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[Man on phone] I know things
didn't end well with the Bureau,
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00:00:03,633 --> 00:00:06,769
but you caught Carroll.
3
00:00:06,803 --> 00:00:10,006
[Hardy] He didn't just
eviscerate 14 female students.
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00:00:10,073 --> 00:00:11,207
He was making art.
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00:00:12,004 --> 00:00:13,200
_
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00:00:13,277 --> 00:00:15,677
Carroll's ex-wife.
I'd like to speak to her.
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00:00:15,712 --> 00:00:19,715
- I'm sorry I didn't call you. - It's been
eight years, Ryan. I got the hint.
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00:00:19,783 --> 00:00:22,384
He's scheduled to be executed.
He'll only talk to you.
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00:00:24,387 --> 00:00:26,688
I will be your friend, Ryan,
10
00:00:26,756 --> 00:00:30,024
even though you slept
with my wife.
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00:00:30,058 --> 00:00:32,192
[Siren blaring]
_
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00:00:32,260 --> 00:00:34,896
Calling in, signal 63!
Get some help now!
13
00:00:34,963 --> 00:00:38,566
[Female reporter] Five guards are
confirmed dead from this prison escape.
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00:00:38,634 --> 00:00:41,502
[Man on phone]
We need you in Virginia, Ryan.
15
00:00:41,537 --> 00:00:43,337
Three bodies were found murdered
in the last six hours.
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[Tires screeching]
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00:00:45,840 --> 00:00:48,274
He's finding people
to help him.
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It's like they're his followers.
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00:00:53,881 --> 00:00:55,649
This is just the beginning.
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Sync and corrections by n17t01
www.addic7ed.com
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[Phone ringing]
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00:01:08,996 --> 00:01:10,463
[Beeps]
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00:01:10,530 --> 00:01:12,180
- Hello?
[Man]- Hello, Ryan?
24
00:01:12,215 --> 00:01:14,367
It's Director Franklin, FBI.
25
00:01:14,435 --> 00:01:16,569
I'm not an agent anymore.
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00:01:16,636 --> 00:01:18,603
I know things didn't end well
with the Bureau,
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00:01:18,637 --> 00:01:19,904
but you caught Carroll.
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No one knows him like you do.
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The Following is, um--
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00:01:23,509 --> 00:01:25,710
well, it's a thriller.
It's a drama.
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It's sort of an epic story
of good and evil.
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00:01:28,214 --> 00:01:30,449
It's a story of one man,
Ryan Hardy,
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00:01:30,516 --> 00:01:32,284
who has lost his mojo
in a weird way.
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00:01:32,352 --> 00:01:34,219
This is a man
who's lost his life.
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00:01:34,287 --> 00:01:37,655
He was a wonderful FBI agent,
and in the prime of his career,
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he was sort of shot down
by this one serial killer.
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00:01:40,993 --> 00:01:43,160
He was stabbed in the heart,
literally.
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00:01:43,228 --> 00:01:44,996
[Kevin Bacon] Ryan Hardy,
when we meet him,
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00:01:45,063 --> 00:01:48,633
ten years, he's been kind of
the walking dead, you know?
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00:01:48,701 --> 00:01:53,136
No real focus to his life
and not doing much.
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00:01:53,237 --> 00:01:54,404
Drinking too much.
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00:01:54,472 --> 00:01:56,740
[Williamson]
He's broken. He's a broken man.
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00:01:56,808 --> 00:02:00,911
Then he gets this phone call, and he gets
a second chance at the career he lost.
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00:02:00,979 --> 00:02:04,815
And that's kind of what our serial
killer, Joe Carroll, has intended.
45
00:02:04,849 --> 00:02:08,350
Because when Ryan Hardy brought him
down, he didn't see that coming.
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00:02:08,418 --> 00:02:11,387
This is a narcissistic,
brilliant mind.
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00:02:11,454 --> 00:02:14,924
"And an FBI agent from
Brooklyn was my demise?"
48
00:02:14,992 --> 00:02:18,460
That's not gonna do.
So he spends eight years in prison
49
00:02:18,529 --> 00:02:21,130
coming up with a way
to write his masterpiece,
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00:02:21,197 --> 00:02:23,932
and he's placed Ryan Hardy
at the center of it.
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00:02:24,000 --> 00:02:26,402
I need a strong protagonist,
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00:02:26,469 --> 00:02:30,805
a flawed, broken man,
searching for redemption,
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and that is you.
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00:02:33,709 --> 00:02:36,311
[Bacon] The time that
I was the most alive
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00:02:36,379 --> 00:02:39,414
is the time that I was tracking
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00:02:39,481 --> 00:02:42,583
and busting Joe Carroll.
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So being brought back
to the FBI--
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00:02:44,986 --> 00:02:47,255
it's like a man reawakening.
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00:02:47,322 --> 00:02:49,657
So he had access
to a legal library?
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00:02:49,724 --> 00:02:51,492
Actual books or digital files?
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00:02:51,560 --> 00:02:53,994
Digital. Everything's archived
in the library server.
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00:02:54,029 --> 00:02:56,563
- He had internet access?
- He would've been restricted.
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00:02:56,630 --> 00:02:58,432
Because that would
stop Joe Carroll.
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00:02:58,499 --> 00:03:02,066
Joe Carroll, while he was in prison,
had gained internet access,
65
00:03:02,138 --> 00:03:04,306
and with that internet access,
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00:03:04,375 --> 00:03:06,509
he had sort of started
contacting people.
