3
00:00:12,500 --> 00:00:14,300
SHE'S THE FIRST THING
I THINK ABOUT EVERY DAY.
4
00:00:15,100 --> 00:00:16,300
"HOW IS SHE?"
5
00:00:16,600 --> 00:00:18,400
"DOES SHE MISS ME
LIKE I MISS HER?"
6
00:00:20,200 --> 00:00:21,500
"HOW DO I GET HER BACK?"
7
00:00:23,800 --> 00:00:25,800
AND THEN ANOTHER DAY
WITHOUT HER BEGINS.
8
00:00:30,400 --> 00:00:31,500
Peyton: LUCAS.
9
00:00:39,800 --> 00:00:41,200
Jamie: CHESTER.
10
00:00:49,800 --> 00:00:50,900
BROOKE.
11
00:00:52,500 --> 00:00:54,000
OH, MY GOD.
I HAVE TO PEE.
12
00:00:58,500 --> 00:00:59,700
Skills: WHAT DAY IS IT?
13
00:01:01,300 --> 00:01:02,400
WHAT TIME IS IT?
14
00:01:03,700 --> 00:01:06,200
WHAT THE HELL
DID I DRINK LAST NIGHT?
15
00:01:10,000 --> 00:01:12,800
Marvin: "MMM, MILLICENT...
YOU SMELL SO GOOD."
16
00:01:14,900 --> 00:01:16,500
"I HAVE TO GO TO WORK."
17
00:01:17,300 --> 00:01:19,100
"SURE, I GUESS
I CAN BE A LITTLE LATE."
18
00:01:22,200 --> 00:01:24,700
"WHAT DO YOU MEAN I'M FIRED?
I WASN'T EVEN THAT LATE!"
19
00:01:25,900 --> 00:01:27,400
"HOW AM I GONNA PAY MY RENT?"
20
00:01:28,700 --> 00:01:30,700
"WOULD YOU LIKE FRIES
WITH THAT, SIR?"
21
00:01:41,100 --> 00:01:42,200
JAMIE.
22
00:01:43,800 --> 00:01:44,800
JAMIE.
23
00:01:46,700 --> 00:01:48,400
GOD MY GIRL IS UP
24
00:01:49,500 --> 00:01:50,500
MORNING.
25
00:01:50,800 --> 00:01:51,900
MORNING
26
00:01:58,600 --> 00:02:00,800
YOU KNOW,
I'M HUNGRY THIS MORNING.
I AM STARVING.
27
00:02:11,100 --> 00:02:12,100
Dan: KEITH.
28
00:02:16,100 --> 00:02:17,200
SMELLS GOOD IN HERE.
29
00:02:17,600 --> 00:02:19,700
Haley: YEAH, I MADE
SOME FRENCH TOAST.
NICE.
30
00:02:19,800 --> 00:02:22,000
IT'S TOTALLY GOOD,
DADDY.
It's totally good.
31
00:02:22,100 --> 00:02:24,500
THAT'S NOT WHAT I MEANT,
BUT THAT SS GOOD,
32
00:02:25,800 --> 00:02:26,400
GOOD MORNING.
33
00:02:26,500 --> 00:02:27,800
WHAT'S YOUR DAY LIKE?
34
00:02:28,500 --> 00:02:29,900
MOSTLY JUST PLAYING.
35
00:02:31,900 --> 00:02:33,000
MY DAY'S NOT BAD EITHER.
36
00:02:33,100 --> 00:02:35,400
I'M JUST GONNA FINISH
GRADING THESE PAPERS
37
00:02:35,500 --> 00:02:37,300
AND THEN GO OVER TO SEE PEYTON
FOR A LITTLE BIT,
38
00:02:37,400 --> 00:02:40,600
AND THEN YOU AND I HAVE
TO INTERVIEW THE N-A-N-N-I-E-S.
39
00:02:41,200 --> 00:02:42,700
I HATE IT WHEN YOU SPELL.
40
00:02:42,800 --> 00:02:43,800
DON'T SAY, "HATE."
41
00:02:43,900 --> 00:02:46,700
SORRY.
I JUST THINK IT'S D-U-M.
42
00:02:47,400 --> 00:02:48,200
WOW.
43
00:02:48,600 --> 00:02:50,600
ADD A "B" TO THE END OF THAT,
OR YOU WILL BE, TOO.
44
00:02:51,600 --> 00:02:54,400
JAMIE, WHAT DO YOU THINK ABOUT
GOING TO PRACTICE WITH ME TODAY?
45
00:02:54,700 --> 00:02:55,700
CAN I?
46
00:02:56,000 --> 00:02:57,400
I DON'T KNOW.
IT'S A BIG STEP.
47
00:02:57,500 --> 00:02:58,600
WHAT DO YOU THINK, MOM?
48
00:03:01,900 --> 00:03:03,400
PLEASE BE CAREFUL.
49
00:03:03,500 --> 00:03:05,300
SWEET!
I'LL GO GET MY JERSEY.
50
00:03:10,300 --> 00:03:12,500
THANKS, MAMA.
I L-O-V-E YOU!
51
00:03:12,600 --> 00:03:15,300
I L-O-V-E YOU, TOO,
SMARTY-PANTS.
52
00:03:17,300 --> 00:03:18,600
KID'S GOT YOUR BRAINS.
53
00:03:19,000 --> 00:03:21,700
I JUST NOW FIGURED OUT THAT
YOU WERE SPELLING "NANNIES."
WHATEVER.
54
00:03:22,400 --> 00:03:24,300
THEY'RE GETTING HERE AT 5:00,
BY THE WAY.
OKAY.
55
00:03:24,400 --> 00:03:25,700
AND IF YOU RUN INTO QUENTIN
AT PRACTICE,
56
00:03:25,800 --> 00:03:28,800
WILL YOU T@AL HIMHE'S D
WITH HIS CHAPTER REPORTS
ON "LES MIS"?
57
00:03:28,900 --> 00:03:29,700
THAT'S GOOD.
58
00:03:29,800 --> 00:03:31,400
NOW IF ONLY HE COULD FIGURE OUT
HIS JUMP SHOT.
59
00:03:32,100 --> 00:03:33,400
I'LL SEE YA.
BYE, BABY.
60
00:03:43,200 --> 00:03:44,600
THAT DESK
LOOKS GOOD ON YOU, COACH.
61
00:03:46,300 --> 00:03:47,600
WELCOME BACK, COACH SCOTT.
62
00:03:48,600 --> 00:03:49,600
SO, HOW MY BOY DOING?
63
00:03:50,500 --> 00:03:51,200
BOY'S GOOD.
64
00:03:51,300 --> 00:03:52,500
SORRY I WAS OUT OF TOUCH
FOR SO LONG.
65
00:03:52,600 --> 00:03:54,400
HEY, YOU GOT TO DO
WHAT YOU GOT TO DO, RIGHT?
66
00:03:55,200 --> 00:03:57,200
I JUST WISH I WAS ABLE
TO HELP YOU SOMEHOW.
67
00:03:57,300 --> 00:03:59,500
YOU DID. YOU RAN THE TEAM
FOR THE LAST MONTH.
68
00:03:59,600 --> 00:04:00,400
HOW THEY DOING?
69
00:04:02,400 --> 00:04:04,500
YOU KNOW.
YOU WIN SOME.
YOU LOSE SOME.
70
00:04:06,500 --> 00:04:08,400
AND HOW MANY "SOME"
DID YOU LOSE?
71
00:04:10,100 --> 00:04:11,400
YOU LOST EIGHT GAMES?
72
00:04:11,800 --> 00:04:13,200
YEAH, BUT WE WON FOUR.
73
00:04:13,900 --> 00:04:17,100
WELL,
THREE PLUS THE FIRST ONE,
BUT YOU WAS HERE
FOR THAT ONE.
74
00:04:18,000 --> 00:04:20,900
LOOK, I KNOW THIS IS
NOT WHAT YOU WAS HOPING FOR.
75
00:04:21,800 --> 00:04:23,400
AND I'M TAKING
ALL THE BLAME FOR THIS.
76
00:04:24,500 --> 00:04:25,900
BUT I'M GONNA KEEP IT REAL
WITH YOU.
77
00:04:26,900 --> 00:04:28,900
"Q" SUCKS,
AND IT'S ALL HIS FAULT.
78
00:04:29,000 --> 00:04:31,000
I MEAN, HE AIN'T HIT A SHOT
SINCE YOU LEFT.
79
00:04:31,100 --> 00:04:32,400
BECAUSE THEY'RE DOUBLING HIM.
80
00:04:32,600 --> 00:04:35,000
NO.
HIS HAND IS MESSED UP.
81
00:04:36,200 --> 00:04:38,100
I MEAN,
WE ICE IT CONSTANTLY,BUT...
82
00:04:38,500 --> 00:04:41,500
IT JUST AIN'T BEEN RIGHT
SINCE HE PUNCHED
THAT KNUCKLEHEAD OVER AT TRIC.
83
00:04:41,700 --> 00:04:43,000
WHAT'S "Q" SAY?
84
00:04:43,300 --> 00:04:44,600
HE SAID
HE HAD IT CHECKED OUT.
85
00:04:45,700 --> 00:04:47,400
ALL RIGHT.
I'LL TALK TO HIM.
86
00:04:48,300 --> 00:04:49,500
SEE, THAT'S THE THING.
87
00:04:50,400 --> 00:04:52,600
HE ASKED ME NOT TO SAY
NOTHING TO YOU ABOUT THIS.
88
00:04:53,400 --> 00:04:55,500
HE THINK THE INJURY
GONNA COST HIM A SCHOLARSHIP.
89
00:04:55,800 --> 00:04:58,700
I'LL TELL YOU WHAT'S GONNA
COST HIM A SCHOLARSHIP --
PLAYING INJURED
AND GOING 4-8.
90
00:04:59,300 --> 00:05:00,000
YEAH.
91
00:05:00,200 --> 00:05:01,200
LET'S GET HIM IN HERE.
92
00:05:02,700 --> 00:05:03,600
UNCLE LUCAS!
93
00:05:03,700 --> 00:05:05,500
HEY!
THERE'S THE MAN!
94
00:05:07,700 --> 00:05:08,300
I MISSED YOU, BOY.
95
00:05:08,400 --> 00:05:10,500
DADDY SAID
YOU WERE ON A SHIP.
96
00:05:11,200 --> 00:05:12,600
DID YOU SEE ANY PIRATES?
