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Action!
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Move! Move, damn it!
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Damn it, move!
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This is the opening of "24: Live Another Day."
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We start with CIA ops chasing somebody.
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The series begins running, you know?
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Freeze it right there.
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That Jack Bauer has survived,
intact, to live another day
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is good news for a lot of people.
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What the hell have you been doing the past four years?
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I was really excited that "24" was coming back.
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I couldn't believe it.
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There's fireballs. There's action.
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It's all good, "24" kind of stuff.
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It's a high-octane thriller
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with, literally, time ticking down.
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- It's a self-destruct program.
- Damn it!
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Why is he here? Why is he back?
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Jack Bauer is a traitor and a psychopath.
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Is he here to harm the president?
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Is he here to help the president?
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We don't know.
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If an American president is
assassinated on foreign soil,
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you're looking at a world war.
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London and the CIA will never be the same.
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Man: Action!
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It's Bauer.
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This year, we have some crazy stuff coming up,
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stuff we haven't done before.
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Coto: It's a story that starts
from moment one, this season.
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The train is already moving, and
you got to run to catch up.
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And you're on for a ride from
episode one all the way through.
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There's not one letup.
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Simone: Help me!
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What's wonderful is it is "24,"
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but it's a new iteration of "24."
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The show is set in London, England.
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And it's the first time we've
actually shot fully on location.
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What brings Jack to London
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is he's been out of the United States
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since the very end of season eight.
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He managed to escape to Eastern Europe,
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where he's been underground for 41/2 years...
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Man: Target acquired.
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And has resurfaced because of
the circumstances of the day,
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to protect the president of the Untied States.
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Katz: James Heller, played by William Devane,
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was formerly in the series as the secretary of defense.
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President Heller, In this case, is in London.
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Man: People have never been comfortable
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with our using drones for targeted assassinations.
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Mr. President?
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I'm thinking I don't blame them.
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Devane: We're here to negotiate a treaty...
a drone treaty.
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It's a precarious situation,
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so I have to come and actually do it myself.
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James: I think the most important thing
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is for the prime minister to hear the news from me.
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Katz: And while he's there, of course,
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Jack emerges with news of an attack.
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The question being asked in the
initial part of the series is,
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"is Jack Bauer there to assassinate the president?"
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Gordon: Jack is an international fugitive,
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and he's wanted, not just by our country,
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but by every country.
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I know How many lives you've saved,
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but they're just gonna see a man who snapped,
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who went off on a... a revenge spree.
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A man whose country labels him a criminal.
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Coto: Fans of the series remember,
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you know, Jack left off as a fugitive.
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You were really something...
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in your time.
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Basically, CTU was turned off,
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and Jack was left in the darkness.
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And now a CIA team is hunting down Jack.
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[Groans]
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Man: Cut!
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But Jack is onto something,
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and there's much more than just him having been caught.
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There's a larger mystery that he's trying to uncover.
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Caesar: Why is he here? Why is he back?
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Does this have something to do with the president?
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And does it have something to do with these drones?
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So, really, that becomes our mystery.
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Two weeks ago, I intercepted intel framing
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an assassination attempt on President Heller
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supposed to take place in London... here, today.
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- You're gonna help me.
- I'm afraid I can't do that.
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But you don't have a choice.
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Gordon: Despite being hunted and...
and being made a pariah,
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Jack is still a hero. He cannot help himself.
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Has anyone ever mentioned
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your rather... spectacularly rude habit
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of asking for favors accompanied
by the threat of a gun?
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Sutherland: What brought me
back was really Howard Gordon,
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who was our lead writer.
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Called me up and said, "Look, I've...
I've had this idea
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"for about 12 episodes for a while,
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"and it's kind of just gnawing at me.
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Would you be interested in doing it?"
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Gordon: We really wanted to see Jack Bauer.
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Look, it's really like seeing an old friend again.
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And I have to say, when we saw the dailies
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of Jack Bauer for the first time,
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we just all smiled and looked at each other.
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Katz: He really looks great. He's cut.
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He looks like someone who's been living raw
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and on the edge for years.
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You know who I am.
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Trigger an alarm, and I'll blow your head off.
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I think he found Jack again pretty quickly.
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Kiefer and Jack Bauer are pretty
well connected at this point.
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We didn't waste any time.
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Our first week,
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we were just stock blocked with action and dialogue,
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so he had to fit into and he had
to do it quickly, and he did.
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Sutherland: And it is very
exciting to be Jack Bauer again.
