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Action!
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Move! Move, damn it!
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Damn it, move!
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This is the opening of
"24: Live Another Day."
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We start with CIA ops chasing somebody.
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The series begins running, you know?
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Freeze it right there.
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That Jack Bauer has survived,
intact, to live another day
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is good news for a lot of people.
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What the hell have you been
doing the past four years?
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I was really excited
that "24" was coming back.
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I couldn't believe it.
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There's fireballs. There's action.
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It's all good, "24" kind of stuff.
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It's a high-octane thriller
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with, literally, time ticking down.
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- It's a self-destruct program.
- Damn it!
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Why is he here? Why is he back?
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Jack Bauer is a traitor and a psychopath.
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Is he here to harm the president?
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Is he here to help the president?
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We don't know.
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If an American president is
assassinated on foreign soil,
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you're looking at a world war.
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London and the CIA will never be the same.
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Man: Action!
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It's Bauer.
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This year, we have some
crazy stuff coming up,
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stuff we haven't done before.
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Coto: It's a story that starts
from moment one, this season.
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The train is already moving,
and you got to run to catch up.
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And you're on for a ride from
episode one all the way through.
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There's not one letup.
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Simone: Help me!
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What's wonderful is it is "24,"
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but it's a new iteration of "24."
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The show is set in London, England.
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And it's the first time we've
actually shot fully on location.
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What brings Jack to London
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is he's been out of the United States
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since the very end of season eight.
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He managed to escape to Eastern Europe,
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where he's been underground
for 4 1/2 years...
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Man: Target acquired.
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And has resurfaced because of
the circumstances of the day,
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to protect the president
of the United States.
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Katz: James Heller,
played by William Devane,
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was formerly in the series
as the secretary of defense.
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President Heller, In
this case, is in London.
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Man: People have never been comfortable
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with our using drones for
targeted assassinations.
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Mr. President?
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I'm thinking I don't blame them.
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Devane: We're here to negotiate
a treaty... a drone treaty.
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It's a precarious situation,
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so I have to come and
actually do it myself.
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James: I think the most important thing
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is for the prime minister
to hear the news from me.
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Katz: And while he's there, of course,
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Jack emerges with news of an attack.
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The question being asked in the
initial part of the series is,
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"is Jack Bauer there to
assassinate the president?"
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Gordon: Jack is an international fugitive,
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and he's wanted, not just by our country,
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but by every country.
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I know How many lives you've saved,
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but they're just gonna
see a man who snapped,
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who went off on a... a revenge spree.
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A man whose country labels him a criminal.
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Coto: Fans of the series remember,
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you know, Jack left off as a fugitive.
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You were really something...
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in your time.
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Basically, CTU was turned off,
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and Jack was left in the darkness.
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And now a CIA team is hunting down Jack.
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[Groans]
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Man: Cut!
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But Jack is onto something,
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and there's much more than
just him having been caught.
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There's a larger mystery
that he's trying to uncover.
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Cassar: Why is he here? Why is he back?
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Does this have something
to do with the president?
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And does it have something
to do with these drones?
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So, really, that becomes our mystery.
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Two weeks ago, I intercepted intel framing
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an assassination attempt
on President Heller
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supposed to take place
in London... here, today.
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- You're gonna help me.
- I'm afraid I can't do that.
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But you don't have a choice.
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Gordon: Despite being hunted
and... and being made a pariah,
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Jack is still a hero.
He cannot help himself.
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Has anyone ever mentioned
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your rather... spectacularly rude habit
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of asking for favors accompanied
by the threat of a gun?
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Sutherland: What brought me
back was really Howard Gordon,
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who was our lead writer.
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Called me up and said, "Look,
I've... I've had this idea
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"for about 12 episodes for a while,
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"and it's kind of just gnawing at me.
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Would you be interested in doing it?"
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Gordon: We really wanted to see Jack Bauer.
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Look, it's really like
seeing an old friend again.
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And I have to say, when we saw the dailies
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of Jack Bauer for the first time,
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we just all smiled and
looked at each other.
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Katz: He really looks great. He's cut.
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He looks like someone who's been living raw
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and on the edge for years.
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You know who I am.
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Trigger an alarm, and
I'll blow your head off.
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I think he found Jack again pretty quickly.
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Kiefer and Jack Bauer are pretty
well connected at this point.
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We didn't waste any time.
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Our first week,
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we were just stock blocked
with action and dialogue,
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so he had to fit into and he
had to do it quickly, and he did.
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Sutherland: And it is very
exciting to be Jack Bauer again.
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Move!
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Gordon: It is not just Kiefer, of course.
