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Previously on<i> Project Runway...</i>
glamorous enough to walk the

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You are to create a look that is

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runway with $30 million worth
of jewels.

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Wow.
I noticed that Kate was ahead

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of the game.
My work, next to hers, is gonna

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look like a dog turd.
This is sustainable you?

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Yeah.
We have to protect the forest

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to keep unicorns alive.
Timothy and I are competitive

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in my hometown.
He has quite an ego.

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You're shaking all over.

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What's the matter?
My construction is so awful.

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This is your strongest work
that I've seen.

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It's bizarre that you have
the racer-back in the front.

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It looks like a dress on
sale.

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The execution is very poor.
No matter how long it takes

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to learn, I'm just gonna keep
doing it.

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Kate, you are the winner of
this challenge.

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I'm sorry, Kahindo, that means
you're out.

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It was harsh, very harsh.
Fashion fans everywhere...

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Your favorite fashion show...
Is back on the runway...

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Where the best talent is
crowned...

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And cut.
You want style?

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You want talent?
You want drama?

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You got it!
Who do you want to win?

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You have a front-row seat...
For fashion's greatest show.

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This is<i> Project Runway.</i>

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<font color="#3399CC">Subtitles by </font><font color="ffffff">MemoryOnSmells</font>
<font color="#3399CC">http://UKsubtitles.ru.</font>

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Wakey-wakey.
Oh, my God.

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Aah! Oh, my God!
Ha!

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Aah!

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Are you ready for your next
challenge?

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Heidi Klum doesn't make house
calls.

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This has to be something big.
Yeah, we're gonna do a little

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trip today to Coney Island.
Oh, fun!

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We arrive at Coney Island,
and I've never been there

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before.
It's really kitsch, but I

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thought, this is gonna be really
fun, no matter what it is.

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Good morning, designers, and
welcome to the iconic Coney

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island boardwalk.

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It's fun, isn't it?
I'm thrilled to welcome Dave

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smetter, one of our friends at
yoplait frozen yogurt.

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Good morning, designers.
We at yoplait frozen yogurt are

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thrilled to be working with you.
We've heard you are a very

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talented group.
We're also excited to introduce

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you to our new frozen yogurt.
It's everything that you love

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about yoplait, now frozen.
And the yoplait frozen yogurt

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will, in a way, inspire the
theme for your next challenge.

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So, with this in mind, these
carts behind us are filled with

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yoplait frozen yogurt.
You're going to take them out on

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the boardwalk and give away
samples to the crowd, and you're

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going to ask them to give you
words to describe the

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experience.
You're going to write down these

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words and you're going to choose
three that will define the theme

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and direction of your design.
Now, if you've been counting,

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you've noticed that there are
seven carts, there are 14 of

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you, so this is your first team
challenge.

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You're going to be working in

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teams of two.
Right now, I'm having a lot

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of flashbacks.
Oh, I just don't want to work on

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a team.
I'm having so much fun just

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being me.
I don't want to have to

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compromise.
So, when I draw your name out

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of the button bag, you're going
to go to a cart.

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I don't want to work with
Timothy because there's some bad

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blood between us, and I just
don't enjoy his attitude or

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how he treats people.
First, we have Alexander.

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Oh, yay!
And your team member is

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Justin.
So, Alexander and Justin, go

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take a cart.
Next we have Kate, followed by

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Helen.
Yes!

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I think working with Kate

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will definitely be to my
advantage, which probably comes

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as a shocker.

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It better not be Kate, because
she's a total bitch and I'm

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pretty sure that we're gonna
clash.

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She knows the ropes, and we're

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both into eveningwear, and I
feel like we could really put,

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like, a bombshell down that
runway.

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Next is Jeremy...
Thank you.

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And Ken.
Okay.

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Next we have Sue and Sandro.

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I have a feeling that's gonna
be good match.

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Sometimes we have to be
separated, because he just makes

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me laugh.
He's a little over the top

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sometimes, but he's hysterical.
Next is bradon...

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And Karen.
Hey, hey.

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Let's do it, girly-girl.

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We then have dom and
Alexandria.

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Let's do this.
I'm a little upset that I got

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paired with him, but I'm just
going to play nice, and we're--

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We're gonna get through it.
Yes!

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I'm so excited to be teamed up
with Miranda.

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I feel like this is a moment for
us to come together.

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Like, let's do this.
You will have 15 minutes to

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hand out samples of the yoplait
frozen yogurt and receive your

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descriptive sensory words. All
right, everyone, find your tasters.

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How about you?

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What would you like?
Honey, please.

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I knew it.
Yeah, I'll try the raspberry.

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Would you like a bar or a
spoon?

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You want to try some cherry?
And as you're eating it, try

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to think of some descriptive
words.

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Creamy and luxurious.
Nice.

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Tangy.
That's a good one.

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Refreshing.
Refreshing.

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Fluffy.
Fluffy?

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Yeah, like the texture.
Wow, like a poodle?

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Divine.
Divine. Good one.

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Light, natural, refreshing.
Arousing.

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There you go.
I would say delightful.

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Happy.
Happy?

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The top word that I'm hearing
is that it's very playful,

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so immediately all these ideas
for some kind of playful and

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energetic garment come to mind.
Um, I'd say "temptuous."

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I like it.
Waves.

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White foam.
Raspberry town.

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Here's strawberry banana.
Raspberry town?

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I like it.
I want to go there.

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Yep.
I feel like they are giving,

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like, a lot of good options for
us to have as keywords for the

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next part of our challenge.
Did you have fun?

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Yes.
And did you get some great

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words?
Yeah.

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Wonderful.
Each team will create one look.

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Now, we are not going shopping
at mood for this challenge.

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Behind me is the famous Luna
park amusement park.

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You will be playing games,

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and the prizes you win will be
the materials that you will

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use for this challenge.
This is our second

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unconventional challenge, and
everybody knows I hate

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unconventional challenges.
You will be paying $100 with

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your GObank card.
This will give you unlimited

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access to everything in Luna
park.

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All right?
Your 30 minutes starts right

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now.
They're off.

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I'm a little worried, 'cause
you know how crappy those

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carnival toys look.

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Go!

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Yes!
I think this, actually.

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I'm thinking honey caramel.
As we go to the first booth in

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the fun fair, I immediately see
what the prizes are, and so,

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from a color perspective, we're
trying to be quite sophisticated

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and sexy.
It's almost like you pee in

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the restroom.
It's so intellectual.

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Just hit the hole and go
straight.

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Get in there!

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Look, I got another one.
We get another sombrero.

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Game of no skill.
Yeah.

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Kate and I have the strategy to
go straight for a more

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unconventional fabric,
so we go straight for the

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sombreros, and we're hoping to
win every single red one in

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there.
Blue duck!

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We got a winner, we got a
winner!

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Don't take blue color,
please!

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That's mine!
We are winning different

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shades of blue, mostly dolphins
and giant blue alien men.

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We've got to get the maximum
amount of material to work with.

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Keep going, keep going!

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Oh!

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This is the first time

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I'm working with any of these
materials.

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Oh, my goodness.
Like, this could be hell in a

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hand basket.
Give me five. Right on.

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Here you go.
Thank you.

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Thank you.
I mean, I've never won so

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many toys in my life.
Designers, we have five

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minutes remaining.
Have fun!

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I'm having fun.
I know I've been stressed out

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and crazy and bitchy, but I'd
rather be with you than anyone

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else, because I know we work...
Well together.

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Well together, yes.
Yeah.

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Aah!
Can we play?

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We want to win some unicorns.
The clouds have parted, and

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there's a unicorn, and I was
like, "Miranda, win, win, win,

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win, win, win, win!"

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Oh!
Yay! Sharpshooter!

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I won the unicorn!

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Oh, I'm so happy!
So, now the team has a mascot.

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Team Wisconsin, hell yeah!
It's going really well.

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I have another one!
Designers, time is up!

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Whoo!
We have, like, three bags full

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of carny prizes.
I feel like we did pretty dang

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good.
I have never seen anything

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like this.
This is absolutely phenomenal.

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Let's go!

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So, here, I'm gonna draw the,
uh...

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Let's see if it works.
Let's see if it works.

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Wow!
This is some packed room.

189
00:10:01,107 --> 00:10:03,442
Can I have everyone's attention
for a moment?

190
00:10:03,442 --> 00:10:06,984
You can design anything that you
want.

191
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As you know, your three words
are determining your theme, so

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you have until 11:00 tonight.
All right?

193
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Have fun.
This should be joyous.

194
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Thanks, Tim.
All right.

195
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Make it work, everyone.
All right, we're gonna need a

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fabric base.
Should we use the nude?

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00:10:24,107 --> 00:10:27,107
We already know that we want to
do, like, a structured corset,

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and we've got these amazing
sombreros that are gonna be

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perfect for that.
And we also got kites to use as

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boning.
So, we really want to do, like,

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a straight-front corset, and
then just start building on it

202
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and sculpting with these
sombreros.

203
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We have a green alien.
I think we should have

204
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something that sweeps up like
a wave around her neck.

205
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What you want to do with this
neck, and if we gonna put those

206
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things here, like you want,
it's speaking automatically,

207
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as a costume.
When I was sketching, we have

208
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two completely different visual
view about the dress.

209
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She like huge collar on the
back, she like mermaid look.

210
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To me, it kind of was like very
drag queen.

211
00:11:07,984 --> 00:11:09,817
What are we gonna make the
skirt out of, then?

212
00:11:09,817 --> 00:11:12,107
We have the alien.
So, the texturing is just

213
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sewn into it, or is it like a
pleat?

214
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These are actually all
connected, and it's really easy.

215
00:11:18,107 --> 00:11:20,442
It looks really complicated,
but it's really simple.

216
00:11:20,442 --> 00:11:26,107
The ultimate vision is having
a blue dress with a yellow

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jacket, and then there will be
the textile of the yellow over

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top of the skirt.
You know what?

219
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These eyeballs are really
calling me.

220
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Oh!
You know?

221
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And maybe we can even
incorporate some of this fur

222
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texture.
Yeah, I think our theme is

223
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yellow and blue.
We should kind of stick with

224
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that playful--
Swedish colors, yeah, cool.

225
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Oh, my God.
What's going on?

226
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See? This is what happens.
See--see the bottom?

227
00:11:48,107 --> 00:11:51,817
It's all loose.
Okay, take another one.

228
00:11:51,817 --> 00:11:53,817
We have no time.
No, I spent time threading

229
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this properly.
So, this is something missing

230
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here.
We have no time to fix it.

231
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Take another machine.
It's gonna take me a lot of

232
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time to restart another machine
with these threads, 'cause

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that's what I have to do.
I need the blue.

234
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Sandro and Sue are already,
like, at each other's throats,

235
00:12:06,609 --> 00:12:09,107
I mean, mostly because Sandro's
just being disrespectful.

236
00:12:09,107 --> 00:12:12,107
Don't touch it because you're
gonna do again some mistake.

237
00:12:12,107 --> 00:12:14,107
You're wasting your time on--
No, I'm not.

238
00:12:14,107 --> 00:12:16,107
No, no, I--can I finish?
I need someone to help me for

239
00:12:16,107 --> 00:12:17,817
30 seconds.
If you don't want to help me,

240
00:12:17,817 --> 00:12:19,108
that's fine.
Okay, how about take this

241
00:12:19,108 --> 00:12:23,275
bobbin, put it in other machine.
Working with Sandro is less

242
00:12:23,275 --> 00:12:26,107
fun than I expected.
I didn't give it a lot of

243
00:12:26,107 --> 00:12:28,631
thought, what it would be like
to work with him.

244
00:12:36,265 --> 00:12:38,265
We've just killed the cuddly

245
00:12:38,293 --> 00:12:40,293
toy.
This is like a horror movie.

246
00:12:40,293 --> 00:12:43,293
Let's write down their words.

247
00:12:43,293 --> 00:12:46,461
"Fruity surprise."
We are doing a team

248
00:12:46,461 --> 00:12:50,293
challenge.
We had to get people on the

249
00:12:50,293 --> 00:12:54,293
boardwalk to try yoplait frozen
yogurt and give us descriptor

250
00:12:54,293 --> 00:12:56,293
words.
Divine.