97
00:05:12,800 --> 00:05:14,200
YEAH, I SAW
A COUP PIRATE SHIPS,
98
00:05:14,300 --> 00:05:15,800
BUT THEY DIDN'T WANT
ANY PART OF ME.
99
00:05:16,900 --> 00:05:18,100
YOU WANT TO SHOW ME
YOUR JUMP SHOT?
100
00:05:18,500 --> 00:05:19,400
ALL RIGHT.
101
00:05:22,500 --> 00:05:23,500
WELCOME BACK, LUKE.
102
00:05:24,200 --> 00:05:24,900
YOU GOOD?
103
00:05:25,700 --> 00:05:26,800
I'M WORKING ON IT.
104
00:05:47,100 --> 00:05:48,000
OH, MY GOD.
105
00:05:48,900 --> 00:05:49,800
OH MY GOD
106
00:05:50,100 --> 00:05:51,600
THE MACY'S PRESENTATION!
I FORGOT!
107
00:05:51,700 --> 00:05:54,300
I REMEMBERED.
IT'S ALL RIGHT HERE.
WE JUST NEED
YOUR DESIGN SKETCHES.
108
00:05:54,400 --> 00:05:55,500
THANK YOU.
109
00:05:55,800 --> 00:05:57,300
YOU HAVE REALLY STEPPED UP,
110
00:05:57,400 --> 00:06:00,200
ESPECIALLY WITH YOU-KNOW-WHO
OUT OF THE PICTURE.
111
00:06:00,900 --> 00:06:01,900
BUT...
112
00:06:02,200 --> 00:06:03,800
BUT WHAT?
AM I IN TROUBLE?
113
00:06:04,400 --> 00:06:05,100
NO.
114
00:06:05,800 --> 00:06:07,600
I WAS ACTUALLY THINKING
THAT
115
00:06:07,700 --> 00:06:11,100
YOU ARE WAY TOO VALUABLE
TO JUST BE
MY ASSISTANT ANYMORE,
116
00:06:11,200 --> 00:06:12,800
SO HOW WOULD YOU FEEL
117
00:06:13,100 --> 00:06:17,200
ABOUT A LITTLE RAISE
AND A LITTLE PROMOTION?
118
00:06:17,400 --> 00:06:19,700
OH, MY GOSH!
I DON'T KNOWHAT TO SAY.
119
00:06:19,900 --> 00:06:21,700
WHAT'S MY TITLE GONNA BE?
SOMETHING COOL, I HOPE.
120
00:06:21,800 --> 00:06:24,300
WE'LL FIGURE ALL THAT OUT,
BUT WE HAVE TO GET YOU
BACK TO NEW YORK FIRST.
121
00:06:30,000 --> 00:06:31,300
CLOTHES OVER BRO'S.
122
00:06:31,600 --> 00:06:32,500
THIS IS SHE.
123
00:06:34,000 --> 00:06:34,600
OH.
124
00:06:36,500 --> 00:06:37,400
OH.
125
00:06:38,000 --> 00:06:39,900
NO.
ABSOLUTELY, I CAN.
126
00:06:40,900 --> 00:06:43,700
I MEAN, I WILL.
YES.
127
00:06:46,300 --> 00:06:47,200
THANK YOU.
128
00:06:50,200 --> 00:06:52,400
Milly:
BROOKE, I'M SO HAPPY, REALLY, BUT...
129
00:06:52,600 --> 00:06:54,600
I'M NOT SURE
I CAN GO BACK TO NEW YORK.
130
00:06:55,600 --> 00:06:56,600
THAT'S OKAY.
131
00:06:57,100 --> 00:06:58,700
CHANGE OF PLANS.
I'M GONNA NEED YOU HERE.
132
00:06:58,800 --> 00:07:00,600
OH? OH, GOOD!
133
00:07:01,500 --> 00:07:03,900
WHY?
WHAT'S WRONG?
134
00:07:06,100 --> 00:07:07,400
I'M GONNA BE A MOM
135
00:07:14,400 --> 00:07:16,300
BROOKE, I DON'T UNDERSTAND.
WHAT DO YOU MEAN YOURE GONNA BE A MOM
136
00:07:16,400 --> 00:07:17,900
THAT WAS THE LADY
FROM THE AGENCY.
137
00:07:18,000 --> 00:07:20,100
THE HORRIBLE WOMAN WHO
SAID SHE WOULDN'T COMMEND
YOU FOR ADOPTION?
138
00:07:20,200 --> 00:07:23,300
SHE SAID IT'S LIKE A SPECIAL
CASE, LIKE A FOSTER-CARE THING.
139
00:07:23,500 --> 00:07:24,300
OH, MY --
140
00:07:24,700 --> 00:07:26,600
I HAVE TO GET READY,
AND I CAN'T GET THIS IN MY BAG!
141
00:07:26,700 --> 00:07:28,700
OKAY. FIRST OF ALL,
YOU DON'T NEED THIS.
142
00:07:28,900 --> 00:07:30,600
WHAT DO YOU NEED?
WHAT CAN I HELP YOU WITH?
143
00:07:31,900 --> 00:07:32,600
I DON'T KNOW.
144
00:07:32,700 --> 00:07:34,800
I'VE NEVER HAD A BABY.
I DON'T KNOW WHAT BABIES NEED.
145
00:07:34,900 --> 00:07:35,700
I JUST --
146
00:07:36,200 --> 00:07:39,000
I HAVE TO GO, AND
I CANNOT GET THIS IN MY BAG!
147
00:07:39,100 --> 00:07:41,100
ONCE AGAIN,
YOU DON'T NEED THIS.
148
00:07:41,500 --> 00:07:42,600
NOW, JUST CALM DOWN.
149
00:07:42,700 --> 00:07:43,500
OKAY, WHERE ARE MY KEYS?
150
00:07:43,600 --> 00:07:44,600
THEY'RE IN YOUR HAND.
151
00:07:45,100 --> 00:07:46,700
BUT I'M NOT SURE
YOU SHOULD BE DRIVING.
152
00:07:46,800 --> 00:07:48,700
LET ME GET YOU SOME WATER.
MILLICENT.
153
00:07:51,800 --> 00:07:53,200
THEY'RE GIVING ME A BABY.
154
00:08:01,400 --> 00:08:03,800
THERE'S SOMETHING MISSING
UP ON THE WALL.
155
00:08:03,900 --> 00:08:05,500
THERE USED TO BE ANOTHER ONE.
156
00:08:05,600 --> 00:08:06,600
WHAT WAS IT?
157
00:08:08,800 --> 00:08:10,400
THAT WAS
YOUR GRANDFATHER'S JERSEY.
158
00:08:10,700 --> 00:08:11,900
GRANDPA DAN?
159
00:08:12,300 --> 00:08:13,800
WHY'D THEY TAKE IT DOWN?
160
00:08:14,700 --> 00:08:16,400
BECAUSE OF THE BAD THINGS
HE DID.
161
00:08:17,200 --> 00:08:19,300
PEOPLE DECIDED THEY DIDN'T
WANT IT UP THERE ANYMORE.
162
00:08:20,200 --> 00:08:22,500
YOU DO BAD THINGS SOMETIMES,
DADDY,
163
00:08:22,600 --> 00:08:24,300
AND YOURS IS STILL UP THERE.
164
00:08:26,800 --> 00:08:27,800
NOT THAT BAD.
165
00:08:29,500 --> 00:08:31,200
Quentin:
HO, HO! THERE HE IS!
166
00:08:31,800 --> 00:08:33,300
♪ I SAID
IT'S J. LUKE SCOTT ♪
167
00:08:33,400 --> 00:08:34,600
♪ THE BOY IS HOT
168
00:08:34,700 --> 00:08:37,200
♪ WHEREVER HE GOES, HOMEY,
THAT'S THE SPOT ♪
169
00:08:37,300 --> 00:08:38,500
♪ HIS NAME IS "Q"
170
00:08:38,600 --> 00:08:39,600
♪ HE'S BETTER THAN YOU
171
00:08:39,700 --> 00:08:42,400
♪ IF THE SPOT IS HOT,
THEN HE'S THERE, TOO ♪
172
00:08:43,000 --> 00:08:43,600
MY MAN.
173
00:08:44,900 --> 00:08:45,900
♪ I'M THE DAD
174
00:08:46,200 --> 00:08:47,200
♪ AND I'M NOT SO BAD
175
00:08:47,300 --> 00:08:48,700
♪ I --
176
00:08:54,000 --> 00:08:55,100
MR. FIELDS.
177
00:08:56,800 --> 00:08:58,100
WELL, WELL.
178
00:08:58,700 --> 00:09:00,400
THE PRODIGAL COACH
RETURNS...
179
00:09:01,100 --> 00:09:03,000
AND ROCKIN' A TAN TO BOOT.
WHAT'S GOING ON, COACH?
180
00:09:03,100 --> 00:09:05,000
YOU TRYING TO GET
ALL DARK AND SEXY LIKE ME?
181
00:09:05,900 --> 00:09:07,000
IT'S GOOD
TO SEE YOU, TOO.
182
00:09:08,200 --> 00:09:09,600
AW, MAN.
COME ON, NOW, COACH.
183
00:09:09,700 --> 00:09:10,800
YOU KNOW HOW WE ROLL.
184
00:09:11,200 --> 00:09:12,700
EVEN BIG GAME JAMES KNOW THAT.
185
00:09:13,300 --> 00:09:15,000
YEAH, I KNOW,
BUT THIS IS HOW I ROLL.
186
00:09:35,200 --> 00:09:36,300
Haley: HEY, KNOCK, KNOCK.
187
00:09:36,700 --> 00:09:38,300
HEY, FOXY, WHAT'S UP?
188
00:09:40,900 --> 00:09:42,900
I LIKE THAT OUTFIT.
OH, THANK YOU.
189
00:09:43,000 --> 00:09:45,600
THERE ARE PERKS TO
HAVING A VERY FAMOUS
DESIGNER AS A ROOMMATE.
190
00:09:45,700 --> 00:09:47,100
YOU GET TONS OF FREE STUFF.
191
00:09:47,400 --> 00:09:49,300
SPEAKING OF,
CHECK OUT ALL THESE DEMOS.
192
00:09:49,400 --> 00:09:51,500
WOW. LOOKS LIKE
THINGS ARE PICKING UP, HUH?
193
00:09:51,600 --> 00:09:56,300
WELL, MOSTLY
BECAUSE YOUR INSTINCTS
ARE PRETTY KICK-ASS,
HALEY JAMES SCOTT.
194
00:09:56,400 --> 00:09:58,100
MIA'S ALBUM IS KILLING IT.