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Move!
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Gordon: It is not just Kiefer, of course.
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A good number of the old team are back together.
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It was like the band came together for this.
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Evan is a... is a... is a veteran.
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He's the most veteran writer on the show...
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was there since season two,
and I came in at season five.
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Katz: We're lucky enough to get John Caesar back,
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who was our producer and director for years.
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Caesar: I've done 58 episodes and the TV movie,
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so to have it come back again is very exciting.
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Sutherland: Jon directed so many of the seasons of "24"
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that I really do rely on him greatly.
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Action!
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We're gonna push this as hard as we can.
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If we lose the base,
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those men will have died in vain!
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Look, I'm not saying we quit.
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I'm just suggesting that we withdraw,
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wait until the rancor dies down.
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I don't have time.
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Katz: We're doing 12 episodes, instead of 24.
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This is a special-event series.
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Here we go!
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Those 12 episodes
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are still gonna represent one full day.
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Somewhere within it,
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we're going to skip an hour
or two, or maybe a big chunk.
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Sutherland: We're not trying to change the show.
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Jack is not gonna be skipping.
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You know, it's not gonna be a romantic comedy.
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He's gonna have a crappy day,
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and he's gonna fight his way through it,
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and... and... and that's what the show is.
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Certain dynamics are different,
but the show isn't different.
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You're going after the wrong guy.
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Caesar: I think all the action and special effects
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are what you usually expect on "24,"
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and, really, that's what I'm going for...
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and maybe a little beyond what you expect,
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and that's what we always,
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I think, expect our audience to expect from us.
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Action!
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Cut. Yeah, baby!
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[Claps] That's the one.
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[Beeping]
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This year may be my favorite cast that we've ever had.
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It's extraordinary.
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Caesar: First, we've got some characters
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that you loved that we've brought back.
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My God. Chloe.
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Woman: What happened to you?
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Coto: The notorious Chloe O'Brian.
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Chloe's not nearly the same individual
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that we saw in season eight.
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Rajskub: Chloe is with the group
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that believes in information being freed.
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They have no qualms about letting out secrets.
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It's the opposite of how Chloe used to believe.
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Coto: She has turned anti-government.
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She has become
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kind of like a darker version of Edward Snowden.
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Intelligence agencies keep secrets
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because what they're doing is criminal.
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That's naive, even for you.
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You're smarter than that.
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You don't get to judge me,
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not after what I've been through.
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Rajskub: Chloe and Jack start out at odds
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because Jack has kind of come out of nowhere
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and wants her to go with him
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and help him to stop this plot against the president.
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Jack, in four years of hiding,
doesn't really trust anybody,
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and Chloe has gone through her own evolution.
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And they don't start off as the best of friends.
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We're not the same Chloe and Jack as we were,
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and we're not seeing eye to eye.
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Chloe: Why are you doing this, Jack?
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Some fantasy that, if you save Heller,
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all will be forgiven?
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You knew Heller. You know he's a good man.
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No, I don't know that.
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William Devane is reprising his role as Heller.
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Devane: I'm now the president,
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the most powerful man in the free world.
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Katz: His daughter Audrey,
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who Jack was deeply in love with, and she with him,
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but who ended up going to China and being tortured
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for information about Jack.
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Audrey is a lot better than when
we last saw her. [Chuckles]
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Audrey is working again with her dad.
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I know that look.
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What's your problem?
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Devane: She's like the lady of the White House.
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Her mother passed away years ago,
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so she basically does everything with me.
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It's sort of that thing, you know,
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when someone has gone through a really hard time,
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I think people are fragile around her
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and kind of protecting her.
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Katz: She's also married to his chief of staff,
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the man who helped her come back
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from... from a near-catatonic mental breakdown.
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Donovan: I play Mark Boudreau,
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and he is the chief of staff
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to the president of the United States.
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Coto: Tate Donovan is a great
character this season, Boudreau.
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He's operating purely from pain
in his opposition to Bauer,
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who he sees as a threat, not only to the country
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but to his wife and to her well-being, to her sanity.
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The president should be made aware.
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You weren't there.
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You didn't see what Bauer did to his family...
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what he did to Audrey.
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He really does not like Jack Bauer.
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As long as she lives,
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she's never gonna hear the name Jack Bauer.
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Donovan: In the first episode,
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I order his death or something terrible,
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and, you know, that doesn't bode well for a character,
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if you order Jack Bauer's death.
