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Previously on The Mentalist...
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We need to find Kira Tinsley.
She either works for Red John,
Ripped By mstoll
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or she's about to become his next victim.
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(GRUNTING)
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Who did this to you?
Tell me.
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- LISBON: Jane, what did she say?
- She told me Red John has a tattoo
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on his left shoulder.
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Three dots.
That's my leverage.
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(TIRES SCREECHING)
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(CELL PHONE RINGING)
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- LISBON: Jane.
- Hello, Lisbon.
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Jane, don't do this, not without me.
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I said I'm sorry.
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I am begging you.
You're in danger!
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It's gonna be okay.
L-I'm gonna be okay.
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No, you're not. You do this
and you're throwing your life away.
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Bye, Lisbon.
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Jane, no.
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(PHONE BEEPS)
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(CAR APPROACHING)
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(SIGHS)
(MAN WHISTLING)
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(LOCK CLICKS)
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♪ (THEME MUSIC) ♪
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- CHO: A tattoo?
- Yes.
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That we can use to identify Red John?
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- Yes.
- That's great.
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Shall we check suspects one by one
until we find out who has a tattoo?
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No.
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Why not?
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Red John doesn't know
I know about the tattoo.
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Okay.
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So if we start checking suspects,
it's very likely that Red John will find out.
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And disappear
before we have a chance of getting him.
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Exactly.
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Then what do you want to do?
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Gather all five suspects together
at the same place, same time,
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then start checking for the tattoo.
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And how do we do that?
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- We'll ask them.
- You think they'll agree?
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I wasn't planning
on giving them a choice.
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Even so there is a problem.
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Bret Stiles is wanted by the FBI
in connection to two homicides.
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Yeah.
Cold cases from over 20 years ago.
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You're kidding. After all this time,
the FBI is moving in now?
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They must've found something new.
Forensics, a witness.
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- Where's Stiles?
- That's the thing. Nobody knows.
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Not even the FBI.
Stiles disappeared weeks ago.
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- We'll find him.
- How?
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I don't know, but we'll find him.
We have to.
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- I'm on board with your plan.
- Good.
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On one condition. I want to be
there when you reveal Red John.
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- Okay.
- Seriously.
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- I said okay.
- But you didn't mean it.
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Did I not?
How can you tell?
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- This is non-negotiable.
- I agree 100 percent.
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I think I've made myself clear, agents.
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I have no knowledge
of Bret Stiles' whereabouts.
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Yes, Mr Cooper.
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And we've made it clear
that we're not buying it.
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He leaves you in charge of Visualize,
but he keeps you in the dark
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about where he's hiding.
It doesn't make sense.
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He has and always will put
the church's needs before his own.
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This time is no different.
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He doesn't want me to know
because he wants to protect me.
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And because he doesn't
want to be found.
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I doubt Bret Stiles
is worried about being found.
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You seem confident.
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Call it faith.
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You see, Stiles' time
in our reality is limited.
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As we speak,
he's preparing his mind and body
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for a departure from the confines
of our material world.
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He's dying?
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That is a very naive,
very ignorant way of looking at it.
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Bret Stiles is not dying.
Bret Stiles cannot die.
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He's elevating himself
to another plane.
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One lesser men like ourselves
can only strive to reach.
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One some of us
obviously can't comprehend.
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- Coffee. One cream, one sugar.
- Thanks, Russell.
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- Forensics is here when you're ready.
- Send them over.
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Get his ID for me.
You know how I am about heights.
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Sure.
Oh, and someone's here to see you.
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Thanks.
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There's been a breakthrough
in the Red John investigation.
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I have some new information.
Some very significant information.
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Okay.
What is it?
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No, no. Not yet.
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I'm not sure who I can trust.
I'm not even sure I can trust you.
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Red John has very powerful allies.
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Patrick, come on.
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Okay, but not here.
Meet me at 8:00 on Thursday night.
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- Thursday? Why?
- I need time to find a safe place to meet.
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- Fine. Where?
- I'll let you know the day of.
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- This is crazy.
- I've made the mistake
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of underestimating Red John
a number of times now.
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I don't want
to make that mistake again.
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If you want the information,
it's on my terms.
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Okay. Thursday night.
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(CELL PHONE RINGS)
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This is Sheriff McAIlister.
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Sheriff?
Patrick Jane.
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Hello, Patrick.
How are things?
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Good. Good.
I'm calling because I had a question.
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Shoot.
