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Action!
2
00:00:01,115 --> 00:00:02,181
Move! Move, damn it!
3
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Damn it, move!
4
00:00:03,484 --> 00:00:06,218
This is the opening of
Live Another Day."
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We start with CIA ops chasing somebody.
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The series begins running, you know?
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Freeze it right there.
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That Jack Bauer has survived,
intact, to live another day
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is good news for a lot of people.
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What the hell have you been
doing the past four years?
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I was really excited
that "24" was coming back.
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I couldn't believe it.
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There's fireballs. There's action.
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It's all good, "24" kind of stuff.
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It's a high-octane thriller
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with, literally, time ticking down.
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- It's a self-destruct program.
- Damn it!
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Why is he here? Why is he back?
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Jack Bauer is a traitor and a psychopath.
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Is he here to harm the president?
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Is he here to help the president?
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We don't know.
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If an American president is
assassinated on foreign soil,
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you're looking at a world war.
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London and the CIA will never be the same.
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Action!
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It's Bauer.
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This year, we have some
crazy stuff coming up,
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stuff we haven't done before.
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It's a story that starts
from moment one, this season.
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The train is already moving,
and you got to run to catch up.
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And you're on for a ride from
episode one all the way through.
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There's not one letup.
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Help me!
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What's wonderful is it is "24,"
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but it's a new iteration of "24."
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The show is set in London, England.
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And it's the first time we've
actually shot fully on location.
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What brings Jack to London
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is he's been out of the United States
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since the very end of season eight.
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He managed to escape to Eastern Europe,
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where he's been underground
for 4 1/2 years...
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Target acquired.
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And has resurfaced because of
the circumstances of the day,
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to protect the president
of the United States.
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James Heller,
played by William Devane,
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was formerly in the series
as the secretary of defense.
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President Heller, In
this case, is in London.
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People have never been comfortable
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with our using drones for
targeted assassinations.
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Mr. President?
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I'm thinking I don't blame them.
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We're here to negotiate
a treaty... a drone treaty.
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It's a precarious situation,
56
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so I have to come and
actually do it myself.
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I think the most important thing
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is for the prime minister
to hear the news from me.
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And while he's there, of course,
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Jack emerges with news of an attack.
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The question being asked in the
initial part of the series is,
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"is Jack Bauer there to
assassinate the president?"
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Jack is an international fugitive,
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and he's wanted, not just by our country,
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but by every country.
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I know How many lives you've saved,
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but they're just gonna
see a man who snapped,
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who went off on a... a revenge spree.
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A man whose country labels him a criminal.
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Fans of the series remember,
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you know, Jack left off as a fugitive.
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You were really something...
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in your time.
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Basically, CTU was turned off,
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and Jack was left in the darkness.
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And now a CIA team is hunting down Jack.
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Cut!
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But Jack is onto something,
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and there's much more than
just him having been caught.
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There's a larger mystery
that he's trying to uncover.
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Why is he here? Why is he back?
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Does this have something
to do with the president?
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And does it have something
to do with these drones?
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So, really, that becomes our mystery.
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Two weeks ago, I intercepted intel framing
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an assassination attempt
on President Heller
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supposed to take place
in London... here, today.
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- You're gonna help me.
- I'm afraid I can't do that.
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But you don't have a choice.
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Despite being hunted
and... and being made a pariah,
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Jack is still a hero.
He cannot help himself.
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Has anyone ever mentioned
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your rather... spectacularly rude habit
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of asking for favors accompanied
by the threat of a gun?
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What brought me
back was really Howard Gordon,
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who was our lead writer.
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Called me up and said, "Look,
I've... I've had this idea
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"for about 12 episodes for a while,
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"and it's kind of just gnawing at me.
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Would you be interested in doing it?"
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We really wanted to see Jack Bauer.
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Look, it's really like
seeing an old friend again.
103
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And I have to say, when we saw the dailies
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of Jack Bauer for the first time,
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we just all smiled and
looked at each other.
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He really looks great. He's cut.
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He looks like someone who's been living raw
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and on the edge for years.
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You know who I am.
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Trigger an alarm, and
I'll blow your head off.
111
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I think he found Jack again pretty quickly.
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Kiefer and Jack Bauer are pretty
well connected at this point.
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We didn't waste any time.
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Our first week,
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we were just stock blocked
with action and dialogue,
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so he had to fit into and he
had to do it quickly, and he did.
117
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And it is very
exciting to be Jack Bauer again.
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Move!
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It is not just Kiefer, of course.