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[Laughs]
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Coto: So, it's an interesting triangle
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that's kind of cracked apart when... when Jack appears.
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Katz: With Tate Donovan,
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we have several new people that feel like
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they were born to be on the show.
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Where in God's name have you been?
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Chloe is working with the leader of a hacker group.
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His name is Adrian Cross, and
he's played by Michael Wincott.
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And he's a charismatic, almost prophet-like figure
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who presides over this group of misfits
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who help him dig out information about governments
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and spread it.
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We acquire and disseminate information... nothing more.
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You make it sound like what you do is benign.
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We both know that's not true.
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Gordon: The CIA station chief is Agent Navarro,
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who's played by Benjamin Bratt.
258
00:09:34,949 --> 00:09:36,282
Bratt: For me as an actor,
259
00:09:36,316 --> 00:09:38,477
to be invited to come on board and... and participate,
260
00:09:38,485 --> 00:09:41,387
to really jump on board this roller coaster
261
00:09:41,421 --> 00:09:43,422
that is a global phenomenon has been a real thrill.
262
00:09:43,457 --> 00:09:44,423
Man: Cut!
263
00:09:44,458 --> 00:09:46,325
With "24," you can never be certain
264
00:09:46,360 --> 00:09:48,461
that someone is what they say they are.
265
00:09:48,495 --> 00:09:51,197
But what I know of who I play, at this point,
266
00:09:51,231 --> 00:09:53,065
is that he is a calm leader.
267
00:09:53,099 --> 00:09:55,701
He's cautious. He's very thorough.
268
00:09:55,735 --> 00:09:58,303
Hey, um...
269
00:09:58,337 --> 00:09:59,504
sorry I shut you down.
270
00:09:59,539 --> 00:10:03,275
Strahovski: I play Kate Morgan, the CIA agent.
271
00:10:03,309 --> 00:10:05,610
When we meet her, she's packing
up because she's being demoted.
272
00:10:05,645 --> 00:10:08,213
Coto: Her husband was revealed to be a traitor,
273
00:10:08,247 --> 00:10:09,815
selling secrets to the Chinese,
274
00:10:09,849 --> 00:10:13,385
and she's about to be transferred back to the States.
275
00:10:13,419 --> 00:10:16,954
Strahovski: Before that, she was
a pretty great field agent,
276
00:10:16,989 --> 00:10:20,292
very impulsive, and one of the best that they had.
277
00:10:20,326 --> 00:10:22,460
- Katz: She sees capturing Bauer - Bang! Bang!
278
00:10:22,495 --> 00:10:24,729
- As her way of redeeming herself.
- Drop your weapon!
279
00:10:24,763 --> 00:10:26,331
- Turn around!
- Bratt: She has instincts that
280
00:10:26,365 --> 00:10:29,100
are very in sync with Jack Bauer
when he was a young agent,
281
00:10:29,134 --> 00:10:31,635
and goes a long way to proving herself
282
00:10:31,670 --> 00:10:33,738
to be reestablished as part of my crew.
283
00:10:33,772 --> 00:10:35,673
I'm the one that got inside Bauer's head...
284
00:10:35,708 --> 00:10:37,641
not you, not Erik, not anybody.
285
00:10:37,676 --> 00:10:39,243
She has to go head-to-head with Jack,
286
00:10:39,277 --> 00:10:41,145
and that's not easy to do, for anybody to do.
287
00:10:41,180 --> 00:10:42,513
Erik: What is she doing here?
288
00:10:42,547 --> 00:10:45,182
I reinstated her, Just until we get Bauer back.
289
00:10:45,217 --> 00:10:47,351
Erik Ritter arrived at the station
290
00:10:47,385 --> 00:10:49,820
to take Kate's job when she transfers out,
291
00:10:49,854 --> 00:10:51,522
and he's impatiently waiting.
292
00:10:51,556 --> 00:10:52,690
She might be trying to prove herself.
293
00:10:52,724 --> 00:10:53,857
I don't care.
294
00:10:53,891 --> 00:10:55,693
But you don't expect me to work with her, do you?
295
00:10:55,727 --> 00:10:57,794
I expect you to do your job
without questioning my orders.
296
00:10:57,829 --> 00:11:00,631
Gbenga, who, of course, everyone
knows from "The Wire" fame,
297
00:11:00,665 --> 00:11:02,199
is Erik.
298
00:11:02,233 --> 00:11:04,701
Erik thinks that Kate is not fit to do the job.
