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Everyone knows how the story

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of Snow White and Prince Charming ends, but

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actually, this isn't the end...
In our story, this is only the

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beginning. What if Snow White and

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Prince Charming had a baby girl,
Emma, who was the savior against

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the Evil Queen's curse that she
stole from Rumplestiltskin, who

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is in love with Belle. Who
is good friends with Red

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Riding Hood, who's actually the
big bad wolf, who also befriends

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Snow White while she's on the
run from Regina the Evil Queen

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who casts the dark curse sending
everyone except for Pinocchio

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and baby savior Emma to
a small town in Maine.

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Where 28 years later they all
live with no memory of who they

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- really are.
- Do you know this man?

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No?

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So that makes Snow White,

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Prince Charming, Rumplestiltskin,

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Red Riding Hood, and everyone else from
Belle to the Blue Fairy all related.

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Only one thing is certain.

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- It's complicated.
- You following so far?

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Hope so. Because it's about to get a lot

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- more interesting.
- What are you doing?

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- Changing.
- Tonight, we go behind the

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scenes and show you how
we make it all happen.

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Welcome to Once Upon A Time:
Secrets of Storybrooke.

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Synced and Corrected by Nsiko
www.Addic7ed.com

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The story goes that Charming

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and snow get married and live,
you know, happily ever after.

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Except for the two guys you are
about to meet, that just wasn't

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- good enough, was it?
- And do you, Snow White,

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promise to take this man to be
your husband and love him for

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- all eternity?
- I do.

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For starters, what if, just
as snow and Charming finally get

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everything they want, this happens...

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We originally had this idea
in 2002, when we were young

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writers. We were talking about how

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frustrating it would
be to be the Evil Queen.

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And we thought, how horrible
would it be to be in a place

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- where you never get to win?
- I shall destroy your happiness

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if it is the last thing I do.

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And then it kind of morphed
into, what if the queen, you

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know, cast a curse that brought
everybody to a place where she

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could finally win, where happy
endings aren't guaranteed.

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- Well, that would be our world.
- And this idea had stuck with us

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When it came time to cast the pilot.

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Snow White we wrote for Ginnifer Goodwin.

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We didn't think we would get

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her, but we were like, she
was the model for Snow White.

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And, as it happened...
she was my favorite princess

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growing up. I had brown hair.

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I could relate. I also
had an obsession with

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Disney princesses and
desperately wanted to play one.

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What we didn't realize was
what a huge Disney geek she was.

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I got a phone call from my
reps and they said, "we've got

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one we think might be of interest to you."

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They said, "they're asking
you to play Snow White."

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And I was like, "I'm in!"

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My princess costume?

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A red leather jacket and a gun. Perfect.

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The fairy tales in the past
sort of presented this idea that

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women were damsels in distress
and they needed to be saved by

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this man and that he was gonna
sweep her off her feet and make

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everything okay and she
was just gonna be fine.

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And I always wondered, like,
what are they doing in that

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castle? That just sounds so boring.

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Jennifer Morrison, we had
loved from "house" and "how I

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met your mother." We were
literally watching "how

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I met your mother" and her
character was written off the

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show and we immediately called
and we were like, "is she available?

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Eddy and Adam are reinventing

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the idea of fairy tales and the
role that female heroes play in

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these stories. And so Emma is definitely a

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representation of that.

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We wanted a Rumplestiltskin

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character, and Robert Carlyle
was the only one we had in mind

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- for that.
- You're my oldest friend.

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Well, when I found out
that I was gonna be playing

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Captain Hook, I couldn't,
you know, sort of wrap my head

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around it, really. Because
I expected him to be a

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bit older and have the long
hair and the big twirly mustache.

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- Let my wrath be unleashed.
- The Evil Queen was funny

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because we had never met Lana
before and she came in to read

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for us, and she did one
go-through on the scene, and she

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scared us to death. Like,
we were terrified in our seats

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Sorry I'm late.

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And at the end of the reading
we were like, "thank you."

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She nailed it. And, you
know, we went right to

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the network and said,
"we found our Evil Queen."

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- This is my happy ending.
- If I told you how I prepared

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to play the Evil Queen I'd
probably get locked in an insane asylum.

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Where are we going?

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Somewhere horrible...
A place where the only happy

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ending will be mine.

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So where can an Evil Queen catch
a break? Apparently, in Maine, in a

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fictional town the
writers called Storybrooke.

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Good morning, madam mayor.
Beautiful day, isn't it?

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In real life, we shoot the
Storybrooke scenes in a small

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town called Steveston, a
half-hour drive outside of

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Vancouver, Canada.

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It's about a one-day transformation
to make Steveston into Storybrooke.

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And we have relationships with
a lot of the store vendors where

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we go in and put our own set
decoration in their windows and

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our own signage. Our
clock tower is actually a

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visual effect because the
library doesn't have a big tower

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on top of it and we made the
decision to do it digitally.

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And the funny thing is, is that
a lot of visitors come to the

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town of Steveston to see our
sets and to see where they shoot

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the show and they wanna see
the clock tower and there is no

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clock tower there.

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Steveston had just kind of the

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right blend of quaint, small
town, not too much modern

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interference. But there
was just enough there

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that felt like it was a little
bit lost in time and that's what

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our show is really about.

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Trapped in Maine, the people

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of Storybrooke have issues.
But they don't know why they're

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- so unhappy.
- Happy Valentine's day.

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- Happy Valentine's day.
- And for a long time, we

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weren't sure either because eddy
and Adam also kept the actors in

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the dark. We found out the same way you

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did, piece by piece, through
those weekly flashbacks.

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I love Mary Margaret
flashbacks because Mary Margaret

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- was a doormat in many ways.
- I will always find you.

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Aren't you a real Prince Charming.

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The parallel universes on
this show are really a way of

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saying the things that happen
in those worlds are real.

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They have stakes. They have consequences.

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And it turns out their
fairytale selves tend to be

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braver and tougher and, thanks
to Eduardo Castro, much better

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- dressed.
- Here's the famous bandit

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costume which has many layers
of different types of leather and

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suede. I would say we've created around

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the vicinity of 300,
350 custom-made costumes.

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So here we have Prince Charming.
So it's very royal at the same

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time and it's very
masculine. And very heavy.

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And he's worn this... oh my God,
he's worn this so many times.

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As soon as I put on tight
leather, that's when I feel like

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Prince Charming in the enchanted forest.

