1
00:00:00,094 --> 00:00:02,766
I'm here today for zombie school.

2
00:00:03,280 --> 00:00:06,648
[bell ringing]

3
00:00:06,788 --> 00:00:10,953
It's like "American Idol," for zombies.

4
00:00:10,988 --> 00:00:14,622
I am here to be a zombie on
"The Walking Dead."

5
00:00:14,656 --> 00:00:15,822
Bang!

6
00:00:19,224 --> 00:00:20,125
That was scary.

7
00:00:20,159 --> 00:00:21,657
You're-you're great in the front.

8
00:00:24,262 --> 00:00:26,862
We're going for a very specific aesthetic.

9
00:00:26,896 --> 00:00:29,427
You have a great, cool,
sort of, creepy look.

10
00:00:29,462 --> 00:00:30,928
It just feels a little floaty.

11
00:00:30,962 --> 00:00:31,830
Okay.

12
00:00:31,864 --> 00:00:34,337
So maybe just take all that down.

13
00:00:34,371 --> 00:00:38,446
[Zombies snarling]

14
00:00:38,480 --> 00:00:42,150
I'd love to see more... Yeah-yeah.

15
00:00:42,185 --> 00:00:44,284
Don't do that.

16
00:00:44,319 --> 00:00:45,788
If I say, "Action," and you do this,

17
00:00:45,822 --> 00:00:48,095
then, I'm gonna... It'll be like, "Fine.

18
00:00:48,130 --> 00:00:49,333
"I'm out."

19
00:00:49,885 --> 00:00:53,213
<font color="#ffff00">sync and corrections by dreaMaker7
www.addic7ed.com</font>

20
00:01:04,394 --> 00:01:07,326
Welcome to our fifth year of zombie school.

21
00:01:07,361 --> 00:01:11,234
Uh, this-this all started,
uh, during season one,

22
00:01:11,269 --> 00:01:13,603
when we really didn't have a TV show

23
00:01:13,637 --> 00:01:15,203
for people to reference.

24
00:01:18,408 --> 00:01:19,343
We started season one,

25
00:01:19,378 --> 00:01:21,114
the show clearly hadn't aired, yet.

26
00:01:21,148 --> 00:01:23,516
So people didn't know what our gauge was

27
00:01:23,551 --> 00:01:25,888
for what we wanted the zombies to look like

28
00:01:25,924 --> 00:01:27,860
and how we wanted them to perform.

29
00:01:32,366 --> 00:01:35,240
So we had made a little reel
of clips from different movies,

30
00:01:35,275 --> 00:01:37,643
including, like, "Night of the living dead."

31
00:01:37,677 --> 00:01:39,144
There was a Spanish film called "Wreck."

32
00:01:39,178 --> 00:01:41,080
Even "Shaun of the Dead," we put in there.

33
00:01:41,115 --> 00:01:42,250
You know, we were sort
of trying to illustrate

34
00:01:42,284 --> 00:01:44,689
that they're not fast-moving zombies.

35
00:01:44,723 --> 00:01:47,093
They're slow moving zombies,
and we put a little,

36
00:01:47,128 --> 00:01:50,365
kind of, pamphlet together.
Like, "Here's what we expect."

37
00:01:52,071 --> 00:01:53,307
Zombie school is imperative

38
00:01:53,341 --> 00:01:55,914
because it gives us a chance
to see these people in person,

39
00:01:55,951 --> 00:01:57,918
before we've come and done
all this work to them,

40
00:01:57,952 --> 00:02:00,153
and have them in the middle of the shot..

41
00:02:00,187 --> 00:02:01,020
That's great.

42
00:02:01,054 --> 00:02:02,021
It all starts in zombie school,

43
00:02:02,055 --> 00:02:03,256
and Greg checking them out

44
00:02:03,290 --> 00:02:04,960
and making sure they know how to move,

45
00:02:04,994 --> 00:02:07,531
and can take direction,
and have the right look.

46
00:02:07,565 --> 00:02:08,498
Kind of in there fast.

47
00:02:08,533 --> 00:02:10,633
The walkers are so critical to this show.

48
00:02:10,668 --> 00:02:11,767
They're extras,

49
00:02:11,802 --> 00:02:14,404
but they're kind of the stars of the show,
as well.

50
00:02:14,438 --> 00:02:15,572
One of the most exciting things

51
00:02:15,607 --> 00:02:16,774
about "The Walking Dead" is,

52
00:02:16,808 --> 00:02:20,080
it really celebrates
practical make-up effects.

53
00:02:22,118 --> 00:02:23,852
There's not a lot of digital zombies.

54
00:02:23,886 --> 00:02:25,354
Everything is practical.

55
00:02:25,389 --> 00:02:28,828
It's all done with prosthetics, foam latex,

56
00:02:28,862 --> 00:02:31,363
contact lenses, custom dentures.

57
00:02:31,397 --> 00:02:33,131
I mean, we really spend a lot of time

58
00:02:33,165 --> 00:02:38,639
to make sure that the look
of the zombies is unique.

59
00:02:38,673 --> 00:02:40,374
Something a little different
than you usually see

60
00:02:40,408 --> 00:02:41,942
on television.

61
00:02:41,977 --> 00:02:43,711
I mean, you watch anything else,

62
00:02:43,745 --> 00:02:45,716
any other zombie show, it has no comparison.

63
00:02:45,751 --> 00:02:48,152
We are doing... [Indistinct],

64
00:02:48,186 --> 00:02:49,820
that's certainly Greg
Nicotero and his people,

65
00:02:49,855 --> 00:02:52,156
are doing an unbelievable
job with the zombies.

66
00:02:52,191 --> 00:02:55,394
That work is fantastic.

67
00:03:00,468 --> 00:03:03,138
Three, two, one, boom!

68
00:03:03,173 --> 00:03:06,877
Bicycle girl was my first
formal meeting of a zombie.

69
00:03:06,911 --> 00:03:10,847
I just remember being completely blown away

70
00:03:10,881 --> 00:03:12,748
by the quality of the make-up.

71
00:03:12,782 --> 00:03:14,181
And then, also, very disconcerted

72
00:03:14,216 --> 00:03:16,182
when we started having
a conversation together

73
00:03:16,216 --> 00:03:17,450
in between takes.

74
00:03:17,484 --> 00:03:19,521
And they start talking to you,
and they can't really see you

75
00:03:19,555 --> 00:03:21,457
'cause they wear these
contacts that are, like,

76
00:03:21,491 --> 00:03:24,926
clouding over their eyes,
and it's just very surreal.

77
00:03:26,596 --> 00:03:29,398
They're all trained so well
in the way that they move,

78
00:03:29,433 --> 00:03:31,869
and, I mean, they're just craftsman.

79
00:03:31,904 --> 00:03:35,108
And, um, it was a joy to work with them.

80
00:03:37,645 --> 00:03:39,243
The characters are tremendously important,

81
00:03:39,277 --> 00:03:43,777
but equally important,
in my eyes, are the walkers.

82
00:03:43,811 --> 00:03:45,447
It's one thing to get into make-up,

83
00:03:45,482 --> 00:03:48,450
but it's another thing to
bring that make-up to life.

84
00:03:48,484 --> 00:03:52,588
There's a-a ferocity that-that
we really wanna play.

85
00:03:52,622 --> 00:03:55,626
You know, if-if the zombies aren't scary,

86
00:03:55,661 --> 00:03:58,828
people who are watching the
show aren't gonna buy into it.

87
00:03:58,862 --> 00:04:00,830
You-you don't want people laughing.

88
00:04:03,235 --> 00:04:05,203
You know, our group's been
on the road for a long time.

89
00:04:05,237 --> 00:04:09,107
So, they've become more efficient killers.

90
00:04:09,142 --> 00:04:10,976
Boom, and then, he goes...

91
00:04:11,011 --> 00:04:14,048
So, the more efficient they are at killing,

92
00:04:14,082 --> 00:04:17,586
then the less frightening the walkers are,

93
00:04:17,620 --> 00:04:20,191
because if you can easily dispatch them,

94
00:04:20,225 --> 00:04:21,760
then, they're less of a threat.

95
00:04:21,794 --> 00:04:24,863
So, we're introducing more elements

96
00:04:24,897 --> 00:04:29,205
that make the walkers more
dangerous and more threatening.

97
00:04:33,510 --> 00:04:35,143
Blam!

98
00:04:35,178 --> 00:04:36,345
And then, you, blam!

99
00:04:36,379 --> 00:04:37,345
Shoot him, okay?

100
00:04:37,379 --> 00:04:38,378
You shoot him in the head.

101
00:04:38,413 --> 00:04:39,579
The walkers are what most people

102
00:04:39,614 --> 00:04:40,481
are watching the show for.

103
00:04:40,515 --> 00:04:41,682
I mean, the story is everything.

104
00:04:41,717 --> 00:04:43,485
I think the story is amazing
and they keep it going.

105
00:04:43,519 --> 00:04:46,020
The writing on the show is fantastic.

106
00:04:46,055 --> 00:04:47,986
But people watch the show for zombies.

107
00:04:48,020 --> 00:04:49,820
I mean, there's no other show like this.

108
00:04:49,854 --> 00:04:53,594
The zombies are the best in the world.

109
00:04:53,628 --> 00:04:55,529
You forget that there's a
person under there because,

110
00:04:55,563 --> 00:04:57,164
here at "The Walking Dead,"

111
00:04:57,199 --> 00:05:00,699
it looks real in person.

112
00:05:00,734 --> 00:05:02,867
Every now and then, I still
get spooked by a walker.

113
00:05:02,901 --> 00:05:04,138
They're so well done.

114
00:05:04,172 --> 00:05:06,343
They're so amazingly realistic.

115
00:05:06,377 --> 00:05:08,077
Not that I know what a
real zombie looks like,

116
00:05:08,112 --> 00:05:10,010
but I imagine that's what they look like.

117
00:05:13,616 --> 00:05:15,619
Sorry... We're doing a repair.

118
00:05:15,653 --> 00:05:17,588
Not just the make-up that
makes a great zombie.

119
00:05:17,623 --> 00:05:20,156
It's the person inside who's
giving that performance.

120
00:05:20,190 --> 00:05:23,827
So, Greg and zombie school
are where it all begins.

121
00:05:23,861 --> 00:05:25,859
I've been doing make-up
effects and creature effects

122
00:05:25,893 --> 00:05:26,993
for 30 years.

123
00:05:27,027 --> 00:05:29,230
My first job was a movie called
"Day of the Dead,"

124
00:05:29,264 --> 00:05:30,598
with George romero.

125
00:05:34,400 --> 00:05:36,734
She's gonna stand here,

126
00:05:36,769 --> 00:05:39,237
and she's gonna look right into your eyes.