299
00:11:04,736 --> 00:11:06,870
She may have been at one point, but not any longer,
300
00:11:06,904 --> 00:11:08,404
and he is, and he'll do it well.
301
00:11:08,439 --> 00:11:09,472
Navarro: Kate Morgan isn't there.
302
00:11:09,506 --> 00:11:10,506
She's not even on the books.
303
00:11:10,541 --> 00:11:13,176
This goes bad, it's on you.
304
00:11:13,211 --> 00:11:14,945
When it looks like she's gaining traction,
305
00:11:14,979 --> 00:11:16,747
he's very threatened at first.
306
00:11:16,781 --> 00:11:18,180
Cut them loose!
307
00:11:19,015 --> 00:11:20,516
Kate: Leave him.
308
00:11:20,551 --> 00:11:22,017
Are you out of your mind?!
309
00:11:22,052 --> 00:11:24,220
He's coming with us. He knows something.
310
00:11:25,055 --> 00:11:27,357
This was not your fault.
311
00:11:27,391 --> 00:11:30,159
Margot, our main antagonist, our main villain,
312
00:11:30,193 --> 00:11:34,563
is a woman who swears her revenge on President Heller.
313
00:11:34,597 --> 00:11:38,934
Margot is a driven, motivated, passionate woman
314
00:11:38,969 --> 00:11:43,305
with a cause in mind, and her cause is revenge.
315
00:11:43,339 --> 00:11:46,441
This family has worked too hard for too long
316
00:11:46,476 --> 00:11:50,112
to let anyone or anything get in its way.
317
00:11:50,147 --> 00:11:52,614
Katz: Margot's daughter, Simone, has been raised
318
00:11:52,649 --> 00:11:56,618
with not only radical politics
and to believe in terrorism,
319
00:11:56,653 --> 00:11:58,553
but to obey her mother
320
00:11:58,588 --> 00:12:01,222
and do whatever her mother asks.
321
00:12:01,257 --> 00:12:03,191
Simone has a very strong set of beliefs
322
00:12:03,225 --> 00:12:04,593
that she's been brought up with.
323
00:12:04,627 --> 00:12:06,227
She would stop at nothing.
324
00:12:06,262 --> 00:12:07,829
She is ruthless, in a way,
325
00:12:07,863 --> 00:12:11,132
but I don't see her as, in any way, a bad person.
326
00:12:11,167 --> 00:12:13,634
I think she just genuinely
does what she thinks is right.
327
00:12:13,669 --> 00:12:15,069
Simone: That man is trying to kill me!
328
00:12:15,104 --> 00:12:16,037
Help me! Help me!
329
00:12:16,071 --> 00:12:17,205
Man: Leave the girl alone!
330
00:12:17,239 --> 00:12:18,840
[Grunting]
331
00:12:18,874 --> 00:12:20,775
Sutherland: "24" really is an ensemble show.
332
00:12:20,810 --> 00:12:24,378
It can only be as good as... as
the cast that takes you there,
333
00:12:24,413 --> 00:12:26,980
and we couldn't have asked for better.
334
00:12:27,015 --> 00:12:30,818
Erik: I will shoot you in the back
of the head... I swear to God!
335
00:12:43,319 --> 00:12:45,720
There is something about the UK...
336
00:12:45,754 --> 00:12:47,856
in many ways, our relationship to the UK
337
00:12:47,890 --> 00:12:49,457
is so special and so deep
338
00:12:49,491 --> 00:12:50,725
that it felt like the right place.
339
00:12:50,759 --> 00:12:51,892
And it's iconic.
340
00:12:51,927 --> 00:12:53,594
Caesar: This is really the first time we've taken
341
00:12:53,629 --> 00:12:55,630
the whole production to another
city, so it's very exciting,
342
00:12:55,664 --> 00:12:57,365
and I think we picked the right city.
343
00:12:57,399 --> 00:12:58,966
I just love this city.
344
00:12:59,000 --> 00:13:00,735
London's filled with history.
345
00:13:00,769 --> 00:13:02,136
The visuals speak for themselves.
346
00:13:02,170 --> 00:13:04,939
You can point the camera almost
anywhere, and it's great.
347
00:13:04,973 --> 00:13:07,674
Our first day, we were right in central London,
348
00:13:07,709 --> 00:13:10,277
you know, right off of piccadilly circus.