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Last month when I was in Napa,
you said that you're at my disposal.
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- Yes, I remember.
- Did you mean what you said?
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I like to think
I'm a man of my word.
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I don't doubt it.
But can I count on you for your help?
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Can I count on you?
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Of course.
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Thursday night
at 8:00 I'll need your help.
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Then you've got it.
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Thank you. I'll let you know
where to be the day of.
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- Patrick?
- Yeah?
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This is about Red John, isn't it?
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Thursday night.
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- They're ready for you, sir.
- Thank you, Evelyn.
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- Also, this came for you.
- Hmm?
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You are here tonight
to witness my ascension.
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My ascension
from this world to a world beyond.
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Do not mourn me, my children,
for this is not a passing...
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...but a departure.
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And I promise...
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...I will return!
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(CHEERING)
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Listen to me, Don.
You don't have a mistress.
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You have a vindictive screwball
who's about to ruin your life.
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Yes, well, it's very lucky for you
my job is to fix problems,
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so here's what you're gonna do.
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You're gonna write her a check.
It's gonna be a very big check.
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And then you are gonna pray
that this problem goes away.
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If it doesn't, don't worry, Don.
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There are plenty of ways
to keep a woman quiet, okay?
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All right. I gotta go.
All right.
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- Hello.
- You're late.
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Good to see you, too, Teresa.
Excuse me, can I get coffee, black?
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- Sure.
- Thanks.
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- Why am I here at 8:00 a. M?
- I need help with an investigation.
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- What investigation?
- It's not important.
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Really?
It is if you want my help.
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- I can't tell you.
- Come on, Teresa.
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I know you better than that.
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You and Jane got something going on
with the Red John case?
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- Maybe.
- Maybe. Yeah, right.
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What is with all the secrecy?
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Why are you always holding out on me?
You don't think I'm Red John, do you?
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You do, don't you?
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Tell you what.
You want to question me,
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you arrest me, otherwise,
you leave me the hell out of this.
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Sit down. Sit.
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If asking's not gonna work,
I won't ask.
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You're no longer with the CBI.
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You don't get the same protection
law enforcement gets.
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- You threatening me?
- No, Jane is.
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He wants to see you tomorrow night.
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If you don't show up,
he'll assume you're Red John.
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And Ray, he will come after you.
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You gotta be kidding me.
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You know Jane.
You know what happened to him.
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You know what Red John did to him.
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If I were you, I wouldn't test him.
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- I'm not afraid of Patrick Jane.
- What's the problem with showing up?
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If I do this, will you drop
the whole that "I'm Red John" business?
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For once and for all.
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- What time?
- 8:00.
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I'm not done.
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- There's one more thing that I need.
- You're killing me here.
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- Stiles.
- Yeah?
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- Where is he?
- I can't help you.
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Come on, Ray,
you've been with Visualize for years.
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I don't want to arrest him.
I just want to talk to him.
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You do this, and I will owe you.
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In your line of work, sooner or later
you're gonna need a favor.
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Ray Haffner told me
Stiles uses a private jet
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to move around the country
undetected.
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It belongs to a guy named Ryan Parks.
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Parks. Got it.
I'll check it out.
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- Has Jane been in yet?
- No, I haven't heard from him.
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(KNOCKING)
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00:15:46,845 --> 00:15:48,176
Mr. Lamotte?
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00:15:48,948 --> 00:15:50,415
Yeah? Can I help you?
181
00:15:50,816 --> 00:15:52,613
Agents Cho and Rigsby from the CBI.
182
00:15:52,651 --> 00:15:54,448
We were wondering if you could
answer a few questions for us.
183
00:15:54,653 --> 00:15:57,247
- Sure.
- A G6 landed here late last night.
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Tail number N550MT.
Around 11:00.
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- I remember. What about it?
- Do you know who was on the flight?
186
00:16:03,729 --> 00:16:07,324
No. Private aircraft aren't required
to provide passenger manifests.
187
00:16:07,633 --> 00:16:09,396
Did you see anyone
getting off the plane?
188
00:16:09,768 --> 00:16:13,727
No. Sorry. But whoever it was
had a car service pick him up.
189
00:16:13,939 --> 00:16:17,875
- They might be able to help you.
- You have the name of that service?
190
00:16:18,077 --> 00:16:19,339
Yes, I do.
191
00:16:20,746 --> 00:16:22,179
What happened with the car service?