251
00:12:56,293 --> 00:12:59,003
Creamy and luxurious.
And that will be the theme of

252
00:12:59,003 --> 00:13:01,293
whatever we create.
We should write down our

253
00:13:01,293 --> 00:13:02,795
steps, right?
Yeah.

254
00:13:02,795 --> 00:13:06,003
So, we'll dissect the frogs.
The materials we're using for

255
00:13:06,003 --> 00:13:09,293
this challenge will actually
be coming from carnival game

256
00:13:09,293 --> 00:13:11,461
prizes.
How did I take that one apart

257
00:13:11,461 --> 00:13:14,293
completely differently?
This is gonna take forever.

258
00:13:14,293 --> 00:13:16,170
Yeah, let's not do that,
then.

259
00:13:16,170 --> 00:13:20,293
What the hell are we gonna
make out of this?

260
00:13:20,293 --> 00:13:23,795
I kind of feel like all I ever

261
00:13:23,795 --> 00:13:28,293
do is design clothes made from
toys, so I'm sort of, like, use

262
00:13:28,293 --> 00:13:29,461
materials the way I usually use
them.

263
00:13:29,461 --> 00:13:31,293
That sounds great.

264
00:13:31,293 --> 00:13:33,293
All right, I'm cutting his
arms off.

265
00:13:33,293 --> 00:13:35,293
Cut his head off, be gentle.
Sure?

266
00:13:35,293 --> 00:13:37,293
Just put him out of his
misery.

267
00:13:37,293 --> 00:13:39,628
Oh, my God, it's just like
your tattoo.

268
00:13:39,628 --> 00:13:42,293
Kate is pretty awesome off
the bat.

269
00:13:42,293 --> 00:13:45,628
I almost feel ashamed for having
said that she was a bitch,

270
00:13:45,628 --> 00:13:49,293
because her and I have a lot in
common, and hopefully I can

271
00:13:49,293 --> 00:13:51,293
learn from her.

272
00:13:51,293 --> 00:13:53,293
You see his mouth, this

273
00:13:53,293 --> 00:13:55,293
character?
So, we can use the red and make

274
00:13:55,293 --> 00:13:58,003
little teeth.
We are gutting one-eyed monsters

275
00:13:58,003 --> 00:14:01,293
and frogs left and right, making
a sweater dress with a character

276
00:14:01,293 --> 00:14:04,293
on it.
Dom has a strong taste level, so

277
00:14:04,293 --> 00:14:06,003
I think we'll nail it with this
one.

278
00:14:06,003 --> 00:14:07,293
I don't want a cocktail
regular dress.

279
00:14:07,293 --> 00:14:09,293
This is boring, this is no way.
I'm just showing the form.

280
00:14:09,293 --> 00:14:11,293
Yeah.
It should be, like, that way.

281
00:14:11,293 --> 00:14:13,293
So, this--this is what I
would like for the front, and

282
00:14:13,293 --> 00:14:16,628
then it drops down to the back.
Whatever, please.

283
00:14:16,628 --> 00:14:20,293
I just--I just--just thinking
right now, this is gonna be

284
00:14:20,293 --> 00:14:22,293
[bleep] pain in ass.
Right.

285
00:14:22,293 --> 00:14:26,293
Sandro doesn't compromise
well, and in a team challenge,

286
00:14:26,293 --> 00:14:30,293
you really need to be able to
put your own ideas into the pot

287
00:14:30,293 --> 00:14:32,795
and kind of mix it with other
people's thoughts.

288
00:14:32,795 --> 00:14:35,293
Do you feel like you guys are
working well together?

289
00:14:35,293 --> 00:14:37,293
If we both let each other do
what we're both strong at,

290
00:14:37,293 --> 00:14:39,294
then we'll be fine, but it
could be more fun.

291
00:14:39,294 --> 00:14:42,293
So, this will be blue...
Mm-hmm.

292
00:14:42,293 --> 00:14:45,293
And this will be this?
I think Justin and I complement

293
00:14:45,293 --> 00:14:47,795
each other pretty well.
We're color-blocking the bra

294
00:14:47,795 --> 00:14:50,795
top, and then we have a skirt,
which I think is cute.

295
00:14:50,795 --> 00:14:53,293
We just hope it works.
I love the idea of

296
00:14:53,293 --> 00:14:55,293
continuing--
The shape?

297
00:14:55,293 --> 00:14:57,293
Continuing the shape and
figuring out how to work that

298
00:14:57,293 --> 00:14:59,293
into whatever the collar or
the lapel shape is.

299
00:14:59,293 --> 00:15:01,293
Okay.
I think Miranda is in

300
00:15:01,293 --> 00:15:04,294
trouble.
Timothy is drama.

301
00:15:04,294 --> 00:15:08,293
He's got some crazy ideas, and
he needs to go back to school.

302
00:15:08,293 --> 00:15:11,293
It will be awesome and it
will be Fluffy.

303
00:15:11,293 --> 00:15:13,293
What means "Fluffy"?
Fluffy.

304
00:15:13,293 --> 00:15:15,293
To me it's just like, you
know, something gives me, like--

305
00:15:15,293 --> 00:15:18,170
Puffy, Fluffy.
Sexual meaning.

306
00:15:18,170 --> 00:15:25,293
Whatever.

307
00:15:25,293 --> 00:15:27,293
Are you guys gonna cut up
your unicorn?

308
00:15:27,293 --> 00:15:29,293
No!
We're gonna throw some

309
00:15:29,293 --> 00:15:31,293
eyelashes on him.
Can your model ride the

310
00:15:31,293 --> 00:15:34,293
unicorn down the runway?
Yes!

311
00:15:34,293 --> 00:15:37,293
I would just like to go on
record saying that unicorns are

312
00:15:37,293 --> 00:15:41,293
not horses with horns.
Unicorns are actually cloven

313
00:15:41,293 --> 00:15:43,293
hoofed.
They're more closely related to

314
00:15:43,293 --> 00:15:46,293
a hippopotamus than a horse.
None of the sparkly glitter,

315
00:15:46,293 --> 00:15:50,003
horse with a horn B.S.
it's none of that.

316
00:15:50,003 --> 00:15:52,293
I could just piece them.
Yeah.

317
00:15:52,293 --> 00:15:53,294
You feel me?
Helen was in the bottom for

318
00:15:53,294 --> 00:15:56,293
the last challenge, but I'm not
concerned.

319
00:15:56,293 --> 00:15:59,293
I've got the construction down,
and she can help me make it a

320
00:15:59,293 --> 00:16:03,293
little sexy, make it a little
edgy and modern.

321
00:16:08,795 --> 00:16:11,293
We need a lint brush.
A lint brush?

322
00:16:11,293 --> 00:16:14,293
We need a vacuumed room.
This is out of control.

323
00:16:14,293 --> 00:16:16,293
We could do, like, gills.
You know what gills are?

324
00:16:16,293 --> 00:16:18,003
For a fish to breathe?
You know what I mean?

325
00:16:18,003 --> 00:16:20,293
Pain in the ass.
I'm just telling you, Sue.

326
00:16:20,293 --> 00:16:23,293
So, I'm feeling pretty
frustrated and exasperated

327
00:16:23,293 --> 00:16:25,293
right at the moment.
It's not the silhouette that I

328
00:16:25,293 --> 00:16:27,293
wanted, it's not the silhouette
that I designed in the

329
00:16:27,293 --> 00:16:29,461
beginning, so it doesn't
correspond as much with the

330
00:16:29,461 --> 00:16:32,293
three words as I had wished.
There's part of me that wants

331
00:16:32,293 --> 00:16:34,293
to just still make a pant,
'cause if we line it with

332
00:16:34,293 --> 00:16:36,293
muslin--
We'll think about it.

333
00:16:36,293 --> 00:16:37,461
Yeah, think about it.
I'll be right back.

334
00:16:37,461 --> 00:16:42,293
Cool.
I believe in what we're working

335
00:16:42,293 --> 00:16:45,293
on, but there's the other half
of me that's like, I want to

336
00:16:45,293 --> 00:16:50,293
turn my piece into something
really exquisite, so start over.

337
00:16:50,293 --> 00:16:54,293
You know, like, chainsaw to the

338
00:16:54,293 --> 00:16:58,293
dress and move on to something
else.

339
00:16:58,293 --> 00:17:03,293
I left, and it looks like
Timothy redesigned everything.

340
00:17:03,293 --> 00:17:07,293
Aw...
I left the workroom for just

341
00:17:07,293 --> 00:17:10,795
a second, and when I came back,
Timothy had resketched something

342
00:17:10,795 --> 00:17:13,294
else and changed his mind of
what we were going to do after

343
00:17:13,294 --> 00:17:16,293
I already patterned everything.
You know, I-I'm like, "okay,

344
00:17:16,293 --> 00:17:18,628
I'm gonna--I'm gonna work with
you here, and we're gonna make

345
00:17:18,628 --> 00:17:20,628
this happen," and then he starts
acting like he's, like, way

346
00:17:20,628 --> 00:17:23,293
better than me.
Take him and say, like,

347
00:17:23,293 --> 00:17:26,293
"if you're gonna keep doing
your attitude and I gonna stay

348
00:17:26,293 --> 00:17:28,293
in my position, we're both
gonna kick out."

349
00:17:28,293 --> 00:17:32,293
I'm just pissed that he's
even here.

350
00:17:34,293 --> 00:17:37,293
Good heavens!
I've never seen so much flotsam

351
00:17:37,293 --> 00:17:41,293
and jetsam in my entire life!
So, how are you gentlemen coping

352
00:17:41,293 --> 00:17:43,293
with this mess?
It's like road kill.

353
00:17:43,293 --> 00:17:45,293
Do you want to start with the
sketch?

354
00:17:45,293 --> 00:17:47,293
Yeah, so, we have a pair of
pants, a bustier, and a fake

355
00:17:47,293 --> 00:17:49,293
fur jacket.
How are you treating the

356
00:17:49,293 --> 00:17:51,293
pant?
Blue vinyl.

357
00:17:51,293 --> 00:17:53,293
Now that you've told me how
you're using these...

358
00:17:53,293 --> 00:17:55,294
Yeah.
I'm nothing but supportive.

359
00:17:55,294 --> 00:17:58,293
Alexandria, dom.
Our intention was to go more,

360
00:17:58,293 --> 00:18:01,293
like, Japanese street culture.
We were giving a nod to the

361
00:18:01,293 --> 00:18:03,293
actual material that we were
using, 'cause they are stuffed

362
00:18:03,293 --> 00:18:05,293
characters.
So, you want it to look like

363
00:18:05,293 --> 00:18:07,293
eyes and a mouth.
Yeah.

364
00:18:07,293 --> 00:18:09,293
Okay.
Dom and Alexandria's look

365
00:18:09,293 --> 00:18:11,293
looks like a 14-year-old would
wear it.

366
00:18:11,293 --> 00:18:13,293
And then she's gonna have,
like, a cute little blue mini

367
00:18:13,293 --> 00:18:15,293
skirt.
It's all pieced, isn't it?

368
00:18:15,293 --> 00:18:17,293
I see it.
I see it all.

369
00:18:17,293 --> 00:18:19,293
Hey, Tim, how are you?
So, what are you creating?

370
00:18:19,293 --> 00:18:22,293
Basically a two-piece bodice
and skirt.

371
00:18:22,293 --> 00:18:25,293
It's--I--it's pretty young.
How young?

372
00:18:25,293 --> 00:18:29,293
I--borderline junior, I
think.

373
00:18:35,293 --> 00:18:38,293
It got me scared.
What do you think?

374
00:18:38,293 --> 00:18:42,293
Is it too young and too girly?
Can you add another piece to

375
00:18:42,293 --> 00:18:46,293
this without making it silly?
Okay.

376
00:18:46,293 --> 00:18:48,293
Karen and bradon.
So, basically, we're doing

377
00:18:48,293 --> 00:18:50,294
something more organic.
Here you are with this one

378
00:18:50,294 --> 00:18:53,293
shoulder, and then turn it
around and look like--

379
00:18:53,293 --> 00:18:55,293
It sort of swirls and grows
into the next thing.

380
00:18:55,293 --> 00:18:57,293
Yeah.
Well, no one else in this

381
00:18:57,293 --> 00:18:59,293
room is doing anything even
remotely like this.