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A good number of the old
team are back together.
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It was like the band
came together for this.
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Evan is a... is a... is a veteran.
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He's the most veteran writer on the show...
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was there since season two,
and I came in at season five.
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We're lucky enough
to get John Cassar back,
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who was our producer
and director for years.
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I've done 58
episodes and the TV movie,
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so to have it come back
again is very exciting.
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Jon directed so
many of the seasons of "24"
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that I really do rely on him greatly.
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Action!
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We're gonna push this as hard as we can.
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If we lose the base,
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those men will have died in vain!
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Look, I'm not saying we quit.
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I'm just suggesting that we withdraw,
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wait until the rancor dies down.
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I don't have time.
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We're doing 12
episodes, instead of 24.
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This is a special-event series.
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Here we go!
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Those 12 episodes
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are still gonna represent one full day.
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Somewhere within it,
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we're going to skip an hour
or two, or maybe a big chunk.
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We're not
trying to change the show.
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Jack is not gonna be skipping.
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You know, it's not gonna
be a romantic comedy.
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He's gonna have a crappy day,
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and he's gonna fight his way through it,
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and... and... and that's what the show is.
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Certain dynamics are different,
but the show isn't different.
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You're going after the wrong guy.
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I think all the
action and special effects
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are what you usually expect on "24,"
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and, really, that's what I'm going for...
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and maybe a little beyond what you expect,
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and that's what we always,
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I think, expect our
audience to expect from us.
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Action!
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Cut. Yeah, baby!
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That's the one.
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This year may be my favorite
cast that we've ever had.
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It's extraordinary.
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First, we've got some characters
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that you loved that we've brought back.
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My God. Chloe.
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What happened to you?
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The notorious Chloe O'Brian.
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Chloe's not nearly the same individual
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that we saw in season eight.
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Chloe is with the group
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that believes in information being freed.
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They have no qualms
about letting out secrets.
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It's the opposite of how
Chloe used to believe.
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She has turned anti-government.
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She has become
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kind of like a darker
version of Edward Snowden.
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Intelligence agencies keep secrets
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because what they're doing is criminal.
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That's naive, even for you.
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You're smarter than that.
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You don't get to judge me,
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not after what I've been through.
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Chloe and Jack start out at odds
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because Jack has kind
of come out of nowhere
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and wants her to go with him
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and help him to stop this
plot against the president.
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Jack, in four years of hiding,
doesn't really trust anybody,
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and Chloe has gone
through her own evolution.
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And they don't start off
as the best of friends.
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We're not the same Chloe
and Jack as we were,
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and we're not seeing eye to eye.
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Why are you doing this, Jack?
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Some fantasy that, if you save Heller,
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all will be forgiven?
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You knew Heller. You know he's a good man.
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No, I don't know that.
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William Devane is reprising
his role as Heller.
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I'm now the president,
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the most powerful man in the free world.
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His daughter Audrey,
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who Jack was deeply in
love with, and she with him,
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but who ended up going to
China and being tortured
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for information about Jack.
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Audrey is a lot better than
when we last saw her.
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Audrey is working again with her dad.
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I know that look.
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What's your problem?
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She's like the
lady of the White House.
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Her mother passed away years ago,
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so she basically does everything with me.
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It's sort of that thing, you know,
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when someone has gone
through a really hard time,
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I think people are fragile around her
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and kind of protecting her.
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She's also married
to his chief of staff,
218
00:08:04,975 --> 00:08:07,543
the man who helped her come back
219
00:08:07,577 --> 00:08:11,311
from... from a near-catatonic
mental breakdown.
220
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I play Mark Boudreau,
221
00:08:13,113 --> 00:08:14,213
and he is the chief of staff
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to the president of the United States.
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Tate Donovan is a great
character this season, Boudreau.
224
00:08:19,285 --> 00:08:22,053
He's operating purely from
pain in his opposition to Bauer,
225
00:08:22,087 --> 00:08:24,120
who he sees as a threat,
not only to the country
226
00:08:24,155 --> 00:08:27,524
but to his wife and to her
well-being, to her sanity.
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The president should be made aware.
228
00:08:29,125 --> 00:08:30,225
You weren't there.
229
00:08:30,260 --> 00:08:32,826
You didn't see what
Bauer did to his family...
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00:08:32,861 --> 00:08:34,662
what he did to Audrey.
231
00:08:34,696 --> 00:08:38,064
He really does not like Jack Bauer.
232
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As long as she lives,
233
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she's never gonna hear the name Jack Bauer.