192
00:16:22,448 --> 00:16:25,076
They said they picked up
a silver-haired man with a British accent
193
00:16:25,284 --> 00:16:26,444
from the airport last night.
194
00:16:26,719 --> 00:16:27,981
- Stiles.
- We think so.
195
00:16:28,187 --> 00:16:31,645
- Where'd he go?
- Ecuadorian Consulate, San Francisco.
196
00:16:32,224 --> 00:16:34,351
Good job.
You two go and check it out.
197
00:16:35,494 --> 00:16:38,361
Van Pelt, why don't you go alone?
Stiles likes you.
198
00:16:38,564 --> 00:16:40,498
Maybe we can use that
to our advantage.
199
00:16:42,835 --> 00:16:45,736
- Is there a problem?
- No.
200
00:16:49,074 --> 00:16:50,405
- I'll be fine.
- I know.
201
00:16:50,876 --> 00:16:52,309
- It's my job.
- I know.
202
00:16:52,845 --> 00:16:55,075
Hey.
I love you.
203
00:16:56,615 --> 00:16:57,877
I know.
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00:17:06,358 --> 00:17:08,053
(CELL PHONE RINGS)
205
00:17:12,531 --> 00:17:14,192
- Hey, Lisbon.
- Where are you?
206
00:17:14,400 --> 00:17:15,958
Just running some errands.
207
00:17:16,168 --> 00:17:18,693
- Everything okay?
- Right as rain. What's up?
208
00:17:19,138 --> 00:17:22,335
- Haffner's in.
- Good. What about Stiles?
209
00:17:22,574 --> 00:17:25,372
Van Pelt may have a bead on his location.
She's checking it out now.
210
00:17:25,677 --> 00:17:28,612
That leaves one more Red John
suspect left to talk to.
211
00:17:28,847 --> 00:17:31,975
Bertram. I'm on my way to his office.
You want to meet me there?
212
00:17:32,184 --> 00:17:33,515
All right.
213
00:17:38,724 --> 00:17:43,218
Grace Van Pelt.
Well, how lovely to see you again.
214
00:17:44,029 --> 00:17:45,257
Mmm.
215
00:17:45,531 --> 00:17:50,559
Wow. So, please sit.
To what do I owe this pleasure?
216
00:17:50,936 --> 00:17:53,427
Jane.
He needs a favor.
217
00:17:55,340 --> 00:17:57,103
Clever, him, sending you.
218
00:17:57,976 --> 00:18:01,070
So exactly what can I do
for Patrick Jane?
219
00:18:02,114 --> 00:18:05,106
He would like to meet with you.
Tomorrow night at 8:00.
220
00:18:08,020 --> 00:18:10,853
You've changed since we last met.
You're married.
221
00:18:11,824 --> 00:18:12,813
Yes.
222
00:18:13,425 --> 00:18:15,655
Don't tell me
you married that genial oaf.
223
00:18:17,229 --> 00:18:20,198
Oh. Oh, well, congratulations.
224
00:18:20,933 --> 00:18:22,127
Thank you.
225
00:18:22,968 --> 00:18:25,334
So will you meet with Jane?
226
00:18:26,405 --> 00:18:30,068
You know, nothing would please me more
than to meet with him.
227
00:18:30,175 --> 00:18:32,200
I mean, really, I would love to, but...
228
00:18:33,545 --> 00:18:37,845
Unfortunately, my circumstances...
It's probably not gonna happen.
229
00:18:38,817 --> 00:18:40,512
Because of the FBI?
230
00:18:41,620 --> 00:18:43,451
You have been doing your homework.
231
00:18:44,556 --> 00:18:48,356
They don't know I'm here
which means they don't know you're here.
232
00:18:48,927 --> 00:18:51,088
But they will
if you don't agree to meet with Jane.
233
00:18:51,964 --> 00:18:54,125
You have changed, haven't you?
234
00:18:58,036 --> 00:19:01,301
Have you ever been to Ecuador?
235
00:19:01,673 --> 00:19:02,799
No.
236
00:19:03,675 --> 00:19:09,079
I was there, oh, God, years and years ago
doing missionary work.
237
00:19:10,015 --> 00:19:11,346
Lovely people.
238
00:19:12,151 --> 00:19:17,612
There was a young man there.
He was underprivileged.
239
00:19:18,090 --> 00:19:20,149
Ferociously ambitious.
240
00:19:20,592 --> 00:19:25,427
I saw something in him.