195
00:09:58,200 --> 00:09:59,600
AND ARE YOU READY FOR THIS?
196
00:09:59,800 --> 00:10:03,200
SHE HAS SOLD...40,000 COPIES!
197
00:10:03,500 --> 00:10:06,600
WOW! THAT'S GREAT!
THAT'S REALLY GREAT! SHE --
198
00:10:06,700 --> 00:10:08,900
SHE'S REALLY THE KIND OF
GIRL THAT DESERVES IT, YOU KNOW?
199
00:10:09,000 --> 00:10:09,600
I KNOW.
200
00:10:09,700 --> 00:10:11,800
NOW I JUST NEED TO FIND
ANOTHER ONE.
201
00:10:12,200 --> 00:10:14,300
WELL, I ALREADY DID --
YOU.
202
00:10:14,400 --> 00:10:17,100
YOU DESERVE ALL THE SUCCESS
YOU'RE GETTING AND MORE,
203
00:10:17,400 --> 00:10:18,700
AND I'M REALLY PROUD OF YOU.
204
00:10:20,000 --> 00:10:21,100
THANKS, HALEY.
205
00:10:21,600 --> 00:10:23,900
THAT REALLY -- THAT MEANS A LOT
TO ME COMING FROM YOU.
206
00:10:24,200 --> 00:10:25,500
ACTUALLY, THAT WAS
JUST TO BUTTER YOU UP,
207
00:10:25,600 --> 00:10:27,400
'CAUSE I REALLY NEED
TO ASK YOU FOR A FAVOR.
208
00:10:27,500 --> 00:10:28,900
YOU ARE A CRACK-UP.
209
00:10:29,900 --> 00:10:31,100
WHAT IS IT?
ANYTHING.
210
00:10:31,400 --> 00:10:33,400
SO, YOU KNOW HOW YOU'RE LOOKING
FOR THE NEXT GREAT ARTIST
211
00:10:33,500 --> 00:10:35,600
AND YOU REALLY TRUST
MY INSTINCTS AND EVERYTH
212
00:10:36,100 --> 00:10:37,700
DO YOU HAVE A DEMO
FOR ME?
213
00:10:37,800 --> 00:10:38,700
I DO.
214
00:10:38,800 --> 00:10:41,000
HALEY, THAT'S AWESOME.
WHO IS IT?
215
00:10:42,300 --> 00:10:43,600
HALEY JAMES SCOTT.
216
00:10:48,800 --> 00:10:49,700
YES.
217
00:10:54,000 --> 00:10:56,600
LOOK, MAN, THE DOC SAYS IT'S
GONNA BE A LITTLE SWOLLEN
FROM TIME TO TIME.
218
00:10:57,500 --> 00:10:58,900
WHY Y'ALL SWEATIN' IT
SO HARD?
219
00:10:59,700 --> 00:11:00,900
BECAUSE WE'RE 4-8.
220
00:11:01,900 --> 00:11:03,100
MAYBE THAT'S 'CAUSE
OF THE COACHING.
221
00:11:03,200 --> 00:11:04,000
EASY.
222
00:11:04,100 --> 00:11:05,600
LOOK, I'M JUST SAYIN. MAN
223
00:11:05,800 --> 00:11:06,900
ONE OF THEM
DISAPPEARED FOR A MONTH.
224
00:11:07,000 --> 00:11:08,800
THE OTHER ONE
CAN'T BE TRUSTED.
225
00:11:10,700 --> 00:11:11,500
ALL RIGHT.
226
00:11:16,000 --> 00:11:17,100
I WANT YOU TO PALM THESE.
227
00:11:18,000 --> 00:11:18,900
PLEASE.
[ CHUCKLES ]
228
00:11:21,700 --> 00:11:23,300
THERE. YOU HAPPY?
229
00:11:23,600 --> 00:11:24,600
NOT QUITE.
230
00:11:25,500 --> 00:11:26,600
PALM THE BALLS...
231
00:11:26,900 --> 00:11:28,200
AND HOLD THEM THERE.
232
00:11:29,700 --> 00:11:30,600
FOR HOW LONG?
233
00:11:31,100 --> 00:11:32,900
I DON'T KNOW.
30 SECONDS?
234
00:11:33,600 --> 00:11:34,900
SHOULDN'SHBE A PROBLEM,
RIGHT?
235
00:11:36,100 --> 00:11:38,900
I DO THIS, AND
ALL THIS NONSENSE GOES AWAY
236
00:11:40,500 --> 00:11:41,400
30 SECONDS.
237
00:11:49,200 --> 00:11:50,800
YOU SEE, THE THING IS, "Q,"
238
00:11:50,900 --> 00:11:52,600
IT'S NOT SO MUCH
THAT WE'RE 4-8.
239
00:11:52,800 --> 00:11:54,800
WE'RE 4-8,
AND YOU SHOOTING LIKE TRASH.
240
00:11:54,900 --> 00:11:56,400
YEAH, THAT'S 'CAUSE
THEY DOUBLING ME, MAN.
241
00:11:56,700 --> 00:11:58,300
DOLE-TEAMS
NEVER BOTHERED YOU BEFORE.
242
00:11:58,400 --> 00:12:00,400
SEE, YOU'RE ONE OF THE BEST
SHOOTERS I'VE EVER SEEN, "Q,"
243
00:12:01,200 --> 00:12:02,200
WHEN YOU'RE HEALTHY.
244
00:12:04,200 --> 00:12:06,300
THE OTHER ONES -- WELL,
THEY'RE RIGHT HERE IN THE GYM.
245
00:12:06,700 --> 00:12:07,900
EVEN ME, UNCLE LUCAS?
246
00:12:08,000 --> 00:12:09,200
ESPECIALLY YOU, JAMIE.
247
00:12:09,800 --> 00:12:11,800
SEE, YOU AND QUENTIN
ARE THE BEST SHOOTERS WE GOT.
248
00:12:16,500 --> 00:12:18,000
WHEN YOU'RE HEALTHY.
249
00:12:20,000 --> 00:12:21,300
NOTHING LIKE A SECOND OPINION.
250
00:12:22,600 --> 00:12:24,200
AND THIS TIME,
WE'LL COME WITH YOU.
251
00:12:24,700 --> 00:12:25,400
GO.
252
00:12:47,000 --> 00:12:48,000
I HAVE NEWS, BOYFRIEND.
253
00:12:48,100 --> 00:12:51,000
I MIGHT BE GETTING A PROMOTION
AND STAYING IN TREE HILL!
254
00:12:51,400 --> 00:12:54,100
I MIGHT BE GETTING A PROMOTION
AND LEAVING TREE HILL.
255
00:12:54,900 --> 00:12:55,600
WHAT?
256
00:12:56,500 --> 00:12:57,500
WHY?
257
00:12:58,000 --> 00:12:59,600
BEFORE I GOT THE JOB
WITH THE LOCAL STATI
258
00:12:59,700 --> 00:13:01,400
I SENT AUDITION TAPES
EVERYWHERE.
259
00:13:02,300 --> 00:13:04,100
THERE'S A GOOD STATION
IN OMAHA,
260
00:13:04,200 --> 00:13:06,400
AND THEY SAW
THE RAVENS FEATURE I DID, AND...
261
00:13:07,100 --> 00:13:08,200
THEY OFFER ME A JOB
262
00:13:09,000 --> 00:13:10,200
IN NEBRASKA?
263
00:13:10,600 --> 00:13:11,300
YEAH.
264
00:13:11,900 --> 00:13:16,300
THE NEAREST CLOTHES OVER BRO'S
LOCATION TO OMAHA IS THIS ONE.
265
00:13:16,400 --> 00:13:18,100
YEAH, I FIGURED.
266
00:13:19,600 --> 00:13:22,500
WELL, IS IT REALLY
THAT MUCH BETTER
THAN WHERE YOU'RE AT,
MARVIN?
267
00:13:22,600 --> 00:13:25,200
I MEAN, LIKE YOU SAID, YOU'VE
ALREADY DONE ONE FEATURE HERE.
268
00:13:25,300 --> 00:13:26,500
MAYBE YOU'LL GET TO DO MORE.
269
00:13:26,600 --> 00:13:29,300
MAYBE, BUT IT WAS REALLY
JUST 'CAUSE THEY WERE IN A BIND.
270
00:13:29,700 --> 00:13:32,100
THIS W BE
A FULL-TIME ON-AIR POSITION.
271
00:13:32,800 --> 00:13:35,600
IT'S A SMALL MARKET,
BUT IT'S A GREAT OPPORTUNITY.
272
00:13:37,000 --> 00:13:38,400
YOU SHOULD TAKE IT.
BUT --
273
00:13:38,500 --> 00:13:41,200
IF IT GETS YLOSER TO YOUR
DREAM, THEN YOU SHOULD TAKE IT.
274
00:13:42,000 --> 00:13:43,500
I DON'T THINK
IT'S THAT EASY.
275
00:13:43,700 --> 00:13:44,600
WHY NOT?
276
00:13:46,000 --> 00:13:48,000
BECAUSE YOU'RE PART
OF MY DREAM, TOO.
277
00:13:49,100 --> 00:13:51,600
MILLY, I KNOW WE JUST STARTED
OUT, BUT I LOVE BEING WITH YOU,
278
00:13:51,700 --> 00:13:52,600
AND I...
279
00:13:54,000 --> 00:13:57,200
I GUESS I WAS HOPING
WE HAD A FUTURE...TOGETHER.
280
00:13:59,700 --> 00:14:00,900
WAS THAT TOO EARLY?
281
00:14:01,000 --> 00:14:02,100
DID I FREAK YOU OUT?
282
00:14:02,900 --> 00:14:05,100
I FREAKED YOU OUT, DIDN'T I?
NO.
NO, NO, NO, NO.
283
00:14:05,400 --> 00:14:07,400
THERE IS NO WAY THOSE WORDS
COULD HAVE BEEN TOO EARLY --
284
00:14:07,500 --> 00:14:08,800
NOT COMING FROM YOU.
285
00:14:13,000 --> 00:14:14,700
JUST PROMISE ME
THAT IF YOU DO TAKE THE JOB
286
00:14:14,800 --> 00:14:17,000
THAT I CAN HAVE YOUR ROOM,
BECAUSE I'D REALLY LIKE
TO FIND A PLACE TO STAY
287
00:14:17,100 --> 00:14:18,400
THAT'S NOT PAY-BY-THE-DAY.
288
00:14:20,900 --> 00:14:21,600
WHAT?