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00:03:06,577 --> 00:03:09,444
Then they realized that the same people
he was contacting on the internet
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00:03:09,512 --> 00:03:12,280
were actually visiting him
while he was in prison.
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00:03:12,348 --> 00:03:14,850
So they start to realize
that there's a following here--
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00:03:14,917 --> 00:03:16,918
that there's actually a cult
of serial killers.
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00:03:16,986 --> 00:03:18,487
Drop the weapon!
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00:03:18,554 --> 00:03:19,988
Lord, help my poor soul.
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00:03:20,055 --> 00:03:22,657
Ma'am, ma'am, look at me.
Look at me.
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00:03:22,658 --> 00:03:24,153
You can just hand
that thing to me.
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00:03:24,154 --> 00:03:26,127
I never think
it's gonna be okay.
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00:03:26,225 --> 00:03:28,893
[Williamson] I came up with
the back-story for this show
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00:03:28,960 --> 00:03:30,127
several years ago
when I was doing
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00:03:30,195 --> 00:03:32,930
all this research
on serial killers,
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00:03:32,998 --> 00:03:35,432
and, of course,
the Gainesville Murders.
80
00:03:35,500 --> 00:03:37,768
I found that so insidious just
how he murdered all those women.
81
00:03:37,835 --> 00:03:39,469
Then when
they actually found him,
82
00:03:39,537 --> 00:03:41,205
I was like, "oh, he was just
a vagrant in the woods?
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00:03:41,273 --> 00:03:43,140
Wouldn't it be better if he
was, like, this, you know,
84
00:03:43,208 --> 00:03:45,875
sort of this
charismatic professor,
85
00:03:45,910 --> 00:03:48,011
and he had some sort of great
literary purpose?"
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00:03:48,078 --> 00:03:51,747
Then I took sort of an idea I had about
a cult and just merged them together.
87
00:03:51,815 --> 00:03:55,084
She'd never suspect them, and now
they're taking her straight to Carroll.
88
00:03:55,119 --> 00:03:58,087
It's like
they're his followers.
89
00:03:58,155 --> 00:04:00,055
Have you pulled the GPS?
Where are the satellites?
90
00:04:00,123 --> 00:04:03,292
- I knew you'd show up eventually.
- Do something! Move!
91
00:04:03,359 --> 00:04:07,329
I got a phone call, and they said Kevin
Bacon is looking to do a TV show.
92
00:04:07,397 --> 00:04:10,665
He actually is interested
in television.
93
00:04:10,733 --> 00:04:13,268
And I went, "Yeah, but--"
94
00:04:13,336 --> 00:04:16,070
I mean, it was beyond my wildest dreams.
We can't get Kevin Bacon.
95
00:04:16,138 --> 00:04:19,240
[Bacon] I read the script,
and I couldn't put it down.
96
00:04:19,308 --> 00:04:22,576
So many times when I went,
97
00:04:22,644 --> 00:04:25,813
"Oh, wow. I did not
see that coming."
98
00:04:25,880 --> 00:04:28,882
And I also saw a part
99
00:04:28,951 --> 00:04:33,019
that had the three things
that I was looking for.
100
00:04:33,087 --> 00:04:36,656
One was that the character
be heroic.
101
00:04:36,723 --> 00:04:38,691
Two is that if he's
going to be heroic,
102
00:04:38,759 --> 00:04:42,195
he has to be damaged,
complicated.
103
00:04:42,263 --> 00:04:46,132
And the third thing was that the stakes
have to be about life and death.
104
00:04:46,200 --> 00:04:48,033
- Who let him have this?
[Woman] - Anyone could have.
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00:04:51,771 --> 00:04:53,572
"Dear Ryan,
I enjoyed your book.
106
00:04:53,639 --> 00:04:56,008
Have you ever considered a sequel?
Best, Joe."
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00:04:56,076 --> 00:04:58,277
I think he's letting us know
that he plans to kill again.
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00:04:58,345 --> 00:05:00,912
[Bacon] I think that Ryan
Hardy has a very, very deep
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00:05:00,981 --> 00:05:03,015
kind of connection
to Joe Carroll.
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00:05:03,083 --> 00:05:06,551
I think that I admire Joe Carroll
in a strange sort of way.
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00:05:06,619 --> 00:05:10,254
[Williamson] Joe Carroll is
a Professor of Literature.
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00:05:10,322 --> 00:05:12,824
He sort of specializes
in the Romantic period.
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00:05:12,892 --> 00:05:14,893
Edgar Allen Poe is his favorite
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00:05:14,961 --> 00:05:18,396
due to sort of the gothic romanticism
of everything he writes,
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00:05:18,464 --> 00:05:21,031
and just sort of how death
is about beauty.
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00:05:21,065 --> 00:05:23,367
And I think that's the nature
Carroll's operating from
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00:05:23,468 --> 00:05:25,235
in his mad, mad mind.
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00:05:25,303 --> 00:05:27,304
He really is the devil squared,
you know?
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00:05:27,372 --> 00:05:29,339
He's a really bad man.
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00:05:29,407 --> 00:05:31,842
He's incredibly manipulative.
121
00:05:31,910 --> 00:05:34,244
He's manipulating all the time.
122
00:05:34,312 --> 00:05:37,847
Have you slept?
You look tired.
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00:05:37,915 --> 00:05:41,618
It's important you take care of
yourself, preserve your strength.
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00:05:41,685 --> 00:05:45,021
He's kind of up above
everybody else, looking down,
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00:05:45,088 --> 00:05:46,723
because they're all
scrabbling around in the gutter
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00:05:46,757 --> 00:05:48,658
trying to work out what the heck
he's gonna do next.