349
00:13:10,312 --> 00:13:11,312
I was born here,
350
00:13:11,346 --> 00:13:12,646
and I was about 3,
351
00:13:12,680 --> 00:13:15,082
so there's a kind of a nationalistic pride I have
352
00:13:15,116 --> 00:13:16,350
about England.
353
00:13:16,384 --> 00:13:19,286
Not only will it be exciting, as it has been for me
354
00:13:19,321 --> 00:13:21,688
to work here as an actor and for our crew,
355
00:13:21,723 --> 00:13:26,226
I hope for the viewing audience,
it'll be like going on a trip.
356
00:13:26,260 --> 00:13:27,427
You know?
357
00:13:27,462 --> 00:13:29,796
We're gonna show you London in a very different way.
358
00:13:29,831 --> 00:13:30,964
B-marker.
359
00:13:30,998 --> 00:13:33,333
Erik: Stop where you are! Stop! Get on the ground!
360
00:13:34,134 --> 00:13:36,737
We shot right on the Thames. We were just on the beach.
361
00:13:36,771 --> 00:13:39,138
And we had boats coming up with guys with machine guys
362
00:13:39,173 --> 00:13:41,040
and guys coming down the wharf
363
00:13:41,075 --> 00:13:43,409
and another guy coming over down the beach,
364
00:13:43,443 --> 00:13:44,844
and so I was in the middle of kind of
365
00:13:44,879 --> 00:13:47,113
playing all of that action and getting focused on that.
366
00:13:47,147 --> 00:13:48,447
Man: Cut! Excellent!
367
00:13:48,482 --> 00:13:49,782
And then I looked up,
368
00:13:49,816 --> 00:13:51,184
and you could clearly see that it was London.
369
00:13:51,218 --> 00:13:52,886
Man: Eight camera, right here. Exact same thing.
370
00:13:52,920 --> 00:13:54,721
One of the interesting things about "24" was,
371
00:13:54,755 --> 00:13:56,154
even when we were in Los Angeles
372
00:13:56,189 --> 00:13:58,323
or in New York or Washington,
373
00:13:58,358 --> 00:14:01,827
it was never a show about monuments and big buildings.
374
00:14:01,862 --> 00:14:03,228
It was always... it took place
375
00:14:03,263 --> 00:14:04,963
in the back streets and alleys,
376
00:14:04,998 --> 00:14:07,165
and... and that's also applied here in London.
377
00:14:07,200 --> 00:14:08,233
Action.
378
00:14:08,268 --> 00:14:10,168
We shot in the back alleys.
379
00:14:10,203 --> 00:14:11,736
We were at a block-housing project.
380
00:14:11,771 --> 00:14:14,106
So, that's all part of "24," also,
381
00:14:14,140 --> 00:14:16,841
because people are hiding, and people are undercover,
382
00:14:16,876 --> 00:14:18,510
and so you can't be always right in the main streets
383
00:14:18,544 --> 00:14:19,511
with all the people.
384
00:14:19,545 --> 00:14:21,313
Man: I've got a confirm on the target.
385
00:14:21,347 --> 00:14:24,482
Hooded sweatshirt, 30 feet from the south wall.
386
00:14:24,517 --> 00:14:26,785
Man 2: And go, go, go!
387
00:14:26,819 --> 00:14:29,788
London has been very cooperative
about letting us shoot places.
388
00:14:29,822 --> 00:14:30,955
So, we shot on the tube,
389
00:14:30,989 --> 00:14:33,525
and we do some terrible things on the tube,
390
00:14:33,559 --> 00:14:36,994
but they would not let anyone jump the fare barrier
391
00:14:37,029 --> 00:14:39,697
and... and... and get on for free.
392
00:14:39,732 --> 00:14:41,399
- That was the one restriction.
- One step too far.
393
00:14:41,434 --> 00:14:43,000
- Not having any of that.
- Yes. Yes.
394
00:14:45,370 --> 00:14:48,772
He's coming your way. He's probably armed.
395
00:14:48,807 --> 00:14:50,541
Caesar: We're doing, you know, big shootouts,
396
00:14:50,575 --> 00:14:51,775
and right on day one,
397
00:14:51,810 --> 00:14:53,177
the armorers were showing us guns
398
00:14:53,211 --> 00:14:54,378
that I'd never even seen before.
399
00:14:54,413 --> 00:14:56,948
We've got quite a lot of weaponry on this series,
400
00:14:56,982 --> 00:14:58,715
and we're gonna start with Jack's gun.
401
00:14:58,750 --> 00:15:00,617
We've updated it for this series of "24."