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Into this town of tortured
amnesiacs drives the most

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unlikely of all fairytale heroes.

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Her name... Emma Swan.
And next, we've got a lot

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more magic. When we
come back, we'll show

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you how it's done.

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Fairy tales, like the ones
in Henry's book, are all about

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hidden worlds, secret doors,
about magic that seeps in

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through the cracks and time
travel that's just a matter of

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- the right fairy dust.
- Well, maybe, there's more to it.

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Henry, you are going to be
late for school. Let's go.

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But as usual, Henry is on to something.

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Behind the scenes there
is a lot more going on.

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Because behind the show's
fantastic worlds is an army of

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creative minds. They
breath life and magical

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possibility into every detail.

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It's about an attempt to

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create a universe, to create
what hopefully feels like a full

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world so that you can explore
it and hopefully for an hour each

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- week you can live there.
- It's a universe where a

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character like Pinocchio can
use secret passageways to travel

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between magical worlds and the real world.

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I think it represents
our world, of course, and the

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imaginary world that kind of
lives in all of our heads and

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that we wish we could go to sometimes.

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As the stories expanded, so
have the places and the people

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that we meet that are from
these, you know, fantastic

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worlds. And visual effects is always

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- part of that.
- We've created victorian

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England, the world of "the
wizard of oz," the world of

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"Alice In Wonderland." We've
been to present-day Boston

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and we've been to present-day New York.

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Visual effects is a big part
of our show to take us to worlds

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where we otherwise wouldn't
be able to go here in a virtual

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environment and try and make
them feel as real as we possibly can.

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But on Once Upon A Time

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sets and stages in and around
Vancouver, the making of

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fairytale worlds looks
more like science fiction.

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Until powerful computers fill
in the green void in real time to

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let the cast and crew
preview the full scene on set.

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When it's all put together
they're walking around in a

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virtual set. Which is
kind of revolutionary.

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I don't know any show on
television that does as much of

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- that as our show does.
- We give the filmmakers, the

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directors, and everybody on the
set the flexibility that they

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need to shoot these virtual
environments like they were in

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the real place.

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Where is the beast that
reigns over this castle?

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That would be me.

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Every script for Once
Upon A Time is unexpected.

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So you're always finding
something or imagining a giant.

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When I was fighting a dragon I
had to ride this giant pickle.

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I was astride that on my own
just in the middle of the green

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stage with tons of people
watching me as it bucked back

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and forth. As an actor you can use your

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imagination and that's the best part.

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The camera was on this giant
crane and the crane just felt

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like the dragon, you know. It
didn't feel outrageous to me

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to imagine what was going on.
It does feel like the ultimate

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game of pretend on a green screen stage.

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And like every great game
of pretend, you have to trust in

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your invisible friend. In
this case, the animator.

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We have to get to know all
the personality details of the

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character so a lot of times
we'll act it out ourselves.

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We'll get into it. We'll
build some patterns of

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- behavior for them.
- We have such an incredible

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visual effects team and the fact
that we have so much faith in

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them and trust in them, makes it
a lot easier for us to really go

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for it 'cause we know they're
gonna build some horrible

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creature that will make our
flailing look like it makes sense.

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But it doesn't take too close a

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look behind the scenes of
Once Upon A Time and you'll notice

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that all the high-tech wizardry relies
on age-old tools of stagecraft.

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- Oh, there we go.
- Creative lighting.

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- There we are, nighttime.
- Set decoration, smoke, even

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- some mobile greenery.
- The secret of making it look

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alive is to basically
make it look lived in.

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Make sure there's lots of dirt,
lots of debris and make sure

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it's not clean because most life isn't.

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And then once it's populated
with the people and the effects

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brings in things like smoke, and
then you have animals and things

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like that, at least on this
particular set, then it all

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- starts to come to life.
- What I do is essentially

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covering things, hiding actors
behind trees, digging graves,

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anything. You've gotta know your trees.

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You've gotta know your plants.
You've gotta know what's gonna

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happen really quick,
fast. Snip, snip, snip.

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We learned something when we
were shooting the pilot, which

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was that the worse the
weather conditions are here in

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Vancouver, the better
it's gonna look on screen.

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It's sort of our favorite
thing to do is go into the woods

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and make it look beautiful.
It's going to be wet.

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The horses start steaming and
the actors' hair looks a little

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00:13:49,794 --> 00:13:51,995
funny, but you know there's
always moments of panic and then

231
00:13:52,130 --> 00:13:55,499
it kind of all comes together.
The fog, the mist, the

232
00:13:55,633 --> 00:13:59,736
clouds, that's a particular
texture and a particular beauty

233
00:13:59,871 --> 00:14:04,007
that you can't get in a man-made
environment and you can't get

234
00:14:04,142 --> 00:14:07,711
through visual effects
and you can't get in L.A.

235
00:14:07,845 --> 00:14:11,915
When we get the concept
draft, it's their dream.

236
00:14:12,050 --> 00:14:17,254
There may be two dragons, there
may be a battle somewhere, there

237
00:14:17,388 --> 00:14:19,974
may be lions and tigers and then
from there we budget and we all

238
00:14:19,974 --> 00:14:21,798
talk about how can we make that happen.

239
00:14:22,445 --> 00:14:28,031
We do 22 episodes a year, and
it is this insane conveyor belt

240
00:14:28,166 --> 00:14:30,534
- that kind of never stops.
- Not only does all magic have

241
00:14:30,668 --> 00:14:33,904
a price, but for Once Upon A
Time," it needs to be filmed in

242
00:14:34,038 --> 00:14:36,665
- just eight days.
- We're that good.

243
00:14:36,665 --> 00:14:40,043
We have to be. We've
got a lot to shoot, like

244
00:14:40,178 --> 00:14:43,246
- riding a gigantic green pickle.
- It's a mad scramble.

245
00:14:43,381 --> 00:14:47,351
It's the most challenging thing
about the show, the absolutely

246
00:14:47,351 --> 00:14:50,551
- short amount of time.
- We bring it down to what

247
00:14:50,551 --> 00:14:52,222
works and makes the story still real.

248
00:14:52,356 --> 00:14:55,315
That's the challenge of it all.
You go, "okay, okay, now it's

249
00:14:55,315 --> 00:14:58,699
one dragon. And maybe
it's just a cat and

250
00:14:58,699 --> 00:15:02,076
not a lion. And maybe it's
not a castle but a village."