127
00:05:39,271 --> 00:05:40,605
And you'll be looking at her,

128
00:05:40,639 --> 00:05:43,273
and then, she's gonna chop your head off.

129
00:05:43,307 --> 00:05:46,376
Greg Nicotero, uh,
it really can't be over-stated,

130
00:05:46,411 --> 00:05:48,045
his importance to this show.

131
00:05:48,180 --> 00:05:50,482
He is a zombie encyclopedia all by himself.

132
00:05:50,516 --> 00:05:52,184
He'll reference movies I've never heard of,

133
00:05:52,218 --> 00:05:53,318
ever, in my life.

134
00:05:53,353 --> 00:05:57,019
No one has a filmmaking spirit like he does.

135
00:05:57,053 --> 00:05:58,254
Come on... Get in here.

136
00:05:58,289 --> 00:06:00,325
You have to stand here and
talk to the-talk to the puppet

137
00:06:00,360 --> 00:06:02,063
like it's me.

138
00:06:02,097 --> 00:06:04,030
The glorious, the beautiful,

139
00:06:04,065 --> 00:06:07,166
the deeply disturbed, Greg Nicotero.

140
00:06:07,201 --> 00:06:09,269
- And again.
- Ugh!

141
00:06:09,304 --> 00:06:11,538
[Indistinct]

142
00:06:11,572 --> 00:06:13,441
He's so good at what he
does and what his team does,

143
00:06:13,475 --> 00:06:17,677
is that you see the-the lost, dying,

144
00:06:17,711 --> 00:06:21,545
dead, sad person behind the monster,

145
00:06:21,580 --> 00:06:23,351
and that's-that's the creepiest part.

146
00:06:23,385 --> 00:06:25,652
Are they sticking in... What's the matter?

147
00:06:25,686 --> 00:06:28,454
He puts so much effort
in training these guys,

148
00:06:28,488 --> 00:06:30,658
from day one and through zombie school.

149
00:06:30,692 --> 00:06:33,228
You know, from the beginning of their walks,

150
00:06:33,262 --> 00:06:35,562
and then shaping it,
and then his enthusiasm.

151
00:06:35,596 --> 00:06:37,029
Let's do that one more time.

152
00:06:37,064 --> 00:06:39,631
Let's see a little more in your faces,
in terms of,

153
00:06:39,666 --> 00:06:42,470
like, "Ooh,
that's-there's some food over there."

154
00:06:42,504 --> 00:06:44,438
To go through that process
and have him there,

155
00:06:44,472 --> 00:06:46,140
even now, into season five,

156
00:06:46,174 --> 00:06:49,210
still showing up and being
part of that casting process,

157
00:06:49,245 --> 00:06:51,080
it just sets the tone across the board

158
00:06:51,114 --> 00:06:52,916
of-of what the show is gonna look like

159
00:06:52,950 --> 00:06:55,685
and how those walkers are
gonna move and interact.

160
00:06:55,719 --> 00:06:58,190
Walkers, these shots are all about you...
the POV

161
00:06:58,224 --> 00:07:00,058
We had never cast zombies before

162
00:07:00,092 --> 00:07:01,324
in any movie that I had done,

163
00:07:01,358 --> 00:07:03,493
aside from maybe a few hero zombies.

164
00:07:03,527 --> 00:07:05,396
Usually, it was like, the extras show up,

165
00:07:05,430 --> 00:07:06,697
and you just do make-up on 'em,

166
00:07:06,732 --> 00:07:08,667
and then you send 'em out to set.

167
00:07:08,701 --> 00:07:09,968
But "The Walking Dead" is very different

168
00:07:10,002 --> 00:07:12,368
because we're going for a
very specific aesthetic,

169
00:07:12,402 --> 00:07:15,906
which is, you know,
we want them to feel emaciated.

170
00:07:15,941 --> 00:07:17,441
We want it to feel like they're rotting.

171
00:07:17,475 --> 00:07:20,207
We want it to feel like
they're walking skeletons.

172
00:07:20,241 --> 00:07:23,776
Action.

173
00:07:23,810 --> 00:07:26,547
[Grunting]

174
00:07:26,582 --> 00:07:27,782
Pretty good.

175
00:07:27,816 --> 00:07:29,183
Pretty good.

176
00:07:29,217 --> 00:07:31,385
I'm here today for zombie school.

177
00:07:31,420 --> 00:07:35,120
They sent out a casting call for slim,
moveable people,

178
00:07:35,154 --> 00:07:36,654
which I'm all about.

179
00:07:36,688 --> 00:07:38,923
It's not just sort of
lumbering around a field.

180
00:07:38,957 --> 00:07:41,560
You guys will be interacting
with the lead actors,

181
00:07:41,594 --> 00:07:44,262
and if there's kills or something, you know,

182
00:07:44,296 --> 00:07:46,397
even in terms of, you know, if I'm here,

183
00:07:46,432 --> 00:07:48,867
and he's-he's a zombie and
he's trying to bite me.

184
00:07:48,901 --> 00:07:51,938
So come like you're trying to...
Trying to bite me.

185
00:07:51,973 --> 00:07:53,373
Even more.

186
00:07:53,408 --> 00:07:54,608
Yeah, see, that's good... That's good.

187
00:07:54,643 --> 00:07:55,710
As I'm going through this process,

188
00:07:55,744 --> 00:07:58,346
it's definitely clicking a little bit more.

189
00:07:58,381 --> 00:08:01,552
Um, I'm starting to form a
walk that's kind of my walk,

190
00:08:01,586 --> 00:08:03,488
if that makes any sense.

191
00:08:03,522 --> 00:08:04,723
It's pretty cool.

192
00:08:04,757 --> 00:08:06,627
Those performances, like, that moment,

193
00:08:06,661 --> 00:08:08,129
that close-up that we would get of him,

194
00:08:08,164 --> 00:08:10,898
that's what is-adds the scare factor.

195
00:08:10,933 --> 00:08:12,333
We don't want people to go,

196
00:08:12,367 --> 00:08:13,501
"Oh, it's just a guy in make-up."

197
00:08:13,536 --> 00:08:14,938
We want people to think, "Man, those teeth,

198
00:08:14,972 --> 00:08:16,642
he's gonna-he's gonna bite him,

199
00:08:16,677 --> 00:08:18,078
"And then he's dead off the show."

200
00:08:18,112 --> 00:08:20,713
So, we always wanna keep that, sort of,

201
00:08:20,748 --> 00:08:22,584
level of excitement in there.

202
00:08:22,618 --> 00:08:24,856
So that was very good, by the way.

203
00:08:24,890 --> 00:08:26,726
I hope I'm gonna be called.

204
00:08:26,760 --> 00:08:27,860
We'll see.

205
00:08:32,698 --> 00:08:35,303
We've had five seasons of being able to put

206
00:08:35,337 --> 00:08:39,574
the fantastic art that
the people at the shop

207
00:08:39,609 --> 00:08:41,077
contribute to the show.

208
00:08:41,111 --> 00:08:43,946
Fantastic sculptures,
paint jobs, fabrication.

209
00:08:43,981 --> 00:08:46,250
Just the outrageous ideas
that we come up with.

210
00:08:46,284 --> 00:08:47,986
And we get to do it on a weekly basis.

211
00:08:48,021 --> 00:08:49,022
It's not like a movie,

212
00:08:49,056 --> 00:08:50,690
where you have two hours
and the movie's over.

213
00:08:50,724 --> 00:08:54,827
We have an opportunity to
continue to refine the process,

214
00:08:54,861 --> 00:08:57,765
and try to top ourselves every season.

215
00:08:57,800 --> 00:08:59,167
And that's tremendously exciting,

216
00:08:59,202 --> 00:09:01,535
from-from the artistic standpoint.

217
00:09:01,569 --> 00:09:04,802
Ky covered bacon in his throat.

218
00:09:04,837 --> 00:09:06,140
What we've been able to accomplish

219
00:09:06,174 --> 00:09:07,809
on "The Walking Dead" is something where

220
00:09:07,843 --> 00:09:10,713
we've kind of redefined
what zombies look like.

221
00:09:10,748 --> 00:09:14,350
We've been able to create our own,
sort of, sub genre.

222
00:09:14,384 --> 00:09:16,853
Twenty years from now,
when people think about zombies,

223
00:09:16,887 --> 00:09:18,621
they're gonna remember what the zombies on

224
00:09:18,655 --> 00:09:20,322
"The Walking Dead" looked like.

225
00:09:37,943 --> 00:09:40,980
The zombie experience begins when somebody

226
00:09:41,014 --> 00:09:43,314
just has that yearning to be a zombie.

227
00:09:43,348 --> 00:09:46,185
I'm still shocked by how many
people want to be zombies.

228
00:09:46,219 --> 00:09:49,993
You're not too cool for zombie school.

229
00:09:50,028 --> 00:09:51,429
But the lucky few get to start

230
00:09:51,464 --> 00:09:52,763
at the beginning of the season

231
00:09:52,798 --> 00:09:55,334
when we do walker camp or zombie camp.

232
00:09:55,368 --> 00:09:56,835
It's like "American Idol," for zombies.

233
00:09:56,870 --> 00:09:59,306
You know, they're like,
"This is my big moment, man."

234
00:09:59,340 --> 00:10:00,640
Zombie school is an audition.

235
00:10:00,674 --> 00:10:02,475
Basically, we bring 'em in, in small groups,

236
00:10:02,542 --> 00:10:04,142
so Greg has a chance to work with 'em.

237
00:10:04,176 --> 00:10:05,976
The make-up is-is half the process,

238
00:10:06,511 --> 00:10:07,977
but the other half of the process

239
00:10:08,012 --> 00:10:10,046
is your guys' performance, you know?

240
00:10:10,081 --> 00:10:12,884
So, the purposes of today will be

241
00:10:12,918 --> 00:10:16,689
for me to get a chance to
preview people's performances,

242
00:10:16,723 --> 00:10:18,723
so that we can fine tune them.

243
00:10:18,757 --> 00:10:22,194
And then, number two,
preview how you guys look.

244
00:10:22,228 --> 00:10:23,828
We're always looking for the standout ones,

245
00:10:23,863 --> 00:10:27,094
you know, that we can re-recycle and reuse.

246
00:10:27,128 --> 00:10:28,463
I've been 17 different walkers

247
00:10:28,497 --> 00:10:30,366
and I've been killed seven times.

248
00:10:30,401 --> 00:10:31,835
I got shot in the face by Andrea,

249
00:10:31,869 --> 00:10:33,905
kicked in the chest by
Michonne and head stomped.

250
00:10:33,939 --> 00:10:35,106
I was crawling up Glen's leg.