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00:05:48,726 --> 00:05:50,292
[Carroll]
You gotta toughen up, Ryan.
128
00:05:50,360 --> 00:05:53,061
You're dealing
with depraved minds,
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00:05:53,129 --> 00:05:55,096
sick and twisted.
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00:05:55,164 --> 00:05:57,533
That's what makes the story
so unpredictable.
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00:05:57,600 --> 00:05:59,001
James Purefoy is gold.
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00:05:59,068 --> 00:06:01,003
When he looks at you
in the eyes,
133
00:06:01,070 --> 00:06:03,005
it's a little scary,
cause you don't know
134
00:06:03,072 --> 00:06:06,041
if he's going to kiss you
or kill you, you know?
135
00:06:06,108 --> 00:06:08,543
He does have that ability, and I think
that's what makes a great villain.
136
00:06:08,610 --> 00:06:11,412
And he has a wonderful chemistry
with Kevin Bacon.
137
00:06:11,479 --> 00:06:15,115
She almost died--
the woman you profess to love.
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00:06:15,183 --> 00:06:18,452
Poor thing.
That was the entire point.
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00:06:18,520 --> 00:06:20,955
It was for you.
140
00:06:21,023 --> 00:06:23,591
The scenes that James and I
have together are--
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00:06:23,659 --> 00:06:27,226
I mean, for lack of a better term,
they're very much cat and mouse.
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00:06:27,294 --> 00:06:30,697
It's kind of like when the two big
gorillas get in the same cage,
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00:06:30,765 --> 00:06:32,230
and that's always
exciting to watch.
144
00:06:32,298 --> 00:06:34,033
You saved the day.
145
00:06:34,100 --> 00:06:36,902
How does it feel
to be victorious?
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00:06:36,970 --> 00:06:38,804
To kill the villain?
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00:06:38,872 --> 00:06:40,405
I didn't kill him.
148
00:06:41,708 --> 00:06:43,475
That wasn't part of the plan,
was it?
149
00:06:43,543 --> 00:06:46,579
You have to believe that
this hero and this villain
150
00:06:46,646 --> 00:06:49,981
are connected and tied together
in this sort of intense way,
151
00:06:50,015 --> 00:06:52,183
so you need two riveting actors.
152
00:06:52,250 --> 00:06:54,518
I feel that's what I've got with
Kevin Bacon and James Purefoy
153
00:06:54,587 --> 00:06:57,254
is I've got this
amazing duo of actors
154
00:06:57,322 --> 00:06:59,691
that can really just go
at each other constantly.
155
00:06:59,758 --> 00:07:01,258
And it's so much fun to watch.
156
00:07:01,293 --> 00:07:02,860
Why are you doing this, Joe?
157
00:07:02,928 --> 00:07:06,597
The challenge, Ryan.
Accept it.
158
00:07:06,664 --> 00:07:09,299
You've barely even started.
159
00:07:09,366 --> 00:07:12,803
I have so many surprises
waiting for you.
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00:07:18,019 --> 00:07:19,353
We know about the cult.
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00:07:19,421 --> 00:07:21,922
I'm not a big fan of that word.
162
00:07:21,989 --> 00:07:24,591
I like to think of them
as my friends.
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00:07:24,659 --> 00:07:27,860
Do you have any friends, Ryan?
164
00:07:30,564 --> 00:07:34,333
I will be your friend,
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00:07:34,401 --> 00:07:37,036
even though
you slept with my wife.
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00:07:37,104 --> 00:07:40,106
[Williamson] At the core of the
story is this love triangle.
167
00:07:40,140 --> 00:07:42,107
Basically,
you have good versus evil,
168
00:07:42,175 --> 00:07:44,543
you have your hero versus your villain,
and the woman in between them.
169
00:07:44,610 --> 00:07:46,010
Professor Matthews.
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00:07:46,079 --> 00:07:47,645
Yes?
171
00:07:47,713 --> 00:07:50,815
I'm Agent Ryan Hardy, FBI.
172
00:07:50,883 --> 00:07:53,051
- Can I speak with you?
- Sure.
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00:07:53,119 --> 00:07:54,686
Claire Matthews,
played by Natalie Zea,
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00:07:54,720 --> 00:07:57,089
is sort of the love interest.
175
00:07:57,156 --> 00:08:00,191
Not just for our villain
but for our hero as well.
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00:08:00,258 --> 00:08:02,859
Try Edgar Allen Poe.
You should talk to my husband.
177
00:08:02,927 --> 00:08:05,028
He knows a lot
about that time period.
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00:08:05,097 --> 00:08:08,265
- You're married?
- Yeah. Yes, I'm married, Agent Hardy.
179
00:08:08,333 --> 00:08:11,135
Why? Are you flirting?
180
00:08:11,203 --> 00:08:13,737
[Natalie Zea] Claire
Matthews-- she's married
181
00:08:13,805 --> 00:08:16,172
to James Purefoy's character,
Joe Carroll.
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00:08:16,240 --> 00:08:20,343
And she,
throughout the investigation
183
00:08:20,411 --> 00:08:22,312
and the trial,
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00:08:22,379 --> 00:08:24,347
ends up becoming very close
to Ryan Hardy,
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00:08:24,415 --> 00:08:26,449
and a relationship is formed.
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00:08:26,517 --> 00:08:29,285
- Kiss me.
- Are you sure you want me to kiss you?