251
00:15:02,076 --> 00:15:04,411
We need a herd of
angry black rhinos.

252
00:15:05,162 --> 00:15:06,827
- Just like going right through.
- Yeah.

253
00:15:09,340 --> 00:15:12,067
Sometimes Once Upon A
Time's success in transporting

254
00:15:12,067 --> 00:15:15,779
an audience to fantastic lands
week after week after week

255
00:15:15,971 --> 00:15:17,819
starts to look a bit like magic itself.

256
00:15:21,302 --> 00:15:22,878
We wanted to write a show for believers.

257
00:15:23,028 --> 00:15:26,410
You know, not everyone believes in magic,
but if you do, we're the show for you.

258
00:15:27,818 --> 00:15:28,825
Real page-Turner, right?

259
00:15:28,959 --> 00:15:33,220
- And next...
- And on its 28th birthday,

260
00:15:34,408 --> 00:15:35,676
the child will return.

261
00:15:38,364 --> 00:15:41,037
It was our way of trying to
create our own fairytale character.

262
00:15:41,171 --> 00:15:44,827
- Like a new one.
- And the final battle will begin.

263
00:15:45,488 --> 00:15:46,006
Stick around.

264
00:15:46,006 --> 00:15:50,313
- We'll tell you all about it.
- The curse, I think you broke it!

265
00:15:58,861 --> 00:16:02,535
> The queen has created a powerful curse.

266
00:16:02,689 --> 00:16:05,673
- No more happy endings.
- What can we do?

267
00:16:06,195 --> 00:16:10,529
That little thing
growing inside your belly...

268
00:16:10,664 --> 00:16:13,637
like I said, everyone in
Storybrooke has a history.

269
00:16:15,873 --> 00:16:20,131
The child will return and
the final battle will begin.

270
00:16:21,775 --> 00:16:25,945
- This is Emma's.
- In a way, it was our way of

271
00:16:26,079 --> 00:16:29,115
trying to create our own fairy
tale character, like a new one.

272
00:16:29,249 --> 00:16:30,250
Find us!

273
00:16:33,231 --> 00:16:34,520
And put it in the context of

274
00:16:34,521 --> 00:16:36,489
all these stories we
grew up with and loved.

275
00:16:36,623 --> 00:16:39,158
Except growing up in 20th
century America, this fairytale

276
00:16:39,292 --> 00:16:42,286
princess has been a runaway from
foster care, gone to prison for

277
00:16:42,286 --> 00:16:44,815
theft, had a baby but gave him
up for adoption and doesn't know

278
00:16:44,815 --> 00:16:46,155
anything about her parents.

279
00:16:57,436 --> 00:16:58,106
Can I help you?

280
00:16:58,540 --> 00:17:02,677
- Are you Emma Swan?
- Yeah.

281
00:17:02,811 --> 00:17:03,825
- Who are you?
- My name's Henry.

282
00:17:03,974 --> 00:17:08,353
I'm your son. Ten years
ago, did you give up a

283
00:17:08,353 --> 00:17:10,616
baby for adoption? That was me.

284
00:17:11,616 --> 00:17:15,219
Emma's always, in a sense, I
think, represented the audience

285
00:17:15,419 --> 00:17:17,747
- a little bit.
- Time is frozen here.

286
00:17:18,357 --> 00:17:21,006
- Excuse me?
- The Evil Queen did it with her curse.

287
00:17:21,411 --> 00:17:22,283
She's always been so

288
00:17:22,283 --> 00:17:24,207
skeptical about everything
and she's always taking in

289
00:17:24,207 --> 00:17:26,582
everything for the first time
the same way the audience would

290
00:17:26,582 --> 00:17:29,559
- be watching the show.
- The Evil Queen sent a bunch

291
00:17:29,559 --> 00:17:33,399
- of fairytale characters here?
- Yeah, and now they're trapped.

292
00:17:33,601 --> 00:17:35,321
So I've had the pleasure of

293
00:17:35,321 --> 00:17:38,547
being able to react to
things like, they're crazy.

294
00:17:38,547 --> 00:17:40,788
- It's true.
- Then why doesn't everyone just leave?

295
00:17:41,151 --> 00:17:41,689
They can't.

296
00:17:41,689 --> 00:17:45,216
- If they try, bad things happen.
- Henry!

297
00:17:46,512 --> 00:17:48,484
- What are you doing here?
- Oftentimes we start with a

298
00:17:48,484 --> 00:17:50,637
concept. So in the pilot, for example,

299
00:17:51,038 --> 00:17:55,455
Emma is coming to town. We
want this town to be down on

300
00:17:55,455 --> 00:17:59,128
its luck and we want Emma to be
the shot of color that comes in

301
00:17:59,227 --> 00:18:01,799
and that leads to the yellow
bug, and that leads to the red

302
00:18:01,799 --> 00:18:03,767
jacket, and all these other kind of ideas.

303
00:18:04,368 --> 00:18:07,242
- He doesn't seem cursed to me.
- They don't remember who they are.

304
00:18:09,282 --> 00:18:11,476
Convenient. All right. I'll play.

305
00:18:11,665 --> 00:18:13,599
- Who's he supposed to be?
- Jiminy Cricket.

306
00:18:13,780 --> 00:18:15,839
Right, the lying thing.
I thought your nose grew a little bit.

307
00:18:16,210 --> 00:18:17,278
I'm not Pinocchio.

308
00:18:18,130 --> 00:18:20,327
Of course you're not,
because that would be ridiculous.

309
00:18:21,163 --> 00:18:24,481
Of course, this story,
like all fairy tales, needed a

310
00:18:24,481 --> 00:18:27,418
believer. In this case, Emma's long-lost

311
00:18:27,418 --> 00:18:29,801
son, Henry. But when we meet him, he's been

312
00:18:29,801 --> 00:18:32,193
living among the fairytale
folk of Storybrooke.

313
00:18:32,193 --> 00:18:36,941
Adopted by the mayor, Regina
Aka, the Evil Queen.

314
00:18:39,704 --> 00:18:41,989
The missing pages, where are they?

315
00:18:44,305 --> 00:18:46,103
It's an old book, stuff's missing.