251
00:10:35,140 --> 00:10:36,040
I got shot in the face.

252
00:10:36,075 --> 00:10:37,242
Maggie shot me coming out of the bridge.

253
00:10:37,277 --> 00:10:39,347
Tyreese gave me the hammer,
which was pretty special.

254
00:10:39,381 --> 00:10:41,684
I have not gotten the arrow yet.

255
00:10:41,718 --> 00:10:42,950
And, turn.

256
00:10:42,984 --> 00:10:44,853
But, uh, I'm hoping.

257
00:10:44,888 --> 00:10:47,861
Having the training at zombie
school is-is a huge asset,

258
00:10:47,895 --> 00:10:49,530
because when we're out
here and we're filming,

259
00:10:49,565 --> 00:10:51,668
we have a lot to do every single day.

260
00:10:51,702 --> 00:10:53,173
We shoot these episodes in eight days,

261
00:10:53,207 --> 00:10:54,774
which is kind of insane.

262
00:10:54,808 --> 00:10:56,741
So having the walkers, the extras come in,

263
00:10:56,775 --> 00:10:58,342
knowing kind of what's expected of them.

264
00:10:58,377 --> 00:11:00,479
It just helps smooth out the whole process,

265
00:11:00,513 --> 00:11:01,782
so that we're not spending a lot of time

266
00:11:01,816 --> 00:11:03,585
trying to get the perfect walker.

267
00:11:03,620 --> 00:11:06,418
You have a great, like,
with the hair and the big eyes,

268
00:11:06,453 --> 00:11:08,987
like, there's a cool, sort of, creepy look.

269
00:11:09,022 --> 00:11:11,158
But you can't smile.

270
00:11:11,192 --> 00:11:12,661
'Cause if you smile, then you look pleasant.

271
00:11:12,695 --> 00:11:15,194
You don't look scary. [Indistinct].

272
00:11:15,228 --> 00:11:16,662
Yeah, I don't need happy zombies.

273
00:11:16,697 --> 00:11:17,964
They're pissed 'cause they're dead.

274
00:11:17,999 --> 00:11:21,367
So...

275
00:11:21,401 --> 00:11:22,469
Zombie school doesn't necessarily

276
00:11:22,503 --> 00:11:24,572
just consist of the audition process.

277
00:11:24,607 --> 00:11:27,210
You know, they come in,
they sign up with Patrick.

278
00:11:27,244 --> 00:11:30,442
We get submissions from,
literally, all over the world.

279
00:11:30,476 --> 00:11:32,977
But we try to keep casting locally,
just because,

280
00:11:33,011 --> 00:11:36,318
it's for no other reason than
things change so last minute.

281
00:11:36,353 --> 00:11:38,787
We also get all their measurements done

282
00:11:38,821 --> 00:11:40,021
by the wardrobe department,

283
00:11:40,055 --> 00:11:42,622
so that when those people are chosen,

284
00:11:42,656 --> 00:11:44,156
wardrobe will be pre-made for them.

285
00:11:44,190 --> 00:11:46,758
- These will fit you.
- We take photos of them,

286
00:11:46,792 --> 00:11:48,561
so that we can put together a booklet

287
00:11:48,595 --> 00:11:51,865
that has photo reference and my,
sort of, score card,

288
00:11:51,899 --> 00:11:54,866
in terms of their look
and their performance.

289
00:11:54,900 --> 00:11:56,165
Pretty much everybody, you know,

290
00:11:56,200 --> 00:11:57,366
once they've gotten the training,

291
00:11:57,400 --> 00:11:59,400
they've got enough that
they'll get in there somewhere,

292
00:11:59,434 --> 00:12:01,333
but some are, of course, better than others.

293
00:12:07,206 --> 00:12:08,608
Ready?

294
00:12:08,642 --> 00:12:09,808
Action.

295
00:12:09,843 --> 00:12:11,342
We have a zombie school

296
00:12:11,376 --> 00:12:13,211
because everybody's first tendency,

297
00:12:13,245 --> 00:12:14,680
when-when you're a zombie,

298
00:12:14,715 --> 00:12:16,550
is to throw your arms up in the air and walk

299
00:12:16,584 --> 00:12:20,686
like Frankenstein,
and it's not what they want.

300
00:12:20,720 --> 00:12:24,152
[Zombies growling]

301
00:12:28,656 --> 00:12:30,824
Frankenstein arms are usually bad.

302
00:12:30,858 --> 00:12:32,726
Last year,
we actually had to go in and, like,

303
00:12:32,760 --> 00:12:36,234
digitally erase one-one guy's
arms because he was in...

304
00:12:36,268 --> 00:12:38,772
Like, in the middle of a shot, doing this.

305
00:12:38,807 --> 00:12:41,408
And Michonne was right next to him,
and it was like,

306
00:12:41,443 --> 00:12:45,013
"God, that shot's great, except for that... 
oh!"

307
00:12:47,718 --> 00:12:49,654
The walk is tremendously,
tremendously important.

308
00:12:49,688 --> 00:12:51,022
You know, if you're shooting a scene

309
00:12:51,057 --> 00:12:52,522
and you have a wide shot with 50 people,

310
00:12:52,556 --> 00:12:54,823
and one guy's walking a
little too herky-jerky,

311
00:12:54,858 --> 00:12:57,262
your eye goes right to them... 
Right to them.

312
00:12:57,296 --> 00:12:58,364
It's, you know...

313
00:12:58,398 --> 00:13:00,633
Gayle and Denise often were
at the monitor together

314
00:13:00,667 --> 00:13:03,070
and everybody's eye goes
to that same person.

315
00:13:03,104 --> 00:13:05,709
They're like, "Oh,
that guy's not walking quite right."

316
00:13:05,743 --> 00:13:06,877
Your eye kinda goes right to them,

317
00:13:06,911 --> 00:13:10,046
and then you have to walk up and go,

318
00:13:10,081 --> 00:13:11,848
"Take it down a little bit,"
and then I'll walk away.

319
00:13:11,883 --> 00:13:13,885
So, see, now, I put him on the spot,

320
00:13:13,919 --> 00:13:15,153
'cause he was already into it.

321
00:13:15,187 --> 00:13:17,922
So, he's gonna be the best
zombie of the year, by the way.

322
00:13:17,957 --> 00:13:20,859
A walker that doesn't quite
have the right walk jumps out.

323
00:13:20,893 --> 00:13:22,327
I mean, it's just-it's amazing.

324
00:13:22,362 --> 00:13:23,830
You don't want them to look
all completely the same.

325
00:13:23,864 --> 00:13:25,733
We try really hard that
they don't-they're not all

326
00:13:25,767 --> 00:13:27,133
moving the exactly the same way,

327
00:13:27,167 --> 00:13:29,634
but if something's off, it really jumps out.

328
00:13:29,668 --> 00:13:30,802
What you guys did was good.

329
00:13:30,836 --> 00:13:33,004
It-what happens sometimes is,

330
00:13:33,038 --> 00:13:36,173
that if you get into one particular posture

331
00:13:36,207 --> 00:13:37,574
and you hold that posture for a while,

332
00:13:37,608 --> 00:13:41,713
then it just-it looks a little unnatural.

333
00:13:41,748 --> 00:13:42,681
All right, you guys all look great.

334
00:13:42,715 --> 00:13:44,082
Okay, good.

335
00:13:44,117 --> 00:13:45,317
Don't do that.

336
00:13:45,352 --> 00:13:49,786
If you do that,
I will feel like I've failed.

337
00:13:49,820 --> 00:13:51,487
If I say, "Action," and you do this,

338
00:13:51,522 --> 00:13:53,890
then I'm gonna-it'll be like, "Fine.

339
00:13:53,925 --> 00:13:55,059
"I'm out."

340
00:13:57,926 --> 00:14:00,093
One thing that I learned years ago,

341
00:14:00,127 --> 00:14:03,967
from George romero, was that you cannot,

342
00:14:04,002 --> 00:14:05,637
um, demonstrate,

343
00:14:05,671 --> 00:14:09,110
for a-a large group of people,
a zombie walk.

344
00:14:09,145 --> 00:14:12,180
Because if you demonstrate that and then,
you say, "Action,"

345
00:14:12,214 --> 00:14:14,047
all 50 people or all 100 people are gonna do

346
00:14:14,081 --> 00:14:16,250
exactly what you showed them to do.

347
00:14:16,285 --> 00:14:19,854
[Zombies growling]

348
00:14:25,002 --> 00:14:26,939
You know, I didn't give them examples

349
00:14:27,007 --> 00:14:28,273
of what I wanted to see.

350
00:14:28,308 --> 00:14:30,209
I wanted them to show me what they can do,

351
00:14:30,243 --> 00:14:32,677
and what their perception of a good zombie

352
00:14:32,711 --> 00:14:35,648
performance would be,
and then we went from there

353
00:14:35,682 --> 00:14:38,816
and, sort of, built on those performances.

354
00:14:38,851 --> 00:14:41,222
All right, uh,
increase the speed a little bit, guys.

355
00:14:41,256 --> 00:14:42,522
A little more.

356
00:14:42,556 --> 00:14:47,158
I was expecting to walk in
and do a few zombie walks

357
00:14:47,192 --> 00:14:50,624
in a line, um,
but it ended up being a lot more than that.

358
00:14:50,658 --> 00:14:53,761
There's something that you did, that I love.

359
00:14:53,796 --> 00:14:56,398
There was-there was an
interesting thing that she did,

360
00:14:56,433 --> 00:14:58,401
where the one shoulder was up,

361
00:14:58,436 --> 00:15:00,400
but her eyes were kind of locked.

362
00:15:00,434 --> 00:15:02,338
You mind doing it for...

363
00:15:02,372 --> 00:15:04,641
Sort of come towards me
like you wanna bite me.

364
00:15:07,011 --> 00:15:09,314
And then, reach-reach-reach-reach out.

365
00:15:09,348 --> 00:15:12,383
Yeah, I mean, it-it's just...  Thank you.

366
00:15:12,417 --> 00:15:13,618
I'm like, "Yeah, get out of here."

367
00:15:13,652 --> 00:15:15,451
We should do it that the next
person that comes in the door,

368
00:15:15,486 --> 00:15:16,852
you guys should just attack 'em.

369
00:15:16,887 --> 00:15:20,123
Greg Nicotero totally knows
exactly what he wants,

370
00:15:20,157 --> 00:15:21,857
and he gives us instruction,

371
00:15:21,892 --> 00:15:25,027
but he allowed us to
put our own style on it.

372
00:15:25,062 --> 00:15:27,528
Like, do whatever you feel like as a zombie,

373
00:15:27,562 --> 00:15:28,896
and it'll be a lot more natural.

