first time around, Joselyn.
1909
01:22:27,339 --> 01:22:29,005
[ Cheers and applause ]
1910
01:22:29,007 --> 01:22:33,409
I find that odd
and insulting a little bit.
1911
01:22:33,411 --> 01:22:35,712
Must we harp on the past?
1912
01:22:35,714 --> 01:22:37,580
Joselyn: If I could ask you
both a question...
1913
01:22:37,582 --> 01:22:39,916
what was something that you saw
in my performance tonight
1914
01:22:39,918 --> 01:22:41,251
that stood out the most?
1915
01:22:41,253 --> 01:22:42,752
You know, what I saw special today
1916
01:22:42,754 --> 01:22:45,054
was what I didn't necessarily
pick up on earlier.
1917
01:22:45,056 --> 01:22:47,290
I can't pretend like
he's not right. He is.
1918
01:22:47,292 --> 01:22:48,625
Yep!
[ Laughter ]
1919
01:22:48,627 --> 01:22:51,461
But the good news is that
it makes a lot more sense
1920
01:22:51,463 --> 01:22:53,963
for you to be on my team than
it does for you to be on his.
1921
01:22:53,965 --> 01:22:56,766
[ Laughter ]
1922
01:22:56,768 --> 01:22:58,368
I can't remember what your question was,
1923
01:22:58,370 --> 01:23:00,403
but here's my answer.
1924
01:23:00,405 --> 01:23:01,838
[ Laughter ]
1925
01:23:01,840 --> 01:23:04,240
Joselyn, I love you.
1926
01:23:04,242 --> 01:23:05,808
[ Audience awws ]
1927
01:23:05,810 --> 01:23:07,210
[ Applause ]
1928
01:23:07,212 --> 01:23:09,879
Minutes ago, you were walking
off the set to go home.
1929
01:23:09,881 --> 01:23:11,881
Now two of our coaches want to steal you.
1930
01:23:11,883 --> 01:23:15,285
And a tough decision.
Who is your new coach, Joselyn?
1931
01:23:15,287 --> 01:23:18,221
Well...
[ Laughs ]
1932
01:23:18,223 --> 01:23:20,623
Will it be Adam, or will it be Blake?
1933
01:23:20,625 --> 01:23:22,125
Okay.
1934
01:23:22,127 --> 01:23:23,693
[ Audience shouting ]
1935
01:23:23,695 --> 01:23:28,698
Um, you know, you both, I honestly...
1936
01:23:28,700 --> 01:23:30,433
you both are my inspiration,
1937
01:23:30,435 --> 01:23:34,337
and I look up to you both so much.
1938
01:23:34,339 --> 01:23:38,675
And I guess...
1939
01:23:38,677 --> 01:23:40,443
that it's gonna be...
1940
01:23:42,980 --> 01:23:44,013
...Adam.
1941
01:23:44,015 --> 01:23:46,349
Daly: Adam steals Joselyn!
1942
01:23:46,351 --> 01:23:50,386
No! It's the end of her career!
1943
01:23:52,389 --> 01:23:54,457
You're wonderful.
I'm really, really excited.
1944
01:23:54,459 --> 01:23:56,426
You're amazing.
1945
01:23:56,428 --> 01:23:57,860
Christina: I'm so proud of you, honey.
1946
01:23:57,862 --> 01:24:01,097
- Thank you so much, Christina.
- You did everything...
1947
01:24:01,099 --> 01:24:02,765
I mean... love you. I love you.
1948
01:24:02,767 --> 01:24:05,601
Good luck with everything.
1949
01:24:05,603 --> 01:24:07,036
Christina: Joselyn... such a sweetheart,
1950
01:24:07,038 --> 01:24:11,908
and she definitely did her homework.
1951
01:24:11,910 --> 01:24:13,576
That's a good one. I'm glad you got her.
1952
01:24:13,578 --> 01:24:15,912
I just felt a kinship with Sylvia
1953
01:24:15,914 --> 01:24:19,315
as far as understanding
the kind of passionate performer
1954
01:24:19,317 --> 01:24:20,883
that she's rooted from.
1955
01:24:20,885 --> 01:24:24,053
Joselyn: Adam's my new coach,
and I just feel so great.
1956
01:24:24,055 --> 01:24:26,222
I've had Christina,
and she's given me great advice,
1957
01:24:26,224 --> 01:24:28,391
and now I have Adam.
1958
01:24:28,393 --> 01:24:30,293
It's like "the best
of both worlds" kind of thing.
1959
01:24:30,295 --> 01:24:32,628
- Boo-yah!
- Why don't you destroy
1960
01:24:32,630 --> 01:24:35,164
that young girl's career
like you're going to?
1961
01:24:35,166 --> 01:24:38,134
Blake: It was a clear,
obvious person to try to steal,
1962
01:24:38,136 --> 01:24:40,870
and I can't believe that little
bastard took her from me.
1963
01:24:40,872 --> 01:24:41,971
Joselyn's a sweetheart.
1964
01:24:41,973 --> 01:24:43,806
- So, she's in good hands.
- I got a lot of girls.
1965
01:24:43,808 --> 01:24:45,608
I got like a hundred girls on my team now.
1966
01:24:45,610 --> 01:24:46,876
Isn't that how you like it?
1967
01:24:46,878 --> 01:24:48,878
♪ I love the ladies ♪
1968
01:24:48,880 --> 01:24:51,748
♪ I love the ladies ♪
1969
01:24:51,750 --> 01:24:54,584
Daly: As night three
of the battle rounds ends,
1970
01:24:54,586 --> 01:24:56,252
here's where the teams stand.
1971
01:24:56,254 --> 01:24:59,422
Adam picked smooth rocker Sam James
1972
01:24:59,424 --> 01:25:01,190
and used his second and final steal
1973
01:25:01,192 --> 01:25:05,028
to take 17-year-old pop singer
Joselyn Rivera from Christina.
1974
01:25:05,030 --> 01:25:08,364
Blake kept mariachi singer
Julio Cesar Castillo
1975
01:25:08,366 --> 01:25:11,367
and music teacher Suzanna Choffel.
1976
01:25:11,369 --> 01:25:13,036
Cee Lo used his last steal
1977
01:25:13,038 --> 01:25:16,272
to score vocal powerhouse
Terisa Griffin from Blake
1978
01:25:16,274 --> 01:25:19,108
and chose family man Nicholas David.
1979
01:25:19,110 --> 01:25:21,944
And Christina picked
the returning Dez Duron
1980
01:25:21,946 --> 01:25:24,881
and pop powerhouse Sylvia Yacoub.
1981
01:25:27,648 --> 01:25:31,248
Critics are raving... "Push your
button if you love the steal".
1982
01:25:31,273 --> 01:25:32,973
...and the steal steals our hearts.
1983
01:25:32,998 --> 01:25:35,698
You are back in this competition!
1984
01:25:35,823 --> 01:25:38,523
- Tomorrow...
- Oh, my God, is she gonna push her button?
1985
01:25:38,548 --> 01:25:40,948
...the most surprising steal yet.
1986
01:25:40,973 --> 01:25:43,473
- Whoa!
- Did not see that coming!
1987
01:25:43,598 --> 01:25:47,698
Then... y'all get ready for
an epic country showdown...
1988
01:25:48,623 --> 01:25:51,523
...that leaves Blake with
an impossible choice.
1989
01:25:51,548 --> 01:25:53,648
- Who is the winner?
- I don't know, Carson.
1990
01:25:54,173 --> 01:26:03,673
Sync and corrections by atrn97g
for www.addic7ed.com