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A good number of the old
team are back together.
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It was like the band
came together for this.
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Evan is a... is a... is a veteran.
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He's the most veteran writer on the show...
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was there since season two,
and I came in at season five.
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Katz: We're lucky enough
to get John Cassar back,
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who was our producer
and director for years.
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Cassar: I've done 58
episodes and the TV movie,
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so to have it come back
again is very exciting.
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Sutherland: Jon directed so
many of the seasons of "24"
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that I really do rely on him greatly.
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Action!
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We're gonna push this as hard as we can.
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If we lose the base,
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those men will have died in vain!
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Look, I'm not saying we quit.
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I'm just suggesting that we withdraw,
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wait until the rancor dies down.
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I don't have time.
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Katz: We're doing 12
episodes, instead of 24.
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This is a special-event series.
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Here we go!
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Those 12 episodes
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are still gonna represent one full day.
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Somewhere within it,
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we're going to skip an hour
or two, or maybe a big chunk.
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Sutherland: We're not
trying to change the show.
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Jack is not gonna be skipping.
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You know, it's not gonna
be a romantic comedy.
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He's gonna have a crappy day,
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and he's gonna fight his way through it,
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and... and... and that's what the show is.
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Certain dynamics are different,
but the show isn't different.
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You're going after the wrong guy.
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Cassar: I think all the
action and special effects
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are what you usually expect on "24,"
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and, really, that's what I'm going for...
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and maybe a little beyond what you expect,
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and that's what we always,
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I think, expect our
audience to expect from us.
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Action!
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Cut. Yeah, baby!
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[Claps] That's the one.
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[Beeping]
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This year may be my favorite
cast that we've ever had.
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It's extraordinary.
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Cassar: First, we've got some characters
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that you loved that we've brought back.
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My God. Chloe.
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Woman: What happened to you?
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Coto: The notorious Chloe O'Brian.
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Chloe's not nearly the same individual
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that we saw in season eight.
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Rajskub: Chloe is with the group
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that believes in information being freed.
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They have no qualms
about letting out secrets.
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It's the opposite of how
Chloe used to believe.
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Coto: She has turned anti-government.
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She has become
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kind of like a darker
version of Edward Snowden.
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Intelligence agencies keep secrets
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because what they're doing is criminal.
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That's naive, even for you.
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You're smarter than that.
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You don't get to judge me,
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not after what I've been through.
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Rajskub: Chloe and Jack start out at odds
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because Jack has kind
of come out of nowhere
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and wants her to go with him
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and help him to stop this
plot against the president.
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Jack, in four years of hiding,
doesn't really trust anybody,
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and Chloe has gone
through her own evolution.
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And they don't start off
as the best of friends.
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We're not the same Chloe
and Jack as we were,
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and we're not seeing eye to eye.
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Chloe: Why are you doing this, Jack?
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Some fantasy that, if you save Heller,
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all will be forgiven?
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You knew Heller. You know he's a good man.
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No, I don't know that.
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William Devane is reprising
his role as Heller.
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Devane: I'm now the president,
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the most powerful man in the free world.
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Katz: His daughter Audrey,
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who Jack was deeply in
love with, and she with him,
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but who ended up going to
China and being tortured
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for information about Jack.
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Audrey is a lot better than
when we last saw her. [Chuckles]
209
00:07:39,621 --> 00:07:42,461
Audrey is working again with her dad.
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I know that look.
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What's your problem?
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Devane: She's like the
lady of the White House.
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Her mother passed away years ago,
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so she basically does everything with me.
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It's sort of that thing, you know,
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when someone has gone
through a really hard time,
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I think people are fragile around her
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and kind of protecting her.
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Katz: She's also married
to his chief of staff,
220
00:08:06,135 --> 00:08:08,710
the man who helped her come back
221
00:08:08,744 --> 00:08:12,487
from... from a near-catatonic
mental breakdown.
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Donovan: I play Mark Boudreau,
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and he is the chief of staff
224
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to the president of the United States.
225
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Coto: Tate Donovan is a great
character this season, Boudreau.
226
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He's operating purely from
pain in his opposition to Bauer,
227
00:08:23,289 --> 00:08:25,328
who he sees as a threat,
not only to the country
228
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but to his wife and to her
well-being, to her sanity.
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The president should be made aware.
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You weren't there.
231
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You didn't see what
Bauer did to his family...
232
00:08:34,089 --> 00:08:35,894
what he did to Audrey.
233
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He really does not like Jack Bauer.
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As long as she lives,
235
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she's never gonna hear the name Jack Bauer.