374
00:15:31,700 --> 00:15:32,933
Great...  good.

375
00:15:32,968 --> 00:15:34,399
Okay, cut.

376
00:15:34,434 --> 00:15:37,532
Uh,
we have three levels of walkers on the show.

377
00:15:37,567 --> 00:15:39,670
We have background,
which are just really in wardrobe,

378
00:15:39,704 --> 00:15:42,373
that don't have a lot of make-up on.

379
00:15:42,407 --> 00:15:44,542
When we're doing big scenes
and we have 50 or 60 zombies,

380
00:15:44,577 --> 00:15:46,010
which do happen, and sometimes,

381
00:15:46,044 --> 00:15:47,777
we've had up to 100 and 150 zombies,

382
00:15:47,811 --> 00:15:49,645
we have the deep backgrounds,
and they're the ones

383
00:15:49,713 --> 00:15:51,314
who are far enough away
from the camera that,

384
00:15:51,348 --> 00:15:52,850
quite often, they're just in wardrobe

385
00:15:52,884 --> 00:15:54,752
and necessarily don't have
any make-up on at all,

386
00:15:54,787 --> 00:15:57,422
or they'll have masks on.

387
00:15:57,456 --> 00:15:58,924
The second version of our walkers is

388
00:15:58,958 --> 00:16:01,461
the assembly line,
where we have five make-up artists,

389
00:16:01,496 --> 00:16:02,827
and each one has a different color,

390
00:16:02,862 --> 00:16:03,994
and you walk in and they go...

391
00:16:04,028 --> 00:16:07,362
And then you go to the
next station and they go...

392
00:16:07,396 --> 00:16:09,367
You go to the next station...

393
00:16:09,401 --> 00:16:11,969
You go to the last station
and they douse blood on you,

394
00:16:12,004 --> 00:16:13,636
and then, you go out and shoot.

395
00:16:13,670 --> 00:16:16,905
And then,
the third version is our hero walkers.

396
00:16:16,940 --> 00:16:18,175
Hero zombies refer to people

397
00:16:18,210 --> 00:16:19,710
who are gonna be featured on camera,

398
00:16:19,745 --> 00:16:21,479
who we're gonna see a very featured kill.

399
00:16:21,514 --> 00:16:23,082
Direct interaction with our leads,

400
00:16:23,117 --> 00:16:24,852
usually a full body make-up,

401
00:16:24,886 --> 00:16:28,058
and something particularly extra juicy

402
00:16:28,092 --> 00:16:30,326
and gross going on with them.

403
00:16:30,360 --> 00:16:31,795
That's like the v.I.P. Prize.

404
00:16:31,829 --> 00:16:34,296
You know, you get the full prosthetics,

405
00:16:34,330 --> 00:16:36,129
you get the contact lenses,
you get the dentures.

406
00:16:36,163 --> 00:16:40,231
We even mix up this vanilla flavored,
black mouth stain

407
00:16:40,265 --> 00:16:42,632
to stain your-your tongue black,

408
00:16:42,667 --> 00:16:44,433
'cause nothing looks weirder than, like,

409
00:16:44,467 --> 00:16:46,268
a rotted face with this big,
pink tongue on it.

410
00:16:46,303 --> 00:16:49,003
It's sort of an all-encompassing process.

411
00:16:49,037 --> 00:16:51,807
Your hands get painted,
we put goop in your hair.

412
00:16:51,841 --> 00:16:54,176
Sometimes we'll even put,
like, a bald cap on you

413
00:16:54,211 --> 00:16:55,410
and give you a fake ear.

414
00:16:55,444 --> 00:16:56,944
I mean, it-it's pretty crazy.

415
00:16:56,978 --> 00:16:59,312
So, that whole process is anywhere

416
00:16:59,347 --> 00:17:00,813
from an hour and a half to two hours,

417
00:17:00,847 --> 00:17:02,413
sitting in the make-up chair.

418
00:17:02,448 --> 00:17:04,149
You'll become very friendly
with our make-up effects guys,

419
00:17:04,184 --> 00:17:05,684
who are all great guys.

420
00:17:05,719 --> 00:17:07,053
We have a lot of episodes coming up

421
00:17:07,087 --> 00:17:08,855
and lots of opportunities.

422
00:17:08,889 --> 00:17:10,890
The first episode alone
has a zillion zombies.

423
00:17:10,925 --> 00:17:12,491
So, we'll be fine.

424
00:17:12,525 --> 00:17:14,556
Hey, you were great in zombie school today.

425
00:17:14,591 --> 00:17:15,824
You did a really good job.

426
00:17:15,858 --> 00:17:18,894
So...  okay.

427
00:17:18,929 --> 00:17:20,263
Anyway.

428
00:17:30,817 --> 00:17:33,506
You guys are doing a great job in here.

429
00:17:37,194 --> 00:17:38,561
Good foam.

430
00:17:40,095 --> 00:17:42,095
KNB is the funnest place in the world to go.

431
00:17:44,633 --> 00:17:46,600
Here we are at KNB EFX, in chatsworth.

432
00:17:46,634 --> 00:17:49,870
This is the brain center of the studio.

433
00:17:49,904 --> 00:17:51,908
This is where the entire process begins.

434
00:17:51,943 --> 00:17:54,546
Behind me, you'll see some of
the best sculptors in the world,

435
00:17:54,580 --> 00:17:57,515
who create the zombie
prosthetics from scratch.

436
00:17:59,549 --> 00:18:01,783
All right, now I'm doing a set of teeth.

437
00:18:01,818 --> 00:18:05,389
I'm actually using a casting of real teeth.

438
00:18:05,424 --> 00:18:07,826
I have a silicone mold here.

439
00:18:07,861 --> 00:18:09,695
For this,
I'm using a wax to sculpt the teeth

440
00:18:09,729 --> 00:18:11,029
because it's a lot harder

441
00:18:11,063 --> 00:18:13,932
and can get more of, like, a carving.

442
00:18:13,966 --> 00:18:17,904
And this stuff is great
'cause you can melt it really well.

443
00:18:17,938 --> 00:18:20,641
So, uh, once I finish this sculpture,

444
00:18:20,675 --> 00:18:23,076
then I'll send it to the mold guys,

445
00:18:23,111 --> 00:18:27,713
and they will, basically,
put a mold on top of it.

446
00:18:27,747 --> 00:18:31,685
We remove the mold from this,
clear out the clay,

447
00:18:31,719 --> 00:18:33,821
put the two halves together,

448
00:18:33,856 --> 00:18:36,825
inject it with whatever we decide to use,

449
00:18:36,859 --> 00:18:39,931
uh, dental, acrylic, or latex, or whatever.

450
00:18:39,965 --> 00:18:42,331
And then, when you open it,

451
00:18:42,366 --> 00:18:46,471
you have a perfect shape that
fits perfectly over their face.

452
00:18:47,371 --> 00:18:50,474
When they have something that
they really like on their face,

453
00:18:50,508 --> 00:18:53,244
they just become, you know,
what they need to be.

454
00:18:56,645 --> 00:18:59,578
Right now, I'm working on a,
uh, female zombie appliance.

455
00:18:59,612 --> 00:19:00,978
I'm in the, uh,

456
00:19:01,013 --> 00:19:03,949
sort of the refining stage of all the forms.

457
00:19:03,984 --> 00:19:06,183
And after I refine all that,

458
00:19:06,217 --> 00:19:08,353
we'll throw in this little detail stuff,

459
00:19:08,387 --> 00:19:12,488
like the wrinkles and little bits of rot,
here and there.

460
00:19:12,522 --> 00:19:14,323
And that will be the last stage.

461
00:19:14,357 --> 00:19:16,760
The finished detail stage.

462
00:19:16,794 --> 00:19:19,993
To start, we pretty much just
start taking little bits of Clay

463
00:19:20,028 --> 00:19:23,795
and throwing them on the life casts,
like that,

464
00:19:23,829 --> 00:19:25,264
and smoothing 'em out,

465
00:19:25,298 --> 00:19:29,074
and starting to shape it with the,
uh, skull underneath,

466
00:19:29,108 --> 00:19:30,840
and adding more bits of Clay to it

467
00:19:30,875 --> 00:19:33,577
to look like flesh over a skull.

468
00:19:33,612 --> 00:19:34,980
And that's pretty much how we usually start

469
00:19:35,014 --> 00:19:36,881
every-every skull.

470
00:19:36,915 --> 00:19:38,114
They want-they really wanna see, like,

471
00:19:38,149 --> 00:19:40,817
the bone showing through the skin.

472
00:19:43,555 --> 00:19:45,791
They can put this appliance
on a ton of people

473
00:19:45,825 --> 00:19:48,963
and have it look different every time.

474
00:19:48,997 --> 00:19:51,096
Like, add little wounds to it.

475
00:19:51,130 --> 00:19:52,733
Take pieces away from it.

476
00:19:52,768 --> 00:19:54,603
Add rot to it, if they want.

477
00:19:54,637 --> 00:19:58,172
But this is pretty much a
good base to work off of.

478
00:19:58,207 --> 00:20:00,944
From here,
it goes to the mold making department.

479
00:20:00,978 --> 00:20:01,945
They make molds.

480
00:20:01,979 --> 00:20:03,179
Then it goes to the foam latex department,

481
00:20:03,214 --> 00:20:05,184
where they run foam into the molds

482
00:20:05,218 --> 00:20:07,218
and create the actual prosthetics

483
00:20:07,253 --> 00:20:10,455
that we glue onto the
extras every single day.

484
00:20:14,363 --> 00:20:16,833
Basically, what Steve's doing over here is,

485
00:20:16,868 --> 00:20:18,003
this is a Hobart,

486
00:20:18,038 --> 00:20:21,444
and he's mixing the foam
up in the Hobart right now.

487
00:20:21,478 --> 00:20:24,879
So he's got foam latex inside that bowl.

488
00:20:24,913 --> 00:20:27,381
From there, we'll take this bowl of foam

489
00:20:27,415 --> 00:20:31,418
and we'll put it inside of
these giant tubes [Indistinct].

490
00:20:31,453 --> 00:20:34,757
Now the key to it is trying to actually

491
00:20:34,792 --> 00:20:38,462
get it into the mold before
it goes from liquid to solid.

492
00:20:54,183 --> 00:20:57,020
Because these are zombies, they have a, uh,

493
00:20:57,055 --> 00:20:59,321
they've got a lot of detail to 'em,

494
00:20:59,354 --> 00:21:01,554
so we really have to get in there

495
00:21:01,588 --> 00:21:03,722
and really brush 'em in real good.

496
00:21:08,131 --> 00:21:10,331
Make sure all the foam
gets in all the pieces.