402
00:15:00,652 --> 00:15:02,986
He used to have a HK USP Compact.
403
00:15:03,020 --> 00:15:05,689
We now have a HK P30.
404
00:15:05,723 --> 00:15:08,291
He also uses other agents' guns throughout,
405
00:15:08,326 --> 00:15:11,194
particularly the Glock 17, which is our CIA weapon.
406
00:15:11,228 --> 00:15:15,999
We've also provided gun cameras,
which fit on the front,
407
00:15:16,033 --> 00:15:18,201
give something visual for the director to read off.
408
00:15:18,235 --> 00:15:21,338
Our different tactical agents,
when we see them in the field...
409
00:15:21,372 --> 00:15:23,840
they have a HK MP7.
410
00:15:23,874 --> 00:15:26,009
They also have an M4 derivative,
411
00:15:26,043 --> 00:15:27,143
and this is a bit of fun,
412
00:15:27,178 --> 00:15:31,481
which is a corner shot 9-millimeter Glock 17,
413
00:15:31,515 --> 00:15:34,149
but if I show you how it operates,
414
00:15:34,184 --> 00:15:35,852
it just comes up like that.
415
00:15:35,886 --> 00:15:38,320
Come back around...
416
00:15:38,355 --> 00:15:40,422
and you can fire around corners.
417
00:15:40,457 --> 00:15:42,825
Camera mounted on the front with a monitor here.
418
00:15:42,860 --> 00:15:44,827
- Drop the weapon! Put it on the ground!
- Putting the weapon down!
419
00:15:44,862 --> 00:15:45,695
Get on the ground, Bauer!
420
00:15:45,729 --> 00:15:47,363
- [Gunshots] - Aah!
421
00:15:50,000 --> 00:15:51,233
Here we go. Action!
422
00:15:51,267 --> 00:15:52,934
[Screams]
423
00:15:54,770 --> 00:15:56,372
My name's Mark Mottram.
424
00:15:56,406 --> 00:15:58,374
I'm the stunt coordinator on "24."
425
00:15:58,408 --> 00:15:59,441
Jon moves so quick.
426
00:15:59,476 --> 00:16:01,410
He knows where he's going, knows the shots.
427
00:16:01,444 --> 00:16:03,545
We just got to be on top of everything, you know?
428
00:16:03,579 --> 00:16:04,746
And it's got to be ready.
429
00:16:04,780 --> 00:16:06,181
If I'm holding him up, he's kicking me up the butt.
430
00:16:06,216 --> 00:16:07,516
Do you know what I mean? So...
431
00:16:07,550 --> 00:16:09,183
Kiefer picks it up so quick. Do you know what I mean?
432
00:16:09,218 --> 00:16:11,098
I mean [Scoffs] he's done this a million times.
433
00:16:11,120 --> 00:16:12,587
It's like driving a car to him, you know?
434
00:16:12,622 --> 00:16:13,989
We literally set a few moves.
435
00:16:14,023 --> 00:16:16,090
He comes in, picks it up like, you know, nothing,
436
00:16:16,125 --> 00:16:18,527
which is really quite cool, yeah.
437
00:16:18,561 --> 00:16:20,321
Mark and his team, I think, are really good,
438
00:16:20,329 --> 00:16:21,897
and they really are a team.
439
00:16:22,698 --> 00:16:25,333
They're shooting at us! Move! Move!
440
00:16:25,367 --> 00:16:28,336
They've had a very busy episode one and two.
441
00:16:28,370 --> 00:16:29,837
[Indistinct shouting]
442
00:16:29,871 --> 00:16:32,140
It was filled with fights and action,
443
00:16:32,174 --> 00:16:33,841
so they've hit the floor running,
444
00:16:33,875 --> 00:16:35,243
and... and the poor guys, I don't think,
445
00:16:35,277 --> 00:16:36,677
are gonna get much of a break.
446
00:16:36,711 --> 00:16:38,246
I think... I think they're gonna be very busy
447
00:16:38,280 --> 00:16:39,980
through the 12 episodes.
448
00:16:40,015 --> 00:16:42,683
3, 2, 1, action!
449
00:16:43,952 --> 00:16:44,952
Cut!
450
00:16:44,986 --> 00:16:46,020
Man: All right.
451
00:16:46,054 --> 00:16:47,688
The guys that do our special effects...
452
00:16:47,722 --> 00:16:50,323
they've been a crack crew.
It's very important for "24."