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Donovan: In the first episode,
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I order his death or something terrible,
238
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and, you know, that doesn't
bode well for a character,
239
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if you order Jack Bauer's death.
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[Laughs]
241
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Coto: So, it's an interesting triangle
242
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that's kind of cracked apart
when... when Jack appears.
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Katz: With Tate Donovan,
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00:09:00,337 --> 00:09:02,175
we have several new people that feel like
245
00:09:02,209 --> 00:09:03,346
they were born to be on the show.
246
00:09:03,381 --> 00:09:05,319
Where in God's name have you been?
247
00:09:05,354 --> 00:09:07,525
Chloe is working with the
leader of a hacker group.
248
00:09:07,559 --> 00:09:10,869
His name is Adrian Cross, and
he's played by Michael Wincott.
249
00:09:10,904 --> 00:09:14,949
And he's a charismatic,
almost prophet-like figure
250
00:09:14,983 --> 00:09:18,794
who presides over this group of misfits
251
00:09:18,828 --> 00:09:20,901
who help him dig out
information about governments
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and spread it.
253
00:09:22,573 --> 00:09:25,279
We acquire and disseminate
information... nothing more.
254
00:09:25,314 --> 00:09:28,926
You make it sound like
what you do is benign.
255
00:09:28,960 --> 00:09:31,231
We both know that's not true.
256
00:09:31,266 --> 00:09:34,207
Gordon: The CIA station
chief is Agent Navarro,
257
00:09:34,242 --> 00:09:35,746
who's played by Benjamin Bratt.
258
00:09:35,781 --> 00:09:37,117
Bratt: For me as an actor,
259
00:09:37,151 --> 00:09:39,291
to be invited to come on
board and... and participate,
260
00:09:39,325 --> 00:09:42,234
to really jump on board this roller coaster
261
00:09:42,268 --> 00:09:44,272
that is a global phenomenon
has been a real thrill.
262
00:09:44,307 --> 00:09:45,276
Man: Cut!
263
00:09:45,311 --> 00:09:47,181
With "24," you can never be certain
264
00:09:47,216 --> 00:09:49,322
that someone is what they say they are.
265
00:09:49,357 --> 00:09:52,064
But what I know of who
I play, at this point,
266
00:09:52,098 --> 00:09:53,936
is that he is a calm leader.
267
00:09:53,970 --> 00:09:56,578
He's cautious. He's very thorough.
268
00:09:56,612 --> 00:09:59,186
Hey, um...
269
00:09:59,220 --> 00:10:00,389
sorry I shut you down.
270
00:10:00,424 --> 00:10:04,168
Strahovski: I play Kate
Morgan, the CIA agent.
271
00:10:04,202 --> 00:10:06,508
When we meet her, she's packing
up because she's being demoted.
272
00:10:06,543 --> 00:10:09,117
Coto: Her husband was
revealed to be a traitor,
273
00:10:09,151 --> 00:10:10,722
selling secrets to the Chinese,
274
00:10:10,756 --> 00:10:14,300
and she's about to be
transferred back to the States.
275
00:10:14,334 --> 00:10:17,876
Strahovski: Before that, she
was a pretty great field agent,
276
00:10:17,911 --> 00:10:21,222
very impulsive, and one
of the best that they had.
277
00:10:21,256 --> 00:10:23,394
- Katz: She sees capturing Bauer
- Bang! Bang!
278
00:10:23,430 --> 00:10:25,668
- As her way of redeeming herself.
- Drop your weapon!
279
00:10:25,702 --> 00:10:27,274
- Turn around!
- Bratt: She has instincts that
280
00:10:27,308 --> 00:10:30,048
are very in sync with Jack
Bauer when he was a young agent,
281
00:10:30,082 --> 00:10:32,589
and goes a long way to proving herself
282
00:10:32,624 --> 00:10:34,696
to be reestablished as part of my crew.
283
00:10:34,730 --> 00:10:36,636
I'm the one that got inside Bauer's head...
284
00:10:36,671 --> 00:10:38,608
not you, not Erik, not anybody.
285
00:10:38,643 --> 00:10:40,213
She has to go
head-to-head with Jack,
286
00:10:40,247 --> 00:10:42,119
and that's not easy to
do, for anybody to do.
287
00:10:42,154 --> 00:10:43,490
Erik: What is she doing here?
288
00:10:43,524 --> 00:10:46,166
I reinstated her, Just
until we get Bauer back.
289
00:10:46,201 --> 00:10:48,339
Erik Ritter arrived at the station
290
00:10:48,373 --> 00:10:50,813
to take Kate's job when she transfers out,
291
00:10:50,847 --> 00:10:52,519
and he's impatiently waiting.