187
00:08:29,320 --> 00:08:32,221
Uh, yeah. I'm very sure.
I've been sure for a long time.
188
00:08:32,288 --> 00:08:34,055
[Zea] We have the
benefit of flashbacks,
189
00:08:34,124 --> 00:08:37,826
so we're able to see how the
relationship developed initially
190
00:08:37,893 --> 00:08:39,928
and how it's going
to redevelop.
191
00:08:39,996 --> 00:08:43,132
I want the audience to root
for them to get together,
192
00:08:43,166 --> 00:08:45,834
but at the same time,
it's almost an impossible love.
193
00:08:45,901 --> 00:08:49,103
I'm sorry I didn't call you.
I belong in your past.
194
00:08:49,171 --> 00:08:51,272
You deserve more.
195
00:08:52,474 --> 00:08:53,907
Annie?
196
00:08:53,975 --> 00:08:56,076
[Williamson]
Maggie Grace plays Sarah Fuller.
197
00:08:56,145 --> 00:08:59,913
And Sarah was a sorority girl
198
00:08:59,981 --> 00:09:01,682
back when Joe Carroll
199
00:09:01,750 --> 00:09:04,984
was killing girls on campus
ten years ago.
200
00:09:05,052 --> 00:09:09,122
And it turns out that she was
the only victim who survived,
201
00:09:09,190 --> 00:09:10,857
because Ryan Hardy
saved her that night.
202
00:09:10,924 --> 00:09:12,492
[Sarah screaming]
203
00:09:16,430 --> 00:09:18,597
And so, she's his trophy.
204
00:09:18,665 --> 00:09:20,932
She's the one thing that he
holds up that he did right.
205
00:09:21,000 --> 00:09:24,370
Nothing's gonna happen to you.
I promise you that.
206
00:09:24,437 --> 00:09:26,738
I really appreciate
you calling.
207
00:09:26,806 --> 00:09:31,577
I'm just, uh, happy
to hear you're safe.
208
00:09:31,645 --> 00:09:34,112
Maggie Grace is wonderful,
because she's playing this woman
209
00:09:34,180 --> 00:09:36,281
who we show in a flashback
what happened.
210
00:09:36,348 --> 00:09:38,783
And so, we see in present day
why she's so traumatized by it.
211
00:09:38,850 --> 00:09:39,850
[Gasps] Oh!
212
00:09:39,918 --> 00:09:41,986
Sorry.
Just letting you know
213
00:09:42,054 --> 00:09:44,121
there's two officers outside
the door if you need them.
214
00:09:44,190 --> 00:09:46,624
Sure. Thank you.
215
00:09:46,692 --> 00:09:48,759
One of the first things that happens,
when they realize in the pilot
216
00:09:48,827 --> 00:09:51,161
that this is bigger
than just Joe Carroll
217
00:09:51,162 --> 00:09:54,000
and that he has a following is
when they bring a specialist.
218
00:09:54,131 --> 00:09:57,033
Hello, Mr. Hardy. I'm Agent Debra Parker.
I'm new to the party.
219
00:09:57,101 --> 00:10:00,237
Annie Parisse is the actress
who plays Agent Debra Parker,
220
00:10:00,305 --> 00:10:03,307
who comes in, and she sort of
partners up with Ryan Hardy.
221
00:10:03,374 --> 00:10:05,742
Marshall Turner
thinks I should dismiss you.
222
00:10:05,810 --> 00:10:08,477
But he's remembering you for the man you
were ten years ago, not the man you are now.
223
00:10:08,545 --> 00:10:11,247
- And there's a difference?
- I hope so.
224
00:10:11,315 --> 00:10:14,317
'Cause Joe Carroll has cast you as a
main character in his psycho sequel,
225
00:10:14,384 --> 00:10:16,151
so I can't just kick you
to the curb.
226
00:10:16,220 --> 00:10:20,356
She's going to be
a very unpredictable woman,
227
00:10:20,424 --> 00:10:23,057
a very mercurial character.
228
00:10:23,125 --> 00:10:26,328
- I wanna see Joe.
- So you can break his other hand?
229
00:10:26,395 --> 00:10:31,299
She is already surprising
her fellow agents.
230
00:10:31,367 --> 00:10:35,136
- I think Carroll's--
- Carroll's using Poe's work as a religion.
231
00:10:35,204 --> 00:10:37,839
He's speaking to people
through gothic romanticism.
232
00:10:37,906 --> 00:10:42,943
Find the ones with additional
disorders. Jackpot.
233
00:10:43,010 --> 00:10:47,848
And her area of expertise
is going to shine some light
234
00:10:47,915 --> 00:10:51,151
on how Joe Carroll is working.
235
00:10:51,219 --> 00:10:53,721
I think it's time we use
that word nobody wants to use.
236
00:10:53,788 --> 00:10:55,855
So, we have a cult.
237
00:10:55,922 --> 00:10:58,824
Shawn Ashmore is wonderful
in the role of Mike Weston.
238
00:10:58,892 --> 00:10:59,892
He's this young agent
239
00:10:59,960 --> 00:11:00,960
and sort of--
240
00:11:01,027 --> 00:11:02,995
and sort of trying to become
241
00:11:03,063 --> 00:11:04,930
what Ryan Hardy used to be.
242
00:11:04,998 --> 00:11:06,866
He's young, he's eager,
he's smart.
243
00:11:06,900 --> 00:11:08,301
He's a technical wizard.
244
00:11:08,369 --> 00:11:10,035
Carroll never visited
the same web address twice,
245
00:11:10,103 --> 00:11:11,770
which suggests
he's using various URLs.