497
00:21:17,273 --> 00:21:21,943
Now, take the positive down
inside of the negative.

498
00:21:24,344 --> 00:21:25,945
Press it down in there.

499
00:21:31,520 --> 00:21:35,320
Put a strap on it to close
it up nice and tight.

500
00:21:35,354 --> 00:21:39,027
This part is what gives
it a nice cutting edge,

501
00:21:39,045 --> 00:21:41,515
so it blends off into the skin.

502
00:21:42,965 --> 00:21:45,264
From there, it basically goes into the oven.

503
00:21:45,298 --> 00:21:46,734
It bakes all night.

504
00:21:46,769 --> 00:21:49,538
And then, the next morning,
you're popping pieces.

505
00:21:49,572 --> 00:21:51,307
So you're looking at a good day and...

506
00:21:51,341 --> 00:21:53,009
You know, day and a half.

507
00:21:53,044 --> 00:21:54,311
There you go.

508
00:21:59,016 --> 00:22:00,584
I have several of these on my desk

509
00:22:00,619 --> 00:22:02,119
that are in various stages.

510
00:22:02,153 --> 00:22:03,219
Some are finished, some are not.

511
00:22:03,254 --> 00:22:04,985
This is what it-what they look like

512
00:22:05,019 --> 00:22:06,318
when they come right to us.

513
00:22:06,353 --> 00:22:07,419
This is fresh.

514
00:22:07,454 --> 00:22:08,722
No color, no anything.

515
00:22:08,757 --> 00:22:11,793
This is just the natural
color of the rubber.

516
00:22:13,795 --> 00:22:15,629
The one that's on this form,

517
00:22:15,664 --> 00:22:19,833
I have got, um, a light gray flesh base tone

518
00:22:19,867 --> 00:22:22,337
and a couple of just spattered colors.

519
00:22:22,371 --> 00:22:24,273
It's really, really...  To look at it,

520
00:22:24,307 --> 00:22:27,678
it looks really haphazard and,
sort of, slap and tickle.

521
00:22:27,712 --> 00:22:29,946
If you were looking at that right off,
you were thinking,

522
00:22:29,980 --> 00:22:31,080
you know, where's that gonna go?

523
00:22:31,114 --> 00:22:33,318
It's not really-doesn't
really look all that good,

524
00:22:33,352 --> 00:22:34,819
but the finished product,

525
00:22:34,853 --> 00:22:37,620
once about eight or ten
more layers are put on

526
00:22:37,654 --> 00:22:40,823
and they're all blended nicely,
they come out looking more...

527
00:22:43,159 --> 00:22:46,731
A little closer to what the
actual make-ups would be,

528
00:22:46,765 --> 00:22:48,299
minus the movement.

529
00:22:48,333 --> 00:22:50,102
Again, for background.

530
00:22:53,373 --> 00:22:54,339
Over the last five years,

531
00:22:54,373 --> 00:22:57,541
we have, uh, stockpiled about 100 make-ups

532
00:22:57,576 --> 00:22:59,510
that we can pick and choose from

533
00:22:59,545 --> 00:23:01,112
through the course of the series.

534
00:23:01,147 --> 00:23:02,714
Some are just individual cheek pieces,

535
00:23:02,749 --> 00:23:05,383
some are chin pieces,
some are full face pieces.

536
00:23:05,417 --> 00:23:07,483
So we have such a great variety that,

537
00:23:07,517 --> 00:23:10,253
when the extras and the
stunt people show up on set,

538
00:23:10,287 --> 00:23:11,924
we can tailor each make-up

539
00:23:11,958 --> 00:23:14,924
to the proportions in
the face of each extra.

540
00:23:14,958 --> 00:23:17,825
A lot of times, you see the same actors

541
00:23:17,859 --> 00:23:19,261
as different walkers.

542
00:23:19,295 --> 00:23:20,363
It's funny.

543
00:23:20,398 --> 00:23:22,066
This one stunt zombie I
worked with the other day,

544
00:23:22,101 --> 00:23:23,968
she looked very different 'cause she was

545
00:23:24,002 --> 00:23:25,969
a very different type of
zombie than she had been.

546
00:23:26,003 --> 00:23:27,503
But I looked in her eyes and I said,

547
00:23:27,538 --> 00:23:28,438
"Have I killed you before?"

548
00:23:28,472 --> 00:23:29,607
She's like, "Yeah, season three.

549
00:23:29,641 --> 00:23:30,942
"You know, I was up against the pole.

550
00:23:30,976 --> 00:23:31,776
"You killed me with the rope."

551
00:23:31,810 --> 00:23:32,677
"Yeah."

552
00:23:32,711 --> 00:23:33,679
You know, so, it's kind of fun.

553
00:23:33,713 --> 00:23:35,215
Beyond all the zombie stuff,

554
00:23:35,250 --> 00:23:37,655
I can still kind of see
through the eyes that,

555
00:23:37,689 --> 00:23:39,023
I remember this kill.

556
00:23:51,565 --> 00:23:52,565
If you're a vegetarian,

557
00:23:52,600 --> 00:23:54,166
then you probably will
not wanna eat somebody,

558
00:23:54,201 --> 00:23:57,438
'cause we use barbecue
for all the eating scenes.

559
00:23:57,472 --> 00:24:00,409
I mean, Greg Nicotero is a genius.

560
00:24:00,444 --> 00:24:03,148
And I'm never gonna eat spare ribs again.

561
00:24:03,182 --> 00:24:04,183
You know, today was interesting.

562
00:24:04,217 --> 00:24:07,523
I think we had 120-140 people.

563
00:24:07,557 --> 00:24:10,560
I'd say, this group was above average.

564
00:24:10,594 --> 00:24:13,832
There were a few that sort of popped.

565
00:24:13,866 --> 00:24:15,134
That was good...  That was scary.

566
00:24:15,168 --> 00:24:17,203
You're-you're great in the front.

567
00:24:17,238 --> 00:24:18,405
I think, every season,

568
00:24:18,439 --> 00:24:22,374
we get 15 or 20 of those
people that just are naturals,

569
00:24:22,408 --> 00:24:24,175
and they get it.

570
00:24:24,210 --> 00:24:26,046
The people that we're gonna want,

571
00:24:26,080 --> 00:24:28,883
come in in a zombie mindset,

572
00:24:28,917 --> 00:24:31,717
and those are the ones that you
want to see up close in camera.

573
00:24:31,751 --> 00:24:33,317
When we did "Land of the dead,"

574
00:24:33,351 --> 00:24:34,583
we had...  this was the funniest thing.

575
00:24:34,617 --> 00:24:36,884
So, we-we started naming the zombies.

576
00:24:36,919 --> 00:24:40,622
So, we had this guy...

577
00:24:40,656 --> 00:24:43,561
And he was the
"Get the hell out of my yard" guy.

578
00:24:43,596 --> 00:24:46,430
We had the ice skating guy
that was walking on ice.

579
00:24:46,464 --> 00:24:48,934
So, if we start naming your performance,

580
00:24:48,969 --> 00:24:50,299
then, you're doing the same
thing over and over again.

581
00:24:50,333 --> 00:24:51,661
I might come over and go, "Okay.

582
00:24:51,696 --> 00:24:53,995
"You're the 'swimming the marathon' zombie,

583
00:24:54,030 --> 00:24:55,496
"'Cause you're doing this."

584
00:24:55,530 --> 00:24:58,329
Then, that will be your cue to not do that,
anymore.

585
00:25:01,366 --> 00:25:03,264
I'm here to be a zombie.

586
00:25:03,298 --> 00:25:05,766
Try out to be a zombie, at least.

587
00:25:05,801 --> 00:25:07,934
Well, what it takes to be a zombie,
first of all,

588
00:25:07,968 --> 00:25:09,335
you have to be dead.

589
00:25:09,369 --> 00:25:11,269
You have to like human flesh.

590
00:25:11,304 --> 00:25:13,769
You have to walk like you're drunk.

591
00:25:13,803 --> 00:25:16,107
[Zombies growling]

592
00:25:16,141 --> 00:25:17,710
If you ever go to a bar
at 2:00 in the morning

593
00:25:17,745 --> 00:25:19,312
and you see everybody
walking out of the bar,

594
00:25:19,346 --> 00:25:23,053
that's really good reference
for an initial zombie walk.

595
00:25:23,087 --> 00:25:24,621
What we try to do is simulate, sort of,

596
00:25:24,656 --> 00:25:28,059
a disconnect between motor
skills and awareness.

597
00:25:28,093 --> 00:25:31,528
Gotta be relaxed, and you have to be slow.

598
00:25:31,562 --> 00:25:33,599
Wewe don't really run.

599
00:25:33,633 --> 00:25:36,302
Anytime there is a zombie attack,

600
00:25:36,336 --> 00:25:38,638
they become excited in a way that

601
00:25:38,672 --> 00:25:41,676
they're maybe a little more
energetic than normally.

602
00:25:41,711 --> 00:25:44,814
But, generally speaking,
it's not "28 days later"

603
00:25:44,848 --> 00:25:46,652
or "The dawn of the dead" remake,

604
00:25:46,687 --> 00:25:50,090
where they're olympic sprinters
running down the street.

605
00:25:50,124 --> 00:25:52,160
Just go out there and act
like you got a craving

606
00:25:52,194 --> 00:25:54,828
for some bloody flesh and I
think you'll be good to go.

607
00:25:58,763 --> 00:26:00,629
So, this season, you know,

608
00:26:00,664 --> 00:26:03,062
I-if there's ever an instance where zombies

609
00:26:03,096 --> 00:26:05,797
are close to our lead actors,

610
00:26:05,831 --> 00:26:09,431
instead of just kind of walking
up and just standing there,

611
00:26:09,465 --> 00:26:12,535
you know,
I really want them to get physical,

612
00:26:12,569 --> 00:26:15,775
in terms of trying to grab them,
and snarling and hissing,

613
00:26:15,810 --> 00:26:17,609
and, like, open their mouths wide.

614
00:26:17,644 --> 00:26:21,576
I'd love to see a little more...

615
00:26:21,610 --> 00:26:24,010
Yeah-yeah, even opening your mouth.

616
00:26:24,045 --> 00:26:25,746
Yeah, I mean, you got a good-you got...

617
00:26:25,781 --> 00:26:27,148
You got a great look.

618
00:26:27,183 --> 00:26:28,618
My name is Ben Bladon.

619
00:26:28,652 --> 00:26:32,955
I am here to be a zombie on
"The Walking Dead."

620
00:26:32,989 --> 00:26:34,655
Try out for it, at least.

621
00:26:34,690 --> 00:26:35,889
I wanna make sure that you're seeing,

622
00:26:35,924 --> 00:26:38,961
not even necessarily squinting, but, like...