292
00:10:52,553 --> 00:10:53,689
She might be trying to prove herself.
293
00:10:53,723 --> 00:10:54,858
I don't care.
294
00:10:54,892 --> 00:10:56,699
But you don't expect me
to work with her, do you?
295
00:10:56,733 --> 00:10:58,805
I expect you to do your job
without questioning my orders.
296
00:10:58,840 --> 00:11:01,648
Gbenga, who, of course, everyone
knows from "The Wire" fame,
297
00:11:01,682 --> 00:11:03,218
is Erik.
298
00:11:03,252 --> 00:11:05,725
Erik thinks that Kate
is not fit to do the job.
299
00:11:05,760 --> 00:11:07,899
She may have been at one
point, but not any longer,
300
00:11:07,933 --> 00:11:09,437
and he is, and he'll do it well.
301
00:11:09,472 --> 00:11:10,508
Navarro: Kate Morgan isn't there.
302
00:11:10,542 --> 00:11:11,544
She's not even on the books.
303
00:11:11,579 --> 00:11:14,219
This goes bad, it's on you.
304
00:11:14,255 --> 00:11:15,992
When it looks like she's gaining traction,
305
00:11:16,026 --> 00:11:17,798
he's very threatened at first.
306
00:11:17,832 --> 00:11:19,233
Cut them loose!
307
00:11:20,070 --> 00:11:21,575
Kate: Leave him.
308
00:11:21,610 --> 00:11:23,079
Are you out of your mind?!
309
00:11:23,115 --> 00:11:25,287
He's coming with us. He knows something.
310
00:11:26,124 --> 00:11:28,430
This was not your fault.
311
00:11:28,464 --> 00:11:31,238
Margot, our main
antagonist, our main villain,
312
00:11:31,272 --> 00:11:35,652
is a woman who swears her
revenge on President Heller.
313
00:11:35,686 --> 00:11:40,033
Margot is a driven,
motivated, passionate woman
314
00:11:40,068 --> 00:11:44,412
with a cause in mind,
and her cause is revenge.
315
00:11:44,446 --> 00:11:47,556
This family has worked
too hard for too long
316
00:11:47,591 --> 00:11:51,234
to let anyone or anything get in its way.
317
00:11:51,270 --> 00:11:53,741
Katz: Margot's daughter,
Simone, has been raised
318
00:11:53,777 --> 00:11:57,754
with not only radical politics
and to believe in terrorism,
319
00:11:57,789 --> 00:11:59,694
but to obey her mother
320
00:11:59,729 --> 00:12:02,368
and do whatever her mother asks.
321
00:12:02,403 --> 00:12:04,342
Simone has a very strong set of beliefs
322
00:12:04,376 --> 00:12:05,746
that she's been brought up with.
323
00:12:05,780 --> 00:12:07,384
She would stop at nothing.
324
00:12:07,419 --> 00:12:08,989
She is ruthless, in a way,
325
00:12:09,023 --> 00:12:12,300
but I don't see her as,
in any way, a bad person.
326
00:12:12,335 --> 00:12:14,807
I think she just genuinely
does what she thinks is right.
327
00:12:14,842 --> 00:12:16,245
Simone: That man is trying to kill me!
328
00:12:16,280 --> 00:12:17,215
Help me! Help me!
329
00:12:17,249 --> 00:12:18,385
Man: Leave the girl alone!
330
00:12:18,419 --> 00:12:20,024
[Grunting]
331
00:12:20,058 --> 00:12:21,963
Sutherland: "24" really
is an ensemble show.
332
00:12:21,998 --> 00:12:25,574
It can only be as good as... as
the cast that takes you there,
333
00:12:25,609 --> 00:12:28,181
and we couldn't have asked for better.
334
00:12:28,216 --> 00:12:32,028
Erik: I will shoot you in the
back of the head... I swear to God!
335
00:12:44,555 --> 00:12:46,961
There is something about the UK...
336
00:12:46,995 --> 00:12:49,102
in many ways, our relationship to the UK
337
00:12:49,136 --> 00:12:50,707
is so special and so deep
338
00:12:50,741 --> 00:12:51,978
that it felt like the right place.
339
00:12:52,012 --> 00:12:53,147
And it's iconic.
340
00:12:53,182 --> 00:12:54,853
Cassar: This is really
the first time we've taken
341
00:12:54,888 --> 00:12:56,893
the whole production to another
city, so it's very exciting,
342
00:12:56,927 --> 00:12:58,632
and I think we picked the right city.
343
00:12:58,666 --> 00:13:00,236
I just love this city.
344
00:13:00,270 --> 00:13:02,009
London's filled with history.