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In the first episode,
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I order his death or something terrible,
236
00:08:45,203 --> 00:08:49,805
and, you know, that doesn't
bode well for a character,
237
00:08:49,839 --> 00:08:51,773
if you order Jack Bauer's death.
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So, it's an interesting triangle
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that's kind of cracked apart
when... when Jack appears.
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With Tate Donovan,
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we have several new people that feel like
242
00:09:00,914 --> 00:09:02,047
they were born to be on the show.
243
00:09:02,082 --> 00:09:04,015
Where in God's name have you been?
244
00:09:04,050 --> 00:09:06,216
Chloe is working with the
leader of a hacker group.
245
00:09:06,250 --> 00:09:09,552
His name is Adrian Cross, and
he's played by Michael Wincott.
246
00:09:09,587 --> 00:09:13,622
And he's a charismatic,
almost prophet-like figure
247
00:09:13,656 --> 00:09:17,458
who presides over this group of misfits
248
00:09:17,492 --> 00:09:19,560
who help him dig out
information about governments
249
00:09:19,595 --> 00:09:21,194
and spread it.
250
00:09:21,228 --> 00:09:23,928
We acquire and disseminate
information... nothing more.
251
00:09:23,963 --> 00:09:27,565
You make it sound like
what you do is benign.
252
00:09:27,599 --> 00:09:29,866
We both know that's not true.
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00:09:29,901 --> 00:09:32,835
The CIA station
chief is Agent Navarro,
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00:09:32,869 --> 00:09:34,370
who's played by Benjamin Bratt.
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00:09:34,405 --> 00:09:35,737
For me as an actor,
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00:09:35,771 --> 00:09:37,906
to be invited to come on
board and... and participate,
257
00:09:37,940 --> 00:09:40,841
to really jump on board this roller coaster
258
00:09:40,875 --> 00:09:42,875
that is a global phenomenon
has been a real thrill.
259
00:09:42,910 --> 00:09:43,876
Cut!
260
00:09:43,911 --> 00:09:45,778
With "24," you can never be certain
261
00:09:45,813 --> 00:09:47,913
that someone is what they say they are.
262
00:09:47,947 --> 00:09:50,648
But what I know of who
I play, at this point,
263
00:09:50,682 --> 00:09:52,516
is that he is a calm leader.
264
00:09:52,550 --> 00:09:55,151
He's cautious. He's very thorough.
265
00:09:55,185 --> 00:09:57,752
Hey, um...
266
00:09:57,786 --> 00:09:58,953
sorry I shut you down.
267
00:09:58,988 --> 00:10:02,723
I play Kate
Morgan, the CIA agent.
268
00:10:02,757 --> 00:10:05,057
When we meet her, she's packing
up because she's being demoted.
269
00:10:05,092 --> 00:10:07,660
Her husband was
revealed to be a traitor,
270
00:10:07,694 --> 00:10:09,261
selling secrets to the Chinese,
271
00:10:09,295 --> 00:10:12,830
and she's about to be
transferred back to the States.
272
00:10:12,864 --> 00:10:16,398
Before that, she
was a pretty great field agent,
273
00:10:16,433 --> 00:10:19,736
very impulsive, and one
of the best that they had.
274
00:10:19,770 --> 00:10:21,903
- She sees capturing Bauer
- Bang! Bang!
275
00:10:21,938 --> 00:10:24,171
- As her way of redeeming herself.
- Drop your weapon!
276
00:10:24,205 --> 00:10:25,773
- Turn around!
- She has instincts that
277
00:10:25,807 --> 00:10:28,541
are very in sync with Jack
Bauer when he was a young agent,
278
00:10:28,575 --> 00:10:31,075
and goes a long way to proving herself
279
00:10:31,110 --> 00:10:33,178
to be reestablished as part of my crew.
280
00:10:33,212 --> 00:10:35,112
I'm the one that got inside Bauer's head...
281
00:10:35,147 --> 00:10:37,080
not you, not Erik, not anybody.
282
00:10:37,115 --> 00:10:38,681
She has to go
head-to-head with Jack,
283
00:10:38,715 --> 00:10:40,583
and that's not easy to
do, for anybody to do.
284
00:10:40,618 --> 00:10:41,951
What is she doing here?
285
00:10:41,985 --> 00:10:44,619
I reinstated her, Just
until we get Bauer back.