So I decided to try and help him.
241
00:19:25,697 --> 00:19:30,157
I paid for his school fees, that sort of thing.
Nothing really much, but...
242
00:19:30,502 --> 00:19:32,936
Wouldn't you know it.
All these years later,
243
00:19:33,005 --> 00:19:35,667
that same man
is now Minister of State.
244
00:19:36,708 --> 00:19:38,141
I'm happy for him.
245
00:19:38,577 --> 00:19:43,105
Anyway he invited me
to stay in this palatial consulate.
246
00:19:43,482 --> 00:19:46,542
This morsel of foreign soil.
247
00:19:46,752 --> 00:19:53,453
Foreign soil which, as you know,
is outside the jurisdiction of you, the FBI,
248
00:19:53,659 --> 00:19:56,059
and all US law enforcement.
249
00:19:56,261 --> 00:19:59,924
You see, Gracie,
your idle threats are just that.
250
00:20:00,132 --> 00:20:04,569
It's been lovely seeing you again.
Please give my best to Mr. Jane.
251
00:20:04,603 --> 00:20:05,160
(CHUCKLES)
252
00:20:05,404 --> 00:20:07,429
Close the door on your way out!
253
00:20:14,079 --> 00:20:16,707
- It's gonna be fine.
- Thanks. I feel a lot better.
254
00:20:17,249 --> 00:20:18,216
(KNOCKING)
255
00:20:18,684 --> 00:20:19,912
Come on in.
256
00:20:23,488 --> 00:20:25,285
We've made a breakthrough, sir.
257
00:20:26,058 --> 00:20:27,958
- In...
- The Red John case.
258
00:20:28,894 --> 00:20:30,919
We're close to identifying him.
259
00:20:31,830 --> 00:20:36,927
Well, then this is fantastic news.
You really think you've got him?
260
00:20:37,135 --> 00:20:38,329
I do.
261
00:20:40,639 --> 00:20:42,903
I want to know the second you
have something concrete.
262
00:20:43,141 --> 00:20:45,371
- You will, sir.
- I want to be there when you end it.
263
00:20:46,111 --> 00:20:47,669
I was hoping you'd say that.
264
00:21:08,967 --> 00:21:10,525
(WHISTLING)
265
00:21:21,947 --> 00:21:23,209
Yeah, it's me.
266
00:21:24,616 --> 00:21:27,949
I just had a very interesting
conversation with Patrick Jane.
267
00:21:30,389 --> 00:21:32,823
- How'd it go with Bertram?
- He's in. What about Stiles?
268
00:21:33,025 --> 00:21:34,617
- Not so good.
- Did you find him?
269
00:21:35,360 --> 00:21:37,487
- Yes.
- Then what's the problem?
270
00:21:39,164 --> 00:21:43,123
He's at the Ecuadorian consulate.
We can't touch him.
271
00:21:44,836 --> 00:21:46,167
What do you want to do?
272
00:21:47,539 --> 00:21:50,235
- I'll handle Stiles.
- He's not gonna come with you.
273
00:21:50,375 --> 00:21:52,605
- He doesn't have to.
- I'll be persuasive.
274
00:21:55,113 --> 00:21:56,512
What is that?
275
00:22:05,957 --> 00:22:09,415
A shot gun?
You sure it's big enough?
276
00:22:14,966 --> 00:22:16,627
We need to talk about tomorrow night.
277
00:22:16,935 --> 00:22:19,267
- I've already told you.
- Hear me out, please.
278
00:22:21,540 --> 00:22:24,600
- You don't want me to be there.
- No, I don't.
279
00:22:25,410 --> 00:22:26,638
You don't want me to be there
280
00:22:26,745 --> 00:22:29,942
because you think I'm gonna try
and stop you from killing Red John.
281
00:22:30,649 --> 00:22:32,116
Are you saying that you won't?
282
00:22:32,617 --> 00:22:36,018
What I'm saying is some men,
men like Red John,
283
00:22:36,054 --> 00:22:39,421
they don't deserve a trial.
They don't deserve ajury.
284
00:22:40,859 --> 00:22:42,986
They deserve
what they have coming at them.
285
00:22:43,962 --> 00:22:45,293
Let me get this straight.
286
00:22:45,497 --> 00:22:48,227
After close to 20 years
working in law enforcement
287
00:22:48,400 --> 00:22:50,459
you're just changing your mind?
288
00:22:50,669 --> 00:22:52,136
About Red John?