345
00:13:02,043 --> 00:13:03,413
The visuals speak for themselves.
346
00:13:03,447 --> 00:13:06,222
You can point the camera
almost anywhere, and it's great.
347
00:13:06,256 --> 00:13:08,962
Our first day, we were
right in central London,
348
00:13:08,998 --> 00:13:11,571
you know, right off of piccadilly circus.
349
00:13:11,606 --> 00:13:12,608
I was born here,
350
00:13:12,642 --> 00:13:13,945
and I was about 3,
351
00:13:13,979 --> 00:13:16,387
so there's a kind of a
nationalistic pride I have
352
00:13:16,421 --> 00:13:17,658
about England.
353
00:13:17,692 --> 00:13:20,600
Not only will it be exciting,
as it has been for me
354
00:13:20,635 --> 00:13:23,007
to work here as an actor and for our crew,
355
00:13:23,042 --> 00:13:27,555
I hope for the viewing audience,
it'll be like going on a trip.
356
00:13:27,589 --> 00:13:28,759
You know?
357
00:13:28,794 --> 00:13:31,132
We're gonna show you London
in a very different way.
358
00:13:31,167 --> 00:13:32,303
B-marker.
359
00:13:32,337 --> 00:13:34,677
Erik: Stop where you are!
Stop! Get on the ground!
360
00:13:35,480 --> 00:13:38,088
We shot right on the Thames.
We were just on the beach.
361
00:13:38,122 --> 00:13:40,494
And we had boats coming up
with guys with machine guys
362
00:13:40,530 --> 00:13:42,401
and guys coming down the wharf
363
00:13:42,436 --> 00:13:44,775
and another guy coming over down the beach,
364
00:13:44,809 --> 00:13:46,212
and so I was in the middle of kind of
365
00:13:46,247 --> 00:13:48,486
playing all of that action
and getting focused on that.
366
00:13:48,521 --> 00:13:49,823
Man: Cut! Excellent!
367
00:13:49,858 --> 00:13:51,161
And then I looked up,
368
00:13:51,195 --> 00:13:52,566
and you could clearly
see that it was London.
369
00:13:52,600 --> 00:13:54,272
Man: Eight camera, right
here. Exact same thing.
370
00:13:54,306 --> 00:13:56,110
One of the interesting
things about "24" was,
371
00:13:56,145 --> 00:13:57,547
even when we were in Los Angeles
372
00:13:57,582 --> 00:13:59,720
or in New York or Washington,
373
00:13:59,755 --> 00:14:03,232
it was never a show about
monuments and big buildings.
374
00:14:03,267 --> 00:14:04,636
It was always... it took place
375
00:14:04,671 --> 00:14:06,375
in the back streets and alleys,
376
00:14:06,410 --> 00:14:08,581
and... and that's also
applied here in London.
377
00:14:08,616 --> 00:14:09,652
Action.
378
00:14:09,687 --> 00:14:11,590
We shot in the back alleys.
379
00:14:11,626 --> 00:14:13,162
We were at a block-housing project.
380
00:14:13,197 --> 00:14:15,537
So, that's all part of "24," also,
381
00:14:15,571 --> 00:14:18,278
because people are hiding,
and people are undercover,
382
00:14:18,313 --> 00:14:19,951
and so you can't be always
right in the main streets
383
00:14:19,985 --> 00:14:20,954
with all the people.
384
00:14:20,988 --> 00:14:22,760
Man: I've got a confirm on the target.
385
00:14:22,794 --> 00:14:25,936
Hooded sweatshirt, 30
feet from the south wall.
386
00:14:25,971 --> 00:14:28,243
Man 2: And go, go, go!
387
00:14:28,277 --> 00:14:31,253
London has been very cooperative
about letting us shoot places.
388
00:14:31,287 --> 00:14:32,423
So, we shot on the tube,
389
00:14:32,457 --> 00:14:34,998
and we do some terrible things on the tube,
390
00:14:35,032 --> 00:14:38,474
but they would not let
anyone jump the fare barrier
391
00:14:38,509 --> 00:14:41,183
and... and... and get on for free.
392
00:14:41,218 --> 00:14:42,889
- That was the one restriction.
- One step too far.
393
00:14:42,924 --> 00:14:44,494
- Not having any of that.
- Yes. Yes.
394
00:14:46,868 --> 00:14:50,277
He's coming your way. He's probably armed.
395
00:14:50,313 --> 00:14:52,051
Cassar: We're doing,
you know, big shootouts,
396
00:14:52,085 --> 00:14:53,287
and right on day one,
397
00:14:53,322 --> 00:14:54,692
the armorers were showing us guns
398
00:14:54,726 --> 00:14:55,896
that I'd never even seen before.