286
00:10:44,654 --> 00:10:46,787
Erik Ritter arrived at the station
287
00:10:46,821 --> 00:10:49,256
to take Kate's job when she transfers out,
288
00:10:49,290 --> 00:10:50,957
and he's impatiently waiting.
289
00:10:50,991 --> 00:10:52,125
She might be trying to prove herself.
290
00:10:52,159 --> 00:10:53,292
I don't care.
291
00:10:53,326 --> 00:10:55,127
But you don't expect me
to work with her, do you?
292
00:10:55,161 --> 00:10:57,227
I expect you to do your job
without questioning my orders.
293
00:10:57,262 --> 00:11:00,064
Gbenga, who, of course, everyone
knows from "The Wire" fame,
294
00:11:00,098 --> 00:11:01,631
is Erik.
295
00:11:01,665 --> 00:11:04,133
Erik thinks that Kate
is not fit to do the job.
296
00:11:04,168 --> 00:11:06,301
She may have been at one
point, but not any longer,
297
00:11:06,335 --> 00:11:07,835
and he is, and he'll do it well.
298
00:11:07,870 --> 00:11:08,902
Kate Morgan isn't there.
299
00:11:08,936 --> 00:11:09,936
She's not even on the books.
300
00:11:09,971 --> 00:11:12,605
This goes bad, it's on you.
301
00:11:12,640 --> 00:11:14,374
When it looks like she's gaining traction,
302
00:11:14,408 --> 00:11:16,175
he's very threatened at first.
303
00:11:16,209 --> 00:11:17,608
Cut them loose!
304
00:11:18,443 --> 00:11:19,943
Leave him.
305
00:11:19,978 --> 00:11:21,444
Are you out of your mind?!
306
00:11:21,479 --> 00:11:23,646
He's coming with us. He knows something.
307
00:11:24,481 --> 00:11:26,783
This was not your fault.
308
00:11:26,817 --> 00:11:29,584
Margot, our main
antagonist, our main villain,
309
00:11:29,618 --> 00:11:33,987
is a woman who swears her
revenge on President Heller.
310
00:11:34,021 --> 00:11:38,356
Margot is a driven,
motivated, passionate woman
311
00:11:38,391 --> 00:11:42,726
with a cause in mind,
and her cause is revenge.
312
00:11:42,760 --> 00:11:45,861
This family has worked
too hard for too long
313
00:11:45,896 --> 00:11:49,531
to let anyone or anything get in its way.
314
00:11:49,566 --> 00:11:52,033
Margot's daughter,
Simone, has been raised
315
00:11:52,068 --> 00:11:56,036
with not only radical politics
and to believe in terrorism,
316
00:11:56,071 --> 00:11:57,970
but to obey her mother
317
00:11:58,005 --> 00:12:00,638
and do whatever her mother asks.
318
00:12:00,673 --> 00:12:02,607
Simone has a very strong set of beliefs
319
00:12:02,641 --> 00:12:04,009
that she's been brought up with.
320
00:12:04,043 --> 00:12:05,642
She would stop at nothing.
321
00:12:05,677 --> 00:12:07,244
She is ruthless, in a way,
322
00:12:07,278 --> 00:12:10,546
but I don't see her as,
in any way, a bad person.
323
00:12:10,581 --> 00:12:13,047
I think she just genuinely
does what she thinks is right.
324
00:12:13,082 --> 00:12:14,482
That man is trying to kill me!
325
00:12:14,517 --> 00:12:15,450
Help me! Help me!
326
00:12:15,484 --> 00:12:16,617
Leave the girl alone!
327
00:12:18,286 --> 00:12:20,186
"24" really
is an ensemble show.
328
00:12:20,221 --> 00:12:23,788
It can only be as good as... as
the cast that takes you there,
329
00:12:23,823 --> 00:12:26,390
and we couldn't have asked for better.
330
00:12:26,425 --> 00:12:30,227
I will shoot you in the
back of the head... I swear to God!
331
00:12:42,724 --> 00:12:45,125
There is something about the UK...
332
00:12:45,159 --> 00:12:47,260
in many ways, our relationship to the UK
333
00:12:47,294 --> 00:12:48,861
is so special and so deep
334
00:12:48,895 --> 00:12:50,128
that it felt like the right place.
335
00:12:50,162 --> 00:12:51,295
And it's iconic.
336
00:12:51,330 --> 00:12:52,996
This is really
the first time we've taken
337
00:12:53,031 --> 00:12:55,032
the whole production to another
city, so it's very exciting,
338
00:12:55,066 --> 00:12:56,766
and I think we picked the right city.