453
00:16:50,358 --> 00:16:53,027
We blow things up. It's what we're known for.
454
00:16:53,061 --> 00:16:56,329
And so, coming to the UK was not gonna change that.
455
00:16:56,364 --> 00:16:58,231
Bullet hits, things breaking,
456
00:16:58,266 --> 00:17:00,200
atmosphere, obviously, in all our sets,
457
00:17:00,234 --> 00:17:01,334
which is smoke and water.
458
00:17:01,369 --> 00:17:02,769
In the first two episodes,
459
00:17:02,803 --> 00:17:05,004
we've already had, I think,
460
00:17:05,039 --> 00:17:06,906
probably over a dozen explosions.
461
00:17:11,112 --> 00:17:12,712
Man: Cut! That was awesome!
462
00:17:22,248 --> 00:17:24,082
[Indistinct shouting]
463
00:17:24,116 --> 00:17:28,519
Gordon: "24" sort of was created
in the context of 9/11,
464
00:17:28,554 --> 00:17:31,723
but Jack really has become, in some ways,
465
00:17:31,757 --> 00:17:34,659
the lightning rod and the litmus test
466
00:17:34,693 --> 00:17:38,229
for this very complicated world we're living in.
467
00:17:38,263 --> 00:17:40,297
So I think, culturally, he really came to be
468
00:17:40,332 --> 00:17:43,468
this reflection of what we hoped a hero could be
469
00:17:43,502 --> 00:17:44,635
in these very complicated times.
470
00:17:44,670 --> 00:17:46,537
- We all wish - They're shooting at us! Move!
471
00:17:46,572 --> 00:17:49,006
We knew a Jack Bauer, had a Jack Bauer protecting us.
472
00:17:49,040 --> 00:17:50,641
He really is A pretty classic American hero.
473
00:17:50,676 --> 00:17:52,409
Jack Bauer is the kind of character
474
00:17:52,443 --> 00:17:56,881
that has universal appeal in
that he is a man of principles.
475
00:17:56,915 --> 00:17:58,249
Come on, Mr. Bauer.
476
00:17:58,283 --> 00:18:00,117
His principles drive his every action.
477
00:18:00,151 --> 00:18:01,118
Now or never.
478
00:18:01,152 --> 00:18:02,887
Katz: The character has taken on
479
00:18:02,921 --> 00:18:04,788
kind of a little bit of a mythic status,
480
00:18:04,822 --> 00:18:06,090
a little larger than life.
481
00:18:06,124 --> 00:18:08,958
There's a lot of speculation
about what's happened to him,
482
00:18:08,993 --> 00:18:11,595
who he is after he fell off the deep end
483
00:18:11,629 --> 00:18:13,329
at the end of season eight.
484
00:18:13,364 --> 00:18:14,564
Kiefer's playing it
485
00:18:14,599 --> 00:18:16,966
with an incredible amount of intensity
486
00:18:17,001 --> 00:18:21,337
and need to succeed and a need to be a hero.
487
00:18:21,372 --> 00:18:23,807
The character is... it's like a kind of
488
00:18:23,841 --> 00:18:25,775
this fantastic long-lost friend, you know?
489
00:18:25,809 --> 00:18:28,011
And so we got to see each other again.
490
00:18:28,045 --> 00:18:32,448
Fox was very, very gutsy to... to do a show like "24."
491
00:18:32,482 --> 00:18:35,418
Raver: "24," for me, was really a catalyst
492
00:18:35,452 --> 00:18:39,522
for how television was viewed and is viewed.
493
00:18:39,556 --> 00:18:41,490
"24" was one of the sort of first,
494
00:18:41,525 --> 00:18:44,293
like, binge-watching of shows.
495
00:18:44,327 --> 00:18:48,564
Classic "24" kind of had that addictive, you know...
496
00:18:48,598 --> 00:18:50,800
all the plots leading to the end of that episode.
497
00:18:50,834 --> 00:18:52,568
You couldn't wait... you know, the binge-watching.
498
00:18:52,602 --> 00:18:55,404
And now that's become the model,
499
00:18:55,439 --> 00:18:57,139
and we have so much great programming
500
00:18:57,173 --> 00:18:59,274
that came after that.
501
00:18:59,309 --> 00:19:02,044
Television, to me, is the most exciting medium,
502
00:19:02,078 --> 00:19:03,211
and I'm telling you this
503
00:19:03,246 --> 00:19:04,646
as an actor who does films and television.