623
00:26:38,995 --> 00:26:42,695
You know,
you can get really-you can get really scary.

624
00:26:42,730 --> 00:26:44,496
I really like the show, "The Walking Dead,"

625
00:26:44,530 --> 00:26:46,631
and when somebody pointed
out that there was a post

626
00:26:46,666 --> 00:26:49,167
for extras, I said, "Why not?"

627
00:26:49,201 --> 00:26:52,038
You know, I signed up for it and here I am.

628
00:26:52,072 --> 00:26:53,674
Open your mouth.

629
00:26:58,446 --> 00:26:59,614
Great...  good.

630
00:26:59,649 --> 00:27:00,882
Okay, cut...  Thank you.

631
00:27:00,917 --> 00:27:01,949
The future star of "The Walking Dead,"

632
00:27:01,983 --> 00:27:04,083
ladies and gentlemen.

633
00:27:04,118 --> 00:27:06,420
He will be killed 37 times this year.

634
00:27:06,454 --> 00:27:07,454
No.

635
00:27:07,488 --> 00:27:08,756
Uh, that was great, but t u see what I mean?

636
00:27:08,790 --> 00:27:10,593
I mean, it just adds... 
And all you guys, I mean,

637
00:27:10,627 --> 00:27:12,931
it adds that extra level of energy.

638
00:27:12,965 --> 00:27:16,837
The trick that we-that we
strive for every year is,

639
00:27:16,871 --> 00:27:18,872
we don't... 
the zombies always have to feel threatening.

640
00:27:18,907 --> 00:27:20,541
It's one thing to go, "Oh, yeah.

641
00:27:20,575 --> 00:27:22,075
"They're just kind of
slow moving in the field,

642
00:27:22,109 --> 00:27:23,876
"and I could just run through those."

643
00:27:23,911 --> 00:27:26,882
But then,
the minute that they turn and they're there,

644
00:27:26,916 --> 00:27:28,714
it gets-it gets kind of frightening

645
00:27:28,748 --> 00:27:31,014
because you see that sort of snarling,

646
00:27:31,048 --> 00:27:32,481
horrible face coming at you.

647
00:27:32,515 --> 00:27:37,022
What would it be like for me
to get-to be here on the set?

648
00:27:37,056 --> 00:27:39,258
I think it would be absolutely awesome.

649
00:27:39,293 --> 00:27:41,225
I think it would be one
of the best experiences

650
00:27:41,260 --> 00:27:43,791
of my life, so far.

651
00:27:43,826 --> 00:27:46,695
Something we did this year,
that we hadn't done before, um,

652
00:27:46,730 --> 00:27:50,699
was a little exercise I like to call
"Kill the cameraman."

653
00:27:50,733 --> 00:27:52,268
Action!

654
00:27:52,293 --> 00:27:52,302
Welcome to our fifth year

655
00:27:52,303 --> 00:27:52,302
of zombie school.

656
00:27:52,303 --> 00:27:53,503
Now, I like cameramen.

657
00:27:53,537 --> 00:27:55,471
I have lots of friends that are cameramen.

658
00:27:55,504 --> 00:27:57,671
But in this particular exercise,

659
00:27:57,705 --> 00:28:01,307
I thought it was a really good
opportunity to get people,

660
00:28:01,341 --> 00:28:04,808
sort of,
amped up into actually doing something,

661
00:28:04,843 --> 00:28:07,076
as opposed to just, sort of,
walking around the room

662
00:28:07,110 --> 00:28:09,446
and exploring the space.

663
00:28:09,480 --> 00:28:11,416
This really gave them something to do that,

664
00:28:11,450 --> 00:28:15,050
as a collective experience,
when they all started,

665
00:28:15,084 --> 00:28:16,450
sort of, rushing after the camera

666
00:28:16,484 --> 00:28:17,951
and trying to get into the doorway

667
00:28:17,985 --> 00:28:19,754
and trying to force their way in,

668
00:28:19,788 --> 00:28:21,656
it sort of took it to another place.

669
00:28:21,690 --> 00:28:22,857
It's one thing to go,

670
00:28:22,891 --> 00:28:23,756
"Okay, well,
I'm gonna go audition for "Walking Dead."

671
00:28:23,791 --> 00:28:25,223
But then, when they, sort of,

672
00:28:25,248 --> 00:28:25,257
Welcome to our fifth year

673
00:28:25,258 --> 00:28:25,257
of zombie school.

674
00:28:25,258 --> 00:28:27,158
were involved in this mass attack,

675
00:28:27,193 --> 00:28:28,928
and then we would say, "Cut,"

676
00:28:28,962 --> 00:28:30,963
and they're like, "Oh, my God... 
We really are doing this.

677
00:28:30,998 --> 00:28:33,133
"It's kind of not just an exercise."

678
00:28:36,805 --> 00:28:37,804
Don't crush the...

679
00:28:49,884 --> 00:28:51,252
And, cut.

680
00:28:51,286 --> 00:28:53,585
[Collective chatter]

681
00:28:53,619 --> 00:28:56,521
Best one yet.

682
00:28:56,556 --> 00:28:57,922
That was the best one yet...  good.

683
00:28:57,957 --> 00:28:59,289
You all right?

684
00:28:59,323 --> 00:29:01,793
I was afraid they were
gonna-they were gonna separate,

685
00:29:01,827 --> 00:29:02,795
and you were just gonna be a bloody pulp

686
00:29:02,830 --> 00:29:05,399
that would just fall down.

687
00:29:05,434 --> 00:29:08,067
What's really important for me,
as a director,

688
00:29:08,101 --> 00:29:12,072
is how well you take direction.

689
00:29:12,106 --> 00:29:15,706
[Zombies growling]

690
00:29:17,810 --> 00:29:19,779
Zombie school's been really,
really helpful for me,

691
00:29:19,813 --> 00:29:21,814
to be able to go through and say,

692
00:29:21,848 --> 00:29:25,318
"These ten, these 12,
these 14 people are fantastic.

693
00:29:25,352 --> 00:29:27,020
"They take direction well.

694
00:29:27,055 --> 00:29:28,388
"They look great, they walk great.

695
00:29:28,423 --> 00:29:29,422
"They move well.

696
00:29:29,457 --> 00:29:30,822
"They're kind of scary and creepy,

697
00:29:30,856 --> 00:29:33,892
"and they bring character to the zombies."

698
00:29:33,927 --> 00:29:35,895
So just ignore that I'm writing names down.

699
00:29:37,731 --> 00:29:38,965
Rehearsing.

700
00:29:38,999 --> 00:29:41,667
And, background. And, action.

701
00:29:43,969 --> 00:29:45,467
When you get here,
you're thrown into the pit,

702
00:29:45,501 --> 00:29:46,600
so to speak.

703
00:29:46,635 --> 00:29:48,801
You get an education on,
you know, walker etiquette

704
00:29:48,836 --> 00:29:50,336
and how we do things.

705
00:29:50,371 --> 00:29:51,505
And they have to be open-minded.

706
00:29:51,540 --> 00:29:55,244
They gotta hit the ground running.

707
00:29:55,278 --> 00:29:58,182
Uh, Claire, the first one was too fast.

708
00:29:58,217 --> 00:30:00,086
And I think they were all
trying to match her speed.

709
00:30:00,121 --> 00:30:02,891
If we slow her up a little,
then I think we're good.

710
00:30:02,926 --> 00:30:06,061
I-I feel even more direct responsibility

711
00:30:06,095 --> 00:30:07,395
to make sure that you guys are safe,

712
00:30:07,430 --> 00:30:08,530
that you're taken care of,

713
00:30:08,565 --> 00:30:11,200
that you have a good experience on set,

714
00:30:11,234 --> 00:30:14,568
because we have scenes
where our lead characters

715
00:30:14,602 --> 00:30:15,937
comes up and swings a machete,

716
00:30:15,971 --> 00:30:19,507
and then five minutes later,
you go, "Ugh," and fall over.

717
00:30:19,541 --> 00:30:21,109
The timing has to be right.

718
00:30:21,143 --> 00:30:23,948
So, um, one of these guys said, "Wow.

719
00:30:23,982 --> 00:30:25,449
"It's not as easy as it looks."

720
00:30:25,483 --> 00:30:26,615
It-it's actually not.

721
00:30:26,649 --> 00:30:28,617
I mean, you guys,
there is acting involved with this,

722
00:30:28,652 --> 00:30:30,086
and there is taking direction,

723
00:30:30,121 --> 00:30:32,657
and there is a-a physicality to it.

724
00:30:32,692 --> 00:30:34,159
My right, which is your left.

725
00:30:34,193 --> 00:30:36,861
Take five steps to your left, please.

726
00:30:36,895 --> 00:30:39,830
It's important that everyone
be on the same page,

727
00:30:39,864 --> 00:30:42,300
so that, when they arrive on set,

728
00:30:42,334 --> 00:30:45,504
and they come out after having
had make-up and wardrobe,

729
00:30:45,539 --> 00:30:46,974
they're with the program.

730
00:30:47,008 --> 00:30:48,877
We don't have the time, once we're shooting,

731
00:30:48,911 --> 00:30:52,279
to give individual direction to people.

732
00:30:52,314 --> 00:30:54,482
Ready?

733
00:30:54,515 --> 00:30:55,915
[Bell ringing]

734
00:30:55,949 --> 00:30:57,482
I have faith in you guys.

735
00:31:07,390 --> 00:31:08,457
You know, it all starts with zombie school,

736
00:31:08,491 --> 00:31:10,327
and Greg checking them
out and making sure they,

737
00:31:10,361 --> 00:31:12,332
you know, know how to move,
and can take direction,

738
00:31:12,367 --> 00:31:13,300
and have the right look.

739
00:31:13,334 --> 00:31:14,768
But the walkers really go through

740
00:31:14,803 --> 00:31:16,771
almost every department on the show.

741
00:31:16,805 --> 00:31:18,006
I'll be with Eric today.

742
00:31:18,040 --> 00:31:20,307
He's gonna be a featured hero walker,

743
00:31:20,342 --> 00:31:22,540
which means he gets the
full make-up experience.

744
00:31:23,075 --> 00:31:24,740
Before Eric goes into make-up,

745
00:31:24,774 --> 00:31:27,198
we'll check him out and make
sure his clothing fits...

746
00:31:27,709 --> 00:31:30,411
And he's dressed appropriate
for what we're doing tonight.

747
00:31:30,445 --> 00:31:32,512
'Cause it's a night shoot,
it should be a little lighter,

748
00:31:32,513 --> 00:31:34,077
so he stands out in the dark.

749
00:31:36,144 --> 00:31:37,743
I think what we picked out
for Eric is pretty cool

750
00:31:37,777 --> 00:31:39,144
and it's gonna suit him well.