289
00:14:34,900 --> 00:14:36,700
I KNOW IT'S REALLY ROUGH,
BUT I WAS THINKING --
290
00:14:36,800 --> 00:14:38,200
YES.
BUT IT'S OKAY IF YOU WANT --
291
00:14:38,300 --> 00:14:41,700
WILL YOU STOP?
THE ANSWER IS YES, OKAY?
292
00:14:42,000 --> 00:14:45,500
I'VE BEEN WAITING
FOR THE OPPORTUNITY
TO GO OUT AND BUY
THE NEXT HALEY JAMES RECORD,
293
00:14:45,600 --> 00:14:47,100
SO OF COURSE
I WANT TO RECORD IT.
294
00:14:47,200 --> 00:14:48,200
IT MIGHT
BE KIND OF FUN, HUH?
295
00:14:48,300 --> 00:14:51,800
WELL, YOU DID HAVE A MAJOR-LABEL
DEBUT THAT DID PRETTY GOOD,
296
00:14:51,900 --> 00:14:55,500
SO IT IS GOOD BUSINESS FOR ME,
BUT, YES, IT'S GONNA BE A BLAST.
297
00:14:55,900 --> 00:14:56,600
YEAH.
298
00:14:57,400 --> 00:14:58,500
WHAT DO YOU SAY?
299
00:14:59,600 --> 00:15:01,500
I SAY IT'S EXACTLY WHAT I NEED
RIGHT NOW.
300
00:15:01,700 --> 00:15:02,700
WELL, GUESS WHAT.
301
00:15:03,700 --> 00:15:04,400
ME
302
00:15:06,300 --> 00:15:07,000
WHAT?
303
00:15:08,200 --> 00:15:10,800
I MEAN, YOU NEVER KNOW WHERE THE
NEXT MIRACLE'S GONNA COME FROM.
304
00:15:13,300 --> 00:15:14,000
IT'S BROOKE.
305
00:15:14,300 --> 00:15:15,000
OH.
HEY, BROOKE!
306
00:15:15,100 --> 00:15:16,100
HEY, WHAT'S GOING ON?
307
00:15:16,200 --> 00:15:17,200
Brooke: It's a miracle!
308
00:15:18,200 --> 00:15:20,300
UH, YEAH.
WE JUST SAID THAT.
309
00:15:20,400 --> 00:15:21,800
WHAT, DID YOU BUG MY OFFICE?
310
00:15:21,900 --> 00:15:23,300
THEY'RE GIVING ME A BABY!
311
00:15:23,400 --> 00:15:25,300
UM...HOLD ON. WAIT. WHAT?
WHAT?
312
00:15:25,400 --> 00:15:27,100
THE LADY FROM THE AGENCY
CALLED THIS MORNING,
313
00:15:27,200 --> 00:15:28,800
AND THEY'RE SENDING ME --
314
00:15:29,500 --> 00:15:31,700
A PURPLE MONKEY?
315
00:15:32,100 --> 00:15:34,200
YOU'RE ADOPTING
A PURPLE MONKEY?
316
00:15:34,300 --> 00:15:36,500
No, not adopting
and not nkey.
317
00:15:36,600 --> 00:15:39,100
I'LL EXPLAIN IT ALL LATER.
PEYTON, HOW CRAZY IS THIS?
318
00:15:39,200 --> 00:15:40,700
No, Brooke, honey,
that's awesome.
319
00:15:40,800 --> 00:15:43,100
GOD, HALEY AND I
THOUGHT WE HAD BIG NEWS.
320
00:15:43,200 --> 00:15:44,400
Why?
What's your news?
321
00:15:45,100 --> 00:15:46,900
WE'RE GONNA MAKE
AN ALBUM TOGETHER.
322
00:15:47,100 --> 00:15:48,700
OH, WHATEVER.
I'M GETTING A BABY.
323
00:15:48,800 --> 00:15:50,000
I HAVE TO GO.
I'LL CALL YOU LATER.
324
00:15:50,100 --> 00:15:51,200
EXCUSE ME.
325
00:15:53,300 --> 00:15:55,400
WOW.
TODAY'S KIND OF FUN.
326
00:15:56,500 --> 00:15:57,900
LISTEN, "Q,"
I KNOW IT LOOKS GRIM,
327
00:15:58,000 --> 00:16:00,100
BUT, HEY, WE'LL HAVE THAT THING
OFF BY THE PLAYOFFS.
328
00:16:00,600 --> 00:16:01,700
PLAYOFFS?
MAN, WE 4-8.
329
00:16:01,800 --> 00:16:03,500
HEY, WE'RE GONNA FIGURE IT OUT.
ALL RIGHT?
330
00:16:03,900 --> 00:16:06,100
JUST, UH, HANG IN THERE.
331
00:16:07,600 --> 00:16:10,100
YEAH, I'D LIKE TO SPEAK
TO COACH TAYLOR,
332
00:16:10,400 --> 00:16:11,300
IF YOU DON'T MIND...
333
00:16:11,600 --> 00:16:12,500
ALONE.
334
00:16:13,800 --> 00:16:14,900
WE'LL BE DOWNSTAIRS.
335
00:16:16,900 --> 00:16:18,900
"Q," KEEP YOUR HEAD UP,
ALL RIGHT?
336
00:16:27,400 --> 00:16:28,900
LISTEN, KID --
THANKS FOR NOTHING, MAN.
337
00:16:29,200 --> 00:16:31,000
I TRUSTED YOU, ALL RIGHT?
338
00:16:31,900 --> 00:16:34,200
I PUT MY ASS ON THE LINE FOR YOU
EVERY SINGLE NIGHT, MAN.
339
00:16:34,300 --> 00:16:35,500
QUENTIN, YOU NEEDED THIS.
340
00:16:35,600 --> 00:16:36,800
I NEEDED THIS?!
341
00:16:37,300 --> 00:16:39,400
I -- YOU KNOW,
I NEEDED A SCHOLARSHIP.
342
00:16:39,600 --> 00:16:42,000
I NEEDED YOU
TO KEEP YOUR MOUTH SHUT.
THAT'S WHAT I NEEDED.
343
00:16:42,300 --> 00:16:45,700
BUT YOU WENT
ALL UNCLE TOM ON ME
AS SOON
AS MASSA LUCAS GOT BACK, HUH?
344
00:16:47,900 --> 00:16:48,800
YOU KNOW WHAT?
345
00:16:49,100 --> 00:16:51,000
WHEN YOUR WRIST HEALS
ERYTHING'S OKAY,
346
00:16:51,400 --> 00:16:53,100
I'M GONNA LET YOU
TAKE THAT BACK.
347
00:16:55,000 --> 00:16:56,200
BUT FOR NOW...
348
00:16:57,700 --> 00:16:59,500
JUST CONSIDER YOURSELF LUCKY.
349
00:17:12,300 --> 00:17:13,500
HI, GRANDPA.
350
00:17:14,300 --> 00:17:15,200
HI, JAMIE.
351
00:17:19,800 --> 00:17:22,300
YOU BOYS WANT TO JUMP ME AGAIN,
NOW'S YOUR CHANCE.
352
00:17:29,600 --> 00:17:30,100
HEY.
353
00:17:31,800 --> 00:17:32,800
WE'RNOT HA
355
00:17:34,500 --> 00:17:36,400
YOU FOLLOWING JAMIE AROUND.
356
00:17:37,200 --> 00:17:38,800
I'VE SEEN YOU, OKAY,
OUTSIDE OF THE SCHOOL.
357
00:17:38,900 --> 00:17:40,000
I'VE SEEN YOU
DRIVING PAST THE HOUSE.
358
00:17:40,100 --> 00:17:42,800
AND NOW YOU JUST HAPPEN
TO BE AT THE HOSPITAL?
NATHAN, STOP.
359
00:17:43,400 --> 00:17:45,100
I WAS IN PRISON
FOR A LONG TIME, OKAY?
360
00:17:45,200 --> 00:17:46,400
I WAS JUST GETTING
A CHECKUP.
361
00:17:48,500 --> 00:17:49,600
BUT THE TRUTH IS,
I WAS HOPING --
362
00:17:49,700 --> 00:17:52,000
NO, DON'T, DAN.
DON'T HOPE.
363
00:17:52,100 --> 00:17:53,100
YOU HEAR ME?
364
00:17:54,000 --> 00:17:55,300
THERE'S NO HOPE FOR YOU.
365
00:18:10,000 --> 00:18:12,100
I GUESS
I JUST DON'T UNDERSTAND.
366
00:18:12,500 --> 00:18:14,300
GRANDPA DAN SEEMS NICE.
367
00:18:14,700 --> 00:18:16,800
HOW COME EVERYONE'S
ALWAYS MAD AT HIM?
368
00:18:22,400 --> 00:18:23,800
YOU LOVE CHESTER, DON'T YOU?
369
00:18:24,800 --> 00:18:28,500
WELL, WHAT IF GRANDPA DAN
HURT CHESTER
370
00:18:29,800 --> 00:18:32,500
AND TOOK HIM AWAY SO
YOU COULD NEVER SEE HIM AGAIN?
371
00:18:33,600 --> 00:18:35,900
I GUESS I WOULD BE
REALLY MAD AT HIM...
372
00:18:36,300 --> 00:18:37,900
AND SAD, TOO.
373
00:18:38,100 --> 00:18:38,800
YEAH.
374
00:18:40,600 --> 00:18:43,100
WELL, THAT'S HOW WE FEEL.
375
00:18:55,000 --> 00:18:57,500
I JUST THINK THAT'S KIND
OF AN AWFUL THING TO SAY.
376
00:18:57,900 --> 00:18:59,400
YES, I'M MAD.
377
00:18:59,700 --> 00:19:02,600
OH, YOU DON'T THINK
I SHOULD BE MAD?
378
00:19:03,300 --> 00:19:06,200
I THOUGHT I WAS JUST GONNA HAVE
ONE BABY IN MY LIFE, BUT FINE.
379
00:19:06,500 --> 00:19:07,500
I HAVE TO GO.
380
00:19:08,800 --> 00:19:09,900
HOLY COW!
381
00:19:10,700 --> 00:19:11,700
STUPID OWEN.
382
00:19:11,800 --> 00:19:13,700
A LITTLE BABY TALK,
AND HE TOTALLY FREAKS OUT.
383
00:19:13,800 --> 00:19:16,300
WELL, NOTHING LIKE
FOISTING A BABY
ON A GUY
YOU'VE ALMOST KISSED.
384
00:19:16,400 --> 00:19:17,900
AND A CONFIRMED BACHELOR,
AT THAT.