399
00:14:55,931 --> 00:14:58,472
We've got quite a lot of
weaponry on this series,
400
00:14:58,506 --> 00:15:00,242
and we're gonna start with Jack's gun.
401
00:15:00,277 --> 00:15:02,148
We've updated it for this series of "24."
402
00:15:02,183 --> 00:15:04,522
He used to have a HK USP Compact.
403
00:15:04,556 --> 00:15:07,231
We now have a HK P30.
404
00:15:07,265 --> 00:15:09,839
He also uses other agents' guns throughout,
405
00:15:09,874 --> 00:15:12,748
particularly the Glock 17,
which is our CIA weapon.
406
00:15:12,782 --> 00:15:17,563
We've also provided gun
cameras, which fit on the front,
407
00:15:17,597 --> 00:15:19,770
give something visual for
the director to read off.
408
00:15:19,804 --> 00:15:22,914
Our different tactical agents,
when we see them in the field...
409
00:15:22,948 --> 00:15:25,421
they have a HK MP7.
410
00:15:25,455 --> 00:15:27,594
They also have an M4 derivative,
411
00:15:27,628 --> 00:15:28,731
and this is a bit of fun,
412
00:15:28,766 --> 00:15:33,078
which is a corner shot
9-millimeter Glock 17,
413
00:15:33,112 --> 00:15:35,753
but if I show you how it operates,
414
00:15:35,788 --> 00:15:37,459
it just comes up like that.
415
00:15:37,493 --> 00:15:39,932
Come back around...
416
00:15:39,967 --> 00:15:42,039
and you can fire around corners.
417
00:15:42,074 --> 00:15:44,446
Camera mounted on the
front with a monitor here.
418
00:15:44,481 --> 00:15:46,453
- Drop the weapon! Put it on the ground!
- Putting the weapon down!
419
00:15:46,488 --> 00:15:47,323
Get on the ground, Bauer!
420
00:15:47,357 --> 00:15:48,995
- [Gunshots]
- Aah!
421
00:15:51,637 --> 00:15:52,872
Here we go. Action!
422
00:15:52,906 --> 00:15:54,577
[Screams]
423
00:15:56,417 --> 00:15:58,023
My name's Mark Mottram.
424
00:15:58,057 --> 00:16:00,029
I'm the stunt coordinator on "24."
425
00:16:00,064 --> 00:16:01,099
Jon moves so quick.
426
00:16:01,134 --> 00:16:03,072
He knows where he's going, knows the shots.
427
00:16:03,106 --> 00:16:05,211
We just got to be on top
of everything, you know?
428
00:16:05,245 --> 00:16:06,415
And it's got to be ready.
429
00:16:06,449 --> 00:16:07,853
If I'm holding him up,
he's kicking me up the butt.
430
00:16:07,888 --> 00:16:09,190
Do you know what I mean? So...
431
00:16:09,224 --> 00:16:10,861
Kiefer picks it up so quick.
Do you know what I mean?
432
00:16:10,896 --> 00:16:12,768
I mean [Scoffs] he's
done this a million times.
433
00:16:12,803 --> 00:16:14,273
It's like driving a car to him, you know?
434
00:16:14,308 --> 00:16:15,678
We literally set a few moves.
435
00:16:15,712 --> 00:16:17,783
He comes in, picks it up
like, you know, nothing,
436
00:16:17,818 --> 00:16:20,225
which is really quite cool, yeah.
437
00:16:20,260 --> 00:16:21,996
Mark and his team, I
think, are really good,
438
00:16:22,031 --> 00:16:23,603
and they really are a team.
439
00:16:24,405 --> 00:16:27,046
They're shooting at us! Move! Move!
440
00:16:27,080 --> 00:16:30,056
They've had a very busy
episode one and two.
441
00:16:30,090 --> 00:16:31,559
[Indistinct shouting]
442
00:16:31,594 --> 00:16:33,867
It was filled with fights and action,
443
00:16:33,901 --> 00:16:35,572
so they've hit the floor running,
444
00:16:35,606 --> 00:16:36,977
and... and the poor guys, I don't think,
445
00:16:37,011 --> 00:16:38,415
are gonna get much of a break.
446
00:16:38,449 --> 00:16:39,987
I think... I think
they're gonna be very busy
447
00:16:40,021 --> 00:16:41,725
through the 12 episodes.
448
00:16:41,760 --> 00:16:44,433
3, 2, 1, action!
449
00:16:45,705 --> 00:16:46,706
Cut!