382
00:18:59,293 --> 00:19:03,293
Right.
I do like Irish and Karen's

383
00:19:03,293 --> 00:19:05,461
look very much.
Next challenge, if I have a

384
00:19:05,461 --> 00:19:08,461
chance, I would like to use that
kind of technique.

385
00:19:08,461 --> 00:19:11,795
You're leading me and my
imagination...

386
00:19:11,795 --> 00:19:14,293
Oh, that's awesome.
And I find that to be very

387
00:19:14,293 --> 00:19:16,293
exciting.
Sue.

388
00:19:16,293 --> 00:19:18,293
Tim.
Sandro, how are you doing?

389
00:19:18,293 --> 00:19:20,293
We get along, when we're not
working together,

390
00:19:20,293 --> 00:19:24,293
fantastically.
Sandro has beautifully,

391
00:19:24,293 --> 00:19:26,293
carefully constructed the bodice
part.

392
00:19:26,293 --> 00:19:29,293
I will be attaching a skirt.
We might have some sort of a--

393
00:19:29,293 --> 00:19:31,293
This doesn't work.
Just forget it.

394
00:19:31,293 --> 00:19:34,293
This look doesn't work.
I really don't want

395
00:19:34,293 --> 00:19:37,293
confrontation at this moment.
We just have to get it done.

396
00:19:37,293 --> 00:19:41,293
And also, uh, Sue says about
the story with the neck, I'm

397
00:19:41,293 --> 00:19:45,293
a little bit concerned.
I just know how the...I deal

398
00:19:45,293 --> 00:19:47,293
with Zac Posen.
He gonna again say,

399
00:19:47,293 --> 00:19:49,293
like, "it's too much.
That's too much, that's--"

400
00:19:49,293 --> 00:19:52,003
This why I don't wanna put Sue,
on that situation, her name.

401
00:19:52,003 --> 00:19:54,293
Sandro feels like Zac is
kind of out to get him or

402
00:19:54,293 --> 00:19:58,293
against him, so I think he's
just getting lost and

403
00:19:58,293 --> 00:20:00,293
frustrated.
What's your idea?

404
00:20:00,293 --> 00:20:03,003
My idea, a neck that would
frame the neck and the face.

405
00:20:03,003 --> 00:20:04,293
Mm-hmm.
Really keeping the line,

406
00:20:04,293 --> 00:20:06,293
just--whew--and the body coming
down like this.

407
00:20:06,293 --> 00:20:08,293
If that's the case, then work
on this.

408
00:20:08,293 --> 00:20:10,293
Do you want, like, like a
futuristic, like, Gaga [bleep]

409
00:20:10,293 --> 00:20:13,293
And stuff like that?
Sandro is being very

410
00:20:13,293 --> 00:20:16,293
unprofessional and completely
out of line.

411
00:20:16,293 --> 00:20:20,293
I don't give a [bleep],
actually, you know what?

412
00:20:20,293 --> 00:20:22,294
I just shouldn't say
anything, 'cause I don't want to

413
00:20:22,294 --> 00:20:24,986
[bleep] kill someone and have
their head on a platter.

414
00:20:31,407 --> 00:20:32,597
You know what?

415
00:20:33,270 --> 00:20:34,670
You're not gonna be up there
alone.

416
00:20:34,732 --> 00:20:36,100
You're gonna be up there
together.

417
00:20:36,137 --> 00:20:37,969
You're a team.
The judges aren't going to

418
00:20:37,969 --> 00:20:41,969
single you out and say, "Sandro,
you did 'x,' 'y,' and 'z.'"

419
00:20:41,969 --> 00:20:43,970
it's like, "well, Sue and I did
this together."

420
00:20:43,970 --> 00:20:45,970
I got it.
Yeah.

421
00:20:45,970 --> 00:20:47,970
So we both respond.
You're both responsible,

422
00:20:47,970 --> 00:20:49,969
yeah.
Thank you very much.

423
00:20:49,969 --> 00:20:51,969
All right, go back to work.
Thank you, Tim.

424
00:20:51,969 --> 00:20:53,969
Hello, there.
Hi, Kate. Hi, Helen.

425
00:20:53,969 --> 00:20:56,969
Right now, we're creating a
really structured bodice that's

426
00:20:56,969 --> 00:21:00,969
going to basically function as
the sinful aspect.

427
00:21:00,969 --> 00:21:03,969
There's gonna be a high,
sculpted shoulder.

428
00:21:03,969 --> 00:21:07,969
If this captures your eye,
do you really need the eye to

429
00:21:07,969 --> 00:21:09,969
then go up here too?
No, we don't want it to, but,

430
00:21:09,969 --> 00:21:11,969
like, the shoulders--
I think it would look much

431
00:21:11,969 --> 00:21:12,970
nicer strapless.
I do too.

432
00:21:12,970 --> 00:21:14,969
Yes.
Yeah.

433
00:21:14,969 --> 00:21:16,969
Hi.
How are you?

434
00:21:16,969 --> 00:21:19,679
So he kind of mentioned that
he wants to do this textile.

435
00:21:19,679 --> 00:21:21,969
I wanted to do this and, uh,
so this is a process that I

436
00:21:21,969 --> 00:21:23,969
invented--sorry.
No, go ahead, go ahead.

437
00:21:23,969 --> 00:21:26,846
No, you were doing great.
No, I was just gonna say, so

438
00:21:26,846 --> 00:21:30,969
then I kind of came up with
doing a jacket design and a fun

439
00:21:30,969 --> 00:21:33,969
"a"-line dress.
But, you know, it looks very

440
00:21:33,969 --> 00:21:37,969
hospital gowny.
Don't you think?

441
00:21:37,969 --> 00:21:47,969
Hmm, no.
I feel--I don't even know the

442
00:21:47,969 --> 00:21:57,846
word--exhausted and let down and
kind of...Frustrated.

443
00:21:57,846 --> 00:21:59,969
Look, I care about the two of
you too much not to just be

444
00:21:59,969 --> 00:22:01,969
blunt.
Yeah, no.

445
00:22:01,969 --> 00:22:06,969
It's looking so Disney when it's

446
00:22:06,969 --> 00:22:09,969
flat like this.
I think it's the flat that

447
00:22:09,969 --> 00:22:13,137
bothers me so much.
You just don't want it to look

448
00:22:13,137 --> 00:22:18,969
like a craft project, like happy
hands at home.

449
00:22:18,969 --> 00:22:20,679
You have a lot of work to do.
Yeah.

450
00:22:20,679 --> 00:22:22,969
Okay.
Thank you so much.

451
00:22:22,969 --> 00:22:28,969
Timothy and Miranda, it's
just not a good pairing.

452
00:22:28,969 --> 00:22:31,137
I feel sorry for them both.
I don't know what's gonna

453
00:22:31,137 --> 00:22:36,969
happen.
If we did this in the blue,

454
00:22:36,969 --> 00:22:39,969
and it was just the blue, is
this texturing it with the blue

455
00:22:39,969 --> 00:22:46,969
behind it?
After the critique, she just

456
00:22:46,969 --> 00:22:50,969
completely casts off.
Like, just because he gives us a

457
00:22:50,969 --> 00:22:53,969
negative critique doesn't mean
that our project is bad.

458
00:22:53,969 --> 00:22:57,679
I'll be right back.

459
00:22:57,679 --> 00:23:08,304
So, this is Miranda.

460
00:23:08,304 --> 00:23:10,969
This is Sophie.
Miranda, nice to meet you.

461
00:23:10,969 --> 00:23:13,969
Oh, my God, I absolutely
adore you.

462
00:23:13,969 --> 00:23:16,969
I'm just--I'm really lucky that
Sophie kind of accidentally

463
00:23:16,969 --> 00:23:19,969
walked into my life, because
she just gave me the hugging and

464
00:23:19,969 --> 00:23:21,969
encouragement that I really
needed.

465
00:23:21,969 --> 00:23:23,969
Sophie's great!
Yay.

466
00:23:23,969 --> 00:23:28,679
She absolutely understands me,
and she hands me a card.

467
00:23:28,679 --> 00:23:30,969
Thank you so much.
Of course.

468
00:23:30,969 --> 00:23:32,969
I feel like this is a moment
for us to come together.

469
00:23:32,969 --> 00:23:36,969
Like, let's do this.
Like, Miranda, trust me, please.

470
00:23:36,969 --> 00:23:39,969
We can totally do this.
It looks like a good shape.

471
00:23:39,969 --> 00:23:41,969
We just got a critique from
Tim and he said it was a Disney

472
00:23:41,969 --> 00:23:43,969
dress.
Miranda is definitely dealing

473
00:23:43,969 --> 00:23:48,137
with a lot, and it's really
coming out in her work ethic.

474
00:23:48,137 --> 00:23:50,846
She's letting it affect her a
lot more than I think she wants

475
00:23:50,846 --> 00:23:51,969
to.
Like, these seams are gonna

476
00:23:51,969 --> 00:23:53,970
be crooked.
You should have cut one of them

477
00:23:53,970 --> 00:23:56,969
longer than the other.
Otherwise, this is gonna be--

478
00:23:56,969 --> 00:24:00,137
Oh, no, the strap--no, the--
this strap is continuing down

479
00:24:00,137 --> 00:24:06,969
the back, remember?
What's--what's going on?

480
00:24:06,969 --> 00:24:08,969
I think it's gonna look
silly.

481
00:24:08,969 --> 00:24:10,679
I thought we agreed on that
before.

482
00:24:10,679 --> 00:24:12,969
It's gonna look like a
friggin' landing strip on her

483
00:24:12,969 --> 00:24:14,969
ass.
Okay, okay, okay.

484
00:24:14,969 --> 00:24:17,969
It's hard being a part of a team
when only half of the team

485
00:24:17,969 --> 00:24:22,969
believes in it.
I don't know.

486
00:24:22,969 --> 00:24:24,969
Can you see it, Helen, in the
mirror?

487
00:24:24,969 --> 00:24:27,969
Oh, my God.
Yeah, it looks really good.

488
00:24:27,969 --> 00:24:31,969
Helen and I are getting along
splendidly, and we're like,

489
00:24:31,969 --> 00:24:33,969
"do you like this?"
"Oh, my God, that looks so

490
00:24:33,969 --> 00:24:35,969
good."
It's like, I wasn't in a

491
00:24:35,969 --> 00:24:37,969
sorority, but I can imagine this
is probably what a sorority

492
00:24:37,969 --> 00:24:40,969
sounds like.
Some other teams in the room are

493
00:24:40,969 --> 00:24:43,137
not having this little love
fest.

494
00:24:43,137 --> 00:24:45,969
Why you cut it, this fabric?
Take off the stitch, like rip.

495
00:24:45,969 --> 00:24:48,471
I did, but now there's holes.
What you gonna do, you gonna

496
00:24:48,471 --> 00:24:52,679
take that other plastic skin
and make me straight pieces like

497
00:24:52,679 --> 00:24:53,970
that.
Yeah, like I started.

498
00:24:53,970 --> 00:24:55,969
Okay.
Even--uh, uh, actually, you

499
00:24:55,969 --> 00:24:57,969
know what?
Let me show you.

500
00:24:57,969 --> 00:24:59,969
Yeah, I already started.
No, no, no, no, no, no, no.

501
00:24:59,969 --> 00:25:01,679
I already hear how you
understand.

502
00:25:01,679 --> 00:25:03,846
You don't [bleep] understand.
Don't talk to me like that,

503
00:25:03,846 --> 00:25:05,969
man.
Six hours to do your [bleep]

504
00:25:05,969 --> 00:25:07,969
Technique on the plastic, and
it's like, come on.

505
00:25:07,969 --> 00:25:10,304
I just gonna stitch, like, here.
Here.

506
00:25:10,304 --> 00:25:11,969
Okay.
Cocktail [bleep] dress.

507
00:25:11,969 --> 00:25:14,137
You don't want me to do this
by hand or cut this out?

508
00:25:14,137 --> 00:25:16,969
No [bleep] time for by hand.
That's all what I need from you.

509
00:25:16,969 --> 00:25:18,846
Done.
Okay, so I'll bring all this

510
00:25:18,846 --> 00:25:20,137
to you now.

511
00:25:20,137 --> 00:25:24,969
You know what Tim Gunn said

512
00:25:24,969 --> 00:25:26,969
about our dress?
What?