385
00:19:18,000 --> 00:19:19,300
WHATY?
WHATEVER.
386
00:19:19,400 --> 00:19:20,200
HE'S GONNA COME OVER LATER,
387
00:19:20,300 --> 00:19:22,800
AND WE'RE GONNA TALK ABOUT IT
OR FIGHT ABOUT IT,
388
00:19:22,900 --> 00:19:23,600
BUT IT DOESN'T MATTER
389
00:19:23,700 --> 00:19:25,900
BECAUSE BABY AND BROOKE
ARE GONNA BE FINE.
390
00:19:26,000 --> 00:19:28,500
YEAH, I THINK "BABY AND BROOKE"
NEEDS A LITTLE EXPLANATION --
391
00:19:28,600 --> 00:19:31,300
LIKE WHO, WHEN, AND HOW,
FOR STARTERS.
392
00:19:31,600 --> 00:19:34,200
OKAY. SO, THE ADOPTION AGENCY
HAS THIS PROGRAM
393
00:19:34,300 --> 00:19:38,000
WHERE BABIES
FROM OTHER COUNTRIES
WHO NEED MAJOR SURGERIES AND
STUFF COME OVER TO THE U.S.
394
00:19:38,100 --> 00:19:39,900
AND DOCTORS DONATE THEIR TIME
TO FIX THEM UP
395
00:19:40,000 --> 00:19:41,000
AND THEN THEY GO HOME.
396
00:19:41,200 --> 00:19:42,400
OH.
THAT'S GREAT!
397
00:19:42,500 --> 00:19:45,000
IT'S KIND OF A "WHENEVER
THEY CAN SQUEEZE YOU IN"
SORT OF THING,
398
00:19:45,100 --> 00:19:47,600
AND THE AGENCY HAD A FAMILY AT
WAS SUPPOSED TO HOST THE BABY
399
00:19:47,700 --> 00:19:52,600
DROP OUT, SO THEY SAID
THIS COULD BE A GREAT TRIAL RUN FOR ME.
400
00:19:53,000 --> 00:19:53,900
WHEN DOES THE BABY SHOW UP?
IS IT A BOY
OR A GIRL?
401
00:19:54,000 --> 00:19:55,600
AND ARE HIS PARENTS
COMING, TOO?
402
00:19:55,700 --> 00:19:58,500
OKAY. SHE'S A GIRL,
AND SHE GETS HERE TOMORROW.
403
00:19:58,600 --> 00:19:59,900
HER PARENTS
DON'T COME WITH HER,
404
00:20:00,000 --> 00:20:01,400
AND THEY DIDN'T TELL ME
WHAT'S WRONG WITH HER.
405
00:20:01,500 --> 00:20:03,400
THEY'RE JUST SORT OF
GONNA HAND HER OVER,
406
00:20:03,500 --> 00:20:04,600
AND WE GO FROM THERE.
407
00:20:04,800 --> 00:20:05,900
AND CHECK IT OUT.
408
00:20:06,000 --> 00:20:07,500
I GOT HER...
409
00:20:07,900 --> 00:20:10,400
A PURPLE MONKEY
LIKE THE ONE I USED TO HAVE.
410
00:20:11,000 --> 00:20:11,700
THAT'S SO CUTE!
411
00:20:11,800 --> 00:20:13,100
AND DID YOU GET HER
ANYTHING ELSE?
412
00:20:13,900 --> 00:20:16,700
YEAH, I GOT ALL THIS STUFF.
413
00:20:16,800 --> 00:20:19,400
I MEAN, LIKE,
YOU KNOW...FOOD...
414
00:20:19,500 --> 00:20:21,500
OR, I MEAN, A CRIB.
...AND STUFF.
415
00:20:23,100 --> 00:20:24,900
I GOT A LITTLE SIDETRACKED?
416
00:20:25,500 --> 00:20:27,200
OKAY. WHY DON'T WE GO
TO MY HOUSE
417
00:20:27,300 --> 00:20:28,700
AND WE'LL GO THROUGH SOME
OF JAMIE'S OLD THINGS?
418
00:20:28,800 --> 00:20:29,600
REALLY?
YES.
419
00:20:29,700 --> 00:20:30,900
COME ON,
YOU PURPLE MONKEY.
420
00:20:31,500 --> 00:20:33,400
I'M SO EXCITED!
ME TOO.
421
00:20:37,600 --> 00:20:38,800
HEY, WHAT YOU DOIN'?
422
00:20:38,800 --> 00:20:40,400
LOOKING FOR PLACES TO LIVE.
423
00:20:40,500 --> 00:20:42,500
WELL, STOP, BECAUSE
I'VE FOUND YOU A PLACE.
424
00:20:43,500 --> 00:20:44,400
WITH ME.
425
00:20:44,700 --> 00:20:46,200
I PASSED ON THE OMAHA JOB.
426
00:20:46,400 --> 00:20:47,400
MARVIN...
427
00:20:47,700 --> 00:20:49,500
I FEEL LIKE I'M GOOD
AT WHAT I DO, MILLICENT,
428
00:20:49,600 --> 00:20:51,200
AND I'LL JUST WORK HARD AND
429
00:20:51,300 --> 00:20:53,300
HOPE THE STATION
GIVES ME ANOTHER SHOT.
430
00:20:53,700 --> 00:20:54,500
ARE YOU SURE?
431
00:20:54,600 --> 00:20:56,100
THAT I'M DOING THE RIGHT THING?
I DON'T KNOW.
432
00:20:56,200 --> 00:20:59,100
BUT ABOUT US?
YEAH. I'M SURE.
433
00:21:00,800 --> 00:21:02,500
I DON'T WANT TO LEAVE YOU,
MILLICENT.
434
00:21:03,400 --> 00:21:04,900
BUT YOU SAID YOU NEEDED
A PLACE TO STAY,
435
00:21:05,000 --> 00:21:07,800
AND I THOUGHT...
YOU SHOULD MOVE IN WITH ME.
436
00:21:09,200 --> 00:21:11,100
BUT...I CAN'T.
437
00:21:11,200 --> 00:21:12,300
I MEAN...
438
00:21:14,800 --> 00:21:18,500
LOOK, I KNOW IT'S SOON, BUT
YOU'LL SAVE A FORTUNE ON RENT,
439
00:21:18,600 --> 00:21:21,200
AND YOU'LL GET TO SEE ME
EVERY DAY.
440
00:21:21,300 --> 00:21:22,800
I MEAN, WHAT DO YOU SAY?
441
00:21:23,000 --> 00:21:25,000
I'D LIKE TO,
BUT I JUST CAN'T.
442
00:21:27,700 --> 00:21:28,500
SORRY.
443
00:21:28,600 --> 00:21:30,200
BUT I'M REALLY GLAD
YOU'RE STAYING.
444
00:21:38,400 --> 00:21:39,500
HALEY, THANK YOU.
445
00:21:39,600 --> 00:21:40,400
THIS IS GREAT.
446
00:21:40,500 --> 00:21:41,300
SURE.
447
00:21:42,200 --> 00:21:45,800
LISTEN, HAVE YOU GIVEN
ANY THOUGHT
TO HOW DIFFICULT IT'S GONNA BE
TO GIVE THIS BABY UP
448
00:21:45,900 --> 00:21:48,300
AFTER THE SURGERY? YOU KNOW YOU GOT TO FOUGHT FOR HER BROOKE
449
00:21:49,100 --> 00:21:49,900
I KNOW.
450
00:21:50,800 --> 00:21:52,500
BUT SHE NEEDS HELP, RIGHT?
451
00:21:52,800 --> 00:21:53,500
YEAH.
452
00:21:53,800 --> 00:21:55,000
Nathan: HEY.
WHAT'S GOING ON?
453
00:21:55,400 --> 00:21:56,200
HI.
454
00:21:56,600 --> 00:21:57,500
HI, AUNT BROOKE!
455
00:21:58,000 --> 00:21:59,500
HI, BEST BOY EVER!
456
00:22:00,200 --> 00:22:02,500
I HAVE A SURPRISE FOR YOU.
WHAT IS IT?
457
00:22:02,600 --> 00:22:04,200
HEY.
I FOUND THE CAR SEAT.
458
00:22:10,200 --> 00:22:11,100
SURPRISE.
459
00:22:23,300 --> 00:22:26,300
IT MUST HAVE BEEN GOOD
TO SPEND TIME WITH YOUR MOM
AND LILY AND ANDY.
460
00:22:27,000 --> 00:22:29,200
YEAH.
I THINK WE ALL NEEDED IT.
461
00:22:29,900 --> 00:22:31,600
PLUS, THE VIEW WASN'T TOO BAD,
EITHER.
462
00:22:31,700 --> 00:22:32,800
YEAH,
I'M SURE IT WAS BEAUTIFUL.
463
00:22:36,000 --> 00:22:38,300
SO, UH, YOU AND HALEY
ARE GONNA MAKE A RECORD, HUH?
464
00:22:38,400 --> 00:22:39,300
THAT'S GREAT.
465
00:22:40,100 --> 00:22:41,400
ACTUALLY, I WAS MEANING
TO ASK YOU --
466
00:22:41,500 --> 00:22:43,300
I MEAN, IT'S TOTALLY COOL
IF YOU SAY NO,
467
00:22:43,400 --> 00:22:46,300
BUT, UM, I WAS THINKING,
TO CUT DOWN ON STUDICOSTS,
468
00:22:46,400 --> 00:22:48,800
MAYBE I WOULD BUILD
A SMALL STUDIO IN THE OFFICE.
469
00:22:48,900 --> 00:22:50,900
BUT IT'S YOUR SPACE, SO...
470
00:22:51,000 --> 00:22:53,100
I THINK THAT'S A GREAT IDEA.
471
00:22:53,400 --> 00:22:55,300
I MEAN, I'LL ASK MY MOM,
BUT, YEAH, I THINK IT'S SMART.
472
00:22:59,500 --> 00:23:00,700
I DON'T BLAME YOU, PEYTON.
473
00:23:01,500 --> 00:23:03,100
LUKE...
AT ALL FOR ANY OF IT.
474
00:23:04,400 --> 00:23:06,500
I FEEL BAD FOR YOU,
I FEEL BAD FOR LINDSEY,
475
00:23:06,600 --> 00:23:09,300
AND I FEEL RESPONSIBLE
SOMEHOW.
476
00:23:09,800 --> 00:23:13,000
AND I REALLY HOPE THAT DOESN'T
COME OFF AS ARROGANT, OKAY?