Yes.
289
00:22:54,172 --> 00:22:56,106
I'm surprised, Lisbon.
290
00:22:57,109 --> 00:22:58,838
What, you don't believe me?
291
00:22:59,644 --> 00:23:02,511
Heavens no.
You're the most honest person I know.
292
00:23:02,714 --> 00:23:05,308
You would never lie.
Not about something like this.
293
00:23:06,251 --> 00:23:07,650
Right?
294
00:23:08,687 --> 00:23:09,881
Right.
295
00:23:10,355 --> 00:23:13,188
- Tomorrow night then.
- Tomorrow night.
296
00:23:19,164 --> 00:23:21,132
(SLIDES DOOR SHUT)
297
00:23:36,982 --> 00:23:39,951
Patrick, dear boy.
Well, how are you?
298
00:23:41,052 --> 00:23:42,542
Well, I'm not your boy.
299
00:23:43,555 --> 00:23:46,956
Oh, I see.
So this is not a social meeting, eh?
300
00:23:47,826 --> 00:23:50,158
You're gonna meet me tonight at 8:00.
301
00:23:51,830 --> 00:23:53,229
- Patrick.
- No, you listen to me.
302
00:23:54,699 --> 00:23:57,361
You're gonna meet me tonight,
or I'm gonna come back here,
303
00:23:57,569 --> 00:24:01,198
and when I do, you'll need more
than these walls to keep you safe.
304
00:24:02,040 --> 00:24:05,237
Threats?
That's so out of character.
305
00:24:05,544 --> 00:24:08,513
- I mean every word of it.
- Yes.
306
00:24:10,081 --> 00:24:11,912
I believe you do.
307
00:24:13,485 --> 00:24:18,787
But you see,
a dying man does not fear death.
308
00:24:19,157 --> 00:24:23,560
Oh, please. This charade might work
on your disciples, it doesn't work on me.
309
00:24:25,096 --> 00:24:27,291
You think too highly of me.
310
00:24:28,600 --> 00:24:32,036
Unfortunately, it's not a charade.
311
00:24:36,007 --> 00:24:37,133
How long have you got?
312
00:24:39,544 --> 00:24:42,240
It's spread to the blood.
There's nothing they can do.
313
00:24:42,447 --> 00:24:44,972
I don't know two weeks, a month.
314
00:24:47,152 --> 00:24:48,813
You see...
315
00:24:50,589 --> 00:24:57,051
It's not personal. It's just that...
my time now is very precious.
316
00:24:58,296 --> 00:24:59,854
I'm still gonna need you tonight.
317
00:25:01,633 --> 00:25:05,296
For God's sake, why?
What's so damned important?
318
00:25:06,238 --> 00:25:11,175
Red John. I'm close.
Closer than I've ever been.
319
00:25:16,882 --> 00:25:18,440
Red John?
320
00:25:22,454 --> 00:25:25,981
Nothing would give me more pleasure
than to be with you there tonight.
321
00:25:26,191 --> 00:25:27,488
But?
322
00:25:28,026 --> 00:25:32,190
There's more to this than you know.
There's more keeping me here.
323
00:25:32,531 --> 00:25:35,625
- The FBI?
- Yeah, as a matter of fact.
324
00:25:35,967 --> 00:25:40,063
They tracked me here. They're waiting
for me to leave so they can arrest me.
325
00:25:40,405 --> 00:25:44,034
I'm not choosing to stay here,
but I'm trapped.
326
00:25:44,543 --> 00:25:46,807
So the FBI's the only thing
that's keeping you here.
327
00:25:50,882 --> 00:25:52,850
MAN ON RADIO: Eyes up, we've got
movement at the front entrance.
328
00:25:54,953 --> 00:25:57,888
That's a Visualize car.
I think they're sneaking someone out.
329
00:25:58,456 --> 00:26:02,483
Get ready to move.
Go now! Go! Go! Go!
330
00:26:15,006 --> 00:26:16,268
(TIRES SCREECHING)
331
00:26:21,313 --> 00:26:23,577
- Don't move!
- Hands on your steering wheel!
332
00:26:24,583 --> 00:26:26,380
Keep your hands where we can see 'em.
333
00:26:27,586 --> 00:26:30,817
Hello, gentlemen.
Something I can help you with?
334
00:27:03,722 --> 00:27:05,349
Stiles is in.
335
00:27:06,558 --> 00:27:09,288
We'd better get going.