246
00:11:11,837 --> 00:11:13,372
- Who with?
- Well, there's the rub.
247
00:11:13,439 --> 00:11:15,407
Every time I access an
IP address, it mutates.
248
00:11:15,475 --> 00:11:17,108
The reason he's included
in this case
249
00:11:17,176 --> 00:11:18,477
is because at Quantico
250
00:11:18,511 --> 00:11:20,312
he did his thesis
on Joe Carroll,
251
00:11:20,380 --> 00:11:21,813
so he knows the case.
252
00:11:21,881 --> 00:11:23,749
He knows Poe.
He knows the poetry.
253
00:11:23,816 --> 00:11:26,151
He knows Ryan Hardy.
He knows everything about this case.
254
00:11:26,218 --> 00:11:27,652
[Williamson] So they chose
him for his knowledge
255
00:11:27,719 --> 00:11:29,387
and what he could bring
to the case,
256
00:11:29,454 --> 00:11:32,723
and now he's got this opportunity
to work with his hero Ryan Hardy,
257
00:11:32,758 --> 00:11:34,858
and it's sort of fun to watch
258
00:11:34,926 --> 00:11:37,928
how the mentor-student
relationship develops.
259
00:11:37,996 --> 00:11:39,997
Jordy looks to Carroll
the way Carroll looks to Poe.
260
00:11:40,064 --> 00:11:41,532
It's a godlike kind of worship.
261
00:11:41,566 --> 00:11:42,799
Is Carroll really
that powerful?
262
00:11:42,866 --> 00:11:46,536
He can inspire people.
It's a gift.
263
00:11:46,604 --> 00:11:48,338
[Ashmore]
Mike respects Ryan Hardy.
264
00:11:48,406 --> 00:11:50,373
I think he knows
that he was the one guy
265
00:11:50,441 --> 00:11:52,909
that could catch Joe Carroll
the first time,
266
00:11:52,976 --> 00:11:55,445
and he's probably the only guy
that can do it this time.
267
00:11:55,513 --> 00:11:56,979
Who are all these women?
268
00:11:57,047 --> 00:12:00,316
All names of women in Poe's
life and work that died.
269
00:12:00,383 --> 00:12:01,517
[Williamson]
This show is evolving.
270
00:12:01,584 --> 00:12:03,552
What starts as
a very, sort of small story
271
00:12:03,620 --> 00:12:06,388
about one man and his little
group of followers
272
00:12:06,456 --> 00:12:07,690
sort of opens up,
273
00:12:07,757 --> 00:12:09,825
and week to week to week
it grows
274
00:12:09,892 --> 00:12:11,860
and grows and grows
until it becomes
275
00:12:11,928 --> 00:12:15,530
sort of a nationwide epidemic
and problem for the FBI--
276
00:12:15,597 --> 00:12:18,333
[Man] I've got eight, maybe
nine different handwritings.
277
00:12:18,400 --> 00:12:20,134
I want an analysis on each one.
How many prints?
278
00:12:20,202 --> 00:12:22,537
Four. Complete.
Several partial.
279
00:12:22,604 --> 00:12:24,605
This is so much bigger
than we ever imagined.
280
00:12:29,826 --> 00:12:31,289
You're going to want
to see this.
281
00:12:32,527 --> 00:12:34,027
What is that?
282
00:12:36,330 --> 00:12:38,565
Carroll is teaching him how
to become a serial killer.
283
00:12:38,633 --> 00:12:41,235
A show like this we're
constantly doing research for
284
00:12:41,302 --> 00:12:44,104
because we're dealing with the
world of serial killers, the FBI--
285
00:12:44,172 --> 00:12:46,572
you know, the FBI has opened up
their doors to us
286
00:12:46,640 --> 00:12:48,307
and have been wonderful
287
00:12:48,375 --> 00:12:51,477
with letting our actors
go out and trail with them
288
00:12:51,544 --> 00:12:52,879
and spend time with them.
289
00:12:52,946 --> 00:12:54,113
I think Kevin Bacon
290
00:12:54,181 --> 00:12:56,749
has visited the FBI
in New York several times
291
00:12:56,817 --> 00:13:00,019
and-- as well
as Annie Parisse
292
00:13:00,087 --> 00:13:01,586
and Shawn Ashmore.
293
00:13:01,654 --> 00:13:03,088
They've all sort of done
their research.
294
00:13:03,156 --> 00:13:05,991
I did the regular
sort of ride along,
295
00:13:06,058 --> 00:13:07,259
you know, FBI.
296
00:13:07,326 --> 00:13:08,693
You're looking at that,
297
00:13:08,761 --> 00:13:10,662
but what you're really
focusing on
298
00:13:10,729 --> 00:13:12,463
is other people.
299
00:13:12,531 --> 00:13:14,465
Carroll could easily convince
an unbalanced brain to do this.
300
00:13:14,533 --> 00:13:16,634
It's an exertion of power,
theatrics.
301
00:13:16,702 --> 00:13:18,335
Went to the Federal Building
in Los Angeles,
302
00:13:18,369 --> 00:13:20,370
and hung out at the FBI there.
303
00:13:20,438 --> 00:13:22,239
It was really interesting
just to go talk with them,
304
00:13:22,307 --> 00:13:24,108
just sort of get the rundown
on what it's like
305
00:13:24,176 --> 00:13:26,076
riding to a bust.
306
00:13:26,144 --> 00:13:28,078
Federal agents. Open up.