477
00:23:13,100 --> 00:23:15,400
BUT I KNOW THIS HURT YOU.
478
00:23:16,600 --> 00:23:17,900
SHE'S COMING BACK, PEYTON.
479
00:23:19,300 --> 00:23:20,200
SHE LOVES ME.
480
00:23:20,900 --> 00:23:21,800
AND I LOVE HER.
481
00:23:23,200 --> 00:23:24,200
IT'S GONNA BE OKAY.
482
00:23:25,300 --> 00:23:26,300
I HOPE SO.
483
00:23:33,400 --> 00:23:34,400
IT'S OPEN.
484
00:23:40,100 --> 00:23:42,000
THAT KID'S A LOT HAIRIER
THAN I THOUGHT HE'D BE.
485
00:23:44,100 --> 00:23:45,200
VERY FUNNY.
486
00:23:45,300 --> 00:23:47,000
AND "HE"
IS GONNA BE A "SHE."
487
00:23:47,400 --> 00:23:48,700
I GUESS YOU TALKED TO OWEN.
488
00:23:48,900 --> 00:23:49,500
YEP.
489
00:23:50,300 --> 00:23:51,100
HOW YOU DOIN'?
490
00:23:51,500 --> 00:23:54,900
OKAY.
A LITTLE FREAK OUT BUT OKAY.
491
00:23:55,000 --> 00:23:55,800
IS HE WITH YOU?
492
00:23:56,100 --> 00:23:56,700
NO.
493
00:23:58,300 --> 00:24:00,100
WEIRD.
HE'S COMING OVER SOON.
494
00:24:00,400 --> 00:24:01,800
ACTUALLY, HE'S NOT.
495
00:24:02,200 --> 00:24:03,200
THAT'S KIND OF WHY I'M HERE.
496
00:24:05,300 --> 00:24:05,900
OH.
497
00:24:08,600 --> 00:24:09,800
OKAY.
498
00:24:12,800 --> 00:24:15,000
YOU KNOW, BROOKE,
OWEN'S MY FRIEND,
499
00:24:15,100 --> 00:24:18,600
AND I KNOW HE'S REALLY INTO YOU,
BUT...
500
00:24:19,300 --> 00:24:21,500
HE'S JUST KIND OF ALWAYS BEEN
ABOUT HIS INDEPENDENCE, TOO,
YOU KNOW?
501
00:24:22,000 --> 00:24:23,300
I GUESS I DIDN'T KNOW.
502
00:24:24,500 --> 00:24:26,800
HE'S JUST A LITTLE THRTTD
WITH ALL THE BABY STUFF.
503
00:24:26,900 --> 00:24:29,100
YEAH,
HE SAID THAT ON THE PHONE.
504
00:24:29,500 --> 00:24:32,800
LOOK, DID HE SEND YOU OVER HERE
TO TALK TO ME?
505
00:24:32,900 --> 00:24:34,300
ARE WE IN JUNIOR HIGH NOW?
506
00:24:34,400 --> 00:24:35,800
HE DIDN'T SEND ME OVER,
507
00:24:36,100 --> 00:24:38,100
AND HE'S NOT COMING BY EITHER.
508
00:24:39,300 --> 00:24:40,400
THEN WHY DID YOU?
509
00:24:41,400 --> 00:24:42,100
WELL...
510
00:24:42,800 --> 00:24:43,800
I'M TAKING OFF.
511
00:24:44,600 --> 00:24:47,100
I THOUGHT I'D SAY GOODBYE
AND CONGRATULATIONS.
512
00:24:47,700 --> 00:24:51,000
AND MAYBE I WANT TO SEE
YOUR FACE ONE MORE TIME.
513
00:24:53,700 --> 00:24:55,800
PROBABLY WHY OWEN'S
NOT COMING BY.
514
00:24:57,400 --> 00:24:59,100
WHAT IS THAT
SUPPOSED TO MEAN?
515
00:24:59,400 --> 00:25:00,600
WELL, HE PROBABLY FIGURES
516
00:25:00,700 --> 00:25:02,500
IF HE LOOKED IN THOSE EYES
ONE MORE TIME,
517
00:25:02,600 --> 00:25:04,700
HE'LL CAVE
ON THE WHOLE INDEPENDENCE THING.
518
00:25:07,500 --> 00:25:10,700
ANYWAYS, CALL ME
IF YOU NEED ANYTHING...
519
00:25:10,900 --> 00:25:13,600
SOMEONE TO TALK TO,
NEW CARPETS...
520
00:25:13,700 --> 00:25:15,300
I DON'T KNOW, A HUSBAND...
521
00:25:18,600 --> 00:25:19,600
I'LL SEE YOU AROUND.
522
00:25:27,600 --> 00:25:28,600
HEY, BROOKE?
523
00:25:30,800 --> 00:25:32,600
DON'T TAKE THE OWEN STUFF
TOO PERSONALLY.
524
00:25:33,400 --> 00:25:34,500
I WON'T.
525
00:25:35,300 --> 00:25:36,300
YEAH, YOU WILL.
526
00:25:36,500 --> 00:25:37,600
I KNOW HOW YOU ARE.
527
00:25:38,100 --> 00:25:40,400
IT'S -- IT'S JUST A BIG DEAL.
528
00:25:40,700 --> 00:25:41,800
IT'S KIDS.
529
00:25:42,800 --> 00:25:43,900
I MEAN, I KNOW IT'S JUST ONE,
530
00:25:44,000 --> 00:25:46,500
BUT IF YOU REALLY WANT A FAMILY,
SOMETHING THAT'S LIKE FOREVER...
531
00:25:47,500 --> 00:25:49,000
"FOREVER" SCARES A LOT OF US.
532
00:25:50,800 --> 00:25:51,300
YEAH.
533
00:26:06,700 --> 00:26:07,300
HI.
534
00:26:07,800 --> 00:26:09,700
HI.
CAN I TALK TO YOU?
535
00:26:09,900 --> 00:26:11,000
SURE.
COME ON IN.
536
00:26:12,500 --> 00:26:13,800
WHAT'S, UH --
WHAT'S WRONG?
537
00:26:13,900 --> 00:26:16,500
UM, MAYBE NOTHING...
I HOPE.
538
00:26:17,300 --> 00:26:19,600
OKAY, JUST HAVE A SEAT.
WHAT'S UP?
539
00:26:19,700 --> 00:26:21,000
WELL, I THINK I'LL STAND.
540
00:26:21,100 --> 00:26:23,100
ACTUALLY, DO YOU HAVE
SOMETHING TO DRINK --
541
00:26:23,200 --> 00:26:26,000
SOME WATER OR AN APPLE MARTINI WITH
A CHERRY, IF YOU HAVE IT?
542
00:26:26,300 --> 00:26:28,000
OKAY, YOU'RE KIND OF
FREAKING ME OUT.
543
00:26:28,700 --> 00:26:30,200
THE LAST TIME SOMEONE ENTERED
THE APARTMENT LIKE THIS,
544
00:26:30,300 --> 00:26:32,400
IT WAS SKILLS, AND HE THOUGHT
HE'D KILLED CHESTER.
545
00:26:33,000 --> 00:26:33,700
JAMIE'S BUNNY?
546
00:26:33,800 --> 00:26:37,200
YEAH, BUT IT TURNS OUT
HE WAS JUST, LIKE, A REALLY
HEAVY SLEEPER, APPARENTLY.
547
00:26:37,800 --> 00:26:38,600
WELL, IT'S NOT THAT.
548
00:26:38,700 --> 00:26:41,300
IT'S JUST I KNOW
I SORT OF FREAKED YOU OUT
549
00:26:41,400 --> 00:26:44,000
WHEN YOU ASKED ME TO STAY HERE,
AND, WELL, THERE'S A REASON.
550
00:26:45,000 --> 00:26:46,200
GREAT.
I KNEW IT.
551
00:26:46,900 --> 00:26:47,500
WHAT?
552
00:26:48,000 --> 00:26:49,600
I FIGURED THIS WAS
JUST TOO GOOD TO BE TRUE.
553
00:26:49,800 --> 00:26:51,600
THERE'S JUST A REASON
WE CAN'T SLEEP IN THE SAME BED.
554
00:26:52,000 --> 00:26:53,700
OH, NO.
WHAT?
555
00:26:54,100 --> 00:26:56,200
THIS IS LIKE "THE CRYING GAME,"
RIGHT?
MARVIN!
556
00:26:56,300 --> 00:26:57,600
HAIRY BACK?
MARVIN.
557
00:26:57,700 --> 00:27:00,900
WELL, IT'S EITHER THAT
OR YOU'RE COMPLETELY REPULSED
BY ME.
558
00:27:08,700 --> 00:27:09,800
I'M A VIRGIN.
559
00:27:11,700 --> 00:27:12,800
REALLY?
560
00:27:13,100 --> 00:27:13,900
YES.
561
00:27:14,000 --> 00:27:16,400
AND CONSIDERING YOUR LAST GROSS
BOSS-LADY HOOKUP,
562
00:27:16,500 --> 00:27:18,700
YOU'RE CLEARLY NOT, AND
I AM JUST NOT READY TO --
563
00:27:18,800 --> 00:27:19,800
HOW DID I FIND YOU?
564
00:27:21,100 --> 00:27:21,900
WHAT?
565
00:27:22,100 --> 00:27:25,800
SUCH A PERFECT GIRL
WHO'S SMART AND SWEET AND...
566
00:27:26,800 --> 00:27:28,000
SO AWESOME.
567
00:27:29,400 --> 00:27:30,500
GO ON.
568
00:27:30,600 --> 00:27:32,800
MILLY, I WOULD NEVER
PRESSURE YOU ABOUT SEX.
569
00:27:32,900 --> 00:27:35,200
I JUST --
I WANT TO BE WITH YOU.
570
00:27:36,300 --> 00:27:37,100
BUT --
571
00:27:37,200 --> 00:27:39,300
I MEAN, WE COULD EVEN GET
TWO BEDS, IF YOU WANT...
572
00:27:39,400 --> 00:27:41,100
ALTHOUGH, IF I CATCH YOU
SNEAKING INTO MINE,
573
00:27:41,200 --> 00:27:42,200
I'M TELLING SKILLS.
574
00:27:44,500 --> 00:27:46,900
I AM SO INTO YOU, AND...
575
00:27:47,400 --> 00:27:48,700
I WANT YOU HERE.
576
00:27:49,700 --> 00:27:50,800
WILL YOU SAY YES?
577
00:27:53,300 --> 00:27:55,100
OKAY. YES.