316
00:18:46,556 --> 00:18:48,603
- What do you care?
- I care because you think I'm

317
00:18:48,603 --> 00:18:51,801
- some Evil Queen.
- Jared Gilmore plays Henry,

318
00:18:52,773 --> 00:18:56,540
the boy who has found a book of Fairy
Tales he believes explains everything.

319
00:18:57,082 --> 00:18:58,661
Okay, this might take a

320
00:18:59,328 --> 00:19:02,556
while. Henry is the son of Emma and

321
00:19:02,556 --> 00:19:06,131
Neal. And Emma is the daughter of

322
00:19:06,131 --> 00:19:09,481
Snow White and Prince
Charming. And Neal is the son of

323
00:19:10,241 --> 00:19:12,518
Rumplestiltskin.
Rumplestiltskin is of course his

324
00:19:12,518 --> 00:19:18,378
real grandpa. And Belle is kind
of his other grandmother.

325
00:19:27,946 --> 00:19:29,163
You left this in my car.

326
00:19:31,013 --> 00:19:33,654
No one can really imagine
what it means to have the

327
00:19:33,654 --> 00:19:36,712
responsibility of saving
people's happy endings, or being

328
00:19:36,712 --> 00:19:38,413
responsible for someone's happiness.

329
00:19:38,711 --> 00:19:40,775
It's an interesting pressure
that I think that people put on

330
00:19:40,775 --> 00:19:43,216
- themselves in real life.
- I was hoping when I brought

331
00:19:43,216 --> 00:19:45,818
you back things would change
here, that the final battle

332
00:19:45,818 --> 00:19:48,425
- would begin.
- I'm not fighting any battles, kid.

333
00:19:48,425 --> 00:19:50,175
Yes, you are.

334
00:19:50,744 --> 00:19:52,310
You're here because it's your destiny.

335
00:19:52,310 --> 00:19:54,051
You're gonna bring back the happy endings.

336
00:19:54,051 --> 00:19:55,653
Come on, cut it with the book crap.

337
00:19:55,653 --> 00:19:58,524
- It's enough already.
- I don't know that Emma will

338
00:19:58,524 --> 00:20:00,523
ever fully embrace the
idea of being a savior.

339
00:20:00,523 --> 00:20:04,313
- I have to go.
- Go, you mean leave

340
00:20:04,313 --> 00:20:06,127
- Storybrooke?
- Yeah.

341
00:20:06,551 --> 00:20:08,111
I spoke to Regina. We made a deal.

342
00:20:08,111 --> 00:20:11,249
I'm still going to be able to
see you, just not every day.

343
00:20:11,628 --> 00:20:14,552
No. No, you can't trust her!

344
00:20:15,121 --> 00:20:20,275
- Henry, this isn't a story.
- Of course, everything changes

345
00:20:20,275 --> 00:20:23,064
when Henry eats the
poisoned apple turnover.

346
00:20:24,032 --> 00:20:25,953
- Get it?
- You can't eat that.

347
00:20:25,953 --> 00:20:27,149
- It's poison.
- What?

348
00:20:27,888 --> 00:20:30,792
Don't you see the deal? It
was all a trick to get you to

349
00:20:30,792 --> 00:20:33,628
eat that. To get rid of the savior.

350
00:20:33,834 --> 00:20:38,781
You may not believe in the curse
or in me, but I believe in you.

351
00:20:45,976 --> 00:20:48,058
See? Now, do you wanna have some ice

352
00:20:48,058 --> 00:20:48,627
cream with
that? About...

353
00:20:48,627 --> 00:20:49,931
and we can go back
to talking about...

354
00:20:51,244 --> 00:20:54,953
Henry? Henry!

355
00:20:55,982 --> 00:20:59,216
The sequence in the hospital
where Emma's realizing she needs

356
00:20:59,216 --> 00:21:02,476
to do whatever it takes to
save her son and then ultimately

357
00:21:02,476 --> 00:21:05,795
thinking that there is nothing
she can do, and when she goes to

358
00:21:05,795 --> 00:21:08,795
kiss him to say good-bye, it
totally takes a new turn on true

359
00:21:08,795 --> 00:21:11,145
- love's kiss.
- I love you, Henry.

360
00:21:17,509 --> 00:21:19,493
Forever we've been raised
with these ideas of fairy tales

361
00:21:19,635 --> 00:21:23,238
where true love's kiss is
Snow White and her prince, and

362
00:21:23,372 --> 00:21:25,514
Cinderella and her prince, and
sleeping beauty and her prince,

363
00:21:25,514 --> 00:21:28,510
and this show really is about family.

364
00:21:28,644 --> 00:21:32,247
And this was such a big moment
to express to our audience that

365
00:21:32,381 --> 00:21:35,417
true love comes in many forms,
that Emma's true love's kiss

366
00:21:35,551 --> 00:21:37,552
with her son was going to save his life.

367
00:21:37,687 --> 00:21:47,062
I love you too. You saved me.

368
00:21:47,196 --> 00:21:48,921
What's going on?

369
00:21:50,718 --> 00:21:51,701
The curse.

370
00:21:53,035 --> 00:21:54,992
I think you broke it.

371
00:21:59,619 --> 00:22:00,975
What could possibly go wrong?

372
00:22:00,976 --> 00:22:06,047
- What is that?
- Wait for it.

373
00:22:27,949 --> 00:22:29,884
- The curse... it's broken?
- It appears so.

374
00:22:30,018 --> 00:22:32,003
So what do we do now?

375
00:22:34,322 --> 00:22:35,435
At the end of our first

376
00:22:35,435 --> 00:22:37,940
- season, the curse is broken.
- No, no!

377
00:22:39,811 --> 00:22:42,930
If I were you, your majesty,
I'd find a place to hide.

378
00:22:43,064 --> 00:22:44,465
The writers kind of sprung that one us.

379
00:22:44,599 --> 00:22:48,606
I mean, curses do break, but
usually that's the end of the story.

380
00:22:48,856 --> 00:22:49,926
That was an unexpected

381
00:22:49,926 --> 00:22:50,686
surprise. We thought that the curse would

382
00:22:50,686 --> 00:22:51,969
be broken at the end of the entire series.

383
00:22:53,969 --> 00:22:55,462
If the curse is broken,
why didn't we go back?

384
00:22:55,462 --> 00:22:57,227
Because there's nothing to go back to.

385
00:22:59,228 --> 00:23:02,148
- That land is gone.
- And of course the people of

386
00:23:02,148 --> 00:23:04,350
Storybrooke can't really go
back to who they were before.