513
00:25:26,969 --> 00:25:28,969
That it looks like a Disney
princess and a hospital gown.

514
00:25:28,969 --> 00:25:32,969
I know.

515
00:25:32,969 --> 00:25:35,846
Whoo!
But, uh, Timothy doesn't want

516
00:25:35,846 --> 00:25:37,969
me to do another pencil skirt,
'cause he doesn't want me to get

517
00:25:37,969 --> 00:25:41,137
into trouble and lose.
He also wanted to put a yellow

518
00:25:41,137 --> 00:25:44,969
runway strip down her ass.

519
00:25:44,969 --> 00:25:47,304
Yellow strip.
See?

520
00:25:47,304 --> 00:25:49,969
When I don't cry, I'm mean.
I think Timothy is just making

521
00:25:49,969 --> 00:25:52,969
me nuts, so I'm just going nuts.

522
00:25:52,969 --> 00:25:58,969
I'm tired of being upset and,
like, crying about him...

523
00:25:58,969 --> 00:26:01,969
So now I'm just gonna be mean.
I walk into the workroom, and

524
00:26:01,969 --> 00:26:07,969
Miranda is just going off.

525
00:26:07,969 --> 00:26:10,969
Don't instigate.
You've done enough of that

526
00:26:10,969 --> 00:26:12,969
today.
Yeah, he already did.

527
00:26:12,969 --> 00:26:16,969
He instigated this [bleep].
I don't care.

528
00:26:16,969 --> 00:26:18,969
That's all right.
Maybe when I end up in the

529
00:26:18,969 --> 00:26:21,679
mental hospital, they'll let me
take this dress with me.

530
00:26:21,679 --> 00:26:23,304
You know that that's your time

531
00:26:23,304 --> 00:26:24,969
right now, right?

532
00:26:24,969 --> 00:26:27,969
Yeah, well, I might be
leaving tomorrow, so I may as

533
00:26:27,969 --> 00:26:29,969
well have fun, right?

534
00:26:29,969 --> 00:26:31,969
You wanted the mean Miranda,
you got it.

535
00:26:31,969 --> 00:26:40,679
I...

536
00:26:40,679 --> 00:26:43,304
I didn't come here for this.
Like, she keeps telling

537
00:26:43,304 --> 00:26:44,969
everyone like, "I know him so
well.

538
00:26:44,969 --> 00:26:46,969
I know his aesthetic, I know his
design, I know this, I know

539
00:26:46,969 --> 00:26:49,969
that."
If you know me so well, how dare

540
00:26:49,969 --> 00:26:52,969
you?
That's why [bleep] Timothy is

541
00:26:52,969 --> 00:26:54,969
here.
Eh?

542
00:26:54,969 --> 00:26:56,969
To piss me off.
Yeah, he's from my [bleep]

543
00:26:56,969 --> 00:26:58,969
Hometown.
He sucks.

544
00:26:58,969 --> 00:27:03,969
He's no good.
Miranda is in a bad spot.

545
00:27:03,969 --> 00:27:06,969
Timothy is neurotic.
He is a ticking time bomb.

546
00:27:06,969 --> 00:27:10,304
I don't know what to expect,
ever, from him.

547
00:27:10,304 --> 00:27:11,969
You want to know
something?

548
00:27:11,969 --> 00:27:14,969
I just can't do this anymore.
Don't--don't give up yet.

549
00:27:14,969 --> 00:27:16,969
Don't give up.
I just--I just wanted to say

550
00:27:16,969 --> 00:27:19,969
good-bye today, particularly to
the two of you, so--and you know

551
00:27:19,969 --> 00:27:21,969
what I'm about.
Listen, you've done a lot of

552
00:27:21,969 --> 00:27:23,969
work.
Like, don't give up now.

553
00:27:23,969 --> 00:27:27,969
I just don't want to fight
anymore.

554
00:27:27,969 --> 00:27:32,969
I see Timothy walk out of the
workroom, and the first thing

555
00:27:32,969 --> 00:27:35,969
that comes to my mind is that
he's done.

556
00:27:35,969 --> 00:27:38,679
There's no turning back.
So you need to go in there

557
00:27:38,679 --> 00:27:40,969
and act like an adult.
Make a compromise, because it's

558
00:27:40,969 --> 00:27:42,970
a group effort!
I'm doing that!

559
00:27:42,970 --> 00:27:45,846
And it's speaking for you as
well as him!

560
00:27:45,846 --> 00:27:47,969
He can walk out.
I don't really care.

561
00:27:47,969 --> 00:27:51,969
At this point, I just don't even
really care if he leaves because

562
00:27:51,969 --> 00:27:54,129
he's just a nightmare.

563
00:27:57,846 --> 00:27:59,304
<i> Project Runway...</i>
You don't want to do this?

564
00:27:59,304 --> 00:28:01,969
It's ugly.
It looks terrible.

565
00:28:08,346 --> 00:28:11,338
- Do you know where he is?
- No.

566
00:28:11,601 --> 00:28:13,601
And I'm, like, tired of
biting my tongue...

567
00:28:13,601 --> 00:28:15,601
No, I don't blame you.
And I'm tired of crying

568
00:28:15,601 --> 00:28:18,601
'cause he's an ass.
I feel like [bleep].

569
00:28:18,601 --> 00:28:21,601
I just want him to do his own

570
00:28:21,601 --> 00:28:24,601
thing and me to do my own thing,
you know, and to just focus.

571
00:28:27,311 --> 00:28:31,601
No one has ever gotten a
letter from a model before.

572
00:28:31,601 --> 00:28:35,601
"Dear Timothy," with a heart.
"After working with you this

573
00:28:35,601 --> 00:28:40,601
past challenge, I realized how
lucky I was to be your muse.

574
00:28:40,601 --> 00:28:44,478
I just wanted to let you know
how much I respect you, and I

575
00:28:44,478 --> 00:28:48,311
want to encourage you to keep
fighting in this competition."

576
00:28:48,311 --> 00:28:53,601
I read the letter from Sophie,
and it just completely changes

577
00:28:53,601 --> 00:28:56,601
everything.

578
00:28:56,601 --> 00:28:59,311
It's like she knew I needed
this.

579
00:28:59,311 --> 00:29:02,601
She has absolutely given me the
strength that I need to win this

580
00:29:02,601 --> 00:29:14,103
competition.

581
00:29:17,042 --> 00:29:20,707
It's good.

582
00:29:20,707 --> 00:29:22,707
I got the front figured out.
Don't worry about it.

583
00:29:22,707 --> 00:29:27,707
Just relax, okay?
Just tell me what to do,

584
00:29:27,707 --> 00:29:30,707
I'll do it.
Nothing you can do.

585
00:29:30,707 --> 00:29:34,875
Sandro, he uses this big,
tough guy persona to kind of

586
00:29:34,875 --> 00:29:37,707
throw people off, but I believe
that he's very sensitive at

587
00:29:37,707 --> 00:29:42,417
heart.
I would love to do the best

588
00:29:42,417 --> 00:29:46,707
and perfect, and if it doesn't
work out that way, I get upset

589
00:29:46,707 --> 00:29:48,875
because I'm afraid people don't
understand me.

590
00:29:48,875 --> 00:29:50,875
I'm sorry.

591
00:29:50,875 --> 00:29:52,875
You don't want to do this?
No. It's ugly.

592
00:29:52,875 --> 00:29:55,042
This is beautiful.
Okay, so right now, I just--

593
00:29:55,042 --> 00:29:57,209
This is funny.
We could--we could make it work.

594
00:29:57,209 --> 00:29:59,417
How you gonna make it work?
We have five minutes, and

595
00:29:59,417 --> 00:30:00,708
tomorrow, another hour and a
half.

596
00:30:00,708 --> 00:30:02,707
What are you--what are you
planning on doing with this?

597
00:30:02,707 --> 00:30:04,707
No, tell me what, because you
keep pushing, 'cause you're

598
00:30:04,707 --> 00:30:06,707
like, "it's gonna be fine."
Well, no, no, I'm not saying

599
00:30:06,707 --> 00:30:08,707
it's gonna be fine, but maybe
you could salvage it, 'cause I

600
00:30:08,707 --> 00:30:10,707
don't know what your solution
is.

601
00:30:10,707 --> 00:30:12,707
Mine is to attach all this and
make a skirt that's shorter in

602
00:30:12,707 --> 00:30:14,707
the front, longer in the back.
And what you're saying is

603
00:30:14,707 --> 00:30:18,584
gonna take more than one hour to
do.

604
00:30:18,584 --> 00:30:20,707
Well, if you have an idea, do
it, okay?

605
00:30:20,707 --> 00:30:22,042
Well, I told you, like, three
times, my idea.

606
00:30:22,042 --> 00:30:23,707
Then you've got it.
It's cut, it's ready to go.

607
00:30:23,707 --> 00:30:25,707
Quick, do it.
Okay.

608
00:30:25,707 --> 00:30:27,707
I'll just be your assistant,
okay?

609
00:30:27,707 --> 00:30:29,707
Thank you.
See, I respect that, Sue.

610
00:30:29,707 --> 00:30:32,707
Sue, I really do.
Hmm.

611
00:30:32,707 --> 00:30:35,042
I decided to let him be the
boss.

612
00:30:35,042 --> 00:30:38,707
I literally said, "I'm going to
be your assistant today."

613
00:30:38,707 --> 00:30:42,707
Please don't give up.
Guess what time it is.

614
00:30:42,707 --> 00:30:45,707
11:00. Let's go.
Guys.

615
00:30:45,707 --> 00:30:56,209
Come on.

616
00:30:56,209 --> 00:31:06,707
Yeah, it looks as bad as last

617
00:31:06,707 --> 00:31:08,875
night.
Part of me wanted to take out

618
00:31:08,875 --> 00:31:11,707
one layer on the inside, so it's
not so stiff.

619
00:31:11,707 --> 00:31:13,707
Let's, like, maybe, like, put
it off the shoulder a little,

620
00:31:13,707 --> 00:31:16,584
give it a little bit more hip.
Can I hand-tuck this, then?

621
00:31:16,584 --> 00:31:19,707
Yeah, absolutely.
I love you, okay?

622
00:31:19,707 --> 00:31:23,707
Next--I think I want another--
I want another team project.

623
00:31:23,707 --> 00:31:26,707
Good morning, designers.
Good morning, Tim.

624
00:31:26,707 --> 00:31:29,707
All right, you will have two
hours to send your models to the

625
00:31:29,707 --> 00:31:32,707
L'Oreal Paris hair and makeup
rooms, and just use the belk

626
00:31:32,707 --> 00:31:34,707
accessory wall very
thoughtfully.

627
00:31:34,707 --> 00:31:37,875
All right, everyone.
We're gonna have a great and fun

628
00:31:37,875 --> 00:31:41,707
runway presentation, okay?
All right, thank you.

629
00:31:43,875 --> 00:31:46,584
Hi.

630
00:31:46,584 --> 00:31:50,417
I like this whole mean girl,
bad girl-type attitude.

631
00:31:50,417 --> 00:31:52,417
Is it on?
Yep.

632
00:31:52,417 --> 00:31:54,707
Wow.
Oh, my God.

633
00:31:54,707 --> 00:31:58,707
Ooh!
I have so many thoughts going

634
00:31:58,707 --> 00:32:02,042
through my head this morning.
I just--I feel like the wind is

635
00:32:02,042 --> 00:32:04,707
just kicked out of me.
Let's try it.

636
00:32:04,707 --> 00:32:07,707
I think if I could have done it
over with Timothy, I would have

637
00:32:07,707 --> 00:32:11,707
definitely kept my cool, and
rather than venting about it in

638
00:32:11,707 --> 00:32:14,707
the workroom, I should have just
went to him and I should have

639
00:32:14,707 --> 00:32:19,707
just told him, "look, like, this
is not working."

640
00:32:19,707 --> 00:32:21,707
How is it feeling?
Good.

641
00:32:21,707 --> 00:32:24,707
Not bad, gentlemen.
I don't know.

642
00:32:24,707 --> 00:32:26,707
I think we might be in trouble.
Don't say that.