578
00:27:56,200 --> 00:27:57,400
IF YOU THINK IT CAN WORK.
579
00:27:57,700 --> 00:27:58,700
IT CAN.
580
00:27:58,900 --> 00:27:59,900
IT DOES.
581
00:28:09,600 --> 00:28:11,700
SO, I SEE YOU KNOW CPR,
582
00:28:11,800 --> 00:28:13,600
AND YOU'RE ALSO
A LIFEGUARD.
583
00:28:14,000 --> 00:28:14,600
YES.
584
00:28:15,500 --> 00:28:17,300
HAVE YOU EVER KISSED ANY
OF THE HUSBANDS YOU WORKED FOR?
585
00:28:20,200 --> 00:28:21,800
OKAY, UH...
586
00:28:23,100 --> 00:28:23,900
NO.
587
00:28:26,300 --> 00:28:27,200
WELL...
588
00:28:29,600 --> 00:28:30,600
SORRY.
589
00:28:33,300 --> 00:28:37,400
SO, NATHAN...
HALEY TELLS ME YOU LIKE
TO WATCH YOUR NANNY SWIM NAKED
IN THE POOL?
590
00:28:41,200 --> 00:28:42,500
I GUESS I DESERVED THAT.
591
00:28:48,100 --> 00:28:48,700
HEY, BROOKE.
592
00:28:50,800 --> 00:28:51,800
YOU OKAY?
593
00:28:52,500 --> 00:28:54,000
I THINK I MADE A BIG MISTAKE.
594
00:28:54,900 --> 00:28:56,500
I THINK IT'S A LITTLE LATE
FOR THAT, ISN'T IT?
595
00:28:56,600 --> 00:28:58,100
IF I WANTED
A "LITTLE LATE FOR THAT,"
596
00:28:58,200 --> 00:28:59,600
I WOULD HAVE CALLED PEYTON.
597
00:28:59,700 --> 00:29:02,400
YOU ARE SUPPOSED TO SAY,
"NO, YOU DIDN'T.
598
00:29:02,500 --> 00:29:04,000
YOU'RE GONNA BE FINE."
599
00:29:05,200 --> 00:29:07,200
NO, YOU DIDN'T.
YOU'RE GONNA BE FINE.
600
00:29:07,600 --> 00:29:09,700
IT DOESN'T COUNT NOW.
601
00:29:13,100 --> 00:29:14,600
SO, YOU GOT
A PURPLE MONKEY, HUH?
602
00:29:15,000 --> 00:29:16,200
JUST LIKE YOU HAD.
603
00:29:16,500 --> 00:29:17,600
YOU REMEMBER THAT?
604
00:29:18,000 --> 00:29:19,200
OF COURSE.
605
00:29:19,300 --> 00:29:21,400
I DO KNOW SOME THINGS ABOUT YOU,
BROOKE DAVIS.
606
00:29:21,700 --> 00:29:23,200
YOU'RE GONNA BE A GREAT MOM.
607
00:29:23,400 --> 00:29:25,200
I'M NOT EVEN GONNA BE A MOM.
608
00:29:25,700 --> 00:29:28,300
I JUST FIX HER UP, AND
THEN I HAVE TO SEND HER BACK.
609
00:29:28,500 --> 00:29:30,300
WELL, IF YOU DIDN'T DO IT,
WHO WOULD?
610
00:29:34,000 --> 00:29:35,700
OWEN THINKS
I'M BEING SELFISH.
611
00:29:35,800 --> 00:29:37,600
HE THINKS
I JUST WANT WHAT I WANT.
612
00:29:37,700 --> 00:29:39,800
WELL, I'D SAY
IT'S THE OPPOSITE.
RIGHT?
613
00:29:39,900 --> 00:29:43,300
I THINK IT'S GREAT
THAT YOU'RE WILLING
TO HELP LITTLE GIRL
GET THE CARE THAT SHE NEEDS
614
00:29:43,400 --> 00:29:44,900
AND GET TO THE REST
OF HER LIFE.
615
00:29:46,300 --> 00:29:47,400
SO DO I.
616
00:29:48,500 --> 00:29:49,600
BUT WHAT IF I DO
SOMETHING WRONG, LUKE?
617
00:29:49,700 --> 00:29:51,100
WHAT IF I HURT HER?
WHAT IF I BREAK HER?
618
00:29:51,200 --> 00:29:53,900
I MEAN, I RUSHED INTO THIS,
AND I'M SCARED.
619
00:29:54,000 --> 00:29:54,800
YOU KNOW WHAT?
620
00:29:55,200 --> 00:29:56,500
WHEN IT COMES TO SINGLE MOMS,
621
00:29:56,600 --> 00:29:58,200
I HAD A PRETTY SPECIAL ONE.
622
00:29:59,100 --> 00:30:02,100
AND IT'S GOOD
THAT YOU'RE A LITTLE SCARED.
623
00:30:02,700 --> 00:30:03,800
BUT YOU'RE GONNA DO GREAT.
624
00:30:06,600 --> 00:30:07,600
THANKS.
625
00:30:09,200 --> 00:30:10,900
THANKS FOR COMING OVER.
626
00:30:12,600 --> 00:30:14,600
YOU THINK SHE'LL LIKE THE PURPLE MONEY?
627
00:30:16,700 --> 00:30:19,600
I THINK THAT SHE'S GONNA LOVE
THE GIRL
WHO GIVES IT TO HER.
628
00:30:22,600 --> 00:30:23,400
YEAH.
629
00:30:33,200 --> 00:30:34,400
JAMIE'S OUT COLD.
630
00:30:35,500 --> 00:30:37,800
I WISH
I COULD SLEEP LIKE THAT.
YEAH, TELL ME ABOUT IT.
631
00:30:39,700 --> 00:30:43,100
SO, I'M SORRY
YOU COULDN'T FIND A NANNY
THAT YOU COULD TRUST
AROUND ME.
632
00:30:44,000 --> 00:30:45,000
TOO SOON
633
00:30:48,300 --> 00:30:51,500
THE TRUTH IS, I JUST WANT JA
ALL TO MYSELF RIGHT NOW.
634
00:30:51,600 --> 00:30:53,500
BUT I ALSO WANT MY JOB
AND I WANT MY MUSIC
635
00:30:53,600 --> 00:30:55,500
AND I WANT ALONE TIME
WITH YOU.
636
00:30:56,100 --> 00:30:57,400
WELL, YOU SHOULD TAKE A BREAK
FROM THAT.
637
00:30:57,800 --> 00:30:58,700
LET ME GO
THROUGH THOSE THINGS.
638
00:30:58,800 --> 00:31:01,900
I'LL TRY TO FIND A PERSON
THAT'S REALLY UGLY
WITH A LOT
OF GREAT REFERENCES.
639
00:31:03,200 --> 00:31:04,300
ACTUALLY, YOU CAN'T,
640
00:31:04,400 --> 00:31:07,100
BECAUSE I THOUGHT YOU MIGHT
WANT TO GET A WORKOUT IN.
641
00:31:08,300 --> 00:31:09,400
YOU KNOW, OUR THERAPIST SAID THAT
642
00:31:09,500 --> 00:31:12,000
WE SHOULD FOCUS ON
THE THINGS THAT WE LOVE, SO...
643
00:31:12,500 --> 00:31:13,400
I THINK SHE'S RIGHT.
644
00:31:16,400 --> 00:31:17,900
I'M PROBABLY REALLY GONNA SUCK,
YOU KNOW.
645
00:31:18,500 --> 00:31:20,300
YOU ARE GONNA FIND OUT SOMETIME RIGHT?
646
00:31:22,400 --> 00:31:23,400
THANK YOU, HALES...
647
00:31:24,100 --> 00:31:25,100
FOR EVERYTHING.
648
00:31:26,000 --> 00:31:27,100
YOU'RE WELCOME.
649
00:31:29,800 --> 00:31:30,900
THANK YOU BACK.
650
00:31:45,400 --> 00:31:46,200
YOU LUCKY, MAN.
651
00:31:47,000 --> 00:31:49,900
I WAS GONNA BREAK
THAT SCORIATITLE
AND PULL THAT OLD LAUNDRY
UP OFF THE WALL.
652
00:31:50,100 --> 00:31:51,400
LUCK HAS NOTHING TO DOTH IT.
653
00:31:51,600 --> 00:31:52,700
I'M JUST BETTER THAN YOU.
654
00:31:54,500 --> 00:31:55,400
HOW YOU HOLDING UP?
655
00:31:56,700 --> 00:31:57,500
HOW YOU THINK?
656
00:31:58,300 --> 00:32:01,300
IF SOMEBODY WOULD HAVE TOLD ME
YOUR OLD SORRY ASS
WOULD BE BACK PLAYING
BEFORE MINE,
657
00:32:01,400 --> 00:32:03,000
I WOULD HAVE LAUGHED
THEIR ASS OUT THE GYM.
658
00:32:04,300 --> 00:32:05,800
WHAT YOU TRYING TO DO --
MAKE SOME KIND OF COMEBACK?
659
00:32:07,100 --> 00:32:08,300
TRYING TO MAKE
A FREE THROW.
660
00:32:14,600 --> 00:32:16,000
LET ME SHOW YOU
HOW THAT'S DONE, OLD MAN.
661
00:32:16,900 --> 00:32:17,800
LEFT-HANDED...
662
00:32:22,700 --> 00:32:23,900
YOU'REST FINE,
"Q"...
663
00:32:24,800 --> 00:32:26,600
EVEN IF YOU HAVE TO GO
TO A JUNIOR COLLEGE FIRST.
664
00:32:26,700 --> 00:32:27,400
THAT'S WHAT I DID.
665
00:32:28,700 --> 00:32:30,100
WOW.
AND LOOK WHERE IT GOT YOU.
666
00:32:32,800 --> 00:32:33,700
LET'S SEE WHAT YOU GOT.
667
00:32:34,900 --> 00:32:36,800
LET'S SEE WHAT YOU GOT.
COME ON, NATE.
668
00:32:37,600 --> 00:32:38,300
OH, HERE WE GO.
669
00:32:38,400 --> 00:32:40,600
NATHAN SCOTT.
BIGGEST RAVEN OF THEM ALL.
670
00:32:40,700 --> 00:32:41,600
LOOK AT YOU, HUH?
671
00:32:41,700 --> 00:32:42,900
HEARD THEY CLIPPED
YOUR WINGS.
672
00:32:43,000 --> 00:32:44,000
WHAT YOU GOT, RAVEN?
673
00:32:46,900 --> 00:32:48,500
NATHAN SCOTT....