307
00:13:28,146 --> 00:13:30,080
And what it's like the first
time you kick down a door
308
00:13:30,148 --> 00:13:31,682
and run into a room where you don't
know what's going to happen.
309
00:13:31,749 --> 00:13:32,616
Hit it.
310
00:13:35,062 --> 00:13:36,069
[Man] Clear the room!
311
00:13:36,196 --> 00:13:37,140
[Man #2] Room clear!
312
00:13:37,156 --> 00:13:39,725
Our FBI agents
are part of the BAU,
313
00:13:39,792 --> 00:13:42,127
which is the Behavioral
Analysis Unit,
314
00:13:42,194 --> 00:13:44,395
and the agents I met with
at the FBI
315
00:13:44,430 --> 00:13:45,831
were also part of the BAU,
316
00:13:45,898 --> 00:13:48,933
and I spent some time with
one of their special agents,
317
00:13:49,001 --> 00:13:51,369
and he walked me through how they
would set up a command center,
318
00:13:51,437 --> 00:13:52,770
which we have in our script.
319
00:13:52,838 --> 00:13:55,507
He walked me through how
they would set up a man hunt.
320
00:13:55,574 --> 00:13:59,977
All the elements of our script
that I understood cinematically,
321
00:14:00,045 --> 00:14:01,879
but I really didn't understand
the reality of,
322
00:14:01,947 --> 00:14:03,713
the FBI was able
to kind of take me through.
323
00:14:03,781 --> 00:14:05,115
I have an address.
324
00:14:05,183 --> 00:14:07,417
Tetersburg is too close.
He'd never risk it.
325
00:14:07,452 --> 00:14:08,619
Unless they're hiding
under our nose.
326
00:14:10,021 --> 00:14:11,388
Go. Take Weston...
327
00:14:12,657 --> 00:14:14,291
And Ryan.
328
00:14:14,359 --> 00:14:17,994
Call ahead. Have the local
authorities meet you there.
329
00:14:18,062 --> 00:14:19,328
Every time we have a question,
330
00:14:19,396 --> 00:14:20,696
I have a woman at the FBI.
331
00:14:20,764 --> 00:14:22,298
I just call up and go,
"Well, what about this?"
332
00:14:22,366 --> 00:14:24,467
And she'll go, "Yes,"
333
00:14:24,535 --> 00:14:25,968
or she'll go,
"I cannot answer that,
334
00:14:26,036 --> 00:14:27,703
but it sounds like
it might be right."
335
00:14:27,771 --> 00:14:31,207
I think what's really great
about the style of the show
336
00:14:31,275 --> 00:14:33,075
and what separates us
from other shows
337
00:14:33,143 --> 00:14:38,246
is that we're not going so far
into the world of fiction.
338
00:14:38,314 --> 00:14:40,582
We're sticking with,
this is what they really do
339
00:14:40,650 --> 00:14:43,151
and this is how
they would really operate,
340
00:14:43,219 --> 00:14:44,586
and they have to move
so quickly,
341
00:14:44,654 --> 00:14:46,688
figuring these things out,
342
00:14:46,755 --> 00:14:48,423
and that's the thing I learned
most about the FBI,
343
00:14:48,491 --> 00:14:49,457
is they're human.
344
00:14:49,525 --> 00:14:50,659
They're not superheroes.
345
00:14:50,726 --> 00:14:52,159
They have to deal with
346
00:14:52,160 --> 00:14:54,460
real life challenges and
decisions on the fly.
347
00:14:54,529 --> 00:14:56,029
I came alone, Joe.
348
00:14:56,130 --> 00:14:57,731
Isn't that what you wanted?
349
00:14:59,867 --> 00:15:02,536
[Woman, crying]
No. No!
350
00:15:02,604 --> 00:15:04,471
No!
351
00:15:04,539 --> 00:15:07,273
[Bacon] I think the show needs
to be as realistic as possible
352
00:15:07,341 --> 00:15:09,542
because that's
what makes it scary.
353
00:15:09,610 --> 00:15:12,712
It's not zombies.
It's not aliens.
354
00:15:12,779 --> 00:15:15,014
It's not vampires.
355
00:15:15,082 --> 00:15:17,817
It's a gritty, gritty,
kind of real show.
356
00:15:21,522 --> 00:15:22,655
Hello, Ryan.
357
00:15:22,723 --> 00:15:24,956
The show, to me,
I want it to feel real
358
00:15:25,024 --> 00:15:26,825
and I want it
to feel cinematic,
359
00:15:26,892 --> 00:15:28,360
and so we have Marcos Siega,
360
00:15:28,428 --> 00:15:29,428
who I've worked
with in the past
361
00:15:29,495 --> 00:15:31,162
and he's this wonderful director
362
00:15:31,197 --> 00:15:32,764
Marcos has done a wonderful job
363
00:15:32,832 --> 00:15:35,400
of sort of creating
this handheld visual,
364
00:15:35,468 --> 00:15:37,102
sort of a,
everything's unsettling.
365
00:15:37,169 --> 00:15:38,470
And action!
366
00:15:40,372 --> 00:15:41,905
Go around back!
Cover back!
367
00:15:41,973 --> 00:15:43,608
So even when you think
the camera's not moving,
368
00:15:43,675 --> 00:15:44,942
it really is,
369
00:15:44,976 --> 00:15:46,777
and there's this sort
of ever-present heartbeat
370
00:15:46,845 --> 00:15:48,412
going on throughout
the entire series,
371
00:15:48,480 --> 00:15:49,680
even in the most still moments,
372
00:15:49,748 --> 00:15:51,115
and I think that's sort of,
373
00:15:51,182 --> 00:15:52,350
that was sort of
Marco's design,
374
00:15:52,417 --> 00:15:53,917
which I thought
was quite wonderful.