751
00:31:39,178 --> 00:31:42,580
[Zombies growling]

752
00:31:44,750 --> 00:31:46,619
Eulyn Womble, who is our costume designer,

753
00:31:46,654 --> 00:31:48,892
is a huge part of it,
in-in what they're wearing,

754
00:31:48,926 --> 00:31:51,358
and she really thinks about,
"Well, how did this person die,

755
00:31:51,392 --> 00:31:52,459
"And what have they been through?"

756
00:31:52,493 --> 00:31:54,227
And even though our zombies

757
00:31:54,262 --> 00:31:57,598
all kind of have a similar
look and color palate,

758
00:31:57,632 --> 00:31:58,763
they're all unique, in their own way,

759
00:31:58,798 --> 00:32:00,196
from the make-up to the clothes.

760
00:32:02,998 --> 00:32:04,064
Well, it fits.

761
00:32:04,098 --> 00:32:05,531
It's a little short.

762
00:32:08,170 --> 00:32:10,471
I'm just gonna button
them up just a little bit,

763
00:32:10,506 --> 00:32:13,306
'cause I like this shirt more
than I do the one underneath.

764
00:32:13,340 --> 00:32:14,540
Derek, can you jump in and maybe do

765
00:32:14,574 --> 00:32:16,975
a little bit of shred on him
before he goes into make-up?

766
00:32:17,010 --> 00:32:19,713
I wanna see the light
coming out of the dark.

767
00:32:19,748 --> 00:32:22,316
Because it's nighttime and
the shirt will be really dark,

768
00:32:22,350 --> 00:32:24,016
we bring a light shirt underneath.

769
00:32:24,051 --> 00:32:25,352
With the holes in this shirt,

770
00:32:25,386 --> 00:32:27,521
we'll see the light color coming through.

771
00:32:27,555 --> 00:32:29,220
The more shred there is,
the more beautiful it is,

772
00:32:29,255 --> 00:32:32,055
really, at this point.

773
00:32:32,089 --> 00:32:33,290
It's, uh, pretty cool.

774
00:32:33,324 --> 00:32:35,894
I feel a lot more zombie-like.

775
00:32:35,929 --> 00:32:37,831
We're gonna take Eric to make-up now.

776
00:32:37,865 --> 00:32:39,100
This way.

777
00:32:46,744 --> 00:32:48,346
- You ready, Eric?
- Yeah, I am.

778
00:32:48,381 --> 00:32:49,749
Let's get you into a walker.

779
00:32:49,784 --> 00:32:51,417
Okay.

780
00:32:51,451 --> 00:32:53,019
I have five core make-up artists

781
00:32:53,053 --> 00:32:55,891
that work on the show every day,

782
00:32:55,926 --> 00:32:58,328
and have worked on the
show since season one.

783
00:32:58,362 --> 00:33:00,564
We generally spend about an hour and a half

784
00:33:00,598 --> 00:33:01,800
per hero make-up.

785
00:33:01,835 --> 00:33:05,336
We get to know our zombie
extras pretty intimately.

786
00:33:05,371 --> 00:33:06,504
Just kinda ball cap him up.

787
00:33:06,538 --> 00:33:09,206
Sometimes, guys will come in, or girls,

788
00:33:09,240 --> 00:33:10,573
and they've just had a haircut,

789
00:33:10,608 --> 00:33:12,640
or it looks-looks like they have nice hair.

790
00:33:12,674 --> 00:33:14,942
So we don't wanna have it
look like these walkers

791
00:33:14,976 --> 00:33:18,346
have been visiting salons
during the apocalypse.

792
00:33:19,816 --> 00:33:20,984
The beauty of this is,

793
00:33:21,018 --> 00:33:22,853
we can make you look very
different every time.

794
00:33:22,888 --> 00:33:25,457
So, if you're up for it, and you're into it,

795
00:33:25,491 --> 00:33:29,789
and you had a blast doing it,
I guarantee, you'll be used.

796
00:33:29,823 --> 00:33:31,191
Today, I'm becoming a walker.

797
00:33:31,226 --> 00:33:34,732
I'm going through all the
stages of becoming dead.

798
00:33:34,766 --> 00:33:38,133
I'm gonna be doing a quick scene,
getting killed.

799
00:33:38,168 --> 00:33:41,105
Now, I'm in make-up and I've
got this thing on my neck.

800
00:33:41,140 --> 00:33:43,041
I'm starting to feel this
whole walker experience

801
00:33:43,075 --> 00:33:44,808
kind of come to life.

802
00:33:44,843 --> 00:33:46,276
These are foam appliances, uh,

803
00:33:46,311 --> 00:33:47,879
that we've-that were
manufactured back at KNB,

804
00:33:47,913 --> 00:33:49,482
in Los Angeles.

805
00:33:49,517 --> 00:33:50,417
When they walk in the chair

806
00:33:50,452 --> 00:33:51,953
the make-up artist has to look at 'em

807
00:33:51,988 --> 00:33:53,955
and kind of figure out what's gonna fit 'em,

808
00:33:53,989 --> 00:33:55,623
and we know most of the
pieces back there now, uh,

809
00:33:55,658 --> 00:33:58,260
'cause we've been working with
'em for so long.

810
00:33:58,295 --> 00:34:00,693
Probably be puttin' on, uh,
maybe seven or eight pieces

811
00:34:00,727 --> 00:34:02,360
onto Eric today.

812
00:34:02,395 --> 00:34:04,462
In five years that we've
been doing the show,

813
00:34:04,497 --> 00:34:08,533
no two zombies ever look the same.

814
00:34:08,568 --> 00:34:11,039
We want them to look like-like stray animals

815
00:34:11,073 --> 00:34:13,109
that have been out there too long.

816
00:34:13,144 --> 00:34:14,243
Nothing to eat.

817
00:34:14,278 --> 00:34:15,879
No sort of grooming anything.

818
00:34:15,914 --> 00:34:17,883
Their hair can get a little wild.

819
00:34:17,918 --> 00:34:19,886
Andy painted his mouth black

820
00:34:19,920 --> 00:34:22,155
because, in this particular appliance there,

821
00:34:22,189 --> 00:34:23,956
there's some exposed teeth.

822
00:34:23,991 --> 00:34:25,224
When this goes on,

823
00:34:25,259 --> 00:34:28,064
we don't wanna be able to see
his lips behind the teeth.

824
00:34:28,099 --> 00:34:29,965
We'll put a mouth rinse in his mouth

825
00:34:29,999 --> 00:34:32,136
that'll make his teeth go away, as well.

826
00:34:43,011 --> 00:34:45,643
Next time you hear from me, I'll be dead.

827
00:34:45,678 --> 00:34:48,278
It's usually an hour and a
half for each one of these.

828
00:34:53,587 --> 00:34:56,589
After zombie school,
I was just thinking that,

829
00:34:56,623 --> 00:34:57,657
you know, this is one shot.

830
00:34:57,691 --> 00:35:00,728
I hope I don't mess it up.

831
00:35:00,763 --> 00:35:04,365
- Hey, Eric, how you doing?
- Good.

832
00:35:04,400 --> 00:35:07,102
What we've done on Eric,
so far, is we've got him,

833
00:35:07,136 --> 00:35:08,804
what we call "Based out."

834
00:35:08,838 --> 00:35:11,571
We have a base tone of, uh,
what's called pax paint,

835
00:35:11,605 --> 00:35:13,674
on him that's sort of his undertone.

836
00:35:13,709 --> 00:35:15,344
And now,
Andy's putting a little bit of spatter

837
00:35:15,378 --> 00:35:16,712
on his arms.

838
00:35:16,747 --> 00:35:18,948
This is a purply-colored spatter that I use

839
00:35:18,982 --> 00:35:21,655
to mimic the look of rotting skin.

840
00:35:24,259 --> 00:35:27,027
You don't want anything to look too red.

841
00:35:27,061 --> 00:35:29,864
It's all gotta be very muted and dark.

842
00:35:29,898 --> 00:35:32,067
If we're doing something at night-time

843
00:35:32,101 --> 00:35:33,236
and it's gonna be dimly lit,

844
00:35:33,271 --> 00:35:35,742
we tend to go a little bit lighter in color.

845
00:35:35,776 --> 00:35:37,909
Otherwise,
you're just not gonna see him, at all.

846
00:35:37,944 --> 00:35:40,479
Now, I'm just kinda going in
and darkening up the colors.

847
00:35:52,551 --> 00:35:54,451
Yeah, I'm looking pretty scary, right now.

848
00:35:54,486 --> 00:35:56,287
The paint really makes it, uh, come to life.

849
00:35:56,321 --> 00:35:58,657
Or, so to speak.

850
00:35:58,692 --> 00:36:00,293
If somebody came up right now and said,

851
00:36:00,327 --> 00:36:02,363
"We need him on set right away,"

852
00:36:02,397 --> 00:36:04,700
we could probably send him
away and he would be okay

853
00:36:04,735 --> 00:36:06,702
for, like, a medium shot.

854
00:36:06,736 --> 00:36:08,202
If it was a close-up one,

855
00:36:08,237 --> 00:36:09,904
we'd probably wanna keep
him a little bit longer.

856
00:36:09,938 --> 00:36:11,372
It looks pretty cool right now,

857
00:36:11,406 --> 00:36:13,242
but you give us another 15 to 20 minutes,

858
00:36:13,277 --> 00:36:15,546
we can get it to look that much better.

859
00:36:15,581 --> 00:36:19,348
Sometimes we don't get
that ten or 15 minutes.

860
00:36:19,382 --> 00:36:22,386
I think I've aged about 20 years.

861
00:36:22,420 --> 00:36:24,356
You know, I lost my hair.

862
00:36:24,390 --> 00:36:26,192
I lost a piece of my nose.

863
00:36:26,226 --> 00:36:28,095
Amongst other things.

864
00:36:28,129 --> 00:36:30,463
Uh, I'm definitely dead.

865
00:36:32,600 --> 00:36:36,172
I think it completed the zombie experience.

866
00:36:36,207 --> 00:36:38,372
Pretty good.

867
00:36:40,446 --> 00:36:42,946
[Snarling]

868
00:36:46,947 --> 00:36:50,180
- You ready?
- Yeah.

869
00:36:50,214 --> 00:36:51,648
Take you up to set, all right?

870
00:36:51,681 --> 00:36:52,814
All right.

871
00:36:52,848 --> 00:36:54,581
A huge part of it's just, you know,

872
00:36:54,616 --> 00:36:55,849
people who we like having around.

873
00:36:55,884 --> 00:36:58,847
You know, it-it's...  being a cool
person to hang out with, is nice.