We've got a long drive ahead of us.
336
00:27:11,429 --> 00:27:12,691
Come on!
337
00:27:12,931 --> 00:27:14,364
(CELL PHONE VIBRATES)
338
00:27:14,566 --> 00:27:16,056
Take him.
339
00:27:49,701 --> 00:27:51,999
Well, then Sac PD's
gonna have to wait.
340
00:27:52,604 --> 00:27:55,596
I don't wanna pull rank but I will.
(CELL PHONE VIBRATES)
341
00:27:58,843 --> 00:28:00,333
Kevin, I gotta call you back.
342
00:28:02,547 --> 00:28:03,514
(CELL PHONE VIBRATES)
343
00:28:10,255 --> 00:28:12,018
I'll be needing a car.
344
00:28:46,591 --> 00:28:48,183
LISBON: What are we doing?
345
00:28:49,060 --> 00:28:50,550
I want to see the sunset.
346
00:29:23,995 --> 00:29:26,862
There's something
I want to tell you, Lisbon.
347
00:29:29,033 --> 00:29:31,729
Something I should have
said a long time ago.
348
00:29:33,071 --> 00:29:35,198
I want to thank you for everything
that you've done.
349
00:29:35,406 --> 00:29:36,896
- You can thank me later.
- No, I...
350
00:29:39,110 --> 00:29:41,010
I need to say this now.
351
00:29:46,084 --> 00:29:49,451
You have no idea
what you've meant to me.
352
00:29:52,390 --> 00:29:53,982
What you mean to me.
353
00:29:57,695 --> 00:29:59,128
Thank you.
354
00:30:16,014 --> 00:30:18,380
I almost forgot.
I have a surprise for you.
355
00:30:19,584 --> 00:30:20,551
Wait here.
356
00:30:33,631 --> 00:30:36,498
(CAR ENGINE STARTS)
Jane? Jane!
357
00:31:52,043 --> 00:31:53,567
(KEYS CLATTERING)
358
00:32:06,024 --> 00:32:08,015
Hello! Hey!
359
00:32:40,224 --> 00:32:41,691
(BREATHING HEAVILY)
360
00:34:33,538 --> 00:34:36,769
Hey! Stop! Police!
361
00:34:40,111 --> 00:34:41,476
My name is Teresa Lisbon.
362
00:34:41,579 --> 00:34:43,570
I'm an agent with
the California Bureau of Investigation.
363
00:34:43,781 --> 00:34:45,942
I need to borrow your car.
It's an emergency.
364
00:34:46,150 --> 00:34:48,641
- What?! No way.
- Get out. Now. Come on.
365
00:34:49,220 --> 00:34:51,245
- Come on.
- This is outrageous.
366
00:34:51,522 --> 00:34:54,286
- I'm calling the police.
- Good idea. Thanks.
367
00:34:58,396 --> 00:34:59,658
(MUTTERS ANGRILY)
368
00:35:01,632 --> 00:35:04,100
(CELL PHONE RINGS)
369
00:35:09,540 --> 00:35:11,235
- LISBON: Jane.
- Hello, Lisbon.
370
00:35:11,442 --> 00:35:13,842
Don't do this, not without me.
371
00:35:14,045 --> 00:35:18,072
- I'm sorry.
- I am begging you. You're in danger!
372
00:35:18,349 --> 00:35:20,681
It's gonna be okay.
L-I'm gonna be okay.
373
00:35:20,985 --> 00:35:24,182
No, you're not. You do this
and you're throwing your life away.
374
00:35:25,156 --> 00:35:28,091
- Bye, Lisbon.
- Jane. No.
375
00:36:33,291 --> 00:36:34,724
(CAR APPROACHING)
376
00:36:37,428 --> 00:36:39,953
(CAR DOOR OPENS)
(MAN WHISTLING)
377
00:36:52,376 --> 00:36:56,642
Oh. Hello, Patrick.
Am I early?
378
00:36:57,882 --> 00:37:00,180
No, right on time.
Have a seat.
379
00:37:11,696 --> 00:37:13,664
WOMAN: 911,
what's your emergency?
380
00:37:13,864 --> 00:37:16,833
This is Agent Teresa Lisbon
with the CBI.
381
00:37:17,034 --> 00:37:20,800
I need officers
at 1309 Cedar Street in Malibu.
382
00:37:21,005 --> 00:37:23,530
I have an agent
who needs immediate assistance.