643
00:32:26,707 --> 00:32:30,707
Justin and Alexander's look,
it's like a horrible shade of

644
00:32:30,707 --> 00:32:32,707
blue, a horrible shade of
yellow.

645
00:32:32,707 --> 00:32:34,707
It looks terrible.
We've got to start on the

646
00:32:34,707 --> 00:32:36,707
white in 15 minutes.
We've got to sew this up and

647
00:32:36,707 --> 00:32:40,042
figure out the bottom of this [bleep].

648
00:32:44,707 --> 00:32:49,707
I--

649
00:32:49,707 --> 00:32:57,707
I feel so rude for what I did to
you yesterday and just acted,

650
00:32:57,707 --> 00:33:00,707
like, how I acted.
Like, [bleep].

651
00:33:00,707 --> 00:33:04,875
Mm-hmm.
And I feel like an incredible

652
00:33:04,875 --> 00:33:07,707
[bleep].
I just believe that actions

653
00:33:07,707 --> 00:33:14,707
speak louder than words.

654
00:33:14,707 --> 00:33:19,707
I didn't want to, like, freak

655
00:33:19,707 --> 00:33:21,707
out on you, and it wasn't--
but you did.

656
00:33:21,707 --> 00:33:23,875
It wasn't really anything,
'cause I love our look, and it's

657
00:33:23,875 --> 00:33:26,707
beautiful, and I think I just
needed to take a [bleep] break.

658
00:33:26,707 --> 00:33:28,209
So, it's too bad that that
happened.

659
00:33:28,209 --> 00:33:32,707
Yeah, and you didn't, and I did.
I did nothing to make you not be

660
00:33:32,707 --> 00:33:35,707
able to trust me.
I was giving you everything to

661
00:33:35,707 --> 00:33:39,707
be able to trust me, and you
didn't, period.

662
00:33:41,707 --> 00:33:45,707
I'm gonna need [bleep] therapy

663
00:33:45,707 --> 00:33:48,042
after this.

664
00:33:53,707 --> 00:33:55,707
We wanted to do something

665
00:33:55,707 --> 00:33:58,707
moving, like a comet.
Shoom! Shoom! Shoom!

666
00:33:58,707 --> 00:34:00,707
Okay.
I'm gonna use some of the

667
00:34:00,707 --> 00:34:02,875
smooth intense serum.
Now, I don't want Diana Ross

668
00:34:02,875 --> 00:34:05,707
hair, but I do want a little
volume here.

669
00:34:05,707 --> 00:34:07,707
It'll still have the same
bigness but more curl

670
00:34:07,707 --> 00:34:09,707
definition.
Okay.

671
00:34:09,707 --> 00:34:12,707
Two buns are cute.
Oh!

672
00:34:12,707 --> 00:34:14,707
That's very hard to do.
So they're not, like, Mickey

673
00:34:14,707 --> 00:34:16,707
mouse ears.
They're more, like, kind of that

674
00:34:16,707 --> 00:34:18,707
feeling.
That's cute, I like that.

675
00:34:18,707 --> 00:34:20,707
Like she just went swimming,
but then her hair's tousled.

676
00:34:20,707 --> 00:34:22,707
Perfect.
I'll use the beach spray in her

677
00:34:22,707 --> 00:34:24,707
hair and get that perfect beachy
texture.

678
00:34:24,707 --> 00:34:28,584
It's gonna be a drama pink

679
00:34:28,584 --> 00:34:31,707
liner, a sun-kissed cheek,
and a bare face.

680
00:34:31,707 --> 00:34:34,707
Yeah.
We want a liner, for sure,

681
00:34:34,707 --> 00:34:36,707
and we want a really strong
brow.

682
00:34:36,707 --> 00:34:38,707
She is a kitten with a whip.
Yes.

683
00:34:38,707 --> 00:34:41,707
Kind of have like the comet
shape kind of swooping back.

684
00:34:41,707 --> 00:34:43,707
It could be a little
aerodynamic.

685
00:34:43,707 --> 00:34:45,707
Our word is "juicy," and
our--

686
00:34:45,707 --> 00:34:47,707
Mm-hmm.
So, we kind of just want to

687
00:34:47,707 --> 00:34:49,707
keep it fresh and clean.
Dolly pink right on the

688
00:34:49,707 --> 00:34:51,707
cheek.
Yeah, I love that.

689
00:34:51,707 --> 00:34:54,707
We're gonna use waves.
That kind of bluish-greenish,

690
00:34:54,707 --> 00:34:57,707
you know, pure.
How about a strong eyeliner

691
00:34:57,707 --> 00:35:01,707
and a strong blue shimmer?
Perfect.

692
00:35:01,707 --> 00:35:03,707
We're done.
High five, dude.

693
00:35:03,707 --> 00:35:05,707
This is, like, successful [bleep].

694
00:35:05,707 --> 00:35:12,875
Oh!

695
00:35:12,875 --> 00:35:17,707
Yikes.
Designers, in ten minutes,

696
00:35:17,707 --> 00:35:20,707
you and your models and I are
going down to the runway.

697
00:35:20,707 --> 00:35:24,707
Ten minutes, everyone. Oh,
my God, I'm still draping.

698
00:35:24,707 --> 00:35:30,707
Aah!

699
00:35:30,707 --> 00:35:32,707
Whether I get along with
Timothy or not, it doesn't

700
00:35:32,707 --> 00:35:35,707
matter.
I don't want to be on the bottom

701
00:35:35,707 --> 00:35:37,707
and I don't want to lose, so I
hope that we can put our

702
00:35:37,707 --> 00:35:40,042
differences aside.
It looks like flower petals

703
00:35:40,042 --> 00:35:41,875
all over the top.
I love that.

704
00:35:41,875 --> 00:35:45,042
If they don't love it,
they're crazy.

705
00:35:45,042 --> 00:35:47,707
It's so good.
That was great.

706
00:35:47,707 --> 00:35:49,707
Oh, sorry.
Give me a hug.

707
00:35:49,707 --> 00:35:51,707
Yeah.
Do you want more pleats, or

708
00:35:51,707 --> 00:35:53,707
are you all good?
Make some more, yeah.

709
00:35:53,707 --> 00:35:55,707
I'm not content with certain
aspects of it.

710
00:35:55,707 --> 00:35:57,707
It looks finished in that it's
assembled, but I really wish I

711
00:35:57,707 --> 00:35:59,707
could do a final cut.
Go, Sue, just make it.

712
00:35:59,707 --> 00:36:01,707
Do you want pleats on the
bottom?

713
00:36:01,707 --> 00:36:03,707
Just go, go, go, Sue.
Designers and models,

714
00:36:03,707 --> 00:36:08,707
we are going down to the runway
right now, okay, everyone?

715
00:36:08,707 --> 00:36:10,042
Follow me.
We gotta go.

716
00:36:10,042 --> 00:36:11,707
Here we go.
You got a needle?

717
00:36:11,707 --> 00:36:13,707
I have two needles.
Okay.

718
00:36:13,707 --> 00:36:15,707
We're good. Sorry.
My jacket.

719
00:36:15,707 --> 00:36:17,380
I mean, everything's in here.

720
00:36:24,377 --> 00:36:28,377
The winner of<i> Project Runway</i>
will receive $150,000 provided

721
00:36:28,473 --> 00:36:31,973
by GObank, the award-winning new
bank account made to be used

722
00:36:32,062 --> 00:36:36,062
on a mobile phone, $50,000 of
next-generation technology from

723
00:36:36,062 --> 00:36:39,062
HP and Intel to help enable
their creativity and launch

724
00:36:39,062 --> 00:36:42,062
their new business, a year's
supply of resource natural

725
00:36:42,062 --> 00:36:46,062
spring water, and an
all-expense-paid luxurious spa

726
00:36:46,062 --> 00:36:50,062
retreat for two to the exotic
Maldives courtesy of resource

727
00:36:50,062 --> 00:36:54,062
water, a chance to design and
sell an exclusive collection

728
00:36:54,062 --> 00:36:57,062
at belk, a complete sewing and
crafting studio from brother

729
00:36:57,062 --> 00:37:01,262
sewing and embroidery, a fashion
spread in<i> Marie Claire</i> magazine,

730
00:37:01,262 --> 00:37:07,262
a 2014 Lexus IS-350, a $100,000
fabric allowance from tide pods

731
00:37:07,262 --> 00:37:11,262
to inspire fashions that truly
pop, and a $50,000 styling

732
00:37:11,262 --> 00:37:15,262
contract with L'Oreal Paris.
It is a prize package worth over

733
00:37:15,262 --> 00:37:18,262
$1/2 million.
The model paired with the winner

734
00:37:18,262 --> 00:37:20,430
of<i> Project Runway</i> will receive
a fashion spread in<i> Marie Claire</i>

735
00:37:20,430 --> 00:37:25,262
magazine and $25,000 from
L'Oreal Paris.

736
00:37:35,262 --> 00:37:38,262
Welcome to the runway.
As you know, in fashion, one day

737
00:37:38,262 --> 00:37:41,262
you're in and the next day
you're out.

738
00:37:41,262 --> 00:37:44,262
For this challenge, you worked
in teams of two.

739
00:37:44,262 --> 00:37:47,597
You were handed out samples of
yoplait frozen yogurt, and you

740
00:37:47,597 --> 00:37:52,262
asked your tasters for
descriptive words, and three of

741
00:37:52,262 --> 00:37:55,262
these words were the theme of
your looks.

742
00:37:55,262 --> 00:37:58,262
You played amusement park games,
and the prizes that you won were

743
00:37:58,262 --> 00:38:01,262
the materials that you used for
your outfits.

744
00:38:01,262 --> 00:38:03,262
All right, let's say hello to
our judges.

745
00:38:03,262 --> 00:38:06,262
First, we have acclaimed fashion
designer Zac Posen.

746
00:38:06,262 --> 00:38:09,262
Hello, designers.
Hi, Zac.

747
00:38:09,262 --> 00:38:11,262
Creative director for
<i> Marie Claire</i> magazine,

748
00:38:11,262 --> 00:38:13,262
Nina Garcia.
Hi, everyone.

749
00:38:13,262 --> 00:38:15,262
Hi.
And co-host of

750
00:38:15,262 --> 00:38:19,262
<i>Fashion Police,</i> Kelly Osbourne.
Hi, guys.

751
00:38:19,262 --> 00:38:22,262
Welcome.
Thank you for having me.

752
00:38:22,262 --> 00:38:25,262
And this season, we're very
excited to welcome Tim Gunn to

753
00:38:25,262 --> 00:38:29,262
the runway show.
As you know, he is your mentor

754
00:38:29,262 --> 00:38:32,430
and he will not be judging you.
That said, he gets one

755
00:38:32,430 --> 00:38:36,262
Tim Gunn rescue during the
season, which allows him to

756
00:38:36,262 --> 00:38:40,262
save an eliminated designer if
he disagrees with the judges.

757
00:38:40,262 --> 00:38:44,262
This season, we also have an
anonymous runway show.

758
00:38:44,262 --> 00:38:48,262
We, the judges, will not know
who designed which look when it

759
00:38:48,262 --> 00:38:52,262
walks down the runway.
Okay, let's start the show.

760
00:38:57,139 --> 00:39:00,972
We went sculptural with our
look on the runway.

761
00:39:00,972 --> 00:39:04,262
I'm glad that we took this
unconventional materials

762
00:39:04,262 --> 00:39:08,262
challenge and made an
unconventional silhouette.

763
00:39:08,262 --> 00:39:11,262
I really do feel like it
embodies "Fluffy,"

764
00:39:11,262 --> 00:39:16,262
"adventurous," and "awesome,"
but I'm so worried because it's

765
00:39:16,262 --> 00:39:21,262
so avant-garde, and that's just
not me.

766
00:39:23,262 --> 00:39:26,430
She looks so cute.
She looks great.

767
00:39:26,430 --> 00:39:29,262
She's conveying the spirit of
what we created perfectly.

768
00:39:29,262 --> 00:39:34,262
I'm happy.
The idea was very unique and

769
00:39:34,262 --> 00:39:40,263
creative, and it looks very
energetic and playful.

770
00:39:43,262 --> 00:39:54,262
She looks so cute.
I think this dress look very

771
00:39:54,262 --> 00:39:58,262
fun and something it look very
unusual, because the material

772
00:39:58,262 --> 00:40:01,764
was the plastic aliens, but it's
still very classy, and I like

773
00:40:01,764 --> 00:40:05,262
very much.
She looks great.