387
00:23:04,918 --> 00:23:07,792
A lot happened to those
characters when they didn't know

388
00:23:07,792 --> 00:23:10,260
who they were. And that changed them.

389
00:23:10,260 --> 00:23:13,930
And someone else had changed.
Sure, she's still vengeful

390
00:23:13,930 --> 00:23:15,404
- and violent...
- I should have killed you when

391
00:23:15,404 --> 00:23:17,736
I could. And now, I can.

392
00:23:19,062 --> 00:23:20,489
With a nasty penchant
for ripping out hearts.

393
00:23:20,730 --> 00:23:22,796
But pure evil is just so middle ages.

394
00:23:23,401 --> 00:23:27,599
- Your choice.
- Regina is a villain for our times.

395
00:23:28,190 --> 00:23:29,744
Well, there you go.

396
00:23:30,554 --> 00:23:33,756
- You see where good gets you?
- For us, the Evil Queen wasn't

397
00:23:33,890 --> 00:23:35,558
just evil. She was tortured.

398
00:23:37,360 --> 00:23:39,929
- Rotten to the core.
- And so like a female

399
00:23:40,063 --> 00:23:43,432
- Tony soprano...
- I just wanted to be loved.

400
00:23:43,567 --> 00:23:46,635
- I just wanted to win for once!
- Over the next three seasons,

401
00:23:46,770 --> 00:23:50,239
Regina would become a gangster
we all couldn't help but love.

402
00:23:50,373 --> 00:23:52,841
I love it. It's a ton of fun.

403
00:23:52,976 --> 00:23:58,983
It's been a joy to see her
progression from being this evil queen

404
00:23:59,891 --> 00:24:01,778
to now a semi-hero.

405
00:24:02,595 --> 00:24:06,288
And the transformation of her character
is also stitched into her costumes.

406
00:24:06,423 --> 00:24:08,891
Would you like something to drink?

407
00:24:09,025 --> 00:24:10,459
Do I look like I need a drink?

408
00:24:10,593 --> 00:24:15,065
Here is another Evil Queen.
This is what we call a "brouse."

409
00:24:15,521 --> 00:24:20,402
It is a combination bra-blouse
that goes underneath this.

410
00:24:20,987 --> 00:24:24,713
Now this is Evil Queen going to battle.

411
00:24:24,713 --> 00:24:27,910
- We cannot defeat them.
- Do not tell me what we can or can't do.

412
00:24:28,244 --> 00:24:30,583
As she started to become this

413
00:24:30,583 --> 00:24:33,415
Evil Queen, the costumes got a
little more elaborate and they

414
00:24:33,550 --> 00:24:35,920
- got bigger.
- When she's full-on evil,

415
00:24:35,920 --> 00:24:39,087
she's just full-on evil.
When she's a seductress...

416
00:24:39,222 --> 00:24:42,342
You're a tortured one,
aren't you, huntsman?

417
00:24:42,342 --> 00:24:46,428
We gave her form-fitting,
velvet dresses, very sexy.

418
00:24:46,563 --> 00:24:49,742
- And she wore them very well.
- Regina, I'm not afraid of you.

419
00:24:51,015 --> 00:24:54,710
But you really, really should be

420
00:24:54,933 --> 00:24:57,734
As Regina started to sort of

421
00:24:57,734 --> 00:25:02,837
cross over into this heroic
human being, the challenges for

422
00:25:02,837 --> 00:25:06,947
her were more like, this
doesn't feel comfortable.

423
00:25:07,835 --> 00:25:12,968
It's like she's almost kind of
putting on someone else's suit

424
00:25:12,968 --> 00:25:15,485
and trying it on for the first
time and it's like, it doesn't

425
00:25:15,485 --> 00:25:17,912
- quite fit.
- What the hell am I wearing?

426
00:25:20,863 --> 00:25:24,422
Her initial instinct is to do
what she's always done, which is

427
00:25:24,619 --> 00:25:28,261
- use magic.
- I've missed you.

428
00:25:28,261 --> 00:25:30,919
What we like to explore
is characters who do the wrong

429
00:25:30,919 --> 00:25:33,481
thing, realize they have done
the wrong thing and have to

430
00:25:33,648 --> 00:25:35,963
figure out how to live with
that, how to either try to

431
00:25:36,085 --> 00:25:39,208
redeem themselves or try to
justify what they've done.

432
00:25:42,850 --> 00:25:47,356
I love you, Henry. More than anything.

433
00:25:47,703 --> 00:25:50,649
I think my heart is the
part of me that's in Regina.

434
00:25:51,612 --> 00:25:53,654
I have a big heart. I do.

435
00:25:53,852 --> 00:25:56,232
At least that's what everyone
tells me, so I believe them.

436
00:25:57,491 --> 00:26:01,499
My relationship with Jared, when
we first met, we actually met in

437
00:26:01,687 --> 00:26:06,626
the audition room and I looked
at him and I said, "you're gonna

438
00:26:06,892 --> 00:26:10,922
play my son." And I just knew that he was

439
00:26:11,112 --> 00:26:14,768
gonna get the part, and I didn't
even know if I had gotten the

440
00:26:14,950 --> 00:26:17,972
part yet, but I knew he was gonna get it.

441
00:26:18,156 --> 00:26:19,553
You said you wanted to change.

442
00:26:21,159 --> 00:26:23,270
- To be better.
- It's the evolution of these

443
00:26:23,440 --> 00:26:27,196
characters that people can
relate to and what we've seen

444
00:26:27,336 --> 00:26:29,934
with her and this transformation
gives a lot of people hope.

445
00:26:30,870 --> 00:26:36,098
That you don't have to stay how
you are, that you have a choice.

446
00:26:37,706 --> 00:26:39,024
She saved you. She saved both of you.

447
00:26:40,252 --> 00:26:42,618
- Thank you.
- You're welcome.

448
00:26:44,009 --> 00:26:47,008
This show is about hope.
This show is about love.

449
00:26:47,638 --> 00:26:51,208
This show is about family, and
everyone can relate to that.

450
00:26:51,901 --> 00:26:53,427
- Welcome back.
- For the Once Upon A Time

451
00:26:53,427 --> 00:26:56,909
writers, operation nuanced
villain is a success.