339
00:12:56,800 --> 00:12:58,367
I just love this city.
340
00:12:58,401 --> 00:13:00,136
London's filled with history.
341
00:13:00,170 --> 00:13:01,536
The visuals speak for themselves.
342
00:13:01,570 --> 00:13:04,338
You can point the camera
almost anywhere, and it's great.
343
00:13:04,372 --> 00:13:07,073
Our first day, we were
right in central London,
344
00:13:07,108 --> 00:13:09,675
you know, right off of piccadilly circus.
345
00:13:09,710 --> 00:13:10,710
I was born here,
346
00:13:10,744 --> 00:13:12,043
and I was about 3,
347
00:13:12,077 --> 00:13:14,479
so there's a kind of a
nationalistic pride I have
348
00:13:14,513 --> 00:13:15,746
about England.
349
00:13:15,780 --> 00:13:18,682
Not only will it be exciting,
as it has been for me
350
00:13:18,717 --> 00:13:21,083
to work here as an actor and for our crew,
351
00:13:21,118 --> 00:13:25,620
I hope for the viewing audience,
it'll be like going on a trip.
352
00:13:25,654 --> 00:13:26,820
You know?
353
00:13:26,855 --> 00:13:29,189
We're gonna show you London
in a very different way.
354
00:13:29,224 --> 00:13:30,356
B-marker.
355
00:13:30,390 --> 00:13:32,725
Stop where you are!
Stop! Get on the ground!
356
00:13:33,526 --> 00:13:36,128
We shot right on the Thames.
We were just on the beach.
357
00:13:36,162 --> 00:13:38,528
And we had boats coming up
with guys with machine guys
358
00:13:38,563 --> 00:13:40,430
and guys coming down the wharf
359
00:13:40,465 --> 00:13:42,798
and another guy coming over down the beach,
360
00:13:42,832 --> 00:13:44,233
and so I was in the middle of kind of
361
00:13:44,268 --> 00:13:46,501
playing all of that action
and getting focused on that.
362
00:13:46,535 --> 00:13:47,835
Cut! Excellent!
363
00:13:47,870 --> 00:13:49,169
And then I looked up,
364
00:13:49,203 --> 00:13:50,571
and you could clearly
see that it was London.
365
00:13:50,605 --> 00:13:52,273
Eight camera, right
here. Exact same thing.
366
00:13:52,307 --> 00:13:54,106
One of the interesting
things about "24" was,
367
00:13:54,141 --> 00:13:55,540
even when we were in Los Angeles
368
00:13:55,575 --> 00:13:57,708
or in New York or Washington,
369
00:13:57,743 --> 00:14:01,211
it was never a show about
monuments and big buildings.
370
00:14:01,246 --> 00:14:02,612
It was always... it took place
371
00:14:02,647 --> 00:14:04,346
in the back streets and alleys,
372
00:14:04,381 --> 00:14:06,548
and... and that's also
applied here in London.
373
00:14:06,583 --> 00:14:07,615
Action.
374
00:14:07,650 --> 00:14:09,550
We shot in the back alleys.
375
00:14:09,585 --> 00:14:11,118
We were at a block-housing project.
376
00:14:11,153 --> 00:14:13,487
So, that's all part of "24," also,
377
00:14:13,521 --> 00:14:16,221
because people are hiding,
and people are undercover,
378
00:14:16,256 --> 00:14:17,890
and so you can't be always
right in the main streets
379
00:14:17,924 --> 00:14:18,890
with all the people.
380
00:14:18,924 --> 00:14:20,692
I've got a confirm on the target.
381
00:14:20,726 --> 00:14:23,860
Hooded sweatshirt, 30
feet from the south wall.
382
00:14:23,895 --> 00:14:26,163
And go, go, go!
383
00:14:26,197 --> 00:14:29,165
London has been very cooperative
about letting us shoot places.
384
00:14:29,199 --> 00:14:30,331
So, we shot on the tube,
385
00:14:30,365 --> 00:14:32,901
and we do some terrible things on the tube,
386
00:14:32,935 --> 00:14:36,369
but they would not let
anyone jump the fare barrier
387
00:14:36,404 --> 00:14:39,071
and... and... and get on for free.
388
00:14:39,106 --> 00:14:40,773
- That was the one restriction.
- One step too far.
389
00:14:40,808 --> 00:14:42,373
- Not having any of that.
- Yes. Yes.
390
00:14:44,743 --> 00:14:48,144
He's coming your way. He's probably armed.