774
00:40:05,262 --> 00:40:09,262
It's just not at all the
silhouette that I'd envisioned.

775
00:40:09,262 --> 00:40:15,262
This dress represents Sandro's
work more than it does my own.

776
00:40:15,262 --> 00:40:19,262
Our look is so out there and
awesome and badass.

777
00:40:19,262 --> 00:40:21,764
I'm very proud, and I think the
judges will be really impressed

778
00:40:21,764 --> 00:40:27,262
with how we used our textile.
Mm-hmm.

779
00:40:29,262 --> 00:40:33,262
I'm really proud that we
pulled it off.

780
00:40:43,262 --> 00:40:46,139
The silhouette of this
garment represents me as a

781
00:40:46,139 --> 00:40:49,262
designer.
It looks fun, playful.

782
00:40:49,262 --> 00:40:53,262
Those were the keywords, and
I think we accomplished that.

783
00:41:10,262 --> 00:41:14,262
She's rippin' the runway, and
it looks fantastic.

784
00:41:14,262 --> 00:41:17,430
Our look is very editorial,
it's chic, and it's making a

785
00:41:17,430 --> 00:41:19,597
statement.
It's very much both of our

786
00:41:19,597 --> 00:41:23,972
aesthetics blended into one.
It's not fantasy.

787
00:41:23,972 --> 00:41:28,430
It's not a work of art.
It is modern, wearable, strong,

788
00:41:28,430 --> 00:41:34,262
confident, sexy, clothing for
today's woman.

789
00:41:34,262 --> 00:41:43,262
It's absolutely perfect.
I think we styled her really

790
00:41:43,262 --> 00:41:45,262
well.
She looks summery, like she's

791
00:41:45,262 --> 00:41:52,263
about to go to the beach.
I love the way that the

792
00:41:52,263 --> 00:41:55,262
plastic balls worked with the
texturing that I did in the

793
00:41:55,262 --> 00:41:58,972
textile that I created for the
vest.

794
00:41:58,972 --> 00:42:02,262
Sophie's absolutely rocking it,
and I'm thinking to myself,

795
00:42:02,262 --> 00:42:14,262
did we just--did we just win?
If I call your name, please

796
00:42:14,262 --> 00:42:17,262
step forward.
Bradon and Karen, please step

797
00:42:17,262 --> 00:42:23,262
forward.
Ken and Jeremy.

798
00:42:23,262 --> 00:42:27,262
Sandro and Sue, please step
forward.

799
00:42:27,262 --> 00:42:30,139
If I have called your name,
congratulations.

800
00:42:30,139 --> 00:42:32,262
Your scores have qualified you
to move on to the next round.

801
00:42:32,262 --> 00:42:40,263
You can leave the runway.
That's good.

802
00:42:40,263 --> 00:42:42,263
Yesterday, I'd been bossy with
Sue.

803
00:42:42,263 --> 00:42:44,262
She just said, "okay, you're the
boss.

804
00:42:44,262 --> 00:42:46,430
I gonna be your assistant.
Just tell me what I have to do."

805
00:42:46,430 --> 00:42:50,262
And that was a genius.
When woman listen in a man,

806
00:42:50,262 --> 00:42:55,262
it's so cool.
The eight of you represent

807
00:42:55,262 --> 00:42:58,262
the teams with the highest and
the lowest scores.

808
00:42:58,262 --> 00:43:01,262
One member from the winning
team will be the winner of this

809
00:43:01,262 --> 00:43:06,262
challenge, and one member from
the losing team will be out.

810
00:43:11,262 --> 00:43:17,262
The eight of you represent

811
00:43:17,262 --> 00:43:22,262
the teams with the highest and
the lowest scores.

812
00:43:22,262 --> 00:43:27,262
Kate and Helen, Alexandria and
dom, your teams have the highest

813
00:43:27,262 --> 00:43:31,262
scores.
That means, Miranda and Timothy,

814
00:43:31,262 --> 00:43:36,262
Alexander and Justin, you're the
teams with the lower scores.

815
00:43:36,262 --> 00:43:40,262
We're gonna talk to the teams
with the higher scores first,

816
00:43:40,262 --> 00:43:42,262
and the teams with the lower
scores, you can leave the

817
00:43:42,262 --> 00:43:44,262
runway.
We're gonna talk to you next.

818
00:43:44,262 --> 00:43:51,262
Thank you.
Dom and Alexandria, please tell

819
00:43:51,262 --> 00:43:55,262
me about your look.
"Playful," "energetic," and

820
00:43:55,262 --> 00:43:57,262
"texture."
So, we went with fun and

821
00:43:57,262 --> 00:44:02,262
playful, and blue as energetic.
For texture, we used the furry

822
00:44:02,262 --> 00:44:04,262
fabric.
And then we found some frogs.

823
00:44:04,262 --> 00:44:07,262
She was, like, an amazing game
player, so she won a bunch of

824
00:44:07,262 --> 00:44:09,262
frogs.
I think it's so fun.

825
00:44:09,262 --> 00:44:11,262
I love the way that you've
styled it, and every time I'd

826
00:44:11,262 --> 00:44:13,262
look at it, I see something
different.

827
00:44:13,262 --> 00:44:14,263
I love that you put a mustache
on it.

828
00:44:14,263 --> 00:44:17,139
And to me, this is something
that is very now and of the

829
00:44:17,139 --> 00:44:20,262
moment.
Rave fashion is coming back.

830
00:44:20,262 --> 00:44:22,262
It's great.
I want it too.

831
00:44:22,262 --> 00:44:25,262
I want to wear it too.
It came out and it just made me

832
00:44:25,262 --> 00:44:27,262
smile.
I think it is great from head to

833
00:44:27,262 --> 00:44:30,262
toe.
You know, her face looks fresh.

834
00:44:30,262 --> 00:44:33,262
You know, you gave her those
tight knots on her head.

835
00:44:33,262 --> 00:44:36,430
Very sleek, very well done.
I thin you did a fantastic job.

836
00:44:36,430 --> 00:44:39,262
Thank you.
Well done, ladies.

837
00:44:39,262 --> 00:44:41,262
I love it.

838
00:44:41,262 --> 00:44:45,262
I think it's really inventive.
It's very fun, and I like that

839
00:44:45,262 --> 00:44:48,262
it feels casual out of the
alternative materials.

840
00:44:48,262 --> 00:44:50,262
Excellent.
Thank you.

841
00:44:50,262 --> 00:44:54,262
So much fun, so creative.
I think, adorable.

842
00:44:54,262 --> 00:44:58,262
I mean, I see it, and it makes
me happy, it makes me smile.

843
00:44:58,262 --> 00:45:03,262
And what I love the most is the
styling, and it feels like

844
00:45:03,262 --> 00:45:06,262
such an Instagram moment.
And it's the spirit of

845
00:45:06,262 --> 00:45:08,262
Coney Island.
It is fun.

846
00:45:08,262 --> 00:45:10,262
Absolutely.
So, if this were the winning

847
00:45:10,262 --> 00:45:12,262
look, who would win this
challenge?

848
00:45:12,262 --> 00:45:15,262
I would say Alexandria, just
because it's her design.

849
00:45:15,262 --> 00:45:18,262
Do you agree with that?
Yes, but that also makes me

850
00:45:18,262 --> 00:45:21,597
awful too.
But if you hated it, and it was

851
00:45:21,597 --> 00:45:24,764
too much like a monster, I would
have gone home.

852
00:45:24,764 --> 00:45:28,262
Kate and Helen.

853
00:45:28,262 --> 00:45:33,262
So, this is made out of
sombreros that we won, and a

854
00:45:33,262 --> 00:45:36,262
whole lot else.
There's a kite, some stuffed

855
00:45:36,262 --> 00:45:38,262
animals.
Yeah, we used a lot of

856
00:45:38,262 --> 00:45:40,262
stuffed animals for lining.
So, how did you two work

857
00:45:40,262 --> 00:45:42,764
together as a team?
Really, really well.

858
00:45:42,764 --> 00:45:44,262
Good.
It was such a blessing to

859
00:45:44,262 --> 00:45:46,262
work with Kate.
I learned so much, especially

860
00:45:46,262 --> 00:45:49,262
about time management.
Helen, last time, time

861
00:45:49,262 --> 00:45:52,262
management was your problem.
Definitely.

862
00:45:52,262 --> 00:45:54,262
So, I'm glad to know that you
turned it around for this week.

863
00:45:54,262 --> 00:45:57,262
Our chemistry was completely
perfect.

864
00:45:57,262 --> 00:46:00,262
It really was, and Helen is
very innovative in the way that

865
00:46:00,262 --> 00:46:02,262
she sees things.
She was like, "what if we tried

866
00:46:02,262 --> 00:46:05,262
to press the center of it flat?"
And that's how we ended up with

867
00:46:05,262 --> 00:46:08,262
these beautiful rosettes.
I am very impressed.

868
00:46:08,262 --> 00:46:11,262
To me, it is like a beautiful
sculpture.

869
00:46:11,262 --> 00:46:15,262
It's an art piece.
I think it is fantastic, head to

870
00:46:15,262 --> 00:46:18,262
toe.
The shoes, what you did with her

871
00:46:18,262 --> 00:46:21,262
hair and makeup.
It's just really awesome.

872
00:46:21,262 --> 00:46:23,262
I love it.
Thanks.

873
00:46:23,262 --> 00:46:26,262
Fantastic job.
I think this was a real high

874
00:46:26,262 --> 00:46:32,262
fashion moment without losing
any whimsy, without losing any

875
00:46:32,262 --> 00:46:34,972
fun.
It feels very sculptural.

876
00:46:34,972 --> 00:46:41,262
It feels very tailored, very
refined, and most importantly,

877
00:46:41,262 --> 00:46:46,262
all of a sudden, you had the
dramatic red, and it was

878
00:46:46,262 --> 00:46:48,430
perfect.
Thank you.

879
00:46:48,430 --> 00:46:50,430
Thanks.
I think it's absolutely

880
00:46:50,430 --> 00:46:55,262
incredible that you've made that
out of sombreros, and the way

881
00:46:55,262 --> 00:46:58,430
that you've used the rim of the
sombrero to create all these

882
00:46:58,430 --> 00:47:02,262
different folds and, you know,
it hugs the body in all the

883
00:47:02,262 --> 00:47:04,262
right places.
Because you've pulled it in

884
00:47:04,262 --> 00:47:07,263
so tightly at the waist, it
still gives an hourglass-figure

885
00:47:07,263 --> 00:47:10,262
shape, but you've still got
something very different going

886
00:47:10,262 --> 00:47:14,262
on, but also something that I
think a lot of girls would fight

887
00:47:14,262 --> 00:47:17,262
for to get to wear this on
a red carpet.

888
00:47:17,262 --> 00:47:20,262
- I think it's great.
- Thank you.

889
00:47:20,262 --> 00:47:24,263
I'm so proud of you ladies.
It's sombrero saturn chic.

890
00:47:24,263 --> 00:47:27,262
I think it's such a smart
material choice.

891
00:47:27,262 --> 00:47:31,262
I love how you used the brim.
It reminds me of Coney Island,

892
00:47:31,262 --> 00:47:33,972
the cyclone.
It looks polished, it looks

893
00:47:33,972 --> 00:47:36,262
well made.
Can I have the model turn?

894
00:47:36,262 --> 00:47:39,262
Yes.
Yeah, it's great.

895
00:47:39,262 --> 00:47:41,262
Well done.
Thanks, Zac.

896
00:47:41,262 --> 00:47:43,262
Thank you.
And here's the hard question.

897
00:47:43,262 --> 00:47:46,263
You worked in a team, but there
can only be one winner.

898
00:47:46,263 --> 00:47:49,262
Who deserves the win, if you
were the winning team?

899
00:47:49,262 --> 00:47:54,139
I think it should be Helen,
because I think that this look

900
00:47:54,139 --> 00:47:57,262
is so interesting because of her
eye.

901
00:47:57,262 --> 00:48:00,972
I'm all about the structure and
the fit, but she really helped,

902
00:48:00,972 --> 00:48:05,139
I think, make it more artistic,
where I always try to go

903
00:48:05,139 --> 00:48:07,262
realistic, which I know is not
always that fun.