450
00:16:46,741 --> 00:16:47,777
Man: All right.
451
00:16:47,811 --> 00:16:49,449
The guys that do our special effects...
452
00:16:49,483 --> 00:16:52,090
they've been a crack crew.
It's very important for "24."
453
00:16:52,125 --> 00:16:54,800
We blow things up. It's
what we're known for.
454
00:16:54,834 --> 00:16:58,109
And so, coming to the UK
was not gonna change that.
455
00:16:58,144 --> 00:17:00,014
Bullet hits, things breaking,
456
00:17:00,049 --> 00:17:01,988
atmosphere, obviously, in all our sets,
457
00:17:02,022 --> 00:17:03,125
which is smoke and water.
458
00:17:03,160 --> 00:17:04,563
In the first two episodes,
459
00:17:04,597 --> 00:17:06,802
we've already had, I think,
460
00:17:06,837 --> 00:17:08,708
probably over a dozen explosions.
461
00:17:12,923 --> 00:17:14,527
Man: Cut! That was awesome!
462
00:17:24,082 --> 00:17:25,921
[Indistinct shouting]
463
00:17:25,955 --> 00:17:30,367
Gordon: "24" sort of was
created in the context of 9/11,
464
00:17:30,402 --> 00:17:33,578
but Jack really has become, in some ways,
465
00:17:33,612 --> 00:17:36,520
the lightning rod and the litmus test
466
00:17:36,554 --> 00:17:40,099
for this very complicated
world we're living in.
467
00:17:40,133 --> 00:17:42,171
So I think, culturally,
he really came to be
468
00:17:42,207 --> 00:17:45,349
this reflection of what
we hoped a hero could be
469
00:17:45,383 --> 00:17:46,518
in these very complicated times.
470
00:17:46,553 --> 00:17:48,424
- We all wish
- They're shooting at us! Move!
471
00:17:48,459 --> 00:17:50,898
we knew a Jack Bauer, had
a Jack Bauer protecting us.
472
00:17:50,932 --> 00:17:52,537
He really is A pretty
classic American hero.
473
00:17:52,572 --> 00:17:54,309
Jack Bauer is the kind of character
474
00:17:54,343 --> 00:17:58,790
that has universal appeal in
that he is a man of principles.
475
00:17:58,824 --> 00:18:00,161
Come on, Mr. Bauer.
476
00:18:00,195 --> 00:18:02,033
His principles drive his every action.
477
00:18:02,067 --> 00:18:03,036
Now or never.
478
00:18:03,070 --> 00:18:04,809
Katz: The character has taken on
479
00:18:04,843 --> 00:18:06,715
kind of a little bit of a mythic status,
480
00:18:06,749 --> 00:18:08,019
a little larger than life.
481
00:18:08,053 --> 00:18:10,894
There's a lot of speculation
about what's happened to him,
482
00:18:10,929 --> 00:18:13,536
who he is after he fell off the deep end
483
00:18:13,570 --> 00:18:15,273
at the end of season eight.
484
00:18:15,308 --> 00:18:16,511
Kiefer's playing it
485
00:18:16,546 --> 00:18:18,919
with an incredible amount of intensity
486
00:18:18,954 --> 00:18:23,299
and need to succeed
and a need to be a hero.
487
00:18:23,334 --> 00:18:25,774
The character is... it's like a kind of
488
00:18:25,808 --> 00:18:27,746
this fantastic long-lost friend, you know?
489
00:18:27,780 --> 00:18:29,987
And so we got to see each other again.
490
00:18:30,021 --> 00:18:34,434
Fox was very, very gutsy
to... to do a show like "24."
491
00:18:34,468 --> 00:18:37,410
Raver: "24," for me, was really a catalyst
492
00:18:37,444 --> 00:18:41,523
for how television was
viewed and is viewed.
493
00:18:41,557 --> 00:18:43,495
"24" was one of the sort of first,
494
00:18:43,530 --> 00:18:46,304
like, binge-watching of shows.
495
00:18:46,338 --> 00:18:50,584
Classic "24" kind of had
that addictive, you know...
496
00:18:50,618 --> 00:18:52,825
all the plots leading to
the end of that episode.
497
00:18:52,859 --> 00:18:54,597
You couldn't wait... you
know, the binge-watching.
498
00:18:54,631 --> 00:18:57,440
And now that's become the model,
499
00:18:57,475 --> 00:18:59,178
and we have so much great programming
500
00:18:59,212 --> 00:19:01,318
that came after that.
501
00:19:01,353 --> 00:19:04,093
Television, to me, is
the most exciting medium,
502
00:19:04,127 --> 00:19:05,262
and I'm telling you this
503
00:19:05,297 --> 00:19:06,701
as an actor who does films and television.