452
00:26:57,377 --> 00:27:01,033
And the greatest thing ever
for us was season two, all the

453
00:27:01,033 --> 00:27:05,399
heroes left to go celebrate Emma
and Mary Margaret's return and

454
00:27:05,567 --> 00:27:08,823
no one invited the Evil Queen.
She had just spent, you know,

455
00:27:08,962 --> 00:27:11,810
30 episodes trying to kill
them, cast curses, we saw the

456
00:27:12,061 --> 00:27:15,288
horribleness she did and the
audience was like, "how they

457
00:27:15,478 --> 00:27:17,972
could not invite her?"
And we thought, that's the

458
00:27:18,202 --> 00:27:20,212
victory. People love the queen.

459
00:27:21,089 --> 00:27:24,231
- People want redemption.
- Sorry I'm late.

460
00:27:24,831 --> 00:27:26,947
We don't want evil
people to just be evil.

461
00:27:27,339 --> 00:27:29,762
It's not interesting. What's
interesting for us is the

462
00:27:30,001 --> 00:27:33,810
- struggle to be good.
- Stop now.

463
00:27:34,209 --> 00:27:38,023
- We're not gonna let you succeed.
- What are you doing?

464
00:27:38,367 --> 00:27:39,911
Changing.

465
00:27:42,383 --> 00:27:43,477
Heroes don't kill.

466
00:27:43,608 --> 00:27:46,743
- So now you're a hero.
- Today I am.

467
00:27:46,950 --> 00:27:50,974
It turns out even Evil Queens
can be loved, and not just by fans

468
00:27:51,522 --> 00:27:52,139
Regina.

469
00:27:52,139 --> 00:27:56,081
- I choose you.
- What's interesting is, the

470
00:27:56,081 --> 00:28:00,008
audience from what I've seen in
Twitter or social network, it's

471
00:28:00,008 --> 00:28:02,779
amazing that the Evil Queen
was such an evil character that

472
00:28:02,779 --> 00:28:05,806
killed people and was...
you know... the villain.

473
00:28:06,232 --> 00:28:10,102
And people love her so much that
they're really following that journey.

474
00:28:15,868 --> 00:28:17,662
I guess I'd be lying if I didn't

475
00:28:17,662 --> 00:28:20,762
say I kind of root for Robin
and Regina to end up together.

476
00:28:20,762 --> 00:28:22,492
But I didn't say that. >

477
00:28:25,942 --> 00:28:27,892
When we come back, love...

478
00:28:28,357 --> 00:28:29,489
Storybrooke style.

479
00:28:41,489 --> 00:28:45,258
Ah, fairytale romance. You
just know from the beginning

480
00:28:45,393 --> 00:28:48,962
the prince and the princess
were meant to be together.

481
00:28:49,096 --> 00:28:50,721
- Well, that's the problem.
- Yeah.

482
00:28:50,912 --> 00:28:54,490
Because in this fairytale, it's
not like that most of the time.

483
00:28:54,697 --> 00:28:57,387
Come on, the one thing that
makes everyone crazy is love.

484
00:28:57,587 --> 00:28:59,930
True. But as they say, before you meet

485
00:28:59,930 --> 00:29:02,654
the handsome prince, you've
got to kiss a lot of...

486
00:29:02,654 --> 00:29:03,705
You know.

487
00:29:04,410 --> 00:29:05,326
Really?

488
00:29:05,519 --> 00:29:07,252
Okay I'll bet the rest of you

489
00:29:07,252 --> 00:29:10,672
totally saw that coming.
But I, honestly, did not.

490
00:29:11,137 --> 00:29:14,646
I put it in my contract.
I said must kiss numerous

491
00:29:14,646 --> 00:29:16,337
gorgeous men, consistently.

492
00:29:17,702 --> 00:29:18,876
Love is in a lot of ways the

493
00:29:18,876 --> 00:29:22,235
franchise of the show because
that is what all the characters

494
00:29:22,471 --> 00:29:24,419
- are looking for.
- And it was really important

495
00:29:24,602 --> 00:29:28,146
for us to find a way to kind
of do a little twist on that.

496
00:29:29,383 --> 00:29:31,562
Those twists start to take
shape in the writers' room.

497
00:29:32,133 --> 00:29:34,843
What about Emma and hook.
What to do want to do in terms

498
00:29:35,033 --> 00:29:36,894
- of their relationship?
- Kill them.

499
00:29:40,223 --> 00:29:43,045
Please, you couldn't handle it.

500
00:29:43,481 --> 00:29:46,735
Hook sees an element of himself in Emma.

501
00:29:46,735 --> 00:29:50,726
She's lost and she was a thief
and, you know, but he has a real

502
00:29:50,726 --> 00:29:52,517
connection with her. And
that's a huge thing for

503
00:29:52,517 --> 00:29:56,384
Captain Hook to lay his cards
out on the table emotionally.

504
00:29:56,384 --> 00:29:57,569
Emma is a strong, smart survivor.

505
00:29:58,041 --> 00:30:01,688
Hook's a strong, smart survivor.
We're pairing men and women that

506
00:30:02,401 --> 00:30:07,591
are a match in that sense and
seeing the chemistry and the

507
00:30:07,591 --> 00:30:09,470
excitement. And I really appreciate the way

508
00:30:09,666 --> 00:30:11,837
- the writers have done this.
- We take these characters, we

509
00:30:11,998 --> 00:30:14,008
bring them in here. We
play, we mash them around.

510
00:30:14,329 --> 00:30:16,770
It's also a sense of, you
know, what can we get away with?

511
00:30:16,939 --> 00:30:19,384
- Hook, we talked Regina.
- Let's pair him up with Belle.

512
00:30:20,318 --> 00:30:24,016
And she is trying to make up
for not seeing that gold was

513
00:30:24,226 --> 00:30:27,022
manipulating everything sooner
and they can have a journey

514
00:30:27,186 --> 00:30:30,442
- together to kind of some closure.
- That's good because you have

515
00:30:30,442 --> 00:30:34,121
the two people that gold, you
know, kind of ruined both their hearts.

516
00:30:36,888 --> 00:30:39,249
Mr. Gold, aka Rumplestiltskin,

517
00:30:39,249 --> 00:30:42,090
is definitely the guy
that no online algorithm

518
00:30:42,090 --> 00:30:47,377
would match with anyone.
Well, except the Eddy and Adam

519
00:30:47,377 --> 00:30:49,953
- algorithm.
- For us, what was really fun

520
00:30:49,953 --> 00:30:52,919
about this was saying, well, what
if the beast from Beauty and The Beast

521
00:30:52,919 --> 00:30:54,385
was actually Rumplestiltskin?