504
00:19:04,680 --> 00:19:06,714
For all of those reasons
505
00:19:06,749 --> 00:19:09,617
that television has become as exciting as it is,
506
00:19:09,652 --> 00:19:13,788
"24" was one of the aspects that helped shape that,
507
00:19:13,823 --> 00:19:15,657
and for that, I will always be proud.
508
00:19:15,691 --> 00:19:17,725
Caesar: We were fortunate to just be
509
00:19:17,760 --> 00:19:19,928
right at the leading edge of that wave.
510
00:19:19,962 --> 00:19:23,030
It was kind of a new age of...
of, you know, television.
511
00:19:23,065 --> 00:19:25,733
It was really exciting to keep pushing the limits,
512
00:19:25,768 --> 00:19:27,969
and... and I don't think that's gonna stop.
513
00:19:28,003 --> 00:19:30,371
I mean, I think "24" is still one of those shows,
514
00:19:30,405 --> 00:19:32,773
and... and even though we're coming back after being,
515
00:19:32,807 --> 00:19:34,875
you know, after being laid off for a while,
516
00:19:34,909 --> 00:19:37,678
I think we're still gonna be on that leading edge.
517
00:19:37,712 --> 00:19:40,247
Rajskub: What's cool, I think, about "24"
518
00:19:40,282 --> 00:19:42,483
is that it reflects the issues that are going on today.
519
00:19:42,517 --> 00:19:45,119
Caesar: "24" was always dealing with stories
520
00:19:45,153 --> 00:19:47,120
that were ripped right out of the headlines,
521
00:19:47,154 --> 00:19:49,456
and so I think that's always part of what we give you
522
00:19:49,491 --> 00:19:50,824
when... when we give you "24."
523
00:19:50,859 --> 00:19:54,027
Katz: Several things that really
have become bigger issues
524
00:19:54,061 --> 00:19:56,663
in the four years since the show's been on...
525
00:19:56,698 --> 00:20:00,266
drone warfare, the advent of WikiLeaks,
526
00:20:00,301 --> 00:20:01,434
and hyper-government surveillance
527
00:20:01,469 --> 00:20:02,769
and people revealing that.
528
00:20:02,804 --> 00:20:06,606
It's thrilling that there are
so many story lines started
529
00:20:06,640 --> 00:20:10,110
and in gear right here in this first hour.
530
00:20:10,144 --> 00:20:11,711
It's just amazing.
531
00:20:11,745 --> 00:20:13,179
Certain facts have been covered up by us.
532
00:20:13,214 --> 00:20:14,481
I think, you know,
533
00:20:14,515 --> 00:20:16,649
most television would like to be this relevant.
534
00:20:16,683 --> 00:20:19,152
You don't need to have watched the show before
535
00:20:19,186 --> 00:20:20,853
to watch the show now.
536
00:20:20,888 --> 00:20:23,122
We're designing it so that you can just,
537
00:20:23,156 --> 00:20:25,424
you know, get on board the moving train.
538
00:20:25,458 --> 00:20:26,792
Caesar: It's very quick.
539
00:20:26,827 --> 00:20:28,293
- It gets your heart racing.
- Get down! Get down!
540
00:20:28,328 --> 00:20:31,130
It's been described as a soap opera on crack.
541
00:20:31,164 --> 00:20:34,066
Sutherland: We shoot it faster. It's more instinctive.
542
00:20:34,100 --> 00:20:35,367
It's just simply more exciting.
543
00:20:35,402 --> 00:20:37,769
Coto: It becomes an edge-of-your-seat experience.
544
00:20:37,803 --> 00:20:41,106
This is gonna be so satisfying to the fans of "24."
545
00:20:41,141 --> 00:20:42,241
The show's coming back,
546
00:20:42,275 --> 00:20:43,409
and there's nothing we can do to stop it.
547
00:20:43,443 --> 00:20:44,676
Hey!
548
00:20:47,647 --> 00:20:49,348
They want blood!
549
00:20:50,050 --> 00:20:51,050
Stop, stop.
550
00:20:51,084 --> 00:20:52,751
Jack: This is bigger than President Heller.
551
00:20:52,785 --> 00:20:54,265
They're planning a full-scale attack.
552
00:20:54,286 --> 00:20:55,554
[Projectile whistling]
553
00:20:56,789 --> 00:20:58,557
[Beeping]
554
00:20:58,900 --> 00:21:06,900
24 S09E01 Jack Is Back 1100 a.m.-1200 p.m. -WEB-DL