504
00:19:06,735 --> 00:19:08,774
For all of those reasons
505
00:19:08,809 --> 00:19:11,682
that television has become
as exciting as it is,
506
00:19:11,718 --> 00:19:15,862
"24" was one of the aspects
that helped shape that,
507
00:19:15,897 --> 00:19:17,735
and for that, I will always be proud.
508
00:19:17,769 --> 00:19:19,808
Cassar: We were fortunate to just be
509
00:19:19,843 --> 00:19:22,016
right at the leading edge of that wave.
510
00:19:22,050 --> 00:19:25,124
It was kind of a new age
of... of, you know, television.
511
00:19:25,159 --> 00:19:27,833
It was really exciting to
keep pushing the limits,
512
00:19:27,868 --> 00:19:30,073
and... and I don't think that's gonna stop.
513
00:19:30,107 --> 00:19:32,481
I mean, I think "24" is
still one of those shows,
514
00:19:32,515 --> 00:19:34,889
and... and even though we're
coming back after being,
515
00:19:34,923 --> 00:19:36,995
you know, after being laid off for a while,
516
00:19:37,029 --> 00:19:39,803
I think we're still gonna
be on that leading edge.
517
00:19:39,837 --> 00:19:42,378
Rajskub: What's cool, I think, about "24"
518
00:19:42,413 --> 00:19:44,619
is that it reflects the
issues that are going on today.
519
00:19:44,653 --> 00:19:47,261
Cassar: "24" was always
dealing with stories
520
00:19:47,295 --> 00:19:49,266
that were ripped right
out of the headlines,
521
00:19:49,300 --> 00:19:51,607
and so I think that's always
part of what we give you
522
00:19:51,643 --> 00:19:52,978
when... when we give you "24."
523
00:19:53,013 --> 00:19:56,187
Katz: Several things that
really have become bigger issues
524
00:19:56,221 --> 00:19:58,830
in the four years since
the show's been on...
525
00:19:58,865 --> 00:20:02,440
drone warfare, the advent of WikiLeaks,
526
00:20:02,475 --> 00:20:03,611
and hyper-government surveillance
527
00:20:03,646 --> 00:20:04,948
and people revealing that.
528
00:20:04,983 --> 00:20:08,793
It's thrilling that there are
so many story lines started
529
00:20:08,827 --> 00:20:12,306
and in gear right here in this first hour.
530
00:20:12,340 --> 00:20:13,910
It's just amazing.
531
00:20:13,944 --> 00:20:15,381
Certain facts have been covered up by us.
532
00:20:15,416 --> 00:20:16,686
I think, you know,
533
00:20:16,720 --> 00:20:18,858
most television would
like to be this relevant.
534
00:20:18,892 --> 00:20:21,366
You don't need to have
watched the show before
535
00:20:21,400 --> 00:20:23,071
to watch the show now.
536
00:20:23,106 --> 00:20:25,346
We're designing it so that you can just,
537
00:20:25,380 --> 00:20:27,652
you know, get on board the moving train.
538
00:20:27,686 --> 00:20:29,023
Cassar: It's very quick.
539
00:20:29,059 --> 00:20:30,527
- It gets your heart racing.
- Get down! Get down!
540
00:20:30,562 --> 00:20:33,370
It's been described as
a soap opera on crack.
541
00:20:33,404 --> 00:20:36,313
Sutherland: We shoot it
faster. It's more instinctive.
542
00:20:36,347 --> 00:20:37,617
It's just simply more exciting.
543
00:20:37,652 --> 00:20:40,024
Coto: It becomes an
edge-of-your-seat experience.
544
00:20:40,058 --> 00:20:43,368
This is gonna be so
satisfying to the fans of "24."
545
00:20:43,403 --> 00:20:44,505
The show's coming back,
546
00:20:44,539 --> 00:20:45,675
and there's nothing we can do to stop it.
547
00:20:45,709 --> 00:20:46,945
Hey!
548
00:20:49,923 --> 00:20:51,628
They want blood!
549
00:20:52,331 --> 00:20:53,333
Stop, stop.
550
00:20:53,367 --> 00:20:55,037
Jack: This is bigger than President Heller.
551
00:20:55,071 --> 00:20:56,542
They're planning a full-scale attack.
552
00:20:56,576 --> 00:20:57,847
[Projectile whistling]
553
00:20:59,084 --> 00:21:00,856
[Beeping]
554
00:21:01,200 --> 00:21:11,221
Sync and corrections by explosiveskull
www.addic7ed.com