674
00:32:57,400 --> 00:32:58,900
JUST LIKE I THOUGHT.
HMM?
675
00:33:00,500 --> 00:33:01,900
THEY MUST HAVE PUT SALT
ON YOUR TAIL, BOY.
676
00:33:02,700 --> 00:33:04,300
YOU AIN'T GOT NO CHANCE
OF FLYING AGAIN.
677
00:33:05,000 --> 00:33:06,100
ME, ON THE OTHER HAND...
678
00:33:11,900 --> 00:33:13,300
...I CAN BEAT YOU
WITH MY OTHER HAND,
679
00:33:13,500 --> 00:33:14,800
AND THAT AIN'T
EVEN MY SHOOTING HAND.
680
00:33:16,700 --> 00:33:19,300
SOME COMEBACK,
MR. JERSEY ON THE WALL.
681
00:33:22,300 --> 00:33:24,000
SOMETIMES YOU GOT
A BIG MOUTH, QUENTIN.
682
00:33:27,900 --> 00:33:29,300
AW, NATE.
683
00:33:29,700 --> 00:33:30,500
NATE!
684
00:33:31,900 --> 00:33:32,700
COME BACK, MAN!
685
00:33:32,800 --> 00:33:33,700
WHERE YOU GOING?
686
00:33:34,500 --> 00:33:35,700
COME BACK.
THAT'S IT?
687
00:33:36,500 --> 00:33:38,300
THAT'S A SORRY-ASS COMEBACK,
NATE.
688
00:33:40,700 --> 00:33:42,500
NATHAN SCOTT,
LADIES AND GENTLEMEN.
689
00:33:53,700 --> 00:33:54,400
HELLO, SON.
690
00:33:56,000 --> 00:33:56,900
WHAT ARE YOU DOING HERE?
691
00:34:00,100 --> 00:34:01,500
JUST REGJUTTING IT ALL.
692
00:34:02,300 --> 00:34:03,300
YOU TOO, HUH?
693
00:34:07,400 --> 00:34:08,300
THINKING
ABOUT PLAYING AGAIN?
694
00:34:08,400 --> 00:34:10,600
NO! ALL RIGHT?!
I'M NOT THINKING
ABOUT PLAYING AGAIN!
695
00:34:11,000 --> 00:34:12,700
I CAN'T EVEN MAKE
A DAMN FREE THROW.
696
00:34:13,500 --> 00:34:15,000
AT LEAST
YOUR LEGACY'S SAFE, SON.
697
00:34:15,100 --> 00:34:16,300
JUST DO YOUR BEST.
698
00:34:22,600 --> 00:34:25,100
UNLIKE SOME OF US, YOU HAVE
NOTHING TO BE ASHAMED OF.
699
00:34:39,800 --> 00:34:41,200
HEY, MAN, YOU GOT A SECOND?
700
00:34:41,300 --> 00:34:42,800
JUST DON'T COME TOO CLOSE
RIGHT NOW, MAN.
701
00:34:42,900 --> 00:34:44,100
I'M KIND OF PISSED OFF.
702
00:34:44,700 --> 00:34:45,800
WHY?
WHAT HAPPENED?
703
00:34:46,200 --> 00:34:48,200
JUST SOME NONSENSE
QUENTIN SAID TO ME.
704
00:34:49,200 --> 00:34:51,600
YOU KNOW, SOMETIMES THAT KID'S
GOT A BIG MOUTH, MAN.
705
00:34:54,000 --> 00:34:54,400
WHAT'S UP?
706
00:34:54,600 --> 00:34:56,700
UH, MILLICENT IS GONNA MOVE IN
AFTER ALL.
707
00:34:57,700 --> 00:34:58,700
FINE WITH ME.
708
00:34:59,100 --> 00:35:02,000
HEY, ABOUT TIME WE CLASSED UP
THE PLACE A LITTLE BIT, HUH?
709
00:35:02,300 --> 00:35:05,100
WELL, SPEAKING OF,
YOU THINK WE COULD?
710
00:35:05,300 --> 00:35:08,400
YOU OW, STRAIGHTEN UP A LITTLE
AND STRAIGHTEN UP A LITTLE?
711
00:35:09,400 --> 00:35:11,100
OH, YOU TALKIN'
ABOUT ALL THE SEX TALK
712
00:35:11,200 --> 00:35:12,400
AND FOUL LANGUAGE, RIGHT?
713
00:35:12,800 --> 00:35:13,300
YEAH.
714
00:35:14,600 --> 00:35:15,600
GOOD LUCK WITH THAT.
715
00:35:15,900 --> 00:35:16,900
COME ON, SKILLS.
716
00:35:17,000 --> 00:35:18,500
I'M NOT SAYING
EVERYBODY HAS TO BE A SAINT,
717
00:35:18,600 --> 00:35:20,100
BUT MILLICENT'S A GIRL,
YOU KNOW?
718
00:35:20,500 --> 00:35:21,500
AND SHE'S MY GIRL.
719
00:35:22,900 --> 00:35:25,500
ALL RIGHT.
I'LL TALK TO THE FELLAS.
720
00:35:26,600 --> 00:35:27,700
IT'S ALL GOOD, BABY.
721
00:35:28,500 --> 00:35:29,500
ALL RIGHT, THANKS.
722
00:35:30,100 --> 00:35:32,000
HEY, YOU THINK SHE COULD WALK
AROUND IN HER --
NO.
723
00:35:34,400 --> 00:35:35,500
I DIDN'T THINK SO.
724
00:35:53,100 --> 00:35:53,900
NEW SONG?
725
00:35:54,800 --> 00:35:55,500
YEAH.
726
00:35:55,600 --> 00:35:56,900
NICE.
THANK YOU.
727
00:35:57,200 --> 00:36:00,500
ACTUALLY, I THINK I'M GONNA
RECORD THAT ALBUM WITH PEYTON.
728
00:36:00,600 --> 00:36:01,400
REALLY?
YEAH.
729
00:36:01,500 --> 00:36:02,600
THAT'S GREAT, HALEY.
730
00:36:02,700 --> 00:36:03,900
YES, IT IS.
YEAH.
731
00:36:04,800 --> 00:36:06,100
HOW'D YOUR WORKOUT GO?
732
00:36:06,400 --> 00:36:07,500
NOT SO GOOD.
733
00:36:08,200 --> 00:36:09,200
BUT YOU KNOW WHAT?
734
00:36:09,400 --> 00:36:11,500
WHATEVER HAPPENS,
WE'RE GONNA BE FINE.
735
00:36:12,600 --> 00:36:13,400
YEAH, WE WILL.
736
00:36:13,600 --> 00:36:14,800
Deb: HELLO?
737
00:36:15,400 --> 00:36:16,500
WHO IS THAT?
738
00:36:16,700 --> 00:36:18,900
THAT'S THE NEW NANNY
MAMA HIRED.
739
00:36:19,700 --> 00:36:22,900
DID SOMEONE CALL
FOR A NANNY?
740
00:36:23,900 --> 00:36:24,900
GRANDMA!
741
00:36:26,200 --> 00:36:27,300
WHAT DID I
TELL YOU ABOUT THAT?
742
00:36:27,400 --> 00:36:29,700
GRANDMA DEB IS WAY TOO YOUNG
TO BE A GRANDMA.
743
00:36:29,800 --> 00:36:31,300
SORRY.
NANNY DEB!
744
00:36:31,400 --> 00:36:33,700
OH, I LIKE THAT
SO MUCH BETTER.
745
00:36:36,100 --> 00:36:37,100
HI, MOM.
746
00:36:38,900 --> 00:36:41,600
HEY, MOM,
YOU LOOK GREAT.
OOH, THANK YOU.
747
00:36:42,400 --> 00:36:43,800
♪♪
748
00:36:43,900 --> 00:36:46,600
IT'S BEEN SAID THAT THE SADDEST
THING A MAN WILL EVER FACE
749
00:36:46,700 --> 00:36:48,100
IS WHAT MIGHT HAVE BEEN.
750
00:37:01,800 --> 00:37:04,300
BUT WHAT OF THE MAN
WHO'S FACED WITH WHAT WAS?
751
00:37:21,900 --> 00:37:23,300
OR WHAT MAY NEVER BE?
752
00:37:31,500 --> 00:37:44,800
OR WHAT CAN NO LONGER BE?
753
00:37:44,800 --> 00:37:46,300
YOU DID THE RIGHT THING,
SKILLS.
754
00:37:47,300 --> 00:37:49,300
AND ONE OF THESE DAYS,
"Q" IS GONNA REALIZE THAT.
755
00:37:52,600 --> 00:37:55,000
NOW WE JUST GOT TO FIGURE OUT
A WAY TO WIN WITHOUT HIM.
756
00:37:55,600 --> 00:37:57,800
CHOOSING THE RIGHT PATH
IS NEVER EASY.
757
00:37:58,100 --> 00:38:01,500
IT'S A DECISION WE MAKE WITH
ONLY OUR HEARTS TO GUIDE US.
758
00:38:09,700 --> 00:38:12,200
BUT SOMETIMES WE FIND OUR WAY
TO SOMETHING BETTER.
759
00:38:15,400 --> 00:38:16,100
HEY, BROOKE, COME ON.
760
00:38:16,200 --> 00:38:18,600
WE GOT TO GET TO THE AIRPORT
TO PICK UP THAT BABY.
761
00:38:23,100 --> 00:38:25,000
I THINK
I NEED TO DO THIS ALONE.
762
00:38:26,400 --> 00:38:27,500
I'M GONNA BE OKAY.
763
00:38:28,200 --> 00:38:28,900
OKAY.
764
00:38:33,200 --> 00:38:33,700
OKAY.
765
00:38:38,200 --> 00:38:41,700
SOMETIMES WE FIGHT
THROUGH THE REGRET AND REMORSE
OF OUR MISTAKES --
766
00:38:42,100 --> 00:38:43,700
OUR MALICE AND OUR JEALOUSY
767
00:38:43,800 --> 00:38:46,800
AND THE SHAME WE FEEL
FOR NOT BEING THE PEOPLE
WE WERE MEANT TO BE.
768
00:39:04,900 --> 00:39:07,500
AND THAT'S WHEN WE FIND OUR WAY
TO SOMETHING BETTER...
769
00:39:22,000 --> 00:39:24,700
...OR WHEN SOMETHING BETTER
FINDS ITS WAY TO US.
770
00:39:42,800 --> 00:39:44,900
♪♪♪
771
00:39:45,300 --> 00:39:47,400
♪♪♪♪♪♪