874
00:36:58,989 --> 00:37:01,455
So, to be good at it and wanna
do it over and over again,

875
00:37:01,490 --> 00:37:03,761
it's a very unique person.

876
00:37:07,132 --> 00:37:09,532
[Snarling]

877
00:37:23,162 --> 00:37:25,461
The walkers are great on the show.

878
00:37:27,399 --> 00:37:29,067
In some ways,
I think their acting job's harder

879
00:37:29,102 --> 00:37:30,902
than all of our acting job.

880
00:37:30,936 --> 00:37:34,039
[Indistinct chatter]

881
00:37:34,074 --> 00:37:35,843
This show is very physical.

882
00:37:35,877 --> 00:37:37,713
There may be an instance where somebody

883
00:37:37,748 --> 00:37:39,214
might pull you out of the crowd and go,

884
00:37:39,248 --> 00:37:41,314
"Okay, Daryl's gonna kill you."

885
00:37:41,349 --> 00:37:42,650
Here you go, man...  Let me help you.

886
00:37:42,684 --> 00:37:44,754
- Let me help you.
- After about six takes maybe,

887
00:37:44,788 --> 00:37:47,522
I had my death fall down to a 'T'.

888
00:37:47,557 --> 00:37:48,891
You just get in the zone.

889
00:37:48,925 --> 00:37:50,394
You don't care that you're
gonna fall on gravel.

890
00:37:50,429 --> 00:37:52,064
You don't care that you're
gonna hurt yourself.

891
00:37:52,098 --> 00:37:53,566
You're doing it for the show.

892
00:37:53,600 --> 00:37:55,434
You're a zombie, and so you just do it.

893
00:37:55,468 --> 00:37:57,404
Fire!

894
00:37:59,709 --> 00:38:01,476
They had to pick out the
gravel out of my prosthetics,

895
00:38:01,511 --> 00:38:03,310
every single time that I'd die,

896
00:38:03,344 --> 00:38:06,077
because I hit the gravel
and then it all stuck.

897
00:38:08,115 --> 00:38:10,182
[Indistinct]

898
00:38:10,216 --> 00:38:11,649
I remember when we burned down the barn,

899
00:38:11,684 --> 00:38:13,281
hershel's barn.

900
00:38:13,315 --> 00:38:15,314
I'm sitting on the motorcycle with Melissa,

901
00:38:15,348 --> 00:38:17,350
and it's freezing.

902
00:38:17,385 --> 00:38:20,120
And I look out and there's,
like, 1,000 walkers, like,

903
00:38:20,154 --> 00:38:24,222
in snuggies and stuff, like,
freezing their butt off.

904
00:38:24,257 --> 00:38:27,327
[Cheering]

905
00:38:27,361 --> 00:38:29,798
Being that we film may through November,

906
00:38:29,832 --> 00:38:32,239
we kinda get all the elements in Georgia.

907
00:38:32,273 --> 00:38:34,241
From 100 degree heat in the summertime,

908
00:38:34,276 --> 00:38:37,776
to, you know,
30 degrees when the sun goes down.

909
00:38:37,810 --> 00:38:39,745
It's hot, it's sweaty.

910
00:38:39,780 --> 00:38:42,944
Even though you think,
"I never get sunstroke."

911
00:38:42,979 --> 00:38:44,911
So you're all right, is what you're saying?

912
00:38:44,946 --> 00:38:46,813
It's hot.

913
00:38:46,848 --> 00:38:49,083
[Indistinct chatter]

914
00:38:49,117 --> 00:38:51,418
It gets you into character.

915
00:38:51,453 --> 00:38:53,421
It gets you into character
when you're hot and sweaty.

916
00:38:53,455 --> 00:38:55,356
We will make sure that you guys

917
00:38:55,390 --> 00:38:57,056
are always drinking water,

918
00:38:57,091 --> 00:38:58,224
that you always have sunscreen,

919
00:38:58,258 --> 00:38:59,992
that you're always in the shade.

920
00:39:00,026 --> 00:39:01,627
They eat well and we make sure

921
00:39:01,662 --> 00:39:03,464
they're properly hydrated.

922
00:39:03,498 --> 00:39:05,365
We take care of them to me sure that

923
00:39:05,400 --> 00:39:07,401
they're happy and healthy, too.

924
00:39:07,436 --> 00:39:09,771
- How are you?
- We're doing good.

925
00:39:09,806 --> 00:39:12,074
I'm not hungry anymore.

926
00:39:14,711 --> 00:39:20,717
I'm constantly bewildered
how hard people work.

927
00:39:20,751 --> 00:39:24,121
How people put their bodies
on the line constantly.

928
00:39:27,058 --> 00:39:28,858
And yet, how they're able to maintain

929
00:39:28,892 --> 00:39:30,859
an incredibly good humor.

930
00:39:30,894 --> 00:39:33,197
They're very committed and
my hat goes off to them,

931
00:39:33,231 --> 00:39:35,165
'cause we couldn't do it without 'em.

932
00:39:35,198 --> 00:39:37,865
- Everybody, back that way!
- Follow me.

933
00:39:37,899 --> 00:39:40,871
These guys and girls who are-are walkers,

934
00:39:40,905 --> 00:39:42,672
are-they're bad asses.

935
00:39:42,707 --> 00:39:44,239
I don't know if I can say that.

936
00:39:44,274 --> 00:39:45,675
They...  I mean, they are.

937
00:39:45,709 --> 00:39:47,445
They are the true stars of this show.

938
00:39:47,479 --> 00:39:49,647
I mean, they are so heavily featured,

939
00:39:49,681 --> 00:39:53,479
and they are what makes this show real,
you know?

940
00:39:53,513 --> 00:39:57,984
These walkers you see,
I mean, they are focused.

941
00:39:58,019 --> 00:40:02,123
So you see them in the
background doing their thing

942
00:40:02,158 --> 00:40:04,358
and it helps put-put you in place,

943
00:40:04,392 --> 00:40:06,759
where you're supposed to be.

944
00:40:06,793 --> 00:40:08,093
Cut.

945
00:40:08,128 --> 00:40:10,829
All right, check his eye.
My eye's doing okay.

946
00:40:10,864 --> 00:40:12,899
How committed they are, as actors,

947
00:40:12,933 --> 00:40:14,133
is really the joy of it all.

948
00:40:14,167 --> 00:40:15,968
Like, sometimes, we'll catch one guy

949
00:40:16,002 --> 00:40:18,136
that's just killing it as
a walker and you're like,

950
00:40:18,170 --> 00:40:20,005
"Oh, my God...  Look at that dude."

951
00:40:20,039 --> 00:40:21,773
And you'll pick him out
of a group of 50 people

952
00:40:21,807 --> 00:40:23,206
that are there,

953
00:40:23,240 --> 00:40:24,641
and it just makes it that
much more real for us.

954
00:40:24,675 --> 00:40:26,577
We had a woman who came and, I mean,

955
00:40:26,611 --> 00:40:29,080
she literally dragged the side of her ankle

956
00:40:29,114 --> 00:40:31,751
till she scraped her ankle bone on the side.

957
00:40:31,785 --> 00:40:34,089
She was just doing it to be in the show,

958
00:40:34,123 --> 00:40:37,297
and I was amazed how far people will go

959
00:40:37,331 --> 00:40:38,900
with being a zombie.

960
00:40:38,934 --> 00:40:40,469
She had to walk up to this pole.

961
00:40:40,504 --> 00:40:42,404
We had a retractable pole,
and stabs herself.

962
00:40:42,438 --> 00:40:44,605
And she just, no fear, walked right into it,

963
00:40:44,639 --> 00:40:46,239
trusting us 100%.

964
00:40:46,273 --> 00:40:48,509
Stabs all the way through her,
as she's just dragging.

965
00:40:48,543 --> 00:40:50,412
And this performance was unbelievable.

966
00:40:50,447 --> 00:40:51,980
We were cheering.

967
00:40:52,015 --> 00:40:54,282
[Applause] Thank you, stunt zombies.

968
00:40:54,317 --> 00:40:56,850
[Collective chatter]

969
00:40:56,884 --> 00:40:58,551
Another good day with zombies.

970
00:40:58,585 --> 00:41:00,521
Every day with zombies is a good day.

971
00:41:00,556 --> 00:41:02,389
There have been several instances

972
00:41:02,424 --> 00:41:05,190
where the crew has all stood up
and just applauded the walkers

973
00:41:05,223 --> 00:41:07,625
for the amazing job that they've done.

974
00:41:07,660 --> 00:41:10,395
And the zombies, the zombies,
let's hear it for 'em.

975
00:41:10,429 --> 00:41:12,830
[Cheers and applause]

976
00:41:12,865 --> 00:41:15,536
Without fantastic walkers,

977
00:41:15,571 --> 00:41:18,310
our show could not and would not succeed.

978
00:41:18,344 --> 00:41:20,845
They're part of this extended
"Walking Dead" family.

979
00:41:20,880 --> 00:41:22,447
Thank you.

980
00:41:22,482 --> 00:41:23,984
You know,
I always end up getting great stuff

981
00:41:24,018 --> 00:41:25,787
out of them because I treat them like

982
00:41:25,822 --> 00:41:28,292
they're integral parts of the show.

983
00:41:28,326 --> 00:41:30,428
Because if their
performances are believable,

984
00:41:30,463 --> 00:41:32,397
then the audience watching
it will believe it,

985
00:41:32,431 --> 00:41:35,133
and the audiences will get
pulled into those characters

986
00:41:35,167 --> 00:41:39,338
as much as they're pulled
into our living characters.

987
00:41:39,373 --> 00:41:41,007
And we could not do it without them.

988
00:41:41,041 --> 00:41:42,375
There would be no "Walking Dead"

989
00:41:42,409 --> 00:41:44,077
without the walking dead.

990
00:41:44,111 --> 00:41:45,546
And start walking.

991
00:41:45,580 --> 00:41:47,717
Everyone else should be getting up... good.

992
00:41:51,416 --> 00:41:55,088
[Collective chatter]

993
00:41:57,056 --> 00:41:59,655
[Laughing]

994
00:42:08,403 --> 00:42:11,070
[Snarling]

995
00:42:11,105 --> 00:42:13,274
Boy, am I just dead on my feet.

996
00:42:13,308 --> 00:42:15,777
I need a pick-me-up.

997
00:42:15,812 --> 00:42:17,479
[Laughing] Dead on my feet.

998
00:42:17,513 --> 00:42:19,047
I get it.

999
00:42:19,081 --> 00:42:20,748
[Laughing]

1000
00:42:20,782 --> 00:42:23,539
What zombies do when there's nothing to eat.

1001
00:42:23,984 --> 00:42:26,558
Come on, come on.