375
00:15:53,952 --> 00:15:56,353
[Bang] Don't shoot. I'm unarmed.
376
00:15:56,354 --> 00:15:59,188
[Man] It's you.
We've been waiting for you.
377
00:15:59,257 --> 00:16:01,924
[Man #2] Keep them out!
Keep everybody out!
378
00:16:01,992 --> 00:16:04,060
Get back. Everyone back.
Get back.
379
00:16:04,128 --> 00:16:06,730
It's a style
that is very fluid.
380
00:16:06,797 --> 00:16:10,700
It doesn't require
a lot of specific lighting.
381
00:16:10,768 --> 00:16:11,967
There's no big dolly moves.
382
00:16:12,034 --> 00:16:13,302
It's handheld.
It's organic.
383
00:16:13,370 --> 00:16:14,703
I want it to be creepy
384
00:16:14,771 --> 00:16:16,138
and mysterious
385
00:16:16,205 --> 00:16:17,673
and not to know
386
00:16:17,741 --> 00:16:19,808
what's coming around
every corner,
387
00:16:19,842 --> 00:16:21,310
and that direction
came from Marcos
388
00:16:21,378 --> 00:16:22,844
and from Kevin,
389
00:16:22,912 --> 00:16:25,981
talking about that it was
going to be dark and moody.
390
00:16:26,048 --> 00:16:27,382
Where is she?
How did she get out here?
391
00:16:27,449 --> 00:16:28,716
I don't know.
392
00:16:28,784 --> 00:16:32,253
I think that the look
of it is fantastic.
393
00:16:32,321 --> 00:16:35,623
It's edgy and dark.
394
00:16:35,691 --> 00:16:36,658
[Ballinger-Gardner]
I feel like this show
395
00:16:36,725 --> 00:16:37,892
has more in common with films
396
00:16:37,959 --> 00:16:39,960
than I do some
television shows.
397
00:16:40,028 --> 00:16:42,163
It just has that sort of raw,
gritty--
398
00:16:42,230 --> 00:16:44,798
it's handheld,
so it moves very fast.
399
00:16:44,865 --> 00:16:47,768
[Kevin Williamson]
I would liken it to 24 if I could.
400
00:16:47,835 --> 00:16:49,002
What I liked about 24
401
00:16:49,069 --> 00:16:51,037
was it was that sort of
nail-biting thriller,
402
00:16:51,105 --> 00:16:53,273
that every single week you felt
like you were getting this movie.
403
00:16:53,341 --> 00:16:54,841
[Parisse]
It's that kind of storytelling,
404
00:16:54,909 --> 00:16:56,476
where you almost can't keep up.
405
00:16:56,544 --> 00:16:58,845
When you have so much
happening in every episode,
406
00:16:58,913 --> 00:17:00,813
you're sort of just
digesting one piece
407
00:17:00,880 --> 00:17:03,549
when you're being
taken over to the next thing.
408
00:17:03,617 --> 00:17:06,251
[Sighs] Get the lights.
409
00:17:06,320 --> 00:17:07,986
Get the lights!
410
00:17:08,054 --> 00:17:09,789
[Bacon] It's just really
exciting for an audience.
411
00:17:09,856 --> 00:17:12,891
My dream is that people
will come into work
412
00:17:12,959 --> 00:17:14,193
on Tuesday morning
413
00:17:14,260 --> 00:17:18,262
and stand around
the water cooler and say,
414
00:17:18,331 --> 00:17:19,764
"Could you believe
what happened last night?"
415
00:17:31,041 --> 00:17:32,541
One of the things I like most
about this show
416
00:17:32,609 --> 00:17:34,043
is that I don't think
417
00:17:34,111 --> 00:17:36,011
there's a lot on network
television quite like this,
418
00:17:36,079 --> 00:17:37,279
or even on cable.
419
00:17:37,347 --> 00:17:39,047
As a writer, you sit down and
you try to come up
420
00:17:39,115 --> 00:17:40,548
with something
you haven't seen before,
421
00:17:40,583 --> 00:17:42,217
and we've all seen scary shows.
422
00:17:42,285 --> 00:17:43,685
We've all seen murder stories.
423
00:17:43,752 --> 00:17:46,855
We've all seen crime,
serial-killer type shows,
424
00:17:46,922 --> 00:17:49,791
but I just wanted to sort
of do my version of it.
425
00:17:49,859 --> 00:17:51,960
I want to do
sort of a cable show
426
00:17:52,027 --> 00:17:53,361
on network television.
427
00:17:53,428 --> 00:17:55,062
I want to do the world's
scariest show,
428
00:17:55,130 --> 00:17:57,531
but I also want it to be
emotional and intense
429
00:17:57,599 --> 00:17:59,400
and dramatic.
430
00:18:00,602 --> 00:18:02,269
Sorry, didn't mean
to scare you.
431
00:18:02,337 --> 00:18:04,638
In order to make
the stakes high,
432
00:18:04,706 --> 00:18:05,639
people die--
433
00:18:05,707 --> 00:18:07,908
people that you see,
434
00:18:07,976 --> 00:18:09,275
people that you grow
attached to,
435
00:18:09,343 --> 00:18:10,776
people you don't like so well.
436
00:18:10,844 --> 00:18:12,078
No one is safe on this show.