391
00:14:48,179 --> 00:14:49,912
We're doing,
you know, big shootouts,
392
00:14:49,946 --> 00:14:51,146
and right on day one,
393
00:14:51,181 --> 00:14:52,547
the armorers were showing us guns
394
00:14:52,581 --> 00:14:53,748
that I'd never even seen before.
395
00:14:53,783 --> 00:14:56,317
We've got quite a lot of
weaponry on this series,
396
00:14:56,351 --> 00:14:58,084
and we're gonna start with Jack's gun.
397
00:14:58,119 --> 00:14:59,985
We've updated it for this series of "24."
398
00:15:00,020 --> 00:15:02,354
He used to have a HK USP Compact.
399
00:15:02,388 --> 00:15:05,056
We now have a HK P30.
400
00:15:05,090 --> 00:15:07,657
He also uses other agents' guns throughout,
401
00:15:07,692 --> 00:15:10,560
particularly the Glock 17,
which is our CIA weapon.
402
00:15:10,594 --> 00:15:15,363
We've also provided gun
cameras, which fit on the front,
403
00:15:15,397 --> 00:15:17,565
give something visual for
the director to read off.
404
00:15:17,599 --> 00:15:20,701
Our different tactical agents,
when we see them in the field...
405
00:15:20,735 --> 00:15:23,202
they have a HK MP7.
406
00:15:23,236 --> 00:15:25,371
They also have an M4 derivative,
407
00:15:25,405 --> 00:15:26,504
and this is a bit of fun,
408
00:15:26,539 --> 00:15:30,841
which is a corner shot
9-millimeter Glock 17,
409
00:15:30,875 --> 00:15:33,508
but if I show you how it operates,
410
00:15:33,543 --> 00:15:35,211
it just comes up like that.
411
00:15:35,245 --> 00:15:37,678
Come back around...
412
00:15:37,713 --> 00:15:39,780
and you can fire around corners.
413
00:15:39,815 --> 00:15:42,182
Camera mounted on the
front with a monitor here.
414
00:15:42,217 --> 00:15:44,184
- Drop the weapon! Put it on the ground!
- Putting the weapon down!
415
00:15:44,219 --> 00:15:45,051
Get on the ground, Bauer!
416
00:15:45,085 --> 00:15:46,719
Aah!
417
00:15:49,355 --> 00:15:50,588
Here we go. Action!
418
00:15:54,124 --> 00:15:55,726
My name's Mark Mottram.
419
00:15:55,760 --> 00:15:57,727
I'm the stunt coordinator on "24."
420
00:15:57,761 --> 00:15:58,794
Jon moves so quick.
421
00:15:58,829 --> 00:16:00,762
He knows where he's going, knows the shots.
422
00:16:00,796 --> 00:16:02,897
We just got to be on top
of everything, you know?
423
00:16:02,931 --> 00:16:04,097
And it's got to be ready.
424
00:16:04,131 --> 00:16:05,532
If I'm holding him up,
he's kicking me up the butt.
425
00:16:05,567 --> 00:16:06,867
Do you know what I mean? So...
426
00:16:06,901 --> 00:16:08,533
Kiefer picks it up so quick.
Do you know what I mean?
427
00:16:08,568 --> 00:16:10,435
I mean he's
done this a million times.
428
00:16:10,470 --> 00:16:11,936
It's like driving a car to him, you know?
429
00:16:11,971 --> 00:16:13,338
We literally set a few moves.
430
00:16:13,372 --> 00:16:15,438
He comes in, picks it up
like, you know, nothing,
431
00:16:15,473 --> 00:16:17,875
which is really quite cool, yeah.
432
00:16:17,909 --> 00:16:19,641
Mark and his team, I
think, are really good,
433
00:16:19,676 --> 00:16:21,244
and they really are a team.
434
00:16:22,044 --> 00:16:24,679
They're shooting at us! Move! Move!
435
00:16:24,713 --> 00:16:27,681
They've had a very busy
episode one and two.
436
00:16:29,216 --> 00:16:31,484
It was filled with fights and action,
437
00:16:31,518 --> 00:16:33,185
so they've hit the floor running,
438
00:16:33,218 --> 00:16:34,586
and... and the poor guys, I don't think,
439
00:16:34,620 --> 00:16:36,020
are gonna get much of a break.
440
00:16:36,054 --> 00:16:37,588
I think... I think
they're gonna be very busy
441
00:16:37,622 --> 00:16:39,322
through the 12 episodes.