522
00:30:56,912 --> 00:30:59,019
The Beast's girlfriend,
of course, is Belle.

523
00:31:00,077 --> 00:31:02,822
When we meet her in Storybrooke,
she's locked up for insanity.

524
00:31:02,993 --> 00:31:06,135
And yes, she is in love with a
conniving, dark lizard man who

525
00:31:06,275 --> 00:31:08,637
even scares Regina. But she's not crazy.

526
00:31:08,927 --> 00:31:13,040
- Just crazy in love.
- Belle, being this incredibly

527
00:31:13,220 --> 00:31:16,812
intelligent woman, she's the
only one thus far who's able to

528
00:31:16,812 --> 00:31:20,223
sort of see beneath the surface
and see the real man beneath

529
00:31:20,363 --> 00:31:22,576
Rumple. And we're really excited to let

530
00:31:22,732 --> 00:31:24,915
the audience see another layer
and pull back another layer in

531
00:31:25,086 --> 00:31:26,819
- that character.
- I'll sit down here.

532
00:31:27,056 --> 00:31:29,720
Before shooting a pivotal
scene, eddy and Adam like to go

533
00:31:29,880 --> 00:31:32,702
through it with the actor.
This is Émilie de Ravin, who

534
00:31:32,870 --> 00:31:35,192
- plays Belle.
- She's really, really, trying

535
00:31:35,400 --> 00:31:37,618
- to get through to him.
- That's exactly right, and

536
00:31:37,788 --> 00:31:40,304
that's why he doesn't believe
that somebody like you would

537
00:31:40,486 --> 00:31:42,276
ever love him. And that's what you need to

538
00:31:42,502 --> 00:31:43,782
- throw in his face.
- Or anyone.

539
00:31:43,961 --> 00:31:45,757
That is where I am headed
and still kind of, obviously,

540
00:31:45,978 --> 00:31:50,058
developing for the next, what,
three days before I go up there.

541
00:31:51,348 --> 00:31:53,998
Very cool. We're excited to
see you bring her to life.

542
00:31:56,772 --> 00:31:58,103
What's happening is, we are

543
00:31:58,297 --> 00:32:00,395
turning something from straight
fairytale to a little more

544
00:32:00,533 --> 00:32:02,582
modern edgy kind of situation.

545
00:32:05,322 --> 00:32:08,736
For us originally, Rumplestiltskin was
Mick Jagger and Keith Richards rolled into

546
00:32:08,885 --> 00:32:11,441
one. We wanted that great rock star

547
00:32:11,441 --> 00:32:14,808
kind of appeal to him, and
that danger, that sexiness.

548
00:32:15,303 --> 00:32:17,963
And eddy Kitsis, our producer
said, "make him a rock star."

549
00:32:18,580 --> 00:32:21,810
And that's what we did. It
was all crocodile skins and

550
00:32:22,078 --> 00:32:27,670
quite elaborate and very
time-consuming and all of a

551
00:32:27,670 --> 00:32:29,034
sudden he became a rock star.

552
00:32:30,754 --> 00:32:31,937
Visual 2 golf take one.

553
00:32:33,669 --> 00:32:36,231
"Skin deep" is quite a
special episode for myself and,

554
00:32:36,431 --> 00:32:38,935
- I think, for Emilie.
- So I have had a couple of

555
00:32:39,108 --> 00:32:43,223
months to look around, you
know, and upstairs there is

556
00:32:43,597 --> 00:32:47,745
clothing... small,
as if for a child.

557
00:32:50,890 --> 00:32:53,600
Was it yours? Or was there a son?

558
00:32:55,882 --> 00:33:00,425
You really saw another side
to Rumplestiltskin... that he

559
00:33:00,621 --> 00:33:03,253
was lonely. It was kind
of representative of

560
00:33:03,459 --> 00:33:07,058
everyone's got a chance at love
and no matter how horrible or

561
00:33:07,447 --> 00:33:10,875
repugnant they may be, and this
was Rumplestiltskin's chance right there.

562
00:33:17,618 --> 00:33:18,390
Thank you.

563
00:33:18,567 --> 00:33:20,615
He caught her from the curtains.

564
00:33:20,826 --> 00:33:25,759
It was that moment of him having
this physical intimacy with

565
00:33:26,277 --> 00:33:31,569
someone that Belle realized that
she is right, there's more in there.

566
00:33:37,507 --> 00:33:38,320
Cut.

567
00:33:40,275 --> 00:33:43,421
He puts up these faces, these
many faces, through his voices

568
00:33:43,687 --> 00:33:45,357
and his idiosyncrasies.

569
00:33:47,521 --> 00:33:48,845
And the only person able to

570
00:33:48,845 --> 00:33:52,236
- break through that was Belle.
- How you can see the man

571
00:33:52,236 --> 00:33:56,483
behind the monster, I will never know.

572
00:33:58,369 --> 00:34:01,352
I guess what I'm able to
bring to gold, particularly, is

573
00:34:02,311 --> 00:34:04,725
to make you kind of wonder
whether you like this guy or

574
00:34:04,860 --> 00:34:06,971
not. And that's hopefully what I've

575
00:34:06,971 --> 00:34:08,341
been able to do over the last four years.

576
00:34:11,376 --> 00:34:14,764
Rumple, hey, let's
go! This is what he wants.

577
00:34:16,420 --> 00:34:19,752
- He has to die, Belle.
- No, he doesn't!

578
00:34:21,313 --> 00:34:24,315
There is still good in you.
Please show me that I am not wrong

579
00:34:29,507 --> 00:34:32,041
I don't think Rumplestiltskin's a
bad guy. I think he's struggling.

580
00:34:32,041 --> 00:34:34,706
I think he's like an addict
struggling with an addiction.

581
00:34:34,706 --> 00:34:40,253
He's... just got himself in
this deep, dark hole of being

582
00:34:40,413 --> 00:34:46,760
- addicted to power and magic.
- But as anyone who's ever

583
00:34:46,966 --> 00:34:50,700
loved a fairy tale knows,
magic always comes with a price.

584
00:34:54,933 --> 00:34:58,527
Please, put the dagger
down and let me explain.

585
00:34:59,345 --> 00:35:01,270
I thought I saw something in you.