383
00:37:26,677 --> 00:37:31,137
I brought you five together for a reason.
Some of you may know that reason.
384
00:37:32,016 --> 00:37:36,350
Some of you may have guessed.
But one of you here...
385
00:37:39,423 --> 00:37:41,015
...is Red John.
386
00:37:43,027 --> 00:37:45,188
What? One of us?
387
00:37:45,696 --> 00:37:50,395
One of us here is Red John?
Well, that's very interesting.
388
00:37:51,302 --> 00:37:53,202
- Who is it?
- I don't know.
389
00:37:54,238 --> 00:37:55,364
We're going to find out.
390
00:37:55,573 --> 00:37:58,633
You're trying to say
that one of us is a serial killer?
391
00:37:58,876 --> 00:38:00,173
- I know it.
- This is crazy.
392
00:38:00,378 --> 00:38:02,107
I can assure you it's not.
393
00:38:02,313 --> 00:38:04,543
Well, I can assure you
I'm not sticking around for this crap.
394
00:38:10,655 --> 00:38:14,523
Sit down.
Do not move toward the door.
395
00:38:14,992 --> 00:38:16,516
No one is leaving.
396
00:38:17,795 --> 00:38:19,228
Take it easy, Patrick.
397
00:38:20,431 --> 00:38:22,023
Do I look distressed?
398
00:38:25,436 --> 00:38:26,630
Don't.
399
00:38:27,605 --> 00:38:32,440
I will shoot you.
That goes for the rest of you too.
400
00:38:34,045 --> 00:38:37,742
Take out your weapons slowly,
place them on the floor...
401
00:38:37,815 --> 00:38:40,181
and push them toward me.
402
00:38:49,393 --> 00:38:50,587
Thank you.
403
00:38:51,662 --> 00:38:53,254
Thank you.
404
00:38:56,133 --> 00:39:00,331
Okay, Patrick.
This is... This is enough.
405
00:39:00,905 --> 00:39:04,068
- It's gone far enough.
- We're just getting started.
406
00:39:04,642 --> 00:39:06,405
I've waited ten years
for this moment.
407
00:39:07,812 --> 00:39:10,280
All those years,
Red John has been smart.
408
00:39:10,715 --> 00:39:14,742
One of you has been smart.
Careful.
409
00:39:14,952 --> 00:39:17,716
But not this time.
This time, you made a mistake.
410
00:39:18,889 --> 00:39:22,086
Kira Tinsley told me something
before she passed.
411
00:39:23,761 --> 00:39:27,959
She told me that her killer,
Red John, has a tattoo.
412
00:39:30,201 --> 00:39:33,693
Three dots on his left arm.
On the shoulder.
413
00:39:34,939 --> 00:39:38,875
And you all are gonna show me.
414
00:39:41,445 --> 00:39:42,810
Now.
415
00:39:47,184 --> 00:39:48,549
Let's go. Come on.
416
00:39:50,054 --> 00:39:51,521
That's it. Take it off.
417
00:39:55,226 --> 00:39:56,557
Nonsense.
418
00:40:05,035 --> 00:40:06,662
Very good.
419
00:40:24,922 --> 00:40:26,549
It's not what you think.
420
00:40:27,324 --> 00:40:28,951
- You got it wrong.
- Enough.
421
00:40:29,560 --> 00:40:31,391
I'm not Red John.
422
00:40:31,862 --> 00:40:35,889
Patrick, wait.
Patrick! Look. Here. Look.
423
00:40:54,752 --> 00:40:57,346
On your feet.
Over with those two.
424
00:41:03,093 --> 00:41:06,927
You stay there.
Okay, you three.
425
00:41:07,498 --> 00:41:09,227
Over against that wall.
Now.
426
00:41:17,308 --> 00:41:19,401
MAN: Wait! No!
(GUNSHOT)
427
00:41:24,215 --> 00:41:26,513
(TIRES SKIDDING)
(CAR HONKING)
428
00:41:31,755 --> 00:41:33,518
(CAR HONKING)
429
00:41:53,677 --> 00:41:54,871
Jane!
430
00:42:14,732 --> 00:42:16,029
(GASPS)
431
00:42:16,934 --> 00:42:17,923
(GRUNTS)
432
00:42:19,270 --> 00:42:22,430
(DEBRIS CLATTERING)
Ripped By mstoll
433
00:42:54,705 --> 00:42:56,673
(English - SDH)