442
00:16:39,357 --> 00:16:42,024
3, 2, 1, action!
443
00:16:43,293 --> 00:16:44,293
Cut!
444
00:16:44,327 --> 00:16:45,360
All right.
445
00:16:45,394 --> 00:16:47,028
The guys that do our special effects...
446
00:16:47,062 --> 00:16:49,662
they've been a crack crew.
It's very important for "24."
447
00:16:49,697 --> 00:16:52,365
We blow things up. It's
what we're known for.
448
00:16:52,399 --> 00:16:55,666
And so, coming to the UK
was not gonna change that.
449
00:16:55,701 --> 00:16:57,568
Bullet hits, things breaking,
450
00:16:57,603 --> 00:16:59,536
atmosphere, obviously, in all our sets,
451
00:16:59,570 --> 00:17:00,670
which is smoke and water.
452
00:17:00,705 --> 00:17:02,105
In the first two episodes,
453
00:17:02,139 --> 00:17:04,339
we've already had, I think,
454
00:17:04,374 --> 00:17:06,241
probably over a dozen explosions.
455
00:17:10,446 --> 00:17:12,045
Cut! That was awesome!
456
00:17:23,446 --> 00:17:27,848
"24" sort of was
created in the context of 9/11,
457
00:17:27,883 --> 00:17:31,051
but Jack really has become, in some ways,
458
00:17:31,085 --> 00:17:33,986
the lightning rod and the litmus test
459
00:17:34,020 --> 00:17:37,555
for this very complicated
world we're living in.
460
00:17:37,589 --> 00:17:39,623
So I think, culturally,
he really came to be
461
00:17:39,658 --> 00:17:42,793
this reflection of what
we hoped a hero could be
462
00:17:42,827 --> 00:17:43,960
in these very complicated times.
463
00:17:43,995 --> 00:17:45,861
- We all wish
- They're shooting at us! Move!
464
00:17:45,896 --> 00:17:48,329
we knew a Jack Bauer, had
a Jack Bauer protecting us.
465
00:17:48,363 --> 00:17:49,964
He really is A pretty
classic American hero.
466
00:17:49,999 --> 00:17:51,731
Jack Bauer is the kind of character
467
00:17:51,765 --> 00:17:56,202
that has universal appeal in
that he is a man of principles.
468
00:17:56,236 --> 00:17:57,570
Come on, Mr. Bauer.
469
00:17:57,604 --> 00:17:59,437
His principles drive his every action.
470
00:17:59,471 --> 00:18:00,438
Now or never.
471
00:18:00,472 --> 00:18:02,207
The character has taken on
472
00:18:02,241 --> 00:18:04,107
kind of a little bit of a mythic status,
473
00:18:04,141 --> 00:18:05,409
a little larger than life.
474
00:18:05,443 --> 00:18:08,276
There's a lot of speculation
about what's happened to him,
475
00:18:08,311 --> 00:18:10,912
who he is after he fell off the deep end
476
00:18:10,946 --> 00:18:12,646
at the end of season eight.
477
00:18:12,681 --> 00:18:13,881
Kiefer's playing it
478
00:18:13,916 --> 00:18:16,282
with an incredible amount of intensity
479
00:18:16,317 --> 00:18:20,652
and need to succeed
and a need to be a hero.
480
00:18:20,687 --> 00:18:23,121
The character is... it's like a kind of
481
00:18:23,155 --> 00:18:25,089
this fantastic long-lost friend, you know?
482
00:18:25,123 --> 00:18:27,324
And so we got to see each other again.
483
00:18:27,358 --> 00:18:31,760
Fox was very, very gutsy
to... to do a show like "24."
484
00:18:31,794 --> 00:18:34,729
"24," for me, was really a catalyst
485
00:18:34,763 --> 00:18:38,832
for how television was
viewed and is viewed.
486
00:18:38,866 --> 00:18:40,799
"24" was one of the sort of first,
487
00:18:40,834 --> 00:18:43,602
like, binge-watching of shows.
488
00:18:43,636 --> 00:18:47,871
Classic "24" kind of had
that addictive, you know...
489
00:18:47,905 --> 00:18:50,107
all the plots leading to
the end of that episode.
490
00:18:50,141 --> 00:18:51,874
You couldn't wait... you
know, the binge-watching.
491
00:18:51,908 --> 00:18:54,710
And now that's become the model,
492
00:18:54,745 --> 00:18:56,444
and we have so much great programming
493
00:18:56,478 --> 00:18:58,579
that came after that.