586
00:35:02,182 --> 00:35:06,358
Something good. Your
true love is your power.

587
00:35:07,060 --> 00:35:09,367
I think there's a lot of
strength that's been brought out

588
00:35:09,865 --> 00:35:11,683
in Belle. She's always, obviously, been a

589
00:35:11,839 --> 00:35:16,308
strong individual but from their
relationship, dealing with his

590
00:35:17,594 --> 00:35:21,568
sort of ups and downs with the
dark side, the light side, the

591
00:35:21,768 --> 00:35:25,711
struggles, has even built
her into a stronger woman.

592
00:35:26,337 --> 00:35:27,944
- Please.
- No!

593
00:35:28,608 --> 00:35:34,762
Rumplestiltskin, I command
you to leave Storybrooke.

594
00:35:35,409 --> 00:35:36,866
Belle, no. Please.

595
00:35:37,895 --> 00:35:40,357
- I won't be able to come back.
- I know.

596
00:35:42,831 --> 00:35:45,974
- I don't want to lose you.
- You already have.

597
00:35:46,897 --> 00:35:49,032
I'm afraid. Belle!

598
00:35:55,457 --> 00:35:58,399
But don't give up on us.
Because you know how it is here.

599
00:35:59,570 --> 00:36:04,252
- Nothing ever ends.
- So next, let's see if we can

600
00:36:04,606 --> 00:36:07,411
shake some secrets out of eddy
and Adam about what's coming up.

601
00:36:07,894 --> 00:36:10,056
Will you show Regina's death? Kidding!

602
00:36:21,112 --> 00:36:24,507
By now we know that in Storybrooke,
true love's kiss comes with a twist.

603
00:36:26,749 --> 00:36:27,803
Mom!

604
00:36:28,006 --> 00:36:31,870
And no matter if you're good or evil,
it all comes down to family.

605
00:36:33,997 --> 00:36:35,357
At the end of the day, the show is

606
00:36:35,357 --> 00:36:38,322
really about this family and
them finding love with each other.

607
00:36:39,370 --> 00:36:40,376
What are you doing?

608
00:36:40,934 --> 00:36:43,276
- I'm finding my son!
- I think because the

609
00:36:43,276 --> 00:36:47,356
underlying message is hope and
family and what it means to be a

610
00:36:47,594 --> 00:36:49,392
- family that has hope.
- Hey, kid.

611
00:36:50,400 --> 00:36:51,532
Do you want to meet your new Uncle?

612
00:36:51,993 --> 00:36:54,970
It's nice to see that that's
translating to the audience and

613
00:36:55,386 --> 00:36:57,615
that they're really taking it
to heart and that they're then

614
00:36:57,804 --> 00:37:00,761
pouring it back toward us
in their excitement over it.

615
00:37:01,211 --> 00:37:02,249
- Mom!
- Stop!

616
00:37:02,625 --> 00:37:03,747
Please! Don't come any closer!

617
00:37:03,865 --> 00:37:05,945
Of course, all families have problems.

618
00:37:06,146 --> 00:37:08,263
For you, maybe it's
mortgages or report cards.

619
00:37:08,648 --> 00:37:13,451
For us, it's curses and witches and
fairies and that version of things.

620
00:37:13,451 --> 00:37:15,768
Do not wake my baby!

621
00:37:16,003 --> 00:37:18,457
And if you think your family
get-togethers are complicated,

622
00:37:20,076 --> 00:37:21,158
come by our place.

623
00:37:22,885 --> 00:37:26,191
It's, you know, our own great
dysfunctional family.

624
00:37:27,474 --> 00:37:29,736
Look, I know that we
were under the Snow Queen's curse.

625
00:37:29,736 --> 00:37:31,276
We are under the curse.

626
00:37:31,276 --> 00:37:33,223
Charming and snow
took it one step further.

627
00:37:34,271 --> 00:37:36,343
They fell in love on the
set and now have a baby...

628
00:37:36,564 --> 00:37:42,175
- a family of their own.
- Real life, you know... you

629
00:37:42,310 --> 00:37:44,609
- know, of course, it bleeds over.
- He's my best friend.

630
00:37:45,229 --> 00:37:50,219
I wasn't, you know, looking to
fall for one of my co-stars and

631
00:37:50,618 --> 00:37:53,258
we definitely had those talks
early on about like, "but how

632
00:37:53,427 --> 00:37:58,018
does this affect work?" We
probably annoy everybody to death.

633
00:38:00,029 --> 00:38:02,552
So what would make the
perfect day for Prince Charming?

634
00:38:03,880 --> 00:38:05,048
Where he doesn't have to deal

635
00:38:05,048 --> 00:38:09,190
with dragons and witches, and
curses and spells, where he can

636
00:38:09,528 --> 00:38:11,315
live out his life with his family.

637
00:38:12,597 --> 00:38:14,487
You wanna come in and have coffee?

638
00:38:15,243 --> 00:38:18,075
I could write a happy ending
for hook, it would be that he

639
00:38:18,315 --> 00:38:21,837
could sit at home, with
Emma, and drink rum.

640
00:38:25,549 --> 00:38:27,051
But you know that's not gonna happen.

641
00:38:29,611 --> 00:38:32,211
So, eddy and Adam, what you got for us?

642
00:38:34,623 --> 00:38:36,592
There are some new villains
who are rearing their heads.

643
00:38:37,828 --> 00:38:40,030
Okay, villains.
Something new and different.

644
00:38:41,234 --> 00:38:43,082
Cruella! I thought I caught a whiff of

645
00:38:43,377 --> 00:38:44,671
desperation and gin.

646
00:38:45,682 --> 00:38:46,355
What else?

647
00:38:48,412 --> 00:38:50,495
Now that we're in season
four, we're gonna find out new

648
00:38:50,495 --> 00:38:53,070
secrets about Snow White
and Charming's past.

649
00:38:53,816 --> 00:38:56,063
And, of course, you know,
we're gonna wonder

650
00:38:56,063 --> 00:38:57,812
if a villain can get a happy ending.

651
00:39:00,786 --> 00:39:01,800
So, stick around.

652
00:39:02,401 --> 00:39:03,597
You're about to find out.

653
00:39:04,146 --> 00:39:05,753
Once Upon A Time.

654
00:39:06,663 --> 00:39:08,802
Synced and Corrected by Nsiko
www.Addic7ed.com