904
00:48:07,262 --> 00:48:10,262
So, I think Helen should get it.
Do you agree with that,

905
00:48:10,262 --> 00:48:12,262
Helen?
Yes, I agree with Kate.

906
00:48:12,262 --> 00:48:16,262
All right, thank you, girls.

907
00:48:16,262 --> 00:48:18,262
Good job.
Thank you.

908
00:48:18,262 --> 00:48:20,262
Okay, we've heard what you
had to say.

909
00:48:20,262 --> 00:48:23,972
Now, we're gonna talk to the
teams with the lower scores.

910
00:48:23,972 --> 00:48:25,764
You can leave the runway.
Thank you.

911
00:48:25,764 --> 00:48:36,263
Thank you.
Alexander and Justin, tell us

912
00:48:36,263 --> 00:48:39,262
about your look.
The three words that we chose

913
00:48:39,262 --> 00:48:44,262
were "summertime," "smooth,"
and "playful."

914
00:48:44,262 --> 00:48:48,262
For the material that we chose,
we decided to use a ginormous

915
00:48:48,262 --> 00:48:52,262
inflatable whale as well as
a green alien.

916
00:48:52,262 --> 00:48:54,262
But it's basically all from
balloons.

917
00:48:54,262 --> 00:48:57,262
I think there's way too much
going on.

918
00:48:57,262 --> 00:49:02,262
There's kelp on the bottom.
She has, like, dorsal fins from

919
00:49:02,262 --> 00:49:05,262
her hips.
Turn around.

920
00:49:05,262 --> 00:49:11,262
And she has seaweed on her bum.
It just looks like a hot mess.

921
00:49:11,262 --> 00:49:14,262
I can see there's a lot of work
in it, and I appreciate that,

922
00:49:14,262 --> 00:49:17,262
and different techniques, but
it's like, you know, seapunk

923
00:49:17,262 --> 00:49:19,262
skipper.
Right.

924
00:49:19,262 --> 00:49:21,262
And when you're working with
colors that are this bright

925
00:49:21,262 --> 00:49:23,430
already, sometimes it's easier
just to let the color do the

926
00:49:23,430 --> 00:49:25,262
talking.
You have peplums, you've got

927
00:49:25,262 --> 00:49:28,972
the whale tail at the bottom
that you've added, so it's a

928
00:49:28,972 --> 00:49:34,262
tough one.
It is over-bedazzled, so I

929
00:49:34,262 --> 00:49:37,139
feel like, when you have to work
with these materials and it's so

930
00:49:37,139 --> 00:49:40,262
much, step back and look at
this, squint, and it's like,

931
00:49:40,262 --> 00:49:42,262
"whoa!"
Then she has those bright eyes

932
00:49:42,262 --> 00:49:45,430
matching with the shoes.
You have to edit.

933
00:49:45,430 --> 00:49:47,430
Yes.
This is the unconventional

934
00:49:47,430 --> 00:49:52,262
challenge, and you had two
choices.

935
00:49:52,262 --> 00:49:57,262
Either you went very fun and
kitsch or you went very chic and

936
00:49:57,262 --> 00:50:00,262
glamorous.
And you guys couldn't make up

937
00:50:00,262 --> 00:50:04,263
your mind, so you're kind of
stuck in nowhere's land and it's

938
00:50:04,263 --> 00:50:07,430
overworked.
You said there's a jacket?

939
00:50:07,430 --> 00:50:12,139
Yeah, well, a vest.
Could we just see it off?

940
00:50:12,139 --> 00:50:14,262
That is so much cooler, just
like that.

941
00:50:14,385 --> 00:50:15,720
Yes.
So much better.

942
00:50:15,720 --> 00:50:17,385
And can you take off her
erasers?

943
00:50:17,385 --> 00:50:19,385
Minus the--
the balls.

944
00:50:19,385 --> 00:50:22,385
The balls on the hip.

945
00:50:22,385 --> 00:50:24,385
See?
It's editing.

946
00:50:24,385 --> 00:50:26,385
It's taking things away.
Completely.

947
00:50:26,385 --> 00:50:29,385
The tough question, if this

948
00:50:29,385 --> 00:50:32,385
is the losing look, who would we
have to send home?

949
00:50:32,385 --> 00:50:34,385
I wouldn't be able to choose.
I mean, he's a great guy,

950
00:50:34,385 --> 00:50:37,385
so, you know, I really enjoyed
working with him on this

951
00:50:37,385 --> 00:50:41,385
challenge, even though we're in
the bottom two, but--

952
00:50:41,385 --> 00:50:44,385
Okay, thank you.
Thank you.

953
00:50:44,385 --> 00:50:46,385
Timothy and Miranda.
We knew that we wanted to do

954
00:50:46,385 --> 00:50:51,385
a surprise in the back with the
jacket, and I have this

955
00:50:51,385 --> 00:50:55,385
texturing process that I have of
making this textile, and between

956
00:50:55,385 --> 00:50:59,385
Miranda's tailoring and my
textile, we actually came to

957
00:50:59,385 --> 00:51:01,887
this very proud today.
We were definitely smiling when

958
00:51:01,887 --> 00:51:04,262
we watched her walk down the
runway, so I'm sorry that this

959
00:51:04,262 --> 00:51:08,553
is the position that we're in.
Do you want to add anything?

960
00:51:08,553 --> 00:51:14,385
It is so boring, you know?
And you worked so hard on this.

961
00:51:14,385 --> 00:51:18,385
I can only imagine how much work
went into just that bolero, but

962
00:51:18,385 --> 00:51:20,386
honestly, it should be gone
because it doesn't look good

963
00:51:20,386 --> 00:51:24,385
with this dress.
It looks like you sat on a

964
00:51:24,385 --> 00:51:28,385
pool toy and it, like, deflated.
It went, psssssh!

965
00:51:28,385 --> 00:51:32,385
And she even has the plug on her
arm for that to happen.

966
00:51:32,385 --> 00:51:36,385
I see all the intensive work in
the vest, but it's not

967
00:51:36,385 --> 00:51:38,385
effective.
It sort of looks like a life

968
00:51:38,385 --> 00:51:43,887
vest and she is sinking.
This color combination almost

969
00:51:43,887 --> 00:51:49,385
reminds me of, like, some toxic
biohazard bag, so it's really

970
00:51:49,385 --> 00:51:52,385
not good.
I keep thinking, if this was

971
00:51:52,385 --> 00:51:56,385
in black and white, it would be
really, really cool, and I think

972
00:51:56,385 --> 00:51:59,386
that you both had really good
ideas, but together, they kind

973
00:51:59,386 --> 00:52:04,385
of created a bad one.
If this was the losing

974
00:52:04,385 --> 00:52:08,385
outfit, which one of you would
we have to send home?

975
00:52:08,385 --> 00:52:12,385
Who's most responsible for this?
I guess I'm most responsible

976
00:52:12,385 --> 00:52:20,385
for the design, because I draped
it and pattern-made it.

977
00:52:20,385 --> 00:52:23,385
I think, after we did our
fitting, I got a little freaked

978
00:52:23,385 --> 00:52:28,385
that it looked like a life vest.
Did you say, "let's lose it"?

979
00:52:28,385 --> 00:52:31,385
No, I didn't say it to him.
In the sewing room, I was making

980
00:52:31,385 --> 00:52:36,385
jokes about it, and then, um,
he walked in and we got into a

981
00:52:36,385 --> 00:52:39,385
fight, and then he left the
workroom for the next two hours.

982
00:52:39,385 --> 00:52:43,385
What happened was, I came up
to her and I said, "so, just be

983
00:52:43,385 --> 00:52:47,262
prepared, if we're in the bottom
two," um, "be prepared to say

984
00:52:47,262 --> 00:52:49,385
which one of us will have to go
home."

985
00:52:49,385 --> 00:52:51,386
She took that offensively.
'Cause simply what I was trying

986
00:52:51,386 --> 00:52:55,385
to say was, the<i> Titanic</i> is a
beautiful ship, okay?

987
00:52:55,385 --> 00:52:57,385
And it needed life--it needed
lifeboats.

988
00:52:57,385 --> 00:52:59,385
And they said, "no, let's not do
lifeboats."

989
00:52:59,385 --> 00:53:02,385
So, essentially, I'm trying to
give lifeboats to the<i> Titanic,</i>

990
00:53:02,385 --> 00:53:05,385
and I think that if I had been
working with a stronger

991
00:53:05,385 --> 00:53:08,887
designer--um, I actually draped
the skirt, and she was fighting

992
00:53:08,887 --> 00:53:11,095
me the whole time.
She was not trusting this team

993
00:53:11,095 --> 00:53:14,385
effort, and I was ready to go
at this because I was not ready

994
00:53:14,385 --> 00:53:17,385
to go home, and I just feel like
I was completely abandoned

995
00:53:17,385 --> 00:53:19,385
because I felt like I was
working with somebody who was

996
00:53:19,385 --> 00:53:21,385
fighting against me the whole
time...

997
00:53:21,385 --> 00:53:23,385
Wow.
And I appreciate my time

998
00:53:23,385 --> 00:53:25,385
being here, and thank you for
that.

999
00:53:25,385 --> 00:53:27,385
This is very heavy.
Yeah.

1000
00:53:27,385 --> 00:53:30,385
So you're saying that you
draped the bottom of the skirt.

1001
00:53:30,385 --> 00:53:32,385
Mm-hmm.
She did the pattern of the

1002
00:53:32,385 --> 00:53:34,385
top and sewed it...
And the dress.

1003
00:53:34,385 --> 00:53:36,385
And so your responsibility is
just the texture of the vest?

1004
00:53:36,385 --> 00:53:38,385
Mm-hmm.
Miranda, your turn.

1005
00:53:38,385 --> 00:53:41,385
I'm not gonna stand up here
and berate him.

1006
00:53:41,385 --> 00:53:43,385
I--
I do see you shaking your

1007
00:53:43,385 --> 00:53:45,385
head, though, while he's
talking.

1008
00:53:45,385 --> 00:53:48,385
I had to do what I had to do,
and I--

1009
00:53:48,385 --> 00:53:50,385
And that was talk really
horribly behind my back.

1010
00:53:50,385 --> 00:53:52,385
You guys really don't like
each other, huh?

1011
00:53:52,385 --> 00:53:54,385
No.
I trusted her, and she

1012
00:53:54,385 --> 00:53:57,385
doesn't like me, and that's why
you're getting an aggressive me.

1013
00:53:57,385 --> 00:53:58,553
You can finish talking.
I'm sorry.

1014
00:53:58,553 --> 00:54:02,385
I have enough integrity that
I had this dress and I was

1015
00:54:02,385 --> 00:54:06,385
trying to figure something else
out with it.

1016
00:54:08,385 --> 00:54:10,385
Okay, we've heard what you
had to say.

1017
00:54:10,385 --> 00:54:13,385
We're gonna take a closer look
at the clothes, and then we'll

1018
00:54:13,385 --> 00:54:15,386
have a little chat, and then I'm
gonna call you back on the

1019
00:54:15,386 --> 00:54:20,385
runway.
Thank you.

1020
00:54:25,385 --> 00:54:27,385
They're deliberating.
We don't know yet.

1021
00:54:27,385 --> 00:54:29,385
Seriously?
Their drama from yesterday

1022
00:54:29,385 --> 00:54:34,720
came out onstage.
And I feel awful for talking

1023
00:54:34,720 --> 00:54:37,385
behind his back.
That's not how you came

1024
00:54:37,385 --> 00:54:41,385
across.
It came out, and rather than

1025
00:54:41,385 --> 00:54:45,385
crying, I got pissed off, and I
was venting, and I feel bad

1026
00:54:45,385 --> 00:54:48,720
about it.
And I tried to tell you that,

1027
00:54:48,720 --> 00:54:53,385
and instead, you stood up
onstage and berated me in front

1028
00:54:53,385 --> 00:54:55,385
of judges.
That doesn't make me look bad.

1029
00:54:55,385 --> 00:54:59,385
That makes you look bad.
I was so blinded how bad you

1030
00:54:59,385 --> 00:55:01,385
made me feel last night that I
didn't realize that I was doing

1031
00:55:01,385 --> 00:55:04,385
that right back to you.
I think you need to find you.