437
00:18:12,146 --> 00:18:13,346
They could all die
at any moment.
438
00:18:13,414 --> 00:18:14,981
With somebody writing
like that,
439
00:18:15,049 --> 00:18:18,951
it just feels
that much more lifelike
440
00:18:19,020 --> 00:18:20,520
and also that much
more terrifying
441
00:18:20,587 --> 00:18:23,789
because you truly can't
count on what's coming next.
442
00:18:27,293 --> 00:18:30,396
You shouldn't be here.
You know you're going to die.
443
00:18:30,463 --> 00:18:32,531
I hope people are continued
to be surprise,
444
00:18:32,598 --> 00:18:33,865
not just by the fear element,
445
00:18:33,933 --> 00:18:36,301
but by the twists and turns
446
00:18:36,369 --> 00:18:37,536
that the characters take,
447
00:18:37,603 --> 00:18:39,004
and the growth
of the characters.
448
00:18:39,072 --> 00:18:40,804
You should get some sleep.
449
00:18:40,906 --> 00:18:42,340
Don't go.
450
00:18:44,243 --> 00:18:46,344
I don't trust anyone but you.
451
00:18:46,412 --> 00:18:47,845
This show feels very immediate,
452
00:18:47,913 --> 00:18:49,280
very scary, very real.
453
00:18:49,348 --> 00:18:50,748
You never know
what's going to happen.
454
00:18:50,815 --> 00:18:52,116
You never know who's safe.
455
00:18:52,184 --> 00:18:53,484
You never know
who's going to go next.
456
00:18:53,552 --> 00:18:56,353
You never know
who could be the bad guy.
457
00:18:56,421 --> 00:18:57,754
[Weston]
There's been a new development.
458
00:18:57,821 --> 00:18:59,756
Three bodies were found
murdered in the last six hours.
459
00:18:59,823 --> 00:19:03,193
It's just kind of a chilling,
you know, idea
460
00:19:03,261 --> 00:19:06,829
that anybody at any moment
461
00:19:06,897 --> 00:19:12,134
in any part of your
professional or personal life.
462
00:19:12,202 --> 00:19:13,669
He could've gotten to them,
463
00:19:13,736 --> 00:19:16,405
and they could be
part of his cult.
464
00:19:16,473 --> 00:19:18,174
I've never seen a show like
this on prime time.
465
00:19:18,208 --> 00:19:19,908
It looks like a movie,
466
00:19:19,976 --> 00:19:24,846
and it has a sort of a sense
of dread and reality about it.
467
00:19:24,914 --> 00:19:26,048
It gets under your skin
468
00:19:26,116 --> 00:19:28,250
in a deep and disturbing way.
469
00:19:28,318 --> 00:19:30,018
[Parker] He's conditioned them.
470
00:19:31,921 --> 00:19:35,690
The only way to truly live
is to kill.
471
00:19:35,757 --> 00:19:36,958
I think, week after week
472
00:19:37,025 --> 00:19:39,927
the fans are going to get
a really amazing ride.
473
00:19:39,995 --> 00:19:42,897
It's going to be
a fast-paced thriller.
474
00:19:42,965 --> 00:19:45,733
[Bacon] I think there's
always going to be surprises.
475
00:19:45,801 --> 00:19:47,469
I've read eight scripts,
476
00:19:47,536 --> 00:19:49,036
and every single time,
477
00:19:49,105 --> 00:19:51,272
as I'm going through,
478
00:19:51,340 --> 00:19:54,609
I go, "Whoa, I did not see
that coming".
479
00:19:54,676 --> 00:19:58,045
I didn't think that character was
going to go in that direction,
480
00:19:58,113 --> 00:20:01,048
or I didn't think that person
was going to die.
481
00:20:01,116 --> 00:20:03,651
And I think it's scary as hell.
482
00:20:03,719 --> 00:20:05,953
I mean, I think it's one of the
scariest things on television.
483
00:20:06,021 --> 00:20:07,554
What's my sequel about, Joe?
484
00:20:07,622 --> 00:20:09,656
It's going to be
a collaboration.
485
00:20:11,325 --> 00:20:12,926
We're going to write this
together, Ryan.
486
00:20:12,994 --> 00:20:14,961
Writing about murder and mayhem
is my happy place,
487
00:20:15,029 --> 00:20:16,930
but I'm getting to do this
now with Kevin Bacon
488
00:20:16,998 --> 00:20:18,431
and James Purefoy
and Annie Parisse
489
00:20:18,532 --> 00:20:20,000
and Shawn Ashmore
and Natalie Zea,
490
00:20:20,067 --> 00:20:22,002
so it's been very exciting
for me to be able to do this,
491
00:20:22,069 --> 00:20:24,937
and so I think,
if people give it a shot,
492
00:20:25,005 --> 00:20:26,338
they'll get
emotionally involved.
493
00:20:26,405 --> 00:20:28,907
This is merely the prologue.
This is just the beginning.
494
00:20:28,975 --> 00:20:31,309
I'm trying to infuse it
with great characters,
495
00:20:31,377 --> 00:20:33,946
great drama,
great relationships,
496
00:20:34,014 --> 00:20:39,317
all told under this umbrella
of a thrill ride every week.
497
00:20:39,385 --> 00:20:41,885
If this ends with anything
other than your death...
498
00:20:42,522 --> 00:20:44,356
you better plan on a rewrite.
499
00:20:46,299 --> 00:21:00,594
Sync and corrections by n17t01
www.addic7ed.com