494
00:18:58,614 --> 00:19:01,348
Television, to me, is
the most exciting medium,
495
00:19:01,382 --> 00:19:02,515
and I'm telling you this
496
00:19:02,549 --> 00:19:03,949
as an actor who does films and television.
497
00:19:03,983 --> 00:19:06,017
For all of those reasons
498
00:19:06,052 --> 00:19:08,919
that television has become
as exciting as it is,
499
00:19:08,954 --> 00:19:13,089
"24" was one of the aspects
that helped shape that,
500
00:19:13,124 --> 00:19:14,957
and for that, I will always be proud.
501
00:19:14,991 --> 00:19:17,025
We were fortunate to just be
502
00:19:17,060 --> 00:19:19,227
right at the leading edge of that wave.
503
00:19:19,261 --> 00:19:22,328
It was kind of a new age
of... of, you know, television.
504
00:19:22,363 --> 00:19:25,030
It was really exciting to
keep pushing the limits,
505
00:19:25,065 --> 00:19:27,266
and... and I don't think that's gonna stop.
506
00:19:27,300 --> 00:19:29,667
I mean, I think "24" is
still one of those shows,
507
00:19:29,701 --> 00:19:32,069
and... and even though we're
coming back after being,
508
00:19:32,103 --> 00:19:34,170
you know, after being laid off for a while,
509
00:19:34,204 --> 00:19:36,972
I think we're still gonna
be on that leading edge.
510
00:19:37,006 --> 00:19:39,541
What's cool, I think, about "24"
511
00:19:39,576 --> 00:19:41,776
is that it reflects the
issues that are going on today.
512
00:19:41,810 --> 00:19:44,411
"24" was always
dealing with stories
513
00:19:44,445 --> 00:19:46,412
that were ripped right
out of the headlines,
514
00:19:46,446 --> 00:19:48,747
and so I think that's always
part of what we give you
515
00:19:48,782 --> 00:19:50,115
when... when we give you "24."
516
00:19:50,150 --> 00:19:53,317
Several things that
really have become bigger issues
517
00:19:53,351 --> 00:19:55,952
in the four years since
the show's been on...
518
00:19:55,987 --> 00:19:59,554
drone warfare, the advent of WikiLeaks,
519
00:19:59,589 --> 00:20:00,722
and hyper-government surveillance
520
00:20:00,757 --> 00:20:02,057
and people revealing that.
521
00:20:02,092 --> 00:20:05,893
It's thrilling that there are
so many story lines started
522
00:20:05,927 --> 00:20:09,396
and in gear right here in this first hour.
523
00:20:09,430 --> 00:20:10,996
It's just amazing.
524
00:20:11,030 --> 00:20:12,464
Certain facts have been covered up by us.
525
00:20:12,499 --> 00:20:13,765
I think, you know,
526
00:20:13,799 --> 00:20:15,933
most television would
like to be this relevant.
527
00:20:15,967 --> 00:20:18,435
You don't need to have
watched the show before
528
00:20:18,469 --> 00:20:20,136
to watch the show now.
529
00:20:20,171 --> 00:20:22,404
We're designing it so that you can just,
530
00:20:22,438 --> 00:20:24,705
you know, get on board the moving train.
531
00:20:24,739 --> 00:20:26,073
It's very quick.
532
00:20:26,108 --> 00:20:27,574
- It gets your heart racing.
- Get down! Get down!
533
00:20:27,609 --> 00:20:30,410
It's been described as
a soap opera on crack.
534
00:20:30,444 --> 00:20:33,345
We shoot it
faster. It's more instinctive.
535
00:20:33,379 --> 00:20:34,646
It's just simply more exciting.
536
00:20:34,681 --> 00:20:37,047
It becomes an
edge-of-your-seat experience.
537
00:20:37,081 --> 00:20:40,383
This is gonna be so
satisfying to the fans of "24."
538
00:20:40,418 --> 00:20:41,518
The show's coming back,
539
00:20:41,552 --> 00:20:42,686
and there's nothing we can do to stop it.
540
00:20:42,720 --> 00:20:43,952
Hey!
541
00:20:46,923 --> 00:20:48,623
They want blood!
542
00:20:49,325 --> 00:20:50,325
Stop, stop.
543
00:20:50,359 --> 00:20:52,025
This is bigger than President Heller.
544
00:20:52,059 --> 00:20:53,526
They're planning a full-scale attack.
545
00:20:58,173 --> 00:21:08,170
Sync and corrections by explosiveskull
www.addic7ed.com