1032
00:55:04,385 --> 00:55:07,385
Like, I really wanted you to
have something successful out of

1033
00:55:07,385 --> 00:55:09,385
this.
And I believe that, so I'm

1034
00:55:09,385 --> 00:55:12,177
sorry that that's how
it came out.

1035
00:55:21,941 --> 00:55:23,941
Fantastic.
It's beautiful.

1036
00:55:23,941 --> 00:55:25,941
I'm totally in awe.
It's like a sculpture.

1037
00:55:25,941 --> 00:55:27,651
It is.
Yeah, it's like a little

1038
00:55:27,651 --> 00:55:29,942
sombrero bilbao.
And obviously, when you see

1039
00:55:29,942 --> 00:55:33,109
everything close up, you see
that, yes, it was a sombrero at

1040
00:55:33,109 --> 00:55:35,941
some point.
I mean, it's amazing how they

1041
00:55:35,941 --> 00:55:38,941
held it down by stitching
through all over the bodice.

1042
00:55:38,941 --> 00:55:45,443
It's so well made.
You gotta do your rave dance.

1043
00:55:45,443 --> 00:55:47,941
Right?

1044
00:55:47,941 --> 00:55:49,941
I mean, I love the humor in
this.

1045
00:55:49,941 --> 00:55:52,941
But look, it's even lined in
the red, like the tongue inside.

1046
00:55:52,941 --> 00:55:55,941
It's really well thought out.
It's well styled.

1047
00:55:55,941 --> 00:55:59,941
I would totally rock that.
I love it.

1048
00:56:02,941 --> 00:56:04,942
Now, can I just begin by
saying something?

1049
00:56:04,942 --> 00:56:06,941
Ay yi yi.
When I saw it during the

1050
00:56:06,941 --> 00:56:08,941
critique...
Yeah?

1051
00:56:08,941 --> 00:56:10,276
Forget the vest.
It was this...

1052
00:56:10,276 --> 00:56:11,941
Mm-hmm.
And it was a skirt to here.

1053
00:56:11,941 --> 00:56:14,941
I said, "you need more."
Instead, they transformed who

1054
00:56:14,941 --> 00:56:19,818
the customer is in a way that
I just, I mean, I just feel bad

1055
00:56:19,818 --> 00:56:21,818
about.

1056
00:56:21,818 --> 00:56:24,941
This looks like a kid did it.
It's, like, make triangles--oh,

1057
00:56:24,941 --> 00:56:26,941
whoopsie.

1058
00:56:26,941 --> 00:56:28,818
Heidi!
But don't you agree this could

1059
00:56:28,818 --> 00:56:31,818
have potentially worked?
Yeah.

1060
00:56:33,941 --> 00:56:38,941
The disconnect between the
vest and this dress is a

1061
00:56:38,941 --> 00:56:41,941
metaphor for the disconnect
between the team members.

1062
00:56:41,941 --> 00:56:43,941
Absolutely.
It's so sad.

1063
00:56:43,941 --> 00:56:46,941
The vest, I have seen a
how-to video on the Internet

1064
00:56:46,941 --> 00:56:48,941
on how to make that.
At least there's a

1065
00:56:48,941 --> 00:56:51,941
semi-completion of the dress,
but I'm just not wowed by the

1066
00:56:51,941 --> 00:56:54,941
vest at all.
The vest or the dress.

1067
00:56:54,941 --> 00:57:01,941
Neither one are good.
All right, let's talk about

1068
00:57:01,941 --> 00:57:04,651
Miranda and Timothy.
My God.

1069
00:57:04,651 --> 00:57:06,818
Because we do agree that this
is the worst one?

1070
00:57:06,818 --> 00:57:08,941
Oh, by far.
The truth is, this should

1071
00:57:08,941 --> 00:57:10,941
have been his challenge.
Yeah, this was his time to

1072
00:57:10,941 --> 00:57:13,941
shine, not to make something
that felt like a life vest with

1073
00:57:13,941 --> 00:57:16,941
lots of holes in it.
And he's been in the bottom

1074
00:57:16,941 --> 00:57:19,276
for the third time in a row.
And it felt very righteous

1075
00:57:19,276 --> 00:57:21,941
and with lots of excuses.
I think the dress is really

1076
00:57:21,941 --> 00:57:23,942
bad.
The one thing that she did claim

1077
00:57:23,942 --> 00:57:25,941
was the dress.
And she's not proud of it.

1078
00:57:25,941 --> 00:57:27,941
This is the<i> Titanic...</i>

1079
00:57:27,941 --> 00:57:30,818
And they're fighting over that
life vest.

1080
00:57:30,818 --> 00:57:34,941
That's all we know.
So we've made our decision?

1081
00:57:34,941 --> 00:57:39,543
We feel good about this? All
right, let's bring them back out.

1082
00:57:40,941 --> 00:57:43,818
One of you will be named the

1083
00:57:43,818 --> 00:57:48,422
winner and one of you will be out.

1084
00:57:58,741 --> 00:58:03,409
One of you will be named the
winner and one of you will be out.

1085
00:58:06,358 --> 00:58:08,058
Helen...

1086
00:58:08,061 --> 00:58:10,771
You are the winner of this
challenge.

1087
00:58:17,201 --> 00:58:19,501
Wow.
Whoo!

1088
00:58:19,555 --> 00:58:23,032
We all loved your dress.
The way you manipulated your

1089
00:58:23,105 --> 00:58:25,228
material was amazing.
Congratulations.

1090
00:58:25,228 --> 00:58:27,228
Thank you so much.
This also means that you

1091
00:58:27,228 --> 00:58:30,228
have immunity for next week and
you cannot be eliminated.

1092
00:58:30,228 --> 00:58:33,228
That's awesome.
Helen and Kate, you're in.

1093
00:58:33,228 --> 00:58:35,228
You can leave the runway.
Great job.

1094
00:58:35,228 --> 00:58:39,228
Thank you, guys.
Having this be my first win,

1095
00:58:39,228 --> 00:58:42,228
it's like, can we just raise
the roof for a minute?

1096
00:58:42,228 --> 00:58:44,228
Like, I feel like I can do
anything now.

1097
00:58:44,228 --> 00:58:48,228
That's, like, the coolest [bleep] ever.

1098
00:58:48,228 --> 00:58:51,228
Hey.
Hi.

1099
00:58:51,228 --> 00:58:53,228
We won.
Well, Helen won.

1100
00:58:53,228 --> 00:58:55,228
All right, girl!

1101
00:58:55,228 --> 00:58:59,105
Congratulations.
The dress was cool, you

1102
00:58:59,105 --> 00:59:01,228
know?
Yay.

1103
00:59:01,228 --> 00:59:05,228
Alexandria and dom, good job.
You're both in.

1104
00:59:05,228 --> 00:59:08,228
- You can leave the runway.
- Thank you.

1105
00:59:12,228 --> 00:59:16,228
Alexander, Justin, you're in.
You can leave the runway.

1106
00:59:16,228 --> 00:59:19,228
Thank you very much.

1107
00:59:19,228 --> 00:59:21,190
Thank you.

1108
00:59:29,105 --> 00:59:32,730
Timothy and Miranda, you
clearly did not work together

1109
00:59:32,730 --> 00:59:34,938
well, and it showed in your
look.

1110
00:59:34,938 --> 00:59:40,730
It was a major disappointment.
Timothy, Miranda, one of you

1111
00:59:40,730 --> 00:59:43,228
will be out.

1112
00:59:51,084 --> 00:59:52,302
Timothy...

1113
00:59:53,228 --> 00:59:57,228
I'm sorry, you're out.
Miranda, you're in.

1114
00:59:57,228 --> 01:00:00,229
You can leave the runway.

1115
01:00:07,717 --> 01:00:09,019
I'm sorry, Timothy.

1116
01:00:09,105 --> 01:00:11,105
I'm really sad to see you go
already.

1117
01:00:11,105 --> 01:00:13,228
We really like your point of
view as a designer and what you

1118
01:00:13,228 --> 01:00:16,563
stand for.
We'll be rooting for you.

1119
01:00:16,563 --> 01:00:20,105
Her walking up to me as she
says, "we're all supporting

1120
01:00:20,105 --> 01:00:23,228
you," I think that's just really
what I needed to hear.

1121
01:00:23,228 --> 01:00:25,228
<i> Auf wiedersehen.</i>
<i> Auf wiedersehen.</i>

1122
01:00:25,228 --> 01:00:27,228
All the best to you.
Thank you so much.

1123
01:00:27,228 --> 01:00:30,228
It was really great to meet all
three of you.

1124
01:00:30,228 --> 01:00:33,228
Thank you.
It's okay that I'm going home

1125
01:00:33,228 --> 01:00:37,228
now, because I've learned
everything that I wanted to

1126
01:00:37,228 --> 01:00:42,228
in ways I wasn't expecting.
Come here.

1127
01:00:42,228 --> 01:00:45,228
Good job.
Oh, thank you.

1128
01:00:45,228 --> 01:00:47,228
Oh!

1129
01:00:47,228 --> 01:00:50,228
Guys, what?
Come here.

1130
01:00:50,228 --> 01:00:52,228
Thank you.
I don't know if I just really

1131
01:00:52,228 --> 01:00:56,563
regret anything.
I should have danced more.

1132
01:00:56,563 --> 01:01:00,938
I regret not dancing more.
I think we both will learn

1133
01:01:00,938 --> 01:01:06,228
a lot from this.
Hello.

1134
01:01:06,228 --> 01:01:09,228
I just want to congratulate
you, Timothy, for being here.

1135
01:01:09,228 --> 01:01:11,228
You're an extraordinary
individual.

1136
01:01:11,228 --> 01:01:13,228
We're gonna miss you!
Oh.

1137
01:01:13,228 --> 01:01:15,228
Thank you, Tim.
Thank you so much.

1138
01:01:15,228 --> 01:01:18,228
Yes, a round of applause.

1139
01:01:18,228 --> 01:01:20,228
So, I have to send you to the
workroom to clean up your space.

1140
01:01:20,228 --> 01:01:21,563
Okay, all right.
Okay?

1141
01:01:21,563 --> 01:01:23,228
I will. Okay.
All right.

1142
01:01:23,228 --> 01:01:25,228
We're gonna miss you.
Thank you so much.

1143
01:01:25,228 --> 01:01:27,229
Bye, Tim.
Thank you.

1144
01:01:27,229 --> 01:01:30,938
As sorry as I am to see
Timothy go, I wasn't going to

1145
01:01:30,938 --> 01:01:34,228
use my Tim Gunn save.
I agree with the judges.

1146
01:01:34,228 --> 01:01:38,105
I totally still believe in
unicorns.

1147
01:01:38,105 --> 01:01:41,228
Oh, my gosh, I won't stop
believing in unicorns, ever.

1148
01:01:47,433 --> 01:01:49,282
Next time on <i> Project Runway...</i>

1149
01:01:49,282 --> 01:01:52,065
Please
welcome Jesse Tyler Ferguson.

1150
01:01:52,798 --> 01:01:54,463
I freak out just a little
bit.

1151
01:01:54,520 --> 01:01:57,520
This is a bow-tie challenge.

1152
01:01:57,520 --> 01:01:59,855
I was feeling really good all
day until now.

1153
01:01:59,855 --> 01:02:04,520
I am disturbed tremendously.
Ready for the meltdown.

1154
01:02:04,520 --> 01:02:06,397
It's bizarre.
I'm trying to get direction

1155
01:02:06,397 --> 01:02:07,521
from you.
What do you want to see from me?

1156
01:02:07,521 --> 01:02:10,397
This isn't<i> Project Runway:
The student show.</i>

1157
01:02:10,397 --> 01:02:13,397
I do think this is a failure.
You're out of order!

1158
01:02:13,397 --> 01:02:15,520
Don't you get that?
Down!

1159
01:02:15,520 --> 01:02:17,520
Sandro is a ticking time
bomb.

1160
01:02:17,520 --> 01:02:19,520
[Bleep] off!

1161
01:02:19,520 --> 01:02:22,084
I'm gonna smash this camera,
I promise you!

1162
01:02:22,154 --> 01:02:36,501
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